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National Nutcracker Lesson 6

Film, Camera, Action! In this lesson film and evaluate your creative challenge.

Film, Camera, Action! In this lesson film and evaluate your creative challenge.

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THE CREATIVE CHALLENGE TASK<br />

As discussed at the INSET, you and your dancers<br />

are tasked with creating a dance of no more than<br />

five minutes based on one of the themes below<br />

from The <strong>Nutcracker</strong>:<br />

1. Visiting faraway lands<br />

2. Transformed by magic<br />

3. Let the battle commence<br />

The core focus of this activity is creative dance.<br />

We have made suggestions about the theme and<br />

the choice of music you might use to allow you to<br />

keep your focus on the development and creation<br />

of your dance. How you manage to develop your<br />

ideas in your dance will be the most important part<br />

of the assessment process.<br />

Midway through, you will submit footage of your<br />

dance so far to the Royal Opera House, with a<br />

brief description of how you have interpreted your<br />

chosen theme. You will then receive feedback<br />

from experts in the field to assist your class in<br />

their preparation for the final submission. This<br />

is also a good opportunity to ask for help on<br />

specific sections of your dance that you may need<br />

guidance/advice with.<br />

Depending upon how much class time and<br />

cross-curricular activity you choose to do, you may<br />

also consider:<br />

• Securing and booking a rehearsal space<br />

• Fitting rehearsal sessions into your school<br />

calendar<br />

• Costume design<br />

• Use of props<br />

• Building sets<br />

Staging your performance<br />

WHAT MAKES A GOOD DANCE<br />

LESSON STRUCTURE?<br />

Warm-up<br />

Creative exploration<br />

Performance<br />

Appreciation and reflection<br />

Cool down<br />

Questions you could ask your dancers after the<br />

lesson could include:<br />

• How did you feel at the beginning/middle/<br />

end of the lesson?<br />

• Which was your favourite part? Why?<br />

• Did you like (insert some example from<br />

the lesson) and if so, why?<br />

• How might we develop the ideas next time?<br />

• What do we need to improve?<br />

• What do you need to improve?<br />

Always include some of the ideas you have relating<br />

to your chosen themes in each warm-up and task.<br />

Record all the dances and moments of<br />

choreography that emerge during your session and<br />

allow yourself time to review it outside the session.<br />

Ask yourself these questions:<br />

• What looks good / what do you enjoy<br />

watching the most?<br />

• What did the children appear to enjoy the<br />

most?<br />

• Which dancers are emerging as particularly<br />

responsible and capable?<br />

Make a note of all these points as this will<br />

help you decide what to do in your<br />

subsequent sessions.<br />

We highly recommend that your class is given the<br />

opportunity to perform in front of a live audience<br />

at your school, as part of a school assembly or the<br />

Christmas show.<br />

PAGE 5


RESOURCES KEY<br />

Digital resource: <strong>National</strong><br />

<strong>Nutcracker</strong> film<br />

Look out for the Arts Award logo<br />

for parts of the programme that<br />

fit with Discover & Explore<br />

Your chosen theme<br />

Choreographic ideas, tasks for<br />

your chosen theme based on your<br />

INSET experience<br />

Music from The <strong>Nutcracker</strong> –<br />

found in the resources bank on<br />

The Royal Opera House website<br />

A means of capturing and<br />

reviewing the movement material<br />

created during the lesson<br />

Clear empty space, free of<br />

obstructions, such as school hall<br />

Children to wear PE kit and have<br />

bare feet for practical session<br />

Copies of ballet mime images<br />

Record of material created at<br />

previous four lessons<br />

Costumes<br />

PAGE 10


LESSON: FILM, CAMERA, ACTION!<br />

6<br />

LESSON OUTCOMES<br />

To revise and film<br />

the creative dance<br />

as it currently<br />

exists<br />

To continue the<br />

critical evaluation<br />

process with the<br />

children<br />

CREATIVE CHALLENGE PROGRESS<br />

So far you have chosen your theme, developed<br />

ideas through movement, explored some motifs,<br />

considered characters and how to use the space.<br />

All these factors have helped to create your dance.<br />

This week you will film the dance as it is to send<br />

in to the Royal Opera House for feedback and<br />

suggestions which will help you and the class<br />

continue to refine the dance over the next five<br />

weeks.<br />

Please perform the dance to your intended music<br />

for your feedback. If you still haven’t decided, pick<br />

something and let us know that you are unsure of<br />

the final music choice.<br />

RESOURCES NEEDED FOR THE LESSON<br />

©ROH/Johan Persson, 2010


STARTER<br />

In the classroom, watch Episode 6 then ask the<br />

following questions:<br />

• What is another word to describe ‘practising’<br />

your dance?<br />

• What is the name of the character Matthew<br />

plays in The <strong>Nutcracker</strong>?<br />

WARM UP<br />

COLLECT AND STICK GAME, PLAYED<br />

AT INSET<br />

Music – ‘Waltz of the Snowflakes’ from<br />

The <strong>Nutcracker</strong><br />

Teacher declares that dancers should walk through<br />

the space to the music. Usual pace, this is ‘normal<br />

floor’. When the teacher shouts out a body part,<br />

the dancers have to carefully dash about the space<br />

collecting those body parts – so touching as many<br />

elbows as possible with their own elbow, when you<br />

shout ‘stick’ the dancers have to walk around the<br />

room attached to the last person they touched.<br />

CREATIVE EXPLORATION<br />

Take time to watch as much of the movement<br />

work created as possible and begin selecting the<br />

work that you and the children think will best serve<br />

your theme.<br />

Experiment by tying phrases together and getting<br />

the children to learn the successful phrases from<br />

each other.<br />

Film the dance thus far for submission to the ROH<br />

team for helpful support and feedback.<br />

COOL DOWN<br />

Complete a cool down as usual.<br />

Watch the dance so far as a class and evaluate its<br />

strengths and weaknesses:<br />

• What works well?<br />

• What can we do better?<br />

• Are there some ideas that could be<br />

developed or extended?<br />

• What is missing telling our story/theme?<br />

Vary the texture of the floor as you play the next<br />

round, for example imagine the floor is full of<br />

sticky toffee – make sure the dancers alter their<br />

walk to reflect this and also bear it in mind when<br />

they ‘collect the next body part’ and when they are<br />

‘stuck’ to their partner.<br />

Other floor textures you can give:<br />

• Hot coals<br />

• Puddles (dancers jump over puddles)<br />

• Jelly<br />

• Ice<br />

• Quicksand<br />

Ask the dancers for their own suggestion of floor<br />

textures.


TOP TIPS<br />

This week is an exciting session as you will film<br />

your material as it now stands. Even if it does not<br />

fit together as a whole yet or if you don’t have a<br />

definite ending, don’t worry.<br />

Use the opportunity when you send in the footage<br />

to ask the ROH expert team for advice on any<br />

aspect you are having difficulty with. Film the<br />

dance a couple of times during this lesson so you<br />

can decide which version you want to send in to<br />

the ROH.<br />

WANT MORE?<br />

A fun film of a Royal Ballet dancer rehearsing and<br />

preparing for the evening performance of The<br />

<strong>Nutcracker</strong> – from the point of view of their ballet<br />

shoe!<br />

http://bit.ly/1QCKxx1

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