Viva Brighton Issue #48 February 2017
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BITS AND BOBS<br />
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SECRETS OF THE ROYAL PAVILION ESTATE:<br />
BACKSTAIRS AT THE ROYAL PAVILION<br />
It’s 1821. After nine years as Prince Regent,<br />
George IV is now King. John Nash’s Royal<br />
Pavilion at <strong>Brighton</strong> is almost finished and the<br />
King is en route with his gentlemen-in-waiting<br />
and pages. The Pavilion is a hive of activity -<br />
most of the King’s servants came some days ago<br />
to join the handful of caretaker staff in preparing<br />
for his arrival. The long service corridor is<br />
abuzz with bustling housemaids, brisk pages and<br />
gliding footmen.<br />
A pleasure palace it might have been, but it was<br />
also a workplace, where royal servants worked,<br />
ate and slept. The world ‘below stairs’ has<br />
been the focus of my research at the Pavilion.<br />
Many of the rooms where servants worked no<br />
longer exist, so I have to rely on inventories,<br />
memoirs and architectural drawings, housed in<br />
the National Archives at Kew or in the Royal<br />
Archive at Windsor.<br />
Tucked away in the archives of the Pavilion itself,<br />
however, is a gem of a drawing in pencil and ink.<br />
It is by the architectural draughtsman Augustus<br />
Charles Pugin, father of the better-known<br />
architect AWN Pugin. Pugin senior worked for<br />
publishers of illustrated books such as Rudolph<br />
Ackermann. His watercolours of the Pavilion<br />
interiors were used as the basis for the glorious<br />
aquatints in John Nash’s Views of the Royal<br />
Pavilion, of 1826.<br />
Pugin’s drawing shows the Pavilion estate<br />
around 1821. To the northwest (bottom left) is<br />
William Porden’s magnificent Royal Stables and<br />
Riding House, now the Dome and Corn Exchange.<br />
Nash’s Pavilion is just above the centre.<br />
On the right (south) is the domain of the Lord<br />
Steward’s Department. The royal household<br />
had three main departments; this was the one in<br />
charge of catering.<br />
The magnified detail shows the large number<br />
of rooms used for storing, preparing or serving<br />
food. As well as the usual larders, sculleries and<br />
kitchens, there were cooler confectionery rooms,<br />
where ice-creams, jellies and spectacular desserts<br />
were made, and pastry rooms for baking pies and<br />
cakes. Items for dressing the table, linen, silver<br />
and other plate were stored and cleaned close to<br />
the table-deckers’ room, where they would be<br />
carefully laid out before the meal.<br />
Each suite of rooms was also a separate subdepartment<br />
of the Lord Steward’s realm, with<br />
its own staff, and rules recorded in Household<br />
Ordinances. Hierarchies were strictly observed.<br />
From scullions and kitchen boys, to Gentlemen<br />
of the Wine Cellar and Master Cooks, everyone<br />
had a place and knew their place. Lower servants<br />
ate in the Servants’ Hall and drank beer, upper<br />
servants sat with the Steward and had wine. Thus<br />
the layout of the Pavilion reflected the structure<br />
and hierarchy of the royal household itself.<br />
With the help of Pugin’s plan we can recreate the<br />
backstairs spaces, and reinstate the servants who<br />
worked there to their rightful place at the heart of<br />
the Royal Pavilion. Tracy Anderson, Art Historian<br />
and Researcher at the Royal Pavilion.<br />
Servant Stories, from the 25th during opening<br />
hours (free with admission, members free).<br />
Find out about the real-life stories of the Pavilion’s<br />
Royal Household, brought to life through the objects<br />
they used and information from our archives.<br />
brightonmuseums.org.uk<br />
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