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ELEMENTS OF ARCHITECTURE
WORKS FROM 1955 —1963 BY BODIL KJÆR
BODIL
KJÆR
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BODIL
KJÆR
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KJÆR
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OFFICE UNITS
For users to build their own flexible work environment
Materials
Ash, oak, teak, wengé or rosewood (users choice).
Satin finish chrome-plated base of rectangular steel tubing.
Castors.
Hardware.
Measurements
A. Desk on steel base 92 cm x 184 cm x 72 cm high
B. File box on castors 61 cm x 44 cm x 49 cm high
C. File box on plinth base 61 cm x 44 cm x 49 cm high
D. 4-section unit with drawers and drop leaf, on castors 61 cm x 170 cm x 49 cm high
E. 4-section unit with drawers and drop leaf, on plinth bases 61 cm x 170 cm x 49 cm high
F. 4-section unit with drawers and drop leaf, on steel base 61 cm x 170 cm x 61 cm high
H. Clip on modesty screen with spring steel hardware 20 cm x 92 cm x 44 cm high
I. Work surface to form bridge between low units or fixed to wall for stand-up work 44 cm x 128 cm x 12 cm high
J. Double unit, on castors, with top lid 44 cm x 85 cm x 49 cm high
K. Double unit , on plinth base, with top lid 44 cm x 85 cm x 49 cm high
L. 3-section unit with shelves and sliding doors, on castors 44 cm x 128 cm x 49 cm high
M. 3-section unit with shelves and sliding doors, on plinth base 44 cm x 128 cm x 49 cm high
Conference table on steel bases 130 cm x 220 cm x 72 cm high
Table on steel legs 130 cm x 160 cm x 72 cm high
Hardware for joining units.
Interior equipment for storage units.
Frames for hanging files, A4 size and folio.
Designed in 1959 as a series of elements of architecture.
Units with sliding doors added in 1963.
Produced from 1959 by C.I. Designs, Boston, USA, and from 1961 by E. Pedersen & Son, Denmark
for sale outside the USA. E. Pedersen & Son later produced the series for C.I. for distribution in the USA
until E.P.& Son closed down in 1978.
Young executives that Bodil Kjær encountered in her work in architecture and design in the late
1950es were open, creative and flexible in their way of working. So, she reasoned that it would be
counter-productive for them to be offered traditional office furniture, and set out to design a system
of office units from which they could create their own work environment — and change it according
to the changing nature of their work.
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KJÆR
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DESK CHAIR AND CONFERENCE
CHAIR FOR OFFICE UNITS
Designed for body support, and to offer room
to move around inside a chair.
Material
Foam rubber upholstery on a laminated wood shell.
Loose foam rubber seat pad.
Upholstery covered in leather or reinforced,
jersey-woven fabric.
Desk chair is mounted on a standard detachable
tilt-and-turn base on castors.
Conference chair sits in a frame of slightly
springy steel tubing.
Measurements
Chair with medium high back, on castors
66 cm x 82,5 x 53 cm deep
Chair with low back in a frame of steel tubing
66 cm x 71 cm x 52 cm deep
Designed in 1963
Only very few were made for E. Pedersen & Son, Denmark,
for this company`s exhibition stands in Copenhagen and Cologne.
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KJÆR
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DESK SET
An organizer for the desk top and an address holder.
Materials
Clear and/or smoke coloured transparent acrylic,
spring steel, plexigum, blue or cognac-coloured acetate
foil and cardboard.
Measurements
Desk set 60 cm x 13,3 cm x 3,2 cm
Small “boxes” 10 cm wide
Lids 10 cm and 20 cm wide
Calender lid 18 cm x 20 cm x 1,3 cm
Adress holder: diameter 10 cm, 17,5 cm high
Designed in 1960
Made by Torben Oerskov & Co, Denmark from 1961
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COAT RACK
For uneven walls.
Materials
USA:
American walnut, American oak.
Satin finish stainless steel hooks.
Denmark/Germany:
Ashwood, teak and rosewood.
Satin finish chrome-plated hooks.
Measurements
7 hooks 26½” or 67 cm
9 hooks 34½” or 87 cm
13 hooks 50½” or 127 cm
Designed in 1959-60 for use in public spaces
of contemporary architecture.
Made by
USA:
C.I. Designs, Boston, USA from 1960 to 1970.
Denmark/Germany:
Denbo in Denmark and Interteam (Form im Raum)
in Germany from 1960 to 1970 for sale outside the USA.
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UPHOLSTERED CHAIRS
AND SOFAS
With loose cushions and detachable bases.
Materials
Rubber straps on a hardwood frame, covered in
a quilted stretch material.
Upholstery of foam rubber and polyether foam.
Covered with fabric or leather.
Bases made of chrome-plated steel.
Later versions of the original design included sofa and
chair with down- and polyether filled cushions, just
as other later versions were offered with detachable
wooden bases.
Measurements
Chair with foam cushions 34” x 32½” x 28”
Sofa with foam cushions 62” x 32½” x 28”
Sofa with foam cushions 90” x 32½” x 28”
Sofa with down + foam cushions 80” x 32½” x 29”
Designed in 1959 for use in public spaces of
contemporary architecture.
Made by
USA: C.I. Designs, Boston, USA from 1959 to 1978.
Denmark: Denbo/Hovedstadens Moebelfabrik, Denmark
from 1961 for sale outside the USA.
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Some of the first architects to specify
this furniture for the buildings they
were designing were Paul Rudolph,
the head of the school of architecture
at Yale University, and Marcel Breuer
from his office in New York.
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UPHOLSTERED BENCH
With fixed but separate cushions and
detachable bases.
Materials
3/4” perforated plywood on a hardwood frame.
Cushions made of layers of different densities
of polyether foam.
Covered in fabric or leather.
Benches made in Denmark were often covered
in split leather.
Measurements
64” x 32” x 14 ½” high
80” x 32” x 14 ½” high
96” x 32” x 14 ½” high
Designed in 1959 for use in public spaces of
contemporary architecture, such as museums and
art galleries.
Made by
USA:
C.I. Designs, Boston, USA from 1959 to 1978.
Denmark:
Denbo/Hovedstadens Moebelfabrik, Denmark, from
1961 for sale outside the USA.
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LOW TABLES
With detachable bases and easily
replaceable tops.
Materials
USA:
Veneered with American walnut, rosewood
or coloured laminates.
Denmark:
Veneered with ashwood, Oregon pine, rosewood
or coloured Perstorps laminate.
Measurements
USA:
33” x 33” x 15” high
63” x 26” x 15” high
Denmark:
64 cm x 148 cm x 38,5 cm high
64 cm x 160 cm 38,5 cm high
64 cm x 180 cm x 38,5 cm high
80 cm x 80 cm x 38,5 cm high
Designed in 1960 for use in public spaces
of contemporary architecture.
Made by
USA:
C.I. Designs, Boston, USA, from 1960 to 1978.
Denmark:
E.Pedersen & Son, Denmark, for sale outside the USA,
from 1960 to 1978, when the company closed down.
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CROSS-PLEX LOW TABLE
Of three parts that pack flat in transport.
The base of the Cross-Plex table is made up from two
identical pieces of acrylic, which slot together to form a cross.
When a precisely cut glass top is set into the cross base,
stability is assured.
Materials
Transparent acrylic (plexiglas) in smoke coloured,
pale blue-grey or clear.
Plate glass with polished edges.
Measurements
Tabletop 32” x 32”
Tabletop 80 cm x 80 cm
To order
Tabletop 22” x 22”
Tabletop 40” x 40”
Designed in 1960
Made by
USA:
C.I. Designs, Boston, USA from 1962 to 1978.
Denmark:
Made by Denbo/Hovedstadens Moebelfabrik for sale outside
the USA from 1962 to 1972 when the latter was closed down.
Being a practical glass-topped table this design is also an
ever changing object, that picks up reflexes of sun and light
in a room, and visually absorbs outlines of other aspects of
the space it is placed in.
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KJÆR
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CROSS-PLEX LAMP
Materials
Base of clear acrylic.
Shade of opal acrylic.
Mål
Tall base with small shade
Tall base with large shade
Short base with large shade
20 cm x 20 cm x 50 cm high
30 cm x 30 cm x 50 cm high
30 cm x 30 cm x 30 cm high
Designed in 1961
Made by H.H. Plastic for Grubert & Sons, Denmark
from 1962 to 1965.
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MODULAR SEATING AND TABLES
An addition system for public buildings.
Materials
A series of units made of ashwood.
Tabletops veneered with ashwood or coloured plastic laminate.
Seat and back cushions made of laminated polyether foam on plywood.
Special connection hardware.
Single parts are easily replaceable if damaged in use.
Measurements
Examples of units added to other units may form:
A. Seat (chair) with arms 26½” x 28” x 28”
B. Two-seater (sofa) with arms 47” x 28” x 28”
C. Three-seater (sofa) with arms 67” x 28” 28”
D. Armless chair 26½” x 28” x 28”
E. Armless two-seater 47” x 28” x 28”
F. Seat as bench with cushion 26½” x 28” x 16”
G. Table 32” x 26” x 14”
H. Seat as bench
with cushion + table + armless chair + table 108” x 28” x 28”
Designed in 1959-63
Made by from 1962 by C.I. Designs, Boston, USA until 1985
when the company closed down.
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KJÆR
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AUDITORIUM SEATING
Materials
American oak or American walnut.
Seat frames and connection frames glued and dovetailed.
Seats made of 2” foam rubber on 1/2” perforated plywood.
Back support made of 1” foamrubber on 1/2” bent laminated wood.
Upholstery covered in fabric or leather.
Connection hardware of 1/8” x 2” satin finish steel.
Measurements
20¾” x 20 ½” x 27”
Designed in 1959 for Pomfret Boys School, USA.
Made by C.I. Designs, Boston, USA from 1959 to 1968.
Later made to order.
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DAYBED
For dormitories at M.I.T.
Materials
Pirelli rubber straps on a 1½” x 4” hardwood frame.
Edge for securing the mattress made of 3/4” plywood,
thinly upholstered and covered in fabric or leather.
4” mattress of laminated polyether foam.
Bases made of 5/8” x 2” rectangular tubing with
a M-100 finish.
Measurements
38” x 81½” x 16” high
Designed and developed in 1959 for dormitories at
Massachusetts Institute of Technology, Cambridge,
Mass., USA.
Made by C.I. Designs, Boston, USA from 1959 to 1965.
Later made to order.
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INDOOR/OUTDOOR SEATING AND TABLES
Materials
Ashwood, teak and (orange) mahogany, natural or oil finished.
Assembled with double dowels, finger joints and waterproof marine glue.
Seat and back cushions are wrapped in mould-resistant dacron and covered
in waterproof canvas.
Original high chair has small back support cushion to follow body movements.
Measurements
High chair no 1 25” x 24” x 30” seat height 17”
High chair no 2 25” x 22½” x 30 ” seat height 17”
Low chair 28” x 28” 29” seat height 15”
Settee 28” x 28” x 53” seat height 15”
Settee 28” x 28” x 78” seat height 15”
High table 30” x 60” x 29”
High table 60” x 60” x 29”
High table 35” x 35½” x 29”
Low Table 26” x 27” x 18”
Barrel chair 23½” x 20” x 27” seat height 17”
Long chair 66” x 24” x 13”
Designed and developed in 1959. A table was added in 1965 and a long chair in
1974. The barrel chair was re-designed in 1975 for use in subtropic climates.
Made by C.I. Designs, Boston, USA from 1959 to 1985, when the company closed
down.
Bodil Kjær originally designed this furniture to provide her clients with outdoor
furniture that would stand up well to much use, would age well, and would be
comfortable to use. She also wanted the furniture to be a sort of form extension
of the contemporary architecture of the buildings her clients were having built, to
become elements of architecture so to speak.
She reasoned that since furniture should be scaled to the spaces it is to be used
in, naturally, outdoor furniture would have to be scaled to the vast space of the
outdoors as well as to the buildings that surrounds it.
The designs were developed for execution by unskilled labour, using simple
machinery. Experiments with glue, joints and protective finishes took place, and
some of the early samples were tested by being left on a porch facing the Atlantic
Ocean, exposed to wind, sun, salt, snow and fogs.
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INDOOR/OUTDOOR SEATING AND TABLES
During design and development it was decided to make indoor/outdoor
furniture rather than just outdoor pieces. And clients agreed: why have two
sets of furniture if one is enough.
Early on Jose Luis Sert, who designed the Sherman Student Union building
at Boston University (while he was head of architecture at Harvard) specified
the furniture for indoor as well as outdoor use. And so did the Chicago
architect, Harry Weese, when designing a golf club for the employees at
Cummings Engineering at Otter Creek in Indiana back in 1960.
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BODIL
KJÆR
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CROSS VASES
Mouthblown vases of thick glass with an
uneven surface.
Materials
Glass, blown into steel molds.
Measurements
Small vase
Tall, slim
Large vase
9 cm x 9 cm x 12 cm high
9 cm x 9 cm x 28 cm high
15 cm x 15 cm x 22,5 cm high
Designed in 1961-62
Made by Gullaskruf Glasbruk, Sweden for Torben Oerskov &
Co, Denmark from 1962 to 1978.
The designer set out to create vases with “inner walls” that
would make flowers stand out as they grow in nature.
Also, she wanted a vase that would show up a single branch
or a single flower rather than a whole bouquet, and she wanted
to create forms, that when interlocking, could form large beds
of flowers indoors. That is how the cross vases came about.
The Cross vases in clear glass and light coloured glass compliment
each other well and their transparency permits sunlight
to create variation in light and colour.
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PRESSED GLASS
Ashtray, bowl and skyscraper vases.
Materials
Pressed glass and matt stainless steel.
Measurements
Ashtray 15 cm x 15 cm x 3,6 cm high
Bowl
19,6 cm x 19,6 cm x 3,9 cm high
Small vase 10 cm x 6,4 cm x 13,6 cm high
Large vase 15 cm x 11 cm x 22,4 cm high
Wide vase 22,4 cm x 6,4 cm x 13,6 cm high
Designed in 1963-64
Made by Gullaskruf Glasbruk, Sweden
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KJÆR
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SERVING CART AND
NEST OF TABLES
Serving cart features
Space for electric heating or cooling unit.
Matt finished stainless steel top, removable for cleaning.
Compartmentalized drawer for cutlery.
Soft-surfaced shelves of varying heights with upstanding
edges have slit openings for easy cleaning.
The height of the top surface is 60 cm, which means that the
cart may be stored under a dining table when not in use.
Nesting tables feature
Cube construction to offer stability.
Generous sizes.
Soft-surfaced tabletops.
Upstanding edges of tabletops.
Materials
Frames made of ashwood or rosewood.
Shelves veneered with heavy, soft, anti-slide pvc.
Tops of matt finished stainless steel.
Measurements
Tables:
42 cm x 42 cm x 38,5 cm high
47 cm x 47 cm x 41,5 cm high
52 cm x 52 cm x 44,5 cm high
Serving cart:
70,5 cm x 52 cm x 60 cm high
Designed in 1963
Made by E.Pedersen & Son, Denmark from 1963 until the
closure of the company in 1978.
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KJÆR
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CHAIR WITH DETACHABLE LEGS
Chair has carefully worked out angles for resting.
Materials
Rubber straps on a hardwood frame.
Upholstered in a special, rather firm, foam.
Legs made of ashwood.
Measures
52 cm x 85 cm x 96 cm high
Designed in 1955
Made by Harbo Sølvsten, Denmark.
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BEDS WITH ADJUSTABLE
HEADBOARDS
Materials
Ashwood and rosewood.
Legs made of steel tubing.
Measurements
Mattress 85 cm x 200 (210) cm
Mattress 120 cm x 200 (210) cm
Designed in 1955
Made by Harbo Sølvsten, Denmark.
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KJÆR
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MODULAR CLOSET SYSTEM
Has coloured door panels that may be easily removed
to be replaced by panels of other colours.
Materials
Sides made of hardboard on frames of pinewood.
Doors made of spray-painted hardboard, set into aluminium guards.
Shelves and trays made of laminated hardboard.
Adjustable legs made of steel tubing.
Measurement
Each section is 60 cm wide and 60 cm deep.
Designed in 1954
Made by Harbo Sølvsten, Denmark
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BODIL KJÆR (1932)
Professor
Architect MAA
Bodil Kjær, Professor, Architect MAA was born in
Denmark in 1932. She was educated in Denmark, England
and the USA, and practised as an architect, designer and
planner from her own offices in Copenhagen and London.
Before becoming a tenured professor at the University
of Maryland on the outskirts of Washington D.C. she also
worked for many years in teams of engineers, sociologists
and organization planners to create healthy and flexible
work environments for employees in factories, offices
and universities. She is well known for her emphasis on
user involvement in the planning process, which she practised
with engineers at Arups in London for Oxford and
Cambridge universities, for Penguin Books and for IBM
in England, and with italian engineers for among others
Alfa Romeo, Rank Xerox and the government of the
region of Lombardia.
She was invited to lecture on her work and to teach
architecture students in Denmark and England and as
a visiting professor at architecture schools in the USA,
ending up teaching full time and immersing herself in
research into problems of architecture, some of which
was later published in Cambridge, Paris, London,
Washington and Boston.
But long before that, between 1955 and 1963, while
designing public interiors she developed a series of
elements of architecture to solve problems of functional
and aesthetic nature. They were not designed directly for
production, these pieces of furniture, lamps and glass.
But as other architects discovered them and wanted
them for their buildings, they were put into production
and marketed in the USA as well as in Europe.
Early on architects like Jose Luis Sert and Paul Rudolph,
the heads of the schools of architecture at Harvard and
Yale universities found her designs and wanted them for
the buildings they were designing. Harry Weese in Chicago
and Marcel Breuer in New York wanted to specify them, too.
And so, production began, at first at C.I. in Boston,
USA, and later at Denbo, E. Pedersen & Son and Torben
Oerskov in Denmark, at Gullaskruf in Sweden and Form
im Raum in Germany. Some of these pieces are still
available, mostly at auctions, but may also be seen in
for instance three early Bond movies, and in recent
british films and television series.
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FORM Portfolios
Perpetuating legacies
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