Aunt Jemima Maple Syrup Process Book
Documentation of the process and rational of the Aunt Jemima Maple Syrup Re-brand
Documentation of the process and rational of the Aunt Jemima Maple Syrup Re-brand
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Original<br />
<strong>Syrup</strong><br />
Product Re-Design<br />
<strong>Process</strong> <strong>Book</strong><br />
Tradition with Modernity<br />
Jordan Anthony Tate
1<br />
Product Introduction<br />
Brief History<br />
Fig 1<br />
<strong>Aunt</strong> <strong>Jemima</strong> established mainstream recognition<br />
since its inception in 1966. It is known to be one of<br />
the leading brands in the production and distribution<br />
of breakfast foods and some related condiments. The<br />
founders of the company which was initially named<br />
Pearl Milling Company, Chriss L Rutt and Charles<br />
G Underwood started the company after purchasing<br />
a bankrupt flour mill in 1888. Rutt and Underwood<br />
originally intended to sell flour, however at that time<br />
the flour market was over-saturated which made it<br />
difficult for Rutt and Underwood to develop their<br />
business.<br />
It was at the time Rutt and Underwood invented,<br />
whats known as a ready made pancake mix and<br />
used excess flour from their mill to support the<br />
production of the invention. The ready made pancake<br />
mix was initially called “Last Ready Mix” and was<br />
distributed to the public in white paper sacks.<br />
In late 1889 Rutt and Underwood tried to market<br />
their ready made pancake mix by appropriating a<br />
character from a minstrel show Rutt saw earlier<br />
that year. They renamed the pancake mix <strong>Aunt</strong><br />
<strong>Jemima</strong> Pancake Mix in an attempt to popularize<br />
their product. This unfortunately didn’t work<br />
and Rutt and Underwood was forced to sell their<br />
company to the Randolph Truett Davis Milling<br />
Company in St. Joseph, Missouri, in 1890.<br />
The R. T. Davis Milling Company had better luck<br />
at marketing the ready made pancake mix. Over<br />
the years they hired multiple African American<br />
women to portray the aunt <strong>Jemima</strong> character and<br />
to participate in public promotional events like<br />
cooking displays, advertisements and Expos. This<br />
method of marketing proved to be very successful<br />
and as a result all products and including the mill<br />
was renamed under the moniker <strong>Aunt</strong> <strong>Jemima</strong>.<br />
In 1926 the world renowned Quaker Oats Company<br />
bought the brand. They adopted the same marketing<br />
strategy as the previous owner which continued<br />
the development of the brand. They are the current<br />
brand owners and still adopt this marketing strategy.<br />
In 1966 Quaker Oats introduced <strong>Aunt</strong> <strong>Jemima</strong> <strong>Syrup</strong> as a way to expand their product line.<br />
Product Description<br />
It is a thick textured, man made food condiment<br />
that is usually consumed with breakfast foods<br />
such as pancakes and waffles. It has no natural<br />
ingredients and is mostly compromised of artificial<br />
flavors and chemicals such as High Fructose Corn<br />
<strong>Syrup</strong>.Even though the product is marketed as<br />
maple syrup it truthfully is not authentic maple<br />
syrup. It is however a cheaper more convenient<br />
alternative that attempts to mimic authentic maple<br />
syrup’s taste and texture. The Product is usually<br />
distributed on shelfs in stores and supermarkets<br />
usually in the breakfast aisle. <strong>Aunt</strong> <strong>Jemima</strong> <strong>Maple</strong><br />
syrup comes in various varieties.(refer to fig 1)
2 Research/Analyses Phase<br />
Rational for Redesign<br />
• I chose to redesign this product because I have a personal connection<br />
with this product. Growing up this was always a product that could be<br />
found in my kitchen. I have, not to my knowledge consumed any other<br />
brand of pancake syrup.<br />
• After preliminary research I have realized the strong racist history tied<br />
to the development of the product. Even today there are subtle racial<br />
elements on the package. Being of the offended race I would like to<br />
redesign this package so that it can be more appropriate to all races.<br />
• The bottle design and label are over 100 years old. Throughout the<br />
years there have been the creation of more practical and efficient forms<br />
and designs, that would not only benefit the company financially but<br />
also the surrounding environment’s health.<br />
Product Analysis<br />
The current <strong>Aunt</strong>y <strong>Jemima</strong> bottle and label which was updated from<br />
its traditional/ controversial version in 1989 is an almost liquor style<br />
bottled shaped except with plastic and smaller. There is also noticeable<br />
grooves at the neck of the bottle where a stamp of the logo typeface is<br />
utilized.<br />
The label utilities a warm color scheme which is evident by the golden/<br />
yellow and red/ burgundy colors. The appearance of the label is of an<br />
odd shape, a form which allowed the label to house a suitable amount<br />
of imagery and information in relation to the surface real estate of the<br />
bottle.<br />
Fig 2<br />
Front Label<br />
Serif font which is used<br />
as the brand Identity<br />
Script used to tell<br />
the variety of syrup<br />
From my observation I can identify three different categories.<br />
Although it is unusual to use more than two typefaces, the three<br />
typefaces posses some form of cohesion. They work together to portray<br />
a homely/ warm feeling.<br />
The label is 5" long and 3" it conforms to the shape of the bottle . From<br />
my observation, from a hierarchal perspective, most of the attention is<br />
placed on the image of “<strong>Aunt</strong> <strong>Jemima</strong>,” then the brand name, then the<br />
variety of syrup then the glamorization of the product by using imagery<br />
of savory pancakes with maple syrup and butter. (Refer to fig 3)<br />
Fig 3<br />
Back Label<br />
Serif font which is used<br />
as the brand Identity<br />
Sans serif font<br />
Once again the most prominent aspect of the back label is the image of<br />
“<strong>Aunt</strong> <strong>Jemima</strong>,”then the red highlighted area “do not consume if inner<br />
seal is torn or missing” then the brand name, and finally the nutritional<br />
facts and following text.<br />
On the back label there are only two categories of typeface. The same<br />
transitional serif font as the one the front used for the brand name and<br />
the other typeface is a sans serif font used to display the nutritional facts<br />
and other supporting information. (Refer to fig 4)<br />
Fig 4
Current Packaging Issues<br />
Users and Values<br />
When considering stacking and storing ability for transportation, domestic<br />
use, or shelf use, the current bottle’s design could be better designed to allow<br />
for a more ideal and comfortable stacking and storing conditions for each<br />
situation.<br />
It is also a common problem of <strong>Maple</strong> syrup bottles to have a messing/<br />
sticky cap after us.<br />
Considering <strong>Maple</strong> syrups viscosity it is rather difficult to acquire the last<br />
remaining amounts in a nearly depleted bottle. In order to do so you would<br />
have to invert the bottle and wait till the slow moving liquid reached the<br />
cap. A very time consuming task which can affect the user preference of a<br />
product.<br />
Fig 5<br />
<strong>Aunt</strong> <strong>Jemima</strong> maple syrup target consumer at its inception were usually<br />
white mid wives usually between the ages of 25 – 40 usually of middle class<br />
income, after doing research into to advertisements and marketing strategies<br />
I observed that a white young mid wife was always shown using the product.<br />
At this time period women were the captains of domestic roles and were<br />
usually the ones that stayed home and prepared food. (Refer to fig 6)<br />
Fig 6<br />
As you can see in fig 5 there is a strong similarity with maple syrup bottles,<br />
which makes it very difficult to differentiate between brands. It is also<br />
evident that the color scheme is conventional (brown, yellow, gold, and red)<br />
The utilization of the black lady held a racial subconscious purpose which<br />
was shared amongst its target consumers during its inception. In today’s<br />
society this subconscious meaning is derogative and detrimental to its<br />
success and should be modified to appeal to a more diverse audience.<br />
The target user were usually a Caucasian nuclear families usually in the<br />
middle class income bracket.<br />
Fig 7<br />
The User is a 30 year old black female who has a just moved in a new house<br />
with her husband. She has 4 kids in preschool and is usually busy minding<br />
them when they are at home. She is a stay at home wife who caters to the<br />
house. She has to run to the supermarket before she has to pick up her kids<br />
from school.<br />
She has to purchase a considerable amount of food to provide for her family<br />
and storage space is usually limited. She does her shopping very quickly<br />
and always chooses the most trusted and appropriate brand for her family.<br />
Since the majority of people in the house are children the atmosphere<br />
of the house is usually hectic and messy. The user always takes this fact<br />
into consideration so she always purchases items that are easy to use and<br />
resistant to breakage.<br />
Her family lives in Richmond Vancouver and fall in the middle<br />
class category.<br />
Fig 8
Context<br />
Fig<br />
10<br />
Fig 9<br />
The product is used in the kitchen usually on the table in a breakfast<br />
situation where the user is eating. As it is a condiment it needs to be in<br />
convenient reach of the user and should not take up allot of surface area<br />
(should be compact)<br />
<strong>Maple</strong> syrup is used as desired. The user can apply maple syrup to their<br />
meal as much as they like. So an ergonomic bottle which is comfortable for<br />
repeated use is necessary.<br />
In order to use the product you have to invert and squeeze the bottle. When<br />
it is almost done you have to shake the bottle so it will pour more quickly<br />
Fig 10<br />
The product is also stored in the fridge so a compact, basic shape is the most<br />
ideal as fridge space is usually limited.
Market Research and Analysis<br />
Fig 13<br />
Category Analysis<br />
The product is a food condiment that is used frequently with a very popular<br />
breakfast meal. It is comparable to ketchup, mustard and other toppings.<br />
Fig 11<br />
Brand Positioning Objectives<br />
The <strong>Aunt</strong> <strong>Jemima</strong> brand was named the same name as their mascot, <strong>Aunt</strong><br />
<strong>Jemima</strong>. Essentially <strong>Aunt</strong> <strong>Jemima</strong> is an antebellum Happy ‘Mammy” in<br />
other words a happy, useful and reliable domestic slave. This concept<br />
appealed to the southern mentality of white people as they related the<br />
products to the perception of reliability, utility. It had appeal because<br />
essentially it was depicted as a slave in a box. (Refer to figure 13)<br />
Communication Priorities<br />
Based on the label the highest priorities is the name of the brand and the<br />
glamorous imagery of the pancakes and syrup. Secondly would be the<br />
mascot image and the type of product. I also observed that the product does<br />
not have a literal description of what it is. It uses imagery to describe the<br />
product.<br />
Competitive Analysis<br />
The <strong>Aunt</strong> <strong>Jemima</strong> brand is a very familiar and popular brand. It was one of<br />
the most commonly seen brands of maple syrup. The color schemes and<br />
bottle designs is conventional and is quickly recognized by consumers as<br />
maple syrup. When compared to other brands however there are barely any<br />
differencing qualities in respect to packaging.<br />
(Refer to figure 5)<br />
Product Attributes<br />
The <strong>Aunt</strong> <strong>Jemima</strong> product attributes is one of a homely, predominantly<br />
warm, glamorous and friendly qualities. This is evident by the warm<br />
color scheme, the smiling face of “<strong>Aunt</strong> <strong>Jemima</strong>” and the savory imagery<br />
of the pancakes.<br />
Fig 12<br />
Design Criteria<br />
Easy to use, convenient inviting design which has appeal to mothers and<br />
wives. Since it is a firmly developed company the name of the brand is<br />
important so it should be at the highest priority. Also the use of savory<br />
images will also help to describe the product contents without wordy<br />
descriptions.
3 Conceptualization Phase<br />
Inspiration<br />
Bottle Designs<br />
Colour Exploration<br />
Fig 14 Fig 15 Fig 16<br />
Fig 17 Fig 18 Fig 19<br />
Fig 20
Ideation <strong>Process</strong><br />
Initial Direction<br />
After researching various bottle designs and shapes I discovered that many<br />
modern bottles are made in a very standard shape. A shape which promotes<br />
maximum efficiency and viability for storage, transportation and structural<br />
strength. I initially decided to adopt an already existing bottle and repurpose<br />
it for the redesign of the <strong>Aunt</strong> <strong>Jemima</strong> pancake syrup.<br />
I chose the Heinz ketchup bottle to re-purpose (fig 17) because this bottle<br />
design would satisfy the redesign purpose of modernity and practicality as<br />
this bottle has a no mess cap, it is inverted so the contents is always ready to<br />
be dispensed, the bottles shape is ideal for storage and transportation and<br />
the surface real estate makes it possible for a bigger label.<br />
In terms of color however I contemplated the effectiveness of the preexisting<br />
color scheme. I then deduced that even though the major label<br />
color is red (refer to fig 3) and red is a color which calls attention there is<br />
still difficulty in differentiating brands while placed with its competitors.<br />
(Refer to fig 5)<br />
However I did not want to alter the color scheme to the point where the<br />
brand identity is completely different. So basically I decided to use the same<br />
colors of the brand identity but in way that would separate itself on the shelf<br />
from its competitors.<br />
Fig 21<br />
Fig 22<br />
Focus Group<br />
After I pitched my direction to my assigned focus group they did not seem<br />
to agree the concept of re-purposing pre-made bottles. They said that the<br />
bottle was too known for ketchup bottles I also had this opinion but I<br />
figured the contents and label of the new package would over power the<br />
viewers familiarity for of the bottle.<br />
They suggested that I design my own bottle and create it from vacuum-form.<br />
Fig 23<br />
After receiving guidance from my focus group I began to draw sketches of a<br />
bottle designs. I drew influences from, existing bottles of food condiments.<br />
(Refer to fig 14- 17)
Ideation <strong>Process</strong><br />
After exploring various ideas and forms I decided to settle on the most<br />
viable and appropriate form. I took inspiration from traditional maple syrup<br />
bottles and integrate the skeumorph handles into my design. (Refer to fig 24)<br />
Fig 24 Fig 25<br />
However I decided to take influences from the Heinz inverted ketchup<br />
bottle as well and integrate its basic shape into my design, so my design<br />
could inherent its practical characteristics. I still kept the skeumorph so it<br />
can have an association with authentic maple syrup. (Refer to fig 25)
4 Development/ Production Phase<br />
Prototype<br />
Fig 26<br />
The resulting plastic bottle came out as desired and was assembled to the<br />
best of my ability. (Refer to fig 28)<br />
Fig 26<br />
In order to make a plastic bottle using the vacuum-form methods I had to<br />
create a foam mold. I created the mold by sanding down three equal blocks<br />
of foam that were glued together.<br />
The final product was then cut in half to create the different hemispheres of<br />
the plastic bottle.<br />
(Refer to fig 26 - 27)<br />
Fig 27
Issues with Prototype<br />
Even though the bottle came out as desired it was not functional as there<br />
was holes along the jointed areas of the hemisphere.<br />
Also after doing some more research on bottle production I realized that the<br />
company would spend more money designing a new bottle.<br />
I presented my prototype to the class and also explained the new issues<br />
associated with it.<br />
The class told me to reconsider my idea of re-purposing the inverted Heinz<br />
Ketchup bottle<br />
label Design<br />
This was my first label design. The color scheme and imagery retains<br />
characteristics from the pre-existing label. I made the background white so<br />
there could be a lot of contrast with the contents of the bottle and also with<br />
the pre-existing brands whilst on the shelf.<br />
The font for the brand name is unknown, I could not find any information<br />
regarding it. I also retained the drop shadow behind the brand name , so the<br />
label doesn’t stray too far from the pre-existing.<br />
The other serif font on the front label is Arno pro. I chose this font because<br />
it helps to translate a traditional warmth which is characteristic of the <strong>Aunt</strong><br />
<strong>Jemima</strong> brand. I chose this orange-ish color to achieve a certain kind of<br />
cohesion with the theme of the label.<br />
I also used another adorned image to help persuade the consumer to<br />
purchase the product.<br />
( Refer to fig 29)<br />
Fig 28-29<br />
The back label is of the same color of the “Original” on the front label. It<br />
helps to solidify the design and also provides enough contrast with the<br />
white to be functional. The font however is Akzidenz-Grotesk. I chose this<br />
font because it is a legible sans serif at small sizes. (Refer to fig 28)
Final Design<br />
Fig 31<br />
Issues with Label<br />
The color of the brand name was not powerful enough so I changed the<br />
color to a red which is similar to the one found on the brand identity.<br />
(Refer to fig 30)<br />
Fig 30<br />
Fig 32
Re-Design Placement<br />
I was able to place my re-design in a real world scenario on the shelfs of a<br />
supermarket. By doing this I was able to see whether or not my re-design<br />
satisfied the criteria of the rationale.<br />
I can safely say that the re-design was able to comfortably solve the previous<br />
issues and to also satisfy the re-design rationale<br />
In conclusion I think I was able to achieve a great balance of traditional<br />
value and modernity through this deisgn.<br />
(Refer to fig 33)<br />
Fig 33
Self- Assessment<br />
I realised after doing this assignment that functionality and practicality is<br />
always paramount and aesthetic value comes second. I had to sacrifice a lot<br />
of beautify characteristics to accomplish a perfectly practical design.