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Viva Brighton Issue #48 February 2017

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BITS AND BOBS<br />

...............................<br />

SECRETS OF THE ROYAL PAVILION ESTATE:<br />

BACKSTAIRS AT THE ROYAL PAVILION<br />

It’s 1821. After nine years as Prince Regent,<br />

George IV is now King. John Nash’s Royal<br />

Pavilion at <strong>Brighton</strong> is almost finished and the<br />

King is en route with his gentlemen-in-waiting<br />

and pages. The Pavilion is a hive of activity -<br />

most of the King’s servants came some days ago<br />

to join the handful of caretaker staff in preparing<br />

for his arrival. The long service corridor is<br />

abuzz with bustling housemaids, brisk pages and<br />

gliding footmen.<br />

A pleasure palace it might have been, but it was<br />

also a workplace, where royal servants worked,<br />

ate and slept. The world ‘below stairs’ has<br />

been the focus of my research at the Pavilion.<br />

Many of the rooms where servants worked no<br />

longer exist, so I have to rely on inventories,<br />

memoirs and architectural drawings, housed in<br />

the National Archives at Kew or in the Royal<br />

Archive at Windsor.<br />

Tucked away in the archives of the Pavilion itself,<br />

however, is a gem of a drawing in pencil and ink.<br />

It is by the architectural draughtsman Augustus<br />

Charles Pugin, father of the better-known<br />

architect AWN Pugin. Pugin senior worked for<br />

publishers of illustrated books such as Rudolph<br />

Ackermann. His watercolours of the Pavilion<br />

interiors were used as the basis for the glorious<br />

aquatints in John Nash’s Views of the Royal<br />

Pavilion, of 1826.<br />

Pugin’s drawing shows the Pavilion estate<br />

around 1821. To the northwest (bottom left) is<br />

William Porden’s magnificent Royal Stables and<br />

Riding House, now the Dome and Corn Exchange.<br />

Nash’s Pavilion is just above the centre.<br />

On the right (south) is the domain of the Lord<br />

Steward’s Department. The royal household<br />

had three main departments; this was the one in<br />

charge of catering.<br />

The magnified detail shows the large number<br />

of rooms used for storing, preparing or serving<br />

food. As well as the usual larders, sculleries and<br />

kitchens, there were cooler confectionery rooms,<br />

where ice-creams, jellies and spectacular desserts<br />

were made, and pastry rooms for baking pies and<br />

cakes. Items for dressing the table, linen, silver<br />

and other plate were stored and cleaned close to<br />

the table-deckers’ room, where they would be<br />

carefully laid out before the meal.<br />

Each suite of rooms was also a separate subdepartment<br />

of the Lord Steward’s realm, with<br />

its own staff, and rules recorded in Household<br />

Ordinances. Hierarchies were strictly observed.<br />

From scullions and kitchen boys, to Gentlemen<br />

of the Wine Cellar and Master Cooks, everyone<br />

had a place and knew their place. Lower servants<br />

ate in the Servants’ Hall and drank beer, upper<br />

servants sat with the Steward and had wine. Thus<br />

the layout of the Pavilion reflected the structure<br />

and hierarchy of the royal household itself.<br />

With the help of Pugin’s plan we can recreate the<br />

backstairs spaces, and reinstate the servants who<br />

worked there to their rightful place at the heart of<br />

the Royal Pavilion. Tracy Anderson, Art Historian<br />

and Researcher at the Royal Pavilion.<br />

Servant Stories, from the 25th during opening<br />

hours (free with admission, members free).<br />

Find out about the real-life stories of the Pavilion’s<br />

Royal Household, brought to life through the objects<br />

they used and information from our archives.<br />

brightonmuseums.org.uk<br />

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