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Christopher Painter - Composer

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“his music takes nature in its many guises as a starting point,<br />

often using it as a metaphor for the human condition”<br />

Peter Reynolds<br />

Born at Port Talbot in 1962, <strong>Christopher</strong> <strong>Painter</strong> studied composition at University College,<br />

Cardiff with Alun Hoddinott. After receiving his M.Mus from Cardiff, he continued to study<br />

privately with Hoddinott and also had consultations with Samuel Adler; George Benjamin;<br />

Edward Gregson, John McCabe, Robert Saxton, Robert Simpson and Marek Stachowski. In<br />

addition to his composition studies, he also took part in conducting workshops with Edward<br />

Gregson, Stanley Saunders (University of Guelph, Canada), Rod Walker (University of Texas, USA)<br />

and studied with both <strong>Christopher</strong> Adey and Alun Francis.<br />

Symphony No.3 – first movement<br />

"<strong>Christopher</strong> <strong>Painter</strong> is a well-known figure on the Welsh music scene but, of late, his music has<br />

undergone a new and impressive transformation. In June, his substantial Third Symphony<br />

marked him out as one of the real heavyweights on the Welsh music scene, endorsed by the<br />

award of the Tlws y Cerddor medal at this year's Eisteddfod.<br />

Spring of Vision was a substantial nineteen-minute piece for clarinet, violin and cello cast in a<br />

continuous four-movement form, linked by cadenzas for the three instruments. The music had<br />

inevitability, an absolutely natural sense of form and movement, and demonstrates that <strong>Painter</strong><br />

is at the top of his game at the present time."<br />

Peter Reynolds (Review of "Spring of Vision" at the Machynlleth Festival)


SELECTED COMPOSITIONS<br />

ORCHESTRA<br />

Buried Light [1O']<br />

solo violin & strings<br />

Bugles Sang [18']<br />

3/1 3/1 3/1 3/1 I 5• 4/1(4=crtlt 3 1 I T+5 I hp I stgs<br />

Forest of Dreams [9']<br />

3.3.3.3 1 4.3.3.1I T+41 hp I pno/cel I stgs<br />

Furnace of Colours [36']<br />

3/2(2=alt;3=picc] 2+1 2+1 2+1 2+1 14 4' 3 1 I T+4 I 2hp I eel I stgs I solo soprano • tpt 3 & 4 offstage<br />

Invisible Cities [20']<br />

5/3[3.4=picc;5=alt] 411 2+3 [3.4=Eb;5=bass) 4+1 16 4 3 1 I T+5 I 2hp I stgs Off-stage: - | 2 2 3 0 | - | -<br />

Spirit Dances [18']<br />

solo percussion & strings (optional dancer(s)]<br />

Symphony No.3 [50']<br />

3/2 2+1 2+1 2+1I 4 4 3 1 I T+4 I hp I pno/cel I stgs<br />

BRASS ENSEMBLE<br />

Ceremonies of Fire [10']<br />

Brass Band<br />

Fanfare for St Nicholas [2'] 4tpt 3 trb tba T+2 org<br />

Fibonacci's Dream [12']<br />

Brass Quintet<br />

CHAMBER<br />

Images in the Mist [12']<br />

String quartet<br />

Lunar Seas [8']<br />

Saxophone quartet<br />

Spring of Vision [20']<br />

Clarinet, Violin & Cello


CHORAL<br />

Ave Maria [4')<br />

Solo soprano & SATB<br />

Carol - Out of Your Sleep [4']<br />

SATB &Organ<br />

Carol - Out of Your Sleep [4']<br />

TTBB & Organ<br />

Carol - Out of Your Sleep [4']<br />

SATB · 2 2 2 214 2/1(1=Eb] 3 1 I T+2 I hp I stgs<br />

INSTRUMENTAL<br />

Caneuon Taliesin [10')<br />

Trumpet & piano<br />

Clarinet Sonata [16']<br />

Clarinet & piano<br />

Gregynog Suite [26')<br />

Solo harp<br />

Hanes Taliesin [22']<br />

Solo clarinet<br />

Sonata for Alto Saxophone [18']<br />

Alto saxophone & piano<br />

WIND ORCHESTRA<br />

The Broken Sea [25']<br />

2+1 2+1 2+2[3=Eb;4=bass]2+1 I 2altsaxtensax barsax 144 31+1[2=euph) I T+3


MUSIC ON CD<br />

Caneuon Taliesin – Philippe Schartz (trumpet)<br />

Clarinet Sonata – Peryn Clement-Evans (clarinet)<br />

Sonata for Alto Saxophone – Lara James (sax)<br />

Lunar Seas – Lunar Saxophone Quartet<br />

“Commissioning new works for wind orchestra is something of a lottery. However, I knew some<br />

of Chris <strong>Painter</strong>'s work, and felt confident that THE BROKEN SEA would be something special -<br />

and it was. Unlike many composers, Chris took the wind genre seriously, avoiding stereotypical<br />

clichés, avoiding patronising the medium and writing down. The work is a major addition to the<br />

repertoire, a work not to be undertaken lightly, but so far, every wind orchestra that has tackled<br />

it reports that it was an enormous success with players and audience. Tough, uncompro1nising,<br />

it captures the flavour of the poem by Vernon Watkins and a stormy North Atlantic seascape to<br />

perfection. This is a major addition to the contemporary wind orchestra repertoire.”<br />

Dr. Timothy Reynish<br />

"We've commissioned several chamber works from Chris over the years including music for<br />

education, launch of a major venue and public performance. Always easy to work with, very<br />

professional and ultimately great music."<br />

Peryn Clement-Evans<br />

Executive Officer and Artistic Director, Ensemble Cymru<br />

www.christopherpainter.co.uk<br />

https://soundcloud.com/christopher-painter

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