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Nathan (preview)

Ten year-old Nathan has a number of big challenges to overcome. One is the school bully who delights in tormenting him. Another is Nathan’s Grampa who has Alzheimer’s. When Grampa moves in with Nathan, he introduces him to a part of his heritage he knew nothing about: a First Nations ancestor whose story of hope inspires Nathan to face himself, and the future. Both inspired by the revelation of an Indigenous link in her own heritage and frustrated at the seeming impossibility of tracking it to its source, Susan Ouriou has written a compassionate story of a boy and his grandfather and their brushes with friendship, adversity, and wisdom.

Ten year-old Nathan has a number of big challenges to overcome. One is the school bully who delights in tormenting him. Another is Nathan’s Grampa who has Alzheimer’s. When Grampa moves in with Nathan, he introduces him to a part of his heritage he knew nothing about: a First Nations ancestor whose story of hope inspires Nathan to face himself, and the future.

Both inspired by the revelation of an Indigenous link in her own heritage and frustrated at the seeming impossibility of tracking it to its source, Susan Ouriou has written a compassionate story of a boy and his grandfather and their brushes with friendship, adversity, and wisdom.

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PREVIEW


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ABOUT THE BOOK<br />

Ten year-old <strong>Nathan</strong> has a number of big challenges to overcome. One is the school bully who<br />

delights in tormenting him. Another is <strong>Nathan</strong>’s Grampa who has Alzheimer’s. When Grampa<br />

moves in with <strong>Nathan</strong>, he introduces him to a part of his heritage he knew nothing about: a First<br />

Nations ancestor whose story of hope inspires <strong>Nathan</strong> to face himself, and the future.<br />

Both inspired by the revelation of an Indigenous link in her own heritage and frustrated at the<br />

seeming impossibility of tracking it to its source, Susan Ouriou has written a compassionate story<br />

of a boy and his grandfather and their brushes with friendship, adversity, and wisdom.<br />

ABOUT THE AUTHOR<br />

Susan Ouriou is a Calgary-based fiction writer, literary translator and<br />

conference interpreter. Her first novel Damselfish was short-listed<br />

for the City of Calgary W.O. Mitchell Best Book Award and the Writers<br />

Guild of Alberta Georges Bugnet Award for Fiction.<br />

Susan has numerous published short stories, including Violette<br />

Bicyclette, which won the Western Canadian Magazines Award<br />

for Fiction. Four of her translations have been selected for the<br />

International Board on Books for Youth (IBBY) honour list: Naomi and<br />

Mrs. Lumbago, This Side of the Sky, Pieces of Me, and Jane, the Fox and<br />

Me, which she co-translated with Christelle Morelli.<br />

Susan has interpreted for national and international conferences<br />

including The Banff Centre’s Indigenous Writers Program and<br />

Edmonton’s Truth and Reconciliation Commission event. In 2010, she<br />

was awarded the Governor General’s Award for Literary Translation<br />

and named a Chevalier in France’s Ordre des Arts et des Lettres.<br />

Susan Ouriou<br />

n www<br />

n Z z v<br />

Photo courtesy of Joël Ouriou


PRAISE FOR NATHAN<br />

“<strong>Nathan</strong> is a tender coming-of-age story about a boy facing hard facts<br />

about aging and bullying. In writing that is fluid and compassionate, Susan<br />

Ouriou explores the power of human relationship.”<br />

— Kim Echlin, Under the Visible Life<br />

“<strong>Nathan</strong> is a book that delves into the depths and complexities of everyday<br />

life and a young person who, despite the obstacles (the torment of bullying<br />

and the ravages of a beloved grandfather’s Alzheimer’s), learns the delicate<br />

skill of navigation and discovers, in part through the affirmation of his<br />

world’s Indigenous past, the treasure of wisdom.”<br />

— Joan Crate, Black Apple<br />

Red Deer Press<br />

www.reddeerpress.com


one<br />

The car’s barely slowed to a stop before I’ve got one<br />

foot out the back door.<br />

I’m sorry I ever asked to hitch a ride to the<br />

school near Grampa’s place—I should have walked.<br />

The tension in the car’s so thick it’s making it hard<br />

to breathe. Grampa can’t stop asking, “What are we<br />

doing?” Mom’s got her hands wrapped so tight around<br />

the steering wheel, I think she could yank it off.<br />

Air fills my lungs when I step outside. I’m here.<br />

It’s summer and it’s time to play. In a schoolyard with<br />

no bullies.<br />

5


I shut the car door, but Mom buzzes down Grampa’s<br />

window and leans across him to talk. “Remember, I<br />

don’t want to hear any complaints when I swing by<br />

to pick you up again. It won’t take me long to finish<br />

packing Grampa’s suitcase and I want you to be ready.”<br />

I nod. Grampa shoots me a What suitcase? look. I<br />

give Grampa a thumbs-up: Everything’s gonna be okay.<br />

As if leaving the house you’ve lived in for over fifty<br />

years can be okay. Then I turn and head for the school<br />

compound and the hoop.<br />

I twirl the basketball on my finger. I’ve been<br />

practicing the finger twirl. This’ll be my first try at<br />

shooting hoops since I got the ball. I guess the hoop’ll<br />

be for next year’s birthday.<br />

I start with a warm-up, running in circles,<br />

breathing easy. All right, now! Dribble, set up shot,<br />

throw. Dribble, set up shot. Throw. Yay, a basket! I<br />

push back my glasses, give an imaginary high five.<br />

Then bend over again. Dribble …<br />

I hear his voice then, straight out of my worst days.<br />

6


“Hey, nothin’!”<br />

I stop dead, still bent over, the ball frozen in my<br />

hands. Adam. Here. No teachers, no recess supervisors<br />

to stop him. Just me and Adam. What’s our school<br />

bully doing in this other schoolyard?<br />

I’ve gotta run. But my legs won’t move.<br />

He swats the ball from me, catches it mid-air, and<br />

starts tossing it between his hands. “I’ll give you to<br />

three,” he says, real tight. Then he holds up the ball,<br />

closes an eye, and takes aim at my face. Pulls back for<br />

the throw.<br />

Now I run. And run. Behind me, I hear him laugh.<br />

I expect his footsteps next, but hear the ball bouncing<br />

against the pavement instead. I pound down the<br />

compound and set my sights on the break in the<br />

fence, just past the space-theme playground. If only a<br />

spaceship could swoop down and fly me to the other<br />

end of the universe.<br />

I hear a front door slam in the distance and angry<br />

shouting.<br />

7


“Get back inside, right now!” The bouncing stops.<br />

With a big stitch in my ribs, my breath coming out<br />

ragged, I’ve got to stop, too. So I do. I’m behind a<br />

space-shuttle jungle gym where I’m mostly hidden.<br />

The shouting starts up again, covering the distance<br />

between us, and I peek round the side.<br />

The voice belongs to a man who’s already halfway<br />

from his house across the street, the front door still<br />

swinging, taking extra-long strides. I can see the<br />

man’s a bigger version of Adam, same no-neck and<br />

barrel chest. He’s loud enough for me to hear.<br />

“Forgot you’re grounded, did you?”<br />

For half a second, Adam looks like he’s about to<br />

run, but then the man’s on him.<br />

Adam lifts an elbow up in front of his face, but<br />

the man bats it away. “This’ll help you remember!”<br />

He gives him a wicked clout, whipping Adam’s head<br />

to the side. To my side. The basketball drops. Adam<br />

stares straight in my eyes.<br />

I flatten back behind the jungle gym, inch sideways<br />

8


for a step or two, then break into a run again, legs<br />

shaking. This time, my mind replays over and over<br />

Adam’s eyes locked on mine. Warning me how sorry<br />

I’ll be that I ever stopped to look.<br />

9


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Red Deer Press<br />

www.reddeerpress.com

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