The Book of Aleph {Volume 6}
The-Book-of-Aleph-Volume-6
The-Book-of-Aleph-Volume-6
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> {<strong>Volume</strong> 6}
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong><br />
January to December 2017<br />
...…..….
ALEPH BOOK COMPANY<br />
An independent publishing firm<br />
promoted by Rupa Publications India<br />
Published in India in 2017<br />
by <strong>Aleph</strong> <strong>Book</strong> Company<br />
7/16 Ansari Road, Daryaganj<br />
New Delhi 110 002<br />
Copyright © <strong>Aleph</strong> <strong>Book</strong> Company 2017<br />
All rights reserved.<br />
Copyright in individual excerpts vests in the authors<br />
or proprietors. Copyright in this selection vests in<br />
<strong>Aleph</strong> <strong>Book</strong> Company. No part <strong>of</strong> this publication<br />
may be reproduced, transmitted or stored in a<br />
retrieval system, in any form or by any means,<br />
without permission in writing from <strong>Aleph</strong> <strong>Book</strong><br />
Company.<br />
In the works <strong>of</strong> fiction in this selection characters,<br />
places, names and incidents are either the product<br />
<strong>of</strong> the author’s imagination or are used fictitiously<br />
and any resemblance to any actual persons, living or<br />
dead, events or locales is entirely coincidental.<br />
In the works <strong>of</strong> non-fiction in this selection the<br />
views and opinions expressed are the author’s own<br />
and the facts are as reported by him/her which<br />
have been verified to the extent possible, and the<br />
publishers are not in any way liable for the same.<br />
ISBN: 978-93-86021-06-9<br />
PREVIOUSLY PUBLISHED IN 2016 7<br />
WINTER 21 | SPRING 37 SUMMER 47 | MONSOON 61<br />
AUTUMN/WINTER 87 PRIZE WINNERS & FINALISTS 111<br />
INDEX 119<br />
Contents<br />
BACKLIST 131 | ABOUT US 159<br />
Printed and bound in India by<br />
All prices, publication dates, and other specifications<br />
in this volume are liable to change without notice.
previously<br />
published<br />
in 2016
an era <strong>of</strong> darkness<br />
the british empire in india<br />
shashi tharoor<br />
In 1930, the American historian and<br />
philosopher Will Durant wrote that<br />
Britain’s ‘conscious and deliberate<br />
bleeding <strong>of</strong> India...[was the] greatest<br />
crime in all history’. He was not the<br />
only one to denounce the rapacity<br />
and cruelty <strong>of</strong> British rule, and his<br />
assessment was not exaggerated.<br />
Almost thirty-five million Indians<br />
died because <strong>of</strong> acts <strong>of</strong> commission<br />
and omission by the British—in<br />
famines, epidemics, communal riots<br />
and wholesale slaughter like the<br />
reprisal killings after the 1857 War<br />
<strong>of</strong> Independence and the Amritsar<br />
massacre <strong>of</strong> 1919. Besides the deaths<br />
<strong>of</strong> Indians, British rule impoverished<br />
India in a manner that beggars belief.<br />
When the East India Company took<br />
control <strong>of</strong> the country, in the chaos<br />
that ensued after the collapse <strong>of</strong> the<br />
Mughal empire, India’s share <strong>of</strong> world<br />
GDP was 23 per cent. When the<br />
British left it was just above 3 per cent.<br />
<strong>The</strong> British empire in India began with<br />
the East India Company, incorporated<br />
in 1600, by royal charter <strong>of</strong> Her<br />
Majesty Queen Elizabeth I, to trade in<br />
silk, spices and other pr<strong>of</strong>itable Indian commodities. Within a century and a half,<br />
the Company had become a power to reckon with in India. In 1757, under the<br />
command <strong>of</strong> Robert Clive, Company forces defeated the ruling Nawab Siraj-ud-<br />
Daula <strong>of</strong> Bengal at Plassey, through a combination <strong>of</strong> superior artillery and even<br />
more superior chicanery. A few years later, the young and weakened Mughal<br />
emperor, Shah Alam II, was browbeaten into issuing an edict that replaced his<br />
own revenue <strong>of</strong>ficials with the Company’s representatives. Over the next several<br />
decades, the East India Company, backed by the British government, extended<br />
its control over most <strong>of</strong> India, ruling with a combination <strong>of</strong> extortion, doubledealing,<br />
and outright corruption backed by violence and superior force. This<br />
state <strong>of</strong> affairs continued until 1857, when large numbers <strong>of</strong> the Company’s<br />
Indian soldiers spearheaded the first major rebellion against colonial rule. After<br />
the rebels were defeated, the British Crown took over power and ruled the<br />
country ostensibly more benignly until 1947, when India won independence.<br />
In this explosive book, bestselling author Shashi Tharoor reveals with acuity,<br />
impeccable research, and trademark wit just how disastrous British rule was<br />
for India. Besides examining the many ways in which the colonizers exploited<br />
India, ranging from the drain <strong>of</strong> national resources to Britain, the destruction<br />
<strong>of</strong> the Indian textile, steel-making, and shipping industries, and the negative<br />
transformation <strong>of</strong> agriculture, he demolishes the arguments <strong>of</strong> Western and<br />
Indian apologists for Empire on the supposed benefits <strong>of</strong> British rule, including<br />
democracy and political freedom, the rule <strong>of</strong> law, and the railways. <strong>The</strong> few<br />
unarguable benefits—the English language, tea, and cricket—were never<br />
actually intended for the benefit <strong>of</strong> the colonized but introduced to serve the<br />
interests <strong>of</strong> the colonizers. Brilliantly narrated and passionately argued, An Era<br />
<strong>of</strong> Darkness will serve to correct many misconceptions about one <strong>of</strong> the most<br />
contested periods <strong>of</strong> Indian history.<br />
For a note about the author, please turn to page 72.<br />
8<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Previously published in 2016<br />
9
1991<br />
how p. v. narasimha rao made history<br />
sanjaya baru<br />
P. V. Narasimha Rao (or PV as he was<br />
popularly known) has been widely<br />
praised for enabling the economic<br />
reforms that transformed the country<br />
in 1991. From the vantage point <strong>of</strong><br />
his long personal and pr<strong>of</strong>essional<br />
association with the former prime<br />
minister, bestselling author Sanjaya<br />
Baru shows how PV’s impact on the<br />
nation’s fortunes went way beyond the<br />
economy.<br />
This book is an insider’s account <strong>of</strong> the<br />
politics, economics and geopolitics<br />
that combined to make 1991 a<br />
turning point for the country. <strong>The</strong><br />
period preceding that year was a<br />
difficult one for India: economically,<br />
due to the balance <strong>of</strong> payments crisis;<br />
politically, with Rajiv Gandhi’s politics<br />
<strong>of</strong> opportunism and cynicism taking<br />
the country to the brink; and globally,<br />
with the collapse <strong>of</strong> the Soviet Union,<br />
its ally. It was in this period that the<br />
unheralded PV assumed leadership <strong>of</strong><br />
the Indian National Congress, took<br />
charge <strong>of</strong> the central government,<br />
restored political stability, pushed<br />
through significant economic reforms and steered India through the uncharted<br />
waters <strong>of</strong> a post-Cold War world. He also revolutionized national politics, and<br />
his own Congress party, by charting a new political course, thereby proving that<br />
there could be life beyond the Nehru-Gandhi dynasty.<br />
1991 marked the end <strong>of</strong> an era and the beginning <strong>of</strong> another. It was the year that<br />
made PV. And it was the year PV made history.<br />
Sanjaya Baru is Consulting Fellow for India, International Institute for<br />
Strategic Studies, London and Honorary Senior Fellow, Centre for Policy<br />
Research, New Delhi. He was Media Adviser to Prime Minister Manmohan<br />
Singh (2004-08). He has been Chief Editor, the Financial Express and Business<br />
Standard; Editor (Delhi), the Economic Times; and Editorial Page Editor,<br />
the Times <strong>of</strong> India. He has taught at the University <strong>of</strong> Hyderabad and Lee<br />
Kuan Yew School <strong>of</strong> Public Policy, Singapore. His publications include <strong>The</strong><br />
Political Economy <strong>of</strong> Indian Sugar, Strategic Consequences <strong>of</strong> India’s Economic<br />
Performance and <strong>The</strong> Accidental Prime Minister: <strong>The</strong> Making and Unmaking <strong>of</strong><br />
Manmohan Singh.<br />
10<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Previously published in 2016<br />
11
{aleph spotlight}<br />
on nationalism<br />
romila thapar, a. g. noorani<br />
and sadanand menon<br />
What is nationalism? What is pseudonationalism?<br />
Who is an anti-national?<br />
What is patriotism? Is the shouting <strong>of</strong><br />
nationalist slogans important to prove<br />
one’s patriotism? Why is ‘Bharat Mata<br />
ki Jai’ so important to the right wing?<br />
Why does the law <strong>of</strong> sedition continue<br />
to exist on the statute book <strong>of</strong> an<br />
independent country? Who should<br />
the sedition law be used against?<br />
Why is cultural freedom important<br />
to a nation? What sort <strong>of</strong> India do<br />
we want? What sort <strong>of</strong> Indians do we<br />
want to be? What sort <strong>of</strong> country do<br />
we want to leave behind for future<br />
generations? <strong>The</strong>se questions all<br />
involve one <strong>of</strong> the most fundamental<br />
ideas <strong>of</strong> India—the nationalism we<br />
inherited at birth. It is also one <strong>of</strong><br />
the most hotly contested ideas <strong>of</strong> the<br />
twenty-first century. In this book<br />
some <strong>of</strong> our finest thinkers and writers<br />
provide calm, measured insights into<br />
the origins, nature, practice and future<br />
<strong>of</strong> Indian nationalism.<br />
Romila Thapar is Emeritus Pr<strong>of</strong>essor <strong>of</strong> History at the Jawaharlal Nehru<br />
University, New Delhi. She is a Fellow <strong>of</strong> the British Academy. In 2008,<br />
Pr<strong>of</strong>essor Thapar was awarded the prestigious Kluge Prize <strong>of</strong> the US Library <strong>of</strong><br />
Congress, which honours lifetime achievement in studies such as History that<br />
are not covered by the Nobel Prize.<br />
A. G. Noorani is an Indian lawyer, historian and author. He has practised as an<br />
advocate in the Supreme Court <strong>of</strong> India and in the Bombay High Court. His<br />
columns have appeared in the Hindustan Times, <strong>The</strong> Hindu, Frontline, Economic<br />
and Political Weekly and Dainik Bhaskar. He is the author <strong>of</strong> a number <strong>of</strong> books,<br />
among them <strong>The</strong> Kashmir Question, <strong>The</strong> Trial <strong>of</strong> Bhagat Singh, Constitutional<br />
Questions in India and <strong>The</strong> RSS and the BJP: A Division <strong>of</strong> Labour.<br />
Sadanand Menon explores the charged space linking politics and culture<br />
through his work in media, pedagogy, and the arts. He is Adjunct Faculty, Asian<br />
College <strong>of</strong> Journalism, Chennai and at IIT, Madras. He has been an arts editor,<br />
columnist and photographer. He was a long-time collaborator <strong>of</strong> the late dancer/<br />
choreographer Chandralekha. He is also a leading stage-lights designer. He has<br />
been on the Advisory Committees <strong>of</strong> the National Museum, National Gallery<br />
<strong>of</strong> Modern Art, Lalit Kala Akademi, National School <strong>of</strong> Drama and the Indian<br />
Institute <strong>of</strong> Advanced Study, Shimla. He is currently managing trustee <strong>of</strong> the<br />
Arts Foundation, SPACES, Chennai.<br />
12<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Previously published in 2016<br />
13
WINNER OF THE R. K.<br />
NARAYAN AWARD FOR<br />
BEST AUTHOR IN ENGLISH<br />
(2005)<br />
m. s. subbulakshmi<br />
the definitive biography<br />
t. j. s. george<br />
M. S. Subbulakshmi (1916-2004),<br />
who was popularly known as MS,<br />
was one <strong>of</strong> India’s greatest classical<br />
musicians. Born into a humble<br />
devadasi home, her talent and<br />
dedication to her art made her one<br />
<strong>of</strong> India’s most critically acclaimed<br />
classical singers. She was the first<br />
Indian musician to receive the Bharat<br />
Ratna, the country’s highest civilian<br />
honour, in addition to numerous<br />
other awards. Jawaharlal Nehru called<br />
her ‘a Queen <strong>of</strong> Music’ and Sarojini<br />
Naidu dubbed her ‘the Nightingale<br />
<strong>of</strong> India’. Her fellow musicians were<br />
no less generous in their praise. Ustad<br />
Bade Ghulam Ali Khan said she<br />
was Suswaralakshmi (the Goddess<br />
<strong>of</strong> the Perfect Note) while Kishori<br />
Amonkar said she was Aathuvansur<br />
or music’s ‘Eighth Note’ (there are<br />
only seven notes that are basic to<br />
all musical forms). MS’s genius had<br />
principally to do with her exquisite<br />
voice, her extraordinary range and<br />
her unequalled command <strong>of</strong> all the<br />
material she worked with, whether<br />
it was Carnatic music, Hindustani<br />
music or devotional music such as bhajans.<br />
In this, the definitive biography <strong>of</strong> the musician (previously published as<br />
MS: A Life in Music), award-winning biographer T. J. S. George traces her<br />
journey from her beginnings as a singer in Madurai, through her breakthrough<br />
performance at the prestigious Madras Music Academy in 1932, to her carving<br />
out a place for herself as a cultural icon. Besides exploring MS’s genius, the<br />
author describes the musical and social milieu that she was part <strong>of</strong>, and the<br />
various barriers she was instrumental in breaking in the course <strong>of</strong> her journey to<br />
superstardom. He covers her stint as an actress and looks at how her career was<br />
helped by various mentors and sponsors, including C. Rajagopalachari, India’s<br />
last governor general. He pays particular attention to the role <strong>of</strong> her husband,<br />
T. Sadavisam, in the creation and burnishing <strong>of</strong> MS’s reputation. He examines<br />
the various controversies that surrounded her origins, and also underlines her<br />
essential humility and generosity. Told with a music connoisseur’s passion and<br />
understanding, M. S. Subbulakshmi: <strong>The</strong> Definitive Biography is an enthralling<br />
portrait <strong>of</strong> a musical legend.<br />
T. J. S. George is a journalist who began his career at the Free Press Journal<br />
in 1950, and was the founding editor <strong>of</strong> Asiaweek. He established himself as a<br />
serious political author and biographer with a series <strong>of</strong> major books, including<br />
Lee Kuan Yew’s Singapore, <strong>The</strong> Life and Times <strong>of</strong> Nargis and Krishna Menon: A<br />
Biography. His latest book is Askew: A Short Biography <strong>of</strong> Bangalore. He is editorial<br />
adviser to the New Indian Express and lives in Bangalore with his wife, Ammu.<br />
14<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Previously published in 2016<br />
15
the dashing ladies <strong>of</strong> shiv sena<br />
political matronage in urbanizing india<br />
tarini bedi<br />
Rich in detail, this eye-opening<br />
book explores the activities and<br />
political strategies <strong>of</strong> women political<br />
workers and leaders <strong>of</strong> Shiv Sena.<br />
Based on more than ten years <strong>of</strong> indepth<br />
ethnographic fieldwork with<br />
dozens <strong>of</strong> women Sena workers in<br />
urban Maharashtra, the work shows<br />
how they conjure political authority<br />
through the inventive, dangerous,<br />
and transgressive political personas<br />
known as dashing ladies. Through<br />
the narratives <strong>of</strong> these women, Tarini<br />
Bedi develops a feminist theory <strong>of</strong><br />
brokerage politics, and what can be<br />
termed ‘political matronage’.<br />
Excerpt<br />
Political dhang is absolutely vital to<br />
women’s rise in the party and to their<br />
visibility within Shiv Sena and in their<br />
local neighborhoods. Ragini Munde,<br />
a fifty-five-year-old Shiv Sena branch<br />
leader in Mumbai, was a force to be<br />
reckoned with in her area. She lived in<br />
a lower-middle-class housing colony<br />
in the Goregaon area called Lilia<br />
Nagar. Until the late 1980s this area<br />
was a satellite industrial area for the central hubs <strong>of</strong> Mumbai. When Ragini<br />
first moved here there was almost no residential property or any public services<br />
to speak <strong>of</strong>. Now <strong>of</strong> course there are posh high-rise towers everywhere; a fancy<br />
country club has opened just around the corner from Ragini. But she and her<br />
family continue to live in the same low-rise building in a one-room flat they<br />
bought with a loan from her husband’s employer in the early 1980s. Ragini<br />
saw herself as central to the establishment <strong>of</strong> many <strong>of</strong> the amenities that go<br />
with residential life in this area (water, roads leading to the buildings) through<br />
her ‘social work’. She began her political career by working with the veteran<br />
socialist activist and later Member <strong>of</strong> Parliament, Mrinal Gore. Gore and many<br />
<strong>of</strong> the other progressive activists who worked with her succeeded in bringing the<br />
drinking water supply to Goregaon. Gore’s hard work and success earned her the<br />
nickname by which she was affectionately referred to across the area until her<br />
death in July 2012: paniwali bai (water aunt). Ragini said that she left Gore’s<br />
progressive party, the Janata Dal (People’s Movement), to join Shiv Sena because<br />
she did not see the Janata Dal providing her with any opportunities for political<br />
recognition and not enough hungama (trouble-making). Also, she said, that she<br />
felt that the Janata Dal was not staunchly Hindu enough. She also said that her<br />
membership in Shiv Sena has changed her ‘nature’.<br />
‘I have got another kind <strong>of</strong> nature now, what do you call it? I have an image now.<br />
People will see me and say see there is Munde bai. Whoever will see me, they<br />
will say they know me, they recognize me. Wherever I walk around in the ward<br />
people will say to me that they recognize me. So people have started to recognize<br />
me because I do all these things like andolans, like haldi-kumkum programs, like<br />
social work programs. In my ward they all recognize me. I go to all the programs,<br />
I do all the work all over. Really other ladies do not do this that much. It is not<br />
that I am too proud, but I will tell you, my dhang (style) <strong>of</strong> working is different.’<br />
Tarini Bedi is Assistant Pr<strong>of</strong>essor <strong>of</strong> Anthropology at the University <strong>of</strong> Illinois,<br />
Chicago.<br />
16<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Previously published in 2016<br />
17
magic for the soul<br />
an adult colouring book <strong>of</strong> postcards featuring gond art<br />
venkat raman singh shyam<br />
<strong>The</strong> story <strong>of</strong> the Gond artists, and the<br />
illusory world they create through<br />
their marvellous art, originated in the<br />
Patangarh, a land they knew as their<br />
own. It was situated on top <strong>of</strong> a hill<br />
in the Dindori Valley in Mandla.<br />
Patangarh was a tranquil place with<br />
slopes and valleys richly clothed in<br />
green, yellow and brown. It <strong>of</strong>fered its<br />
inhabitants a peaceful existence and<br />
a serene view <strong>of</strong> the universe and life<br />
about them. All this would change,<br />
and the Adivasis would be called upon<br />
to fight to save what was precious to<br />
them, but that is not a part <strong>of</strong> their<br />
lives that we will delve into in this<br />
book.<br />
What I would like to draw your<br />
attention to is their art, that has<br />
captured the imagination <strong>of</strong> people<br />
everywhere. My story begins with<br />
a young dreamer by the name <strong>of</strong><br />
Jangadh who came to the attention<br />
<strong>of</strong> the elders and others in the village<br />
when he began painting in a frenzy.<br />
He painted on walls, floors, on<br />
virtually every surface he came across.<br />
He seemed to be a man possessed as he<br />
energetically painted his magnificent murals <strong>of</strong> gods and men, beasts, birds and<br />
trees. It was clear that he was dismissive <strong>of</strong> the existing traditions because his own<br />
style was inventive and original.<br />
Jangadh was the uncle <strong>of</strong> the artist whose dazzling works comprise this colouring<br />
book. When you look at Venkat Raman Singh Shyam’s work you can see the<br />
influence <strong>of</strong> his uncle and the other senior artists whose work he observed closely<br />
in his formative years. It was only natural for Venkat as a young boy to pick up<br />
the brush and paint his own pictures, as he had seen others in the community<br />
do.<br />
Chachan birds, the katheli tree, snakes, animals, plants were early subjects <strong>of</strong><br />
Venkat before he began to develop his own unique vernacular, confidently<br />
narrating his own parables <strong>of</strong> deities and how they navigated their way around<br />
the rapidly changing modern world. In Venkat’s world, as reflected in his art,<br />
even the palash and katheli trees join in the singing and revelry when festivals<br />
are celebrated. ‘Our gods need us to drink, eat and be merry,’ Venkat says. On<br />
his canvas, mythological tales he has heard from his mother and other elders<br />
come alive, painted in radiant reds, blues, yellows and oranges. What is unique<br />
to Venkat’s distinct style is how he melds the different influences in his work<br />
by allowing them to flow into each other. And how adroitly both ancient and<br />
modern civilizations find a place in this magical world! While the pages in this<br />
colouring book have paintings that will challenge and draw out the artist in you,<br />
we hope that this book will lead you to further explore the extraordinary world<br />
<strong>of</strong> Adivasi art.<br />
— From the foreword by Ina Puri.<br />
Venkat Raman Singh Shyam is a renowned Pardhan Gond artist. Nephew<br />
<strong>of</strong> the legendary Jangadh Singh Shyam, he creates murals, paintings, etchings,<br />
mixed media and animation and has exhibited widely across the world. Venkat<br />
Raman Singh Shyam’s art is radiant and full <strong>of</strong> enchantment.<br />
18<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Previously published in 2016<br />
19
previously published in 2015<br />
21
saint teresa <strong>of</strong> calcutta<br />
a celebration <strong>of</strong> her life & legacy<br />
raghu rai<br />
Raghu Rai, India’s greatest living photographer, met Mother Teresa (as she was<br />
then called) for the first time in 1970. Over the next twenty-seven years, until<br />
her death in 1997, he photographed her, almost without pause, producing an<br />
unparalleled pictorial record <strong>of</strong> her life and work. In September 2016, Rai was<br />
present at the Vatican to photograph the canonization <strong>of</strong> Mother Teresa who<br />
would henceforth be known as Saint Teresa <strong>of</strong> Calcutta. Says Rai <strong>of</strong> Saint Teresa:<br />
‘She is my mother, my guru and mentor.’<br />
Raghu Rai has won many national and international awards and accolades<br />
including being nominated in 1971 by Henri Cartier-Bresson to Magnum<br />
Photos. His solo exhibition has travelled to London, Paris, New York, Hamburg,<br />
Prague, Tokyo, Zurich and Sydney. His photo essays have appeared in Time,<br />
Life, Newsweek, <strong>The</strong> Independent, GEO, the New York Times, Sunday Times, and<br />
New Yorker.<br />
He received the Padma Shri in 1971. Raghu Rai currently lives and works in<br />
New Delhi.<br />
22<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Winter<br />
23
dragon on our doorstep<br />
managing china through military power<br />
pravin sawhney and ghazala wahab<br />
India might not admit it, but should it find itself involved in a border war<br />
with China it will lose. Apart from superior military power, close coordination<br />
between the political leadership and the military, and the ability to take quick<br />
decisions, China has potent anti-satellite and cyber warfare capabilities. Even<br />
more shockingly, regardless <strong>of</strong> popular opinion, India today is not even in a<br />
position to win a war against Pakistan. This has nothing to do with Pakistan’s<br />
nuclear weapons. It is because while India has been focused on building military<br />
force (troops and materiel needed to wage war) Pakistan has built military power<br />
(learning how to optimally utilize its military force). In this lies the difference<br />
between losing and winning. Far from being the strong Asian power <strong>of</strong> its<br />
perception, India could find itself extremely vulnerable to the hostility <strong>of</strong> its<br />
powerful neighbours. In Dragon On Our Doorstep, Pravin Sawhney and Ghazala<br />
Wahab analyse the geopolitics <strong>of</strong> the region and the military strategies <strong>of</strong> the<br />
three Asian countries to tell us exactly why India is in this precarious position<br />
and how it can transform itself through deft strategy into a leading power.<br />
Pravin Sawhney has been editor <strong>of</strong> FORCE (a magazine on national security<br />
and defence) since 2003. <strong>The</strong> author <strong>of</strong> two books—<strong>The</strong> Defence Makeover: 10<br />
Myths That Shape India’s Image and Operation Parakram: <strong>The</strong> War Unfinished—<br />
he has been visiting fellow at the Royal United Services Institute for Defence<br />
and Security Studies, United Kingdom, and visiting scholar at the Cooperative<br />
Monitoring Center, United States.<br />
Ghazala Wahab is executive editor, FORCE, where she writes on homeland<br />
security, terrorism, Jammu and Kashmir, left-wing extremism and religious<br />
extremism, and contributes a column, First Person.<br />
24<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> 25
small towns, big stories<br />
new & selected fiction<br />
ruskin bond<br />
Small Towns, Big Stories showcases twenty-one stories <strong>of</strong> small-town life by the<br />
country’s greatest living chronicler <strong>of</strong> the Indian heartland. Ruskin Bond has<br />
been writing evocative stories about the dusty towns and settlements in the<br />
hinterland for decades but this is the first time his finest stories on the theme<br />
have been brought together in a single volume. Timeless classics like ‘Time Stops<br />
at Shamli’, ‘Bus Stop, Pipalnagar’, and ‘<strong>The</strong> Night Train at Deoli’ rub shoulders<br />
with brilliant new stories that have never been published before like ‘Strychnine<br />
in the Cognac’, ‘<strong>The</strong> Horseshoe’ and ‘When the Clock Strikes Thirteen’.<br />
Vibrant, poignant, beautiful and tragic, these stories show a master storyteller at<br />
the height <strong>of</strong> his powers.<br />
Excerpt<br />
Dawn crept quietly over the sleeping town. Only a cock was aware <strong>of</strong> it, and<br />
crowed. Koki heard a s<strong>of</strong>t tapping on the windowpane, and immediately sat up<br />
in bed. She was ten years old. Her hair fell about her shoulders in a disorderly<br />
fashion and there were slight shadows under her dark eyes, but she was wide<br />
awake and listening. <strong>The</strong> tapping was repeated.<br />
Koki got out <strong>of</strong> bed and tiptoed across to the window and unlatched it. Ranji<br />
was standing outside, looking somewhat disgruntled.<br />
‘Come on,’ he said. ‘It’s nearly time.’<br />
Koki put her finger to her lips, for she did not want her parents and grandmother<br />
to wake up.<br />
‘You go and tell Bhim,’ she whispered. ‘I’ll meet you at the maidan.’<br />
26<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong>
Ranji hurried <strong>of</strong>f in the direction <strong>of</strong> Bhim’s house, and Koki turned from the<br />
window and went to the dressing table. She combed her hair carelessly and tied<br />
it roughly with a ribbon. She was excited and in a hurry, and had slept in her<br />
dress, which was very crushed. Now she was ready to leave.<br />
{now in paperback}<br />
tiger fire<br />
500 years <strong>of</strong> the tiger in india<br />
valmik thapar<br />
Very quietly, she pulled open a dressing table drawer and brought out a cardboard<br />
box in which were punctured little holes. She opened the lid <strong>of</strong> the box to see if<br />
Rajkumari was all right.<br />
Rajkumari, a dumpy rhino beetle, was asleep on the core <strong>of</strong> an apple. Koki did<br />
not disturb her. She closed the box and barefoot crept out <strong>of</strong> the house through<br />
the back door.<br />
As soon as she was outside, Koki broke into a run. She did not stop running<br />
until she reached the maidan.<br />
Ruskin Bond is the author <strong>of</strong> several bestselling novels and collections <strong>of</strong> short<br />
stories, essays and poems. <strong>The</strong>se include <strong>The</strong> Room on the Ro<strong>of</strong> (winner <strong>of</strong> the<br />
John Llewellyn Rhys Prize), A Flight <strong>of</strong> Pigeons, <strong>The</strong> Night Train at Deoli, Time<br />
Stops at Shamli, Our Trees Still Grow in Dehra (winner <strong>of</strong> the Sahitya Akademi<br />
Award), Angry River, <strong>The</strong> Blue Umbrella, Delhi Is Not Far, Rain in the Mountains,<br />
Roads to Mussoorie, A Little Night Music, Tigers for Dinner, Tales <strong>of</strong> Fosterganj, A<br />
Gathering <strong>of</strong> Friends and Upon An Old Wall Dreaming.<br />
Ruskin Bond was awarded the Padma Shri by the Government <strong>of</strong> India in 1999,<br />
a Lifetime Achievement Award by the Delhi government in 2012 and the Padma<br />
Bhushan in 2014.<br />
<strong>The</strong> tiger has captured the imagination <strong>of</strong> human beings from the beginning<br />
<strong>of</strong> recorded history. It has been feared, worshipped, admired, hunted, studied,<br />
photographed, written about, immortalized in art and poetry, and has enthralled<br />
king and commoner alike. Tiger Fire celebrates this magnificent predator by<br />
bringing together the very best non-fiction writing, photography and art on the<br />
Indian tiger from the first written description <strong>of</strong> a real-life encounter with the<br />
animal by the Mughal Emperor Babur in the sixteenth century to photographs<br />
and studies <strong>of</strong> the last <strong>of</strong> the species surviving in the wild today.<br />
Conceived and edited by the world’s foremost authority on the Indian tiger,<br />
Valmik Thapar (who has also contributed many pieces to this volume), the<br />
book’s contributors are drawn from an array <strong>of</strong> renowned naturalists, writers,<br />
photographers, and tiger enthusiasts down the centuries including Babur,<br />
Akbar, François Bernier, Thomas Roe, R. G. Burton, Walter Campbell, Thomas<br />
Williamson, F. W. Champion, Kesri Singh, Jim Corbett, Hugh Allen, Richard<br />
Perry, Arjan Singh, George Schaller, Kenneth Anderson, M. Krishnan, Peter<br />
Jackson, Fateh Singh Rathore, Kim Sullivan, Tejbir Singh, Jaisal and Anjali<br />
Singh, Aditya ‘Dicky’ Singh, K. Ullas Karanth, Dharmendra Khandal, and<br />
Dhritiman Mukherjee. Culled from over a million words (both published and<br />
unpublished) on the animal, the accounts and pictures assembled in this book<br />
show us the tiger in extraordinary and compelling detail.<br />
Valmik Thapar has spent four decades serving the cause <strong>of</strong> wild India. During<br />
this time, he has authored, co-authored and edited more than twenty-five books<br />
and made or presented nearly a dozen films for the BBC and several other<br />
television networks on the tiger and Indian flora and fauna.<br />
28<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Winter<br />
29
heroines<br />
powerful indian women <strong>of</strong> myth and history<br />
ira mukhoty<br />
<strong>The</strong> idea <strong>of</strong> heroism in women is not easily defined. In men the notion is <strong>of</strong>ten<br />
associated with physical strength and extravagant bravery. Women’s heroism has<br />
tended to be <strong>of</strong> a very different nature, less easily categorized. All the women<br />
in this book—Draupadi, Radha, Ambapali, Raziya Sultan, Meerabai, Jahanara,<br />
Laxmibai and Hazrat Mahal—share an unassailable belief in a cause, for which<br />
they are willing to fight to the death if need be.<br />
<strong>The</strong>re is the lotus-eyed, dark-skinned Draupadi, dharma queen, whose story<br />
emerges almost three millennia ago; the goddess Radha who sacrificed societal<br />
respectability for a love that transgressed convention; Ambapali, a courtesan,<br />
who stepped out <strong>of</strong> the luxurious trappings <strong>of</strong> Vaishali to follow the Buddha and<br />
wrote a single, haunting poem on the evanescence <strong>of</strong> beauty and youth; Raziya,<br />
the battle-scarred warrior, who proudly claimed the title <strong>of</strong> Sultan, refusing its<br />
fragile feminine corollary, Sultana; the courageous Meerabai who repudiated her<br />
patriarchal destiny as cloistered daughter-in-law <strong>of</strong> a Rajput clan; gentle Mughal<br />
princess Jahanara, who claims the blessings <strong>of</strong> both Allah and the Prophet<br />
Muhammad and wishes ‘never to be forgotten’; Laxmibai, widow, patriot, and<br />
martyr, who rides into legend and immortality fighting for her adopted son’s<br />
birthright; and Hazrat Mahal, courtesan, begum, and rebel queen, resolute till<br />
the very end in defying British attempts to seize her ex-husband’s kingdom.<br />
Ira Mukhoty was educated in Delhi and Cambridge, where she studied<br />
Natural Sciences. After a peripatetic youth, she returned to Delhi to raise her<br />
two daughters. Living in one <strong>of</strong> the oldest continuously inhabited cities in the<br />
world, she developed an interest in the evolution <strong>of</strong> mythology and history and<br />
its relevance to the status <strong>of</strong> women in India.<br />
30<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong>
{aleph spotlight}<br />
understanding the black<br />
economy & black money in india<br />
causes, consequences and remedies<br />
arun kumar<br />
His areas <strong>of</strong> specialization are Development Economics, Public Finance and<br />
Public Policy and Macroeconomics, and he has published widely in these areas,<br />
both in academic journals and the popular press.<br />
<strong>The</strong> Modi government’s sudden demonetization <strong>of</strong> Rs 500 and Rs 1,000 notes<br />
in November 2016, besides causing untold hardship to hundreds <strong>of</strong> millions<br />
<strong>of</strong> Indians, did not do much to destroy the black economy which has crippled<br />
the country for decades now. In this book, Arun Kumar, the country’s leading<br />
authority on the problem, tells us exactly why Modi’s gambit failed. He shows us<br />
the only way in which the black economy can be rooted out, provided the ruling<br />
government has the political will and determination to achieve its objective.<br />
Today, the black economy is estimated to be 56 per cent <strong>of</strong> GDP—or about Rs<br />
65 lakh crore ($1 trillion). A triad <strong>of</strong> corrupt businessmen, corrupt politicians,<br />
and corrupt members <strong>of</strong> the executive (bureaucrats, police and the judiciary)<br />
are responsible for controlling and growing the black economy. If the black<br />
economy were to be dismantled and merged with the ‘white’ economy, the<br />
country’s rate <strong>of</strong> growth would be 12 per cent, its per capita income would<br />
be approximately Rs 7 lakh per annum ( $10,000) and India would become<br />
the second largest economy in the world. If the black economy was taxed at<br />
current rates, it would generate Rs 26 lakh crore in additional taxes and the<br />
union budget would show a surplus <strong>of</strong> Rs 10 lakh crore instead <strong>of</strong> a deficit as is<br />
the case at present. <strong>The</strong> failure <strong>of</strong> successive governments to tackle the problem<br />
effectively is the single biggest obstacle to eradicating poverty and corruption<br />
in the country.<br />
Arun Kumar is the country’s leading authority on the black economy and has<br />
studied, written about and lectured extensively on the phenomenon for nearly<br />
four decades. He was educated at Delhi University, Princeton University and<br />
Jawaharlal Nehru University. He taught Economics at JNU from 1984 to 2015.<br />
32<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Winter<br />
33
how i became a tree<br />
a memoir<br />
sumana roy<br />
In this remarkable and <strong>of</strong>ten unsettling book, Sumana Roy gives us a new vision<br />
<strong>of</strong> what it means to be human in the natural world. Increasingly disturbed by the<br />
violence, hate, insincerity, greed and selfishness <strong>of</strong> her kind, the author is drawn<br />
to the idea <strong>of</strong> becoming a tree. ‘I was tired <strong>of</strong> speed’, she writes, ‘I wanted to live<br />
to tree time.’ Besides wanting to emulate the spacious, relaxed rhythm <strong>of</strong> trees,<br />
she is drawn to their non-violent ways <strong>of</strong> being, how they tread lightly upon<br />
the earth, their ability to cope with loneliness and pain, the unselfishness with<br />
which they give freely <strong>of</strong> themselves and much more. She gives us new readings<br />
<strong>of</strong> the works <strong>of</strong> writers, painters, photographers and poets (Rabindranath Tagore<br />
and D. H. Lawrence among them) to show how trees and plants have always<br />
fascinated us. She studies the work <strong>of</strong> remarkable scientists like Jagadish Chandra<br />
Bose and key spiritual figures like the Buddha to gain even deeper insights into<br />
the world <strong>of</strong> trees. She writes <strong>of</strong> those who have wondered what it would be like<br />
to have sex with a tree, looks into why people marry trees, explores the death<br />
and rebirth <strong>of</strong> trees, and tells us why a tree was thought by forest-dwellers to be<br />
equal to ten sons.<br />
Mixing memoir, literary history, nature studies, spiritual philosophies, and<br />
botanical research, How I Became a Tree is a book that will prompt readers to<br />
think <strong>of</strong> themselves, and the natural world that they are an intrinsic part <strong>of</strong>, in<br />
fresh ways. It is that rarest <strong>of</strong> things—a truly original work <strong>of</strong> art.<br />
Sumana Roy writes from Siliguri, a small town in sub-Himalayan Bengal.<br />
34<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Winter<br />
35
winter<br />
37
maid in india<br />
stories <strong>of</strong> opportunity and inequality inside our homes<br />
tripti lahiri<br />
In many countries, the richest citizens and the poorest ones know little about<br />
each other. In India, we rub shoulders every day, under the same ro<strong>of</strong>. <strong>The</strong>re’s<br />
sir, madam, and their children. Often, the parents <strong>of</strong> sir or madam are around<br />
too. And then there’s the help: the boon—or bane—<strong>of</strong> life for affluent Indians,<br />
depending on whom you talk to. In the not-so-distant past, everyone’s place—<br />
whether maid, ayah or cook, sahib or memsahib—was well understood. <strong>The</strong>re<br />
were clear rules for negotiating (and maintaining) the vast chasm between the<br />
two sides. Today, it’s a little different. <strong>The</strong>re are housekeepers who are part <strong>of</strong> the<br />
middle class who ensure their children join white-collar India. <strong>The</strong>re are teenage<br />
girls brought to the city by ‘aunts’ and ‘uncles’ to serve as ‘24-hour’ help, who<br />
find themselves virtually caged. <strong>The</strong>re are employers who wrestle with the guilt<br />
<strong>of</strong> spending more on an Italian meal in a fancy hotel than on those who clean<br />
their homes—and other employers who insist ‘these people’ are all thieves. With<br />
in-depth reporting in the villages from where women make their way to upperclass<br />
homes in Delhi and Gurgaon, in courtrooms where the worst allegations <strong>of</strong><br />
abuse get an airing, and in homes up and down the class ladder, Maid in India<br />
is an intimate account <strong>of</strong> the complex and troubling relations between the help<br />
and those they serve.<br />
Hong-Kong-based journalist Tripti Lahiri was the founding editor <strong>of</strong> the Wall<br />
Street Journal’s India Real Time blog. In 2013, she was part <strong>of</strong> an award-winning<br />
WSJ team that reported in-depth on the law enforcement and judicial response<br />
to crimes against women in India. She is also a winner <strong>of</strong> the Ramnath Goenka<br />
Award for civic journalism. Maid in India is her first book.<br />
Excerpt<br />
For much <strong>of</strong> India’s independence, only a very tiny share <strong>of</strong> people could afford<br />
to have servants. But in the last two decades, Indians who are experiencing, at<br />
long last, a new level <strong>of</strong> prosperity are now able to hire people to aid in carrying<br />
out the astonishing amount <strong>of</strong> housework that life in India seems to entail at<br />
any income level. Particularly for the growing numbers <strong>of</strong> women who work<br />
in urban India, ‘work-life balance’ depends increasingly on having help. In the<br />
decade after liberalization in 1991, the number <strong>of</strong> maids, drivers and nannies in<br />
India doubled. <strong>The</strong>ir ranks doubled again in the decade that followed.<br />
38<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Spring<br />
39
{aleph spotlight}<br />
the decline <strong>of</strong> civilization<br />
why we need to return to gandhi and tagore<br />
ramin jahanbegloo<br />
foreword by romila thapar<br />
This new book by the Iranian-Canadian philosopher Ramin Jahanbegloo<br />
examines the concept <strong>of</strong> civilization and its decline into a decivilizing process.<br />
<strong>The</strong> big question that the author grapples with is: what does it mean to talk<br />
about a decivilized society? Can it mean that our time is barbaric? Or does it<br />
mean that our century is submerged in a new Dark Age? <strong>The</strong> basic challenge<br />
is, therefore, to understand and analyse this gradual absence <strong>of</strong> the concept<br />
<strong>of</strong> civilization in our everyday lives. Through a pr<strong>of</strong>ound and argumentative<br />
analysis <strong>of</strong> Gandhi’s concept <strong>of</strong> civilization in Hind Swaraj and Tagore’s intercivilizational<br />
dialogue, the author tries to find alternative modes <strong>of</strong> redefining<br />
civilization in terms <strong>of</strong> ethical empathy and cultural hospitality. This book<br />
invites readers to rethink the concept <strong>of</strong> civilization as a ‘shared human horizon’<br />
<strong>of</strong> empathy which avoids moral anarchy and relativism while acknowledging the<br />
plurality <strong>of</strong> modes <strong>of</strong> being human. This is a rare and much needed book for its<br />
commitment to concepts and ideas which remind us <strong>of</strong> how civilization is also a<br />
way <strong>of</strong> questioning the world in which we live.<br />
Excerpt<br />
Let it be understood that the ongoing globalization <strong>of</strong> the high-tech capitalist<br />
culture has created cultural uniformity throughout the world without leaving<br />
any ontological space for cultural diversities. However, in the era <strong>of</strong> present<br />
globalization <strong>of</strong> techno-capitalist culture, the great lack is the idea <strong>of</strong> civilization.<br />
<strong>The</strong> basic challenge is, therefore, to understand and analyse this gradual absence<br />
<strong>of</strong> the concept <strong>of</strong> civilization in our everyday lives. Thus it is noteworthy that the<br />
decline <strong>of</strong> the idea <strong>of</strong> ‘civilization’, as it was known to humanity for over 5,000<br />
years, is intimately connected with the irresponsible and un-empathic nature <strong>of</strong><br />
techno-capitalist rationality. Apart from this, what has contributed most to the<br />
erosion <strong>of</strong> the concept <strong>of</strong> civilization in our present world is the erosion <strong>of</strong> political<br />
consciousness itself. <strong>The</strong> global melting pot <strong>of</strong> capitalism and new technologies<br />
has thereby deteriorated and diminished the culture <strong>of</strong> politics around the world.<br />
Even if the world can still avoid the bureaucratization <strong>of</strong> politics at every level,<br />
the notion <strong>of</strong> politics itself, linked to the idea <strong>of</strong> civilization, has no more a sense<br />
<strong>of</strong> being forward looking, especially in regard to human destiny. Like civilization<br />
itself, politics has become aimless and meaningless. Though politics is about<br />
linking the present life <strong>of</strong> humans to the realm <strong>of</strong> future, today’s political culture<br />
is totally incapable <strong>of</strong> foreseeing the road ahead. <strong>The</strong> fact that contemporary<br />
politics is no more future oriented is the underlying reason why the fundamental<br />
problem <strong>of</strong> humanity is not solely political but mainly civilizational.<br />
Hence, in trying to take into account the crucial issues <strong>of</strong> our time in relation<br />
with the dynamic <strong>of</strong> decivilization in the world today, we hope to be in a<br />
position to advance a correct diagnosis <strong>of</strong> where humanity stands at this present<br />
historical crossroad but also where it seems to be heading without a clear concept<br />
<strong>of</strong> civilization. It is with this requirement in mind that we present this study<br />
as a political and philosophical analysis <strong>of</strong> the concept <strong>of</strong> civilization without<br />
following the path <strong>of</strong> a conventional study <strong>of</strong> the history <strong>of</strong> civilization.<br />
Ramin Jahanbegloo is a political philosopher and the author <strong>of</strong> twenty-seven<br />
books. He is presently the Executive Director <strong>of</strong> the Mahatma Gandhi Centre<br />
for Nonviolence and Peace Studies and the Vice-Dean <strong>of</strong> the School <strong>of</strong> Law at<br />
Jindal Global University, Delhi.<br />
He is the winner <strong>of</strong> the Peace Prize from the United Nations Association in Spain<br />
(2009) for his extensive academic work in promoting dialogue between cultures<br />
and his advocacy <strong>of</strong> non-violence. More recently, he won the Josep Palau i Fabre<br />
International Essay Prize (2012).<br />
40<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Spring<br />
41
asia reborn<br />
a continent rises from the ravages <strong>of</strong> colonialism & war to a new dynamism<br />
prasenjit k. basu<br />
This book is an Asian telling <strong>of</strong> the continent’s twentieth-century story. It<br />
weaves together the stirring tales <strong>of</strong> how Asia’s nations overcame European<br />
domination—and its legacies <strong>of</strong> war and famine—and began the long climb<br />
to economic dynamism. Japan, having resisted colonial conquest through its<br />
conservative revolution in 1868, played a vital role as leader <strong>of</strong> Asia’s rebirth.<br />
<strong>The</strong> tide turned when Japan triumphed in its decade-long tussle with Russia<br />
over Manchuria, the homeland <strong>of</strong> the non-Chinese dynasty that then ruled<br />
China. Britain’s Curzon, seeking to nip nascent nationalism in the bud, quickly<br />
partitioned India’s largest province—the first gambit in Britain’s long game <strong>of</strong><br />
divide et impera. <strong>The</strong> book examines why the most prosperous parts <strong>of</strong> Asia in<br />
the second half <strong>of</strong> the twentieth century were precisely those that had been ruled<br />
by Japan (even fleetingly), while those parts <strong>of</strong> Asia that were ruled longest by<br />
the British were its poorest.<br />
Prasenjit K. Basu lives and works in East Asia (Singapore and Kuala Lumpur)<br />
with his wife, Aarti, and three children. He has spent the past quarter century<br />
analysing Asia’s economies for various clients <strong>of</strong> Wharton Econometrics, UBS,<br />
Credit Suisse First Boston, Khazanah Nasional, Daiwa Securities and Macquarie.<br />
Apart from copious reports for his employers, Prasenjit has been a regular<br />
commentator for the BBC, CNBC-Asia, Channel News Asia, NDTV Pr<strong>of</strong>it<br />
and Zee Business, and has written op-eds for the Financial Times, International<br />
Herald Tribune, Business Times (Singapore), <strong>The</strong> Statesman (India), India Today,<br />
<strong>The</strong> Edge, <strong>The</strong> Star (Malaysia) and BBC Online, and co-authored a little book<br />
called India as a New Global Leader (Foreign Policy Centre, 2005).<br />
42<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> 43
the book <strong>of</strong> indian dogs<br />
s. theodore baskaran<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> Indian Dogs is the first comprehensive book on Indian dog breeds<br />
in over fifty years. It features the twenty-five breeds that most breeders and<br />
dog fanciers agree constitute the country’s canine heritage. Divided into three<br />
groupings—working dogs, companion dogs and hounds—the book provides<br />
detailed background notes to each breed, along with information on its physical<br />
characteristics, behaviour, uses, origins and history. Along with popular breeds<br />
like caravan hounds (or Karuvanis), Chippiparais, Mudhol hounds, Pashmis,<br />
Rajapalayams and Rampur hounds the book also features lesser known breeds<br />
such as the Alaknoori and the Jonangi. <strong>The</strong> fruit <strong>of</strong> several years <strong>of</strong> travel and<br />
research into India’s dog breeds, as well as S. <strong>The</strong>odore Baskaran’s hands-on<br />
experience <strong>of</strong> raising various dogs, this celebration <strong>of</strong> our dogs is a book that no<br />
dog lover can do without.<br />
Baskaran’s other scholarly interests include film studies and art history, areas in<br />
which he has published books and articles. His book, <strong>The</strong> Eye <strong>of</strong> the Serpent, won<br />
the National Award for Best Writing on Cinema, 1997. He was awarded the Iyal<br />
Virudhu for Lifetime Achievement in Tamil Writing by the Canada-based Tamil<br />
Literary Garden.<br />
He is a graduate <strong>of</strong> the National Defence College. He retired as Chief Postmaster<br />
General <strong>of</strong> Tamil Nadu. He lives with his wife in Bangalore.<br />
A lifelong dog lover, S. <strong>The</strong>odore Baskaran has raised many dogs, including<br />
two Indian breeds. He has been associated with the Kennel Club <strong>of</strong> India,<br />
Chennai, and was a member <strong>of</strong> the show committee. He was instrumental in<br />
bringing out a set <strong>of</strong> four postage stamps on indigenous breeds <strong>of</strong> dogs.<br />
Baskaran is a well-known naturalist and conservationist. He served two terms as<br />
a trustee <strong>of</strong> WWF India and has been an honorary wildlife warden in Chennai.<br />
His book <strong>The</strong> Dance <strong>of</strong> the Sarus: Essays <strong>of</strong> a Wandering Naturalist was published<br />
in 1999. He edited a book on Indian wildlife, Sprint <strong>of</strong> the Blackbuck. He writes<br />
frequently on conservation for <strong>The</strong> Hindu and Frontline. He has also contributed<br />
to important anthologies such as An Anthology <strong>of</strong> Indian Wildlife, Waterlines:<br />
Rivers <strong>of</strong> India and Voices in the Wilderness. He writes on conservation in Tamil<br />
in magazines like Uyirmmai and Kalachuvadu and also has three books on<br />
conservation in Tamil to his credit. He believes that to make conservation a<br />
people’s movement the discourse has to be in local languages.<br />
44<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Spring<br />
45
47
god in hinduism<br />
devdutt pattanaik<br />
<strong>The</strong> bestselling author <strong>of</strong> books on mythology, spirituality and religion, Devdutt<br />
Pattanaik follows up his number one bestseller My Gita with this extraordinary<br />
encyclopaedia on the various manifestations <strong>of</strong> God in Hindu scriptures, temples<br />
and everyday worship. This book is designed to appeal to anyone looking for<br />
concise descriptions, explanations and insights into God, gods and goddesses<br />
in Hinduism from one <strong>of</strong> the world’s greatest authorities on the subject. In the<br />
author’s own words:<br />
© Prashant Sareen<br />
God in Hinduism has many definitions.<br />
God is God, Goddess, and gods.<br />
God is an idea and entity.<br />
God is one and many.<br />
God is man, woman, and everything in between.<br />
God is element, plant, animal and human.<br />
God is space, time and star.<br />
God is within and without.<br />
God is source and destination.<br />
God is container and contained.<br />
God is hermit and householder.<br />
God is imagination and consciousness.<br />
God is form and formless.<br />
God is meaning and manifestation.<br />
God is flesh and soul.<br />
Devdutt Pattanaik is a renowned author, mythologist and leadership<br />
consultant. He has written over thirty bestselling books (among them Business<br />
48<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Summer<br />
49
Sutra, <strong>The</strong> Success Sutra, <strong>The</strong> Leadership Sutra and <strong>The</strong> Talent Sutra), published<br />
several hundred articles and given numerous talks and presentations on Indian<br />
mythology, religion, culture, business and management. He was formerly the<br />
Chief Belief Officer <strong>of</strong> the Future Group.<br />
zelaldinus<br />
a masque<br />
irwin allan sealy<br />
He is currently a much sought-after speaker, leadership coach, management<br />
adviser and consultant on Indian mythology, religion and culture. To know<br />
more about him please visit www.devdutt.com.<br />
While Zelaldinus [Jalal al-Din, Akbar, the Great Mogul] was residing at Agara, he<br />
decided to remove his court to siquirinum [Sikri].<br />
—Father Antonio Monserrate, Jesuit, reporting<br />
from Akbar’s court to Rome, 1579.<br />
In the inner court <strong>of</strong> Emperor Akbar’s palace at Fatehpur Sikri is a broad<br />
stone terrace with a chequered pattern that resembles a game board. Here,<br />
contemporary accounts say, the emperor played a kind <strong>of</strong> chess using pieces<br />
drawn from his harem <strong>of</strong> three hundred. Costumed in various guises, the women<br />
would have presented many a lively masque for the king.<br />
Zelaldinus mounts such a pageant, glittering and fantastical, where past and<br />
present, nobles and commoners, history and fiction, rub shoulders. <strong>The</strong> emperor<br />
himself, a man <strong>of</strong> limitless enthusiasms, is both chief participant and magus. <strong>The</strong><br />
emperor, and one other, the tourist and narrator Irv.<br />
i got in late at night<br />
and took the only bed<br />
hotel trishul—a fright<br />
in six colours at the foot <strong>of</strong> the red<br />
city. pink-tiled bathroom a joke<br />
encrypted kitchen head-<br />
on, its furnace blast insinuating smoke.<br />
Smoke and glare merely spike Irv’s crackling tale <strong>of</strong> romantic love across the<br />
50<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Summer<br />
51
Pakistan border, while through it all strides the nimble ghost <strong>of</strong> Akbar himself.<br />
Irwin Allan Sealy was born in Allahabad in 1951 and educated in Lucknow and<br />
Delhi. He is the author <strong>of</strong> <strong>The</strong> Small Wild Goose Pagoda, <strong>The</strong> Trotter-Nama, <strong>The</strong> Everest<br />
Hotel, <strong>The</strong> Brainfever Bird and other novels, and a travelogue, From Yukon to Yucatan. He<br />
lives in Dehradun.<br />
the parrots <strong>of</strong> desire<br />
3,000 years <strong>of</strong> indian erotica<br />
edited by amrita narayanan<br />
Erotic writing (or writing that addresses the philosophical questions that arise<br />
in the erotic life), has unfolded in India in different cosmopolitan and spiritual<br />
hubs at different periods in history; yet Kama’s arrows are less well-known than<br />
Cupid’s despite pre-dating and most likely influencing them. In this anthology,<br />
divided into sections that speak to the burning emotions and questions <strong>of</strong> the<br />
erotic life, modern lovers and the erotically curious can find access and use for the<br />
breadth <strong>of</strong> erotic writing and thinking that has emerged from the subcontinent<br />
from antiquity to the present day.<br />
<strong>The</strong> book covers a vast span <strong>of</strong> time and language and a stunning range <strong>of</strong><br />
geographical locations. <strong>The</strong> readers will find questions on the nature <strong>of</strong> erotic life<br />
arising on the battlegrounds <strong>of</strong> Kurukshetra; erotic Tamil Sangam poems (many<br />
by women writers) in the hills, woods, plains, desert and seaside and in the form<br />
<strong>of</strong> complaints, laments, lust and rapture; sky and ether are the geography <strong>of</strong><br />
the ecstatic verses <strong>of</strong> Andal, the Tamil wanderer poet <strong>of</strong> the Bhakti Movement;<br />
the stylized sexuality <strong>of</strong> courtly and courtesan life hovers in the backdrop <strong>of</strong><br />
the intensely sensual lovemaking in Mudduppalani’s text, translated from the<br />
Telugu; the gritty sexuality <strong>of</strong> brothels in pre-Partition Lahore penetrates Manto’s<br />
short story ‘Smell’; global metaphors suffuse and elevate desire in ‘Infinite’, the<br />
translated Malayalam poem <strong>of</strong> K. Satchidanand; in the excerpt from Tarun<br />
Tejpal’s Alchemy <strong>of</strong> Desire, an extraordinarily sexual tale <strong>of</strong> urban love threatens<br />
to rip asunder a quiet home in the hills in north India.<br />
Organized according to the different moods <strong>of</strong> the erotic, from the rawly sexual<br />
to the elevated ecstatic, the anthology covers the problems and pleasures <strong>of</strong> a<br />
favourite human—and clearly Indian—pastime.<br />
52<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Summer<br />
53
Amrita Narayanan is a clinical psychologist and writer based in Goa. She is<br />
the author <strong>of</strong> A Pleasant Kind <strong>of</strong> Heavy and Other Erotic Stories (a finalist for<br />
the Shakti Bhatt First <strong>Book</strong> Award) and <strong>of</strong> numerous essays on psychoanalysis,<br />
women and sexuality that have been published in India, the UK and US.<br />
{aleph spotlight}<br />
political corruption<br />
in india<br />
how should it be combated?<br />
n. ram<br />
Political corruption in India is something that everyone talks about, feels strongly<br />
about, and imagines he or she knows a lot about. In a land where myths and<br />
fantastical notions abound, it is not surprising that in the public mind this beast,<br />
which is constantly in the news, can assume fantastic forms and proportions.<br />
<strong>The</strong> ‘folklore <strong>of</strong> corruption’ (a term coined by Nobel Prize-winning economist<br />
Gunnar Myrdal) that has developed over time is itself socially and politically<br />
significant, almost on a par with anti-corruption arrangements and movements<br />
and the facts <strong>of</strong> corruption.<br />
Political Corruption in India will focus on the Indian variant <strong>of</strong> ‘grand corruption’,<br />
an idea and category that harks back to Hegel’s famous differentiation between<br />
ordinary corruption or ‘a great and general corruption’. Today, grand corruption<br />
in India denotes the systemic abuse <strong>of</strong> power on a massive and ever-increasing<br />
scale for personal gain or other illegitimate ends. It takes place in the higher<br />
reaches <strong>of</strong> the political system, subverts the rule <strong>of</strong> law, and is deeply embedded in<br />
the country’s socio-economic and political systems. Despite the existence <strong>of</strong> anticorruption<br />
laws, the periodic surfacing <strong>of</strong> anti-corruption movements, and some<br />
notable prosecutions and convictions <strong>of</strong> the corrupt, it is widely acknowledged<br />
that an immunity from independent investigation and prosecution operates in<br />
most cases for the politically powerful.<br />
Drawing on his experience <strong>of</strong> investigating B<strong>of</strong>ors—modern India’s defining<br />
corruption scandal—and analysing more recent investigations <strong>of</strong> grand<br />
corruption, the author throws a spotlight on what independent and publicspirited<br />
journalism can do, in tandem with other democratic institutions, to<br />
combat corruption across the land. <strong>The</strong> book ends with a forecast on whether<br />
India will be able to root out corruption from its polity in the conceivable future.<br />
54<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Summer<br />
55
N. Ram, chairman <strong>of</strong> Kasturi & Sons and former editor-in-chief and publisher<br />
<strong>of</strong> <strong>The</strong> Hindu and Frontline magazine, is a political journalist with literary<br />
interests. He has written on a range <strong>of</strong> socio-political subjects and specialized in<br />
investigative journalism. Along with Susan Ram, he is the biographer <strong>of</strong> the great<br />
Indian writer, R. K. Narayan, whom he knew well. Ram was elected president<br />
<strong>of</strong> the Contemporary India Section <strong>of</strong> the 72nd Session <strong>of</strong> the Indian History<br />
Congress (2011). He was awarded the Padma Bhushan for Journalism (1990).<br />
He also received the Asian Investigative Journalist <strong>of</strong> the Year Award from the<br />
Press Foundation <strong>of</strong> Asia (1990); the B. D. Goenka Award for Excellence in<br />
Journalism (1989); and a Columbia J-School Alumni Award (2003).<br />
{aleph spotlight}<br />
knowledge and education<br />
in india<br />
g. n. devy<br />
Over the last two centuries, thinkers <strong>of</strong> every hue have debated the nature <strong>of</strong><br />
‘knowledge’ relevant for India. Towards the end <strong>of</strong> the eighteenth century, the<br />
debate was focused on the need to choose between Western forms <strong>of</strong> knowledge<br />
and traditional Indian forms <strong>of</strong> knowledge, between the ‘puratan’ and the<br />
‘nutan’. Subsequently, various social reformers and thinkers attempted to bring<br />
about an eclectic synthesis <strong>of</strong> these two essentially divergent modes <strong>of</strong> learning<br />
and knowledge generation, without much success.<br />
Since Independence, repeated attempts have been made to shape regulatory<br />
institutions and educational processes so as to be able to train educated minds,<br />
which in turn are expected to contribute to the progress and growth <strong>of</strong> India.<br />
However, there has been a pervasive dissatisfaction about education and the<br />
capability <strong>of</strong> educational institutions, especially in regard to the research they<br />
undertake and the knowledge they shape.<br />
This book briefly describes the historical context and the general nature <strong>of</strong><br />
dissatisfaction about education in India, and goes on to <strong>of</strong>fer an analysis <strong>of</strong> the<br />
historical context <strong>of</strong> various forms <strong>of</strong> social exclusion. <strong>The</strong> main focus <strong>of</strong> the<br />
book is a discussion <strong>of</strong> the nature <strong>of</strong> the central component in education, namely<br />
‘knowledge’. It outlines the development <strong>of</strong> ideas surrounding the notions <strong>of</strong><br />
‘knowledge’ in Western societies over the last four centuries, dwelling at some<br />
length on the role <strong>of</strong> ‘memory’ in the rise <strong>of</strong> different disciplines <strong>of</strong> learning; the<br />
book then comments on trajectories <strong>of</strong> ‘memory’ in Indian tradition(s). Having<br />
presented these two distinct overviews <strong>of</strong> ‘memory’, it seeks to explain why<br />
the forms <strong>of</strong> knowledge in India took divergent paths distributed between the<br />
‘classical’ and the ‘folk’, and why many <strong>of</strong> the indigenous fields <strong>of</strong> knowledge did<br />
not culminate in unified fields <strong>of</strong> knowledge with a universal value. <strong>The</strong> book<br />
argues that the conceptual uncertainty about what ‘knowledge’ is, or should do,<br />
56<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Summer<br />
57
to and within a society is a likely reason why attempts made to impart the right<br />
sort <strong>of</strong> knowledge (and education) in India haven’t been satisfactory.<br />
Another central strand in the book is an examination <strong>of</strong> the general ignorance<br />
about the communities at the margins—Adivasis and nomads—and its adverse<br />
impact on the quality <strong>of</strong> knowledge circulated in formal education. It then<br />
proposes that ‘not knowing India sufficiently well’ produces a ‘not knowing<br />
India’.<br />
Formerly Pr<strong>of</strong>essor <strong>of</strong> English at the Maharaja Sayajirao University <strong>of</strong> Baroda<br />
and Dhirubhai Ambani Institute <strong>of</strong> Information Technology, G. N. Devy writes<br />
in English, Marathi and Gujarati. He is the founder <strong>of</strong> the Bhasha Research<br />
Centre, Baroda, and Adivasi Academy, Tejgadh, and has worked extensively with<br />
Adivasis and nomadic communities in India. He led the People’s Linguistic Survey<br />
<strong>of</strong> India (PLSI), a comprehensive documentation <strong>of</strong> all living Indian languages,<br />
forming a fifty-volume PLSI Series (Orient BlackSwan). He has received several<br />
awards for his writing as well as for his community work, including the Padma<br />
Shri, Prince Claus Award and Linguapax Award. Among his better known works<br />
are After Amnesia (1992), Of Many Heroes (1997), Painted Words (2003) and<br />
Nomad Called Thief (2003) (in English), Vanaprastha (in Marathi), and Adivasi<br />
Jaane Chhe (in Gujarati). He has co-edited a series <strong>of</strong> six volumes on indigenous<br />
cultures and knowledge. As an activist, he played a leading role in the movement<br />
for the rights <strong>of</strong> Denotified and Nomadic Tribes, and more recently has initiated<br />
the Dakshinayan Movement <strong>of</strong> writers and artists.<br />
the demon-hunter <strong>of</strong> chottanikkara<br />
a novel<br />
s. v. sujatha<br />
<strong>The</strong> rhythm <strong>of</strong> the days in Chottanikkara is languid. Surrounded by lush forest<br />
and sprawling sea, this village in Malabar is idyllic, its winds warm and scented<br />
with salt, its air tasting <strong>of</strong> jackfruit and spices, its inhabitants immersed in simple<br />
routines <strong>of</strong> farming and trading and fishing. <strong>The</strong> nights, however, are not as<br />
calm. For, when darkness falls, the demons come out <strong>of</strong> hiding, consumed with<br />
an insatiable bloodlust and hunger, ready to prey on the living. It is then up to<br />
Devi to stop them, to hunt them down and expel them from the land <strong>of</strong> the<br />
living.<br />
This blazingly original work <strong>of</strong> fiction is based on the mythology and folklore <strong>of</strong><br />
Goddess Devi, the protector, exorcist and native deity <strong>of</strong> Chottanikkara, where<br />
her temple still stands at the nerve-centre <strong>of</strong> the village. <strong>The</strong> story reimagines the<br />
goddess as a young warrior and sets her story in a time when the demons weren’t<br />
simply in our heads but roamed free and had to be slain.<br />
Excerpt<br />
At the eastern corner <strong>of</strong> the temple, a little away from the doors, was the<br />
mahavedi, the main altar. It was alive now, the pyre burning bright within the<br />
robust red-brick frame, stoked by the pots <strong>of</strong> ghee poured onto the wood, the<br />
smoke rising thick, the tongues <strong>of</strong> flame leaping up fiercely. <strong>The</strong> priests were<br />
already seated around the altar, prepared and eager, and beside them were the<br />
baskets <strong>of</strong> <strong>of</strong>ferings the villagers had brought along to the temple. Devi took her<br />
place beside these men <strong>of</strong> God, lowering herself onto the thick wooden platform<br />
set at the head <strong>of</strong> the altar. <strong>The</strong> melsanthi had placed her turban beside her seat,<br />
so it would be blessed too.<br />
‘Let us begin,’ she said to the priests.<br />
58<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Summer<br />
59
<strong>The</strong> head priest began s<strong>of</strong>tly uttering verses and incantations, invoking and<br />
praying, his voice cutting through the air in staccato bursts. <strong>The</strong>n all the priests<br />
joined in. <strong>The</strong>ir voices moved in seamless rhythms, coming together, soaring<br />
towards the pyre. Devi sat there soaking up the prayers, her lips moving along<br />
with their chants, speaking the words from memory. <strong>The</strong>y made their <strong>of</strong>ferings<br />
to Agni, poured in pots <strong>of</strong> freshly churned butter, ghee, rice, barley, lentils,<br />
herbs, roots, tree barks, milk, and water. Smoke rose from the altar, pr<strong>of</strong>use and<br />
fragrant. Devi let the chants spill onto her like sacred rain. <strong>The</strong>y flowed over<br />
her—first a soothing river, then becoming a swelling sea. <strong>The</strong> chanting slowly<br />
crescendoed around her, the smoke thickened, wrapping her in waves <strong>of</strong> rapture.<br />
Suddenly, Devi sprang to her feet and raised her trisoolam, her breath coming in<br />
quick bursts, her pupils dilating big and black. She held the spear tight, turning<br />
it so its prongs faced downwards, and she stretched her other hand before her:<br />
the veins on her arms and legs writhed under the skin. In one swift motion,<br />
and aiming at the three dark scars that still remained on her wrist from the<br />
last sacrifice, she plunged the trident into herself: blood spurted out, bubbling,<br />
burning crimson. She placed her open wound over the mouth <strong>of</strong> the altar. As her<br />
blood poured into the sacrificial pyre, she watched impassively, patiently.<br />
‘I <strong>of</strong>fer Agni, the fierce god <strong>of</strong> fire, my blood, my life-force,’ Devi cried, ‘and I ask<br />
in return for strength to protect my people from evil. To cure them from disease.<br />
To save them from demons.’<br />
S. V. Sujatha was born in Madras, the land <strong>of</strong> filter c<strong>of</strong>fee and elaborate meals<br />
and wonderful temples. She is a graduate <strong>of</strong> the Warwick Writing Programme<br />
where she eventually found her calling as writer and storyteller. However, it took<br />
her five years <strong>of</strong> working as an editor and helping others write their books to<br />
finally work up the courage to author her own. She currently lives in the United<br />
States <strong>of</strong> America and is a full-time writer. This is her debut novel, born out <strong>of</strong><br />
her love for the Mother Goddess and passion for Indian mythology.<br />
60<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> 61<br />
monsoon
prescriptions for success<br />
the autobiography <strong>of</strong> dr b. r. shetty<br />
with pranay gupte<br />
<strong>The</strong> story <strong>of</strong> Bavaguthu Raghuram Shetty, known as Dr B. R. Shetty—the man<br />
with a net worth <strong>of</strong> over $1.1 billion—is a classic rags-to-riches one. Dr Shetty<br />
was born in Udupi in 1942 and served in a number <strong>of</strong> leadership roles including<br />
being the vice chairman <strong>of</strong> the Udupi Municipal Council. He moved from India<br />
to the UAE in 1973 in search <strong>of</strong> greener pastures and went on to become the<br />
pioneer <strong>of</strong> the private healthcare sector with NMC. When Dr Shetty first landed<br />
on Arab soil, he was a young, aspiring entrepreneur with a degree in clinical<br />
pharmacy and a few dollars in his pocket. He saw tremendous potential for<br />
growth in the UAE and, using his entrepreneurial spirit and skills, he became<br />
one <strong>of</strong> the biggest players in the healthcare sector. Beginning with NMC, which<br />
was established in 1975, he built an enormous business empire in less than<br />
three decades. Under his leadership an array <strong>of</strong> service-oriented businesses have<br />
flourished in sectors such as pharmaceuticals, financial services, hospitality and<br />
education.<br />
Besides his core business interests, Dr B. R. Shetty has an abiding interest in<br />
education. He is the honorary chairman <strong>of</strong> the Abu Dhabi Indian School. He<br />
runs a number <strong>of</strong> schools in Abu Dhabi and Dubai, including the Bright Riders<br />
School and Deira Private School.<br />
A humanitarian to the core, Dr Shetty has provided aid to countries ravaged by<br />
natural calamities or acts <strong>of</strong> violence including Bangladesh, Japan, Indonesia,<br />
India, Turkey, Sri Lanka, Thailand, Nepal and Palestine. He supports the Special<br />
Care Centre in Abu Dhabi.<br />
62<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Monsoon<br />
63
the collected stories <strong>of</strong> saadat hasan manto<br />
(volume one)<br />
translated by nasreen rehman<br />
Saadat Hasan Manto (1912–1955) needs no introduction. One <strong>of</strong> the greatest<br />
stars <strong>of</strong> Urdu literature, in a literary career spanning no more than two decades,<br />
Manto published over twenty collections <strong>of</strong> short stories. Several <strong>of</strong> these have<br />
been adapted into films and plays that have won a multitude <strong>of</strong> awards. His<br />
stories about the 1947 Partition are some <strong>of</strong> the best accounts ever written on<br />
the catastrophic event.<br />
In <strong>The</strong> Collected Stories <strong>of</strong> Saadat Hasan Manto, award-winning writer and<br />
translator Nasreen Rehman will translate and collect all <strong>of</strong> Manto’s stories (over<br />
two hundred in all) into English (this is the first time that such an effort has been<br />
made). Authorized by the Manto family, and to be published in three volumes<br />
over three years, this comprehensive collection will include well-known stories<br />
like ‘My Name is Radha’, ‘Toba Tek Singh’, ‘True Love’, ‘<strong>The</strong> Psychoanalyst’ and<br />
‘Open’, as well as several that have never been translated into English before.<br />
Nasreen Rehman was born in Rawalpindi, Pakistan. She divides her time<br />
between England and South Asia. A lapsed economist, she was lured to history<br />
by the work <strong>of</strong> the late pr<strong>of</strong>essor Sir C. A. Bayly (1945-2015). As a very mature<br />
student, she went to the University <strong>of</strong> Cambridge where, supervised by him, she<br />
completed her PhD dissertation on A History <strong>of</strong> the Cinema in Lahore c. 1919-<br />
1947. It will be published by OUP Pakistan in 2017.<br />
Nasreen is an award-winning screenwriter who has worked with directors such<br />
as Yash Chopra, Deepa Mehta and Mehreen Jabbar. Kaifi and I (2010), her<br />
translation <strong>of</strong> Shaukat Kaifi’s memoir, was a bestseller.<br />
64<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> 65
superhuman river<br />
a biography <strong>of</strong> the ganga<br />
bidisha banerjee<br />
Worshipped as a living goddess for centuries, the Ganga is one <strong>of</strong> the most<br />
significant rivers in India, if not the world. From its icy origins in the Gangotri<br />
glacier in the Himalaya, the river wends its way for 2,525 kilometres through<br />
five major northern states before ending its journey in the east at the Bay <strong>of</strong><br />
Bengal through the Sundarbans delta, the largest mangrove system in the world.<br />
<strong>The</strong> Ganga’s significance transcends the spiritual and mythological as it sustains<br />
millions <strong>of</strong> people who live by its banks or eke out a living by tilling lands<br />
that the river fertilizes. Its waters have spawned hundreds <strong>of</strong> towns and cities,<br />
foremost amongst them Varanasi, or Kashi, the city favoured by Lord Shiva<br />
himself—one <strong>of</strong> the oldest continuously inhabited cities in the world.<br />
the Danube, the Amazon and the Mississippi, curiously there has been no major<br />
biography <strong>of</strong> the Ganga. <strong>The</strong>re are nearly a dozen travelogues, <strong>of</strong> varying quality,<br />
<strong>of</strong> journeys on or alongside the river, but this is the first substantial account <strong>of</strong><br />
a river that supports over 400 million people and is worshipped and venerated<br />
by millions more.<br />
Bidisha Banerjee has been obsessed with the Ganga ever since she pretended,<br />
as a child, that ordinary shower water was Ganga water. She lives in Oakland,<br />
California, the obvious midpoint between her two homes, Kolkata and Kansas.<br />
She has written for Slate, the Yale Forum on Climate Change and the Media,<br />
Triple Canopy, and the Stanford Journal <strong>of</strong> Law, Science, and Policy. She is an<br />
ethical leadership curriculum designer for the Dalai Lama Fellows. This is her<br />
first book.<br />
For tens <strong>of</strong> millions <strong>of</strong> people, the Ganga is the living threshold between the<br />
human and the superhuman. This is the river that supposedly originates in<br />
the Milky Way and extends all the way to the underworld. It is the river that<br />
medieval Europeans considered one <strong>of</strong> the four rivers <strong>of</strong> Eden. <strong>The</strong> same river<br />
that drove Alexander and Columbus mad. Famous for its gold, its muslins, its<br />
malabathrum and spikenard, today, apart from being one <strong>of</strong> the most venerated,<br />
it is also one <strong>of</strong> the most polluted rivers in the world. <strong>The</strong> amount <strong>of</strong> sewage<br />
dumped into its waters is 2.9 billion litres, roughly the amount <strong>of</strong> water that<br />
would pump out <strong>of</strong> the Niagara Falls if you were to stare at it for an hour.<br />
<strong>The</strong> Gangetic river dolphin, an emblem <strong>of</strong> its waters and once present in the<br />
thousands, is now a severely endangered species and nearly impossible to see. In<br />
September 2014, the Modi government pledged 510 billion rupees over the next<br />
five years to stop the discharge <strong>of</strong> untreated sewage into the river. Will Modi’s<br />
ambitious plan do for the Ganga what billions <strong>of</strong> dollars and the collective effort<br />
<strong>of</strong> five European nations did for the Rhine?<br />
One <strong>of</strong> the world’s legendary rivers, spoken <strong>of</strong> in the same breath as the Nile,<br />
66<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Monsoon<br />
67
a time <strong>of</strong> madness<br />
a memoir <strong>of</strong> partition<br />
salman rashid<br />
Nearly seventy years ago, in the city <strong>of</strong> Jalandhar in Punjab, something dreadful<br />
happened during the chaos <strong>of</strong> Partition. <strong>The</strong> author, whose family fled Jalandhar<br />
for Pakistan, lived in the shadow <strong>of</strong> that tragedy for decades, until, in 2008,<br />
he made the journey back to his village to uncover the truth about the horror<br />
<strong>of</strong> 1947. A Time <strong>of</strong> Madness tells the story <strong>of</strong> what he discovered with great<br />
poignancy and grace. It is a tale <strong>of</strong> unspeakable brutality but it is also a testament<br />
to the uniquely human traits <strong>of</strong> forgiveness, redemption and the resilience <strong>of</strong> the<br />
human spirit.<br />
Excerpt<br />
On the twentieth day <strong>of</strong> March 2008, I headed home for the first time in my<br />
life. On that day I was fifty-six years and a month old. Walking east across the<br />
border gates at Wagah I was on my way to the fulfilment <strong>of</strong> a family pietas <strong>of</strong><br />
very long standing. I was going home to a home I had never known; a home in a<br />
foreign land, a land that state propaganda wanted me to believe was enemy land.<br />
But I knew it as a country where my ancestors had lived and died over countless<br />
generations. That was the home where the hearth kept the warmth <strong>of</strong> a fire first<br />
kindled by a matriarch many hundred years, nay, a few thousand years, ago and<br />
which had <strong>of</strong> a sudden been extinguished in a cataclysm in 1947.<br />
who had homes thousands <strong>of</strong> years old, west <strong>of</strong> this line in the land that became<br />
Pakistan.<br />
Born five years and six months after the dreadful event, I had grown up in a<br />
home where we only knew in an amorphous, indirect sort <strong>of</strong> way that the family<br />
had suffered terribly in what the elders referred to as Partition. Even though the<br />
lost ones were referred to from time to time, no one ever spoke explicitly <strong>of</strong> the<br />
loss <strong>of</strong> loved ones and how it may have occurred. <strong>The</strong> inhumanity <strong>of</strong> man turned<br />
against fellow man, <strong>of</strong> neighbours slaughtering those with whom they shared the<br />
same wall, was never spoken <strong>of</strong>. Never was it mentioned that some might have<br />
survived and, forced to convert to another faith, could still be living in India.<br />
This last thought was simply too much for staunchly Muslim minds.<br />
Salman Rashid is Pakistan’s leading travel writer. <strong>The</strong> author <strong>of</strong> nine travel<br />
books, this is his first memoir.<br />
In that great upheaval, in a singular moment in time, that home ceased to<br />
be home. One part <strong>of</strong> the family made it across to become one bit <strong>of</strong> a huge<br />
databank—they were among the nearly two million people uprooted from their<br />
homes. Another part <strong>of</strong> the family also became a statistic—a grim and ghastly<br />
one: they were part <strong>of</strong> the more than one million unfortunate souls who paid<br />
with their blood for the division <strong>of</strong> India and foundation <strong>of</strong> the new country <strong>of</strong><br />
Pakistan for Muslims. <strong>The</strong>y who died were not just Muslims who lived east <strong>of</strong><br />
the new line drawn by Cyril Radcliffe. <strong>The</strong>y were Sikhs, Hindus and even Jains<br />
68<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Monsoon<br />
69
indians<br />
a portrait <strong>of</strong> a people<br />
shashi tharoor<br />
Who are we and why are we the way we are? Bestselling author Shashi Tharoor<br />
sets out to discover the truth about us Indians on the seventieth anniversary<br />
<strong>of</strong> our existence as an independent nation. He examines our habits, food,<br />
languages, customs, religions, attitudes towards one another and foreigners,<br />
culture, history, gods, celebrities, pet peeves, obsessions and a whole lot more.<br />
Among the questions he addresses:<br />
• If we pride ourselves on being the inheritors <strong>of</strong> a culture that is several<br />
millennia old why are we so uncultured in our public behaviour?<br />
• If the supreme deity the majority <strong>of</strong> our people worship is Devi, why do<br />
Indian men treat women so badly?<br />
• For a country that moves on Indian Standard Time, where nobody is ever<br />
punctual, why are we always in such a hurry, jumping queues, red lights and<br />
so on?<br />
• For a country that invented non-violence why are we so violent towards one<br />
another?<br />
• If we are so proud <strong>of</strong> our role in cutting-edge technology why are we so<br />
reliant on astrologers?<br />
• For a country that is so prudish about sex how do we reproduce so much?<br />
Monumental, wise, hilarious and entertaining, Indians is an extraordinarily<br />
insightful study <strong>of</strong> a country and its people.<br />
Shashi Tharoor is the bestselling author <strong>of</strong> sixteen previous books, both fiction<br />
and non-fiction, besides being a noted critic and columnist. His books include<br />
the path-breaking satire <strong>The</strong> Great Indian Novel (1989), the classic India: From<br />
Midnight to the Millennium (1997), and, most recently, An Era <strong>of</strong> Darkness:<br />
70<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> 71
<strong>The</strong> British Empire in India (2016). He was a former Under Secretary-General<br />
<strong>of</strong> the United Nations and a former Minister <strong>of</strong> State for Human Resource<br />
Development and Minister <strong>of</strong> State for External Affairs in the Government <strong>of</strong><br />
India. He is a two-time member <strong>of</strong> the Lok Sabha from Thiruvananthapuram<br />
and chairs Parliament’s External Affairs Committee. He has won numerous<br />
literary awards, including a Commonwealth Writers’ Prize, and was honoured as<br />
New Age Politician <strong>of</strong> the Year (2010) by NDTV. He was awarded the Pravasi<br />
Bharatiya Samman, India’s highest honour for overseas Indians. (For more<br />
on Shashi Tharoor, please see www.shashitharoor.in. Follow him on Twitter@<br />
ShashiTharoor and Facebook at www.facebook.com/ShashiTharoor.)<br />
the book <strong>of</strong> chocolate saints<br />
a novel<br />
jeet thayil<br />
In incandescent prose, award-winning novelist Jeet Thayil tells the story <strong>of</strong><br />
Newton Francis Xavier, blocked poet, serial seducer <strong>of</strong> young women, reformed<br />
alcoholic (but only just), philosopher, recluse, all-round wild man and India’s<br />
greatest living painter. At the age <strong>of</strong> sixty-six, Xavier, who has been living in New<br />
York, is getting ready to return to the land <strong>of</strong> his birth to stage one final show <strong>of</strong><br />
his work (accompanied by a mad bacchanal). As we accompany Xavier and his<br />
partner and muse ‘Goody’ on their unsteady and frequently sidetracked journey<br />
from New York to New Delhi, the venue <strong>of</strong> the final show, we meet a host <strong>of</strong><br />
memorable characters—journalists, conmen, alcoholics, addicts, artists, poets,<br />
whores, society ladies, thugs—and are also given unforgettable (and sometimes<br />
unbearable) insights into love, madness, poetry, sex, painting, saints, death, God<br />
and the savagery that fuels all great art.<br />
Excerpt<br />
Born in the small village <strong>of</strong> Forgottem, Xavier was its only famous son. He shared<br />
a birthday with Goa’s patron saint, Francis Xavier, and named himself after the<br />
saint: Newton Francis Xavier. He was expelled from school for drawing on the<br />
wall <strong>of</strong> the boys’ toilet, in black marker, a precisely enhanced female figure with<br />
a soul- or penis-shaped cavity in the inexact region <strong>of</strong> her belly. <strong>The</strong> drawing was<br />
captioned with a quotation from Francis <strong>of</strong> Assisi, ‘Wherever we go we bring<br />
our cell with us. Our body is the cell and our soul the hermit living in it.’ He<br />
signed it, X. And even then the boy Xavier had thought <strong>of</strong> documentation: he<br />
had persuaded a friend to photograph the picture.<br />
‘Why,’ said Dismas, ‘did you name yourself after Saint Xavier?’<br />
Xavier examined his nails, which were chipped though not dirty.<br />
72<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Monsoon<br />
73
‘I rather would like to <strong>of</strong>fer c<strong>of</strong>fee but the truth <strong>of</strong> the matter is there’s no one<br />
here to make it.’<br />
‘I’m good.’<br />
‘Quite. Do you want the long version or the short?’<br />
‘<strong>The</strong> long.’<br />
‘Francis Xavier achieved sainthood by unstinting, aimless motion. His great wish<br />
was to be never at home. Never at Home—good title, don’t you think, for a<br />
memoir about pr<strong>of</strong>essional exiles such as us? I can see by your terrifying stare<br />
that you don’t think so. <strong>The</strong> point about saints is they understand the futility and<br />
the beauty <strong>of</strong> movement for its own sake. And since the self-denying artist is a<br />
kind <strong>of</strong> saint, I allied myself to one I felt some kind <strong>of</strong> affinity with.’<br />
Jeet Thayil was born in Mamalasserie, Kerala, and educated in Bombay, Hong<br />
Kong and New York. His first novel, Narcopolis, won the DSC Prize for South<br />
Asian Literature 2012 and was a finalist for the Man <strong>Book</strong>er Prize, the Man<br />
Asian Prize and the Commonwealth Prize. His five poetry collections include<br />
Collected Poems, English, and <strong>The</strong>se Errors Are Correct, which won the 2013<br />
Sahitya Akademi Award for poetry. He is the editor <strong>of</strong> 60 Indian Poets and <strong>The</strong><br />
Bloodaxe <strong>Book</strong> <strong>of</strong> Contemporary Indian Poets. Jeet Thayil wrote the libretto for<br />
Babur in London, which toured Switzerland and the United Kingdom in 2012.<br />
© Sanskrita Bharadwaj<br />
74<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> 75
the lovers<br />
a novel<br />
amitava kumar<br />
<strong>The</strong> Lovers: A Novel is about a man in search <strong>of</strong> a love story. This man, our narrator,<br />
is Kailash. His friends teasingly call him Kalashnikov, and sometimes AK-47, even<br />
AK. Through a recounting <strong>of</strong> his years in a college in Delhi and university in<br />
New York, AK takes us through the bittersweet arc <strong>of</strong> youth and love. <strong>The</strong>re is<br />
discovery and disappointment. <strong>The</strong>re are the brilliant women, Jennifer and Nina<br />
and Cai Yan. <strong>The</strong>re is the political texture <strong>of</strong> campus life and the charismatic<br />
pr<strong>of</strong>essor overseeing these young men and women, Ehsaan Ali (modelled on the<br />
real-life Eqbal Ahmad). A supremely modern novel that melds story and reportage,<br />
anecdote and annotation, picture and text, fragment and essay, <strong>The</strong> Lovers reminds<br />
us <strong>of</strong> the works <strong>of</strong> John Berger and Teju Cole; at heart, an investigation <strong>of</strong> love,<br />
the novel also explores feelings <strong>of</strong> discomfort about cultural misunderstandings<br />
and the lack <strong>of</strong> clarity between men and women. Always the feeling, has something<br />
happened? Funny, meditative, and shot through with waves <strong>of</strong> longing, this is a<br />
novel that makes us think <strong>of</strong> fiction as something that we practise every day in the<br />
way we narrate our lives not just to others but also ourselves.<br />
Amitava Kumar is the author <strong>of</strong> A Matter <strong>of</strong> Rats: A Short Biography <strong>of</strong> Patna,<br />
published by <strong>Aleph</strong> in 2013. His first novel, Home Products (2007), was shortlisted<br />
for the Crossword Prize, and his non-fiction report, A Foreigner Carrying in the<br />
Crook <strong>of</strong> His Arm a Tiny Bomb (2010), which the New York Times described as a<br />
‘perceptive and soulful…meditation on the global war on terror and its cultural<br />
and human repercussions’, was given the Page Turner Award. Kumar’s writing has<br />
appeared in Harper’s, the New Yorker, <strong>The</strong> Guardian, Caravan, Vanity Fair and New<br />
York Times. His essay ‘Pyre’, first published in Granta, was selected by Jonathan<br />
Franzen for Best American Essays 2016. He was awarded a Guggenheim Fellowship<br />
in 2016. Kumar is Pr<strong>of</strong>essor <strong>of</strong> English at Vassar College.<br />
76<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> 77
{aleph spotlight}<br />
what it means to be indian<br />
veena das<br />
What does it mean to be Indian? In this seminal book, renowned social<br />
anthropologist Veena Das tries to answer the question by exploring a plethora <strong>of</strong><br />
experiences that are quintessentially Indian. She discusses individual and group<br />
identity and deals with the concepts <strong>of</strong> nationhood, patriotism and Indianness.<br />
What it Means to be Indian is a timely discussion <strong>of</strong> ideas that are constantly<br />
being questioned and redefined.<br />
Veena Das is Krieger-Eisenhower Pr<strong>of</strong>essor <strong>of</strong> Anthropology at the Johns<br />
Hopkins University. Before joining Johns Hopkins University in 2000, she taught<br />
at the Delhi School <strong>of</strong> Economics for more than thirty years. She is a Fellow <strong>of</strong><br />
the American Academy <strong>of</strong> Arts and Sciences and <strong>of</strong> the Academy <strong>of</strong> Scientists<br />
from Developing Countries. She has been awarded the Nessim Habif Prize by the<br />
University <strong>of</strong> Geneva (2014), the John Simon Guggenheim Fellowship (2009),<br />
Anders Retzius Award <strong>of</strong> the Swedish Society <strong>of</strong> Anthropology and Geography<br />
(1997) and Ghurye Award (1977).<br />
© Prashant Sareen<br />
78<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> 79
a life in politics<br />
a memoir<br />
jayanthi natarajan<br />
Jayanthi Natarajan became one <strong>of</strong> India’s youngest MPs at the age <strong>of</strong> thirty.<br />
<strong>The</strong>reafter, she quickly made her mark on Indian politics and went on to hold<br />
a number <strong>of</strong> important ministerial positions. Her extraordinarily distinguished<br />
political lineage stretches back to her great-grandfather who was the Congress<br />
president <strong>of</strong> Tamil Nadu, and a member <strong>of</strong> India’s constituent assembly, and her<br />
grandfather who was the last Congress chief minister <strong>of</strong> Tamil Nadu.<br />
In this candid memoir, Jayanthi talks about her storied political heritage, as well<br />
as her own remarkable political journey this far.<br />
Excerpt<br />
I grew up in a high-octane political household. My maternal grandfather was<br />
the chief minister <strong>of</strong> the state and my paternal grandfather the leader <strong>of</strong> the<br />
Opposition. <strong>The</strong> atmosphere at family functions was interesting, to say the least.<br />
When I was born, although my maternal grandfather was not yet chief minister,<br />
the political barometer in our home was so volatile that my grandmother had<br />
to exercise considerable ingenuity to ensure my paternal grandfather’s visits to<br />
see his granddaughter at the home <strong>of</strong> his political opponent went <strong>of</strong>f without a<br />
hitch.<br />
Throughout school and college I used to do battle to defend the fair name <strong>of</strong><br />
the Congress Party from teasing classmates, especially after the party’s defeat<br />
in 1967. It was thus perhaps natural for me to move into political work after<br />
practising as a lawyer for a few years in the Madras High Court. <strong>The</strong> arrival<br />
<strong>of</strong> Rajiv Gandhi into politics was a seismic event in my life, and that <strong>of</strong> many<br />
young Indians at the time. Although already an active member <strong>of</strong> the Congress<br />
Party, I was genuinely inspired by his idealism and vision for a modern, dynamic<br />
twenty-first-century India, and threw myself into full-time political work.<br />
80<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> 81
One day, while arguing a case, I was called to my chambers, and told that Rajiv<br />
Gandhi, who was then prime minister <strong>of</strong> India, wanted to speak with me. I<br />
thought it was a prank call and ignored it. Minutes later I received an <strong>of</strong>ficial<br />
summons to Delhi to meet the prime minister. When I reached Delhi the same<br />
evening, all I was happily looking forward to was the chance to meet with the<br />
prime minister.<br />
I had no other expectations <strong>of</strong> the meeting and was therefore dumbstruck when<br />
Rajiv Gandhi cheerfully informed me that I had been selected as an <strong>of</strong>ficial<br />
candidate for election to the Rajya Sabha. It was in this fashion that I became<br />
one <strong>of</strong> the youngest MPs in Parliament.<br />
Jayanthi Natarajan is one <strong>of</strong> the country’s most distinguished political leaders.<br />
the indian copyright handbook<br />
pravin anand (with dhruv anand & tanvi misra)<br />
<strong>The</strong> Indian Copyright Handbook is a comprehensive, up-to-date book on<br />
copyright and copyright law in general, and how it works in India in particular.<br />
Written by one <strong>of</strong> the world’s foremost authorities on the subject, it should<br />
prove indispensable for writers, journalists, editors, publishers, bloggers and<br />
others who create, work on or are custodians <strong>of</strong> the written, spoken or printed<br />
word. It covers the use <strong>of</strong> copyright as it applies to all kinds <strong>of</strong> material including<br />
books, newspaper and magazine articles, blogs, song lyrics, photographs, scripts,<br />
fine art, e-books, motion pictures, quotations and multimedia work. <strong>The</strong> book<br />
explains, in jargon-free language, what copyright is, what rights are granted<br />
under it, how it can be protected, how it can be infringed, how long it lasts and<br />
so on. In addition, the book provides a concise history <strong>of</strong> Indian copyright law<br />
from the time it was framed to the present day. <strong>The</strong> book contains examples<br />
<strong>of</strong> ideal author contracts, permissions forms, assignment letters and the like.<br />
It provides a clear understanding <strong>of</strong> libel and defamation, and how creators <strong>of</strong><br />
copyrighted material can avoid committing these infringements <strong>of</strong> the law.<br />
Pravin Anand is one <strong>of</strong> the country’s leading intellectual property lawyers. In<br />
a career that spans almost four decades, he has been counsel in several landmark<br />
IP cases, including the first Anton Piller order (HMV case), the first Mareva<br />
Injunction Order (Philips case), and the first order under the Hague Convention<br />
(Astra Zeneca case). He has won several prestigious awards for his work, the most<br />
recent being an award given by the FT Asia-Pacific for Most Innovative Lawyer<br />
2015. Pravin Anand is Managing Partner <strong>of</strong> Anand and Anand Advocates, one <strong>of</strong><br />
India’s leading Intellectual Property Law firms. <strong>The</strong> Indian Copyright Handbook<br />
is his first book.<br />
Dhruv Anand is a partner at Anand and Anand. He has been involved in many<br />
significant IP cases. His clients include Louis Vuitton Malletier, Yahoo! Inc., Tata<br />
82<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Monsoon<br />
83
Group, Hamdard, Merck and Qualcomm. He has been a regular contributor<br />
to various legal journals such as Copyright Throughout the World, Managing the<br />
IP Lifecycle, Chambers and Partners—Global Practice Guide—Patent Litigation,<br />
India Business Law Journal and Asia IP.<br />
Tanvi Misra is a former employee <strong>of</strong> Anand and Anand and currently works<br />
for the firm on assignments related to copyright, lawsuits and opinions. She<br />
has extensively researched the evolution <strong>of</strong> copyright law in India. She has been<br />
responsible for researching and drafting several petitions and opinions that have<br />
to do with Indian copyright law and IP matters. She has published articles in<br />
legal journals like Asia IP and World Trademark Review and contributed chapters<br />
to books on IP matters such as Copyright Litigation: Jurisdictional Comparisons,<br />
Getting <strong>The</strong> Deal Throughand Cross Border Copyright Licensing (forthcoming<br />
from Edward Elgar Publishing).<br />
strangers no more?<br />
conflict and reconciliation in india’s northeast<br />
sanjoy hazarika<br />
In 1994, Sanjoy Hazarika’s first book on the Northeast, Strangers <strong>of</strong> the Mist, was<br />
published and immediately acclaimed as a path-breaking, powerful narrative on<br />
the state <strong>of</strong> the country’s Northeast region. It has been used as course material<br />
in governments and colleges, and has been cited widely in studies <strong>of</strong> the region.<br />
Twenty years later, with more travel, stories, interviews and research under his<br />
belt, Hazarika asks in Strangers No More? whether the region and its people are<br />
still ‘different’ to the rest <strong>of</strong> India and to each other and destined to remain so.<br />
Alternatively, he wonders whether reconciliation is possible and is taking place.<br />
While lingering hatreds, divisions and differences may not be overcome by brute<br />
power or economic might or cultural assimilation, there are other ways forward.<br />
<strong>The</strong>se include the process <strong>of</strong> engagement: by accepting, if not embracing, the<br />
‘Idea <strong>of</strong> India’ and working on forging connections between disparate cultures to<br />
overcome the mutual mistrust that has existed for decades. <strong>The</strong> new book looks<br />
at little-known stories, drawn from personal experience and knowledge, <strong>of</strong> the<br />
way in which insurgents operate, <strong>of</strong> the reality <strong>of</strong> border towns in the region, the<br />
pain <strong>of</strong> victims, the courage <strong>of</strong> fighters on either side <strong>of</strong> the battlefield, in the<br />
jungles, in lands awash with rain and swamped by mist. Hazarika walks across<br />
borders and mountains, listening to the people <strong>of</strong> the region and those who live<br />
in neighbouring countries like Bangladesh, Tibet and Myanmar. He critiques<br />
the categorization <strong>of</strong> the ‘Bangladeshi’, challenges the standard stereotype <strong>of</strong><br />
the ‘Northeasterner’, deals with issues <strong>of</strong> ‘race and discrimination’, and looks at<br />
best practices that could be used to deal with intractable issues and combatants.<br />
Most importantly, he tries to present a clear picture <strong>of</strong> how new generations are<br />
grappling with old and current issues with an eye to the future.<br />
Sanjoy Hazarika is director <strong>of</strong> the Commonwealth Human Rights Initiative.<br />
Earlier he was director <strong>of</strong> the Centre for Northeast Studies and Policy Research<br />
84<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Monsoon<br />
85
at Jamia Millia Islamia. He is an award-winning journalist, formerly with the<br />
New York Times. His books include Bhopal: <strong>The</strong> Lessons <strong>of</strong> a Tragedy; Strangers<br />
<strong>of</strong> the Mist: Tales <strong>of</strong> War and Peace from India’s Northeast; Rites <strong>of</strong> Passage: Border<br />
Crossings, Imagined Homelands, India’s East and Bangladesh; and Writing on<br />
the Wall, a collection <strong>of</strong> essays. He has written and published extensively on<br />
draconian laws like the Armed Forces Special Powers Act, the Eastern Himalaya,<br />
and freedom fighters from the Northeast. He is founder and managing trustee<br />
<strong>of</strong> C-nes (www.c-nes.org) which has pioneered the work <strong>of</strong> boat clinics on the<br />
Brahmaputra River; these provide hundreds <strong>of</strong> thousands <strong>of</strong> poor people with<br />
regular healthcare. Hazarika has made over a dozen documentary films on a<br />
number <strong>of</strong> subjects including the Brahmaputra, the endangered Gangetic river<br />
dolphin, and the danger that women face in conflict situations. <strong>The</strong>se have<br />
been screened across India, in Bangladesh, at national and international film<br />
festivals and also at the Nehru Centre in London, Rubin Museum in New York,<br />
at Göttingen University and the University <strong>of</strong> Vienna.<br />
winter<br />
86<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> 87<br />
monsoon
pilgrim nation<br />
journeys <strong>of</strong> the spirit<br />
devdutt pattanaik<br />
In its essence, India was not created by emperors, rajas or politicians; its sacred<br />
geography was established by pilgrims who saw the face and spirit <strong>of</strong> God in<br />
its holy mountains and mystic waters. Devdutt Pattanaik explores the idea <strong>of</strong><br />
pilgrimage and uses various sacred spots <strong>of</strong> India—Hindu, Buddhist, Jain, Sikh,<br />
Islamic, even ones inspired by Bollywood—to understand the glue that binds<br />
this land.<br />
Excerpt<br />
<strong>The</strong>re are two gates in the temple <strong>of</strong> Dwarkadhish in Dwarka that stands in<br />
the Jamnagar district <strong>of</strong> Gujarat: the main northern one is called the Moksha<br />
Dwara, or liberation gateway, and the southern one is called Swarga Dwara, the<br />
paradise gateway. Why are they located in opposite directions? Is it a code <strong>of</strong><br />
Hindu wisdom?<br />
© Prashant Sareen<br />
In the Puranas, north indicates permanence as it is the direction <strong>of</strong> the Pole<br />
Star, and south indicates the opposite, impermanence or mortality, the realm <strong>of</strong><br />
Yama. <strong>The</strong> two gates direct pilgrims to the two goals <strong>of</strong> human life: liberation<br />
from all hungers (moksha) and indulgence <strong>of</strong> all hungers in paradise (swarga).<br />
<strong>The</strong> former is permanent while the latter impermanent. Rishi Mugdala draws<br />
attention to this choice, for the first time in the history <strong>of</strong> Hinduism, in the epic<br />
Mahabharata.<br />
<strong>The</strong> Mahabharata describes a war traditionally believed to have taken place<br />
5,000 years ago. <strong>The</strong> text that we have, however, is only 2,000 years old. Here<br />
the Vedic idea <strong>of</strong> paradise attained through ritual (swarga) and the Upanishadic<br />
idea <strong>of</strong> liberation through wisdom (moksha) are brought together.<br />
<strong>The</strong> Mahabharata also introduces us to Krishna, the maternal cousin <strong>of</strong> the<br />
88<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Autumn/Winter<br />
89
Pandavas who resides in Dwarka. But isn’t Krishna associated with Mathura,<br />
in the Gangetic plains, in the region known as Vraja? How does his residence<br />
move to the western coast <strong>of</strong> India, in the region once known as Anarta? For this,<br />
we have to revisit a little known chapter in the life <strong>of</strong> Krishna that is revealed<br />
first in the Harivamsa, considered an appendix <strong>of</strong> the Mahabharata, and later<br />
elaborated in the Bhagvata Purana.<br />
When Krishna kills his maternal uncle, Kansa, the residents <strong>of</strong> Mathura rejoice.<br />
News <strong>of</strong> this reaches the king <strong>of</strong> Magadha, Jarasandha, who is also Kansa’s fatherin-law.<br />
He attacks Mathura and burns it to the ground, forcing Krishna to take<br />
his kinsmen faraway across the desert to an island now known as Bet Dwarka.<br />
Here, there once stood the city <strong>of</strong> Kushasthali ruled by King Revata but the<br />
city was now in ruins as the king had gone to meet Brahma for a day seeking a<br />
suitable groom for his daughter, not realizing that one day in Brahma’s abode is<br />
a thousand years on earth. When the king returned, he found his city had now<br />
been occupied by Krishna and his Yadavas. <strong>The</strong> king was unhappy but realized<br />
this was the result <strong>of</strong> his own foolishness. All ended well when Krishna suggested<br />
that his elder brother, Balarama, marry the king’s daughter, Revati, thus making<br />
him the son-in-law <strong>of</strong> the former king hence legitimizing the Yadava claim over<br />
the island.<br />
Krishna <strong>of</strong> Dwarka is called Dwarkadhish, which is wrongly translated as ‘king<br />
<strong>of</strong> Dwarka’ for Krishna is never king (unlike Ram). He is simply ‘guardian <strong>of</strong><br />
Dwarka’.<br />
For a note about the author, please turn to page 49.<br />
coming out as dalit<br />
a memoir<br />
yashica dutt<br />
Dalit student Rohith Vemula’s tragic suicide in January 2016 started many<br />
charged conversations around caste-based discrimination in universities in<br />
India. For Yashica Dutt, a journalist living in New York, this was the moment<br />
to stop living a lie, and admit something that she had hidden from friends and<br />
colleagues for over a decade—that she was Dalit.<br />
In Coming Out as Dalit, Dutt recounts the exhausting burden <strong>of</strong> living with<br />
the secret, terrified <strong>of</strong> being found out, and dealing with the crushing guilt <strong>of</strong><br />
denying her history. In this personal memoir that is also a narrative <strong>of</strong> the Dalits,<br />
she writes about the journey <strong>of</strong> coming to terms with her identity and takes us<br />
through the history <strong>of</strong> the Dalit movement; the consequences <strong>of</strong> the lack <strong>of</strong><br />
access to education and culture; the paucity <strong>of</strong> Dalit voices in mainstream media;<br />
and attempts to answer crucial questions about caste and privilege. Woven from<br />
personal narratives from her life as well as that <strong>of</strong> other Dalits, this book forces<br />
us to confront the injustices <strong>of</strong> caste and also serves as a call to action.<br />
Excerpt<br />
What does it mean to be Dalit in 2016? Like any other group comprising more<br />
than 200 million people, it cannot mean the same thing for everyone. <strong>The</strong>re<br />
are common experiences <strong>of</strong> systemic oppression, discrimination and <strong>of</strong>ten<br />
humiliation that symbolize us. But their individual manifestations hinge on<br />
where we live and how fortunate our families have been in breaking free <strong>of</strong> the<br />
tight fabric <strong>of</strong> inequity. Some <strong>of</strong> the lucky ones (myself included) locate in it a<br />
perforation just wide enough to force our way through the asphyxiating layer<br />
<strong>of</strong> our ‘lower’ castes. But that transformation comes at a cost—the cost <strong>of</strong> our<br />
confidence, the cost <strong>of</strong> our identities, the cost <strong>of</strong> our personhood, and <strong>of</strong>ten the<br />
cost <strong>of</strong> our existence (just ask young Dalit men who dare to challenge the caste<br />
structure by marrying ‘upper’ caste women or young Dalit women who were<br />
90<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Autumn/Winter<br />
91
aped and murdered as ‘penance’ for asserting themselves).<br />
Some <strong>of</strong> us never identify our oppression; we claim we were never discriminated<br />
against and that we only experienced kindness from the upper castes. Undeniably,<br />
some upper caste people are kind… When we speak <strong>of</strong> oppression we are not<br />
speaking <strong>of</strong> them. But even the most open-minded people are controlled by the<br />
caste system in insidious ways. Perhaps in their pride and identification with<br />
their last name, their casual usage <strong>of</strong> ‘lower’ caste identities as abuse or their<br />
mild obsession with ‘purity and pollution’ and unquestioning acceptance <strong>of</strong><br />
only Brahmins as Hindu temple priests and only Dalits as manual scavengers,<br />
sweepers and garbage collectors. And in their refusal to acknowledge the reality<br />
<strong>of</strong> caste. Our silence is what we trade for their sanction <strong>of</strong> our existence as nearly<br />
one <strong>of</strong> them.<br />
This status quo needs to be challenged. And that challenge can only come<br />
from within. It’s only the Ambedkars, the Phules, the Periyars, the Birsas and<br />
the Rohiths who can and who will question the validity <strong>of</strong> a system that we<br />
all acknowledge as an essential ingredient <strong>of</strong> ‘Indian culture’. Not every Dalit<br />
person needs to ‘come out’, attend protests, tackle trolls on social media or even<br />
read Ambedkar. <strong>The</strong>y don’t even have to be grateful for reservation and the<br />
subsequent opportunities that allowed them to live with dignity. But they should<br />
read Ambedkar. Reading his work and recognizing our systemic oppression as<br />
opposed to the systemic privilege <strong>of</strong> the ‘upper castes’ is the first step towards<br />
reconciling the struggle and shame so many <strong>of</strong> us wrestle with. Nothing<br />
can change the fact that we were born as Dalits. Any effort towards erasing<br />
that necessary detail will only confine us in inferiority. Ultimately it is about<br />
discovering pride in our history and the identity that makes us Dalit.<br />
Yashica Dutt is a New York-based journalist who writes on gender, identity<br />
and culture. She was previously a principal correspondent with Brunch and the<br />
Hindustan Times and is the founder <strong>of</strong> dalitdiscrimination.tumblr.com<br />
the malayalis<br />
a portrait <strong>of</strong> a community<br />
paul zacharia<br />
<strong>The</strong> book is an informal introduction to Malayalis—the occupants, so to say, <strong>of</strong><br />
Kerala—by a writer who is one <strong>of</strong> them and has much fun being one. It looks<br />
at the way Malayalis conduct their struggle for a place under the Indian sun,<br />
how their politics dupes them, how the media fools them, and yet how they<br />
keep surfacing and surviving. It is an account <strong>of</strong> how an ingenious, resilient<br />
and creative people fight to keep their dreams alive by putting their everything<br />
into education, by scrupulously maintaining communal harmony, by turning<br />
themselves into unrelenting immigrants—even working as hired killers on<br />
occasion. Incorrigibly argumentative and contrary, brilliant in unpredictable<br />
ways, blessed with uncanny wit, devastatingly addicted to the media, leftist for all<br />
to see but feudal and patriarchal to the core, bathing in the glitter <strong>of</strong> expatriate<br />
money, here is an Indian people whose saga <strong>of</strong> survival is both comic and heroic.<br />
Excerpt<br />
Cross the border into Kerala—the Malayali motherland—and you meet a<br />
different India. Like you would, <strong>of</strong> course, in all the cultures that make up the<br />
Indian nation.<br />
Nature and geography make Kerala special. On the west, the Arabian Sea fringes<br />
it end to end for 580 kilometres and in the east the mountains and dense forests<br />
<strong>of</strong> the Western Ghats present a natural border along the boundaries <strong>of</strong> the states<br />
<strong>of</strong> Tamil Nadu and Karnataka.<br />
This narrow strip <strong>of</strong> land at the southern tip <strong>of</strong> India is, arguably, one <strong>of</strong> the<br />
most beautiful places <strong>of</strong> India. Monsoon-and-sun-drenched, mega green, hot<br />
and humid in the plains and cool in the hills, Kerala is the much loved and much<br />
hated motherland <strong>of</strong> Malayalis.<br />
92<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Autumn/Winter<br />
93
It is doubtful, though, if Malayalis realize how lucky they are to be the children<br />
<strong>of</strong> this little paradise smartly marketed across the world as God’s Own Country.<br />
<strong>The</strong>y, in general, sidestep the uncomfortable fact that Kerala is a fragile,<br />
vulnerable, special world, which demands intimate care. Instead, sitting in<br />
Thrissur, Thiruvananthapuram or Kasaragod, or in Cape Town, Seattle, Dubai<br />
or Copenhagen, they engage in escapist outpourings about a phantom Kerala.<br />
<strong>The</strong> real Kerala is dealt with quite ruthlessly.<br />
my kashmir<br />
omar abdullah<br />
Omar Abdullah’s first book, part memoir, part history and part analysis <strong>of</strong> the<br />
various problems that have beset Jammu and Kashmir in the decades since<br />
Independence, will be one <strong>of</strong> the most important books to be published about<br />
<strong>The</strong> word ‘Malayali’ derives from Malayalam, the language <strong>of</strong> Kerala. <strong>The</strong>re is<br />
general consensus that Malayalam’s roots are in ancient Tamil. It was Sanskritized<br />
and moulded over centuries by a variety <strong>of</strong> influences ranging from Arab, Jew<br />
and Syrian to Portuguese and English. <strong>The</strong>re are around thirty-five million<br />
Malayalis speaking the tongue which, as we shall see, they reject with one hand<br />
and embrace with the other.<br />
Once you leave the safe zone <strong>of</strong> standardized print-Malayalam, you plunge into<br />
a bewildering arena <strong>of</strong> accents, intonations and coinages that change startlingly<br />
from district to district—even within the district—becoming an unrecognizable<br />
potpourri around Kerala’s northern borders. So, too, the Malayali changes.<br />
Whole attitudinal chasms divide, say, the Malayali <strong>of</strong> Thiruvananthapuram<br />
from, say, the Malayali <strong>of</strong> Kozhikode. <strong>The</strong> Malayali—popularly Mallu—label is<br />
deceptive. S/he has a thousand faces.<br />
Paul Zacharia writes in Malayalam and English. He has published over fifty<br />
books and has received several awards, including the Kendra Sahitya Akademi<br />
Award. He lives in Thiruvananthapuram.<br />
94<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Autumn/Winter<br />
95
the beautiful and troubled state that was born in fire and blood. My Kashmir will<br />
not only <strong>of</strong>fer the reader unprecedented clarity about the situation in Kashmir<br />
today, it will also <strong>of</strong>fer rare insights into Kashmiri politics and the Abdullah<br />
family that has played a prominent part in shaping the discourse on Kashmir.<br />
Omar Abdullah is one <strong>of</strong> India’s most remarkable political leaders. Belonging<br />
to the National Conference (NC) political party in Jammu&Kashmir, he was<br />
the youngest ever chief minister <strong>of</strong> the state. He has also been twice president <strong>of</strong><br />
the National Conference. A three-time MP, he has served as Union Minister <strong>of</strong><br />
State for Commerce and Industry as well as Union Minister <strong>of</strong> State for External<br />
Affairs. He is presently a member <strong>of</strong> the J&K Legislative Assembly.<br />
Omar Abdullah belongs to one <strong>of</strong> India’s most distinguished political families.<br />
His grandfather, Sheikh Abdullah, also known as Sher-e-Kashmir, formed<br />
the first ever political party in Kashmir which later evolved into the National<br />
Conference. Sheikh Abdullah led the state, first as prime minister from 1948<br />
to 1953, and later as chief minister for two terms. Omar’s father, Dr Farooq<br />
Abdullah, was a three-time chief minister <strong>of</strong> Jammu&Kashmir.<br />
Omar Abdullah divides his time between Srinagar and New Delhi. His interests<br />
include reading, travelling, swimming and skiing. My Kashmir is his first book.<br />
96<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Autumn/Winter<br />
97
the bengalis<br />
a portrait <strong>of</strong> a community<br />
sudeep chakravarti<br />
A community <strong>of</strong> a quarter <strong>of</strong> a billion should count for something. Certainly<br />
the Bengalis do. <strong>The</strong>y occupy some <strong>of</strong> the most fertile, bountiful and densely<br />
populated spaces on the planet. <strong>The</strong> homeland <strong>of</strong> the Bengali, spread across<br />
two countries—India and Bangladesh—is a teeming, heaving, raucous place<br />
where empires have been won and lost, civilization celebrated and ground to the<br />
dust, a place <strong>of</strong> wealth, <strong>of</strong> grand and lucid intellects and terrible illiteracy and<br />
poverty, <strong>of</strong> great reformation and great wretchedness, where emotion seems to<br />
be as much a cachet as education.<br />
Sudeep Chakravarti is an award-winning author <strong>of</strong> ground-breaking and<br />
bestselling works <strong>of</strong> narrative non-fiction (Red Sun, Highway 39, Clear. Hold.<br />
Build), novels (Tin Fish, <strong>The</strong> Avenue <strong>of</strong> Kings) and short stories. His essays and<br />
short fiction have appeared in collections in India and overseas, and, along with<br />
his books, have been translated into several Indian and Western languages.<br />
He is among India’s leading commentators on matters <strong>of</strong> conflict, democracy,<br />
development, economic policy, foreign affairs, culture, society and the<br />
convergence <strong>of</strong> business and human rights. An extensively published columnist,<br />
he has over three decades <strong>of</strong> experience in media, and has worked with major<br />
global and Indian media organizations including the Asian Wall Street Journal,<br />
the India Today Group and HT Media.<br />
<strong>The</strong> Bengali community comprises Nobel laureates and scientific geniuses, free<br />
thinkers and philosophers, literary minds and cinematic icons, revolutionaries<br />
and sages. Within it, an animated discussion on the future <strong>of</strong> mankind can be<br />
as commonplace as an animated discussion on the best way to cook fish. An<br />
argument over politics—and even sports—can lead to death. It is also one <strong>of</strong> the<br />
most economically weak and socio-politically fragile communities to be found<br />
in the world.<br />
In this fascinating book, Sudeep Chakravarti, Bengali by birth and cosmopolitan<br />
by practice, interprets what it means to be Bengali. His exploration <strong>of</strong> one <strong>of</strong><br />
the most prominent communities on the planet embraces history, politics,<br />
conflict, culture, Kolkata (and Calcutta), and the eastern part <strong>of</strong> Bengal—once<br />
East Bengal, then violently East Pakistan and, since the horrific war in 1971,<br />
Bangladesh, the country that was born because it wanted to be Bengali, as much<br />
as speak it. Deeply personal yet wide-ranging, <strong>The</strong> Bengalis is a freewheeling,<br />
searching, emotional, empathetic, and yet unswervingly critical biography <strong>of</strong> a<br />
people that have, for better and worse, helped shape a subcontinent.<br />
98<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Autumn/Winter<br />
99
the nehru reader<br />
edited by rudrangshu mukherjee<br />
Jawaharlal Nehru, India’s charismatic first prime minister, was a prolific and<br />
perceptive writer. He was the author <strong>of</strong> two major books—his autobiography,<br />
and <strong>The</strong> Discovery <strong>of</strong> India—and he wrote continuously on a variety <strong>of</strong> themes,<br />
in letters, prison diaries and for newspapers and journals. As prime minister,<br />
and before that as a leader <strong>of</strong> the nationalist movement, he also delivered<br />
innumerable speeches. This volume brings together a representative selection <strong>of</strong><br />
Nehru’s writings and speeches so that readers can get a glimpse <strong>of</strong> the style and<br />
the mind <strong>of</strong> one <strong>of</strong> India’s most outstanding public intellectuals.<br />
Included in this reader are some <strong>of</strong> Pandit Nehru’s best-known (as well as<br />
relatively unfamiliar) and most interesting works on history, culture, the national<br />
movement, the Congress party, India, the world, his family and himself.<br />
Rudrangshu Mukherjee is Vice Chancellor and Pr<strong>of</strong>essor <strong>of</strong> History at Ashoka<br />
University. He was educated at Calcutta Boys’ School, Presidency College,<br />
JNU, and St Edmund Hall. He was awarded a DPhil in Modern History by<br />
the University <strong>of</strong> Oxford. He has taught in the department <strong>of</strong> history, Calcutta<br />
University, and held visiting appointments at Princeton University, Manchester<br />
University and the University <strong>of</strong> California, Santa Cruz. From 1993 to 2014 he<br />
was the editor, Editorial Pages, <strong>The</strong> Telegraph. He is the author <strong>of</strong> many books—<br />
these include Awadh in Revolt 1857-58: A Study <strong>of</strong> Popular Resistance; Spectre <strong>of</strong><br />
Violence: <strong>The</strong> Massacres in Kanpur in 1857; <strong>The</strong> Year <strong>of</strong> Blood: An Essay on 1857.<br />
He is the editor <strong>of</strong> Great Speeches <strong>of</strong> Modern India and <strong>of</strong> <strong>The</strong> Penguin Gandhi<br />
Reader. His latest publication is Nehru & Bose: Parallel Lives.<br />
100<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> 101
ayodhya<br />
the definitive biography<br />
valay singh<br />
1965<br />
a western sunrise<br />
shiv kunal verma<br />
On 6 December 2017, twenty-five years would have passed since a frenzied mob<br />
<strong>of</strong> Hindus demolished a sixteenth-century mosque in Ayodhya. <strong>The</strong> demolition<br />
<strong>of</strong> the Babri Masjid in 1992 was followed by large-scale riots that killed thousands<br />
<strong>of</strong> people and permanently communalized the polity <strong>of</strong> the country.<br />
In the years leading up to the demolition and in its aftermath, the right-wing<br />
gained decisive ground in electoral politics and deepened its hold on Hindu<br />
society leading to the pronounced othering <strong>of</strong> minorities by the majority<br />
community. <strong>The</strong> demolition was a climax <strong>of</strong> the Ram Janmabhoomi movement<br />
that has been at the heart <strong>of</strong> Indian politics for a quarter century since the BJP<br />
first campaigned on the promise <strong>of</strong> building a Ram Temple at the site <strong>of</strong> the<br />
mosque. Do the people <strong>of</strong> Ayodhya still dream <strong>of</strong> a Ram Temple and will the<br />
issue be reinvigorated by the party in power?<br />
Ayodhya: <strong>The</strong> Definitive Biography is an unprecedented portrait <strong>of</strong> the sleepy<br />
town in northern India, which has been a place <strong>of</strong> reverence for many faiths<br />
for millennia, but has also been a place <strong>of</strong> violence, bloodshed and ill-will.<br />
Through numerous interviews, exhaustive research, and rare insights from being<br />
embedded in Ayodhya, the author presents a comprehensive account <strong>of</strong> one <strong>of</strong><br />
the most fiercely contested places in the country.<br />
Valay Singh is a journalist and photographer based in New Delhi. Originally<br />
from Bhopal, Valay started his career in journalism with NDTV 24x7. He has<br />
produced documentary films for Indian and French media and has written for<br />
the Economic Times, Himal Southasian and DailyO, among other publications.<br />
This is his first book.<br />
In 1964, while India was still licking its wounds from the fiasco against the<br />
Chinese in 1962, the belligerent Pakistanis decided to test the Indian armed<br />
forces in the Western Sector. <strong>The</strong> first probes were launched in the Rann <strong>of</strong> Kutch<br />
and India came out <strong>of</strong> the initial skirmishes with egg on its face. Its success in the<br />
Rann <strong>of</strong> Kutch (Operation Desert Hawk I, II and III) made the Pakistani Army<br />
extremely cocky, which led to the launching <strong>of</strong> the covert Operation Gibraltar in<br />
Kashmir in August. Confident that they had better armour (Patton tanks), better<br />
fighters (F-86 Sabres and F-104 Starfighters) and better submarines (Daphnes)<br />
than India, the Pakistanis expected that in the event <strong>of</strong> an armed clash, the<br />
Indians would collapse just as they had against China in NEFA.<br />
<strong>The</strong> civil disturbance in Kashmir due to the alleged theft <strong>of</strong> the Moe-e-Muqaddas<br />
(Hair <strong>of</strong> the Prophet) from the Hazratbal shrine in Srinagar provided the perfect<br />
backdrop for the covert war. Six thousand trained mujahids were deployed by<br />
the Pakistan Army, operating in four distinct forces. 1965: A Western Sunrise<br />
details the sector-by-sector response <strong>of</strong> Indian troops, the initial fighting in<br />
Kargil, and the eventual capture <strong>of</strong> the Haji Pir Pass.<br />
Operation Gibraltar fizzled out and India gave in to the UN and stood down<br />
troops it had mobilized in the Punjab. Pakistan then launched Operation Grand<br />
Slam in September 1965. <strong>The</strong> resultant Indian counter-attack saw the focus shift<br />
to various sectors all across the international border. <strong>The</strong> conflict became a fullblown<br />
war.<br />
Starting with the wounds <strong>of</strong> Partition and the disagreements over Kashmir, the<br />
book gives a complete account <strong>of</strong> the war—from the initial skirmishes to all-out<br />
war along various sectors. It also shows the resurgence <strong>of</strong> the Indian army and<br />
air force as fighting forces.<br />
102<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Autumn/Winter<br />
103
Writer and filmmaker Shiv Kunal Verma has produced many critically<br />
acclaimed films for the Indian armed forces that include Salt <strong>of</strong> the Earth and<br />
Aakash Yodha on the air force; <strong>The</strong> Naval Dimension for the Indian Navy; <strong>The</strong><br />
Standard Bearers (NDA), <strong>The</strong> Making <strong>of</strong> a Warrior (IMA) and <strong>The</strong> Kargil War for<br />
the Indian Army. He has also authored<strong>The</strong> Long Road to Siachen: <strong>The</strong> Question<br />
Why and the highly acclaimed Northeast Trilogy, a seminal work that covers the<br />
entire Northeastern region <strong>of</strong> India. His latest book is 1962: <strong>The</strong> War That Wasn’t.<br />
the short life and tragic death <strong>of</strong><br />
qandeel baloch<br />
sanam maher<br />
In February 2016, a journalist from the international news agency Agence<br />
France-Presse interviewed a twenty-five-year-old Pakistani woman for a story<br />
on how the country’s youth—an estimated 180 million people under the age <strong>of</strong><br />
thirty—interacted with social media. ‘Young people can communicate online<br />
in relative freedom,’ the journalist Issam Ahmed reported, ‘and the country<br />
even has a Kim Kardashian type figure—Qandeel Baloch.’ <strong>The</strong> young woman<br />
caught the reporter’s attention after she posted a video on Facebook mocking a<br />
presidential ‘warning’ not to celebrate Valentine’s Day—a ‘Western’ holiday. In<br />
the video, made on a cell phone as she lies in bed, Baloch wears a low-cut red<br />
dress, and her full lips are painted scarlet. <strong>The</strong> sheets match her outfit, and her<br />
dress rides up her legs to reveal her thighs. ‘<strong>The</strong>y can stop to people go out,’ she<br />
says in broken English, ‘but they can’t stop to people love.’ She says the same<br />
thing once more, this time in Urdu, with an exaggerated American accent, as<br />
though she is not used to speaking the language. ‘Woh logon ko pyaar karnay<br />
se nahin rok saktay. Kuch bhi kar lein. (No matter what they do, they can’t stop<br />
people from loving).’<br />
<strong>The</strong> video shows us everything that Pakistanis loved—and loved to hate—<br />
about Qandeel: she played the coquette, dished out biting critiques <strong>of</strong> some <strong>of</strong><br />
Pakistan’s most holy cows, and gave her heart away to politicians, actors, singers<br />
and cricketers. We snickered at the way she spoke and her accent, and marvelled<br />
at her gumption. She was the stuff <strong>of</strong> a hundred memes and the butt <strong>of</strong> our<br />
jokes. She was Pakistan’s first celebrity-by-social media.<br />
At the time, the Valentine’s Day video had been seen 830,000 times. Five months<br />
later, Qandeel Baloch would be dead. Her brother would strangle her in their<br />
family home, in what would be described as an ‘honour killing’—a murder to<br />
104<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Autumn/Winter<br />
105
estore the respect and honour Qandeel’s behaviour online robbed him <strong>of</strong>.<br />
In 2015, 933 women and men were killed for ‘honour’ in Pakistan, according to<br />
the country’s Federal Ministry <strong>of</strong> Law. Those are only the number <strong>of</strong> cases that<br />
are reported by friends and families. Only a handful <strong>of</strong> these victims are featured<br />
on the front pages <strong>of</strong> newspapers in Pakistan. In most cases, the murderers do not<br />
face charges as they are ‘forgiven’—as per a loophole in the existing legislation—<br />
by the surviving family members. In 2014, Senator Syeda Sughra Imam tabled<br />
the Anti-Honour Killing Laws (Criminal Laws Amendment) Bill in the Senate<br />
to address such loopholes. <strong>The</strong> bill was finally passed by the Senate in March<br />
2015, but lapsed in parliament in October last year.<br />
However, just six days after Qandeel was murdered, this bill was fast-tracked<br />
to be presented in parliament in two weeks. Prime Minister Nawaz Sharif’s<br />
daughter, and not a party or government spokesperson, was chosen to make the<br />
announcement. What spurred the change? Who was Qandeel Baloch and how<br />
did she come to reveal a fundamental schism in our understanding <strong>of</strong> ourselves<br />
as Pakistanis and Muslims?<br />
Sanam Maher is a Pakistani journalist. This is her first book.<br />
indelible india<br />
a golden treasury <strong>of</strong> journalism<br />
edited by m. j. akbar<br />
Indelible India: A Golden Treasury <strong>of</strong> Journalism features some <strong>of</strong> the finest<br />
journalism produced in independent India by legendary editors and reporters<br />
who wrote powerful stories and opinion pieces on politics, war, diplomacy,<br />
economics, and that old staple, crime. This anthology will ensure that these<br />
pieces live beyond the time and space when they first appeared.<br />
Selected from hundreds <strong>of</strong> pieces by M. J. Akbar, Indelible India features greats<br />
like Frank Moraes, N. J. Nanporia, S. Nihal Singh, Arun Shourie, Shekhar<br />
Gupta, Vinod Mehta, Romesh Thapar, Khushwant Singh, N. Ram, B. G.<br />
Verghese, Kuldip Nayar, Chitra Subramaniam, Surya Prakash, T. J. S. George<br />
and many others, in a tribute to the golden age <strong>of</strong> Indian journalism.<br />
Excerpt<br />
How these puffed up bullies run at the slightest whiff <strong>of</strong> exposure! Just a few<br />
stray revelations and Antulay, the self-righteous Sultan <strong>of</strong> Bombay, is on the run.<br />
He has just announced that he, who had so successfully made a commerce <strong>of</strong> the<br />
name ‘Indira Gandhi’, is dropping the name from the legend <strong>of</strong> his trust.<br />
This, as we shall presently see, solves none <strong>of</strong> his problems. For the exploitation<br />
<strong>of</strong> Indira Gandhi’s name was just a matter between him and his czarina. Much<br />
more than the name is involved. For the man has made a commerce not just <strong>of</strong><br />
Mrs Gandhi’s name but <strong>of</strong> everything else too.<br />
His device? Trusteeship. <strong>The</strong> Indira Gandhi Pratibha Pratishthan, the trust that<br />
is being talked about, is only one <strong>of</strong> the trusts he has set up in his brief reign.<br />
<strong>The</strong>re are at least six others: the Konkan Unnati Mitra Mandal (Konkan being<br />
the region from which Antulay hails), the Raigarh Zila Pratishthan (Raigarh<br />
being the district from which Antulay hails), the Shriwardhan Matadar Sangh<br />
106<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Autumn/Winter<br />
107
Pratishthan (Shriwardhan being the constituency from which Antulay hails), the<br />
Mehasala Taluk Trust (Mehasala being the taluk from which Antulay hails), the<br />
Ambet Pratishthan (Ambet being the village from which Antulay hails) and the<br />
Sethia Foundation.<br />
Antulay lost little time in setting up the trusts and even less in devising ways to<br />
stuff them. When he assumed power, cement distribution was with the Civil<br />
Supplies Department. To ensure efficiency Antulay put it under his personal<br />
charge. Allotment <strong>of</strong> government plots to housing societies, etc., was in the<br />
charge <strong>of</strong> the revenue minister. To ensure efficiency Antulay put it under his<br />
personal charge. <strong>The</strong> question <strong>of</strong> how much one could build on a plot was in<br />
the charge <strong>of</strong> the Urban Development Department. To ensure efficiency Antulay<br />
put it under his personal charge. <strong>The</strong> granting <strong>of</strong> no objection certificates for<br />
building on land held in excess <strong>of</strong> the urban ceiling regulations was in the charge<br />
<strong>of</strong> the Revenue Department. To ensure efficiency Antulay put it under his<br />
personal charge. And so on, all along the lucrative line. <strong>The</strong> mode was simplicity<br />
itself and Antulay has himself described it: ‘When rich people come to see me,’<br />
he told Congress (I) legislators recently, ‘I point out to them half a dozen trusts<br />
I have set up. I tell them that I am working for the poor. I request them to<br />
contribute to the trusts...’<br />
—Arun Shourie<br />
M. J. Akbar is one <strong>of</strong> India’s most distinguished editors and writers. Starting as a<br />
reporter for the Times <strong>of</strong> India, he has written exclusively for the Illustrated Weekly<br />
<strong>of</strong> India, Sunday, <strong>The</strong> Telegraph, India Today and the Deccan Chronicle. He is also<br />
the author <strong>of</strong> several internationally acclaimed books. During his long career in<br />
journalism he was editor <strong>of</strong> Sunday, a weekly newsmagazine, <strong>The</strong> Telegraph, Asian<br />
Age and India Today. He was also the editorial director <strong>of</strong> the Sunday Guardian,<br />
a weekly newspaper that he founded. He is a national spokesperson for the BJP<br />
and Minister <strong>of</strong> State for External Affairs.<br />
the kurukshetra war<br />
a reconstruction<br />
keerthik sasidharan<br />
Lured away from the arms <strong>of</strong> his wife by voices that he hears, a hunter named<br />
Jara walks into a forest seeking quiet. In that enchanted grove, a voice urges him<br />
to shoot an elusive deer. His arrow pierces an ankle that belongs to a manyarmed,<br />
plum-tree-coloured, luminous being who is now slowly bleeding out.<br />
<strong>The</strong> wounded man tells Jara that he is Krishna, the Lord <strong>of</strong> Dwarka, Devaki’s<br />
son and Arjuna’s friend. On this last night <strong>of</strong> his life as an avatar <strong>of</strong> Vishnu, he is<br />
still part human and part God. But, as Jara discovers, before his ascent into the<br />
heavens, Krishna must cede all that made him human: his triumphs, loves, and<br />
despairs. To relive them for the last time, Jara tells him nine stories during that<br />
fateful night. Stories <strong>of</strong> the nine emotions embodied by those who participated<br />
in the Great War on the killing fields <strong>of</strong> Kurukshetra. Stories <strong>of</strong> the experiences<br />
<strong>of</strong> those who were dearest to him on both sides <strong>of</strong> the bloody conflict. Bhishma’s<br />
wonder, Draupadi’s loves, Arjuna’s valour, Shakuni’s derision, Karna’s disgust,<br />
Bhima’s pathos, Duryodhana’s fear, Ashwathama’s rage and, finally, Krishna’s<br />
own tranquility—Krishna relives those eighteen days <strong>of</strong> a holocaust where<br />
humans revealed their worst and their best. Unlike the Bhagavad Gita, where<br />
Krishna self-reveals himself as God, this is Jara’s retelling <strong>of</strong> a human song <strong>of</strong><br />
violence and tenderness, <strong>of</strong> times when fires <strong>of</strong> ambition and lust burnt down<br />
the forest <strong>of</strong> Dharma, so that it could be born anew.<br />
Keerthik Sasidharan was born in Palakkad, Kerala. He was trained as an<br />
economist in Canada and works for an investment bank in New York. His<br />
writing has appeared in <strong>The</strong> Hindu, Caravan and other publications.<br />
108<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Autumn/Winter<br />
109
and finalists<br />
111
`350<br />
ALEPH BOOK COMPANY<br />
An independent publishing firm<br />
promoted by Rupa Publications India<br />
Just before midnight on New Year’s Eve,<br />
in a village above the Rangeet river in<br />
Sikkim, a woman called Kamala hacks<br />
her husband, Police Constable Puran,<br />
into forty-seven pieces, then walks to the<br />
nearby police station and turns herself<br />
in. At first, the murder seems an openand-shut<br />
case to Dechen, the tough,<br />
foul-mouthed, prickly lady cop in charge<br />
<strong>of</strong> the investigation. But as she begins to<br />
delve into the lives <strong>of</strong> Kamala and Puran,<br />
she discovers a world <strong>of</strong> lies, deceit and<br />
love gone wrong, where the past, including<br />
her own, constantly shadows the present,<br />
nothing is as it seems, and the guilt <strong>of</strong><br />
murderers is difficult to establish.<br />
On a day <strong>of</strong> endless rain, a man emerges<br />
from thirty-two years <strong>of</strong> isolation to meet<br />
his king, whom he owes a share <strong>of</strong> the<br />
harvest from his fields. Journeying across<br />
leech-infested forests and forbidding<br />
valleys, he tells his children the story <strong>of</strong> his<br />
life—one that has been full <strong>of</strong> drama and<br />
magic. But the biggest miracle <strong>of</strong> all awaits<br />
him in Gangtok, where he will speak to<br />
the absent king.<br />
<strong>The</strong>se two novellas, united by their strong<br />
sense <strong>of</strong> place, showcase Chetan Raj<br />
Shrestha’s enormous gifts as a storyteller.<br />
Magical, gritty, nerve-wracking and stylish in<br />
equal measure, this is an exceptional debut.<br />
Em and the Big Hoom<br />
Jerry Pinto<br />
Winner <strong>of</strong> the Hindu Literary Prize 2012<br />
Winner <strong>of</strong> the Crossword <strong>Book</strong> Award for Fiction<br />
2013<br />
Winner <strong>of</strong> the Windham-Campbell Prize for Fiction<br />
2016<br />
Finalist for the Commonwealth <strong>Book</strong> Prize 2013<br />
<strong>The</strong> Mysterious Ailment <strong>of</strong> Rupi Baskey<br />
Hansda Sowvendra Shekhar<br />
Winner <strong>of</strong> the Sahitya Akademi Yuva Puraskar for<br />
Best Novel in English 2015<br />
Finalist for the Hindu Literary Prize 2014<br />
Chronicle Of A Corpse Bearer<br />
Cyrus Mistry<br />
Winner <strong>of</strong> the DSC Prize for South Asian Literature<br />
2014<br />
Arctic Summer<br />
Damon Galgut<br />
Winner <strong>of</strong> the Tata Literature Live! Best <strong>Book</strong> Award<br />
for Fiction 2014<br />
<strong>The</strong> Wildings<br />
Nilanjana Roy<br />
Winner <strong>of</strong> the Shakti Bhatt First <strong>Book</strong> Prize 2013<br />
Finalist for the Commonwealth <strong>Book</strong> Prize 2013<br />
Between Clay and Dust<br />
Musharraf Ali Farooqi<br />
Finalist for the Man Asian Literary Prize 2012<br />
fiction<br />
www.alephbookcompany.com<br />
<strong>The</strong> King’s Harvest<br />
chetan raj shrestha<br />
<strong>The</strong> King’s Harvest<br />
chetan raj shrestha<br />
~<br />
two novellas<br />
~<br />
~<br />
<strong>The</strong> King’s Harvest<br />
Chetan Raj Shrestha<br />
Winner <strong>of</strong> the Tata Literature Live! First <strong>Book</strong> Award<br />
2012<br />
Finalist for the Commonwealth <strong>Book</strong> Prize 2013<br />
City <strong>of</strong> Spies<br />
Sorayya Khan<br />
Winner <strong>of</strong> the Sharjah International <strong>Book</strong> Fair Best<br />
International Fiction 2015<br />
112<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Prize winners and finalists<br />
113
A Clutch <strong>of</strong> Indian Masterpieces:<br />
Extraordinary Short Stories from the 19th<br />
Century to the Present<br />
edited by David Davidar<br />
Winner <strong>of</strong> the Publishing Next Printed <strong>Book</strong> <strong>of</strong> the<br />
Year Award 2015<br />
Swimmer Among the Stars<br />
Kanishk Tharoor<br />
Winner <strong>of</strong> the Tata Lit Live! First <strong>Book</strong> Award 2016<br />
Finalist for the Shakti Bhatt First <strong>Book</strong> Prize 2016<br />
Longlisted for the Atta-Galatta Bangalore Literature<br />
Festival <strong>Book</strong> Prize 2016<br />
<strong>The</strong> Competent Authority<br />
Shovon Chowdhury<br />
Finalist for the Tata Literature Live! First <strong>Book</strong> Award<br />
2013<br />
Finalist for the Hindu Literary Prize 2014<br />
Finalist for the Shakti Bhatt First <strong>Book</strong> Prize 2014<br />
Finalist for the Crossword <strong>Book</strong> Award for Fiction<br />
2015<br />
Being the Other: <strong>The</strong> Muslim in India<br />
saeed naqvi<br />
Longlisted for the Atta-Galatta Bangalore Literature<br />
Festival <strong>Book</strong> Prize 2016<br />
Shadow Play<br />
Shashi Deshpande<br />
Finalist for the Hindu Literary Prize 2014<br />
<strong>The</strong> Success Sutra: An Indian Approach to<br />
Wealth<br />
Devdutt Pattanaik<br />
Finalist for the Crossword <strong>Book</strong> Award (Popular<br />
category: Business and Management) 2016<br />
<strong>The</strong> Patna Manual <strong>of</strong> Style<br />
Siddharth Chowdhury<br />
Finalist for the Hindu Literary Prize 2015<br />
<strong>The</strong> Black Hill<br />
Mamang Dai<br />
Finalist for the Crossword <strong>Book</strong> Award Fiction 2016<br />
114<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Prize winners and finalists<br />
115
Butterflies on the Ro<strong>of</strong> <strong>of</strong> the World<br />
Peter Smetacek<br />
Finalist for the Tata Literature Live! First <strong>Book</strong> Award<br />
2013<br />
Becoming a Mountain: Himalayan Journeys in<br />
Search <strong>of</strong> the Sacred and the Sublime<br />
Stephen Alter<br />
Winner <strong>of</strong> the Kekoo Naoroji <strong>Book</strong> Award for<br />
Himalayan Literature 2015<br />
Business Sutra: A Very Indian Approach to<br />
Management<br />
Devdutt Pattanaik<br />
Winner <strong>of</strong> the DMA-NTPC <strong>Book</strong> Award 2013<br />
Colours <strong>of</strong> the Cage: A Prison Memoir<br />
Arun Ferreira<br />
Finalist for the Crossword <strong>Book</strong> Award<br />
for Non-fiction 2015<br />
Wild Fire: <strong>The</strong> Splendours <strong>of</strong> India’s Animal<br />
Kingdom<br />
Valmik Thapar<br />
Winner <strong>of</strong> the Publishing Next Printed <strong>Book</strong> <strong>of</strong> the<br />
Year Awards2015<br />
Filomena’s Journeys: A Portrait <strong>of</strong> a<br />
Marriage, a Family and a Culture<br />
Maria Aurora Couto<br />
Finalist for the Crossword <strong>Book</strong> Award<br />
for Non-fiction 2015<br />
Korma, Kheer & Kismet: Five Seasons in Old<br />
Delhi<br />
Pamela Timms<br />
Winner <strong>of</strong> the Publishing Next Digital <strong>Book</strong> <strong>of</strong> the<br />
Year Award 2015<br />
Talking <strong>of</strong> Justice: People’s Rights in Modern<br />
India<br />
Leila Seth<br />
Winner <strong>of</strong> the Oxford <strong>Book</strong> Cover Prize 2016<br />
116<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Prize winners and finalists<br />
117
Picturing Time: <strong>The</strong> Greatest Photographs <strong>of</strong><br />
Raghu Rai<br />
Runner-up for the Publishing Next Printed <strong>Book</strong> <strong>of</strong><br />
the Year Award 2016<br />
index<br />
P8<br />
previously published in 2016<br />
An Era <strong>of</strong> Darkness: <strong>The</strong> British Empire<br />
in India<br />
Shashi Tharoor<br />
Format: Demy HB<br />
Price: 699<br />
ISBN: 978-93-83064-65-6<br />
Territory: Indian subcontinent<br />
P10<br />
1991: How P. V. Narasimha Rao Made<br />
History<br />
Sanjaya Baru<br />
Format: Demy HB<br />
Price: 499<br />
ISBN: 978-93-84067-68-7<br />
Territory: World<br />
P12<br />
On Nationalism<br />
Romila Thapar, A. G. Noorani &<br />
Sadanand Menon<br />
Format: A format HB<br />
Price: 399<br />
ISBN: 978-93-83064-11-3<br />
Territory: World<br />
P14<br />
M. S. Subbulakshmi: <strong>The</strong> Definitive<br />
Biography<br />
T. J. S. George<br />
Format: Demy PB<br />
Price: 499<br />
ISBN: 978-93-84067-60-1<br />
Territory: World<br />
Index<br />
119
P16<br />
<strong>The</strong> Dashing Ladies <strong>of</strong> Shiv Sena:<br />
Political Matronage in Urbanizing<br />
India<br />
Tarini Bedi<br />
Format: Demy HB<br />
Price: 699<br />
ISBN: 978-93-83064-22-9<br />
Territory: Indian subcontinent<br />
P26<br />
Small Towns, Big Stories: New &<br />
Selected Fiction<br />
Ruskin Bond<br />
Format: B format HB<br />
Price: Rs 399<br />
Publication date: January<br />
ISBN: 978-93-82277-54-5<br />
Territory: World<br />
P18<br />
Magic for the Soul: An Adult Colouring<br />
<strong>Book</strong> <strong>of</strong> Postcards Featuring Gond Art<br />
Venkat Raman Singh Shyam<br />
Format: Postcard<br />
Price: 399<br />
ISBN: 978-93-83064-03-8<br />
Territory: World<br />
P30<br />
Heroines: Powerful Indian Women <strong>of</strong><br />
Myth and History<br />
Ira Mukhoty<br />
Format: Demy HB<br />
Price: Rs 499<br />
Publication date: January<br />
ISBN: 978-93-84067-49-6<br />
Territory: World<br />
WINTER 2017 (january–february)<br />
P22<br />
Saint Teresa <strong>of</strong> Calcutta: A Celebration<br />
<strong>of</strong> Her Life & Legacy<br />
Raghu Rai<br />
Format: Oversized Royal HB<br />
Price: 1,499<br />
Publication date: January<br />
ISBN: 978-93-82277-61-3<br />
Territory: World<br />
P34<br />
How I Became a Tree<br />
Sumana Roy<br />
Format: Demy HB<br />
Price: Rs 599<br />
Publication date: February<br />
ISBN: 978-93-82277-44-6<br />
Territory: Indian subcontinent<br />
P24<br />
Dragon on Our Doorstep: Managing<br />
China through Military Power<br />
Pravin Sawhney & Ghazala Wahab<br />
Format: Demy HB<br />
Price: Rs 799<br />
Publication date: January<br />
ISBN: 978-93-82277-26-2<br />
Territory: World<br />
P32<br />
Understanding the black economy<br />
& black money in india: Causes,<br />
Consequences and Remedies<br />
Arun Kumar<br />
Format: A format HB<br />
Price: Rs 399<br />
Publication date: February<br />
ISBN: 978-93-86021-57-1<br />
Territory: World<br />
120<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Index<br />
121
P29<br />
Tiger Fire: 500 Years <strong>of</strong> the Tiger in India<br />
P44<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> Indian Dogs<br />
Valmik Thapar<br />
Format: Demy PB<br />
Price: Rs 499<br />
Publication date: February<br />
ISBN: 978-93-84067-24-3<br />
Territory: World<br />
S. <strong>The</strong>odore Baskaran<br />
Format: B format HB<br />
Price: 399<br />
Publication date: April<br />
ISBN: 978-93-84067-57-1<br />
Territory: World<br />
SPRING 2017 (march-april)<br />
SUMMER 2017 (may–june)<br />
P38<br />
Maid in India: Stories <strong>of</strong> Opportunity<br />
P49<br />
God in Hinduism<br />
and Inequality Inside our Homes<br />
Tripti Lahiri<br />
Format: Demy HB<br />
Price: Rs 599<br />
Publication date: April<br />
ISBN: 978-93-84067-33-5<br />
Territory: World<br />
Devdutt Pattanaik<br />
Format: B format HB<br />
Price: Rs 499<br />
Publication date: May<br />
ISBN: 9789386021137<br />
Territory: Indian subcontinent<br />
p40<br />
<strong>The</strong> Decline <strong>of</strong> Civilization: Why We<br />
P51<br />
Zelaldinus: A Masque<br />
Need to return to Gandhi and Tagore<br />
Ramin Jahanbegloo (Foreword by Romila<br />
Thapar)<br />
Format: A format HB<br />
Price: Rs 399<br />
Publication date: April<br />
ISBN: 978-93-84067-26-7<br />
Territory: World<br />
Irwin Allan Sealy<br />
Format: A format PB<br />
Price: Rs 299<br />
Publication date: June<br />
ISBN: 978-93-86021-07-6<br />
Territory: World<br />
p42<br />
Asia Reborn: A Continent Rises from the<br />
Ravages <strong>of</strong> Colonialism & War to a New<br />
Dynamism<br />
Prasenjit k. Basu<br />
Format: Royal HB<br />
Price: Rs 999<br />
Publication date: April<br />
ISBN: 978-93-84067-19-9<br />
Territory: Indian subcontinent<br />
P53<br />
<strong>The</strong> Parrots <strong>of</strong> Desire: 3,000 Years <strong>of</strong><br />
Indian Erotica<br />
edited by Amrita Narayanan<br />
Format: Demy HB<br />
Price: Rs 599<br />
Publication date: June<br />
ISBN: 978-93-83064-09-0<br />
Territory: Indian subcontinent<br />
122<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Index<br />
123
P55<br />
Political Corruption in India: How<br />
Should It be Combated?<br />
P64<br />
<strong>The</strong> Collected Stories <strong>of</strong> Saadat Hasan<br />
Manto (<strong>Volume</strong> one)<br />
N. Ram<br />
Format: A format HB<br />
Price: Rs 399<br />
Publication date: June<br />
ISBN: 978-93-84067-31-1<br />
Territory: World<br />
Translated by Nasreen Rehman<br />
Format: Demy HB<br />
Price: Rs 599<br />
Publication date: July<br />
ISBN: 978-93-82277-53-8<br />
Territory: Indian subcontinent<br />
P57<br />
Knowledge and Education in India<br />
G. N. Devy<br />
Format: B format HB<br />
Price: Rs 399<br />
Publication date: June<br />
ISBN: 978-93-86021-15-1<br />
Territory: World<br />
P66<br />
Superhuman River: A Biography<br />
<strong>of</strong> the Ganga<br />
Bidisha Banerjee<br />
Format: Demy HB<br />
Price: Rs 499<br />
Publication date: July<br />
ISBN: 978-93-84067-35-9<br />
Territory: Indian subcontinent<br />
P59<br />
<strong>The</strong> Demon-hunter <strong>of</strong> Chottanikkara: A<br />
Novel<br />
S. V. Sujatha<br />
Format: B format PB<br />
Price: Rs 399<br />
Publication date: June<br />
ISBN: 978-93-86021-09-0<br />
Territory: Indian subcontinent<br />
P68<br />
A Time <strong>of</strong> Madness: A Memoir<br />
<strong>of</strong> Partition<br />
Salman Rashid<br />
Format: B format PB<br />
Price: Rs 399<br />
Publication date: July<br />
ISBN: 978-93-83064-07-6<br />
Territory: Indian subcontinent<br />
MONSOON 2016 (july–september)<br />
P62<br />
Prescriptions for Success: <strong>The</strong><br />
Autobiography <strong>of</strong> Dr B. R. Shetty<br />
with Pranay Gupte<br />
Format: Demy HB<br />
Price: Rs 595<br />
Publication date: July<br />
ISBN: 978-93-86021-08-3<br />
Territory: World<br />
P70<br />
Indians: A Portrait <strong>of</strong> a People<br />
Shashi Tharoor<br />
Format: Demy HB<br />
Price: Rs 499<br />
Publication date: August<br />
ISBN: 978-93-86021-10-6<br />
Territory: Indian subcontinent<br />
124<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Index<br />
125
P73<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> Chocolate Saints: A Novel<br />
Jeet Thayil<br />
Format: Demy HB<br />
Price: Rs 699<br />
Publication date: August<br />
ISBN: 978-93-86021-03-8<br />
Territory: Indian subcontinent<br />
P83<br />
<strong>The</strong> Indian Copyright Handbook<br />
Pravin Anand (with Dhruv Anand &<br />
Tanvi Misra)<br />
Format: Demy HB<br />
Price: Rs 699<br />
Publication date: September<br />
ISBN: 978-93-86021-14-4<br />
Territory: World<br />
P78<br />
What It Means to Be Indian<br />
Veena Das<br />
Format: A format HB<br />
Price: Rs 399<br />
Publication date: August<br />
ISBN: 978-93-83064-73-1<br />
Territory: World<br />
P85<br />
Strangers No More? Conflict and<br />
Reconciliation in India’s Northeast<br />
Sanjoy Hazarika<br />
Format: Demy HB<br />
Price: Rs 499<br />
Publication date: September<br />
ISBN: 978-93-84067-48-9<br />
Territory: World<br />
AUTUMN/WINTER 2017 (october–december)<br />
P76<br />
<strong>The</strong> Lovers: A Novel<br />
Amitava Kumar<br />
Format: Demy HB<br />
Price: Rs 499<br />
Publication date: August<br />
ISBN: 978-93-86021-00-7<br />
Territory: Indian subcontinent<br />
P89<br />
Pilgrim Nation: Journeys <strong>of</strong> the Spirit<br />
Devdutt Pattanaik<br />
Format: B format HB<br />
Price: Rs 499<br />
Publication date: October<br />
ISBN: 978-93-84067-29-8<br />
Territory: Indian subcontinent<br />
P80<br />
A Life in Politics: A Memoir<br />
P91<br />
Coming out as Dalit: A Memoir<br />
Jayanthi Natarajan<br />
Format: Demy HB<br />
Price: Rs 499<br />
Publication date: September<br />
ISBN: 978-93-83064-71-7<br />
Territory: World<br />
Yashica Dutt<br />
Format: A format HB<br />
Price: Rs 399<br />
Publication date: October<br />
ISBN: 978-93-84067-32-8<br />
Territory: Indian subcontinent<br />
126<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Index<br />
127
P93<br />
<strong>The</strong> Malayalis: A Portrait <strong>of</strong> a<br />
Community<br />
Paul Zacharia<br />
Format: Demy HB<br />
Price: Rs 599<br />
Publication date: October<br />
ISBN: 978-93-84067-69-4<br />
Territory: World<br />
P102 AYODHYA: THE DEFINITIVE BIOGRAPHY<br />
VALAY SINGH<br />
Format: Demy HB<br />
Price: Rs 499<br />
Publication date: December<br />
ISBN: 978-93-82277-45-3<br />
Territory: World<br />
P95<br />
My Kashmir<br />
Omar Abdullah<br />
Format: Demy HB<br />
Price: Rs 599<br />
Publication date: November<br />
ISBN: 978-93-86021-02-1<br />
Territory: World<br />
P103 1965: A Western Sunrise<br />
Shiv Kunal Verma<br />
Format: Demy HB<br />
Price: Rs 999<br />
Publication date: December<br />
ISBN: 978-93-84067-23-6<br />
Territory: World<br />
P98<br />
<strong>The</strong> Bengalis: A Portrait <strong>of</strong> a Community<br />
Sudeep Chakravarti<br />
Format: Demy HB<br />
Price: Rs 599<br />
Publication date: November<br />
ISBN: 978-93-86021-04-5<br />
Territory: World<br />
P105 <strong>The</strong> Short Life and Tragic Death <strong>of</strong><br />
Qandeel Baloch<br />
Sanam Maher<br />
Format: Demy HB<br />
Price: Rs 499<br />
Publication date: December<br />
ISBN: 978-93-86021-05-2<br />
Territory: Indian subcontinent<br />
P100 <strong>The</strong> Nehru Reader<br />
edited by Rudrangshu Mukherjee<br />
Format: Demy HB<br />
Price: Rs 799<br />
Publication date: November<br />
ISBN: 978-93-83064-10-6<br />
Territory: World<br />
P107 Indelible India: A Golden Treasury <strong>of</strong><br />
Journalism<br />
edited by M. J. Akbar<br />
Format: Demy HB<br />
Price: Rs 499<br />
Publication date: December<br />
ISBN: 978-93-84067-45-8<br />
Territory: Indian subcontinent<br />
128<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Index<br />
129
(...continued from the front flap)<br />
Cover photograph © Goa Streets: News & Entertainment Weekly<br />
www.goastreets.com<br />
Cover design: Bena Sareen<br />
`499<br />
(continued on the back flap...)<br />
P109 <strong>The</strong> Kurukshetra War: A Reconstruction<br />
Keerthik Sasidharan<br />
Format: Demy HB<br />
Price: Rs 999<br />
Publication date: December<br />
ISBN: 978-93-86021-11-3<br />
Territory: Indian subcontinent<br />
backlist<br />
Non-FICTION<br />
Maps for a Mortal Moon: Essays and<br />
Entertainments<br />
ADIL JUSSAWALLA<br />
Format: Demy PB<br />
Price: Rs 495<br />
ISBN: 978-93-82277-67-5<br />
Territory: World<br />
<strong>The</strong> Bullet and the Ballot Box: <strong>The</strong> Story <strong>of</strong><br />
Nepal’s Maoist Revolution<br />
ADITYA ADHIKARI<br />
Format: Demy PB<br />
Price: Rs 395<br />
ISBN: 978-93-83064-76-2<br />
Territory: Indian subcontinent<br />
Mrinal Pande, Nayantara Sahgal, Pinki<br />
Virani, Qurratulain Hyder, Rashid Jahan,<br />
Romila Thapar, Sarojini Naidu, Saudamini<br />
Devi, Shivani; and powerful new voices from<br />
our time like Arundhathi Subramaniam,<br />
Nilanjana Roy and Nivedita Menon.<br />
Pr<strong>of</strong>ound, exhilarating, haunting, angry and<br />
meditative, Unbound is a collection that will<br />
shatter stereotypes about women’s writing<br />
in India.<br />
Annie Zaidi is the author <strong>of</strong> Gulab,<br />
Love Stories # 1 to 14, and Known Turf:<br />
Bantering with Bandits and Other True Tales,<br />
which was shortlisted for the Vodafone<br />
Crossword <strong>Book</strong> Award. She is the coauthor<br />
<strong>of</strong> <strong>The</strong> Good Indian Girl and a book<br />
<strong>of</strong> illustrated poems, Crush. Her work has<br />
appeared in several anthologies like Eat the<br />
Sky; Drink the Ocean, Mumbai Noir, Dharavi,<br />
Women Changing India, and 21 Under 40.<br />
A collection <strong>of</strong> some <strong>of</strong> the<br />
most significant writing by<br />
Indian women over the past<br />
two thousand years.<br />
fiction/non-fiction<br />
unbound<br />
2,000 years<br />
<strong>of</strong> indian<br />
women’s<br />
writing<br />
edited by<br />
Annie Zaidi<br />
un<br />
bound<br />
2,000 years<br />
<strong>of</strong> indian<br />
women’s writing<br />
edited by<br />
Annie Zaidi<br />
Unbound is a collection <strong>of</strong> some <strong>of</strong> the<br />
most significant writing by Indian women<br />
over the past two thousand years. Divided<br />
into eleven sections, it encompasses writing<br />
on various aspects <strong>of</strong> life: spirituality, love,<br />
marriage, children, food, work, social and<br />
individual identity, battles, myths and fables,<br />
travel and death. While many <strong>of</strong> the pieces<br />
are commentaries on the struggle that<br />
women undertake to overcome obstacles—<br />
social and political—all <strong>of</strong> them showcase the<br />
remarkable creative ability <strong>of</strong> their creators.<br />
<strong>The</strong> term ‘women’s writing’ has <strong>of</strong>ten been<br />
used to limit and stereotype the work <strong>of</strong><br />
women writers. But it also has a larger and<br />
more constructive meaning, and that is the<br />
sense in which it has been used to inform<br />
and describe the context <strong>of</strong> the book. As<br />
Annie Zaidi explains in her introduction:<br />
‘Women bring to their writing the truth<br />
<strong>of</strong> their bodies, and an enquiry into the<br />
different ways in which gender inequity<br />
shapes human experience.’<br />
Selected from hundreds <strong>of</strong> novels, memoirs,<br />
essays, short story collections and volumes<br />
<strong>of</strong> poetry that were either written in English<br />
or that have been translated into English,<br />
the pieces in this collection include the most<br />
distinctive and powerful voices from every<br />
era. <strong>The</strong>re are verses from the <strong>The</strong>rigatha,<br />
written by Buddhist nuns (circa 300 bce),<br />
and writing by poet-saints like Andaal,<br />
Avvaiyar, Lal Ded, Mirabai; modern classics<br />
by writers like Ajeet Cour, Amrita Pritam,<br />
Arundhati Roy, Attia Hosian, Bama, Bulbul<br />
Sharma, Irawati Karve, Ismat Chughtai,<br />
Kamala Das, Krishna Sobti, Mahasweta<br />
Devi, Manju Kapur, Mannu Bhandari,<br />
Unbound: 2,000 Years <strong>of</strong> Indian Women’s<br />
Writing<br />
edited BY ANNIE ZAIDI<br />
Format: Demy PB<br />
Price: Rs 299<br />
ISBN: 978-93-83064-16-8<br />
Territory: World<br />
Colours <strong>of</strong> the Cage: A Prison Memoir<br />
ARUN FERREIRA<br />
Format: B format PB<br />
Price: Rs 295<br />
ISBN: 978-93-82277-70-5<br />
Territory: World<br />
130<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Backlist<br />
131
<strong>The</strong> cover shows a Montagu’s harrier,<br />
a migratory raptor, in flight.<br />
Photograph by Kiran Poonacha<br />
`295<br />
This Unquiet Land: Dispatches from India’s<br />
<strong>The</strong> Leadership Sutra: An Indian Approach to<br />
Fault Lines<br />
Power<br />
BARKHA DUTT<br />
Format: Demy HB<br />
Price: Rs 599<br />
ISBN: 978-93-82277-16-3<br />
Territory: World<br />
DEVDUTT PATTANAIK<br />
Format: B format HB<br />
Price: Rs 399<br />
ISBN: 978-93-84067-46-5<br />
Territory: Indian subcontinent<br />
Grey Hornbills at Dusk<br />
<strong>The</strong> Talent Sutra: An Indian Approach to<br />
BULBUL SHARMA<br />
Format: B format PB<br />
Price: Rs 295<br />
ISBN: 978-93-82277-65-1<br />
Territory: Indian subcontinent<br />
Learning<br />
DEVDUTT PATTANAIK<br />
Format: B format HB<br />
Price: Rs 399<br />
ISBN: 978-93-83064-27-4<br />
Territory: Indian subcontinent<br />
Business Sutra: A Very Indian Approach to<br />
Management<br />
DEVDUTT PATTANAIK<br />
Format: Demy PB<br />
Price: Rs 499<br />
ISBN: 978-93-84067-54-0<br />
Territory: Indian subcontinent<br />
‘You will find no lack <strong>of</strong> superlatives among our<br />
Indian birds’ writes Douglas Dewar in this superb and<br />
idiosyncratic book about some <strong>of</strong> the most interesting<br />
birds to be found in the country. From the common<br />
crow, ‘splendid in sagacity, resource, adaptiveness,<br />
boldness, cunning and depravity; a Machiavelli;<br />
a Shakespeare among birds, a super-bird’ to the<br />
scavenger vulture, ‘the ugliest bird in the world’,<br />
wagtails ‘who dress most tastefully’, ‘mad babblers’,<br />
‘upright cuckoos’, the night heron which ‘only sleeps<br />
when it has nothing better to do’, hawks ‘the bandits<br />
<strong>of</strong> the air’, the drongo, who ‘is the embodiment <strong>of</strong><br />
pluck’, and dozens <strong>of</strong> other species, well-known and<br />
rare, Jungle Folk will make you see our birds in new<br />
and arresting ways. In his closely observed sketches,<br />
the legendary naturalist explores in detail every<br />
significant element <strong>of</strong> the bird in question including<br />
anatomy, physiology, behaviour, lifestyle and habitat.<br />
Intended for the amateur naturalist as well as the<br />
serious ornithologist, this is an eye-opening, intriguing<br />
and original account <strong>of</strong> Indian birds.<br />
Jungle Folk d o u g l a s d e w a r<br />
indian<br />
natural<br />
history<br />
sketches<br />
‘Douglas Dewar’s<br />
brilliant observations and<br />
word pictures bring these<br />
birds and animals<br />
into your home.’<br />
—Ruskin Bond<br />
Jungle Folk<br />
DOUGLAS DEWAR<br />
Format: B format PB<br />
Price: Rs 295<br />
ISBN: 978-93-84067-39-7<br />
Territory: Indian subcontinent<br />
non-fiction<br />
<strong>The</strong> Success Sutra: An Indian Approach to<br />
Abolishing the Death Penalty: Why India<br />
Wealth<br />
Should Say No to Capital Punishment<br />
DEVDUTT PATTANAIK<br />
Format: B format HB<br />
Price: Rs 399<br />
ISBN: 978-93-84067-41-0<br />
Territory: Indian subcontinent<br />
GOPALKRISHNA GANDHI<br />
Format: A format HB<br />
Price: Rs 399<br />
ISBN: 978-93-82277-78-1<br />
Territory: World<br />
132<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Backlist<br />
133
Born in Punjab’s Hadali village (now in Pakistan)<br />
in 1915, KHUSHWANT SINGH was among<br />
India’s best-known and most widely read authors<br />
and journalists. He was founder-editor <strong>of</strong> Yojana,<br />
and editor <strong>of</strong> the Illustrated Weekly <strong>of</strong> India, National<br />
Herald and the Hindustan Times. He published<br />
six novels—Train to Pakistan, I Shall Not Hear the<br />
Nightingale, Delhi: A Novel, <strong>The</strong> Company <strong>of</strong> Women,<br />
Burial at Sea and <strong>The</strong> Sunset Club as well as several<br />
books <strong>of</strong> short stories which were published<br />
together as <strong>The</strong> Portrait <strong>of</strong> a Lady. Among his other<br />
books are 99: Unforgettable Fiction, Non-fiction, Poetry<br />
& Humour, <strong>The</strong> Freethinker’s Prayerbook, A History <strong>of</strong><br />
the Sikhs; an autobiography, Truth, Love & a Little<br />
Malice; a biography, Ranjit Singh: Maharaja <strong>of</strong> the<br />
Punjab; and a book <strong>of</strong> non-fiction, <strong>The</strong> Return <strong>of</strong><br />
Indira Gandhi. In addition, he published translations<br />
<strong>of</strong> Hindi and Urdu novels, short stories and poetry.<br />
Khushwant Singh was a member <strong>of</strong> the Rajya<br />
Sabha from 1980 to 1986. He was awarded the<br />
Padma Bhushan in 1974; he returned the award<br />
in 1984 to protest the siege <strong>of</strong> the Golden Temple<br />
by the Indian army. In 2007, he was awarded<br />
India’s second highest civilian honour, the<br />
Padma Vibhushan.<br />
Khushwant Singh died on 20 March 2014. He<br />
is survived by his son, Rahul Singh, daughter, Mala<br />
Dayal, and granddaughter, Naina Dayal.<br />
Author photograph: Courtesy Mala Dayal<br />
Cover design: Bena Sareen<br />
‘Early this summer a strange phenomenon was seen in some<br />
villages in the Himalyas. One night the people were disturbed<br />
in their sleep by a noise <strong>of</strong> hissing, and nightmares that their<br />
homes and fields were overrun with snakes. When they woke<br />
up, they discovered to their horror that the terrifying dreams<br />
<strong>of</strong> the night before had turned to reality. <strong>The</strong>re were snakes<br />
everywhere: in the gutters, on the footpaths, around the wells,<br />
even hanging down from the trees.’<br />
`499<br />
Grand Delusions: A Short Biography <strong>of</strong><br />
Kolkata<br />
INDRAJIT HAZRA<br />
Format: A format HB<br />
Price: Rs 295<br />
ISBN: 978-93-82277-28-6<br />
Territory: Indian subcontinent<br />
<strong>The</strong> First Firangis: Remarkable Stories <strong>of</strong><br />
Heroes, Healers, Charlatans, Courtesans, &<br />
Other Foreigners Who Became Indian<br />
JONATHAN GIL HARRIS<br />
Format: Demy HB<br />
Price: Rs 495<br />
ISBN: 978-93-82277-63-7<br />
Territory: World<br />
India in Love: Marriage and Sexuality in the<br />
21st Century<br />
IRA TRIVEDI<br />
Format: B format PB<br />
Price: Rs 395<br />
ISBN: 978-93-82277-62-0<br />
Territory: Indian subcontinent<br />
<strong>The</strong> Freethinker’s Prayer <strong>Book</strong><br />
KHUSHWANT SINGH<br />
Format: Demy HB<br />
Price: Rs 495<br />
ISBN: 978-81-923280-4-1<br />
Territory: World<br />
<strong>The</strong> Small Wild Goose Pagoda<br />
IRWIN ALLAN SEALY<br />
Format: Demy HB<br />
Price: Rs 595<br />
ISBN: 978-93-83064-48-9<br />
Territory: Indian subcontinent<br />
99: Unforgettable Fiction, Non-fiction,<br />
Poetry & Humour<br />
KHUSHWANT SINGH<br />
Format: Demy HB<br />
Price: Rs 699<br />
ISBN: 978-93-83064-75-5<br />
Territory: World<br />
Three-Quarters <strong>of</strong> a Footprint: Travels in<br />
South India<br />
JOE ROBERTS<br />
Format: B format PB<br />
Price: Rs 295<br />
ISBN: 978-93-84067-52-6<br />
Territory: Indian subcontinent<br />
-------------------------------------------------------<br />
--------------------------------------------------<br />
non-fiction<br />
Portrait <strong>of</strong> a Serial Killer khushwant singh<br />
uncollected writings<br />
Portrait <strong>of</strong> a Serial Killer is an<br />
unforgettable celebration <strong>of</strong> India<br />
and Indians by one <strong>of</strong> our most<br />
beloved writers. Published on the<br />
hundredth anniversary <strong>of</strong> Khushwant<br />
Singh’s birth, none <strong>of</strong> the essays in this<br />
collection has been published in book<br />
form before. A chilling account <strong>of</strong><br />
the serial killer Raman Raghav rubs<br />
shoulders with an extraordinary portrait<br />
<strong>of</strong> Jawaharlal Nehru followed by an<br />
exuberant encounter with Dev Anand,<br />
as well as nearly twenty other pr<strong>of</strong>iles<br />
<strong>of</strong> saints, charlatans, writers, godmen,<br />
singers, politicians and other arresting<br />
characters. Another section <strong>of</strong> the book<br />
contains vivid sketches <strong>of</strong> various parts<br />
<strong>of</strong> the country—an unspoilt tribal village<br />
in Bihar, the fire <strong>of</strong> a gulmohar forest<br />
in Bokaro, the strange goings-on in the<br />
expat community in Darjeeling, a small<br />
community in the hinterland that is<br />
terrorized by a sudden invasion <strong>of</strong> snakes,<br />
and a bittersweet paean to Delhi, among<br />
others. <strong>The</strong>re are also essays that provide<br />
insights into familiar characteristics <strong>of</strong><br />
India—obnoxious VIPs, violence against<br />
women, corruption, amiable lunatics,<br />
idiot lawyers, stud bulls, Indian men<br />
and much else besides. Elegiac, witty<br />
and compelling, this is a book that will<br />
delight Khushwant Singh’s numerous<br />
fans as well as anyone with an interest in<br />
contemporary India.<br />
Portrait <strong>of</strong> a Serial Killer and Other<br />
Uncollected Writings<br />
KHUSHWANT SINGH<br />
Format: Demy HB<br />
Price: Rs 499<br />
ISBN: 978-93-82277-76-7<br />
Territory: World<br />
134<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Backlist<br />
135
‘Forget Kathmandu combines passion with insight to describe a complex and<br />
troubled country. Written in clear, vigorous prose, it is one <strong>of</strong> the most<br />
important books on not just Nepal but also contemporary South Asia.’<br />
—Pankaj Mishra<br />
In June 2001, the king <strong>of</strong> Nepal and almost his entire family were massacred.<br />
Unrest, simmering over the previous decade, boiled over, and pushed the<br />
nation into free fall. In 2005, the dead king’s brother reinstated monarchy,<br />
crushing any hope that parliamentary democracy would flourish in Nepal.<br />
A period fraught with uncertainty and intense turmoil ensued: the Maoists<br />
waged a bloody People’s War; the monarchy mounted a bloodier counterinsurgency<br />
effort; political parties bickered and fought endlessly; and the<br />
citizens bore the brunt <strong>of</strong> it all.<br />
Wide-ranging in scope—the book spans the beginning <strong>of</strong> the monarchy,<br />
through the early democratic movements, to the present—Forget Kathmandu<br />
is many things: history, memoir, reportage, travelogue, analysis. But, above all,<br />
it is an unflinching, clear-sighted attempt to make sense <strong>of</strong> the ‘bad politics’<br />
that plagued—and continues to plague—the country. It remains as worryingly<br />
relevant to present-day Nepal as it was when first published in 2005.<br />
‘[Forget Kathmandu is] reminiscent <strong>of</strong> the late great W. G. Sebald’s non-fiction<br />
as an engaging detective story.’—Hindustan Times<br />
Cover design and calligraphy by Nikheel Aphale<br />
`325<br />
‘Activities in Nepal, especially those that set a good example...do not <strong>of</strong>ten breach<br />
the international consciousness. [A Boy from Siklis] does just that, narrating<br />
Nepal’s revolutionary approach to protected areas in a fluent and personalized<br />
manner.’—Himal Southasian<br />
In late September 2006, Chandra Gurung organized an event in remote Ghunsa<br />
village in Eastern Nepal to celebrate a landmark in the country’s conservation<br />
history: the handing over <strong>of</strong> ownership <strong>of</strong> forest areas by the government to<br />
local inhabitants. <strong>The</strong> handover also marked the apex <strong>of</strong> Chandra’s career as an<br />
environmentalist. On the way back from Ghunsa, the helicopter ferrying Chandra<br />
and others crashed, killing everyone aboard.<br />
A Boy from Siklis traces Chandra’s Gurung’s remarkable life—his birth in the tiny<br />
village <strong>of</strong> Siklis; his education in Nepal and abroad; his work, first with the King<br />
Mahendra Trust for Nature Conservation and then as head <strong>of</strong> the World Wildlife<br />
Fund Nepal—and his meteoric rise as he became one <strong>of</strong> the keystones <strong>of</strong> natureconservation<br />
efforts in Nepal.<br />
A compelling story <strong>of</strong> a life lived with verve and an honest desire to make lasting<br />
difference, A Boy from Siklis is also a valuable and illuminating history <strong>of</strong> nature<br />
conservation in Nepal, caught up in the country’s thorny politics.<br />
Cover design and calligraphy by Nikheel Aphale<br />
`325<br />
Written with style and sophistication, also honesty<br />
and emotion…a must-read.—Outlook<br />
Me, <strong>The</strong> Jokerman: Enthusiasms, Rants &<br />
Obsessions<br />
KHUSHWANT SINGH<br />
Format: Demy HB<br />
Price: Rs 499<br />
ISBN: 978-93-84067-51-9<br />
Territory: World<br />
Perpetual City: A Short Biography <strong>of</strong> Delhi<br />
MALVIKA SINGH<br />
Format: A format HB<br />
Price: Rs 295<br />
ISBN: 978-93-82277-24-8<br />
Territory: World<br />
Talking <strong>of</strong> Justice: People’s Rights in Modern<br />
India<br />
LEILA SETH<br />
Format: Demy HB<br />
Price: Rs 495<br />
ISBN: 978-93-82277-96-5<br />
Territory: World<br />
non-fiction<br />
Manjushree<br />
Thapa<br />
An Elegy for Democracy<br />
Forget Kathmandu: An Elegy for Democracy<br />
MANJUSHREE THAPA<br />
Format: B format PB<br />
Price: Rs 325<br />
ISBN: 978-93-82277-00-2<br />
Territory: Indian subcontinent<br />
Manjushree Thapa<br />
Of Birds and Birdsong<br />
M. KRISHNAN<br />
Format: Demy PB<br />
Price: Rs 395<br />
ISBN: 978-93-82277-64-4<br />
Territory: World<br />
non-fiction<br />
Manjushree Thapa<br />
<strong>The</strong> Life and Times <strong>of</strong> Chandra Gurung<br />
‘This is how heroes should be judged—not only by what they achieved in their<br />
own lifetimes, but also in their continuing influence.’—Nepali Times<br />
A Boy From Siklis: <strong>The</strong> Life and Times <strong>of</strong><br />
Chandra Gurung<br />
MANJUSHREE THAPA<br />
Format: B format PB<br />
Price: Rs 250<br />
ISBN: 978-93-82277-50-7<br />
Territory: Indian subcontinent<br />
Manjushree Thapa<br />
Birds in my Indian Garden<br />
MALCOLM MACDONALD<br />
Format: B format PB<br />
Price: Rs 299<br />
ISBN: 978-93-84067-40-3<br />
Territory: Indian subcontinent<br />
<strong>The</strong> Lives We have Lost: Essays and Opinions<br />
on Nepal<br />
MANJUSHREE THAPA<br />
Format: B format PB<br />
Price: Rs 295<br />
ISBN: 978-93-82277-52-1<br />
Territory: Indian subcontinent<br />
136<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Backlist<br />
137
Filomena’s Journeys: A Portrait <strong>of</strong> a Marriage,<br />
a Family & a Culture<br />
MARIA AURORA COUTO<br />
Format: Demy HB<br />
Price: Rs 495<br />
ISBN: 978-93-82277-04-0<br />
Territory: World<br />
Korma, Kheer & Kismet: Five Seasons in Old<br />
Delhi<br />
PAMELA TIMMS<br />
Format: B format HB<br />
Price: Rs 395<br />
ISBN: 978-93-82277-14-9<br />
Territory: Indian subcontinent<br />
Subcontinental Drift: Four Decades Adrift in<br />
India and Beyond<br />
MURRAY LAURENCE<br />
Format: B format PB<br />
Price: Rs 399<br />
ISBN: 978-93-83064-25-0<br />
Territory: Indian subcontinent<br />
<strong>The</strong> Kingdom at the Centre <strong>of</strong> the World:<br />
Journeys into Bhutan<br />
OMAIR AHMAD<br />
Format: Demy HB<br />
Price: Rs 495<br />
ISBN: 978-93-82277-01-9<br />
Territory: Indian subcontinent<br />
City Adrift: A Short Biography <strong>of</strong> Bombay<br />
NARESH FERNANDES<br />
Format: A format HB<br />
Price: Rs 299<br />
ISBN: 978-93-82277-20-0<br />
Territory: World<br />
Chanakya’s New Manifesto<br />
PAVAN K. VARMA<br />
Format: B format PB<br />
Price: Rs 295<br />
ISBN: 978-93-82277-09-5<br />
Territory: Indian subcontinent<br />
Degree C<strong>of</strong>fee by the Yard: A Short Biography<br />
<strong>of</strong> Madras<br />
NIRMALA LAKSHMAN<br />
Format: A format HB<br />
Price: Rs 299<br />
ISBN: 978-93-82277-15-6<br />
Territory: World<br />
Butterflies on the Ro<strong>of</strong> <strong>of</strong> the World<br />
PETER SMETACEK<br />
Format: B format HB<br />
Price: Rs 495<br />
ISBN: 978-93-82277-05-7<br />
Territory: World<br />
138<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Backlist<br />
139
Battles <strong>of</strong> the New Republic: A Contemporary<br />
History <strong>of</strong> Nepal<br />
PRASHANT JHA<br />
Format: Demy PB<br />
Price: Rs 395<br />
ISBN: 978-93-82277-99-6<br />
Territory: Indian subcontinent<br />
Punjab: A History from Aurangzeb to<br />
Mountbatten<br />
RAJMOHAN GANDHI<br />
Format: Demy PB<br />
Price: Rs 499<br />
ISBN: 978-93-83064-08-3<br />
Territory: World<br />
Unladylike: A Memoir<br />
RADHIKA VAZ<br />
Format: B format PB<br />
Price: Rs 395<br />
ISBN: 978-93-83064-17-5<br />
Territory: World<br />
Prince <strong>of</strong> Gujarat: <strong>The</strong> Extraordinary Story<br />
<strong>of</strong> Prince Gopaldas Desai (1887-1951)<br />
RAJMOHAN GANDHI<br />
Format: Royal HB<br />
Price: Rs 500<br />
ISBN: 978-93-83064-06-9<br />
Territory: World<br />
Picturing Time:<br />
<strong>The</strong> Greatest Photographs <strong>of</strong> Raghu Rai<br />
RAGHU RAI<br />
Format: Oversized Royal<br />
Price: Rs 1,999<br />
ISBN: 978-93-84067-18-2<br />
Territory: World<br />
Understanding the Founding Fathers:<br />
An Enquiry into the Indian Republic’s<br />
Beginnings<br />
RAJMOHAN GANDHI<br />
Format: A format HB<br />
Price: Rs 399<br />
ISBN: 978-93-83064-24-3<br />
Territory: World<br />
People: His Finest Portraits<br />
RAGHU RAI<br />
Format: Oversized B HB<br />
Price: Rs 999<br />
ISBN: 978-93-83064-13-7<br />
Territory: World<br />
<strong>The</strong> Past as Present: Forging Contemporary<br />
Identities through History<br />
ROMILA THAPAR<br />
Format: Demy HB<br />
Price: Rs 595<br />
ISBN: 978-93-83064-01-4<br />
Territory: World<br />
140<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Backlist<br />
141
how cricket defines India, You Must Like<br />
Cricket? and All That You Can’t Leave<br />
Behind, were published to international<br />
acclaim. His novel, If I Could Tell You, was<br />
a finalist for the the Hindu’s Best Fiction<br />
Award 2010. He is also the author <strong>of</strong> the<br />
fatherhood memoir, Dad’s the Word. He<br />
was a Granta New Voice in 2008. His writing<br />
has been published in the New York Times,<br />
the Guardian, the Independent, the New<br />
Statesman, Wisden, ESPNcricinfo, and the<br />
Sydney Morning Herald. He is the editor <strong>of</strong><br />
the Hindustan Times, Mumbai.<br />
Front cover photograph: Kunal Patil/ Hindustan Times<br />
Back cover photograph: Vipin Kumar/ Hindustan Times<br />
Author photograph: Oishi Bhattacharya<br />
`495<br />
Indian cricket has the most exciting batting<br />
line-up in the world today. Virat Kohli,<br />
Shikhar Dhawan, Cheteshwar Pujara,<br />
Rohit Sharma and Ajinkya Rahane, led by<br />
their captain, M. S. Dhoni, have routinely<br />
destroyed international bowling attacks.<br />
While the young bowlers in the team lack<br />
the burgeoning reputation <strong>of</strong> the batsmen,<br />
they have shone in flashes at home and<br />
abroad. <strong>The</strong> current and future brilliance <strong>of</strong><br />
the members <strong>of</strong> this team is all the more<br />
remarkable when you consider their youth,<br />
relative inexperience and the fact that they<br />
are following in the footsteps <strong>of</strong> the golden<br />
generation—Sachin Tendulkar, Sourav<br />
Ganguly, Rahul Dravid, V.V.S. Laxman<br />
and Anil Kumble.<br />
This book takes as its point <strong>of</strong> departure 14<br />
November 2013, the date on which the last<br />
member <strong>of</strong> the golden generation—Sachin<br />
Tendulkar—retired from all forms <strong>of</strong> cricket.<br />
It covers the highlights <strong>of</strong> Tendulkar’s last<br />
Test, as also the careers <strong>of</strong> the Fab Five<br />
before delving deep into the stories and<br />
exploits <strong>of</strong> the new stars <strong>of</strong> Indian cricket,<br />
as well as the one man who straddles both<br />
generations—Mahendra Singh Dhoni, the<br />
finest finisher in one day cricket today,<br />
and, statistically speaking, the most<br />
successful Indian captain <strong>of</strong> all time. <strong>The</strong><br />
first major account <strong>of</strong> the future <strong>of</strong> Indian<br />
cricket, After Tendulkar is written with a<br />
novelist’s eye and an eloquence that will be<br />
enjoyed by all those who love memorable<br />
writing about the game.<br />
<strong>The</strong> Public Intellectual India in India<br />
ROMILA THAPAR<br />
Format: Demy HB<br />
Price: Rs 499<br />
ISBN: 978-93-84067-38-0<br />
Territory: World<br />
India Shastra: Reflections on the Nation in<br />
our Time<br />
SHASHI THAROOR<br />
Format: Royal HB<br />
Price: Rs 695<br />
ISBN: 978-93-84067-28-1<br />
Territory: Indian subcontinent<br />
Being the Other: <strong>The</strong> Muslim in India<br />
SAEED NAQVI<br />
Format: Demy HB<br />
Price: Rs 599<br />
ISBN: 978-93-84067-22-9<br />
Territory: World<br />
1962: <strong>The</strong> War that Wasn’t<br />
SHIV KUNAL VERMA<br />
Format: Royal HB<br />
Price: Rs 995<br />
ISBN: 978-93-82277-97-2<br />
Territory: World<br />
<strong>The</strong> Colonel Who Would Not Repent: <strong>The</strong><br />
Bangladesh War and Its Unquiet Legacy<br />
SALIL TRIPATHI<br />
Format: Royal HB<br />
Price: Rs 595<br />
ISBN: 978-93-82277-18-7<br />
Territory: Indian subcontinent<br />
Subhas and Sarat: An Intimate Memoir <strong>of</strong> the<br />
Bose Brothers<br />
SISIR KUMAR BOSE<br />
Format: Demy HB<br />
Price: Rs 599<br />
ISBN: 978-93-83064-14-4<br />
Territory: World<br />
Accidental India: A History <strong>of</strong> the Nation’s<br />
Passage through Crisis and Change<br />
SHANKKAR AIYAR<br />
Format: Royal HB<br />
Price: Rs 695<br />
ISBN: 978-81-92328-0-89<br />
Territory: Indian subcontinent<br />
Soumya Bhattacharya’s books about<br />
non-fiction<br />
After Tendulkar<br />
Soumya Bhattacharya<br />
After<br />
Tendulkar<br />
THE NEW STARS<br />
OF INDIAN CRICKET<br />
Soumya Bhattacharya<br />
A writer whose work we will read for years to come.<br />
After Tendulkar: <strong>The</strong> New Stars <strong>of</strong> Indian<br />
Cricket<br />
SOUMYA BHATTACHARYA<br />
Format: Demy HB<br />
Price: Rs 495<br />
ISBN: 978-93-83064-72-4<br />
Territory: Indian subcontinent<br />
—Vikram Chandra, author <strong>of</strong> Sacred Games<br />
142<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Backlist<br />
143
Becoming a Mountain: Himalayan Journeys in<br />
Search <strong>of</strong> the Sacred and the Sublime<br />
STEPHEN ALTER<br />
Format: B format PB<br />
Price: Rs 399<br />
ISBN: 978-93-86021-56-4<br />
Territory: Indian subcontinent<br />
a matter <strong>of</strong> rats: a short biography <strong>of</strong> patna<br />
Amitava kumar<br />
Format: A format HB<br />
Price: Rs 295<br />
ISBN: 978-93-82277-22-4<br />
Territory: Indian subcontinent<br />
<strong>The</strong> Mystical World <strong>of</strong> Kahlil Gibran’s <strong>The</strong><br />
Prophet: A Relaxing Colouring <strong>Book</strong> for<br />
Adults<br />
SUJAYA BATRA<br />
Format: A4 PB<br />
Price: Rs 299<br />
ISBN: 978-93-84067-58-8<br />
Territory: World<br />
Exotic Aliens: <strong>The</strong> Lion and the Cheetah in<br />
India<br />
VALMIK THAPAR<br />
Format: Demy HB<br />
Price: Rs 595<br />
ISBN: 978-93-82277-55-2<br />
Territory: World<br />
Spell <strong>of</strong> the Tiger: <strong>The</strong> Man-eating Tigers <strong>of</strong><br />
Sundarbans<br />
SY MONTGOMERY<br />
Format: B format PB<br />
Price: Rs 399<br />
ISBN: 978-93-82277-41-5<br />
Territory: Indian subcontinent<br />
Wild Fire: <strong>The</strong> Splendours <strong>of</strong> India’s Animal<br />
Kingdom<br />
VALMIK THAPAR<br />
Format: Oversized Royal HB<br />
Price: Rs 2, 995<br />
ISBN: 978-93-83064-68-7<br />
Territory: World<br />
Askew: A Short Biography <strong>of</strong> Bangalore<br />
T. J. S. GEORGE<br />
Format: A format HB<br />
Price: Rs 299<br />
ISBN: 978-93-84067-21-2<br />
Territory: World<br />
Winged Fire: A Celebration <strong>of</strong> Indian Birds<br />
VALMIK THAPAR<br />
Format: Oversized Royal HB<br />
Price: Rs 2, 995<br />
ISBN: 978-93-83064-69-4<br />
Territory: World<br />
144<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Backlist<br />
145
Chetan Raj Shrestha was born in 1978<br />
in Gangtok, Sikkim. He is a trained architect,<br />
specializing in conservation architecture.<br />
He has lived in Darjeeling, Bengaluru,<br />
Mumbai and Sydney, and is currently<br />
working in a collaborative architectural<br />
practice in Gangtok.<br />
`350<br />
ALEPH BOOK COMPANY<br />
An independent publishing firm<br />
promoted by Rupa Publications India<br />
Just before midnight on New Year’s Eve,<br />
in a village above the Rangeet river in<br />
Sikkim, a woman called Kamala hacks<br />
her husband, Police Constable Puran,<br />
into forty-seven pieces, then walks to the<br />
nearby police station and turns herself<br />
in. At first, the murder seems an openand-shut<br />
case to Dechen, the tough,<br />
foul-mouthed, prickly lady cop in charge<br />
<strong>of</strong> the investigation. But as she begins to<br />
delve into the lives <strong>of</strong> Kamala and Puran,<br />
she discovers a world <strong>of</strong> lies, deceit and<br />
love gone wrong, where the past, including<br />
her own, constantly shadows the present,<br />
nothing is as it seems, and the guilt <strong>of</strong><br />
murderers is difficult to establish.<br />
On a day <strong>of</strong> endless rain, a man emerges<br />
from thirty-two years <strong>of</strong> isolation to meet<br />
his king, whom he owes a share <strong>of</strong> the<br />
harvest from his fields. Journeying across<br />
leech-infested forests and forbidding<br />
valleys, he tells his children the story <strong>of</strong> his<br />
life—one that has been full <strong>of</strong> drama and<br />
magic. But the biggest miracle <strong>of</strong> all awaits<br />
him in Gangtok, where he will speak to<br />
the absent king.<br />
<strong>The</strong>se two novellas, united by their strong<br />
sense <strong>of</strong> place, showcase Chetan Raj<br />
Shrestha’s enormous gifts as a storyteller.<br />
Magical, gritty, nerve-wracking and stylish in<br />
equal measure, this is an exceptional debut.<br />
Saving Wild India: A Blueprint for Change<br />
VALMIK THAPAR<br />
Format: Demy HB<br />
Price: Rs 499<br />
ISBN: 978-93-84067-37-3<br />
Territory: World<br />
FICTION<br />
A Pleasant Kind <strong>of</strong> Heavy and Other Erotic<br />
Stories<br />
AMRITA NARAYANAN<br />
Format: Demy PB<br />
Price: Rs 295<br />
ISBN: 978-93-82277-10-1<br />
Territory: Indian subcontinent<br />
Living with Tigers<br />
VALMIK THAPAR<br />
Format: Demy HB<br />
Price: Rs 599<br />
ISBN: 978-93-84067-50-2<br />
Territory: World<br />
<strong>The</strong> Greatest Bengali Stories Ever Told<br />
Edited by Arunava Sinha<br />
Format: B format HB<br />
Price: Rs 499<br />
ISBN: 978-93-82277-74-3<br />
Territory: World<br />
Courage and Conviction: An Autobiography<br />
GENERAL V. K. SINGH<br />
Format: Demy HB<br />
Price: Rs 595<br />
ISBN: 978-93-82277-57-6<br />
Territory: World<br />
Cover illustration by Kalyani Ganapathy<br />
Cover design by Bena Sareen<br />
© S.T. Gyatso<br />
fiction<br />
www.alephbookcompany.com<br />
<strong>The</strong> King’s Harvest<br />
chetan raj shrestha<br />
<strong>The</strong> King’s Harvest<br />
chetan raj shrestha<br />
~<br />
two novellas<br />
~<br />
~<br />
<strong>The</strong> King’s Harvest<br />
CHETAN RAJ SHRESTHA<br />
Format: B format PB<br />
Price: Rs 299<br />
ISBN: 978-93-83064-05-2<br />
Territory: World<br />
On Hinduism<br />
WENDY DONIGER<br />
Format: Royal HB<br />
Price: Rs 995<br />
ISBN: 978-93-82277-0-71<br />
Territory: Indian subcontinent<br />
Chronicle <strong>of</strong> a Corpse Bearer<br />
CYRUS MISTRY<br />
Format: B format PB<br />
Price: Rs 295<br />
ISBN: 978-93-82277-35-4<br />
Territory: Indian subcontinent<br />
146<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Backlist<br />
147
`295<br />
ALEPH BOOK COMPANY<br />
An independent publishing firm<br />
promoted by Rupa Publications India<br />
Cover photograph ©Lalie Sorbet 2012 | Cover design by Bena Sareen<br />
Passion Flower: Seven Stories <strong>of</strong><br />
Derangement<br />
CYRUS MISTRY<br />
Format: Demy HB<br />
Price: Rs 495<br />
ISBN: 978-93-82277-17-0<br />
Territory: Indian subcontinent<br />
fiction<br />
‘A novel <strong>of</strong> feeling as<br />
well as <strong>of</strong> ideas, and a<br />
delightful and thoroughly<br />
satisfying one.’<br />
—Scotsman<br />
‘Brings the art <strong>of</strong> grand<br />
narrative back to the<br />
Indian novel.’<br />
—India Today<br />
‘In the best sense, he knows<br />
how to tell a good story.’<br />
—Independent on Sunday<br />
‘Davidar’s writing is a joy.’<br />
—Glamour<br />
‘David Davidar is one<br />
<strong>of</strong> the most remarkable<br />
people in publishing.’<br />
—Scotland on Sunday<br />
www.alephbookcompany.com<br />
‘We do not know what to do with one <strong>of</strong> our<br />
most precious resources, solitude, and so we fill<br />
it up with noise and clutter...’<br />
Suffocating in the small-town world <strong>of</strong> his parents,<br />
Vijay is desperate to escape to the raw energy <strong>of</strong><br />
Bombay in the early 1990s. His big chance arrives<br />
unexpectedly when the family servant, Raju, is<br />
recruited by a right-wing organization. As a result<br />
<strong>of</strong> an article he writes about the increasing power<br />
<strong>of</strong> sectarian politicians, Vijay gets a job in a small<br />
Bombay publication, <strong>The</strong> Indian Secularist.<br />
<strong>The</strong>re he meets Rustom Sorabjee—the inspirational<br />
founder <strong>of</strong> the magazine who opens Vijay’s eyes to<br />
the damage caused to the nation by the mixing <strong>of</strong><br />
religion and politics.<br />
A year after his arrival in Bombay, Vijay is caught up<br />
in violent riots that rip through the city, a reflection<br />
<strong>of</strong> the upsurge <strong>of</strong> fundamentalism everywhere in the<br />
country. He is sent to a small tea town in the Nilgiri<br />
mountains to recover, but finds that the unrest in the<br />
rest <strong>of</strong> India has touched this peaceful spot as well,<br />
specifically a spectacular shrine called <strong>The</strong> Tower <strong>of</strong><br />
God, which is the object <strong>of</strong> political wrangling. He<br />
is befriended by Noah, an enigmatic and colourful<br />
character who lives in the local cemetery and quotes<br />
Pessoa, Cavafy and Rimbaud but is ostracized by<br />
a local elite obsessed with little more than growing<br />
their prized fuchsias. As the discord surrounding<br />
the local shrine comes to a head, Vijay tries to alert<br />
them to the dangers, but his intervention will have<br />
consequences which he could never have foreseen.<br />
<strong>The</strong> Solitude <strong>of</strong> Emperors is a stunningly perceptive<br />
novel about modern India, about what motivates<br />
fundamentalist beliefs, and what makes someone<br />
driven, bold or mad enough to make a stand.<br />
THE SOLITUDE OF<br />
EMPERORS<br />
DAVID<br />
DAVIDAR<br />
‘Unflinching. Unsentimental. Deeply moving. I loved it.’<br />
—Kiran Desai<br />
‘A master storyteller.’—Time<br />
‘Davidar skilfully mixes the<br />
political with the personal to<br />
create an engrossing read.’<br />
—Daily Mail<br />
THE<br />
SOLITUDE OF<br />
EMPERORS<br />
DAVID<br />
DAVIDAR<br />
‘[An] ambitious disturbing novel…[As] this book hurtles towards its dramatic<br />
denouement, it <strong>of</strong>fers us quite a white-knuckle ride…Davidar has a keen eye for<br />
detail, and an elegant turn <strong>of</strong> phrase. This is (a) daring novel that engages with Indian<br />
realities: it looks sectarian violence and intolerance in the eye, and does not turn away.’<br />
—Independent<br />
<strong>The</strong> Solitude <strong>of</strong> Emperors<br />
DAVID DAVIDAR<br />
Format: B format PB<br />
Price: Rs 295<br />
ISBN: 978-93-82277-95-8<br />
Territory: Indian subcontinent<br />
<strong>The</strong> Radiance <strong>of</strong> Ashes<br />
CYRUS MISTRY<br />
Format: B format PB<br />
Price: Rs 395<br />
ISBN: 978-93-83064-74-8<br />
Territory: Indian subcontinent<br />
A Clutch <strong>of</strong> Indian Masterpieces:<br />
Extraordinary Short Stories from the 19th<br />
Century to the Present<br />
Edited by David Davidar<br />
Format: Demy PB<br />
Price: Rs 599<br />
ISBN: 978-93-82277-29-3<br />
Territory: Indian subcontinent<br />
Arctic Summer<br />
DAMON GALGUT<br />
Format: Demy HB<br />
Price: Rs 595<br />
ISBN: 978-93-82277-25-5<br />
Territory: Indian subcontinent<br />
<strong>The</strong> Adventures <strong>of</strong> Amir Hamza<br />
GHALIB LAKHNAVI & ABDULLAH BILGRAMI<br />
Translated by Musharraf Ali Farooqi<br />
Format: B format PB<br />
Price: Rs 495<br />
ISBN: 978-93-82277-12-5<br />
Territory: Indian subcontinent<br />
<strong>The</strong> House <strong>of</strong> Blue Mangoes<br />
DAVID DAVIDAR<br />
Format: B format PB<br />
Price: Rs 295<br />
ISBN: 978-93-82277-94-1<br />
Territory: Indian subcontinent<br />
<strong>The</strong> Mysterious Ailment <strong>of</strong> Rupi Baskey<br />
HANSDA SOWVENDRA SHEKHAR<br />
Format: B format PB<br />
Price: Rs 295<br />
ISBN: 978-93-82277-32-3<br />
Territory: World<br />
148<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Backlist<br />
149
Shilappadikaram<br />
ILANGO ADIGAL<br />
Translated by Alain Daniélou<br />
Format: B format PB<br />
Price: Rs 399<br />
ISBN: 978-93-83064-19-9<br />
Territory: Indian subcontinent<br />
Swimmer Among the Stars<br />
KANISHK THAROOR<br />
Format: Demy HB<br />
Price: Rs 499<br />
ISBN: 978-93-84067-34-2<br />
Territory: Indian subcontinent<br />
Collected Poems<br />
JEET THAYIL<br />
Format: B format HB<br />
Price: Rs 599<br />
ISBN: 978-93-84067-43-4<br />
Territory: Indian subcontinent<br />
A Town Like Ours<br />
KAVERY NAMBISAN<br />
Format: Demy PB<br />
Price: Rs 395<br />
ISBN: 978-93-83064-00-7<br />
Territory: Indian subcontinent<br />
Em and <strong>The</strong> Big Hoom<br />
JERRY PINTO<br />
Format: B format PB<br />
Price: Rs 295<br />
ISBN: 978-93-82277-31-6<br />
Territory: Indian subcontinent<br />
<strong>The</strong> Black Hill<br />
MAMANG DAI<br />
Format: B format PB<br />
Price: Rs 395<br />
ISBN: 978-93-82277-23-1<br />
Territory: World<br />
Kalidasa for the 21st Century Reader<br />
KALIDASA<br />
Edited & translated by Mani Rao<br />
Format: Demy PB<br />
Price: Rs 399<br />
ISBN: 978-93-82277-75-0<br />
Territory: World<br />
Tilled Earth<br />
MANJUSHREE THAPA<br />
Format: B format PB<br />
Price: Rs 250<br />
ISBN: 978-93-82277-51-4<br />
Territory: Indian subcontinent<br />
150<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Backlist<br />
151
Nilanjana Roy spent most <strong>of</strong> her<br />
adult life writing about humans<br />
before realizing that animals were<br />
much more fun. Her first novel, <strong>The</strong><br />
Wildings, was widely praised and<br />
shortlisted for the Commonwealth<br />
<strong>Book</strong> Prize and the Shakti Bhatt<br />
First <strong>Book</strong> Prize. Her column<br />
on books and reading for the<br />
Business Standard has run for over<br />
fifteen years; she also writes for<br />
the International Herald Tribune on<br />
gender. Her fiction and journalism<br />
have appeared in several journals and<br />
anthologies, including <strong>The</strong> Caravan,<br />
Civil Lines 6, Guernica, <strong>The</strong> New York<br />
Times’ India blog, Outlook and Biblio.<br />
Some <strong>of</strong> her stories for children have<br />
been published in Scholastic’s Spooky<br />
Stories, Science Fiction Stories and Be<br />
Witched. She is the editor <strong>of</strong> A Matter<br />
<strong>of</strong> Taste: <strong>The</strong> Penguin <strong>Book</strong> <strong>of</strong> Indian<br />
Food Writing. Nilanjana lives in Delhi<br />
with two cats and her husband, and<br />
on Twitter @nilanjanaroy.<br />
In the sequel to her critically acclaimed,<br />
bestselling novel, <strong>The</strong> Wildings, Nilanjana<br />
Roy takes us back to the Delhi<br />
neighbourhood <strong>of</strong> Nizamuddin, and its<br />
unforgettable cats—Mara, Southpaw, Katar,<br />
Hulo and Beraal. As they recover slowly<br />
from their terrible battle with the feral cats,<br />
they find their beloved locality changing<br />
around them. Winter brings an army <strong>of</strong><br />
predators—humans, vicious dogs, snakes,<br />
bandicoots—along with the cold and a<br />
scarcity <strong>of</strong> food... Unless Mara can help<br />
them find a safe haven, their small band<br />
will be wiped out forever.<br />
With the assistance <strong>of</strong> a motley group <strong>of</strong><br />
friends—Doginder, a friendly stray; Hatch,<br />
a cheel who is afraid <strong>of</strong> the sky; Thomas<br />
Mor, an affable peacock; Jethro Tail, the<br />
mouse who roared; and the legendary<br />
Senders <strong>of</strong> Delhi—Mara and her band<br />
set out on an epic journey to find a place<br />
where they can live free from danger.<br />
With all the brilliance and originality<br />
<strong>of</strong> its predecessor, <strong>The</strong> Hundred Names <strong>of</strong><br />
Darkness brings the story <strong>of</strong> Mara and the<br />
enormously appealing cats <strong>of</strong> Nizamuddin<br />
to a breathtaking conclusion.<br />
`495<br />
ALEPH BOOK COMPANY<br />
An independent publishing firm<br />
promoted by Rupa Publications India<br />
Seasons <strong>of</strong> Flight<br />
MANJUSHREE THAPA<br />
Format: B format PB<br />
Price: Rs 250<br />
ISBN: 978-93-82277-49-1<br />
Territory: Indian subcontinent<br />
<strong>The</strong> Wildings<br />
NILANJANA ROY<br />
Format: B format PB<br />
Price: Rs 295<br />
ISBN: 978-93-82277-48-4<br />
Territory: Indian subcontinent<br />
<strong>The</strong> Tutor <strong>of</strong> History<br />
MANJUSHREE THAPA<br />
Format: B format PB<br />
Price: Rs 395<br />
ISBN: 978-93-82277-02-6<br />
Territory: Indian subcontinent<br />
<strong>The</strong> Hundred Names <strong>of</strong> Darkness<br />
NILANJANA ROY<br />
Format: Demy HB<br />
Price: Rs 495<br />
ISBN: 978-93-82277-77-4<br />
Territory: Indian subcontinent<br />
©Kavi Bhansali<br />
fiction<br />
www.alephbookcompany.com<br />
All <strong>of</strong> Us in Our Own Lives<br />
MANJUSHREE THAPA<br />
Format: Demy HB<br />
Price: Rs 499<br />
ISBN: 978-93-82277-11-8<br />
Territory: Indian subcontinent<br />
Tagore for the 21st Century Reader<br />
RABINDRANATH TAGORE<br />
Edited & translated by Arunava Sinha<br />
Format: Demy PB<br />
Price: Rs 595<br />
ISBN: 978-93-82277-27-9<br />
Territory: World<br />
Between Clay and Dust<br />
MUSHARRAF ALI FAROOQI<br />
Format: B format PB<br />
Price: Rs 295<br />
ISBN: 978-93-82277-30-9<br />
Territory: Indian subcontinent<br />
Tales <strong>of</strong> Fosterganj<br />
RUSKIN BOND<br />
Format: B format HB<br />
Price: Rs 295<br />
ISBN: 978-93-82277-47-7<br />
Territory: World<br />
152<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Backlist<br />
153
`599<br />
`399<br />
Author <strong>of</strong> Tiger Hills<br />
‘mandanna is a gifted and evocative writer who can tell a story stirringly well.’—the hindu<br />
‘mandanna has an easy style and a knack for making her characters come alive.’—hindustan times<br />
At the outset <strong>of</strong> the Great War, James<br />
Stonebridge, a patrician New England<br />
Yankee and Obadaiah Nelson, gumbo<br />
ya-ya Louisiana native, volunteer with<br />
the French Foreign Legion in Paris. <strong>The</strong>y<br />
are among the handful <strong>of</strong> Americans who<br />
did so at the time, young men filled with<br />
idealism and lured by romantic notions<br />
<strong>of</strong> adventure. Despite their different<br />
backgrounds, the two form a deep and<br />
unexpected friendship that helps them<br />
endure the brutal reality <strong>of</strong> the trenches,<br />
a bond that is tested to breaking point<br />
by the horrors <strong>of</strong> war.<br />
Fourteen years after the war has ended,<br />
Major James Stonebridge is a haunted<br />
recluse. A black mirror, a souvenir from<br />
France, hangs on the wall <strong>of</strong> his Vermont<br />
farmhouse, his pale, leached reflection in<br />
it hinting at all that he has suffered. <strong>The</strong><br />
impact <strong>of</strong> this unspoken burden is felt<br />
most <strong>of</strong> all by his son, Jim. It is only when<br />
privileged, spirited Madeleine enters their<br />
lives and encourages the Major to join the<br />
World War I veterans agitating for their<br />
unpaid bonuses in Washington that Jim<br />
finally begins to understand the man his<br />
father once was, and all that the war<br />
took from him. Meanwhile the 1930s<br />
are drawing to a close and another<br />
war looms...<br />
From pre-war Paris to the trenches <strong>of</strong><br />
Europe and the apple orchards <strong>of</strong> Vermont,<br />
Good Hope Road is a powerful and<br />
mesmerizing story <strong>of</strong> the legacy <strong>of</strong> war, the<br />
search for redemption and the strength <strong>of</strong><br />
the human spirit.<br />
STORIES—SELECTED<br />
MAJOR WORKS<br />
eriods <strong>of</strong> darkness, but now<br />
h as an encounter with an old<br />
n a little longer. I hope you,<br />
renewing your bond with this<br />
s much as I have enjoyed<br />
ily, these are my favourite<br />
y writer’s dream) they will<br />
fe.’<br />
uskin Bond<br />
age-old; the scents, sights<br />
e have rarely been captured<br />
’—National Herald<br />
tly simple and immensely<br />
love and reverence for life’<br />
Statesman<br />
writers.’<br />
A GATHERING <strong>of</strong> FRIENDS ruskin bond<br />
‘One <strong>of</strong> the best storytellers <strong>of</strong> contemporary India.’ —<strong>The</strong> Tribune<br />
<strong>The</strong> twenty-one stories in the book<br />
are the greatest pieces <strong>of</strong> fiction<br />
written by Ruskin Bond. Chosen by<br />
the author himself, from a body <strong>of</strong><br />
work built over fifty years (starting<br />
with his award-winning first novel,<br />
<strong>The</strong> Room on the Ro<strong>of</strong>, and ending<br />
with Tales <strong>of</strong> Fosterganj), this collection<br />
includes well-known masterpieces<br />
like ‘<strong>The</strong> Night Train at Deoli’, ‘<strong>The</strong><br />
Woman on Platform 8’, ‘Rusty Plays<br />
Holi’ (from <strong>The</strong> Room on the Ro<strong>of</strong>),<br />
‘Angry River’, ‘<strong>The</strong> Blue Umbrella’,<br />
‘<strong>The</strong> Eyes Have It’, ‘Most Beautiful’<br />
and ‘Panther’s Moon’, as well as<br />
newer stories like ‘An Evening at the<br />
Savoy with H. H. ’ (from Maharani)<br />
and ‘Dinner with Foster’ (from Tales<br />
<strong>of</strong> Fosterganj). Taken together, the<br />
stories in A Gathering <strong>of</strong> Friends show<br />
why Ruskin Bond has long been<br />
regarded as one <strong>of</strong> the pillars<br />
<strong>of</strong> Indian literature.<br />
~<br />
A Gathering <strong>of</strong> Friends: My Favourite Stories<br />
RUSKIN BOND<br />
Format: B format HB<br />
Price: Rs 395<br />
ISBN: 978-93-83064-79-3<br />
Territory: World<br />
Shadow Play<br />
SHASHI DESHPANDE<br />
Format: Demy HB<br />
Price: Rs 495<br />
ISBN: 978-93-82277-19-4<br />
Territory: Indian subcontinent<br />
Upon an Old Wall Dreaming: More <strong>of</strong> My<br />
Favourite Stories and Sketches<br />
RUSKIN BOND<br />
Format: B format HB<br />
Price: Rs 399<br />
ISBN: 978-93-84067-47-2<br />
Territory: World<br />
<strong>The</strong> Competent Authority<br />
SHOVON CHOWDHURY<br />
Format: Demy HB<br />
Price: Rs 495<br />
ISBN: 978-93-82277-60-6<br />
Territory: Indian subcontinent<br />
Escape from Baghdad!<br />
SAAD Z. HOSSAIN<br />
Format: B format PB<br />
Price: Rs 299<br />
ISBN: 978-93-84067-53-3<br />
Territory: India only<br />
Murder with Bengali Characteristics<br />
SHOVON CHOWDHURY<br />
Format: Demy HB<br />
Price: Rs 495<br />
ISBN: 978-93-82277-79-8<br />
Territory: Indian subcontinent<br />
the mantel<br />
ain <strong>of</strong> brass.<br />
e marked it<br />
but was not<br />
al feature.<br />
ry clear, silverce<br />
<strong>of</strong> the mirror<br />
ian black, like<br />
in and pushed up<br />
the egg, perhaps,<br />
t-winged bird...<br />
lass absorbed<br />
ts opacity<br />
images flatter,<br />
ees framed in<br />
f the barn just<br />
—all as if diluted<br />
rror, sundered<br />
d the depth <strong>of</strong><br />
GOOD HOPE ROAD<br />
SARITA MANDANNA<br />
‘<strong>The</strong> clouds lift. <strong>The</strong> road glints,<br />
white as bone. Eyes forward,<br />
itchy finger, trigger happy. Shadow,<br />
mirror image world.’<br />
Good Hope Road<br />
SARITA MANDANNA<br />
Format: Demy HB<br />
Price: Rs 595<br />
ISBN: 978-93-84067-20-5<br />
Territory: Indian subcontinent<br />
<strong>The</strong> Patna Manual <strong>of</strong> Style: Stories<br />
SIDDHARTH CHOWDHURY<br />
Format: B Format HB<br />
Price: Rs 395<br />
ISBN: 978-93-83064-77-9<br />
Territory: Indian subcontinent<br />
fiction<br />
fiction<br />
154<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Backlist<br />
155
`195<br />
`495<br />
ALEPH BOOK COMPANY<br />
An independent publishing firm<br />
promoted by Rupa Publications India<br />
City <strong>of</strong> Spies<br />
SORAYYA KHAN<br />
Format: B Format PB<br />
Price: Rs 295<br />
ISBN: 978-93-83064-78-6<br />
Territory: Indian subcontinent<br />
<strong>The</strong> Taliban Cricket Club<br />
TIMERI N. MURARI<br />
Format: Demy PB<br />
Price: Rs 295<br />
ISBN: 978-93-82277-33-0<br />
Territory: Indian subcontinent<br />
escape artist sridala swami<br />
Sridala Swami’s Escape Artist maps<br />
the dilemmas <strong>of</strong> the bodied self, and<br />
<strong>of</strong>fers a diviner’s eloquent testimony<br />
to survival in a world <strong>of</strong> dissolving<br />
certitudes, precarious relationships,<br />
transcontinental mobility and political<br />
cataclysm. Poised, subtle, luminous,<br />
Swami’s poetry clothes the ephemera<br />
<strong>of</strong> everyday life in an intimate<br />
tangibility and secures them against<br />
the insistent attritions <strong>of</strong> history and<br />
nature. <strong>The</strong> finely gauged frame is<br />
Swami’s chosen instrument. Through<br />
it, she effects surprising juxtapositions<br />
<strong>of</strong> myth and contemporary experience,<br />
investigates whether the finality <strong>of</strong><br />
extinction is preferable to the selfparody<br />
<strong>of</strong> repetition, revisits Paul<br />
Celan’s cryptic notations, Odilon<br />
Redon’s enigmatic images, Abbas<br />
Kiarostami’s deceptively quotidian<br />
cinema, and pays homage to that<br />
re-discoverer <strong>of</strong> lost myths, Giorgos<br />
Seferis. At the core <strong>of</strong> Escape Artist is<br />
a visceral awareness <strong>of</strong> what words<br />
can do: they can induce ‘temporary<br />
insanity’, voice ‘inaudible stories’, and<br />
remind us that ‘the measure <strong>of</strong> love<br />
is not loss but residue’.<br />
Escape Artist<br />
SRIDALA SWAMI<br />
Format: B Format PB<br />
Price: Rs 195<br />
ISBN: 978-93-82277-98-9<br />
Territory: World<br />
Taj: A Story <strong>of</strong> Mughal India<br />
TIMERI N. MURARI<br />
Format: B format PB<br />
Price: Rs 295<br />
ISBN: 978-93-82277-34-7<br />
Territory: Indian subcontinent<br />
In the Jungles <strong>of</strong> the Night: A Novel about Jim<br />
Corbett<br />
STEPHEN ALTER<br />
Format: Demy HB<br />
Price: Rs 499<br />
ISBN: 978-93-83064-67-0<br />
Territory: Indian subcontinent<br />
Chanakya Returns<br />
TIMERI N. MURARI<br />
Format: Demy HB<br />
Price: Rs 495<br />
ISBN: 978-93-83064-02-1<br />
Territory: Indian subcontinent<br />
<strong>The</strong>se Circuses that Sweep through the<br />
Landscape<br />
TEJASWINI APTE-RAHM<br />
Format: B format PB<br />
Price: Rs 299<br />
ISBN: 978-93-84067-56-4<br />
Territory: World<br />
GOPALKRISHNA GANDHI<br />
read English Literature at<br />
St Stephen’s College, Delhi. A former<br />
administrator and diplomat, he has<br />
authored a novel, Refuge, a play in<br />
English verse, Dara Shukoh, and has<br />
translated A Suitable Boy by Vikram<br />
Seth into Hindustani. He is currently<br />
Distinguished Pr<strong>of</strong>essor at<br />
Ashoka University.<br />
Cover design by Bena Sareen<br />
<strong>The</strong> Tirukkural has been admired as literature, venerated<br />
as secular gospel, and translated times without number<br />
into the world’s different languages. This new version<br />
recreates the beauty <strong>of</strong> Tiruvalluvar’s masterpiece for<br />
the twenty-first-century reader.<br />
Verse 1<br />
As ‘A’ is <strong>of</strong> every alphabet the primordial letter<br />
So is god the world’s very fount and progenitor<br />
Verse 80<br />
Life is life when lover and loved both live it together<br />
Loveless men are but—what shall I say—<br />
bones clad in leather<br />
Verse 391<br />
Learner, learn your learning full well and fault free<br />
And then make your learning with life’s living<br />
truths agree<br />
classics<br />
www.alephbookcompany.com<br />
tiruvalluvar<br />
the tirukkural<br />
GOPALKRISHNA<br />
GANDHI<br />
A new English version <strong>of</strong> a beloved Tamil classic.<br />
<strong>The</strong> Tirukkural (honoured Kural) is one <strong>of</strong> the world’s<br />
greatest literary and philosophical masterpieces.<br />
Composed in Tamil by Tiruvalluvar sometime<br />
between 2 BCE and 5 CE, its succinct couplets seek<br />
to explain and guide the reader through life’s various<br />
situations: political, spiritual, domestic and social.<br />
Not much is known about Tiruvalluvar—he is believed<br />
to have been one or more <strong>of</strong> the following: a weaver,<br />
an ascetic, a teacher, a minister, a seafarer or even a<br />
king. What is indisputable, as Gopalkrishna Gandhi<br />
says in the preface, is that he was ‘a clear thinker’, ‘a<br />
sharp observer <strong>of</strong> life’ and ‘a master <strong>of</strong> his language<br />
and…complex poetic forms’.<br />
‘Kural’, in Tamil, means ‘short’. Each <strong>of</strong> the Tirukkural’s<br />
1,330 verses holds its meaning tightly, gives its message<br />
in something like telegraphese. Often called the<br />
universal book <strong>of</strong> principles, the work is organized<br />
into 133 chapters and three books. ‘<strong>Book</strong> I: Being<br />
Good’ is aimed at householders and sets out the<br />
principles <strong>of</strong> leading an ethical life. ‘<strong>Book</strong> II: Being<br />
Politic’ is a manual for rulers and statesmen on the<br />
qualities and duties <strong>of</strong> leaders, aspects <strong>of</strong> governance,<br />
military strategies, and methods to acquire wealth<br />
honestly. ‘<strong>Book</strong> III: Being in Love’ is a poetic<br />
exposition on love. It is presented from the points<br />
<strong>of</strong> view <strong>of</strong> both the man and the woman in different<br />
situations—from the moment <strong>of</strong> falling in love,<br />
through the pain <strong>of</strong> separation to the joy<br />
<strong>of</strong> reconciliation.<br />
Talking about our classics, the philosopher and<br />
statesman Dr S. Radhakrishnan said as they ‘constitute<br />
the essential spirit <strong>of</strong> our culture, are a part <strong>of</strong> our<br />
very being, they should receive changing expression<br />
according to the needs and conditions <strong>of</strong> [a particular]<br />
time.’ Gopalkrishna Gandhi’s retelling <strong>of</strong> the Kural,<br />
in keeping with that philosophy, showcases the great<br />
beauty and wisdom <strong>of</strong> Tiruvalluvar’s masterpiece for<br />
the twenty-first-century reader.<br />
<strong>The</strong> Tirukkural<br />
TIRUVALLUVAR<br />
A new English version by Gopalkrishna Gandhi<br />
Format: B format HB<br />
Price: Rs 295<br />
ISBN: 978-93-83064-70-0<br />
Territory: World<br />
156<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong> Backlist<br />
157
A Suitable Boy<br />
VIKRAM SETH<br />
Format: Royal PB<br />
Price: Rs 999<br />
ISBN: 978-93-83064-12-0<br />
Territory: Indian subcontinent<br />
ABOUT US<br />
<strong>Aleph</strong> <strong>Book</strong> Company is an independent publishing company founded in May<br />
2011 by David Davidar in partnership with R. K. Mehra and Kapish Mehra <strong>of</strong><br />
Rupa Publications India.<br />
Summer Requiem<br />
VIKRAM SETH<br />
Format: Demy HB<br />
Price: Rs 399<br />
ISBN: 978-93-84067-42-7<br />
Territory: Indian subcontinent<br />
<strong>The</strong> Bhagavad Gita<br />
VYASA<br />
Translated by Winthrop Sargeant<br />
Format: B format PB<br />
Price: Rs 299<br />
ISBN: 978-93-83064-15-1<br />
Territory: Indian subcontinent<br />
<strong>Aleph</strong> publishes approximately forty books a year—mainly in the following<br />
subject areas: literary fiction, history, biography, memoir, narrative non-fiction,<br />
reportage, travel, current events, music, art, science, politics, nature, religion,<br />
sociology, psychology, philosophy, and business. For further information on how<br />
to submit your manuscript and where to buy our books please visit our website<br />
www.alephbookcompany.com.<br />
Everything we do owes much to the efforts <strong>of</strong> the team <strong>of</strong> pr<strong>of</strong>essionals who make<br />
the firm what it is. <strong>The</strong> founders and directors <strong>of</strong> <strong>Aleph</strong> <strong>Book</strong> Company would<br />
like to gratefully acknowledge the contribution <strong>of</strong> the following colleagues who<br />
are instrumental in editing, designing, marketing, distributing, and providing<br />
administrative support to the books on the company’s list. In alphabetical order<br />
they are: A. K. Singh (and his team members and all the Rupa sales managers<br />
and executives), Aienla Ozukum, Amit Bhattacharya, Bena Sareen, Dibakar<br />
Ghosh, Melody Banee, Neeraj Gulati (and his team members, Amar Srivastava,<br />
Neha Vats and Rita Satyawali), P. K. Sharma, Pujitha Krishnan, Raj Kumari<br />
John, Sanskrita Bharadwaj, Simar Puneet, S. P. Singh Rawat (and his team), and<br />
Vasundhara Raj Baigra (and her team members, Geetu Martolia, Rizwan Khan,<br />
Rupsha Ghosh and Shorya Bhutani).<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong>: <strong>Volume</strong> Six was designed by Bena Sareen.<br />
158<br />
<strong>The</strong> <strong>Book</strong> <strong>of</strong> <strong>Aleph</strong>
© Prashant Sareen