YEARBOOK 2014 - 2015 | XJTLU DEPARTMENT OF ARCHITECTURE
The second edition of the yearbook of the Department of Architecture at Xi'an Jiaotong-Liverpool University presents student works created during the academic year 2014 - 2015. The yearbook exemplifies the new model for Chinese architectural education for which the department was commended by the Royal Institute of British Architects (RIBA) in their validation report for the Bachelor in Architecture. It is thus also a showcase of the creative culture that has guided our students in taking first steps to successful international careers as responsible and creative architectural designers.
The second edition of the yearbook of the Department of Architecture at Xi'an Jiaotong-Liverpool University presents student works created during the academic year 2014 - 2015. The yearbook exemplifies the new model for Chinese architectural education for which the department was commended by the Royal Institute of British Architects (RIBA) in their validation report for the Bachelor in Architecture. It is thus also a showcase of the creative culture that has guided our students in taking first steps to successful international careers as responsible and creative architectural designers.
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西 交 利 物 浦 大 学<br />
建 筑 系<br />
Xi’an Jiaotong-Liverpool University<br />
<strong>DEPARTMENT</strong> <strong>OF</strong> <strong>ARCHITECTURE</strong><br />
<strong>2014</strong>–<strong>2015</strong><br />
<strong>YEARBOOK</strong>
The <strong>2014</strong>-15 <strong>YEARBOOK</strong> is a publication by the<br />
Department of Architecture, done as an effort<br />
to bring together, represent and communicate<br />
the diversity of academic and architectural<br />
output and production done by all members<br />
of staff and students. This publication would<br />
be impossible without the carefull selection<br />
of texts, projects and activities done by all<br />
members of staff.<br />
At various stages of the <strong>2014</strong>-15 <strong>YEARBOOK</strong><br />
production valuable, creative and generuous<br />
imput, advice, editing and proofreading has<br />
been done by Pierre-Alain Croset, Claudia<br />
Westermann and Marian Macken, while<br />
photographs featuring in this <strong>YEARBOOK</strong> have<br />
been generously provided by Edward Farrell<br />
and Christiane M. Herr. Leslie Sturino and Tess<br />
Humphrys from the University Marketing and<br />
Communication department have provided<br />
crucial support and proofreading.<br />
© 2016 Department of Architecture, <strong>XJTLU</strong><br />
Designed and produced by<br />
Bert de Muynck<br />
Department of Architecture<br />
Xi’an Jiaotong-Liverpool University<br />
Building EB • 111 Ren’ai Road • Suzhou SIP<br />
Dushu Lake Science and Education Innovation<br />
District, Jiangsu Province, China, 215123<br />
www.xjtlu.edu.cn
西 交 利 物 浦 大 学<br />
建 筑 系<br />
Xi’an Jiaotong-Liverpool University<br />
<strong>DEPARTMENT</strong> <strong>OF</strong> <strong>ARCHITECTURE</strong><br />
<strong>2014</strong>–<strong>2015</strong><br />
<strong>YEARBOOK</strong>
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]
INTRODUCTION<br />
This second issue of the Department of Architecture’s Yearbook illustrates<br />
the design activity of our students on the BEng Architecture programme<br />
during the academic year <strong>2014</strong>-<strong>2015</strong>.<br />
An important accomplishment this year was the validation of the<br />
programme by the Royal Institute of British Architects (RIBA) Education<br />
Committee, offering all our graduates, past and future, full recognition<br />
within the framework of European higher education. It is a first step, to<br />
be complemented in the future by the RIBA validation (Part Two) of the<br />
MArchDes in Architectural Design, from which the first cohort of students<br />
will graduate in summer 2017.<br />
In its Report published in February <strong>2015</strong>, the RIBA Visiting Board<br />
encouraged the Department to continue its efforts in creating “a<br />
distinctive environment in which students learn from an international and<br />
Chinese context, with an ambition to produce a new type of graduate,<br />
with an emphasis on human-centred architecture, for the emerging global<br />
context of the built environment.” What kind of architects do we want<br />
to educate? The RIBA validation acknowledges that the development<br />
of our students’ critical thinking skills is an important and distinctive<br />
characteristic of our programme, one that distinguishes us from many<br />
other Chinese universities. The Department thus affirms a belief in the<br />
merits of architectural education as a way of developing critical thinking<br />
skills for the longer-term future rather than training students for the shortterm.<br />
The Departments’ academic staff, as a community of individuals coming<br />
from many different countries and backgrounds, consider our Chinese<br />
context to be a productive platform from which to experiment with new<br />
ways of thinking, and to develop an innovative pedagogy for the formation<br />
of architects, based on a critical dialogue between Chinese and Western<br />
approaches. Pedagogy is at the centre of our vision and action, and<br />
beyond the specificity of architecture we are reflecting on some basic<br />
questions related to various aspects of creativity and to the relations<br />
between design and construction. To develop this innovative pedagogy,<br />
the Department will take advantage of the new design building on the<br />
South Campus, which will be shared with the Department of Industrial<br />
Design and completed for the start of the academic year 2016-2017.<br />
In conclusion, I would like to thank personally all the teaching staff for<br />
their passion, hard work and expertise that permitted the RIBA validation<br />
before my arrival as Head of Department in January <strong>2015</strong>. I’m also very<br />
grateful for the engagement and enthusiasm of the students, which is<br />
reflected in the high quality of the selected works in this publication.<br />
Pierre Alain Croset<br />
Head of the Department of Architecture<br />
Xi’an Jiaotong-Liverpool University<br />
Introduction 1
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]
about <strong>XJTLU</strong><br />
Xi’an Jiaotong-Liverpool University (<strong>XJTLU</strong>) is a new international<br />
university jointly founded by Xi’an Jiaotong University in China and the<br />
University of Liverpool in the UK as a joint venture. As an independent<br />
Sino-foreign cooperative university, it captures the essence of both<br />
prestigious parent universities and is the first and only one of its kind<br />
approved by the Ministry of Education in China. The University offers a<br />
variety of undergraduate degree programmes and awards both its own<br />
Chinese degree and a degree from the University of Liverpool.<br />
Located in Suzhou, a city that has been known as “paradise on the earth”<br />
since ancient times, <strong>XJTLU</strong> beautiful environment combines the city’s<br />
rich cultural traditions and its rapid economic development. Suzhou is one<br />
of the most developed cities in China, consistently ranking among the<br />
top cities in China in terms of GDP. Suzhou Industrial Park, in particular,<br />
has a large cluster of Fortune 500 companies, transnationals and R&D<br />
centres, which provide favourable social, economic as well as geographic<br />
conditions for the sustainable growth of <strong>XJTLU</strong>.<br />
<strong>XJTLU</strong> looks to draw high-quality students from China and abroad to both<br />
undergraduate and postgraduate programmes. At present, the University<br />
has over 10,000 registered students, including those who are completing<br />
study at the University of Liverpool. There are currently almost 60<br />
undergraduate and postgraduate degree programmes in the fields of<br />
science, technology, engineering, business, finance, architecture, urban<br />
planning, language and culture. All are taught in English except, for<br />
general and basic courses.<br />
www.xjtlu.edu.cn<br />
About <strong>XJTLU</strong> 3
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]
campus <strong>XJTLU</strong><br />
Department of Architecture<br />
Xi’an Jiaotong-Liverpool University<br />
Building EB • 111 Ren’ai Road • Suzhou SIP<br />
Dushu Lake Science and Education Innovation<br />
Distric, Jiangsu Province, China, 215123<br />
www.xjtlu.edu.cn<br />
<strong>XJTLU</strong> Campus
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]
BEng Architecture<br />
<strong>2014</strong>-15 Programme Directors<br />
A. Benjamin Spaeth<br />
Claudia Westermann<br />
Modern China is developing into a new era for thinking about urbanism<br />
and architecture, presenting exciting opportunities for an architectural<br />
education at the forefront of architectural discourse and with an<br />
international outlook. Against the backdrop of fast-paced modernisation,<br />
the Department of Architecture at <strong>XJTLU</strong> engages with the challenges<br />
and contradictions of architecture in China in an open-minded and forwardthinking<br />
manner. Our students profit from the experiences of a highly<br />
international academic staff, and critically engage with the questions<br />
facing architecture today both locally and internationally.<br />
Innovation and development of the built environment derive from critical<br />
observation, constructive debate, speculation and experimentation. As<br />
academics and architects we involve ourselves in real debates, challenge<br />
common perceptions and evaluate traditions. For in depth explorations of<br />
the dynamics of urban life and designed spaces we profit from our unique<br />
location in Suzhou, a famous 2,500 year-old city with Unesco World<br />
Heritage status, just half an hour by train from Shanghai. Confronted with<br />
the past and engaged in the present our students are guided to design<br />
the future.<br />
BEng <strong>ARCHITECTURE</strong><br />
The four-year full-time BEng Architecture aims to provide a comprehensive<br />
foundation in architecture. Students are guided to develop an understanding<br />
of the centricity of human needs and desires to architectural design tasks,<br />
and to develop creative and responsible responses by taking into account<br />
the social, cultural, ecological, economic as well as technological contexts<br />
within which architecture is situated.<br />
The BEng Architecture programme at <strong>XJTLU</strong> has become the first<br />
programme of its kind at a Chinese university to receive validation by<br />
the Royal Institute of British Architects (RIBA), thus demonstrating<br />
<strong>XJTLU</strong>’s commitment to providing world-class, internationally recognised<br />
education to students from China and abroad.<br />
The Royal Institute commended “the Department and staff body on<br />
creating a distinctive environment in which students learn from an<br />
international and Chinese context with an ambition to produce a new<br />
type of graduate, with an emphasis on human-centred architecture, for<br />
the emerging global context.”<br />
BEng Architecture 7
Year 1 / Level 0<br />
Year 1 prepares students for the subsequent three years. Classes on<br />
English language for academic purposes are taught alongside modules<br />
on mathematics, Chinese culture and physical education. Year 1 also<br />
includes two modules that serve as an introduction to visual culture and<br />
architectural representation.<br />
• ARC001 Introduction to Architecture and Visual Culture (2.5 credits)<br />
• ARC002 Architectural Representation and Communication (5 credits)<br />
Year 2 / Level 1<br />
Year 2 provides the basis for the subsequent years of the programme.<br />
Students are introduced to the history and theory of architecture, building<br />
science, structure and construction as well as building technology, in<br />
parallel to modules on English language. Experimental studio modules<br />
introduce the presentation, modelling and design of architectural spaces<br />
and small buildings.<br />
• ARC101 Design Studio: Design Thinking and Articulation (5 credits)<br />
• ARC102 Design Studio: Small Scale Architectural Design (10 credits)<br />
• ARC103 Introduction to Environmental Science (5 credits)<br />
• ARC104 Structure and Materials (5 credits)<br />
• ARC105 Design Studio: Small Space Design (5 credits)<br />
• ARC107 History of Western Architecture (5 credits)<br />
• ARC108 Construction and Materials (2.5 credits)<br />
• ARC110 Humanities and Culture (2.5 credits)<br />
• EAP107 English Language and Study Skills III for the<br />
Built Environment (10 credits)<br />
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]<br />
Final Year Project [<strong>2014</strong>-15] by CAN Cui [left] and WANG Siyao [right]
BEng Architecture<br />
Year 3 / Level 2<br />
In Year 3 students pursue design projects in studio modules that require<br />
the integration of a more complex range of contextual parameters on<br />
the basis of a coherent design process. Students continue to learn about<br />
building technology and the history and theory of architecture and urban<br />
developments.<br />
• ARC201 Environmental Design and Sustainability (5 credits)<br />
• ARC202 Structural Design (5 credits)<br />
• ARC203 History of Asian Architecture (5 credits)<br />
• ARC204 Design Studio: Small Urban Buildings (10 credits)<br />
• ARC205 Design Studio: Design and Building Typology (10 credits)<br />
• ARC206 Urban Studies (5 credits)<br />
Year 4 / Level 3<br />
In their final year, students demonstrate an understanding of the<br />
complexity of architectural design processes from initial concepts to the<br />
design of buildings, taking into account human needs and desires as well<br />
as structural, material and environmental considerations. Modules on<br />
digital design and building technology, theory, aesthetics, and professional<br />
practice are designed to support the studio tasks. In Year 4 students have<br />
the opportunity to select their studio projects from a series of parallel<br />
briefs.<br />
• ARC301 Architectural Technology (5 credits)<br />
• ARC303 Architectural Theory (5 credits)<br />
• ARC304 Design Studio: Final Year Project (10 credits)<br />
• ARC305 Design Studio: Small and Medium Scale Buildings (10 credits)<br />
• ARC306 Professional Practice (5 credits)<br />
• ARC308 Philosophy of Art and Aesthetics (5 credits)<br />
BEng Architecture<br />
9
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]
MArchDes<br />
<strong>2014</strong>-15 Programme Director<br />
Christian Gänshirt<br />
The Master of Architectural Design (MArchDes) is a two-year, full-time<br />
professional programme. Upon successful completion, an international<br />
Master of Architectural Design (MArchDes) degree is awarded from the<br />
University of Liverpool, for which we have initiated international validation<br />
at RIBA Part Two level from the Royal Institute of British Architects (RIBA).<br />
The programme is registered with and recognised by the Chinese Ministry<br />
of Education (MoE). We are also seeking professional accreditation from<br />
the Ministry of Construction in China.<br />
This programme prepares students for two main purposes: firstly, to work<br />
as fully qualified professional architects, secondly to conduct independent<br />
research, qualifying for further PhD-level studies.<br />
The Master of Architectural Design (MArchDes) programme is designed to<br />
deliver all the learning outcomes as defined by RIBA to qualify for Part Two,<br />
which is the second out of three stages in the formal educational process<br />
required to register as a professional architect in the United Kingdom. The<br />
programme offers an international perspective, at the same time enabling<br />
the students to grapple with the demands of rapid modernisation in China.<br />
MArchDes 11
Master of Architectural Design (MArchDes)<br />
Year 1 [Semester 1]<br />
ARC403 Applied Technology in Architecture (5 credits)<br />
ARC405 Design Studio I (10 credits)<br />
ARC407 Architectural Theory and Criticism (5 credits)<br />
Additional Learning Activities<br />
Year 1 [Semester 2]<br />
ARC402 Advanced Professional Practice (5 credits)<br />
ARC404 Design Studio II (10 credits)<br />
ARC406 Topics in Architectural History (5 credits)<br />
Additional Learning Activities<br />
Summer break<br />
Additional Learning Activities / Internship / Study Trip<br />
Year 2 [Semester 1]<br />
ARC409 Architectural Design and Research Methods (5 credits)<br />
ARC411 Practice- based Enquiry and Arch. Representation (5 credits)<br />
ARC413 Design Studio III (10 credits)<br />
Year 2 [Semester 2]<br />
ARC 408 Written Thesis 5 (5 credits)<br />
ARC 410 Design Studio IV / Thesis Project (15 credits)<br />
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]
MArchDes<br />
Each of the four semesters of the Master of Architectural Design<br />
(MArchDes) is centred on a unit-based studio module. In Year 1, the<br />
curriculum focusses on developing students’ professional and design<br />
skills. The core of the programme is the design studio, where students<br />
practice the thinking and making of architectural projects, and improve their<br />
abilities to use a broad range of visual and verbal design tools. Modules on<br />
technological and professional skills as well as modules on the theory and<br />
history of architecture complement the studio work.<br />
During the winter breaks, and in the summer break between Years 1 and 2,<br />
students are advised to do 400 to 600 hours of complementary activities<br />
such as independent research, study travel, or internships in an architecturerelated<br />
practices, which count as part of their non-credit bearing Additional<br />
Learning Activities. The Department is currently establishing agreements<br />
with renowned Chinese architects to take in masters students as interns.<br />
In Year 2, the curriculum focusses on reinforcing students’ research<br />
competence in order to create a basis for their individual design approach.<br />
The design studio continues to be the core of the programme, where<br />
students develop an architectural enquiry over two consecutive semesters,<br />
leading to a final thesis project. Other modules in the programme support<br />
individual research and design approaches, and complement the student’s<br />
architectural project with a theoretical basis and critical discourse.<br />
Design studio units are formed around research foci from within the<br />
Department to meet specific needs of the profession both locally and<br />
abroad. Each studio module contains one or several shorter design briefs<br />
offering students opportunities and challenges to conduct practice-based<br />
research. Design work in the studios is expected to amount to a coherent<br />
body of work for each student, which forms the intellectual basis for the<br />
final thesis design project, accompanied by a written thesis.<br />
MArchDes<br />
13
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]
CONTENT<br />
<strong>2014</strong>-15 <strong>YEARBOOK</strong> 1 INTRODUCTION<br />
7 BENG <strong>ARCHITECTURE</strong><br />
LEVEL 00 - YEAR 1<br />
21 ARC001 Introduction to Architecture and Visual Culture<br />
23 ARC002 Architectural Representation and Communication<br />
LEVEL 01 - YEAR 2<br />
29 ARC103 Introduction to Environmental Science<br />
31 ARC104 Structure and Materials<br />
33 ARC107 History of Western Architecture<br />
35 ARC108 Construction and Materials<br />
37 ARC110 Humanities and Culture<br />
39 ARC101 Design Studio | Design Thinking and Articulation<br />
47 ARC105 Design Studio | Small Space Design<br />
53 ARC102 Design Studio | Small Scale Architectural Design<br />
LEVEL 02 - YEAR 3<br />
65 ARC201 Environmental Design and Sustainability<br />
67 ARC202 Structural Design<br />
69 ARC203 History of Asian Architecture<br />
71 ARC206 Urban Studies<br />
73 ARC204 Design Studio | Small Urban Buildings<br />
83 ARC205 Design Studio | Design and Building Typology<br />
LEVEL 03 - YEAR 4<br />
93 ARC301 Architectural Technology<br />
95 ARC303 Architectural Theory<br />
97 ARC306 Professional Practice<br />
99 ARC308 Philosophy of Art and Aesthetics<br />
101 ARC305 Design Studio | Small and Medium Scale Buildings<br />
109 ARC304 Design Studio | Final Year Project<br />
135 <strong>DEPARTMENT</strong>AL EVENTS<br />
154 FACULTY & STAFF<br />
17
Level 00<br />
Year 1<br />
BEng Architecture<br />
<strong>2014</strong>/<strong>2015</strong>
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]
ARC001<br />
Introduction to Architecture and Visual Culture<br />
BEng Architecture<br />
<strong>2014</strong>/15<br />
ARC001<br />
Introduction to Architecture and Visual<br />
Culture<br />
Level 0 (Study Year 1 | semester 1)<br />
Module credits: 5<br />
Module coordinator<br />
María Fullaondo<br />
Teaching team<br />
Ciro Márquez<br />
81 students<br />
This module is a general outline and overview of various<br />
forms of graphic expression in art, architecture and design.<br />
It provides a visual and cultural basis for the understanding,<br />
analysis and presentation of the relationships between space,<br />
structure, form and visual composition. It is an introduction<br />
to the graphic syntax of contemporary architecture in a wide<br />
range of media, materials and formats.<br />
Emphasis is placed on collage and digital image as integrating<br />
graphic media of various forms of expression.<br />
level 00<br />
21<br />
INTRODUCTION TO <strong>ARCHITECTURE</strong> AND VISUAL CULTURE | ARC001
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]<br />
Typograms by LI Xinran, LIN Huadong, HUANG Yudi,<br />
ZOU Yina, ZHAI Huihong, YAN Tianhao and WANG Zhe
ARC002<br />
Architectural Representation and Communication<br />
BEng Architecture<br />
<strong>2014</strong>/15<br />
ARC002<br />
Architectural Representation and<br />
Communication<br />
Level 0 (Study Year 1 | semester 2)<br />
Module credits: 5<br />
Module coordinaton<br />
Marian Macken<br />
Teaching team<br />
Aleksandra Raonic<br />
Ganna Andrianova<br />
Theodoros Dounas<br />
Thomas Fischer<br />
112 students<br />
Architectural Representation and Communication<br />
familiarises students with architectural perceptions and<br />
expressions. Students are introduced to basic architectural<br />
communication and its representational languages.<br />
Key objectives of this Year 1 module are to introduce students<br />
to design thinking and to basic techniques of architectural<br />
visualisation, to familiarise students with notable architects<br />
and their works, and to further enable students to use<br />
English as a medium to engage with architecture, in parallel<br />
to the English language modules they take in <strong>XJTLU</strong>’s<br />
Language Centre.<br />
level 00<br />
23<br />
ARCHITECTURAL REPRESENTATION AND COMMUNICATION | ARC002
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]<br />
Typograms by HUANG Yifei and BAI Yuxin
Typograms by TU Ouli and YANG Chaohui<br />
ARCHITECTURAL REPRESENTATION AND COMMUNICATION | ARC002<br />
25
Level BEng Architecture<br />
<strong>2014</strong>/<strong>2015</strong><br />
Year 2
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]
ARC103<br />
Introduction to Environmental Science<br />
BEng Architecture<br />
<strong>2014</strong>/15<br />
ARC103<br />
Introduction to Environmental Science<br />
Level 1 (Study Year 2 | semester 2)<br />
Module credits: 5<br />
Module coordinator<br />
Sung-Hugh Hong<br />
Teaching team<br />
A. Benjamin Spaeth<br />
Austin Williams<br />
Theodoros Dounas<br />
192 students<br />
Introducing students to the principles of environmental<br />
science in buildings, this module focusses on the<br />
quantitative aspect of building science where students learn<br />
the basic physics essential to the understanding of energy<br />
and environmental performance of a building.<br />
Students learn about: the climatic conditions that are relevant<br />
to building design; the factors that influence human thermal<br />
comfort; the basic principles of heat transfer mechanism;<br />
the role of different construction layers in a typical domestic<br />
wall; window performance; the impact of building fabric on<br />
energy consumption and thermal comfort; the difference<br />
between building energy efficiency and energy consumption;<br />
and fundamentals in daylighting, artificial lighting design and<br />
room acoustics.<br />
Upon completion of this module, students are able to<br />
specify and design basic building walls and carry out relevant<br />
calculations to deliver building code specified energy<br />
performance standards, understand how buildings consume<br />
energy and are able to calculate building energy consumption,<br />
and design and specify the number and type of lamps<br />
required to deliver recommended lighting levels in typical<br />
rooms.<br />
level 01<br />
29<br />
INTRODUCTION TO ENVIRONMENTAL SCIENCE | ARC103
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]
ARC104<br />
Structures and Materials<br />
BEng Architecture<br />
<strong>2014</strong>/15<br />
ARC104<br />
Structures and Materials<br />
Level 1 (Study Year 2 | semester 1)<br />
Module credits: 5<br />
Module coordinator<br />
Christiane M. Herr<br />
Teaching team<br />
Ciro Márquez<br />
209 students<br />
Structures are integral to buildings. They contribute not<br />
only to functional aspects by supporting loads but also<br />
form spaces and thus help to create architectural qualities.<br />
ARC104 provides students with an understanding of basic<br />
structural principles, basic types of structural systems and<br />
their relationships to common construction materials. The<br />
module introduces students to holistic design approaches<br />
that aim to integrate architectural intentions and structural<br />
considerations with a view to local construction contexts.<br />
To support their ways of working in the design studio,<br />
students are encouraged to learn through designing and<br />
building experimental models. Structural understanding is<br />
approached primarily through visual means, case studies and<br />
applied exercises. Structural and material appropriateness<br />
are discussed with a focus on architectural design concerns<br />
and in the context of different regional building cultures.<br />
The module further encourages inter-disciplinary learning<br />
and awareness as contemporary architectural practice<br />
involves and requires teamworking between architects and<br />
engineers. As part of this module, engineers and architects<br />
are invited to give guest lectures or guest reviews to enhance<br />
students’ cross-disciplinary learning and awareness.<br />
level 01<br />
STRUCTURES AND MATERIALS | ARC104<br />
31
Drawings by CHU Guo [top] and LI Jiaxu [bottom], models by LI Jialu [top] and LI Xin [bottom]<br />
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]
ARC107<br />
History of Western Architecture<br />
BEng Architecture<br />
<strong>2014</strong>/15<br />
ARC107<br />
History of Western Architecture<br />
Level 1 (Study Year 2 | semester 1)<br />
Module credits: 5<br />
Module coordinator<br />
Anuradha Chatterjee<br />
Teaching team<br />
Aleksandra Raonic<br />
Ciro Márquez<br />
Edward Farrell<br />
Ganna Andrianova<br />
Jiawen Han<br />
Maria Fullaondo<br />
Marian Macken<br />
Tordis Berstrand<br />
Yiping Dong<br />
200 students<br />
History of Western Architecture gives students a generous<br />
overview of the vast field of architectural history but with an<br />
emphasis on inquiring into some topics in depth. It focuses<br />
on the designerly aspects of these histories so that these<br />
discussions become useful to design studio education.<br />
One of the key aims is to strengthen critical thinking and<br />
an individual stance in the students. The module also<br />
includes guest lectures, contributing a variety of approaches<br />
and voices. The module also enables students to develop<br />
drawing and essay writing skills through class-based<br />
formative exercises and includes a study trip in which<br />
students conduct analysis of real buildings in Shanghai.<br />
This shifts the teaching of architectural history from a history<br />
of images of buildings only, to real buildings in an urban<br />
context.<br />
level 01<br />
33<br />
HISTORY <strong>OF</strong> WESTERN <strong>ARCHITECTURE</strong> | ARC107
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]
ARC108<br />
Construction and Materials<br />
BEng Architecture<br />
<strong>2014</strong>/15<br />
ARC108<br />
Construction and Materials<br />
Level 1 (Study Year 2 | semester 2)<br />
Module credits: 5<br />
Module coordinator<br />
A. Benjamin Spaeth<br />
Teaching team<br />
Ciro Márquez<br />
192 students<br />
Construction and Materiality introduces students to the<br />
basics of construction methods and materiality. Students<br />
are familiarised with the use of materiality in architectural<br />
construction and its influence on the design process<br />
by identifying, researching and analysing examples of<br />
architecture in which the use of material is significant.<br />
The module is concerned with constructions in timber,<br />
concrete, steel, and masonry as well as with constructive<br />
principles of stairs, ramps, roofs, openings and insulation.<br />
The focus of this module lies in the tectonics of materials<br />
and their architectural dimension.<br />
Through self-selected case studies, students explore the<br />
texture, structure, haptic, colour and other physical material<br />
properties of their chosen project, in order to understand the<br />
significance of materiality in architecture. On the basis of<br />
these individual studies, students form groups to represent<br />
their findings as a poster presentation to the public.<br />
level 01<br />
35<br />
CONSTRUCTION AND MATERIALS | ARC108
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]
ARC110<br />
Humanities and Architecture<br />
BEng Architecture<br />
<strong>2014</strong>/15<br />
ARC110<br />
Humanities and Architecture<br />
Level 1 (Study Year 2 | semester 2)<br />
Module credits: 2.5<br />
Module coordinator<br />
Andrew Johnston<br />
192 students<br />
Humanities and Architecture introduces students to<br />
architecture and the built environment as a broadly<br />
humanistic concern and supports their future studio work<br />
by introducing them to theories and methods on the<br />
relationship between humans and space. This not only<br />
gives students more analytical approaches to architecture<br />
and design, but also emphasises for them the relationship<br />
between architecture, people and society.<br />
The aims of ARC110 are to introduce students to approaches<br />
to architecture, urbanism, space, and the built environment<br />
that originate in the humanities and social sciences,<br />
including geography, sociology, anthropology and history.<br />
The outcomes are that students will systematise a range<br />
of approaches to thinking about space and the built<br />
environment, and demonstrate uses of basic methods of<br />
data collection and analysis based in humanistic disciplines.<br />
level 01<br />
37<br />
HUMANITIES AND <strong>ARCHITECTURE</strong> | ARC110
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]<br />
Model by SHI Yue
ARC101<br />
Design Thinking and Articulation<br />
BEng Architecture<br />
<strong>2014</strong>/15<br />
ARC101<br />
Design Thinking and Articulation<br />
Level 1 (Study Year 2 | semester 1)<br />
Module credits: 5<br />
Module coordinator<br />
Marian Macken<br />
Teaching team<br />
Alek Girot<br />
Aleksandra Raonic<br />
Bart Mahieu<br />
Christiane M. Herr<br />
Ciro Márquez<br />
Hanan Bensho<br />
Harry den Hartog<br />
Jiawen Han<br />
Lina Stergiou<br />
María Fullaondo<br />
Paul Ebell<br />
Sung-Hugh Hong<br />
Ting-Ting Dong<br />
Tordis Berstrand<br />
Yiping Dong<br />
193 students<br />
This design studio, the students’ first, introduces<br />
relationships between the conception and representation<br />
of space through material explorations. The module<br />
is structured through a series of three integrated and<br />
cumulative exercises, completed and documented in a<br />
design book.<br />
The exercises are undertaken in groups and individually,<br />
with students working between scales of 1:1, 1:100 and<br />
1:200. The main media of the module are physical models<br />
- as a combination of prescribed materials, techniques<br />
and intentions - drawings, and digital media. The exercises<br />
encourage ongoing research and use of precedents.<br />
This work is translated into a design book, which contains<br />
documentation of the exercises undertaken in ARC101, and<br />
additional material. It is an edited, designed artefact that<br />
is a compilation of work, carefully selected from process<br />
work, models, and research, with accompanying text. It is<br />
interpretive of narrative and presents works that is analytical,<br />
emphatically edited, sequential and reflective in tone.<br />
Model by HAN Yixin<br />
level 01<br />
Design Studio<br />
DESIGN THINKING AND ARTICULATION | ARC101<br />
39
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]<br />
Exercise 1 by LI Xiaoyi, LI Qinran, HUANG Yusheng and Eirini Koromila
Exercise 1 by SHI Yue, LUO Baoming and ZHANG Tianxing<br />
DESIGN THINKING AND ARTICULATION | ARC101<br />
41
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]<br />
Exercise 2 by DENG Rui [top right], GAO Yixin [bottom right] and ZHANG Kexin [left]
Exercise 3 by ZHANG Wangyi and ZHANG Tianxing<br />
DESIGN THINKING AND ARTICULATION | ARC101<br />
43
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]<br />
booklet by HUANG Jiahe
ooklet by CHEN Xiaoyi<br />
DESIGN THINKING AND ARTICULATION | ARC101 45
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]<br />
Image by LIU Bowei
ARC105<br />
Small Space Design<br />
BEng Architecture<br />
<strong>2014</strong>/15<br />
ARC105<br />
Small Space Design<br />
Level 1 (Study Year 2)<br />
Module credits: 5<br />
Module coordinator<br />
Ciro Márquez<br />
Teaching team<br />
Aleksandra Raonic<br />
Bart Mahieu<br />
Christiane M. Herr<br />
Harry den Hartog<br />
Jiawen Han<br />
Kenneth Yangjie<br />
Lina Stergliou<br />
Ma Liang<br />
Maria Fullaondo<br />
Marian Macken<br />
Paul Ebell<br />
Sung-Hugh Hong<br />
Ting-Ting Dong<br />
Tordis Berstrand<br />
Yiping Dong<br />
This studio asks students to design a compact house for<br />
an animal. Each student begins by exploring the animal that<br />
she or he has been assigned through drawing studies of its<br />
shape, movements and natural behaviour.<br />
Based on this analysis, the student interprets the animal<br />
as a rational character, and this transformation of the beast<br />
informs a series of drawings of spatial envelopes.<br />
The outcome of this exercise may be interpreted as<br />
surroundings and/or surfaces that contain the animal’s<br />
activities, and the main rationale for the design of a unique<br />
house for the animal is developed on their basis.<br />
193 students<br />
level 01<br />
Design Studio<br />
SMALL SPACE DESIGN | ARC105<br />
47
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]<br />
Project by DENG Rui
Project by QI Chang<br />
SMALL SPACE DESIGN | ARC105<br />
49
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]<br />
Project by LI Qiuzhuo
Project by WANG Mouyu<br />
SMALL SPACE DESIGN | ARC105<br />
51
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]<br />
Model by WANG Miao
ARC102<br />
Small Scale Architectural Design<br />
BEng Architecture<br />
<strong>2014</strong>/15<br />
ARC102<br />
Small Scale Architectural Design<br />
Level 1 (Study Year 2 | semester 2)<br />
Module credits: 10<br />
Module coordinator<br />
Aleksandra Raonic<br />
Teaching team<br />
Antonio Berton<br />
Bart Mahieu<br />
Ganna Andrianova<br />
Hanan Bensho<br />
Jiawen Han<br />
Joan Cane<br />
Justin Johnston<br />
Li-An Tsien<br />
Lina Stergiou<br />
Liang Ma<br />
Marian Macken<br />
Ting-Ting Dong<br />
Tordis Berstrand<br />
Yiping Dong<br />
Play is a joyous, spontaneous activity that allows children<br />
to be imaginative and to reinvent the world accordingly.<br />
Play involves creativity and exploration and does not have a<br />
prescribed outcome, it is about the process rather than an<br />
end product.<br />
Play is inseparable from freedom and risk. It is an<br />
enjoyable, open-ended activity, initiated by children and not<br />
predetermined or managed by adults.<br />
In this studio, the focus is on the learning aspect of play and<br />
on play being a major agent and key ingredient in children’s<br />
healthy development and upbringing. Based on this idea,<br />
students design a play-space in Suzhou that is to act as<br />
a space for learning and a new model of architecture for<br />
children.<br />
202 students<br />
level 01<br />
Design Studio<br />
SMALL SCALE ARCHITECTURAL DESIGN | ARC102<br />
53
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]<br />
Anthropometric analysis by QUAN Zhuoran
ZHANG MINGJING<br />
Anthropometric analysis by LI Qiuzhou [top], WANG Mouyu [middle] and ZHANG Mingjing [bottom]<br />
SMALL SCALE ARCHITECTURAL DESIGN | ARC102<br />
55
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]<br />
Project by LI Qinran
Project by ZHU Runzi<br />
SMALL SCALE ARCHITECTURAL DESIGN | ARC102<br />
57
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]<br />
Project by LI Qiuzhuo
Project by WU Hao<br />
SMALL SCALE ARCHITECTURAL DESIGN | ARC102<br />
59
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]
Project by WU Hao<br />
SMALL SCALE ARCHITECTURAL DESIGN | ARC102<br />
61
Level 02<br />
Year 3<br />
BEng Architecture<br />
<strong>2014</strong>/<strong>2015</strong>
The Concept of Energy and Exergy in Thermodynamics<br />
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]<br />
Advanced Novel Low Exergy Building Technologies for Zero Emission Architecture
ARC201<br />
Environmental Design and Sustainability<br />
BEng Architecture<br />
<strong>2014</strong>/15<br />
ARC201<br />
Environmental Design and Sustainability<br />
Level 2 (Study Year 3 | semester 1)<br />
Module credits: 5<br />
Module coordinator<br />
Sung-Hugh Hong<br />
Teaching team<br />
A. Benjamin Spaeth<br />
Austin Williams<br />
Theodoros Dounas<br />
52 students<br />
This module engages students with a wider understanding<br />
of how various environmental factors interact and influence<br />
building design. It focusses on the qualitative understanding<br />
of different building environmental design strategies through<br />
the learning of various sustainable building concepts and<br />
technologies and how these are applied in architectural design<br />
through case studies.<br />
Students learn: the site conditions that are relevant to the<br />
principle of sustainability; the impact of building layout on<br />
site and building environmental performance; the causes of<br />
heat island effect and mitigating building design strategies;<br />
adaptive thermal comfort and its impact on building energy<br />
consumption; the principles behind natural ventilation and<br />
passive solar building design strategies; the impact of window<br />
design on daylighting and solar gain; the principle of doubleskin<br />
facades; different green building standards and how they<br />
compare; and the fundamentals of renewable energy systems.<br />
Upon completion of this module, students are able to<br />
form opinions and develop methods of implementing<br />
environmentally responsive approaches to building design.<br />
level 02<br />
65<br />
ENVIRONMENT DESIGN AND SUSTAINABILITY | ARC201
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]
ARC202<br />
Structural Design<br />
BEng Architecture<br />
<strong>2014</strong>/15<br />
ARC 202<br />
Structural Design<br />
Level 2 (Study Year 3 | semester 2)<br />
Module credits: 5<br />
Module coordinator<br />
Christiane M. Herr<br />
Teaching team<br />
Ciro Márquez<br />
47 students<br />
In the context of architectural designing, structural design<br />
describes the conception and articulation of building<br />
structures that integrate architectural qualities with structural<br />
requirements. This module provides students with an<br />
understanding of different types of structural systems and<br />
their potential to support and enhance given architectural<br />
intentions. In this module, structural design is approached<br />
primarily through visual means architecture students can<br />
easily relate to, focussing on the integration of structural and<br />
programmatic patterns, scales and proportions in structural<br />
layouts.<br />
Throughout this module, lectures are accompanied by applied<br />
structural design exercises during seminar classes. As part of<br />
these exercises, students produce a series of structural design<br />
proposals addressing a variety of structural types and scales.<br />
In addition, students participate in a bridge design competition<br />
that requires them to design, build and test bridge models<br />
for their structural performance. The module also includes<br />
construction site visits as well as guest lectures and reviews<br />
by internal and external engineers and architects. This year, we<br />
cooperated with JAE (Jiang Architects and Engineers) offer a<br />
professional review of students’ structural design proposals at<br />
the Shanghai office of the company.<br />
level 02<br />
67<br />
STRUCTURAL DESIGN | ARC202
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]
ARC203<br />
History of Asian Architecture<br />
BEng Architecture<br />
<strong>2014</strong>/15<br />
ARC203<br />
History of Asian Architecture<br />
Level 2 (Study Year 3 | semester 1)<br />
Module credits: 5<br />
Module coordinator<br />
Yiping Dong<br />
Teaching team<br />
Anuradha Chatterjee<br />
Christiane M. Herr<br />
Glen Wash<br />
52 students<br />
History of Asian Architecture provides an introduction to<br />
architectural history from ancient times to the present in<br />
Asia. The module focusses on the Chinese architectural<br />
tradition, and includes some additional materials on the wider<br />
Asian architectural context, such as Indian and Japanese<br />
architecture. The module briefly introduces the history of<br />
urban design and key concepts in Asian town planning. The<br />
history of built architectural form is introduced with selected<br />
references to associated theoretical discourse, and to<br />
cultural and philosophical contexts.<br />
The module uses lectures and readings, case studies and<br />
field trips to explain key developments in Asian architectural<br />
and urban history. Essays test individual learning and<br />
presentational skills, while drawing exercises help students<br />
to form a visual memory of architecture. An examination<br />
tests students’ learning and invites students to discuss<br />
how they understand the historical environment in the<br />
contemporary world.<br />
level 02<br />
69<br />
HISTORY <strong>OF</strong> ASIAN <strong>ARCHITECTURE</strong> | ARC203
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]
ARC206<br />
Urban Studies<br />
BEng Architecture<br />
<strong>2014</strong>/15<br />
ARC206<br />
Urban Studies<br />
Level 2 (Study Year 3 | semester 2)<br />
Module credits: 5<br />
Module coordinator<br />
Austin Williams<br />
Teaching team<br />
Aleksandra Raonic<br />
Glen Wash<br />
Ganna Andrianova<br />
Lina Stergiou<br />
Tordis Berstrand<br />
48 students<br />
The object of the module is to provide students with a basic<br />
understanding of urban design including some of the key<br />
debates, terms, writings, ideas and spatial qualities about<br />
urban formation. The module concentrates on examples<br />
from the last one hundred years though to contemporary<br />
debates. Theories of city development, practical examples and<br />
problems are addressed to indicate how urban planning and<br />
architectural decisions are informed.<br />
The module helps students understand the city as a dynamic<br />
system, and stimulates their creative engagement with their<br />
surroundings as well their ability to assess, appraise and<br />
critique various urban phenomena.<br />
The module is conducted as a series of lectures on urban/<br />
mobility design, design history, urban exemplars, theories and<br />
methodologies, touching on planning policy in East and West<br />
for practical applications. The course uses weekly seminars to<br />
explore these ideas further and to raise students’ awareness<br />
and cultivate opinions about the nature of cities in Europe,<br />
America and Asia, the formation and transformation of their<br />
urban forms and to obtain basic urban design skills.<br />
level 02<br />
URBAN STUDIES | ARC206<br />
71
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]<br />
project by CHEN Yu
ARC204<br />
Small Urban Buildings<br />
BEng Architecture<br />
<strong>2014</strong>/15<br />
ARC204<br />
Small Urban Buildings<br />
Level 2 (Study Year 3 | semester 2)<br />
Module credits: 10<br />
Module coordinator<br />
Glen Wash<br />
Teaching team<br />
Austin Williams<br />
Edward Farrell<br />
Pierre Alain Croset<br />
49 students<br />
In this studio, students are tasked with designing a building<br />
for an emergent company or startup. In recent years,<br />
emerging industries, such as the technology sector, have<br />
become dominant vectors of development in China. With<br />
a focus on innovation, companies like Xiaomi or Dianping<br />
represent the possibilities techonological development<br />
has to reach the public. Rather than manufacturing or<br />
production, these companies are focussed on the creation<br />
of new products and services, and in order for this activity<br />
to become more fruitful, they require new working spaces.<br />
Designing a work space is a chance to redefine work and<br />
its spatial organisation. For this module students design a<br />
building for an emergent company and through this project<br />
explore new possibilities for interior working spaces, and<br />
the implications, consequences and opportunities of such<br />
building within an urban context.<br />
For the Small Urban Buildings studio, two sites are proposed,<br />
each with their own characteristics, unique opportunities<br />
and constraints. As a design requirement, the ground level<br />
should be public access, becoming a semi-public space for<br />
the city.<br />
level 02<br />
Design Studio<br />
SMALL URBAN BUILDINGS | ARC204<br />
73
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]
Project by CHEN Yu<br />
SMALL URBAN BUILDINGS | ARC204 75
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]<br />
Project by CHEN Jiaci
Project by NI Yunqian<br />
SMALL URBAN BUILDINGS | ARC204<br />
77
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]<br />
Project by LIAO Longtai
Project by ZHANG Yanzhe<br />
SMALL URBAN BUILDINGS | ARC204<br />
79
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]
Project by JIE You<br />
SMALL URBAN BUILDINGS | ARC204<br />
81
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]<br />
Image by LIAO Longtai
ARC205<br />
Design and Building Typology<br />
BEng Architecture<br />
<strong>2014</strong>/15<br />
ARC205<br />
Design and Building Typology<br />
Level 2 (Study Year 3 | semester 1)<br />
Module credits: 10<br />
Module coordinator<br />
A.Benjamin Spaeth<br />
Teaching team<br />
Glen Wash<br />
Edward Farrell<br />
Austin Williams<br />
Andrew Johnston<br />
49 students<br />
This studio explores the potential and meaning of integrated<br />
architectural spaces. From the macro-level of urban scale<br />
to the micro-level of living spaces, the studio investigates<br />
how the idea of integration and inclusion can be translated<br />
into and supported through urban and architecture spaces.<br />
Integration may span from, but is not limited to, demographic<br />
to functional, environmental, ethnical, social and certainly<br />
spatial integration.<br />
The Design and Building Typology studio familiarises<br />
students with different types of housing and architectural<br />
typology as an instrument for architectural and urban design.<br />
The site is located in the north of Old Suzhou, behind the<br />
Suzhou Museum and the Humble Administrator’s Garden.<br />
The site borders on existing housing, commercial and<br />
industrial developments.<br />
Different architectural types creating integrated urban<br />
and architectural spaces are explored through contextual<br />
analysis, and research on the environmental and the housing<br />
situation in China. Students develop a masterplan reflecting<br />
their idea of integrated and inclusive spaces from masterplan<br />
to detailed explorations at an architectural scale.<br />
level 02<br />
Design Studio<br />
DESIGN AND BUILDING TYPOLOGY | ARC205<br />
83
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]
Project by DAI Anni<br />
DESIGN AND BUILDING TYPOLOGY | ARC205<br />
85
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]<br />
Project by SHEN Yue
Project by ZHANG Yanzhe<br />
DESIGN AND BUILDING TYPOLOGY | ARC205<br />
87
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]<br />
Project by LIAO Longtai
Project by SUN Chenxing<br />
DESIGN AND BUILDING TYPOLOGY | ARC205<br />
89
Level 03<br />
Year 4<br />
BEng Architecture<br />
<strong>2014</strong>/<strong>2015</strong>
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]<br />
project by DAI Ronghe & BISSONAUTH Chitraj
ARC301<br />
Architectural Technology<br />
BEng Architecture<br />
<strong>2014</strong>/15<br />
ARC301<br />
Architectural Technology<br />
Level 3 (Study Year 4 | semester 1)<br />
Module credits: 5<br />
Module coordinator<br />
Theodoros Dounas<br />
Teaching team<br />
A. Benjamin Spaeth<br />
59 students<br />
Technology contributes to the autonomy of architecture as a<br />
discipline, defining and shaping the field, and through which<br />
the performances of the next generation of buildings are<br />
realised.<br />
Stemming from a deep understanding of past and current<br />
buildings’ architectural technology, defined both as outcome<br />
and process, technology cancels boundaries between digital<br />
and physical understandings of the world.<br />
Seen as an agent of change and as an enabler of design<br />
ideas, technology provides the link between design and<br />
production, research and development, design exploits<br />
and social ambitions. Seen through the lens of human<br />
capital and potential in the built environment, architectural<br />
technology may erase the boundaries between dream and<br />
reality, potential and realisation.<br />
Within this framework, architectural technology should be<br />
understood as a recovery of human ability rather than a<br />
constraint, in both processes and output.<br />
Through in-class seminars and workshops delivered by the<br />
teaching team, with the active participation of students,<br />
Architectural Technology explores new materials, methods,<br />
engineering, technologies, functions and processes.<br />
This module perceives technology as starting from, and<br />
progressing beyond, highly ordered views of project<br />
coordination, to a level where the architect becomes a maker<br />
of tools and an orchestrator of architectural technology.<br />
level 03<br />
ARCHITECTURAL TECHNOLOGY | ARC301<br />
93
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]
ARC303<br />
Architectural Theory<br />
BEng Architecture<br />
<strong>2014</strong>/15<br />
ARC303<br />
Architectural Theory<br />
Level 3 (Study Year 4 | semester 2)<br />
Module credits: 5<br />
Module coordinator<br />
Christian Gänshirt<br />
59 students<br />
Architectural Theory is the discipline that critically reflects on<br />
the written discourses in and about architecture. This module<br />
introduces students to the main concepts of architectural<br />
theory, and provides a framework for the understanding of<br />
the ongoing discourses in the field.<br />
Themes and topics of this class vary from year to year,<br />
but address historical debates, such as criticism of high<br />
modernism, the rise of postmodern and post-structural<br />
theory, critical regionalism and tectonics, as well as<br />
contemporary discourse, the relation and mutual influence<br />
of Asian and Western concepts of architecture, and reflect<br />
areas of interest articulated by students and/or staff in this<br />
module.<br />
The main tasks for the students are to write a first paper,<br />
based on readings, discussion and research, and a second<br />
paper developing their own position on a core topic of<br />
architecture. A final written exam stimulates the students to<br />
rethink what they learned on this course.<br />
level 03<br />
ARCHITECTURAL THEORY | ARC303<br />
95
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]
ARC306<br />
Professional Practice<br />
BEng Architecture<br />
<strong>2014</strong>/15<br />
ARC306<br />
Professional Practice<br />
Level 3 (Study Year 4 | semester 2)<br />
Module credits: 5<br />
Module coordinator<br />
Edward Farrell<br />
59 students<br />
Professional Practice introduces Level 3 students to the<br />
management of architectural practice, the role of the<br />
architects as a professional and the role of the architect in the<br />
construction industry and the built environments of China<br />
and the West. It provides students with background into the<br />
management of professional practices, the management of<br />
design projects and design teams, and the management of<br />
staff. It sets out the duties and responsibilities of architects<br />
to clients, staff and others.<br />
Students develop an awareness of how architecture practices<br />
operate. They understand how buildings are designed and<br />
built in the context of architectural and professional best<br />
practice and the framework of the construction industry<br />
within which it operates. Building users’ needs, legislation<br />
and performance standards all form part of the learning<br />
process.<br />
The module introduces students to forms of procurement<br />
and contract types and sets out the role architects plays in<br />
dealing with contractual matters. An understanding of health<br />
and safety requirements both at design and construction<br />
stages is also introduced. Students are introduced to the<br />
organisations, regulations and procedures for negotiating<br />
architectural designs, land law, development control, and<br />
building control. Students develop an understand of cost<br />
control mechanism and an awareness and understanding of<br />
the principle of whole life costing.<br />
level 03<br />
PR<strong>OF</strong>ESSIONAL PRACTICE | ARC306<br />
97
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]
ARC308<br />
Philosophy of Art and Aesthetics<br />
BEng Architecture<br />
<strong>2014</strong>/15<br />
ARC308<br />
Philosophy of Art and Aesthetics<br />
Level 3 (Study Year 4 | semester 2<br />
Module credits: 5<br />
Module coordinator<br />
Claudia Westermann<br />
Teaching team<br />
Tordis Berstrand<br />
59 students<br />
Philisophy of Art Aesthetics provides an introduction to the<br />
wider cultural framework that forms the basis for architecture<br />
and architectural design. It introduces critical reflections at<br />
the border of architectural discourse, from both East and<br />
West, in order to facilitate a better understanding of cultural<br />
contexts and their influence on positions and expressions in<br />
the fine arts and architecture.<br />
This year’s course responds to the theme ‘Art, Architecture<br />
and the Poetry of Life: Thinking Limits without Limitations’<br />
with a specifically designed series of lectures and seminars,<br />
addressing notions of the poetic in art, design and<br />
architecture.<br />
Philosophical reflections, responding to the theme in an<br />
explicit or implicit way, are given as reading assignments and<br />
discussed in the seminars in relation to selected artworks,<br />
such as paintings, installations, and street art, as well as to<br />
films, poetry and other forms of creative writing, but also<br />
to works generally categorised as design. An excursion<br />
to the Social Factory exhibition at the Shanghai Biennale<br />
offered an additional opportunity for reflection particularly on<br />
contemporary positions.<br />
Students demonstrate their understanding of how<br />
philosophy, art, and architecture mutually influence each<br />
other in short coursework exercises related to the seminar<br />
discussions, as well as an essay, which offers an optional<br />
link to the Final Year Project studio project.<br />
level 03<br />
PHILOSOPHY <strong>OF</strong> ART AND AESTHETICS | ARC308<br />
99
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]<br />
Image by GUO Yuqi
ARC305<br />
Small and Medium Scale Buildings<br />
BEng Architecture<br />
<strong>2014</strong>/15<br />
ARC305<br />
Small and Medium Scale Buildings<br />
Level 3 (Study Year 4 | semester 1)<br />
Module credits: 10<br />
Module coordinator<br />
Ganna Andrianova<br />
Teaching team<br />
Anuradha Chatterjee<br />
Claudia Westermann<br />
Nancy Diniz<br />
Theodoros Dounas<br />
59 students<br />
In China, extraordinary economic development has gone<br />
hand-in-hand with a boom in urbanisation that is reshaping<br />
both the physical environment as well as its cultural fabric.<br />
The distinction between the city and the countryside has<br />
become blurred and in fast developing regions, such as<br />
Suzhou prefecture, nature is being absorbed by the city.<br />
The design proposal for the Small and Medium Scale<br />
Buildings studio focusses on the interplay of the natural<br />
and the artificial – the wetland landscape, the inner and<br />
outer lake shores versus the artificiality of newly proposed<br />
buildings and constructions. New projects integrate with the<br />
landscape, providing public outdoor facilities thus generating<br />
an integral poetic landscape for a unique waterfront area.<br />
Proposing the Yangcheng Lake Peninsula as the site for<br />
the studio necessitated students to take landscape and<br />
environment into account, while also giving them the<br />
opportunity to select one out of five parallel briefs. Each of<br />
these with different programmatic requirements and taught<br />
by a different tutor.<br />
level 03<br />
Design Studio<br />
SMALL AND MEDIUM SCALE BUILDINGS | ARC305<br />
101
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]<br />
Project by DAI Ronghe
Project by ZHANG Jiayun<br />
SMALL AND MEDIUM SCALE BUILDINGS | ARC305<br />
103
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]<br />
Project by CUI Can
Project by ZHOU Zhixun<br />
SMALL AND MEDIUM SCALE BUILDINGS | ARC305<br />
105
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]<br />
Project by YANG Tao
Project by GU Mengxue<br />
SMALL AND MEDIUM SCALE BUILDINGS | ARC305<br />
107
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]<br />
Project by ZHAO Yu
ARC304<br />
Final Year Project<br />
BEng Architecture<br />
<strong>2014</strong>/15<br />
ARC304<br />
Final Year Project Studio<br />
Level 3 (Study Year 4)<br />
Module credits: 10<br />
Module coordinator<br />
Claudia Westermann<br />
Teaching team<br />
A. Benjamin Spaeth<br />
Andrew Johnston<br />
Christiane M. Herr<br />
Christian Gänshirt<br />
Theodoros Dounas<br />
63 students<br />
The Final Year Project Studio is the last studio module in the<br />
course of the BEng Architecture programme at <strong>XJTLU</strong>.<br />
Following the University’s regulations for Final Year Projects<br />
the framework of this final studio ensures a diversity of<br />
approaches allowing students greater freedom in defining<br />
their method of learning and their access to architectural<br />
design.<br />
The framework of the Final Year Project Studio module is set<br />
to ensure a diversity of approaches to architectural design,<br />
allowing for parallel briefs defined to a greater extent by<br />
students themselves. The six briefs written for this year’s<br />
final year studio respond in various ways to the challenges<br />
that architecture is confronted with in China and beyond.<br />
They open a conversation on architecture that is to be<br />
reframed and redefined by the students in the course of<br />
their research and design process.<br />
The six individual briefs require students to design buildings<br />
that respond to specific urban and socio-cultural conditions.<br />
They require students to pay focussed attention to social<br />
values and the centricity of human needs and desires.<br />
On the basis of their proposal and in connection to a<br />
coherent design process, students need to demonstrate<br />
their understanding of architecture as informed by interdependent<br />
cultural, historical, technological and contextual<br />
issues.<br />
The studio module actively encourages students to embrace<br />
a culture of risk and experimentation, but at the same time<br />
requires them to fully resolve their projects, responding to<br />
human, technical and environmental needs.<br />
project by WANG Siyao<br />
level<br />
03<br />
Design Studio<br />
FINAL YEAR PROJECT | ARC304<br />
109
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]<br />
Project by WANG Siyao
ARC304<br />
At the Grand Canal<br />
BEng Architecture<br />
<strong>2014</strong>/15<br />
ARC304<br />
Final Year Project Studio<br />
Level 3 (Study Year 4)<br />
Studio<br />
Claudia Westermann<br />
In the past, China’s Grand Canal signified the future and a<br />
prosperous outlook for many cities located alongside its<br />
banks. The Grand Canal was the most important connection<br />
between Beijing in the north and Hangzhou in the south.<br />
Today, one could say, the Grand Canal is history, although it<br />
was granted World Heritage status by Unesco in <strong>2015</strong>.<br />
In this module, in an area dedicated to new development in<br />
the city of Huai’an students look into the past and future,<br />
and into the possibilities for architecture to desire and to<br />
deny, to connect and to preserve, and to promise.<br />
Students research the history and present of Huai’an, and<br />
have the opportunity to critically engage with the concepts<br />
under which new city developments are currently promoted.<br />
They may choose to rethink and to redefine the sustainable,<br />
eco, green, smart, digital, intelligent or resilient city, or<br />
create entirely new city concepts in relation to the memory<br />
and history of Huai’an. Students create visions for a future<br />
city.<br />
The Final Year Project brief for At the Grand Canal is linked to a<br />
research project currently undertaken in Huai’an by <strong>XJTLU</strong>’s<br />
Research Institute for Urbanisation. The project is supported<br />
by the city of Huai’an and maps and data are provided by<br />
the local planning office. Students who participate in this<br />
studio have the opportunity to join two trips to Huai’an with<br />
the Research Institute to meet and discuss plans with city<br />
officials, as well as the researchers involved in the project<br />
from <strong>XJTLU</strong>’s Departments of Architecture, Urban Design,<br />
Environmental Science, Business, Computer Science, and<br />
Culture and Communication.<br />
level 03111<br />
Design Studio<br />
FINAL YEAR PROJECT | ARC304
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]
Project by WANG Siyao<br />
FINAL YEAR PROJECT | ARC304<br />
113
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]<br />
Project by NAN Fang
ARC304<br />
Redesigning the Village<br />
BEng Architecture<br />
<strong>2014</strong>/15<br />
ARC304<br />
Final Year Project Studio<br />
Level 3 (Study Year 4)<br />
Studio<br />
Andrew Johnston<br />
The rush of migration in recent decades from the country<br />
to the city in China is one of the largest migrations in all<br />
of human history. It has left an untold number of Chinese<br />
villages and towns under-populated and underdeveloped.<br />
Populations in these villages and towns have changed in<br />
many ways due to migration, most commonly working-age<br />
parents have moved, leaving behind the old and the young.<br />
In the last few years government entities, planners, architects,<br />
and communities have begun to ask questions concerning<br />
the future of these villages and towns in China, and have<br />
come to appreciate the potential of the built environment<br />
heritage remaining, and the qualities of intangible heritage<br />
that renewed development could reinvigorate.<br />
In thi Final Year Project studio students design architectural<br />
projects for one of two historic rural villages on Tai Lake,<br />
just to the west of the city of Suzhou. One of these villages<br />
is a historic centre of Buddha sculpture making, the other<br />
a historic agricultural village of specialty land and water<br />
production.<br />
These sites are rural villages with significant local industries<br />
that are undervalued or in decline. Both sites have been<br />
significantly depopulated and feature historic industrial,<br />
commercial, and residential structures classified in their<br />
significance from high-grade to lower-grade in the Chinese<br />
system.<br />
In addition to working with <strong>XJTLU</strong> staff, students will work<br />
with assistance from planners and architects from CSIAD<br />
(China Suzhou Institute of Architectural Design) who are<br />
actively working in these villages.<br />
level 03<br />
Design Studio<br />
FINAL YEAR PROJECT | ARC304 115
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]
Project by WEI Liu<br />
FINAL YEAR PROJECT | ARC304<br />
117
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]<br />
Project by LU Yang
ARC304<br />
Surf and Community Center<br />
BEng Architecture<br />
<strong>2014</strong>/15<br />
ARC304<br />
Final Year Project Studio<br />
Level 3 (Study Year 4)<br />
Studio<br />
A. Benjamin Spaeth<br />
Australia is well known for its surf culture. Due to the<br />
country’s main settlements being located along coastal<br />
areas, about 85 percent of the population has access<br />
within less than an hour’s drive to the coast. Bells Beach is<br />
Australia’s “capital of the beaches” located close to Torquay,<br />
Victoria. Here, in the 1960s, surf fanatics started optimising<br />
and manufacturing surfboards.<br />
A new Surf and Community Centre-design at Torquay should<br />
be developed at a very prominent location near to the<br />
centre of town and directly overlooking Zeally Bay. This lively<br />
location is the project site for the Final Year Project. Students<br />
are asked to design for this location a building facilitating<br />
the sharing of the surfing culture with visitors directly at the<br />
beach.<br />
In its ambition, the architectural project contributes to the<br />
further development of Torquay as the capital of beaches<br />
in Australia while being able to host both surf and nonsurf<br />
related events. The new community centre should<br />
host a museum concerned with surf culture, serving as a<br />
community centre where surfers can meet and exchange<br />
their experiences while linking the town with the ocean.<br />
level 03<br />
Design Studio<br />
FINAL YEAR PROJECT | ARC304<br />
119
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]<br />
Project by ZHU Haoruo
ARC304<br />
Lifelong Learning<br />
BEng Architecture<br />
<strong>2014</strong>/15<br />
ARC304<br />
Final Year Project Studio<br />
Level 3 (Study Year 4)<br />
Studio<br />
Christian Gänshirt<br />
In an era of rapid technical, economical, and social change,<br />
education has become a lifelong effort. Finding ways to<br />
acquire necessary, as well as desirable, skills has become<br />
crucial for all. Yet the high-speed development of China<br />
poses an extra challenge, confronting poorly educated<br />
farmers, workers and migrants with the complex reality of<br />
an increasingly globalised civilization.<br />
This Final Year Project is about a new type building that<br />
addresses learning needs of adults located in Suzhou<br />
Industrial Park. The Lifelong Learning building should<br />
especially invite the underprivileged, the farmers and migrant<br />
workers, offering them a variety of ways to experience<br />
learning and teaching.<br />
In order to become attractive to adults, the look of the<br />
building needs to be decidedly distinct from typical school<br />
architecture in Suzhou Industrial Park. The Lifelong Learning<br />
building should be considered a prototype of future<br />
structures, conceived to support adult education in Suzhou<br />
Industrial Park and that could become a model for modern<br />
China.<br />
level 03<br />
Design Studio<br />
FINAL YEAR PROJECT | ARC304 121
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]<br />
Project by SUN Xueyi
ARC304<br />
2050 Suzhou Museum<br />
BEng Architecture<br />
<strong>2014</strong>/15<br />
ARC304<br />
Final Year Project Studio<br />
Level 3 (Study Year 4)<br />
Studio<br />
Theodoros Dounas<br />
Alienation as an identity can be a very difficult situation.<br />
In China immutable identities govern everything, from the<br />
relationship of inside to outside, to the question of how<br />
buildings should be orientated, to questions of belonging.<br />
This Final Year Project asks how this identity, taking the case<br />
of the city of Suzhou, can be expressed architectonically in<br />
the form of a museum. The studio investigates and explores<br />
the influences of development and the contributions that<br />
different groups within the city’s population have made to<br />
Suzhou and Suzhou Industrial Park, from the immigrant<br />
workers without ‘hukou’ to the expats working in the high<br />
intensity knowledge economy of SIP.<br />
The design for the Suzhou Museum 2050 celebrates the<br />
contributions that ‘foreigners’ have made to the city, thereby<br />
exploring how these identities will or will not survive in<br />
2050, and how the effects of the opening up of the city to<br />
the world will be manifested in 2050.<br />
The museum should give space for alternative futures<br />
for Suzhou and SIP, for example from light industry to an<br />
animation services industry, from a second sector productive<br />
capacity to a knowledge economy, while portraying Suzhou’s<br />
international qualities and importance in the world.<br />
level 03<br />
Design Studio<br />
FINAL YEAR PROJECT | ARC304 123
Called Housing Diversity, the project is an experiment<br />
in integrating the diverse residents living in Shanghai<br />
into one tower.<br />
It is a microcosm of Shanghai: migrants from across<br />
China come to the tower to spend their lives, turning<br />
from strangers into acquaintances. The sense of<br />
community which is lost in the indifferent culture of<br />
the big city could be transformed into a performance of<br />
diverse lifestyles.<br />
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]<br />
Project by ZHOU Zhixun
ARC304<br />
Concrete Futures<br />
BEng Architecture<br />
<strong>2014</strong>/15<br />
ARC304<br />
Final Year Project Studio<br />
Level 3 (Study Year 4)<br />
Studio<br />
Christiane M. Herr<br />
Since the beginning of the economic boom, (reinforced)<br />
concrete has dominated Chinese architecture like no other<br />
material. Until today, however, the use of concrete in China<br />
is remarkable more for the level of scale than for the level<br />
of architectural quality. Most buildings that employ concrete<br />
as their main material do not engage with their materiality<br />
as part of their architectural design, instead, concrete<br />
structures have become characteristic of unimaginative and<br />
architecturally lacking buildings.<br />
In this Final Year Project students address the type of the<br />
medium rise tower that is common throughout China.<br />
The brief calls for the design of a mixed-use 100m tall<br />
tower comprising 25 floors, of which three floors are<br />
selected for detailed development. Design proposals for<br />
the tower explore the mutual relationships of typologic,<br />
spatial, structural, technical and programmatic aspects and<br />
functional requirements within the broad context of the<br />
material concrete and a local Chinese setting.<br />
For this project, students have a choice of two sites. The<br />
first site is located in Shanghai and challenges students to<br />
address issues of density, traditional living and modernisation<br />
of Chinese society and culture. The second site is located<br />
in the new CBD of Suzhou Industrial Park, and challenges<br />
students to apply technological exploration to issues of<br />
identity, economy and Chinese modernity.<br />
level 03<br />
Design Studio<br />
FINAL YEAR PROJECT | ARC304 125
The Collage Tower is a building in which<br />
outdoor activities that usually happen on<br />
ground level are ‘collaged’ into a high rise<br />
building.<br />
In the Collage Tower, a space hierarchy<br />
can be discovered. Solid concrete walls<br />
are comnbined with other materials like<br />
glass and steel, to show interior public and<br />
private spaces.<br />
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]<br />
Project by LI Yirong
A grid on the ground extends into the<br />
vertical space. The three-dimensional grid<br />
becomes a framework for the building. In<br />
order to allow fluid and dynamic patterns<br />
to arise, two grids are overlapped to create<br />
more possibilities.<br />
The pattern of the grid on each floor seems<br />
random, but is based on an underlying logic<br />
with the shift of each floor following the<br />
curved columns thus forming a wavering<br />
and visually elegant shape.<br />
Project by PAN Jialin<br />
FINAL YEAR PROJECT | ARC304<br />
127
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]
The New Shanghai Habitat project deals with<br />
Shanghai losing a large part of its character and<br />
cultural heritage. The proposed project addresses<br />
this situation by reinterpreting and adapting the<br />
existing ‘lilong’ settlements in a vertical way.<br />
Project by BISSOONAUTH Chitraj<br />
The new building acts as a link between the<br />
juxtaposed high-rise and low-rise urban fabric. It<br />
maintains, reinterpretes and further develops the<br />
essence of the ‘lilong’ settlement.<br />
FINAL YEAR PROJECT | ARC304<br />
129
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]
Project by CUI Can<br />
FINAL YEAR PROJECT | ARC304 131
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]
Project by CUI Can<br />
FINAL YEAR PROJECT | ARC304 133
Departmental Events<br />
<strong>2014</strong>/<strong>2015</strong>
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]
In October <strong>2014</strong>, the Department organised an<br />
exhibition of work from the BEng Architecture<br />
programme for the visit of the Royal Institute of<br />
British Architects (RIBA) Validation Board. In February<br />
<strong>2015</strong>, the BEng Architecture programme became the<br />
first programme of its kind at a Chinese university<br />
to receive international validation by RIBA, thus<br />
demonstrating <strong>XJTLU</strong>’s commitment to proving<br />
world-class, internationally recognised education to<br />
students from China and abroad.<br />
RIBA Validation for the BEng<br />
With the recent announcement of the validation for<br />
the BEng, RIBA praised the University for developing<br />
an alternative model for Chinese architecture<br />
education. The RIBA Board specifically commended<br />
the Department and staff body on creating a<br />
distinctive environment in which students learn<br />
from an international and Chinese context, with an<br />
ambition to produce a new type of graduate, with<br />
an emphasis on human-centred architecture, for the<br />
emerging global context.<br />
<strong>DEPARTMENT</strong>AL EVENTS <strong>2014</strong>-15 137
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]
The President of the Royal Institute of British<br />
Architects (RIBA), Stephen Hodder, visited <strong>XJTLU</strong>’s<br />
Department of Architecture in late spring <strong>2015</strong>.<br />
Students and staff enjoyed discussing with him work<br />
in progress in the studios.<br />
Stephen Hodder<br />
Visit of the RIBA President<br />
He gave an interview to Austin Williams for the<br />
Master Planning The Future magazine in which he<br />
discussed the benefits of the recent RIBA validation<br />
and talked about the opportunities arising from<br />
studying in China and the major challenges ahead.<br />
Stephen Hodder also visited the exhibition that had<br />
been set up for the RIBA Board visit several months<br />
earlier.<br />
The interview is available as a video online on the<br />
MPTF website<br />
www.masterplanningthefuture.org/?p=3291.<br />
<strong>DEPARTMENT</strong>AL EVENTS <strong>2014</strong>-15 139
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]
In October <strong>2014</strong> a group of 51 Year 3 students,<br />
including a number of exchange students from the<br />
University of Liverpool and six members of academic<br />
staff, organised a six-day study trip through Tianjin<br />
and parts of Hebei province.<br />
Highlights of the trip included visits to Dule Temple,<br />
the East Qing dynasty royal tombs, many of the<br />
former international concession areas in Tianjin,<br />
Tianjin Library and Tianjin Eco-city.<br />
Tianjin Field Trip<br />
The study trip, led by Dr Yiping Dong from the<br />
Department of Architecture, was designed to<br />
give students a unique educational experience by<br />
providing opportunities to visit historic buildings as<br />
well as contemporary architecture and urban design<br />
by Chinese and foreign architects.<br />
The group was also fortunate to be given lectures<br />
by two of the foremost professors on architectural<br />
history from Tianjin University.<br />
<strong>DEPARTMENT</strong>AL EVENTS <strong>2014</strong>-15<br />
141
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]
Guangzhou Shenzhen Field Trip<br />
The Department’s visit to Guangzhou and Shenzhen<br />
in April <strong>2015</strong> offered students from Years 2, 3 and<br />
4 the chance to meet staff from local architectural<br />
practices and visit contemporary buildings designed<br />
by both well-known international architects and<br />
internationally recognised Chinese architects.<br />
The students explored the modernisation of these<br />
two Chinese cities thus experiencing the creative<br />
tension between tradition and innovation.<br />
The group visited the offices of O-Office, URBANUS,<br />
and Positioning Architecture, where architects gave<br />
lectures about their work and projects.<br />
Additionally, the group visited buildings including<br />
the Urban Tulou and Nanshan District Marriage<br />
Registration Office (designed by URBANUS), Vanke<br />
Headquarters in Shenzhen (by Stephen Holl),<br />
Guangzhou Opera House (by Zaha Hadid) and the<br />
Shenzhen Airport (by Massimiliano Fuksas).<br />
<strong>DEPARTMENT</strong>AL EVENTS <strong>2014</strong>-15<br />
143
Shanghai Power Station of Art<br />
In March <strong>2015</strong> 59 Year 4 students, and four staff<br />
members, visited the 10th Shanghai Biennale of Art<br />
entitled ‘Social Factory’. The excursion was organised<br />
in conjunction with the ARC308 Philosophy of Art<br />
and Aesthetics module.<br />
Under the headline ‘Social Factory’ the Biennale<br />
explored a range of questions that are of relevance<br />
to architecture and art thus exploring the relationship<br />
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]<br />
between the social and the fictive in the construction<br />
and re-construction of society and the impact of<br />
history and technology on subjectification today.<br />
The visit to the Shanghai Biennale allowed students<br />
to experience works by some of the most prominent<br />
contemporary artists. They gained new viewpoints<br />
on architecture, its relation to the social, as well as to<br />
art and aesthetics.<br />
<strong>DEPARTMENT</strong>AL EVENTS <strong>2014</strong>-15
The departmental magazine, Masterplanning the<br />
Future (MPTF) has had a significant impact within<br />
and outside the University. It is the only independent<br />
online architecture magazine in China, written in<br />
English that aims to bring Chinese architecture to an<br />
international audience.<br />
During the <strong>2014</strong>-15 academic year, as well as writing,<br />
editing and producing the magazine, students visited<br />
the top of the Shanghai Tower with its chief architect<br />
before the tower opened to the public, met Thomas<br />
Heatherwick at the exhibition launch of his Asia tour,<br />
attended the VIP press opening of Zaha Hadid’s<br />
Since its inception, MPTF has organised the<br />
Department’s speakers programme with local and<br />
international visiting architects. Sudents have used<br />
the opportunity to interview all speakers and post<br />
resulting articles, which has been a way to network<br />
with architects and build professional relationships<br />
for potential internships.<br />
We are now moving into film, recording interviews<br />
and planning a short documentary. We will also<br />
launch round-table, filmed discussions where<br />
students debate issues facing China.<br />
MasterPlanning The Future<br />
Soho office building in Shanghai, and continued the<br />
tradition of interviewing the visiting president of the<br />
RIBA.<br />
Many of these events produced journalistic “firsts”.<br />
For example, one student met Wang Shu to discuss a<br />
project that had not yet been covered by the world’s<br />
press, while another interviewed Lin Ji, the deputy<br />
chief planner of Beijing, known as the man who<br />
designed 100 Chinese cities.<br />
This magazine is a great way to enhance students’<br />
critical skills and to develop good journalistic and<br />
English-speaking skills. We hold regular meetings<br />
to promote, train, engage, take questions and help<br />
students in this endeavour. By the end of <strong>2015</strong>-16<br />
we hope to produce an anniversary hard copy of the<br />
magazine.<br />
We are always looking for new editorial members!<br />
www.masterplanningthefuture.org/<br />
<strong>DEPARTMENT</strong>AL EVENTS <strong>2014</strong>-15 145
Freestyle Bridge Competition<br />
The Freestyle Bridge Competition forms part of<br />
the Module ARC202 Structural Design. In this<br />
competition, students learn to employ structural<br />
knowledge in their design of a variety of bridge types.<br />
Based on their free choice of materials and structural<br />
types, students design and build lightweight bridge<br />
models spanning a gap of 1.07m and capable of<br />
sustaining a point load of 4.5kg.<br />
The aesthetic judgement is made by a panel of four<br />
invited guest judges, of which two are members of<br />
staff of the Department of Architecture, and two are<br />
members of the Department of Civil Engineering.<br />
While similar model building exercises are a wellestablished<br />
part of innovative structural design<br />
teaching, the evaluation methods integrating<br />
architectural and engineering concerns developed for<br />
this competition present a new development of this<br />
teaching approach.<br />
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]
IDEERS Earthquake-Safe Competition<br />
Continuing Xi’an Jiaotong-Liverpool University’s<br />
success at previous years’ events, eight Year 3<br />
students from the Department of Architecture,<br />
working in two teams, participated in the International<br />
Annual Earthquake Safety Design Competition<br />
IDEERS <strong>2014</strong> in Taipei, Taiwan. Two teams spent two<br />
months during the summer continuously improving<br />
the earthquake resistance of their structures as well<br />
as their craftsmanship. The contributions of <strong>XJTLU</strong><br />
were awarded with a First Prize for Architectural (Art)<br />
Design, a First Prize for Engineering Design, a First<br />
Prize for Best Poster Presentation, an Earthquake<br />
Safety Certificate, and two runner-up positions of the<br />
audience’s popular vote, amongst 42 international<br />
teams competing in the undergraduate category.<br />
Preparations for the competition were supported<br />
by the <strong>XJTLU</strong> Department of Civil Engineering, who<br />
made the CE shaking table available for model testing<br />
throughout the summer.<br />
<strong>DEPARTMENT</strong>AL EVENTS <strong>2014</strong>-15 147
Vertical Architecture Workshop<br />
In March <strong>2015</strong>, an international design workshop open<br />
to all students on the BEng Architecture programme<br />
took place. The students explored and speculated<br />
on highly mobile cities as pioneering settlements to<br />
facilitate urbanisation and city development. Guest<br />
students and their professor Joachim Kieferle, from<br />
the University of Applied Sciences in Wiesbaden,<br />
Germany, added an intercultural dimension to the<br />
second semester workshop.<br />
The Vertical Architecture Workshop was concerned<br />
with the initial colonisation of fallow land to facilitate<br />
permanent urban development.<br />
The starting point of the workshop was an<br />
introduction by Theodoros Dounas and Dr Benjamin<br />
Spaeth, Associate Professors in the Department,<br />
to innovative computational design methods to<br />
facilitate computational design approaches to the<br />
given design task.<br />
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]
Change by Design Workshop | Capetown<br />
For two weeks during April <strong>2015</strong>, 10 Level 2<br />
students, accompanied by Yiping Dong and Marian<br />
Macken, joined an international participatory design<br />
workshop in Cape Town, South Africa. The workshop<br />
was organised by Change By Design, an initiative<br />
of Architecture Sans Frontières-UK, a non-profit<br />
organisation that aims to make community and<br />
international development issues integral to the<br />
practice and teaching of architecture.<br />
Concentrating on the issue of urban regeneration in<br />
the inner-city suburb of Woodstock, the workshop<br />
aimed to be a catalyst for Development Action Group<br />
(DAG), a local NGO, to continue their ongoing work<br />
in this area. The workshop’s aim was to use design<br />
thinking to concentrate on social inequality and<br />
social justice, using space as a tool and facilitator to<br />
promote these discussions.<br />
<strong>DEPARTMENT</strong>AL EVENTS <strong>2014</strong>-15 149
International Workshop Guangzhou<br />
In December <strong>2015</strong>, 14 students from the Department<br />
of Architecture and Professors Andrew Johnston and<br />
Lina Stergiou took part in a seven-day international<br />
workshop organised by, and held at, the Department<br />
of Architecture, Guangzhou Academy of Fine Arts.<br />
The workshop included an opening ceremony, a<br />
public exhibition and a presentation of students’<br />
work.<br />
The workshop examined Shipai village in Guangzhou<br />
where vast changes have decisively and unexpectedly<br />
occurred since the post-1960s period. Major<br />
urbanised areas in Asia share similar processes and<br />
comparable patterns of urbanisation.<br />
Students’ works was exhibited in the E9 exhibition<br />
hall, Redtory Art & Design Factory in Guangzhou.<br />
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]
西 交 利 物 浦 大 学<br />
建 筑 系<br />
Xi’an Jiaotong-Liverpool University<br />
<strong>DEPARTMENT</strong> <strong>OF</strong> <strong>ARCHITECTURE</strong><br />
<strong>2014</strong>–<strong>2015</strong><br />
<strong>YEARBOOK</strong><br />
<strong>DEPARTMENT</strong>AL EVENTS <strong>2014</strong>-15<br />
151
XU XIAOWEI 徐 筱 蔚 ZHAO YU 赵 煜 YE XINZHENG 叶 辛 铮 XIA JING 夏 菁 ZHU PENGLIN<br />
朱 鹏 霖 WANG HE 汪 赫 LIU ZHIPENG 刘 志 鹏 JIANG YUANYUAN 蒋 媛 媛 PU YAO 濮 垚<br />
XU BINGJIE 许 冰 捷 GAO ZHUOZHOU 高 倬 州 QIAO SHANTONG 乔 善 通 ZHAO JINGWEI 赵 精 卫<br />
XIONG YUJIE 熊 禹 洁 FANG XINTONG 方 心 童 BAI YUE 拜 月 LIU SIYING 刘 思 颖<br />
ZHAO SHUYU 赵 书 毓 GU MENGXUE 谷 梦 雪 LI YANG 李 扬 CHEN CHEN 陈 宸 ZHAO QING 赵 青<br />
ZHANG JIAYUN 张 佳 赟 SUN XUEYI 孙 雪 怡 MENG CHANG 孟 畅 LI YANTONG 李 妍 潼<br />
GUO DONGYUE 郭 东 玥 CHEN YIXIN 陈 奕 欣 ZHOU ZHIXUN 周 之 洵 PAN JIALIN 潘 佳 霖<br />
SHEN WENSHAN 沈 文 杉 XIA JIAHUI 夏 嘉 桧 LI JINYU 黎 金 宇 HOU XIAOCHEN 侯 晓 晨 GUO YUQI<br />
锅 瑀 琪 DAI RONGHE 戴 荣 和 WANG ZILONG 王 子 珑 CHEN JINGNAN 陈 静 男 LIU YUSHU 刘 俣 淑<br />
SHEN TIANYE 沈 天 烨 SHI BINYU 史 彬 玉 DUAN YAWEN 段 雅 文 YANG ZHE 羊 哲 CHEN SIBEI<br />
陈 思 蓓 ZHANG SIYAO 张 思 遥 ZHANG ZIRUI 张 紫 瑞 YE HUANAN 叶 化 楠 CHEN JIANZHAO<br />
陈 剑 钊 ZHU HAORUO 朱 昊 若 MAO YUYANG 毛 宇 阳 JIANG ZHENHAO 蒋 桢 昊 LEI YUJIA 雷 雨 佳<br />
DUAN JIYU 段 继 宇 ZHONG XINYUE 钟 欣 越 WANG TIANHE 王 天 禾 WANG SIYAO 王 思 瑶<br />
LIU LIUQING 刘 柳 青 ZHANG RONGFENG 张 榕 峰 XIONG HENAN 熊 赫 男 YAO RONG 姚 蓉<br />
NAN FANG 南 方 TANG CHAO 汤 超 YANG TAO 杨 涛 LI CHANGLONG 李 昌 龙 WEI LIU 魏 柳<br />
ZHAO LUYING 赵 璐 滢 LI SHUAI 李 帅 CAI XINTING 蔡 欣 婷 CUI CAN 崔 璨 LI YUCHEN 李 玉 辰<br />
WANG XIAOYU 王 肖 瑜 LI YIRONG 李 依 融 QIAN YU 钱 逾 ZHANG WEN 张 雯 ZHU QIANYUN<br />
朱 倩 云 LIN SUMIN 林 苏 闽 JI YUNXIAO 计 云 潇 YANG TIANYUAN 杨 天 远 CHEN WEIWEI 陈 未 未<br />
ZHANG YIFENG 张 逸 峰 WEI NANXUAN 魏 楠 轩 XIA BO 夏 博 XIA YU 夏 禹 XU YINGSHI 徐 应 时<br />
LU YANG 陆 阳 ZHOU SIYI 周 思 怡 SU TIANYU 苏 天 宇 ZHANG YUSHU 张 毓 书 LI JIEHAN<br />
李 洁 涵 GUO ZIFENG 郭 子 锋 YU MENGFEI 余 梦 菲 ZHENG CHENCHEN 郑 宸 辰<br />
TANG JIALIN 汤 佳 林 GHESHAV RAMPERSAD ZABIHI MARYAM GONG RUOCHEN 巩 若 晨<br />
YIN TAO 尹 陶 CHEN YU 陈 雨 YOU JIE 游 洁 JIN TIAN 金 恬 CHEN JIAMIAO 陈 佳 苗<br />
SHEN YUE 沈 越 CHEN TIANCHI 陈 天 驰 DAI ANNI 戴 安 妮 CUI TIANQI 崔 天 琦 ZHU YI 朱 奕<br />
NI YUNQIAN 倪 韻 倩 ZHANG CUICHENG 张 璀 宬 WANG HUIYU 王 辉 玉 ZHOU XIAJING 周 夏 菁<br />
CHEN LINGLING 陈 灵 铃 ZHU RUOYI 朱 若 旖 HAN DI 韩 荻 YOU XINZHU 由 馨 竹<br />
YANG YUXUN 杨 雨 洵 ZHANG YUE 张 越 YIN KAIFENG 尹 凯 丰 ZHU RUI 朱 锐 CHEN JIACI 陈 嘉 词<br />
ZHOU BIQIAO 周 碧 峤 JIA YIPING 贾 易 平 ZHENG YIFEI 郑 逸 飞 XIE MINGHUAN 谢 明 焕<br />
ZHAN XING 詹 行 ZHAO ZHE 赵 哲 QIAN CHENG 钱 程 LI YANPEI 李 彦 霈 ZHANG MINGJING<br />
张 明 静 WEI LU 卫 璐 SHI PU 石 璞 LIU ZIHAN 刘 子 涵 SUN CHENXING 孙 晨 星 LI YUKUN<br />
李 雨 昆 FANG DIANJUN 方 典 钧 SUN QIUJIE 孙 秋 洁 ZHOU XIYUAN 周 惜 缘 GONG JIAMING<br />
巩 佳 鸣 ZHANG HUANQI 张 欢 奇 HAN YUXI 韩 雨 希 LI JIAYI 李 佳 忆 LU JIACHENG 陆 嘉 诚<br />
YANG ZHENYUAN 杨 振 源 XING YULAN 邢 玉 兰 ZHANG YANZHE 张 艳 喆 LIAO LONGTAI<br />
廖 隆 泰 WANG YICHU 王 一 出 LI ZHAOHAN 李 兆 晗 BIAN ZHIFAN 卞 之 凡 SUN FENGZHU 孙 凤 翥<br />
WANG WEIPING 王 蔚 屏 SUN XIAO 孙 潇 BISSOONAUTH CHITRAJ LINARDI FELIX<br />
LIU YUTIAN 刘 羽 田 JIN ZHIQIAN 金 志 骞 LI SHENG 李 晟 HUANG YUSHENG<br />
黄 宇 声 JIN HUAYU 金 华 玉 LUO BAOMING 罗 宝 明 ZHANG TIANXING 张 天 星<br />
LI XIAOYI 李 小 易 SHI YUE 石 悦 ZHANG WANYI 张 琬 仪 WANG DANYANG 王 丹 旸<br />
SONG ZENING 宋 泽 宁 LI QINRAN 李 沁 然 DU YINING 杜 亦 宁 CHEN YUQI 陈 昱 琦<br />
ZHU MINGKE 朱 明 珂 FENG YUAN 冯 院 ZHANG KEXIN 张 可 心 ZHOU XIAOCHEN<br />
周 啸 尘 WANG JIXUAN 王 骥 玄 LI ZIYU 李 子 昱 FENG LU 冯 璐 BAI WENLIN 白 雯 霖<br />
WANG YUCHEN 王 宇 晨 WANG SIYU 王 思 宇 JIANG HAO 姜 浩 LI HAOXUAN 李 浩 轩<br />
WANG XIANGLONG 王 湘 龙 SHI JUN 师 珺 ZHANG ZHAO 张 钊 MA YUNJIA 马 韵 佳<br />
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]
HUANG SHIQI 黄 诗 琪 LU MENGHAN 鲁 梦 晗 ZHU RUNZI 朱 润 资 ZHU YUT-<br />
ING 朱 雨 婷 SHEN LIYUAN 沈 立 元 HUANG LIHAN 黄 丽 涵 WANG AOLI<br />
王 傲 立 LI XIANG 李 想 ZHOU BENYANG 周 奔 阳 LI JIALU 李 佳 璐 HUANG WEILIN 黄 炜 麟<br />
WANG JIEYU 王 婕 妤 SUN GUANGYU 孙 光 雨 YOU JIAYI 尤 珈 仪 XU YICHEN 许 漪 琛<br />
ZHANG WENJING 章 雯 菁 TANG AO 唐 翱 ZHANG YIPING 章 一 平 YANG CHENG 杨 成<br />
CHEN XIAOYI 陈 晓 奕 TANG LANKE 唐 蓝 珂 DENG YUSHENG 邓 禹 晟 QI WENHUI<br />
祁 文 荟 XU XIAORONG 徐 笑 容 YANG JIAYING 杨 嘉 颖 CHEN YUKUN 陈 玉 坤<br />
ZHOU RUIDI 周 睿 迪 LI YAO 李 尧 MIAO YUWEI 缪 钰 玮 MIAO KE 缪 可<br />
WU WENQI 吴 文 琦 SU WENJIA 苏 文 嘉 LU YUFAN 卢 雨 凡 SHEN JIALIANG 沈 佳 梁<br />
WANG XIAOYU 王 晓 钰 ZHANG HAOTIAN 张 昊 天 DING XIAO 丁 笑 GUO YU 郭 雨<br />
YAO ZHEJUN 姚 哲 君 ZHANG RAN 张 然 ZENG JIACHENG 曾 嘉 诚 LV JIANI 吕 嘉 妮<br />
KUANG WEI 况 蔚 CHU YIYANG 储 祎 洋 SHAO FUWEI 邵 富 伟 HUANG JIARUI 黄 佳 蕊 TAO XUEQI<br />
陶 雪 琪 CAO RUICHEN 曹 瑞 晨 GU PENGYUAN 顾 鹏 远 WANG MIAO 王 淼 ZHAO YUANXIN<br />
赵 元 新 ZHAI SIQI 翟 斯 琦 ZHANG XU 张 旭 WANG HAN 王 涵 ZHOU ZHUOYI<br />
周 倬 屹 ZENG RUOXIAO 曾 若 逍 YANG JINRUN 杨 金 润 QI CHANG 戚 畅<br />
YANG SHAN 杨 珊 CHENG JIE 程 婕 ZHANG XIAORAN 张 笑 然 TIAN<br />
CONG 田 聪 SHEN XIAOYA 沈 筱 雅 LI XIAOJIE 李 晓 杰 LIU JIANQIU 刘 涧 秋<br />
ZHU JIRUI 朱 吉 锐 HUANG JIALU 黄 嘉 璐 XIE QING 谢 庆 LU JIALING 陆 家 羚 LI JIAXU 李 家 旭<br />
HUANG JUNTAO 黄 骏 涛 TANG MINGYANG 唐 名 扬 CHEN ZHAOYUAN 陈 昭 元<br />
ZOU WEI 邹 伟 ZHANG WEN 张 雯 ZHOU LINCHENG 周 麟 丞 GONG CHENGYING<br />
龚 澄 莹 MEI YIXUAN 梅 艺 璇 LI SHAOKANG 李 少 康 QUAN ZHUORAN 全 倬 冉<br />
QIAN JIANGLIN 钱 江 琳 FAN YISU 范 一 粟 ZHOU YINGYANG 周 颖 扬 WANG WEIWEI 王 惟 惟<br />
LIN LUQIAN 林 璐 芊 CHEN XIANGYU 陈 祥 语 CHENG ZIYU 程 子 昱 ZHANG RUIHUI 张 瑞 汇<br />
QIAN SHIYU 钱 时 宇 ZHONG JINYU 钟 金 钰 DENG RUI 邓 睿 LIU XIAOZHI 刘 潇 之<br />
DU WENXI 杜 雯 汐 ZHANG JIAQI 张 家 启 SUN AIWEI 孙 艾 维 ZHAO B<strong>OF</strong>AN 赵 勃 帆<br />
WANG NING 汪 宁 LIU BOWEI 刘 博 巍 WANG MOUYU 王 谋 雨 WEI ZHENG 魏 铮 ZHU SHUYI 朱 舒 旖<br />
YANG BINGYA 杨 冰 雅 LI MENGYING 李 梦 颖 YU WEIJIE 余 蔚 洁 CHEN XUEQI 陈 雪 琦<br />
PENG YU 彭 雨 ZHENG XIN 郑 昕 QIU YAJUN 邱 雅 君 YANG LIUQING<br />
杨 柳 青 GAO YIXIN 高 一 心 SUI YINGDA 隋 英 达 LI XINZHE 李 新 哲 KANG WENZHAO 康 文 钊<br />
ZHAO JIAOYUE 赵 皎 月 HU SHIXIN 胡 世 欣 LI QIUZHUO 李 秋 卓 ZHU HUAJIAN 朱 华 健<br />
SHAO YICONG 邵 一 聪 CHENG SIJIA 程 思 嘉 LIU XIN 刘 鑫 GUO WANGYU 郭 望 雨<br />
HE YAN 贺 琰 DU HANXI 杜 涵 茜 CHENG ZHIHANG 成 知 航 JIA LINYE 贾 林 烨<br />
ZHANG CHENKE 张 晨 珂 GUO CHU 郭 楚 WANG XIAOYUAN 王 小 元 ZOU PEIZHENG<br />
邹 佩 铮 ZHANG YINGQI 张 英 琦 LI YIJIA 李 亦 嘉 HAN YANBIN 韩 艳 彬 WU HAO 吴 昊<br />
YANG SHIHAO 杨 世 豪 WANG XUAN 王 璇 WANG SHUANGYI 王 爽 懿 LI XIN 李 鑫<br />
HU NA 胡 娜 LI JINYANG 李 锦 洋 SHI HAOYU 石 浩 宇 HAN YIXIN 韩 铱 欣 WEI ZHUO<br />
魏 卓 YANG NINGHENG 杨 宁 恒 ZHANG JINQIAO 张 近 桥<br />
WANG YIJIN 王 艺 瑾 QIN YUANYUAN 秦 源 苑 TANG YIWEN 汤 逸 文 LIN SHU-NUNG<br />
林 书 侬 KHINE KHIN KISTAMAH RYAN ANTHONY CINDY 张 欣 妮 TEN STANISLAV RIGON<br />
MARCUS SAMUELSSON LINUS TAIURSKII ANTON SEEWOO NIKHI<br />
KOROMILA EIRINI BRUCE DANIEL THOMAS GOLDSMITH GEORGE JOHN<br />
OTTO HILL ADAM MICHAEL LEE JONATHON CHEN SING OLDHAM<br />
DAVID TIMOTHY PATTISON WILLIAM ADAM KORAM SAMUEL SAKYI<br />
STUDENTS <strong>DEPARTMENT</strong> <strong>OF</strong> <strong>ARCHITECTURE</strong> | <strong>XJTLU</strong> <strong>2014</strong>-15<br />
153
Department of Architecture<br />
Xian Jiaotong-Liverpool University<br />
Academic staff<br />
Pierre Alain Croset, Head of Department<br />
Dipl. Arch., Ecole Polytechnique Fédérale de<br />
Lausanne (Switzerland)<br />
Registered Architect (CH and IT)<br />
Ganna Andrianova<br />
PhD, Odessa State Academy of Construction<br />
and Architecture (UA)<br />
MArch, Odessa State Academy of<br />
Construction and Architecture (UA)<br />
BArch, Odessa State Academy of<br />
Construction and Architecture (UA)<br />
Tordis Berstrand<br />
Ph.D., in Architecture, University of Kent (UK)<br />
M.Sc, Architectural History, The Bartlett<br />
School of Architecture, UCL (UK)<br />
M.Arch, Architecture, The Royal Danish<br />
Academy of Fine Arts (DK)<br />
Anuradha Chatterjee (until 02/<strong>2015</strong>)<br />
Phd, University of New South Wales (AUS)<br />
MArch, University of New South Wales (AUS)<br />
Dipl Arch, TVB School of Habitat Studies,<br />
New Delhi (IN)<br />
Bert de Muynck<br />
M.Arch, Architectural Engineering, Catholic<br />
University of Leuven, Belgium. Faculty of<br />
Architecture (BE)<br />
Nancy Diniz (until 02/<strong>2015</strong>)<br />
Phd, Bartlett School of Graduate Studies,<br />
University College London (UK)<br />
MSc, Bartlett School of Graduate Studies,<br />
University College London (UK)<br />
MA Urban Design, ISCTE/Instituto<br />
Universitário de Lisboa, Lisbon (PT)<br />
Dipl Arch, Lusiada University, Lisbon (PT)<br />
Yiping Dong<br />
PhD, Tongji University (CN)<br />
MArch, Tongji University (CN)<br />
BArch, Tongji University (CN)<br />
Theodoros Dounas<br />
Dipl Eng Arch, Aristotle University of<br />
Thessaloniki (GR)<br />
Chartered Architect (GR)<br />
Edward Farrell<br />
MSc, Bartlett School of Graduate Studies,<br />
University College London (UK)<br />
BArch, University College, Dublin (IE)<br />
RIBA Chartered Architect and Specialist<br />
Conservation Architect (UK)<br />
Thomas Fischer<br />
PhD, Royal Melbourne Institute of Technology<br />
University (AUS)<br />
PhD, University of Kassel (D)<br />
MEd equiv., University of Kassel (D)<br />
Mariá Fullaondo (until 02/<strong>2015</strong>)<br />
PhD, Universidad Politécnica de Madrid (ES)<br />
MArch, ETSAM, Universidad Politécnica de<br />
Madrid (ES)<br />
<strong>XJTLU</strong> | BEng Architecture [<strong>2014</strong>-15]<br />
Christian Gänshirt<br />
PhD, Brandenburg University of Technology (D)<br />
Dipl-Ing Arch, Universität Fridericiana zu<br />
Karlsruhe (D)<br />
Licensed and registered Architect, Berlin<br />
Chamber of Architects (D)<br />
Jiawen Han<br />
Ph.D., Architecture, University of New South<br />
Wales (AUS)<br />
M.Arch, Dalian University of Technology (CN)<br />
Christiane M. Herr<br />
PhD, University of Hong Kong (HK)<br />
MArch, University of Hong Kong (HK)<br />
Dipl-Ing Arch, University of Kassel (D)<br />
Sung-Hugh Hong<br />
Ph.D., Environmental Design and<br />
Engineering, University college LondonMSc,<br />
Environmental Design and Engineering,<br />
University College London (UK)<br />
M.A., Architecture, Rensselaer Polytechnic<br />
Institute (USA)<br />
Andrew Johnston (until 02/2016)<br />
PhD, University of California, Berkeley (USA)<br />
MArch, University of California, Berkeley (USA)<br />
MSUD, Pratt Institute (USA)<br />
BA, Hampshire College (USA)<br />
Registered Architect and Certified Planner (USA)<br />
Moon Keun Kim<br />
Ph.D., Architecture, Swiss Federal Institute of<br />
Technology Zurich (ETH Zurich)<br />
M.Sc, Architectural Engineering, Pennsylvania<br />
State University at University Park (USA)<br />
M.Sc, Engineering Acoustics, Technical<br />
University of Denmark (DK)<br />
M.Sc, Architecture, Yonsei University (ROK)<br />
Marian Macken<br />
PhD, University of Sydney (AUS)<br />
MArch, University of Technology Sydney (AUS)<br />
BLArch, University of New South Wales (AUS)<br />
BSc (Arch), University of Sydney (AUS)<br />
Ciro Márquez (until 02/<strong>2015</strong>)<br />
MArch, ETSAM, Universidad Politécnica de<br />
Madrid (ES)<br />
Aleksandra Raonic<br />
M.Arch, Advanced Architectural Design,<br />
Städelschule Architecture Class (SAC) -<br />
Staatliche Hochschule für Bildende Künste,<br />
Diploma (Dipl.-Ing.), Architecture, Architecture<br />
Faculty, University of Belgrade (FAUB)<br />
Paolo Scrivano<br />
PhD, Politecnico di Torino (IT)<br />
Dipl. Arch., Politecnico di Torino (IT)<br />
A. Benjamin Spaeth (until 08/<strong>2015</strong>)<br />
Dipl-Ing Arch, University of Stuttgart (D)<br />
Lina Stergiou<br />
Ph.D., Faculty of Art, Design&Architecture,<br />
Kingston University, London (UK)<br />
M.Arch, Post-professional, Graduate School<br />
of Architecture and Urban Design, Pratt<br />
Institute, New York (USA)<br />
Diploma (Dipl.-Ing.), Professional, School of<br />
Architecture, National Technical University of<br />
Athens (GR)<br />
Caterina Tiazzoldi<br />
PhD, Architecture, Politecnico di Torino (IT)<br />
M.Sc, GSAPP Columbia University, Advanced<br />
Master, Architecture (US)<br />
Glen Wash<br />
PhD, University of Tokyo (JP)<br />
MEng, University of Tokyo (JP)<br />
Dipl Arch, Catholic University of Valparaiso (CL)<br />
Licensed Architect (CL)<br />
Claudia Westermann<br />
PhD, University of Plymouth (UK)<br />
Pgr Dipl Media Art, Karlsruhe University of<br />
Art and Design (D)<br />
Dipl-Ing Arch, University of Karlsruhe, TH (D)<br />
Chartered Architect (D)<br />
Austin Williams<br />
Dipl Arch, Birmingham Polytechnic (UK)<br />
BSc(Hons), Bartlett School of Architecture,<br />
University College London (UK)<br />
Chartered Architect RIBA (UK)<br />
Part-time Tutors<br />
Hannan Bensho<br />
Antonio Berton<br />
Joan Cane<br />
Ting-Ting Dong<br />
Paul Ebell<br />
Alexandre Edouard Emmanuel Gilot<br />
Marta Gomez Anaya<br />
Harry den Hartog<br />
Justin Johnston<br />
Liang Ma<br />
Bart Mahieu<br />
Li-An Tsien<br />
Supporting staff<br />
Jiaqi Fu, Built Environment Administrator<br />
Lili Chen, Department Secretary<br />
Xiru Ma, Department Secretary<br />
Chaoying Tian, Department Secretary (until 04/<strong>2015</strong>)<br />
Jian Chen, Lab Technician<br />
Qinting Gu, Lab Technician (until 03/<strong>2015</strong>)<br />
Chen Sun, Lab Technician
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