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COLLECTING TEXTURES: A VISIT WITH TIM AND MARILYN MAST

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25<br />

Though Tim pursued law, and Marilyn teaching,<br />

Though volunteer Tim pursued administrating, law, and and Marilyn the Unitarian teaching,<br />

volunteer administrating, and the Unitar-<br />

Though Tim pursued law, and Marilyn teach-<br />

Church, ing, volunteer their social administrating, engagements and and the relationships<br />

Unitarian<br />

Church,<br />

have taken<br />

their social<br />

place<br />

engagements<br />

among artists,<br />

and<br />

students,<br />

reian<br />

Church, their social engagements and relationships<br />

curators, arts<br />

have<br />

administrators,<br />

taken place<br />

and<br />

among<br />

fellow<br />

artists,<br />

lationships have taken place among artists,<br />

collectors<br />

and curators, appreciators. arts administrators, Their interest and forms, fel-<br />

students, curators, arts administrators, and fellow<br />

texture collectors and meaning and appreciators. has encouraged Their interest<br />

low collectors and appreciators. Their and interest<br />

sup-<br />

students,<br />

in ported forms, emerging texture and meaning developed has talent encouraged<br />

in forms, texture and meaning has encouraged<br />

to explore<br />

and the supported outer reaches emerging of their and medium. developed talent<br />

and supported emerging and developed talent<br />

to explore the outer reaches of their medium.<br />

to explore the outer reaches of their medium.<br />

Throughout and Throughout<br />

my<br />

my<br />

education, education,<br />

and and<br />

conversations<br />

conversations<br />

like the my thoughts have<br />

like<br />

this<br />

this<br />

one one<br />

with with<br />

the the<br />

Masts, Masts,<br />

my my<br />

thoughts<br />

thoughts<br />

have been rearranged. I am now thinking of collec-<br />

have<br />

been<br />

been<br />

rearranged. rearranged.<br />

I am I am<br />

now now<br />

thinking thinking<br />

of<br />

of<br />

collectors as artists, their private collections as pub-<br />

collectors<br />

as<br />

as<br />

artists, artists,<br />

their their<br />

private private<br />

collections<br />

collections<br />

as lic (seen or unseen), and of the collector as<br />

cross-trainer as<br />

public public<br />

(seen<br />

(seen<br />

or or<br />

unseen),<br />

- they unseen),<br />

and<br />

usually and<br />

of<br />

do of<br />

the<br />

this the<br />

collector<br />

side.’<br />

‘on collector<br />

the A as<br />

point as<br />

cross-trainer<br />

cross-trainer<br />

- -<br />

they<br />

of distinction they<br />

usually<br />

that usually<br />

do<br />

needs do<br />

this<br />

to be this<br />

‘on<br />

made ‘on<br />

the is<br />

that the<br />

side.’<br />

side.’<br />

A throughout<br />

A<br />

point point<br />

of their<br />

of<br />

distinction travel<br />

distinction<br />

that abroad<br />

that<br />

needs and<br />

needs<br />

to<br />

in the<br />

to<br />

be<br />

US, be<br />

made made<br />

is<br />

Tim and<br />

is<br />

that that<br />

throughout Marilyn<br />

throughout<br />

their have<br />

their<br />

travel remained<br />

travel<br />

abroad<br />

committed<br />

and<br />

abroad<br />

and in<br />

to in<br />

the building the<br />

US, US,<br />

Tim a Tim<br />

and significant and<br />

Marilyn Marilyn<br />

have portion have<br />

remained<br />

of remained<br />

committed their collection<br />

committed<br />

to<br />

with artwork to<br />

building building<br />

a created a<br />

significant significant<br />

portion in Michigan, portion<br />

of<br />

by of<br />

their<br />

Michiganders, their<br />

collection<br />

collection<br />

with or with<br />

artwork artists artwork<br />

created from various created<br />

in places in<br />

Michi-<br />

Michi-<br />

who<br />

gan,<br />

have gan,<br />

or<br />

fallen or<br />

by by<br />

Michiganders, into Michiganders,<br />

or or fallen in love or<br />

artists artists<br />

from with Detroit. from<br />

vari-<br />

vari-<br />

Like<br />

ous<br />

many ous<br />

places<br />

places<br />

who other collectors who<br />

have have<br />

fallen a fallen<br />

into simple into<br />

or curiosity or<br />

fallen fallen<br />

in<br />

grew in<br />

love<br />

into love with<br />

a with Detroit. guiding Detroit. Like principle Like many of many other life – other collectors<br />

an aesthetic collectors<br />

of<br />

a<br />

domesticity a simple simple curiosity curiosity grew – which grew into has into a shaped a guiding guiding prin-<br />

their social principle<br />

life, ciple travel<br />

of of life life and<br />

– – an friendships an aesthetic aesthetic for<br />

of<br />

almost of domesticity domesticity fifty years,<br />

––<br />

which<br />

and which in<br />

has has turn<br />

shaped shaped they have<br />

their their shaped<br />

social social life, the life, travel community travel and<br />

and<br />

friendships that friendships people for likely for almost almost have fifty been fifty years, years, shaped and and by, in in knowingly<br />

they have and have unknowingly. shaped shaped the the community Their community collection that that reflects people people<br />

a<br />

turn turn<br />

they<br />

likely critical likely have have slice been of been Detroit’s shaped shaped history by, by, knowingly and knowingly culture, and and now<br />

unknowingly. safeguarded unknowingly. against Their Their collection dispersion. collection reflects reflects Entire histories a a criti-<br />

critical<br />

housed cal slice slice along-side of of Detroit’s Detroit’s burgeoning history history and and visions, culture, culture, textures now now<br />

safeguarded of safeguarded the future. against A against true collection dispersion. dispersion. collage. Entire Entire histo-<br />

historieries<br />

housed housed along-side along-side burgeoning burgeoning visions,<br />

visions,<br />

textures textures of of the the future. future. A A true true collection collection collage.<br />

collage.<br />

Pi Benio, Fetal Female Wrapped Form, 34x25x10, 1991.<br />

Graham<br />

Graham Marks, Marks,<br />

Untitled, Untitled,<br />

33x33x34, 33x33x34,<br />

1987.<br />

1987.<br />

Pi Benio, “Fetal Female Wrapped Form”, 34x25x10, 1991.<br />

Pi Benio, “Fetal Female Wrapped Form”, 34x25x10, 1991.<br />

<br />

John John Stephenson, Stephenson, “Earth Auger, “Earth Auger”, Auger”, 12x24x13, 12x24x13, 1985.<br />

1985.

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