Surrey Homes | SH21 | July 2016 | Interiors supplement inside
The lifestyle magazine for Surrey - Interiors Supplement, Fabulous Fashion, Delicious Dishes
The lifestyle magazine for Surrey - Interiors Supplement, Fabulous Fashion, Delicious Dishes
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Above left: The landing to Oli’s bedoom, over the extended kitchen-dining area, includes a door on to the roof terrace. Plush, neutral carpets throughout make<br />
the house feel extremely snug Above right: Max’s bedroom, across the way, is suitably grown-up, tastefully reflecting his interest in skiing and sailing<br />
was originally bought for another chalet client but was<br />
found to be slightly damaged. “We liked it anyway, so we<br />
kept it,” Martine says. Nearby stands a Kartell Ghost chair<br />
and armchair upholstered in Design Forum fabric.<br />
On the floor between the islands is a curious arcane<br />
symbol in yellow tape. As one finds oneself idly wondering<br />
how Martine and Andrew might spend their full moons,<br />
Martine quickly points out that it is a hexagon not a<br />
pentogram. She explains that it is, in fact, an exercise<br />
pattern for Max’s fitness training for his England squad bid.<br />
On the walls are a great black and white shot of her sons,<br />
a big portrait – there is no other description for it – of a<br />
white cow and two very pleasing Bella Pieroni dancers,<br />
one of a number around the house. Again, the couple had<br />
used Pieronis in their chalets and like them so they chose<br />
a selection for their own home. On a wall of grey Design<br />
Forum fabric are also two large oils of apples by Folkestone<br />
artist Tony Foster, once destined for a client. The curtains<br />
here as elsewhere are also Design Forum and lined with<br />
complementary fabric on the reverse.<br />
One of Andrew’s major passions is lighting, and here as<br />
elsewhere in the house he has largely applied the principle<br />
that the light source itself should be hidden and only the<br />
light it provides be used and enjoyed. Consequently, the<br />
downlighters in the kitchen are either recessed or hidden in<br />
small cubes that extend down from the ceiling.<br />
In the drawing room next door, is an example of his<br />
own lighting design – an arresting, snaking wrought iron<br />
standard lamp that was originally one of a number destined<br />
for a chalet. In another corner is a Kartell Bourgie table<br />
One of Andrew’s major passions and talents is lighting and here as elsewhere in the house he<br />
has largely applied the principle that the light source itself should be hidden and only the light it<br />
provides be used and enjoyed.<br />
<br />
49 www.wealdentimes.co.uk