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BeatRoute Magazine Alberta print e-edition - November 2016

BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.

BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.

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FEMME WAVE<br />

PEACH KELLI POP<br />

In Defense of Cute:<br />

the uniting force of power pop<br />

by Arielle Lessard<br />

The dreamy power pop ladies from Peach<br />

Kelli Pop (PKP) are getting ready to join<br />

Femme Wave for their first time in Calgary.<br />

At the core of PKP is Allie Hanlon, who delved<br />

into Ottawa’s DIY scene with her twin sister and<br />

learned drums at age 15, recently relocated to<br />

L.A. where she’s signed to Burger Records. While<br />

Ottawa “helped [her] gain the confidence and<br />

experience” she needed to start playing in bands,<br />

she’s happy to be using her fresh start to explore<br />

some creative freedom and make new relationships<br />

– like those with bandmates Gina and Sophie<br />

Negrini and Mindee Jorgensen.<br />

For those that are unfamiliar with Peach Kelli Pop’s<br />

magic, PKP loves Japan and Japan loves them. PKP<br />

puts out albums proficiently while keeping within a<br />

central visual theme of bright colors, pins, illustration,<br />

romantic neon, and smiles all around – things that<br />

might be considered Kawaii, or “cute” for English<br />

speakers. Though the definition can be expanded<br />

with a quick Wikipedia search, with original meanings<br />

that include “one’s face is aglow,” “dazzling” or even<br />

“able to be loved” and “lovable.”<br />

Hanlon addresses issues of dismissing “cute” too<br />

quickly, saying “people will [sometimes] listen to your<br />

music for five seconds and decide lots of different<br />

things about you and your music, which is frustrating.<br />

We have high pitched vocals and it sounds really<br />

feminine, but [at the same time] I’m 29, I’ve been<br />

touring and playing in bands for over a decade, I’m<br />

proud of our live show and how technically proficient<br />

we are at playing. I think when people see us live, they<br />

think this is a group of people that have paid their<br />

dues. Hopefully by seeing us [and] really listening<br />

to the music, people can see that there’s more than<br />

what they perceive to be cute.”<br />

The real misgiving may be categorizing cute, poppy<br />

energy as easy to pull off or somehow dismissible,<br />

when in fact being “lovable,” engaged, fueled-up and<br />

rosy can be infinitely hard to sustain. Peach Kelli Pop<br />

is the perfect embodiment of those fiercer qualities,<br />

and demonstrates vividly that cool, imaginative,<br />

thoughtful women often travel in groups and support<br />

one another creatively. In this way, and in direct<br />

alignment with Femme Wave’s mission, there is a rich<br />

collective togetherness that can grow out of these<br />

platforms. Hanlon notes that the best parts about<br />

being in a creative field are “getting to work with other<br />

people, playing live and going on tour with your<br />

friends and [ultimately] seeing people appreciate the<br />

work that you’ve shared.”<br />

When asked about her current projects, Hanlon<br />

dives in with excitement, and notes that she’s taking<br />

her time to work on the fourth Peach Kelli Pop<br />

album, having released three since 2010, they’ve been<br />

on a feel-good roll. Freshly back from a trip to Tokyo,<br />

Hanlon played six shows and stayed for 12 days, “so<br />

it was kind of like a vacation tour” where the girls<br />

“played shows and explored and hung out, so it was<br />

really magical.” They’ll also be going to Hawaii for the<br />

first time in February to play for a group of kids that<br />

fundraised through Failed Orbit Records to fly bands<br />

over, with Hanlon fully appreciating how “cool [it is<br />

for] people that really love music to [find ways to]<br />

have different bands that they normally wouldn’t get<br />

to see.”<br />

She also found time to do some work for the<br />

Cartoon Network with Victor Courtright, who approached<br />

her to do thematic music for Get ‘Em Tommy.<br />

Courtright himself is a high-octane illustrator and<br />

animator whose previous work has crafted a cartoon<br />

character called, quite literally, Officer Baby Teeth.<br />

“I was really excited about it and he showed me the<br />

different clips, the tone of his show, and I worked on<br />

it with a friend and fellow artist Natalie James.”<br />

Hanlon makes time for PKP by working a day<br />

job in the art world at a small business alongside<br />

illustrator Tuesday Bassen, who comes from a “similar<br />

background of punk music and an alternative scene.”<br />

Hanlon, who’s “open to so many different things,”<br />

raves about the girls she works with and the positive<br />

work atmosphere, “it’s really meaningful work with<br />

fun people! Things are constantly growing and changing,<br />

and [my] day to day is very fluid.”<br />

Peach Kelli Pop delves happily into issues like<br />

power, money, self-empowerment, beauty standards,<br />

broken hearts, and princess castles without ever<br />

losing an eternal sense of fun and their power pop<br />

roots. Hanlon says, “I always write from my heart and<br />

what I’m experiencing so there’s definitely a variety of<br />

topics that come out. So I think that if I’m feeling frustrated<br />

about something, it will come out and it may<br />

end up being something other girls can relate to.” Boy,<br />

can we ever. Lyrics like “she’s held together with glue,<br />

she’ll never disagree with you” from Plastic Love make<br />

for danceable feel-good songs with a soul.<br />

PKP’s latest collaboration with SHEVIL, a collective<br />

of female filmmakers in L.A., to produce a music<br />

video for their most recent Halloween Mask LP<br />

messes with beauty standards, and highlights the<br />

dazzling, bright monsters that make up PKP. Using<br />

smoky, kaleidoscope composite footage of all the<br />

band members’ faces, as well as monster masks and<br />

projected cartoon faces. Hanlon notes that they<br />

chose to work together after “the girls that run [SHE-<br />

VIL] stood out… because they had a clear idea of the<br />

music video they wanted to produce and they even<br />

had a budget written out… I was really impressed by<br />

how organized they were and especially how great<br />

their ideas were.”<br />

In a similar vein as Femme Wave, “they also run<br />

a monthly night for female-centric music, female<br />

performers, stand-up comics and bands… that’s<br />

something that I always try and kick my friends to,<br />

because it’s so fun.”<br />

For other artists, and budding musicians, Hanlon<br />

recommends “focus[ing] on having fun, because it’s<br />

harder to create when you’re focused on things that<br />

can stress you out, whether you’re getting certain<br />

opportunities that you’re hoping for, or what other<br />

bands are doing. So just focus about what makes<br />

you happy about making music, and enjoy the entire<br />

process.” Fans worldwide are evidently pleased that<br />

Hanlon is happy with the entire process and always<br />

manages to produce marvellously art that’s as cute<br />

as it is potent. On a wishful note, Hanlon’s dream<br />

collaborators include, without missing a beat:<br />

“Joey Ramone!<br />

Joan Jett!<br />

Kim Deal!”<br />

One would hope that Peach Kelli Pop won’t do<br />

away with any of their charm or cuteness anytime<br />

soon.<br />

Peach Kelli Pop perform at Dickens on Friday, <strong>November</strong><br />

18th.<br />

BEATROUTE • NOVEMBER <strong>2016</strong> | 25

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