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From the publishers oF<br />
➤ Sound systems for every budget<br />
➤ How to turn an average audio<br />
system into something amazing<br />
➤ Fine-tuning your listening room<br />
➤ Celebrity Q&A with Earth, Wind<br />
& Fire’s Ralf Johnson
special report HIGH-PERFORMANCE AUDIO<br />
Maximizing Your<br />
Listening Enjoyment<br />
The pieces and parts that turn an average<br />
system into audiophile gold. By Grant Clauser<br />
When most people walk into a home<br />
electronics store, the big screens are usually<br />
what initially grab their attention. Yet for most<br />
of the history of home electronics, music was<br />
the focus, and that focus was played through<br />
two speakers.<br />
Talk to people over a certain age (I won’t<br />
say what age), and they’ll wax nostalgic over<br />
their first stereo system—usually purchased in<br />
college, or shortly after when they landed that first<br />
post-college job. So why has music taken a back<br />
seat to video? Is music no longer important?<br />
The answer clearly is that music still is<br />
important, but our hectic lifestyles have pulled<br />
us away from one of the greatest pleasures<br />
technology can provide. In fact, Nielson Sound-<br />
Scan—the company that tracks what people<br />
listen to—released a report in July revealing<br />
that in the first half of this year, album sales<br />
have risen for the first time since 2004. And<br />
we’re talking actual, physical media, not digital<br />
sales (which are also up, by the way). Music<br />
clearly is still important.<br />
There are other signs that the audiophile<br />
in all of us is starting to break out. Turntables<br />
and LPs are popular again, and not just the<br />
USB turntables that allow people to rip their<br />
old albums to their iPods.<br />
Bob Cole, president of World Wide Stereo<br />
in Montgomeryville, Penn., actually thinks<br />
flat-panel TVs have contributed to increased<br />
interest in quality audio products. “The thinner<br />
the TV panel, the worse the built-in speakers<br />
sound,” he says, which is leading more people<br />
to invest in receivers and speakers to balance<br />
out their entertainment system.<br />
Even so, many people are still missing out<br />
on the true beauty of their favorite music. Overly<br />
separates are the way to go when you want a topnotch<br />
listening experience. Pictured here are a few<br />
of Krell’s amplifiers, sAcD/cD player and preamp.<br />
compressed digital files, inexpensive mass<br />
produced components, poor understanding<br />
of basic audio concepts and the general fast<br />
pace of our lives all contribute to a condition<br />
where people believe that the washed out lowrange<br />
sounds that come from their earbuds<br />
or desktop speakers are perfectly adequate.<br />
This couldn’t be further from the truth. A<br />
high-performance audio experience isn’t difficult;<br />
nor does it require esoteric equipment or<br />
second mortgages. However, it does require<br />
the consumer to slow down long enough to<br />
listen and <strong>learn</strong> <strong>about</strong> the differences between<br />
a good and great audio system.<br />
Hear Like An Audiophile<br />
Our ears, despite years of abuse by loud concerts<br />
and July 4th explosions, are pretty good<br />
at hearing fine detail. The problem is that we<br />
often don’t let them, so we don’t know what<br />
we’re missing. Cole notes that most people<br />
don’t believe they can hear like audiophiles<br />
so that they can hear the difference between<br />
good sound and bad sound, but he knows<br />
from experience that they’re wrong. “It’s in our<br />
DNA to tell the difference between sounds.<br />
We survived in the wilderness by hearing.”<br />
Try this experiment. Go sit in your backyard<br />
48 ElEctronic HousE September 2011 EHInstallers.com
after midnight with a friend or spouse and have<br />
a normal conversation. Then stop talking. Pay<br />
attention. Before long you’ll be surprised at how<br />
loud your backyard really is. You may hear insects<br />
and animals you never noticed, maybe a freeway<br />
that’s a mile away or the hum of a neighbor’s TV.<br />
Everyone is capable of fine detail appreciation,<br />
if they just let themselves notice it.<br />
And that’s what high-performance audio is<br />
<strong>about</strong>—hearing the things you didn’t know were<br />
there. From the subtle rasp of a guitar pick on<br />
the E string or the inhale between words in<br />
a verse. These things are the texture and life<br />
of music, but poor quality gear can’t reveal<br />
it. Once you hear it, you can’t live without it.<br />
The Components You’ll Need<br />
The typical iPod speaker system or all-in-one<br />
home theater-in-a-box system can’t deliver the<br />
subtle nuances your music contains. Highperformance<br />
products include more finely<br />
tuned parts, audiophile-grade construction<br />
and hand-built attention.<br />
The ingredients of a high-performance<br />
system aren’t complicated: a quality source<br />
component, most likely a CD player; a preamp<br />
or integrated amplifier and processor, full-range<br />
speakers (a subwoofer may be optional depending<br />
on the specifics) and quality interconnects<br />
and speaker wire. Additional components, such<br />
as a turntable, power conditioners, high-end<br />
iPod dock, DAC (digital to analog converter),<br />
and a media server can also be added. Many<br />
audiophiles opt for individual amplifiers (called<br />
monoblocks) for each speaker channel.<br />
Audiophile amps are usually solid-state or<br />
tube-based. Some class D (digital) amps can<br />
be found in audiophile-grade products, but not<br />
usually. Many high-performance components<br />
go out of their way to isolate the signal paths<br />
to prevent contamination of the audio signal.<br />
Speakers will use high-quality driver<br />
materials, such as Kevlar, aluminum, layered<br />
ceramic composites, magnesium and berylliumor,<br />
rather than paper. The speaker cabinets<br />
will be made of highly-braced MDF (medium<br />
density fiberboard) or metal, but not plastic.<br />
HIGH-PERFORMANCE AUDIO special report<br />
What About Personal Speakers?<br />
There are plenty of times when large speakers<br />
that fill a room with sound are just not ideal<br />
because the rest of the people around you<br />
don’t want to listen to your music. This doesn’t<br />
mean you have to resort to the little white<br />
earbuds that came with your digital player.<br />
Audiophile-quality headphones are becoming<br />
more readily available and more popular.<br />
High-performance headphones can produce<br />
an incredibly accurate and detailed sonic<br />
experience due to the inclusion of better diaphragm<br />
materials, better fit for sound isolation<br />
and better component construction.<br />
Setting Up Your System<br />
Your room is as much a part of your sound<br />
system as the quality of the needle cartridge<br />
on your turntable. Many seemingly mundane<br />
things can impact how your system sounds,<br />
from where you place your speakers and your<br />
listening chair to the kind of floor covering<br />
in your room. Here are a few simple tips to<br />
get you started:<br />
1. For your critical listening space, avoid<br />
room sizes with dimensions that are multiples<br />
of each other. This will reduce the likelihood<br />
of “standing waves” that occur when sound<br />
bounces off the walls and interferes with the<br />
direct sound waves coming from your speakers.<br />
2. Don’t place floorstanding speakers tight<br />
up against a wall. The speaker needs room to<br />
perform, and putting them too close will over<br />
emphasize the low frequencies and reduce<br />
accuracy. Most floorstanding speakers need<br />
to be at least a foot from the wall.<br />
3. Toe in your speakers. The left and right<br />
speakers usually will need to be aimed toward<br />
the center listening position for ideal<br />
sound. This will get the music directly to you<br />
with the least amount of interference from<br />
the side walls.<br />
4. Listen for vibrations. Are there any knickknacks<br />
that may rattle? Glass tables that may<br />
cause reflections? Windows? Secure and/<br />
or cover anything that may vibrate or cause<br />
reflections.<br />
Speakers play a big role in the reproduction<br />
of music. Paradigm’s Signature<br />
S8 reference series speaker<br />
is made of premium materials both<br />
inside and out to maintain the sonic<br />
character of your music collection.<br />
ElEctronic<strong>House</strong>.com 49
special report HIGH-PERFORMANCE AUDIO<br />
Earth Wind and Fire’s<br />
Ralf Johnson’s<br />
Audiophile Experience<br />
Jazz, high-end McIntosh speakers and new<br />
full-spectrum Monster earbuds are some of<br />
his essential listening tools.<br />
Earth, Wind and FirE has been craft-<br />
ing its transformative sound of R&B, funk and<br />
rock for <strong>about</strong> 40 years, racking up such acclaim<br />
as six Grammy Awards, four American<br />
Music Awards and induction into the Rock<br />
and Roll Hall of Fame.<br />
A few days before the superstars played<br />
the Welcome America celebration on July<br />
4th in Philadelphia, they stopped by the<br />
Montgomeryville, Penn., showroom of<br />
audio/video dealer World Wide Stereo<br />
to chat with specially invited customers and<br />
to show off their new Gratitude earbuds,<br />
which the band is launching this year in<br />
collaboration with Monster (www.monstercable.com).<br />
At that event, <strong>Electronic</strong> <strong>House</strong><br />
got some one-on-one time with drummer<br />
and vocalist Ralf Johnson to discuss his<br />
love of music and the importance of the<br />
audiophile experience.<br />
As a music professional, how important is<br />
the quality of your listening equipment?<br />
It’s important because you always want to<br />
know you’re getting a true reference. You<br />
want to feel like you’re hearing music at<br />
its optimum. Some years ago I wanted to<br />
make sure my listening experience was<br />
always going to be excellent, so I bought<br />
McIntosh audio equipment, which I still<br />
use today.<br />
I got turned on to stereo and audio at a very<br />
early age because of my father. He brought<br />
home this wonderful Harman/Kardon Citation<br />
2 FM receiver, and I just fell in love with FM.<br />
50 ElEctronic HousE September 2011<br />
In L.A. in the ’60s we had this incredible jazz<br />
station KBCA 105.1, and I fell in love with<br />
jazz. So when I got to the point where I was<br />
making some money with Earth, Wind and<br />
Fire, I decided that one day I was going to<br />
buy myself the ultimate killer stereo system.<br />
So one night in 1977 I went to a place called<br />
Federated Stereo, which was a big chain in<br />
L.A., and bought myself McIntosh Audio and<br />
JBL speakers. I still have my dual turntable<br />
with a Shure V15 cartridge.<br />
What other audio equipment do you use<br />
at home?<br />
I have Vienna Acoustics, the Mozart model,<br />
and I also run a subwoofer, which is an Maudio<br />
subwoofer. What I like <strong>about</strong> Vienna<br />
Acoustics is there’s a hollow chamber in<br />
the bottom where you put sand, and that<br />
helps solidify the bass. I’m only listening to<br />
two-channel stereo. Not 5.1 surround—just<br />
give me two-channel stereo, and I’ll be fine,<br />
not to say that home theater won’t be in<br />
my future.<br />
What audio elements are you listening for<br />
in your music?<br />
I’m listening to rhythm, I’m listening to melodics.<br />
I’m listening to the choral palette that’s<br />
going on within the song, but beyond that I’m<br />
listening to the frequencies that are coming<br />
back to me as I’m sitting in front of the stereo<br />
system. Is there a balance between the bottom<br />
end, mids and the highs? That’s what<br />
I’m looking for.<br />
Have there been any recent technologies<br />
that have impacted how you make or experience<br />
music?<br />
I keep going back to McIntosh. Now McIntosh<br />
includes a USB port in their preamps<br />
which allows you to take something like your<br />
laptop and play your MP3 collection, which is<br />
what I do at home. That’s a great plus. Digital<br />
technology is constantly improving.<br />
What was the impetus to develop earbuds<br />
and headphones with Monster?<br />
Noel Lee [the Head Monster] is a big fan of<br />
the band and he wanted to do something. We<br />
saw what was happening with the Dre Beats<br />
and thought, well, maybe Earth, Wind and Fire<br />
could come out with headphones. So we talked<br />
<strong>about</strong> it and started to develop a plan and now<br />
we’re here with the Gratitude in-ear speakers.<br />
How involved was Earth, Wind and Fire in<br />
the development of the Gratitude earbuds?<br />
We were quite involved. During our last meeting<br />
in San Francisco, Monster asked me to<br />
come down and give them a listen and I told<br />
them “this is a very fine in-ear speaker.”<br />
Once we heard the prototype we gave it<br />
the go-ahead and that was it. This was not a<br />
project where we just said, “Yes, go ahead and<br />
put our name on it and call us in six months<br />
with the check.” We wouldn’t release anything<br />
until we thought it was right. The quality of what<br />
we have done musically has to transfer over<br />
to the headphone. —GC<br />
EHInstallers.com
Prepping Your Room<br />
for Great Sound<br />
Acoustic treatments can vastly improve<br />
the audio quality of your sound system.<br />
By Robert Archer<br />
For decades, audiophiles have searched<br />
for the Holy Grail of sound. During this time,<br />
most of their efforts have focused on equipment<br />
changes—from turntables and CD players<br />
to swapping out amplifiers and cables. Often<br />
overlooked, though, are the acoustical characteristics<br />
of a listening space.<br />
A trained custom electronics (CE) pro may<br />
be the best person to fine-tune your listening<br />
room, but it doesn’t hurt for homeowners to know<br />
a thing or two <strong>about</strong> acoustics. If fact, there are<br />
many simple modifications you can make to your<br />
room now to improve the way your music sounds.<br />
Why Treat Your Room?<br />
You’ve made a sizable investment in your<br />
sound system and music collection. You’ve<br />
trained your ears to pick up on the nuances<br />
of certain songs. You’ve become a real audio<br />
aficionado, and you demand that the music you<br />
play sounds as close to the real thing as possible.<br />
This is rarely possible, though, without<br />
the addition of some acoustical treatments.<br />
What often results without acoustic treatments<br />
is echo. Hard surfaces like wood flooring,<br />
large banks of windows, even a glass coffee<br />
table can cause the sound waves to bounce<br />
uncontrollably around the room. This effect is<br />
called reflection, and too much of it is a bad thing.<br />
Conversely, a room could have too much<br />
absorption of sound, making it difficult to hear<br />
certain parts of a soundtrack. This is what’s<br />
known as a sonically “dead” room, and is<br />
often caused by too many soft materials such<br />
as draperies, cushy couches and carpeting.<br />
The desired effect is a balance of reflection<br />
and absorption. A CE pro can determine where<br />
PhotograPhy by alan ShaPiro<br />
HIGH-PERFORMANCE AUDIO special report<br />
the problems exist in your listening space and<br />
fix them by installing a variety of acoustical treatments.<br />
For example, he might hang absorptive<br />
panels on the walls to tame the reflections or<br />
place some diffusers near the back of the room<br />
or on the ceiling. Diffusers help spread the audio<br />
evenly throughout the space. There are also<br />
materials that prevent sound from escaping the<br />
room and outside noises from interfering with<br />
your listening experience. “The last thing you<br />
want to hear is the toilet flushing [when you’re<br />
listening to music] or a loud passage ,” says Dr.<br />
Bonnie Schnitta, a professional acoustician.<br />
Attractive Options<br />
Don’t worry <strong>about</strong> acoustical treatments<br />
messing with your room design. They usually<br />
protrude only a few inches from the wall, and<br />
manufacturers offer a variety of great-looking<br />
options that can actually enhance your decor.<br />
Whether your room could use more absorption,<br />
reflection or diffusion, the actual treatments<br />
can be concealed inside fabric wall panels.<br />
You can choose the color, texture and style of<br />
the fabric to complement your room design.<br />
You can also use acoustic treatments as<br />
an opportunity to redecorate. Some acoustical<br />
manufacturers invite homeowners to choose<br />
an image to appear on the panels. This can<br />
be a photo of your children, a rendering of a<br />
favorite painting or a movie poster, for example.<br />
The panels can be designed with a wooden<br />
frame and finished or stained however you like.<br />
Another benefit of acoustic paneling: When<br />
the right fabric is used, you can use them to<br />
hide in-wall speakers. The sound filters through<br />
the fabric and into the room unaffected.<br />
While their job is to make a room<br />
sound better, acoustical treatments,<br />
like the fabric panels on the wall of<br />
this home theater, can also function<br />
as decorative elements. Theater<br />
design by First Impressions Theme<br />
Theatres, Miami, Fla.<br />
ElEctronic<strong>House</strong>.com 51
special report HIGH-PERFORMANCE AUDIO<br />
2-Channel Audio Systems<br />
for Every Budget<br />
Audio experts offer recommendations for building blissful systems.<br />
Since the advent of home theater, diehard<br />
audio enthusiasts have complained <strong>about</strong><br />
the public’s waning interest in two-channel<br />
sound systems.<br />
About 10 years ago, however, as people<br />
rediscovered the joys of music, the pendulum<br />
of public opinion began to swing back in favor<br />
of two-channel (stereo) electronics. The convenience<br />
of the Apple iPod and the growing<br />
penetration of digital audio technologies has<br />
been met in part by the reemergence of the<br />
vinyl LP, and the two-channel audio hobby is<br />
once again an entertainment option for millions.<br />
Unlike the golden era of audio of yesteryear,<br />
today’s music lovers have a diverse choice of<br />
audio components, ranging from digital streaming<br />
devices and digital-to-analog converters<br />
(DACs) to traditional tube amps and turntables.<br />
To explore some of the options, <strong>Electronic</strong><br />
<strong>House</strong> asked four experienced A/V professionals<br />
to recommend their ideal two-channel<br />
audio system.<br />
$2,500 System<br />
Eric Gaunt, a sales consultant for Natural<br />
Sound, is enthusiastic <strong>about</strong> the components<br />
that comprise this value-minded, high-performance<br />
audio system. “I feel that the current<br />
line of Marantz products is outstanding for the<br />
money,” he says. “The receiver has a fantastic<br />
amplifier section for under $500; it competes<br />
with products that are closer to $800. It also<br />
includes a nice built-in moving-magnet phono<br />
stage and a good tuner.<br />
Gaunt mated the Marantz electronics with<br />
Image T6 Floorstanding speakers from PSB.<br />
52 ElEctronic HousE September 2011<br />
$2,500<br />
“They have fantastic dynamics, a good, fullbodied<br />
sound and are very easy and pleasant<br />
to listen to,” he explains. “I think when you<br />
combine the openness and detail of the Marantz<br />
products with the warm, easy-to-listen-to<br />
elements of the PSB speakers, you get great<br />
synergy [between the components].”<br />
➤ Marantz SR4023 80-Watt<br />
Stereo Receiver, $499<br />
➤ Marantz CD5004 CD player, $349<br />
➤ Pro-Ject Debut III Turntable, $369<br />
➤ Pair of PSB Image T6 loudspeakers,<br />
$1,199<br />
➤ Pair of Audioquest G-Snake<br />
Interconnects, $39<br />
➤ Pair of Audioquest 14-Gauge<br />
FLX-14/2 speaker cables, $45<br />
Total: $2,500<br />
Compiled by Natural Sound, Framingham,<br />
Mass., www.natural-sound.com<br />
$5,000 System<br />
Terry Menacker, founder of Overture Ultimate<br />
Home <strong>Electronic</strong>s, is a strong supporter of<br />
the theory that good audio doesn’t have to<br />
cost a fortune. His recommended system<br />
brings media diversity to a standard stereo<br />
system. In addition to a CD player, FM radio<br />
and digital audio broadcasting, the suggested<br />
Rotel A/V receiver can stream content<br />
from the Internet. Its built-in 100-wattsper-channel<br />
amplifier drives a pair of Focal<br />
Chorus 836 speakers, each which feature<br />
three woofers, a single midrange driver and<br />
a single tweeter.<br />
➤ Rotel RCX-1500 Integrated Audio/<br />
Video Receiver, $1,500<br />
➤ Focal Chorus 836 V Loudspeaker,<br />
$2,995 per pair<br />
➤ Tributaries Series 7 SL8 Speaker Cables,<br />
$345 for a pair of 10-foot cables<br />
Total: $4,840<br />
Compiled by Overture Home <strong>Electronic</strong>s,<br />
Wilmington, Del. www.overtureaudiohometheater.com
$5,000 $10,000<br />
$10,000 System<br />
Targeting a budget of $10,000, Stereo Exchange’s<br />
digital audio specialist Cosmos<br />
Heidtman chose products that have earned<br />
respectability in their categories. “Bel Canto<br />
products feature excellent jitter rejection<br />
[timing differences between internal digital<br />
components] in its DACs; solid build quality,<br />
small form factors and efficient, high-current<br />
designs,” he says. The Vienna Mozart Symphony<br />
speakers, meanwhile, “have phenomenal bass<br />
response for a 2.5-way speaker, and they love<br />
high-current, solid-state amplifiers.” To round<br />
out his theoretical all-digital system, cables from<br />
Kimber and Shunyata will help the products<br />
perform to their potential, Heidtman says.<br />
➤ Bel Canto DAC 2.5, $1,995<br />
➤ Bel Canto REF 500 amplifier, $2,595<br />
➤ Vienna Acoustic Mozart Symphony<br />
speakers, $3,500<br />
HIGH-PERFORMANCE AUDIO special report<br />
➤ Kimber Hero balanced 1-meter<br />
cable, $200<br />
➤ Kimber 8TC speaker cable with banana<br />
termination, $480 for 10-foot pair<br />
➤ Kimber B-Bus AG USB cable, $125<br />
➤ Kimber V21 digital coaxial cable with<br />
BNC adapter, $68 for 1 meter<br />
➤ WaveLength Audio Wavelink USB<br />
to S/PDIF converter, $900<br />
➤ 2 Shunyata Venom c13 power<br />
cables, $99 each<br />
Total: $10,061<br />
Compiled by Stereo Exchange, New York,<br />
N.Y., www.stereoexchange.com<br />
$20,000 System<br />
Products from Meridian Audio comprise the<br />
bulk of this $20,000 audio system arranged<br />
by Greg Abplanalp, vice president of Definitive<br />
Audio. Meridian’s products provide users with<br />
$20,000<br />
high levels of sound and a user interface that’s<br />
regarded as the best in consumer electronics,<br />
he says. “At the $20,000 price point, I<br />
can’t think of a more musically fulfilling and<br />
fun system to own than a Meridian/Sooloos<br />
combination.” He pairs the Sooloos by Meridian<br />
Control 15 with Meridian’s DSP5200<br />
active speakers to ensure that the signal is<br />
as pure and clear coming out of the speakers<br />
as it is going in.<br />
➤ Meridian/Sooloos Control 15 Media<br />
Server, $7,500<br />
➤ Meridian DSP5200 Loudspeakers,<br />
$15,000 per pair<br />
Total: $22,500<br />
Compiled by Definitive Audio,<br />
Bellevue, Wash., www.definitive.com —RA<br />
ElEctronic<strong>House</strong>.com 53
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The SL150 model features an on-ear design for<br />
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We start with a great sounding preamplifier and then pair that to the latest in<br />
surround processing technology. The S-1200 3D includes our finest audio and<br />
video engineering plus the latest in connectivity technology. Decoding for high<br />
resolution True HD and DTS MA Blu Ray movie soundtracks are included as<br />
well as 3D video compatibility. These advanced technologies pair elegantly to<br />
an interface configurable for a user’s preferences making the S-1200 3D an<br />
uncompromising centerpiece for a reference music and home theater system.<br />
The suggested retail price is $11,500.<br />
Evolution 2250e Stereo<br />
and Evolution 3250e Three<br />
Channel Amplifiers<br />
Boasting technology sourced from their award winning larger siblings, the new<br />
amplifiers provide the immense power and refined performance that are the hallmarks<br />
of every Krell amplifier. Sharing the same advanced high speed output devices,<br />
massive power supplies, and unique Krell Current Mode circuitry, the Evolution 2250e<br />
and 3250e amplifiers deliver performance that was previously reserved for products<br />
costing far more. Power output of 250 W per channel into 8 ohms and 500 W per<br />
channel into 4 ohms will drive any loudspeaker to its full dynamic capability. The<br />
suggested retail prices are $8,000 and $10,000, respectively.<br />
About Krell<br />
Founded in 1980, Krell Industries is the world’s premier manufacturer of high<br />
performance audio and video equipment. Its amplifiers, preamplifiers, CD/DVD players,<br />
surround-sound processors, and loudspeakers have won acclaim in countless reviews,<br />
and among audiophiles worldwide.<br />
Krell Industries, LLC<br />
45 Connair Rd. • Orange, CT 06477<br />
(203) 799-9954 • sales@krellonline.com<br />
www.krellonline.com<br />
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