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World Image issue 29 February 2016

Magazine of Photography and travel and wildlife

Magazine of Photography and travel and wildlife

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Website = photosociety.net Page 1 email = magazine@photosociety.net


National and Regional Management<br />

Gordon Longmead - England - CEO<br />

Peter Hogel - Uganda - Deputy CEO<br />

Scott Hurd - Namibia<br />

Tom Coetzee - South Africa<br />

Paul Welch—Australia<br />

Steve Cook - USA<br />

Robert Murray - Scotland<br />

Rabi Chandra Pokharel - Nepal<br />

Tina Andreasson - Sweden and Mexico<br />

Jack Glisson - Kentucky USA<br />

Rodger Lee - Steam Punk Events<br />

In This Issue:<br />

3 <strong>World</strong> <strong>Image</strong> Magazine and the Peoples Photographic Society<br />

Uganda<br />

4 Breakfast on the Nile by Gordon Longmead<br />

5 My Friend…Your Seemingly Terrifying Neighbour by Petit Hogel<br />

8 Cruising on the Nile by Gordon Longmead<br />

13 Clothing Designs by Flavia Mukisa, Kampala<br />

15 A Study in Nature - Kingfisher - Pictures by Scott Latham<br />

16 A Study in Nature - Wildlife of America by Larry Hitchins<br />

17 Wild Horses of Namibia - Pictures by Scott Hurd<br />

18 The Water Cycle - Rain to River to Seas to Rain<br />

20 Winter Chills<br />

22 Kerala Fishermen - Story in Pictures by Robert Murray<br />

24 Tamron 150 - 600 User Review by Gordon Longmead<br />

25 A Study in Greyscale - Sporty Types - Pictures by Alan Griffiths<br />

26 Wildlife of the <strong>World</strong> - Birds of a Feather<br />

28 The Netherlands, Limburg by Paul Weijenberg<br />

31 Unusual <strong>Image</strong> by Kevin W. Moore<br />

32 Portrait Pro, Issue 15 - Review by Gordon Longmead<br />

35 A Study in Nature - Jay, Nuthatch, Yellow Wagtail and Dunnock - Pictures by Scott Latham<br />

36 Wildlife Borneo - Another Day in Paradise 1 - Sabah Reef by Gary Bridger<br />

38 The Beauty of Landscape<br />

40 Exploring Patagonia - Dawn over the top of Fitzroy by Michal Shmelev, Russia<br />

41 Renaissance Faire in Sterling, New York By Monroe Payne<br />

42 A Day With the Wolves Pictures by Rodger Lee<br />

43 South Africa, Hluhluwe – Imfolozi Game Reserve by Ian Bales-Smith<br />

49 Photo Study of Tanzania by Paul Nanyaro<br />

50 Away From the City, America by Larry Hitchins<br />

51 The Societies Show, London<br />

The redesigned January <strong>issue</strong> of the magazine achieved 1720 readers<br />

Please share the link to friends and family so they may enjoy the magazine as well.<br />

www.worldimagemag.com<br />

© Please remember that all articles and images published in this magazine are copyright protected<br />

Cover Weaver Bird by Gordon Longmead<br />

Website = photosociety.net Page 2 email = magazine@photosociety.net


Peoples Photographic Society [PPS]<br />

Founded in September 2013, the society is open to<br />

anyone who enjoys photography regardless of their<br />

level of achievement, or location.<br />

It is open to professionals and beginners and<br />

everyone in between, the only request is that<br />

professionals are willing to teach and all are willing<br />

to learn, and that face book members remain in<br />

contact with the group discussions.<br />

There is only one restriction as regards to types of<br />

photography, so we cater for landscape, portrait,<br />

table top, wildlife, and the natural world, street<br />

scene, and many other areas of interest.<br />

T o J o i n t h e s o c i e t y e m a i l<br />

manager@photosociety.net with Email address,<br />

location (country, state, county, and town for<br />

your formal membership to be registered.<br />

<strong>World</strong> <strong>Image</strong> Magazine<br />

and the<br />

Peoples Photographic Society<br />

www.worldimagemag.com<br />

<strong>World</strong> <strong>Image</strong> Magazine [WIM]<br />

The free magazine was first <strong>issue</strong>d in October 2013<br />

as the journal of the PPS, after the first six <strong>issue</strong>s the<br />

magazine was expanded to include reviews and<br />

articles.<br />

In the second week of October the method of<br />

presenting the magazines was changed to make<br />

access and reading easier. Although we still have<br />

some teething troubles with the off-site storage<br />

location, we will persevere. (If the magazine page<br />

offers a “Broken Page” statement double click the<br />

page).<br />

In November of 2015 the magazine was redesigned<br />

and further developments resulted in over 1720<br />

readers for the January <strong>issue</strong>. Since restructuring the<br />

method in October, the magazines have received<br />

16071 readers. In total, since the magazine was first<br />

published we have had over 70,000 readers with<br />

715,150 page views. [figures correct as of the 13th<br />

January <strong>2016</strong>].<br />

<strong>World</strong> <strong>Image</strong> Magazine on Fine Art America<br />

Peoples Photographic Society Member galleries<br />

http://gordon-longmead.artistwebsites.com/index.html?tab=galleries<br />

As part of the expansion and ongoing development of the <strong>World</strong> <strong>Image</strong><br />

Magazine, we have established a website presence within Fine Art America<br />

for the presentation and promotion, and sale of member images.<br />

Members wishing to add their own gallery should contact<br />

Gordon@worldimagemag.co.uk for details.<br />

Website = photosociety.net Page 3 email = magazine@photosociety.net


Uganda<br />

Breakfast on the Nile<br />

By Gordon Longmead<br />

Imagine the sun rising over the calm reflections on<br />

the river, the fishing boats are already out, and even<br />

their movement fails to disturb the tranquil waters.<br />

In the reeds other birds are watching as we begin<br />

the breakfast feast, they are watching for unwary<br />

insects that may fly past.<br />

The approaching sunrise perculates through the<br />

morning river mist giving the world a purple hue.<br />

The damselflies still hang like a ball in the air, the<br />

dark shadow of a bird dives to the water and skims<br />

across the surface snatching away the insects.<br />

So the sun rises above the hidden horizon behind<br />

this place and another day of safari begins. After a<br />

short visit to Murchison we leave and travel south to<br />

the Ziwa Rhino Sanctury.<br />

Website = photosociety.net Page 4 email = magazine@photosociety.net


My Friend…Your Seemingly Terrifying Neighbour.<br />

Petit Hogel<br />

I want to tell you a story about my friend who cant<br />

speak… I have observed him in great detail and I<br />

would like to speak on his behalf… you see my<br />

friend is like many of your other friends he has traits<br />

and skills that you may notice in the company you<br />

keep.<br />

But you still care about your friend…you call him to<br />

ask him about his day…if any <strong>issue</strong>s that he had<br />

were resolved… but I cannot call my friend because<br />

he does not have a mobile phone… he does not have<br />

an email account. My friend speaks to me but we<br />

cannot speak to each other.<br />

My friend is very fast on his feet…it may not look<br />

fast on the television but trust me he is fast he puts<br />

many sports champions to shame…have you asked<br />

your self why my friend has to run so fast yet he is<br />

massive in weight and hugely intimidating because<br />

he is scared he has seen everyone he knows die at<br />

the hands of the poachers.<br />

I saw my friend the other day at the rhino sanctuary<br />

…he was happy…he was bold…he looked like he<br />

was ready to take on the world… then I asked why<br />

not release him into his natural habitat…then I was<br />

told about the filth called poachers…<br />

I looked at my friend and I felt sad because I go to<br />

bed without a care in the world everyday... I take my<br />

coffee and I am good to go but standing there<br />

looking at my friend playing with his family it<br />

downed on me it could be his last smile…his last<br />

laugh…his last breath ---<br />

poachers…<br />

Website = photosociety.net Page 5 email = magazine@photosociety.net


My friend has a soft spot….no not the kind you<br />

think ….but at the end of the day he is happy…he<br />

rubs the back of his body against things to feel<br />

pleasure….and when you get up to go to work my<br />

friend has been up for a few hours and he goes to<br />

bed when you begin yours…<br />

I made a joke the other day…I told my wife why do<br />

you do these ridiculous vegetarian diet have you<br />

seen the Rhino --- she did not laugh but I bet you<br />

are…<br />

My friend has other friends too ….its just not<br />

me…birds help my friend to let him know that<br />

danger is on its way, I may not be able to call my<br />

friend I may not be able to see him sad everyday,<br />

but at least I know that when he feels alone because<br />

his family has been obliterated by poachers, his<br />

small friends are trying to help him the best way<br />

they know how.<br />

Help my friend like you would help your friends<br />

Words by Petit Hogel<br />

Pictures by Gordon Longmead<br />

Website = photosociety.net Page 6 email = magazine@photosociety.net


Colubus Monkeys by Ben Oleni Ntale<br />

Although there are a number of species of Colobus monkey, five in all with a number of sub-species, the ones we generally<br />

recognise are the black and white Colobus. These old world monkeys are native to Africa and can be found in Uganda. The<br />

thumb of the Colobus is a stump and so appears to be mutilated and thus gained its name in Latin form. They are herbivorous,<br />

eating leaves, fruit, flowers, and twigs. Habitats include primary and secondary forests, the riverine forest of Uganda being an<br />

ideal home, they also frequent lightly wooded grasslands. They live in territorial groups based upon a single male with a number<br />

of females and their offspring. Newborns are totally white.<br />

Kuyimba means 'to sing' in the<br />

Zambian Chinyanja language and<br />

this site is a celebration of the sights<br />

and sounds of southern Africa. Join<br />

us to experience it for yourself.<br />

Derek & Sarah Solomon<br />

www.kuyimba.com<br />

Website = photosociety.net Page 7 email = magazine@photosociety.net


Cruising on the Nile<br />

By Gordon Longmead<br />

The river is wide and long so the surface can get a<br />

bit choppy when the wind blows, but during our<br />

visit the air was still and the sun shone.<br />

The surface of the river had apparently been ironed<br />

flat in places and the reflections were beautiful to<br />

see, the rest was covered in small ripples caused by<br />

the current beneath.<br />

Victoria Nile at the Ferry Jetty.<br />

Crusing on the Nile is a must for any explorer where<br />

ever they may be along the 3000km length of this<br />

river. Open water holds a fascination all of its own.<br />

The question asked in regards to rivers is usually,<br />

”What is out there… hiding from view”.<br />

The first part of the journey was to cross the river to<br />

pick up additional passengers. This was convienent<br />

as it allowed Peter to take the car to the other bank<br />

on the ferry and join the cruse from that side.<br />

We had already seen hippos walking along this far<br />

bank, the Red headed Rock Agama (A.agama)<br />

greeted us at the boat station and the kingfishers<br />

were hovering over the water nearby.<br />

With rivers in much of the world we happily walk<br />

along the river bank and even in the water to find<br />

the answers to that question. Try that in Uganda and<br />

you will quite simply die.<br />

This simple fact not only applies to the rivers but<br />

often to the small ponds that may be on the roadside,<br />

in all standing water danger hides amongst the<br />

beauty of the scene.<br />

There is one way to remain relatively safe, and that<br />

is to remain in the car while on the river bank, or in<br />

a boat on the river. As my host would say, if you fell<br />

from the boat and could swim, the crocs or hippos<br />

would get you, and in the unlikely event you made it<br />

to the shore, the buffalo would get you. So it is a<br />

good idea not fall overboard.<br />

Blue Skies<br />

Red headed Rock Agama (A.agama)<br />

Website = photosociety.net Page 8 email = magazine@photosociety.net


Hippo Mother and Calf on the Far Bank<br />

Once on the water the pace of life changes … ok so<br />

it is at the same slow easy pace, we just start taking<br />

more pictures and enjoying a cold beer when we get<br />

a chance to avert the lens.<br />

A Hippo Pod<br />

The hippopotamus can grow to more then 3m in<br />

length and weigh up to 4000kgs, but despite its<br />

immense size on land it can run at an astonishing<br />

35km/h, (this is much faster than a human, so if you<br />

happen to get to close the hippo will catch you).<br />

Being a vegiterian a person attacked will not be<br />

eaten, that is the good news, the bad news is that<br />

being run down by a hippo is akin to being hit by a<br />

truck with teeth, if the impact fails to kill you the<br />

teeth undoubtedly will. In defending its pod, the<br />

dominant hippo will fight to the death.<br />

Elephant Family leaving the river<br />

While we are looking for the wildlife associated<br />

with the river, it is easy to assume that we will not<br />

see land animals, so the first encounter is with a<br />

heard of elephants on the embankment who have<br />

been to the shore to drink.<br />

Within a short distance you may see some brown<br />

humps in the water. These would be a pod of hippos.<br />

They spend most of the daytime in the water,<br />

coming out only to feed, most of which is done<br />

during the night. They will eat between 45 and<br />

60kgs of grass each day.<br />

Although spending most of the time in water, the<br />

hippo is a poor swimmer, the water helps to protect<br />

them against sunburn to which they are vunerable.<br />

They have few predators, although the young may<br />

be vunerable if seperated from the pod, but this is<br />

unlikely to happen.<br />

Watchful Hippo<br />

Now I mentioned earlier the dangers of walking<br />

along the river bank of the Nile, one of those is of<br />

course the snakes. I did not see any during this trip,<br />

but then I was on the boat and not on the bank.<br />

There are pythons and a number of other poisionus<br />

snakes lurking about so be aware. Getting bitten by<br />

a poisionus snake in the wilds of Uganda makes you<br />

realise just how far away help really is. Thankfully<br />

the general tourist is unlikely to be faced with that<br />

situation but it is as well to be aware of the danger.<br />

Website = photosociety.net Page 9 email = magazine@photosociety.net


Either way these are very dangerous and should not<br />

be approached even if they are smiling. For an<br />

animal with such a relaxed appearance, these can<br />

move surprisingly fast.<br />

The Nile Crocodile (Crocodylus niloticus)<br />

One of the dangers that may be lurking there is the<br />

smiling assin.<br />

Waterbuck (Kobus ellipsiprymnus defassa)<br />

Further along the bank and watching intently was a<br />

small group of Waterbuck. These can be found in all<br />

of the national parks and often outside the parks in<br />

open countryside. With age they also discover safer<br />

places to rest.<br />

Not all crocs rest in the water<br />

The Nile Crocodile attacks its prey on the shoreline<br />

and drags it into the water. This individual is seen<br />

resting under bushes close to the water, but is very<br />

well aware of the potential lunch on board the boat.<br />

These are often seen floating in the water, but spend<br />

much of their aquatic time stalking below the water<br />

line or, as in this case, on the embankment either<br />

hiding, sunbathing or just greeting visitors.<br />

Dentists welcome, no appointment needed<br />

Waterbuck (Kobus ellipsiprymnus defassa) male<br />

There are many animals you would expect to<br />

discover inside the Murchison Falls National Park,<br />

and indeed you will need a good supply of batteries<br />

and cards for your stay. I used two 32gb SD cards in<br />

two days and could easily have taken more.<br />

The end point where we turned round and headed<br />

back to the boat station, was at the famous<br />

Murchison Falls, I am not going into detail in this<br />

article as it will be covered in ’Power of the Nile’. It<br />

is well to note that upstream of the falls the water<br />

has a great deal of power, and downstream it has lost<br />

much of that power as the river widens forming a<br />

good environment for wildlife.<br />

Website = photosociety.net Page 10 email = magazine@photosociety.net


The return journey also had its sightings, including<br />

the wild pigs known as Warthogs. Hard skin, wire<br />

for hair, these are powerful if skittish animals.<br />

In the earlier part of this article I made comment that<br />

if the crocs and hippos did not get you the buffalo<br />

would.<br />

The picture shows just a small group of the buffalo<br />

in the park, the main herd numbers well over 400 we<br />

know this because we actually drove through the<br />

herd a few days later.<br />

Warthogs (Phacochoerus africanus)<br />

Returning to the ’deer’, we then found the Jackson<br />

Hartebeest. This is an animal with a very short<br />

memory, so much so that if being chased by a<br />

preditor it will stop running having forgotten why it<br />

was doing so.<br />

Giraffe (Giraffa camelopardalis)<br />

The Giraffe needs little introduction, however there<br />

are different varieties. I am informed that as the<br />

animal ages the pattern darkens so this animal would<br />

not be a youngster, but the subspecies are also<br />

distinguished by colour which can make<br />

identification difficult.<br />

Jackson Hartebeest (Alcelaphus buselaphus jacksoni).<br />

And so we come to one of the aggressive and most<br />

dangerous animals found in the Murchison National<br />

park second only to the hippo.<br />

Baboon troop are just specks on the shoreline<br />

You need to look closely at the shore line and in the<br />

shadow by the bush on the left to see the baboon<br />

troup (Papio cynocephalus) while a heron sits in that<br />

same bush watching proceedings.<br />

These troups are seen throughout the park, the<br />

largest troup, numbering up to 100 individuals, is<br />

seen just inside the southern entrance.<br />

African Buffalo (Syncerus caffer)<br />

There is a policy of not feeding any of the animals,<br />

but this is especially important with these apes. They<br />

will try to enter your vehicle, especially if you have<br />

bananas, and they are very dangerous.<br />

Website = photosociety.net Page 11 email = magazine@photosociety.net


Baboon Troup (Papio cynocephalus)<br />

When writing about crusing on the river in such a<br />

location, it is easy to get so focussed on the wild life<br />

that we forget that there is more to the scene than<br />

animals.<br />

There is also an abundance of aquatic plantlife and<br />

birds. I mention them here because I did not want<br />

you to think I had forgotten them.<br />

Fact is that I will be looking at them in another<br />

article.<br />

It may have been noticed that I left the best until<br />

last, the iconic image of the African Elephant<br />

(Loxodonta africana).<br />

African Elephant (Loxodonta africana)<br />

But pride of place must go to the grandmother of the<br />

Nile Crocodiles on the Victoria Nile in Murchison<br />

National Park.<br />

I hope you enjoyed this brief glimpse of the larger<br />

wildlife, Next month I will be looking at the many<br />

birds that could be seen.<br />

Visiting Murchison is not a right, it is a privillage,<br />

seeing the wildlife in natural habitat is not a<br />

privillage, it is a right.<br />

Gordon Longmead<br />

Website = photosociety.net Page 12 email = magazine@photosociety.net


Photoshoot Kampala<br />

Clothing Designs by Flavia Mukisa, Pictures by Gordon Longmead<br />

While in Kampala in 2015, I had the opportunity to do a photoshoot with Flavia Mukisa and some of her<br />

friends who modelled some of Flavias creations.<br />

Flavia Mukisa is a freelance<br />

FlavAfrique Creations.<br />

model and model and fashion designer, she is the Managing Director of<br />

Flavia Mukisa<br />

Steven Hodges<br />

Annet Jackson<br />

Latosha Malaika<br />

Hudson<br />

Mary Tumusiime<br />

Website = photosociety.net Page 13 email = magazine@photosociety.net


Color Confidence launches ‘Inspired by Colour’<br />

photography competition<br />

Birmingham, UK, 13 January <strong>2016</strong>. Earlier this month, Color Confidence launched an exciting new<br />

photography competition that will encourage people to experiment with colour in their every day<br />

lives.<br />

The ‘Inspired by Colour’ competition is featured around a different photography theme each month<br />

and gives both amateur and professional photographers the chance to win great prizes from some of<br />

the industry’s leading manufacturers.<br />

“Our exciting new photo competition is a great opportunity to give budding photographers great<br />

exposure and to encourage them to get creative with colour,” says Geoffrey Clements, Managing<br />

Director at Color Confidence.<br />

Geoffrey Clements continues: “Colour management is at the forefront of all that we do here at Color<br />

Confidence. Using great value colour management solutions and equipment as prizes, will hopefully<br />

encourage more photographers to incorporate colour management into their workflow.”<br />

The competition can be entered via the Color Confidence Facebook page. Throughout the month, the<br />

public will vote for their favourite image. The person with the most votes at the end of each month<br />

will win a great prize (minimum prize value £100).<br />

Each winning image will be displayed on the Color Confidence website, in the monthly newsletter, on<br />

the social media sites, and featured in the Color Confidence Blog.<br />

At the end of the year, the Color Confidence team will judge the 12 winning images to determine who<br />

will be crowned ‘Color Confidence Photographer of the Year <strong>2016</strong>’.<br />

The grand prize winner will receive a fantastic prize bundle made up of £1,000 worth of photography<br />

equipment from leading manufacturers such as X-Rite, NEC, ExpoImaging, BenQ and DxO software.<br />

January’s theme is ‘Street Photography’. This month’s prize is an X-Rite i1Display Pro (worth £207<br />

incl. VAT) - the ultimate solution for photographers that demand speed, options and flexibility to<br />

attain colour accuracy.<br />

For more information and to enter the competition, visit the ‘Photo Competition’ tab on the Color<br />

Confidence Facebook page: www.facebook.com/ColorConfidence. Mobile users can access the<br />

competition here: https://a.pgtb.me/LjqVx0.<br />

Website = photosociety.net Page 14 email = magazine@photosociety.net


A Study in Nature - Kingfisher<br />

Pictures by Scott Latham<br />

My little 600d doesn't like higher iso this is only set<br />

at 800. Way more than I'd ever use normally. I also<br />

has just 3fps which is actually more around 1 frame<br />

per 3 seconds, trying these rising and diving shots<br />

was a nightmare and required single shot<br />

judgement. I'll crack it eventually.<br />

Website = photosociety.net Page 15 email = magazine@photosociety.net


A Study in Nature<br />

Wildlife of America by Larry Hitchins<br />

Cooper's Hawk<br />

Yellow Breasted Chat<br />

Red Shouldered Hawk<br />

Juvenile Bald Eagle 2nd year notice the beginnings of<br />

the White "Bald Head" and shortening of the flight<br />

feathers<br />

Yellow Billed Cuckoo They like the upper part of the trees<br />

and not often come down low I've only seen them twice in 7<br />

years low enough to photograph.<br />

Prothornatory Warbler<br />

Website = photosociety.net Page 16 email = magazine@photosociety.net


Wild Horses of Namibia<br />

Pictures by Scott Hurd<br />

Scott and Judy Hurd spend as much time as possible helping and photographing these endangered nomads<br />

of the Namib desert. Water and minerals are not easy to find and so they are raising funds to provide<br />

supplements to help the horses survive the long treks between water sources. For example, a saltlick can<br />

sustain a herd of these horses for a few days and only costs a few pounds. For those wishing to help in this<br />

task, please contact scott@h4urd.co.uk by email or you can do so through this magazine.<br />

Website = photosociety.net Page 17 email = magazine@photosociety.net


The Water Cycle<br />

Rain to River to Seas to Rain<br />

The Rains Came to Namibia by Scott Hurd<br />

We all know about water, we can’t live without it,<br />

although sometimes in the world of nature we often<br />

wish we could.<br />

So we can explore the cycle in its many forms from<br />

the perfect reflections in the coastal water of Britain,<br />

to the misty shoreline of the USA.<br />

With our changing weather patterns floods are<br />

happening more frequently and droughts are longer.<br />

Where once the snows fell and allowed the water to<br />

seep slowly into the ground as it thawed, now it falls<br />

as rain and the ground can not cope.<br />

But where photography is concerned, all these<br />

events are fodder for the lens. From the record<br />

images of the floods to the tranquil vista of the<br />

lakes, and the moody changes of the oceans.<br />

Surfing on a foggy day. Water & fog but no sunshine.....<br />

by Georgene Bergstrom<br />

Water always attracts the photographer even though<br />

it can destroy the equipment they use. How often<br />

have we heard about the camera disappearing into<br />

the river?<br />

Erosion by Matthew Brooks<br />

So keeping the strap firmly secured to the wrist we<br />

can venture into the danger area. Take due care as<br />

water can be as unpredictable as the banks and<br />

beach on which you stand. Be aware also of the<br />

rogue wave that comes in to shore un-announced.<br />

Website = photosociety.net Page 18 email = magazine@photosociety.net


"Sunlight on the Water". Late sunlight illuminates a<br />

breaking wave, while it lights up the snow-covered hills<br />

several miles away on the other side of the Moray Firth<br />

in the north of Scotland. By Robert Murray<br />

And bigger.<br />

Woodland puddle! By Alan Culley<br />

So from the still water of the transient pond in the<br />

wooded glade, we see the gently lapping waters of<br />

the shoreline on a calm day.<br />

The breakers on a beautiful day at Lossiemouth on the<br />

Moray coast of Scotland, by Robert Murray<br />

But there is one time the water is loved by all, a<br />

calm evening siting on the western coasts with a<br />

glass of wine (or water) as the sun slowly sets. So<br />

until the next <strong>issue</strong>.<br />

A crisp autumn shoreline at Wells College in Aurora,<br />

New York by Monroe Payne<br />

While the sun shines somewhere far away the wind<br />

is blowing and the currents of the oceans are moving<br />

creating the waves. Some small and friendly, others<br />

large and powerfully dangerous.<br />

But all great things start from small beginnings, the<br />

waves are no different. They grow with time small<br />

breakers get bigger.<br />

Australian Sunset in Darwin by Geoff Bowers<br />

Website = photosociety.net Page 19 email = magazine@photosociety.net


Winter Chills<br />

Winter chills in the photographic sense has little to<br />

do with cold remedies and handkerchiefs. Instead it<br />

has to do with snow and ice.<br />

Ice Flower by Brian Chalmers<br />

Woodland Path by Gordon Longmead<br />

Some of us still remember waking up on Christmas<br />

morning to a fairytale world dressed in white snow.<br />

In sixty years this has changed to a damp drizzly<br />

overcast day, but we still get the snows and the<br />

heavy frosts.<br />

Many of the autumn seed heads are still standing<br />

and fill with snow or just be shrouded in white.<br />

A Beautiful Place by Brian Chalmers<br />

Rivers and lakes are a favourite all year round, but<br />

in the cold of winter they take on a new life. Some<br />

freeze over giving both reflections and patterns over<br />

the surface.<br />

Rosie having fun by Brian Chalmers<br />

There are always those who love the cold fresh<br />

snow, in this picture Brians dog Rosie is apparently<br />

making the canine version of snow-angles.<br />

The snow and frost changes the appearance of<br />

everything that we took during the summer, and<br />

regardless of the picture we take the scene has<br />

changed.<br />

One of the hardest things to photograph is the<br />

snowflake, they melt to fast, but there is a way by<br />

cooling a baking tray. Then the trick is to catch a<br />

single snowflake.<br />

Good luck to those who try it, icicles are easier as<br />

they stay in place longer, but remember to allow<br />

time for your camera and lens to cool down when<br />

you walk outside.<br />

I would also suggest you leave the camera in the bag<br />

when returning home and allow it to warm up. Any<br />

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Frozen Puddles by Georgene Bergstrom<br />

moisture in the air will find its way to the cold of the<br />

camera and condensation is not a friend of our<br />

equipment.<br />

I will leave you with this selection of natural icescapes<br />

by Georgene, and we will see what come in for the next<br />

<strong>issue</strong>.<br />

Gordon<br />

Figures in ice by Georgene Bergstrom<br />

Figures in ice by Georgene Bergstrom<br />

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Kerala Fishermen<br />

Story in Pictures by Robert Murray<br />

1. The heavy boats loaded with nets take a lot of muscle<br />

power to get into the water.<br />

2. The crew at the ready.<br />

3. Timing the launch between the breakers.<br />

5. The long pull.<br />

4. The boat lays a semi-circle of net while the shore team waits.<br />

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6. The net comes in. 7. The catch.<br />

8. It is a very labour intensive method of fishing. I don't know how they share the rewards.<br />

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Tamron 150 - 600<br />

Gordon Longmead<br />

Having now used the Tamron 150 - 600 in very dull lighting as well as bright sunshine, I thought you may<br />

like to see the results in contrast to each other. The Moorhen and the Dunnock were both taken in my<br />

garden which is shrouded by trees at the best of time.<br />

This day it was very dull and grey with light drizzle. The Weaver Bird was taken on an overcast day at<br />

Mboro NP, while the African Fish Eagle was in full sun. All were taken from about the same distance.<br />

Generally the lens is fast, silent and responsive. It is well built even if I did get a non UK made version, it<br />

cost £600 instead of the recommended £945, so the difference paid my airfair to Uganda to test the lens. Am<br />

I pleased with the lens? Yes is the short answer. I only wish it was lighter.<br />

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A Study in Greyscale - Sporty Types<br />

Pictures by Alan Griffiths<br />

Silver Surfer, Thinking About It<br />

Photography is not all about colour, it is more about the way in<br />

which the colours interact with each other to produce the pictures<br />

that we see.<br />

Still Thinking About It<br />

We can sometimes select the colours , or<br />

as in these images, we can chose to<br />

remove the colour spectrum and view in<br />

the shades of grey.<br />

The Cycle Race<br />

Croquet<br />

How we wished we had spent our Sunday<br />

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Wildlife of the <strong>World</strong><br />

Birds of a Feather<br />

One of the subjects that occurs in almost every place<br />

we visit is the birds. There are laws in place that<br />

every photographer must abide by, the main one<br />

being not to photograph birds on the nest.<br />

In many countries this requires a special licence.<br />

The reason is to protect the nest from disturbance.<br />

Some nests you can see clearly from a distance<br />

where the intrusion is not a problem for the birds, so<br />

there is not a problem.<br />

Flamingos by Nam Prasad Satsangi<br />

Moorhen by Gordon Longmead<br />

The Moorhen, usually found near rivers, is the latest<br />

visitor to my back yard, and I am a long way from<br />

the river.<br />

Dunnock by Gordon Longmead<br />

The fact is that to take pictures of birds you do not<br />

even need to leave your own garden, in the last two<br />

years 43 varieties of bird have visited my own<br />

garden.<br />

If you live in a place with no garden, how about a<br />

friends garden or local park. Birds are everywhere<br />

so there is no excuse for not practicing or taking that<br />

perfect picture.<br />

Bald Eagle in Alaska by Bob Breakell<br />

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Ok, so the birds that visit your home or local parks<br />

will not be the same in the UK as they would be in<br />

Africa or the USA, but then if you reside in the USA<br />

or Australia you will not see the same birds as you<br />

get in the UK.<br />

Spotted owlet Bharatpur by Nam Prasad Satsangi<br />

Similar species are found in all continents, some are<br />

easier to spot and photograph than others, especially<br />

in the wild. But just because a species is not native<br />

to your country does not mean you can not get their<br />

pictures.<br />

There are many places where non-native birds can<br />

be photographed, private owners, bird parks, zoos,<br />

are the obvious locations, and there are always<br />

holidays abroad.<br />

Supper Time, Pied Kingfisher<br />

By Peter hogel<br />

Most places have their Kingfishers, in the UK we<br />

have small, very fast, blue Kingfishers that frequent<br />

our rivers and lakes. The Pied Kingfisher is much<br />

larger but still eats fish. What I found surprising was<br />

the number of varieties of them and that there are<br />

Kingfishers that do not eat fish.<br />

Grey Crowned Crane by Martin Clarke<br />

You would be hard pressed to decide if a well taken<br />

picture of an exotic bird was taken in the wild or in<br />

the local zoo. There is a very important point to note<br />

here, no one minds where you take the picture, but<br />

never state that an image of a captive bird was taken<br />

in the wild. It is that dishonesty that is objected to.<br />

Shoebill Stork - Mabamba Bay - Lake Victoria, Uganda<br />

by Ben Oleni Ntale<br />

I leave you with the only remaining ‘prehistoric’<br />

bird that we have, the Shoebill Stork.<br />

We will continue this glimpse into the bird world in<br />

future <strong>issue</strong>s.<br />

Gordon<br />

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The Netherlands<br />

Limburg, historical left overs from the coal mine era.<br />

By Paul Weijenberg<br />

Just for the record: most images are made on<br />

negative film. Let's take a walk and see what's there!<br />

The coal mines were of utmost importance to<br />

Southern Limburg. The mines were visible from<br />

passing trains. There is one railway that is<br />

constructed just for the workers of the coal mines.<br />

This railway had to cut trough hills, cross rivers, and<br />

the cost was 1 million (Dutch guilders, 450.000<br />

Euro) for each kilomter! That line is called in Dutch<br />

"Miljoenenlijntje", little line of millions….<br />

This train starts in Valkenburg, a well know town<br />

for tourists that visit Limburg.<br />

The female on the left is my mother, we write the<br />

year 1988.<br />

This is another view of that railway and how it fits<br />

in the landscape. This train is no longer in use.<br />

When the mines closed in the seventies, much<br />

disappeared in the process that was called: "from<br />

black to green".<br />

This is a view as it was in 1984, the mine site in the<br />

background is history:<br />

Here is the train as it travels today, the most<br />

beautiful train ride of the Netherlands.<br />

Former mine terrain was converted to serve the<br />

public.<br />

A ski-course, a horse track, and a site for events,<br />

such as the pop-concert Pinkpop and a golf course.<br />

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This are stables and a training school for horse<br />

riding.<br />

Just over the Belgian border, the same happened.<br />

Few was saved from demolishing. This is Genk, the<br />

(in)famous coals mines of Waterschei. Many found<br />

their graves here.<br />

The scale of the buildings from that period is visible<br />

in the picture. The white line I added points to an<br />

adult, alomst lost in that space.<br />

The golf course is a beautiful site with a lot a hills<br />

and valleys.<br />

Many symbols of the past vanished in a few years<br />

time. In my town, where the largest mine was<br />

(Wilhelmina, after the queen that ruled when the<br />

mine was founded), this symbol was kept, and<br />

placed at the entrance of the leisure park.<br />

My home town Kerkrade was very much depending<br />

on their mines for their income and in fact their<br />

social life and welfare as well. The mines provided<br />

everything.<br />

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The workers were highly appreciated. A<br />

monumental sculptur of such a worker stands on the<br />

town square, you see it on top, just left next to the<br />

trees. He carries a mine-lamp in his right hand.<br />

A world wide industry, DSM (Dutch State Mines) is<br />

visible here. It processed the gases and chemical<br />

compounds that came from the mines. After the<br />

mines closed, the DSM converted to making high<br />

tech farmaceutical compounds, plastics and such.<br />

This plant in Geleen is visible in the image in the<br />

distance at the horizon.<br />

Paul<br />

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Unusual <strong>Image</strong> by Kevin W. Moore<br />

This is one of the most unusual images I have taken.<br />

I was at a conservation area near Petrolia, Ontario<br />

shooting scenes of fall when I noticed a single red<br />

maple leaf floating atop the pond.<br />

As there was no breeze what-so-ever, and a stump at<br />

the waters edge that I could use to brace one foot, I<br />

decided to try for a shot. I managed to secure my<br />

footing, looked through my view finder until I had<br />

the shot steadied, and "click." All I saw through the<br />

view finder was the leaf. There was nothing else. No<br />

ripples. No reflection. Nothing!<br />

When I got home, I went to my computer,<br />

downloaded my images from the day, and then<br />

looked through them. When I got to this image I<br />

stopped. I was rather taken aback by what I was<br />

looking at as it appeared that, along with the leaf, I<br />

had captured something eerie, something that I am<br />

unable to explain.<br />

There was NOTHING else visible on or in the water<br />

when I took the shot. All other images were of fall<br />

colours with no strange, ghostly images in them. I<br />

can not offer any explanation as to this apparition.<br />

Several people have looked at the full size, original<br />

file and can offer no explanation. It is not a double<br />

exposure. It is not a photo-shopped image. It is<br />

simply strange, ghostly and eerie.<br />

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Portrait Pro, Issue 15 - Review<br />

Portrait Pro is a software package designed to make<br />

changes to the faces in your pictures. These changes<br />

can be anything from simple lighting changes to full<br />

glamour sculpting of the face.<br />

It provides a shortcut for the enhancement of<br />

pictures containing faces, but is primarily aimed at<br />

the portrait photographer.<br />

I did review the older software in a previous <strong>issue</strong> of<br />

the magazine and the first thing to note is that the<br />

basic framework is generally unchanged. The<br />

enhancements are confined to additions to the<br />

enhance photo controls to the right of the screen.<br />

First of all we can look at the images from<br />

Anthropics, I could reproduce these but there is not<br />

much point. Like all new and enhanced software, it<br />

take time to develop the skills required in mastering<br />

the techniques involved.<br />

The lipstick colour pallet and texture options have<br />

been enhanced to give more control and variation so<br />

that you can get it right for the look you want.<br />

It is noticeable that with some colours you lose<br />

definition in the lips. Not all colour suits all people,<br />

but from a purely photographic viewpoint, the lip<br />

colour area, especially in the picture above, looks<br />

false over the top lip. I feel that a little blending is<br />

needed in this area of the preset.<br />

This is certainly true when it comes to fashion and<br />

make-up. For the pro make-up artists the subtlety in<br />

changes should be second nature, but for us mere<br />

mortals the prospect of turning a beautiful woman<br />

into a scene from a horror movie is all to real.<br />

But help is at hand with the many and varied presets<br />

contained in the software so that the beginner can<br />

still achieve good results without getting involved in<br />

the refinements of the sliders.<br />

In any image of the person or animal, the first thing<br />

we look into are the eyes, so they need to be right.<br />

The controls for basic changes remain unchanged,<br />

but there is now an option for changing the make-up<br />

using eye shadow, mascara and eye liner.<br />

Personally I like the skin smoothing options in the<br />

presets. While some faces, mostly men, need to<br />

retain the character in the facial lines, I do not<br />

believe that applies to young ladies. Where ladies<br />

are concerned, it is the duty of the photographer to<br />

present them in the best possible manner befitting<br />

their age.<br />

The presets can take years off the age of a person,<br />

but over do it and the project looks as false as it is.<br />

While the appearance of a face can be adjusted, the<br />

underlying age can not. Stay within reason and all<br />

will be well.<br />

We now have a photo-realistic mascara to make the<br />

eyes stand out, presets for the most fashionable<br />

eyeliner styles and a full spectrum of eyeshadow<br />

colors and shapes to choose from.<br />

PortraitPro 15 incorporates new technology to<br />

improve mouth detection which saves time on the<br />

earlier version of the software. Like all facial<br />

adjustments, they should be subtle and in keeping<br />

with the overall image to avoid the horror movie<br />

result.<br />

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Another change to this software is the enhanced<br />

bronzing, highlighting and blusher components used<br />

to emphasize and flatter the subject's features.<br />

The Child Mode is designed to bring out children’s<br />

natural beauty, enhancements being optimized to<br />

sensitively improve the portrait.<br />

There are new skin colouring options allow you to<br />

correct for any lighting situation and give skin a<br />

healthy, natural glow.<br />

However it is at this point I do have a problem in<br />

that it treats male and female children in the same<br />

way.<br />

The new Lens Correction slider fixes distortion caused by a<br />

wide-angle lens (commonly known as selfie distortion),<br />

creating more natural-looking, flattering portraits.<br />

Presets are available to shorten the nose and the area<br />

below the nose, change the eye colour and even to<br />

open the eyes a little.<br />

I am a little concerned that whitening the teeth<br />

makes changes to the eyes, but all is not lost since<br />

plumping the lips will change them back again.<br />

Before moving on there is one small problem I<br />

should mention, not so much to do with the<br />

software, but the original image.<br />

Many times when we take portraits in the studio or<br />

outside, we make the mistake of getting bright<br />

highlights or burn-out in the face or hair. No matter<br />

how much you may wish it, this software is not<br />

designed to deal with this error. Try to cover it and<br />

the skin will look awful. If you use RAW files, try<br />

to correct this before using Portrait Pro by reducing<br />

the highlights.<br />

The promotional images show the effects on the<br />

female, but imagine a boy with the cute smooth lines<br />

of a baby doll face.<br />

Overall the software is very good and does what it<br />

sets out to do. The presets can give a beginner the<br />

end result without the learning requirement.<br />

To make the most of the software you need to study<br />

and learn the effects of the individual sliders. Also<br />

how the effects of one slider can change when using<br />

others.<br />

The refinement of the images that are shown<br />

previously in this article have been accomplished by<br />

professionals who use this product, so they may be<br />

finely tuned to present the software in its best light.<br />

I am not a professional user of this software, but I<br />

have been playing with the new version. I have used<br />

the same images as with the previous release with<br />

pleasing results.<br />

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The three pictures above show my friend Stacy. The first picture is the cropped original, otherwise<br />

unaltered. The center image was created in an earlier version of the Anthropics software, and the third was<br />

created in the version 15. Is there an improvement between the two versions? I think so.<br />

There are variations on a theme, Starting with the Glamorous preset (left), the center image is with one of<br />

the make-up presets (1) and the second is with another (3). The software also has options for black and<br />

white conversions. While you might think that these are best left to other<br />

dedicated software, this is different, for a start it does present some novel effects.<br />

Overall the software is good, and gets better with practice. Some elements could<br />

do with adjustment, but those are minor. Nine from ten is a reasonable score, and<br />

I wonder where they will take it next. So long as they do not lose sight of the<br />

purpose of the software, and leave some of the work to the skill of the user, all<br />

should be well.<br />

Gordon<br />

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A Study in Nature<br />

Jay, Nuthatch, Yellow Wagtail and Dunnock<br />

Pictures by Scott Latham<br />

The Jay<br />

Yellow Wagtail<br />

Nuthatch<br />

Dunnock<br />

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Wildlife Borneo - Another Day in Paradise 1<br />

Sabah Reef by Gary Bridger<br />

The underwater world of Sabah Reef is threatened by development and irresponsible tourism. Here is just a<br />

glimpse of the fragile beauty that may soon disappear.<br />

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The Beauty of Landscape<br />

We know that the landscapes we see vary by<br />

country. Canada has the vast areas of forest, Austria<br />

and Switzerland has its mountains, Africa has the<br />

Desert etc., we know of these because we were<br />

taught this in school, and of course the teachers were<br />

always to be believed.<br />

These images by Alan Culley are like many of the<br />

places I have been walking round for the last 55<br />

years.<br />

But of course that is only true in a very superficial<br />

way, the whole truth is very different. For a start<br />

Africa is a continent not a country and contains<br />

everything from the desert to mountains and forests.<br />

The same applies to every other country in its own<br />

way, even the polar regions have their plains and<br />

mountains, and far from being covered in snow, they<br />

have the variety in the rocks and ice flows.<br />

For many of us the landscape we know is around our<br />

homes . This creates a problem because we become<br />

blind to the natural beauty of our own world.<br />

Two Knebworth Landscapes by Alan Culley<br />

I had become blind to the views because I had seen<br />

them so often, but others have never seen them, until<br />

now.<br />

Meadows at Gulmarg by Nam Prasad Satsanhttps://<br />

People see landscapes in different ways, even when<br />

it comes to the same view from the same place.<br />

Each photographer applies their own style to the<br />

final picture.<br />

Two Knebworth Landscapes by Alan Culley<br />

I am still guilty of this when I walk out with the<br />

cameras. I look for the wildlife and the unusual and<br />

miss the overview.<br />

One thing I have noticed is that photographers also<br />

have their own preferences as to the type of<br />

landscape they take. Add to that the various methods<br />

of treating the image and the variety and scope of<br />

the imagery expands exponentially. Success is in<br />

the eye of the photographer, we do not all like every<br />

style.<br />

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Derbyshire in Infrared<br />

By Alan Griffiths<br />

Bad weather make a interesting sky by Alan Griffiths<br />

Landscapes can be changed just by the weather. In<br />

this picture by Alan Griffiths the scene has become<br />

moody and forboding, The heavy clouds give the<br />

impression of there being a storm on the way.<br />

Two other processes that work well, the first is<br />

infrared. If you think that skill is needed to take in<br />

greyscale, try imagining the world in shades of heat.<br />

The second is the HDRI (High-dynamic-range<br />

imaging ). This needs to be applied, and the subjects<br />

chosen, very carefully for this to work effectively.<br />

Jesus Green lock, Cambridge<br />

By Matthew Brooks<br />

We always see landscape in colour, that is our<br />

world, but how many realise that other animals see<br />

the world differently. Dogs see in Greyscale, so why<br />

not create our pictures in greyscale. Not all<br />

landscapes work well as pictures in that format, but<br />

there is a skill in finding those that work.<br />

The view from my parents in law in Clayton,<br />

California, just outside of San Francisco at the foot of<br />

Mount Diablo by Louise Bradt<br />

Gordon<br />

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Exploring Patagonia<br />

Аргентина - Argentina<br />

Dawn over the top of Fitzroy - Рассвет над вершиной Фицрой<br />

By Michal Shmelev, Russia<br />

Погодные споты в окрестностях горы накануне<br />

публиковали неутешительные данные: ветер 38<br />

узлов, облачность 98%. Это означало, что<br />

ближайшие дни будет лить как из ведра, да с этакими<br />

приятными шквальными порывами воды и ветра...<br />

Вполне типично для этих мест. Информацией<br />

поделились испанцы, пришедшие обороткой.<br />

Я решил свернуть лагерь, по сухой тропе спустился в<br />

поселок и разместился в отеле. Однако, по привычке<br />

проснувшись в 4 утра, увидел звёзды за окном. Уже<br />

через полчаса я встречал этот нежно-розовый и<br />

чистый, столь редкий для этих мест рассвет,<br />

длившийся не более двух минут.<br />

Weather spots around the mountains on the eve of the<br />

published the disappointing data: the wind at 38 knots,<br />

Cloud Cover 98 %. This meant that the next few days<br />

will have to come down, yes with a sort of pleasant<br />

barrage gusting water and wind... It is typical of those<br />

seats. Information Shared Spaniards, come обороткой.<br />

I've decided to camp, dry tropez went down in the village<br />

and is situated in the hotel. However, out of habit when<br />

he woke up at 4 in the morning, I saw the stars outside<br />

the window. Already in half an hour I've met this gently-<br />

Pink and clean, so rare for these places the dawn, lasted<br />

for no more than two minutes.<br />

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Renaissance Faire in Sterling, New York By Monroe Payne<br />

The jousting troupe is called "The New Riders of the Golden Age.<br />

There is that moment where performance and a well<br />

trained horse make magic for the crowd...<br />

Sir Douglass in his natural environment...<br />

The Three Ladies<br />

My daughter on the left, my wife on the right and our friend in the<br />

center... Of course, their men were watching in admiration...<br />

Granddaughter by Monro Payne<br />

She won the costume contest. I think the<br />

cuteness factor helped...<br />

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A Day With the Wolves<br />

Pictures by Rodger Lee<br />

Jumping Wolf by Rodger Lee<br />

Profile by Rodger Lee<br />

Passive Wolf by Rodger Lee<br />

Lone Wolf by Rodger Lee<br />

Wolf by Rodger Lee<br />

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South Africa<br />

Hluhluwe – Imfolozi Game Reserve.<br />

Africa`s Oldest Proclaimed Game Reserve By Ian Bales-Smith<br />

In this article I try to share with you the touring<br />

and photographic opportunities of the Hluhluwe-<br />

Imfolozi Game Reserve which I have visited many<br />

times since the late 1970s.<br />

* The Province of Kwa Zulu Natal has other<br />

major tourist attractions, still to be discussed:<br />

The HIP is managed by KZN Ezemvelo Wildlife.<br />

KZN is the abbreviation for Kwa Zulu Natal.<br />

Ezemvelo is the Zulu word for wildlife.The HIP<br />

was one of the traditional hunting grounds of the<br />

Zulu kings including King Shaka.<br />

* The Isimangaliso Wetland Park; a <strong>World</strong><br />

Heritage Site.<br />

* The UKhahlamba – Drakensberg <strong>World</strong><br />

Heritage Site.<br />

* The Anglo Zulu War Battlefields.<br />

* Zulu Culture destinations.<br />

The Hluhluwe – Imfolozi Game Reserve is the<br />

oldest proclaimed game reserve in Africa. The<br />

proclamation year was 1895. The Reserve covers<br />

96 000 hectares [960 Sq km]. The reserve was<br />

originally in two sections, the Imfolozi section and<br />

the Hluhluwe section. In 1989 the corridor between<br />

the two sections was opened to allow free<br />

movement of animals between the sections.<br />

The Hluhluwe – Imfolozi Park [HIP] is located in<br />

Zululand and is accessed off the N2 from Durban.<br />

It is a comfortable three hour drive from Durban.<br />

See map below:<br />

The emblem of KZN Ezemvelo Wildlife is the<br />

Erythrina lysystemon. [Coral tree] The tree is an<br />

ecosystem providing food and shelter for many<br />

birds, animals and insects. It is regarded by the<br />

Zulu people as a Royal tree and was planted on the<br />

graves of Zulu Chiefs. It has important traditional<br />

medicinal properties.<br />

Erythrina lysystemon.<br />

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Accommodation.<br />

The HIP offers a range of accommodation from self<br />

catering lodges to popular “Bush camps” which are<br />

private and exclusive, giving the feeling that the<br />

reserve is yours. [Almost] Most bush camps and<br />

lodges are set in the natural environment and attract<br />

birds, warthog, and bush baby [lesser galago] and<br />

visiting hyena and smaller antelope.<br />

The main accommodation centre for HIP is at<br />

Hilltop Camp which has a restaurant, bar and small<br />

shop. Hilltop Camp is in the Hluhluwe section of the<br />

reserve.<br />

The main camp in the Imfolozi section is the Mpila<br />

Camp which also has a small shop. No restaurant or<br />

bar.<br />

The HIP became world renowned for its rhino<br />

rehabilitation programme and was able to supply<br />

rhino to other parks and game reserves throughout<br />

Southern and central Africa.<br />

Rhino are again very seriously threatened by<br />

poachers supplying rhino horn to certain eastern<br />

countries. As many as three rhino are poached daily<br />

in South Africa and efforts to stop this are huge<br />

involving inter government agreements and<br />

protocols and the deployment of military and<br />

Special Forces.<br />

Early Settlements and Culture. There are signs of<br />

early settlements and Rock Art<br />

Both sections have attractive self catering “Bush<br />

Camps” ranging in size from two to six en-suite<br />

double bed rooms with lounges, barbeque [braai]<br />

areas and well equipped kitchens with gas<br />

appliances such as stoves and refrigerators. Lighting<br />

is solar powered and is on from 5 pm to 9 pm. Bush<br />

camps are serviced and have a resident guide for the<br />

very popular “guided walks”.<br />

Malaria is no longer the problem it once was.<br />

Visitors from Europe are, however, advised to seek<br />

advice from their Doctor.<br />

Wilderness area. The Imfolozi section includes a<br />

true Wilderness Area which attracts tourists from all<br />

over the world. The wilderness experience means<br />

that you live without modern comforts; you walk<br />

into the wilderness and sleep under the stars. Food<br />

and essential provisions are carried in by donkeys or<br />

mules. The experience normally takes 4 to 5 days.<br />

Traditional Zulu hut, [house] unfortunately these are<br />

disappearing fast, making way for much needed<br />

progress.<br />

Diversity of Wildlife. The HIP is renowned for its<br />

rich diversity of wildlife – fauna and flora, including<br />

the big five: elephant, rhino, buffalo, lion and<br />

leopard and many others including cheetah and wild<br />

dog. There are more than 300 bird species.<br />

The Rhino. Excessive and indiscriminate hunting<br />

plus the Nagana disease [sleeping sickness –<br />

trypanosomiasis caused by tsetse fly] in the late<br />

1880s and early 1900s resulted in many of the<br />

animals becoming nearly locally extinct. It was the<br />

efforts of the Natal Parks Board [which became<br />

KZN Ezemvelo Wildlife] in the period 1940 to the<br />

1960s that saved the rhino from extinction.<br />

Zulu dancing and story telling.<br />

There is a pile of stones about 1 km from Hilltop<br />

Camp, on the road heading towards Imfolozi. This is<br />

an Isivivane, the grave of a noted person. To show<br />

respect you should throw a stone onto the Isivivane<br />

before continuing your journey. Your actions will<br />

bring you good fortune.<br />

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The Imfolozi section of the Reserve benefits from<br />

the Black and White Umfolozi Rivers. The<br />

Hluhluwe section is watered by the Hluhluwe River.<br />

The altitude ranges from 80 to 540 metres above sea<br />

level.<br />

The vegetation is mainly woodland, some thickets,<br />

grasslands and open savannah. The main rivers and<br />

their subsidiary streams support typical riverine<br />

vegetation.<br />

The diverse vegetation and topography result in<br />

numerous different ecozones to support the reserves<br />

diversity of wildlife. Summer temperatures are in<br />

the upper 30s, winter temperatures are around 16 to<br />

22 degrees.<br />

The total area of the Reserve at 96 000 is small<br />

when compared to the Kruger Parks 2.2 million<br />

hectares.<br />

Visits of three to five days are recommended and<br />

should provide the opportunity to explore the entire<br />

area and spend time at waterholes and game viewing<br />

hides.<br />

Recommended good times to visit is August to<br />

November. This is when many beautiful trees come<br />

into flower and many animals take advantage of<br />

spring and early rains for their young.<br />

Game drives and photographic opportunities:<br />

It is advisable to travel slowly and really look into<br />

the bush, look into the trees the shrubs and<br />

grasslands. At rivers, dams and wetlands you should<br />

stop and observe; one minute there appears to be no<br />

life, the next can be filled with activity.<br />

Caution: Obey the Rules of the HIP. It is advisable<br />

not to get to close to the larger animals such as<br />

elephant, buffalo, giraffe and lion.<br />

Private motor vehicles should not be driven around<br />

the reserve at night for security and anti poaching<br />

reasons. Night drives can be arranged at the camps<br />

main offices, open game drive vehicles are used.<br />

“Game Drives”.<br />

Start as the dawn breaks; this can result in rewarding<br />

opportunities and the chances of seeing some of the<br />

cats. Possibilities include the lion, leopard and<br />

serval. These are nocturnal species but frequently<br />

hunt during the day. Note: cheetah are diurnal an<br />

can be seen at all times of the day. Serval hunt in<br />

reed beds, grass and woodlands. `<br />

You may also be lucky to see civet and genets; these<br />

are not true cats, being of the mongoose family, the<br />

Viverridae. These are omnivores and prefer<br />

woodlands and need to be near surface water.<br />

Early morning game drives are rewarding and<br />

usually end with a good breakfast at one of the many<br />

picnic sites or back at the camp.<br />

Late afternoon or “sunset” drives also provide<br />

excellent opportunities particularly along rivers or<br />

near waterholes. It is the time of the day when many<br />

diurnal animals and birds start to get themselves<br />

ready for the night. These drives should be<br />

completed before dark to allow time to get back to<br />

the base camp.<br />

For day drives i.e. those from after breakfast to mid<br />

afternoon it is recommended that routes be planned<br />

to take in stops at waterholes and game viewing<br />

hides. Ensure you have adequate refreshments and<br />

food [and spare batteries for cameras.] Most game<br />

viewing hides have toilet facilities. Allocate at least<br />

one full day for each section of the HIP.<br />

Bush Camp Accommodation.<br />

In the presence of monkeys and the Chacma baboon<br />

make sure all windows are closed. This is important<br />

at picnic sites where animals have become<br />

accustomed to people. Do not feed the animals and<br />

birds. Hyena can be aggressive when food is<br />

available.<br />

All animals in the HIP are wild; many have become<br />

habituated to the presence of motor vehicles, drive<br />

slowly and always with caution.<br />

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Muntulu Bush Lodge overlooking a stream and<br />

woodland in the Hluhluwe Section of HIP. [Six<br />

double en-suite bed rooms].<br />

Many bird species and Bush babies [Lesser galago]<br />

take residence around the lodges and camps. Bush<br />

baby maybe heard at night when they come out to<br />

feed on insects attracted to lights. Bush pig and<br />

Hyena are frequent visitors and should be treated<br />

with caution. Wart hog families are day visitors<br />

attracted to camp environment.<br />

Pelicans in the early morning. Probably preparing<br />

for their flight to the St Lucia estuary where they<br />

feed for most of the day before returning to their<br />

roosting grounds.<br />

Day drive along planned routes and to game<br />

viewing hides.<br />

Typical dining area at a large bush camp.<br />

Some photographic records of game viewing<br />

experiences.<br />

Early morning drive, started at dawn.<br />

Bateleur eagle [juggler of the sky] is becoming<br />

threatened as a result of habitat loss. When the sun<br />

is up the Bateleur soars the thermals in search of<br />

food. It is normally the first to find a kill and is<br />

followed by vultures.<br />

Zebra, early morning, en route from Muntulu to<br />

Masinda.<br />

Zebra occur in small herds of from 4 to about 12<br />

animals. They prefer open grasslands and are often<br />

seen in the company of wildebeest.<br />

Vultures at the remains of a rhino carcass at Nylazi<br />

lookout point.<br />

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A pack of wild dogs were resting about 200 metres<br />

away having had their meal.<br />

Wild dog at the Nylazi lookout point. They appear<br />

to have had their full at a nearby rhino carcass.<br />

White rhino on the Sontuli Loop which follows the<br />

Umfolozi River<br />

Buffalo cooling off at a pan near the Masinda camp.<br />

White rhino bull showing interest in in-oestrous<br />

cows. The main road near the Mpila camp.<br />

Elephant bull about to cross the road near the Mpila<br />

camp. Elephant consume between 100 and 200 kgs<br />

of vegetation daily, this is more than 50 tons for<br />

each animal per year. In hot weather they drink<br />

about 120 litres/day.<br />

Cheetah on the Sontuli Loop. Eyeing possible prey.<br />

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Late afternoon – sunset drive.<br />

Male lion resting near the Bhejane game viewing<br />

hide.<br />

A pack of about 16 wild dogs killed a Nyala ram<br />

near the low level bridge over the Umfolozi River.<br />

In less than 40 minutes the carcass was almost<br />

completely devoured. Bones and skin were eaten by<br />

Hyena during the night.<br />

Hyenas take a cooling wash after feeding on a kill at<br />

midday near the Hilltop Camp.<br />

Young elephant drinks from the Umfolozi before<br />

moving to high ground for the night.<br />

Fish eagle about to make a catch, Umfolozi River.<br />

Fish eagle pair for life. Their diet is fish, small birds<br />

and mammals.<br />

Young impala at the end of the day. Impala are<br />

grazers and browsers.<br />

I hope you have enjoyed sharing with me the game<br />

viewing and photographic opportunities in this<br />

really excellent game reserve with its very<br />

comfortable bush lodges and camps.<br />

For information about guided tours please contact me:<br />

Ian Bales-Smith of Afrika Tourism and Training. E – mail: ibs22dec@gmail.com<br />

Website = photosociety.net Page 48 email = magazine@photosociety.net


Photo Study of Tanzania by Paul Nanyaro<br />

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Away From the City<br />

America by Larry Hitchins<br />

An Eastern Shore Cove<br />

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The Societies Show, London<br />

Gordon Longmead<br />

I make a point of attending two shows each year, the<br />

photo Show at the NEC and the Societies Show in<br />

London. So this month it was the latter, the day was<br />

overcast and wet, so the photography on route both<br />

to and from the event was nothing special. Part of<br />

the reason being that in trains and underground is<br />

probably not the best place to set up shop.<br />

It so happened that the last person I spoke to at the<br />

show was the Chief Executive of the SWPP, I<br />

confess I let my humour get the better of me, but,<br />

just for fun, I challenged him to stage a direct<br />

competition at next years show, 20 of their best<br />

prints verses 20 of ours and let the public decide the<br />

placing by simple vote. We will see if they accept<br />

the challenge.<br />

I did renew some past acquaintances, and met some<br />

new ones. Always good to keep our profile going,<br />

although most are all smiles at the shows and no<br />

substance unless you want to spend loads of money.<br />

A short sighted approach to what we offer, but we<br />

can not change that … yet.<br />

Speaking of offers, Timeline events had a show<br />

offer which they have extended to PPS members.<br />

Use the discount code DISC1620 for a 20% discount<br />

on their Photo Heritage Tours, the downside is that<br />

they are based out of Brooklands, UK, but if you can<br />

get there it is worth taking a look. Further info at<br />

www.timelineevents.org .<br />

TIY Trade are still offering 40% off their essentials<br />

range, www.tiytrade.co.uk .<br />

There is a new(ish) photo enhancement software<br />

called Perfectly Clear, [ www.athentech.com ]<br />

which you may wish to look at. Certainly looked<br />

interesting.<br />

The window cleaner has been waiting for so long for<br />

the rain to stop he has turned into a statue.<br />

And so to the exhibition. Part of the show in a<br />

display of pictures from the Societies members,<br />

Some stunning pictures on display, but from a<br />

judging point of view I must wonder how some of<br />

them achieved a gold rosette. The new style of<br />

picture appears to be returning to the oil painting<br />

style of studio shot, very effective.<br />

From that perspective it appears that photography is<br />

trying to rediscover its roots. Returning to the time<br />

when a camera was a brush and canvas.<br />

For a touch of the unique, how about a slide show /<br />

video album in the form of a book? This book<br />

contains the LCD screen in place of pages, so you<br />

create the presentation on the computer and load it<br />

to the book. When the book is opened the show<br />

starts automatically. Designed as a new way of<br />

presenting wedding pictures, this could have good<br />

opportunities for other photographic services.<br />

www.touchofunique.co.uk .<br />

Finally, if you are planning to buy a new camera<br />

strap, we are actively negotiating a deal for the<br />

Tetenal Sunsniper range of products. If there is<br />

anything you have an interest in, please let me<br />

know.<br />

Website = photosociety.net Page 51 email = magazine@photosociety.net


Botswana<br />

Kuyimba means 'to sing' in the Zambian Chinyanja language and this<br />

site is a celebration of the sights and sounds of southern Africa. Join<br />

us to experience it for yourself.<br />

Derek & Sarah Solomon<br />

www.kuyimba.com<br />

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Use the Member Code: GL415. Enter the code in the box<br />

before checkout to get 10% discount.<br />

Website = photosociety.net Page 54 email = magazine@photosociety.net


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TECHNOLOGY EQUIPPED FOR GRIP<br />

MacWet Technology<br />

Most gloves on the market today are bulky and uncomfortable, causing a negative impact<br />

on your favourite sport. MacWet's unique Aquatec® fabric responds to moisture and<br />

climate change, ensuring maximum grip, sensitivity, feel and comfort at all times, no<br />

matter how wet or humid. The groundbreaking MacWet Sports glove marks a turning<br />

point in glove technology with characteristics that ensure user comfort, durability and<br />

performance. MacWet gloves' groundbreaking technology uses natural 'wicking'<br />

properties. This allows water to be readily transported along, around and over the gloves`<br />

surface to the fabric face, where it quickly evaporates, thus providing the ultimate in<br />

comfort and gripping power.<br />

The breathable, all-purpose MacWet sports gloves offer a comfortable fit and the<br />

performance you desire. Man made fabric permits the hand to breathe ensuring<br />

maximum grip consistently, with absolutely no compromise to the feel or comfort of the<br />

products. The second skin fit allows for fine adjustment of equipment without the need to<br />

remove the gloves.<br />

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Tour Operators<br />

Members who operate, or work on behalf of Tour Operators are invited to submit reports on their<br />

tours as a feature of the magazine. These can be a regular feature if desired and may include<br />

pictures to highlight aspects of the article. The first of these reports should be an introduction to<br />

the company area of operations and its tour guides and staff.<br />

Although the Society can not be held responsible for the conduct and safety of the tours, the tour<br />

operators that advertise on, or have links within, this site or provide reports within the societies<br />

magazine, do so on the understanding that they undertake to conduct the tours in a professional<br />

manner, be customer focused, with an emphasis on safety and value for money.<br />

As many of the tour operators and guides are members of the society, they are knowledgeable both<br />

on the areas they visit and on the subject of photography and will be willing to offer tips and<br />

guidance if required. Feedback about your tour is always welcomed and may appear in the society<br />

magazine.<br />

Magazine Submissions<br />

Members are welcome to submit Bio’s and other articles relating to expeditions and equipment<br />

reviews. Small file size pictures may be included. Recognised wildlife trust and Nature<br />

Conservation group adverts may be included free of charge per quarter page subject to approval.<br />

Any one who would like to write a feature article for the magazine, please do. I have no real limit<br />

on the magazine size but for ease I will find a comfortable limit depending on the method used for<br />

circulating it.<br />

Trade Adverts<br />

Adverts may be placed with the magazine at the editors discretion. A charge will be made in<br />

advance of publication towards the running costs of the society amounting to 10 GBP per quarter<br />

page per <strong>issue</strong>.<br />

Submissions should be emailed to magazine@photosociety.net please state ‘magazine article or<br />

advert’ in the subject line.<br />

The Photographer Academy is the largest European<br />

photography training company providing the award<br />

winning training to get inspired or instructed every day.<br />

http://thephotographeracademy.com<br />

The Cat Survival Trust was registered as a charity in<br />

1976. The Trust's on-site objective is to promote<br />

education regarding the conservation of wild cats and<br />

their habitat by housing an array of species in natural<br />

enclosures.<br />

http://www.catsurvivaltrust.org<br />

We hope you like the magazine, the size and content of future <strong>issue</strong>s depends on you.<br />

Submissions for the next <strong>issue</strong> are being accepted<br />

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