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2016 Monhegan Photo Invitational Catalog

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MONHEGAN ISLAND PHOTO INVITATIONAL <strong>2016</strong><br />

penny hoey j michael sullivan jason philbrook steven aimone david aimone


monhegan photo festival founding sponsors<br />

Deep appreciation to those who furnished financial and energetic support<br />

to make this event possible:<br />

Ellen Egger Aimone<br />

Katherine Aimone<br />

Lydia Aimone<br />

Vicky Braik-Bourget<br />

Valerie Cargo<br />

Mary Beth Cornelius<br />

Johanna DeHoff and<br />

David Troup<br />

Marcia Egger<br />

Ruth Egger<br />

Nancy Farrell<br />

Dyanne Gardiner<br />

John Green<br />

Penny Hoey<br />

Melinda Hoffman<br />

Ken Kartes<br />

Stephanie Kaylor<br />

J. Raymond Kelley<br />

Jill Fishon-Kovac<br />

Bob Kusewski<br />

Mary Juson<br />

Gary Larsen<br />

Jeff McCrum<br />

Nancy Meyer<br />

Elizabeth E. Michaud<br />

Kelly Milukas<br />

Steve Patton<br />

Betty B. Perry<br />

Christine Pienciak Peters<br />

Eileen Power<br />

Anna Rac<br />

Garnet Reardon<br />

Sarah Royka<br />

Rhenda Saporito<br />

Henry Senger<br />

Andrea Smith<br />

Jeanne Smith<br />

Pilar Arthur-Snead<br />

Anthony Spina<br />

Patty M. Stinson<br />

Liz Haywood-Sullivan<br />

Martha Wakefield<br />

Bruce and Holly Weber<br />

Jill Windwer<br />

Several Anonymous<br />

contributors<br />

thank you to the photographers for contributing their time and talents to the exhibition.<br />

A special thanks to Jason philbrook for inviting us to travel the exhibition to his venue in rockland,<br />

deep appreciation to host david aimone for serving as organizer for the event.<br />

Image, title page: david aimone, Carina House, <strong>Monhegan</strong> Island. 4x5" film camera, Efke PL25M film developed in pyrocat-mc<br />

Image, inside back cover: david aimone, The Carina House Gallery, Sony A7r full frame camera Nikkor-SW 90mm f/8 lens. 2012<br />

catalog design: Steven Aimone, typeface: blair MdlTC TT, Printer: Modern Postcard<br />

editor: Katherine AImone, www.artswrite.com<br />

published by Aimone Art Press, asheville, nc/monhegan, me<br />

Copyright <strong>2016</strong><br />

aimone art studios at the carina house<br />

131 Main Street PO Box 362 monhegan, me 04852<br />

www.thecarinahouse.com


MONHEGAN ISLAND<br />

PHOTO INVITATIONAL <strong>2016</strong><br />

AIMONE STUDIOS AT THE CARINA HOUSE<br />

MONHEGAN, MAINE, MAY 27 - JUNE 5<br />

25 Oak Street, Rockland, Maine, June 30 - July 10


Welcome to the <strong>2016</strong> <strong>Monhegan</strong> Island<br />

<strong>Photo</strong> invitational. This show inaugurates<br />

the <strong>Monhegan</strong> island <strong>Photo</strong> Festival<br />

hosted by Aimone Studios at The<br />

Carina House. Organized by David and<br />

Steven Aimone, The exhibition is on view<br />

from May 27-June 5, <strong>2016</strong> before traveling<br />

to 25 oak street in Rockland, Maine<br />

from June 30-July 10.<br />

the <strong>2016</strong> invitational features work by<br />

noted photographers Penny Hoey, jason<br />

philbrook, j michael sullivan, David<br />

Aimone, and steven aimone.<br />

Steven and katherine Aimone purchased<br />

the iconic, wood-framed building known as<br />

The Carina House in late 2007 where they<br />

have since had painting studios. Steven and<br />

david Aimone share time there each year,<br />

photographing the island's enormously<br />

diverse and beautiful landscape.<br />

<strong>Monhegan</strong> is recognized as a painter's and<br />

bird-watcher's paradise, and it is also a<br />

photographer's dreamscape. Its rich<br />

history includes the works of Bertrand<br />

Wentworth, Ralph Steiner, Lorimer<br />

Brackett, and Arthur Wayland Cutting.<br />

in more recent history are well-known<br />

photograhphers such as John Paul<br />

Caponigro, Bryan Hitchcock, Peter<br />

Ralston, Amy Toensing, and others.<br />

contemporary photography has a vital<br />

presence on the island. In the summer<br />

and fall, visitors arrive with photography<br />

equipment and spend days studying the<br />

island's many possibilities. highly dedicated<br />

bird watchers document their sightings<br />

photographically during the spring and<br />

fall, and members of the winter community<br />

photograph the island year-round.<br />

with the advent of smart-phone cameras,<br />

nearly everyone that comes to the island<br />

participates in photographing their<br />

experiences in one form or another.<br />

In May 2015, the Carina House presented<br />

"From Maine to Montepulciano:<br />

<strong>Photo</strong>graphic Responses to timeless<br />

places," featuring David and Steven's work.<br />

because of its success, they began to<br />

brainstorm ways to expand and nurture<br />

the photographic community on the island.<br />

The idea of an annual <strong>Photo</strong> Festival came<br />

up in talks, and They decided to launch the<br />

first year with the invitational<br />

exhibition that you see here.<br />

The Aimones are exploring ways to make<br />

the <strong>Monhegan</strong> island <strong>Photo</strong> festival an<br />

annual event to encourage the<br />

experience and practice of photography<br />

on the island. We hope you enjoy this<br />

inaugual exhibition and catalogue,<br />

and contribute your own interpretations<br />

to the island's photographic lineage.


david aimone<br />

saratoga springs, new york<br />

I consider myself very fortunate to be able to return to <strong>Monhegan</strong> Island often, even if for relatively short periods of<br />

time. <strong>Monhegan</strong> is a small island, but with such a variety of environments and moods to be explored by the many artists<br />

who work there. Returning to the same but ever-changing subjects and scenes on the island, over time, enables me to<br />

evolve with both technical and artistic aspects of image-making on the island.<br />

DAVID AIMONE<br />

<strong>Monhegan</strong> Woods, 2014<br />

Digital Negative from Sony A7R Full-Frame Camera, Micro-Nikkor 55mm f/3.5 lens<br />

gold-Toned Kallitype on Arches Platine Paper<br />

5


left<br />

DAVID AIMONE<br />

Earth and Sea, 2011<br />

Chamonix 045N-2 4x5" view camera<br />

Rodenstock Sironar-N 150mm Lens<br />

Efke PL25M film Developed in<br />

Pyrocat-MC Gold-Toned Kallitype<br />

on Arches Platine Paper<br />

6<br />

right<br />

DAVID AIMONE<br />

Red Ribbon Trail, 2014<br />

Digital Negative from Sony A7R<br />

Full-Frame Camera<br />

Two-Color Gum Bichromate<br />

(magenta and yellow)<br />

over Cyanotype, over<br />

Palladium-Toned Kallitype,<br />

on Arches Platine Paper<br />

.


DAVID AIMONE<br />

Graveyard Fence, <strong>Monhegan</strong> island, Maine, 2015<br />

Kodak Hawkeye Brownie Flash Camera<br />

with Flipped Lens<br />

120-Format Fuji Acros 100 Film developed in<br />

Pyrocat-MC Developer<br />

archival Inkjet Print<br />

DAVID AIMONE<br />

Skiff, Swim Beach, <strong>Monhegan</strong> Island, 2015<br />

Kodak Hawkeye Brownie Flash Camera<br />

with Flipped Lens<br />

120-Format Fuji Acros 100 Film<br />

developed in Pyrocat-MC Developer<br />

archival Inkjet Print


DAVID AIMONE<br />

<strong>Monhegan</strong> Spruce Forest,<br />

<strong>Monhegan</strong> Island, 2014<br />

Digital Negative from Sony A7R<br />

Full-Frame Camera<br />

Sony FE 24-70mm f/4 lens<br />

Palladium-Toned<br />

Kallitype on Arches Platine Paper 9


j michael sullivan<br />

Marshfield Hills, massachusetts<br />

My father, Jack Sullivan Jr., photographed <strong>Monhegan</strong> Island in the summer of<br />

1975 traveling with a group of fellow photographers from the Alpha photo<br />

group of Washington D.C. Back then very few outside of Maine had even heard<br />

of <strong>Monhegan</strong>. His dedication to capturing "the essence" of a place largely<br />

inspired me to become a professional photographer in 1977. I dedicate these<br />

images to his memory.<br />

J MICHAEL SULLIVAN<br />

The Fenris has Landed<br />

Nikon D800 + Sigma 20mm f/1.8<br />

1/320 sec; f/8; ISO 100<br />

Processed in DxO Optics Pro


J MICHAEL SULLIVAN<br />

Elemental <strong>Monhegan</strong><br />

Nikon D800 + Samyang 14mm<br />

f/2.8. 30 sec; f/2.8; ISO 2500<br />

Processed in DxO Optics Pro 11


opposite page<br />

J MICHAEL SULLIVAN<br />

Deep in the Woods<br />

Nikon D800 + Nikkor 14-24mm<br />

f/2.8. 1/50 sec; f/8; ISO 360<br />

Processed in DxO Optics Pro<br />

right<br />

J MICHAEL SULLIVAN<br />

the house painter<br />

Nikon D800<br />

Nikkor 24-120mm f/4 VR<br />

1/160 sec; f/8; ISO 100<br />

Processed in DxO Optics Pro


13


14<br />

J MICHAEL SULLIVAN<br />

A Soft Breeze Blows Through<br />

Nikon D800, Nikkor 24-120mm f/4 VR (blend of eight<br />

10 sec exposures) 10 sec; f/16; ISO 50<br />

Processed in DxO Optics Pro<br />

J MICHAEL SULLIVAN<br />

Novelty Obscured<br />

Pentax K-3 + DA* 60-250mm<br />

1/100 sec; f/5.6; ISO 100<br />

Processed in DxO Optics Pro


jason philbrook<br />

owls head, me<br />

I've been making quick visits to<br />

<strong>Monhegan</strong> for work for years<br />

but couldn't sneak in much time<br />

for photography on the island.<br />

I was familiar with the island,<br />

but not familiar in the way intentional<br />

photography connects<br />

me to a place. Taking the time to<br />

photograph here has shown me<br />

<strong>Monhegan</strong> has the wildness and<br />

energy that we expect to find on<br />

the coast of Maine, but turned up<br />

to 11. The rocks, woods, sky, and<br />

ocean I love seem familiar, but<br />

much much more intense away<br />

from the mainland. I can manage<br />

to show little excerpts of this<br />

boldness in photographs.<br />

JASON PHILBROOK<br />

untitled, 2015<br />

Rolleiflex Automat<br />

medium format camera<br />

75mm Tessar lens<br />

Kodak Tmax 400 film<br />

developed in pyrocat hd<br />

15


left<br />

JASON PHILBROOK<br />

untitled, 2015<br />

Rolleiflex Automatmedium<br />

format camera<br />

75mm Tessar lens<br />

Kodak Tmax 400 film<br />

developed in pyrocat hd<br />

16<br />

opposite page<br />

JASON PHILBROOK<br />

untitled, 2015<br />

Rolleiflex Automatmedium<br />

format camerA<br />

75mm Tessar lens<br />

Kodak Tmax 400 film<br />

developed in pyrocat hd


17


18


opposit page, left<br />

JASON PHILBROOK<br />

untitled, 2015<br />

Rolleiflex Automatmedium<br />

format camera<br />

75mm Tessar lens<br />

Kodak Tmax 400 film<br />

developed in pyrocat hd<br />

opposite page, right<br />

JASON PHILBROOK<br />

untitled, 2015<br />

Rolleiflex Automatmedium<br />

format camera<br />

75mm Tessar lens<br />

Kodak Tmax 400 film<br />

right<br />

JASON PHILBROOK<br />

untitled, 2015<br />

Rolleiflex Automatmedium<br />

format camera<br />

75mm Tessar lens<br />

Kodak Tmax 400 film<br />

developed in pyrocat hd<br />

19


PENNY<br />

HOEY<br />

charleston, sc<br />

I fell in love with <strong>Monhegan</strong><br />

as the island came into view<br />

from the ferry, upon my first<br />

visit in 2013. Each step taken<br />

and moment spent on <strong>Monhegan</strong><br />

since that first arrival<br />

has only served to deepen my<br />

attachment. There is truly<br />

no other place like it, with or<br />

without my camera. To be able<br />

to practice my craft in such<br />

a healing and rejunvenating<br />

environment is truly a dream<br />

come true....<br />

opposite page<br />

PENNY HOEY<br />

Sweeping View, 2014.<br />

Mamiya 7II, 43mm, f/4.5 lens<br />

Kodak TriX film<br />

developed in Caffenol<br />

right<br />

PENNY HOEY<br />

The Edge of the Earth, 2014<br />

Mamiya 7II, 43mm, f/4.5 lens<br />

Fuji Velvia film.<br />

20


21


opposite page<br />

PENNY HOEY<br />

Maine Elements, 2014<br />

Chamonix 4x5<br />

Fuji 240mm f/9 lens<br />

Kodak TriX film<br />

developed in Caffenol<br />

left<br />

PENNY HOEY<br />

Rock and Water, 2014.<br />

Chamonix 4x5<br />

150, f/5.6 Apo Sironar lens<br />

Kodak TriX film<br />

developed in Caffenol<br />

22


23


PENNY HOEY<br />

<strong>Monhegan</strong> Still Life, 2014<br />

Mamiya 7II, 150mm, f/4.5 lens, Fuji Velvia film<br />

PENNY HOEY<br />

Blues and Rock, 2014<br />

Mamiya 7II, 150mm, f/4.5 lens , Fuji Provia film<br />

24


steven aimone<br />

asheville, north carolina<br />

<strong>Monhegan</strong> Island, maine<br />

The experience of the island<br />

brings about an awareness that<br />

internal and external nature<br />

are one-in-the-same. sitting<br />

on the backside of the island,<br />

time stops and the universal is<br />

accessed.<br />

It is easier to become present<br />

here, to lose yourself while<br />

becoming aware of something<br />

deeper. The landscape embodies<br />

both dark and light; polarities<br />

that comprise the whole.<br />

the ocean, forests, and minutae<br />

can be richly and powerfully<br />

experienced, but never fully<br />

understood. I was blessed to<br />

be introduced to <strong>Monhegan</strong> 40<br />

years ago, and It is always a<br />

blessing to return.<br />

STEVEN AIMONE<br />

tree forms (spruce), near Black Head,<br />

<strong>Monhegan</strong>, Maine, 2015<br />

Mamiya 645 Pro, mamiya sekkor 80mm f-2.8<br />

Kodax Tri-X 400<br />

R3 Monobath Film Developer 25


STEVEN AIMONE<br />

spruce tree, lichen, rock<br />

forms, surf, White Head<br />

<strong>Monhegan</strong>, Maine, 2015<br />

Bencini Koroll 24S<br />

Kodak Tri-X 400<br />

R3 Monobath Film Developer


STEVEN AIMONE<br />

looking down, rocks, surf,<br />

lichen, White Head<br />

<strong>Monhegan</strong>, Maine, 2015<br />

Bencini Koroll 24S<br />

Kodak Tri-X 400<br />

R3 Monobath<br />

Film Developer 27


STEVEN AIMONE<br />

floral forms, grasses, rusted shipwreck fragment, Lobster<br />

Cove, <strong>Monhegan</strong>, Maine, 2015<br />

Bencini Koroll II<br />

Kodak Tri-X 400, R3 Monobath Film Developer<br />

28<br />

STEVEN AIMONE<br />

forest floor, near White Head, 2015<br />

Kodak Duex<br />

Kodak Tri-X 400, R3 Monobath Film Developer


STEVEN AIMONE<br />

red ribbon trail, <strong>Monhegan</strong>, Maine<br />

Sony A7II, FE 24-70mm F4<br />

processed in Lightroom 29


the artists<br />

david aimone<br />

David Aimone is a professional<br />

photographer specializing in Landscape,<br />

portraiture, and figurative work. He<br />

uses a variety of film and digital cameras,<br />

as well as new and old lenses. His prints<br />

are made with hand-coated historical<br />

methods. David and his wife Ellen live in<br />

saratoga springs, new york and visit the<br />

island each summer.<br />

j michael sullivan<br />

j Michael Sullivan has more than 38<br />

years experience as a professional<br />

photographer, having formed a<br />

successful advertising photo studio<br />

back in 1977. Since that time he has been<br />

a Contributing Editor to HOW Magazine,<br />

lectured numerous times at Macworld<br />

and The Seybold Seminars, written the<br />

first layman's book on flatbed scanners<br />

in 1994, and in 2001 offered an exclusive<br />

art reproduction service for artists of<br />

all media known locally as The<br />

Printwright Studio which continues to<br />

this day. He lives in the rustic village of<br />

Marshfield Hills, Massachusetts with<br />

his artist-wife Liz Haywood-Sullivan and<br />

their two poodles.<br />

penny hoey<br />

Penny Hoey is a professional<br />

photographer who has become<br />

recognized for her work with wildlife as<br />

well as landscapes of the South<br />

Carolina coastal areas. More recently<br />

her portfolio has enlarged to include<br />

photographs of more remote areas<br />

surrounding The Acadia National Park<br />

and the southern Maine artist colony<br />

island of <strong>Monhegan</strong>. She works with<br />

Nikon digital equipment with an<br />

increasing emphasis on film<br />

photography using Mamiya and Rolleiflex<br />

medium format cameras as well as<br />

a Chamonix large format camera. Penny<br />

makes her home in Charleston, South<br />

Carolina.<br />

jason philbrook<br />

Jason Philbrook lives with his family in<br />

Owls Head, Maine. He can often be found<br />

shooting traditional film or<br />

digital photos in the woods and rocky<br />

coast of Midcoast Maine.<br />

steven aimone<br />

Steven Aimone brings to photography<br />

the mindsetand sensibilities developed<br />

over a lifetime of experience as a painter.<br />

A nationally known teacher of abstract<br />

painting workshops, Steven is the author<br />

of two books, Expressive Drawing and<br />

Design! (2009 and 2004, sterling pub., ny).<br />

he has recently become enamored with<br />

the processes of shooting and responding<br />

to film, which he finds most closely<br />

parallels the improvisational painting<br />

process. he and painter/writer katherine<br />

aimone live in north carolina and maine.


aimone studios<br />

at the carina house<br />

<strong>Monhegan</strong> island, Maine<br />

<strong>Monhegan</strong> is a storied, 500-acre island<br />

located 10 miles from the mainland. It<br />

features a varied landscape replete with<br />

the highest cliffs on the eastern seaboard<br />

to the east, a dense spruce forest<br />

in the interior, wetlands, and a harbor<br />

between it and neighboring Manana<br />

island.<br />

The Carina House was built in the 1920s,<br />

and renovations were done in the 1970s.<br />

it is located in the heart of the <strong>Monhegan</strong><br />

village, directly across from<br />

the meadow on one side and behind the<br />

island inn.<br />

originally a post office, the building<br />

has since served as a care-taker's cottage,<br />

the home and studio of fiber artist<br />

robert semple, a grocery store, and the<br />

original home to Marc: the monhegan<br />

artist's residency program.<br />

In all of its incarnations, the Carina<br />

house has been an integral part of the<br />

island community. currently owned by<br />

katherine and steven aimone, it serves as<br />

studios, exhibition space, and their residence<br />

during the summer and fall.<br />

a mile and a half long and a half a mile<br />

wide, the island features 17 miles of<br />

hiking trails. much of the island remains<br />

virtually untouched, thanks to a land<br />

preserve founded in 1954 by Ted edison<br />

and maintained by <strong>Monhegan</strong> Associates.<br />

<strong>Monhegan</strong> has a year-round<br />

population of 65. including summer<br />

homes and inns, the island's summer<br />

population can reach 500. monhegan<br />

has no paved roads or streetlights, and<br />

only trucks are allowed for year-round<br />

islanders. <strong>Monhegan</strong>'s K-8 schoolhouse<br />

and non-denominational church are its<br />

meeting and activity centers.<br />

Known as "the artists' island," <strong>Monhegan</strong><br />

has served as inspiration for a host of<br />

great american painters: Edward Hopper,<br />

George Bellows, Rockwell Kent, robert<br />

henri, Abraham Bogdanove, eric hudson,<br />

joseph DiMartini, Ruben Tam, James<br />

fitzgerald, Lynn Drexler, Jamie Wyeth,<br />

Done stone, and frances kornbluth...<br />

to name a few.<br />

31


$15.00<br />

Aimone Art Press<br />

A division of Aimone Art Services<br />

aimoneartservices.com

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