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The English Home water features

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OPPOSITE PAGE <strong>The</strong> Rill Garden at Wollerton Old Hall<br />

Garden in Shropshire has two rows of Buxus sempervirens<br />

balls backed by Carpinus betulus ‘Frans Fontaine’.<br />

LEFT An elegant two tier fountain in age-patinated artificial<br />

stone with circular pool surround, based on an eighteenthcentury<br />

original. Two Tier Fountain, £7,680; decorative<br />

circular pool surround, £4,560, both Architectural Heritage<br />

ABOVE <strong>The</strong> Lily bowl by Urbis comes in several finishes,<br />

from hammered stone to rust (as shown above). £POA<br />

<strong>The</strong> garden design is by Carolyn Grohman and Watergems.<br />

Tranquil<br />

WATERS<br />

With its rippling song and reflective quality, the addition of <strong>water</strong><br />

in any garden offers an attraction that can prove irresistible<br />

T<br />

he introduction of a sophisticated<br />

<strong>water</strong> feature can enormously<br />

enhance the enjoyment of a<br />

beautiful <strong>English</strong> garden, not<br />

only because of its importance as a vital<br />

lifesource for wildlife, but also for its<br />

ever-changing therapeutic display. <strong>The</strong>re<br />

are several creative ways in which <strong>water</strong><br />

can be introduced into any size of garden<br />

or outdoor space and – with careful<br />

planning – it can be easily maintained.<br />

WATER AS ART<br />

A simple sculpture or bowl may be all<br />

that is required, and such structures offer<br />

versatility in size, from a simple bubble<br />

pool sited on a terrace to a grand sculpture<br />

taking centre stage on a majestic lawn.<br />

Artist David Harber’s first garden<br />

sculptures were based on sundials. His<br />

collection also now includes sculptural<br />

<strong>water</strong> <strong>features</strong>, inspired by the energy<br />

of <strong>water</strong> and its ability to create a certain<br />

magic and sense of calm. Harber’s pieces<br />

respond to their locations, reflecting<br />

foliage, creating places of quiet<br />

absorption and instilling awareness<br />

of their surroundings. <strong>The</strong> sculptural<br />

interplay complements the environment<br />

within which they stand. “Having made<br />

sundials and sculptural sundials for about<br />

a decade, the challenge of harnessing the<br />

element of <strong>water</strong>, to not only enhance<br />

a sculpture but to actually become the<br />

sculpture, became an exciting prospect and<br />

opportunity,” Harber says. “<strong>The</strong> constraints<br />

of fluid dynamics, gravity and many other<br />

technical issues were a very steep learning<br />

curve – <strong>water</strong> will do what it wants to do.<br />

It is the job of the designer to play with<br />

these constraints and physical laws to the<br />

best advantage. One of my early <strong>water</strong><br />

<strong>features</strong> – Chalice, which was my first<br />

marriage of sundial and <strong>water</strong> – is a simple<br />

hemispherical form with highly reflective<br />

surfaces, creating a seemingly implausible<br />

use of surface tension and momentum.”<br />

Peter Eustance – a garden designer with<br />

a background in biology and plant sciences<br />

– has a holistic approach that combines<br />

the natural and aesthetic qualities of<br />

<strong>water</strong> in a garden. He likes to create <strong>water</strong><br />

<strong>features</strong> that are simple and precise, yet<br />

extremely effective and suitable for most<br />

garden settings. Eustance is particularly<br />

keen on interactive elements, as could be<br />

seen at this year’s Chelsea Flower Show.<br />

His Together We Can garden included<br />

a <strong>water</strong> marimba to transform the garden<br />

into an acoustic landscape and was<br />

designed in collaboration with the<br />

world-famous solo percussionist<br />

Dame Evelyn Glennie on behalf of the<br />

disability organisation, Papworth Trust.<br />

Adding the element of <strong>water</strong> to a garden<br />

in sculptural form need not be complicated<br />

or expensive. <strong>The</strong>re are many <strong>water</strong> <strong>features</strong><br />

that do not take up a lot of space, are easy<br />

to install and will blend comfortably into<br />

an established garden. Lily Bowl by Urbis<br />

is one such example. Described as<br />

‘a pond in a pot’, it can be used either as<br />

a <strong>water</strong> bowl or a planter. It comes in a<br />

variety of stone or metal finishes, and with<br />

a diameter of just 118cm and a height of <br />

THE ENGLISH HOME 131


A <strong>water</strong> feature, however small,<br />

adds a soothing dimension to garden design<br />

TOP LEFT A traditional wall mask fountain.<br />

Grotesque Mask, £94, Haddonstone<br />

ABOVE RIGHT In this garden by<br />

Claudia de Yong a rill leads the eye to<br />

a wall fountain and a lead cistern planted<br />

with lotus flowers. For a similar cistern<br />

try Bulbeck Foundry.<br />

ABOVE An art deco-inspired vertical rill<br />

of verdigris bronze and mirror-polished<br />

stainless steel.<br />

Volante, £POA, David Harber<br />

45cm, it can be positioned on a deck or<br />

a terrace. Where space is limited, the cast<br />

stone Eclipse Fountain by Haddonstone<br />

is the perfect solution. Measuring 31cm<br />

across by 29cm high, it can be sited on<br />

a tabletop or next to a seating area for<br />

a touch of audio therapy. Its self-circulating<br />

fountain means it does not need a <strong>water</strong><br />

source, but it does have a pump so needs<br />

to be set close to an electricity supply.<br />

HISTORICALLY CORRECT<br />

Whilst many modern <strong>features</strong> sit well in<br />

the grounds of older properties, adding<br />

a contemporary contrast, sometimes the<br />

introduction of period artefacts is<br />

preferable. Alex Puddy of Architectural<br />

Heritage has a wealth of knowledge about<br />

antique and reproduction garden <strong>water</strong><br />

<strong>features</strong>. Chatting about the restoration of<br />

old marble and stone, Puddy’s enthusiasm<br />

is infectious as he describes helping<br />

clients and designers with projects, whether<br />

restoring existing <strong>features</strong> or adding new<br />

ones. In addition to having a selection<br />

of antiques on display, Architectural<br />

Heritage also offers several reproduction<br />

<strong>water</strong> <strong>features</strong> in age-patinated artificial<br />

stone. “We achieve the look by handfinishing<br />

and patinating to our own<br />

formula in a four-stage process,” he<br />

explains Puddy. “When completed, it<br />

produces a look akin to an old weathered<br />

garden ornament. This artificially aged<br />

stone is particularly suitable for <strong>water</strong><br />

<strong>features</strong> due to its strength and its<br />

resilience to extreme temperatures.”<br />

WILDLIFE HAVEN<br />

As well as being aesthetically pleasing,<br />

the addition of a <strong>water</strong> feature is beneficial<br />

to wildlife, attracting frogs, dragonflies<br />

and birds, to name but a few.<br />

It is advisable to employ a garden designer<br />

to offer essential, expert advice on<br />

establishing a pond and encouraging wildlife.<br />

As Chelsea Gold Medal winning garden<br />

designer Claudia de Yong says, “Having a<br />

<br />

THE ENGLISH HOME 133


LEFT This garden, designed by Joe Swift, has <strong>water</strong> falling<br />

into a pool from a contemporary-style rusted metal rill that<br />

is surrounded by architectural plants. TOP ‘Le Jardin Perdu’<br />

by Claudia de Yong contains a lily pond flanked by trees,<br />

stone arches and fallen masonry to provide a romantic feel.<br />

ABOVE Claudia de Yong designed this wildflower pond to<br />

fit into the natural landscape by using soft planting and<br />

placing a wooden pontoon at one end.<br />

SHOW GARDENS<br />

If inspiration is required before installing<br />

a <strong>water</strong> feature, some can be viewed<br />

in a garden setting.<br />

• David Harber has a semi-permanent<br />

exhibition in the private gardens<br />

of Eaton Square in London.<br />

Viewing by appointment only.<br />

• Peter Eustance’s work can be seen<br />

at <strong>The</strong> Symphonic Gardens Gallery,<br />

Grimsthorpe Castle, Lincolnshire.<br />

Viewings by appointment only.<br />

• Architectural Heritage is based in<br />

the grounds of Taddington Manor<br />

in Gloucestershire and has several<br />

examples of reproduction <strong>water</strong><br />

<strong>features</strong> on display.<br />

• <strong>The</strong> Swimming Pond Company<br />

has a show pool at its headquarters<br />

in Norfolk. Viewings by appointment.<br />

• Gartenart Swimming Ponds organises<br />

events throughout the year at<br />

established ponds that it has<br />

previously installed.<br />

<strong>water</strong> feature, however small, adds another<br />

dimension. Not only does it provide a calm<br />

relaxing atmosphere with reflective qualities<br />

and gentle movement, but it also attracts<br />

and provides a haven for wildlife.”<br />

De Yong also points out that there is<br />

a wonderful array of plants that can be<br />

introduced once a pond has been built.<br />

“Large hardy <strong>water</strong> lilies add impact. Good<br />

varieties include ‘Pink Sensation’ and ‘Joey<br />

Tomocik’. <strong>The</strong>re are also miniature hardy<br />

lilies such as Pygmaea alba.”<br />

Species to plant at the edge of a pond<br />

include Butomous umbellatus, which has<br />

clusters of pink flowers; Scirpus zebrinus,<br />

the green and white zebra rush; Pontederia<br />

cordata, which has striking blue flowers<br />

and thick green leaves, and blue Myosotis<br />

palustris, a <strong>water</strong> forget-me-not.<br />

CONTEMPLATIVE RILLS<br />

Of all the <strong>water</strong> <strong>features</strong> used in gardens,<br />

the rill perhaps has the most interesting<br />

history. <strong>The</strong> earliest style of rill was found<br />

in ancient Persian gardens, but perhaps<br />

the most famous rills are in the gardens<br />

of the Moorish Alhambra Palace in<br />

Granada, Spain. <strong>The</strong> rill was a familiar<br />

<strong>water</strong> feature in many Gertrude Jekylldesigned<br />

Arts and Crafts gardens.<br />

<strong>The</strong> perfect choice for any size garden,<br />

a rill takes up little space and is easy to<br />

maintain, and can be used as a design<br />

feature to lead the eye to another part<br />

of the garden or as a functional feature<br />

to move <strong>water</strong> from one part of the garden<br />

to another. It can also be designed to have<br />

still, contemplative <strong>water</strong> or a stream of<br />

movement – the famous serpentine rill<br />

at Rousham House in Oxfordshire, built<br />

by garden designer William Kent in 1738,<br />

snakes through woods at ground level,<br />

transporting <strong>water</strong> through the gardens<br />

into an octagonal pool.<br />

Even the smallest of gardens can enjoy<br />

the delight of sunlight sparkling off a rill.<br />

A vertical rill falling into a small pond<br />

can be ideal in a small town garden and<br />

has the added benefit of masking any<br />

undesired ambient noise.<br />

<br />

THE ENGLISH HOME 135


LEFT This swimming pond by Gartenart<br />

makes an ideal place to sit and while away<br />

the hours or to enjoy a refreshing dip on<br />

a hot summer’s day.<br />

BELOW In this design by <strong>The</strong> Swimming Pond<br />

Company, a jetty has been positioned at the<br />

deeper end of the pond to bridge the aquatic<br />

planting of the regeneration zone and for the<br />

more adventurous to dive in from.<br />

<strong>The</strong> shallow depth of a rill makes it the<br />

perfect home for a range of marginal <strong>water</strong><br />

plants. Architectural plants, such as zebra<br />

rush, soft rush and yellow iris, look most<br />

effective in the formal structure of a rill.<br />

SWIMMING PONDS<br />

A pond need not be solely for the benefit<br />

of wildlife – if space and budget allow,<br />

it can also be for swimming. Although<br />

a relatively new phenomenon in the UK,<br />

swimming ponds are becoming increasingly<br />

popular. Landscape and garden designer<br />

Paul Mercer set up <strong>The</strong> Swimming Pond<br />

Company to combine his love of wild<br />

swimming with his passion for garden<br />

design. “Swimming ponds add interest<br />

all year round and still have a magical<br />

appearance at night or in winter,” he says.<br />

Mercer explains that swimming ponds<br />

differ from swimming pools in that no<br />

chemicals are used; <strong>water</strong> purification<br />

is achieved through biological filters<br />

used in conjunction with an electric<br />

pumping system. <strong>The</strong> pond is divided<br />

into two distinct and separate areas, with<br />

a swimming zone and a regeneration zone.<br />

It is advisable to employ a specialist<br />

company to install a swimming pond and<br />

help to establish an ecologically balanced<br />

environment in the pond, using plants<br />

and micro-organisms, to create a biological<br />

filter to attain clean, clear <strong>water</strong>.<br />

<strong>The</strong>re is one question that seems to<br />

dominate when people enquire about<br />

swimming ponds: Will the <strong>water</strong> be warm<br />

enough? Both Mercer and Tim Evans,<br />

of Gartenart Swimming Ponds, explain that<br />

swimming pond <strong>water</strong> temperatures in<br />

summer easily reach at least 20°C,<br />

sometimes even higher. This is due to the<br />

shallow <strong>water</strong> around the regeneration zone<br />

heating up naturally and filtering through<br />

the cooler <strong>water</strong> of the swimming zone.<br />

LOW MAINTENANCE<br />

Most <strong>water</strong> <strong>features</strong>, correctly installed,<br />

are designed for minimum maintenance,<br />

requiring no more time than tending<br />

a border filled with flowers and shrubs.<br />

“A small amount of care and attention is<br />

needed at times throughout the year, but<br />

it should not put anyone off having <strong>water</strong><br />

in their garden and all the enjoyment<br />

it will bring,” Claudia de Yong says.<br />

When you consider the broad selection<br />

of <strong>water</strong> <strong>features</strong> on offer, can a garden<br />

truly be complete without the addition<br />

of an ever-changing reflective surface and<br />

the gentle ripple of a <strong>water</strong>y cascade? n<br />

PRACTICAL CONSIDERATIONS<br />

• <strong>The</strong> structure should always<br />

relate to its surroundings in<br />

scale and materials.<br />

• If connection to the <strong>water</strong> supply<br />

is needed, excavation and plumbing<br />

work will be required.<br />

• <strong>The</strong> flow of <strong>water</strong> will be dependent<br />

on an accurate pump specification.<br />

• <strong>The</strong> sound produced will be dictated<br />

by the flow of <strong>water</strong>; whether a light<br />

trickle or a heartier fall is desired.<br />

• It is advisable to have pumps installed<br />

by a qualified electrician as these<br />

must meet safety regulations.<br />

• To avoid frost damage to fountains,<br />

<strong>water</strong> should be drained off before<br />

winter every year and not replaced<br />

until any risk of hard frost has passed.<br />

• A pond without a filtration system will<br />

need to be cleaned every few years.<br />

• All ponds need to be kept clean of<br />

falling leaves, whilst larger ponds may<br />

require professional maintenance.<br />

• If including lighting, it is important to<br />

conceal the fitting and allowing only<br />

the effect be visible.<br />

FEATURE JULIE HAWKER PHOTOGRAPHS P132 © JOE WAINWRIGHT/ALAMY; P135 (DAVID HARBER SCULPTURE) © CLIVE NICHOLS;<br />

P137 (RILL) © JO WHITWORTH/ALAMY<br />

136 THE ENGLISH HOME

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