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Patrick Cordelles Thesis from Cal Poly Slo. 2015

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lines<br />

walls<br />

the dynamic human spirit<br />

Patrick Cordelle<br />

B.<strong>Arch</strong> <strong>Thesis</strong> 2014-2015<br />

Studio 400, Karen Lange<br />

California Polytechnic State University<br />

San Luis Obispo


Patrick Cordelle<br />

B.<strong>Arch</strong> <strong>Thesis</strong> 2014-2015<br />

Studio 400, Karen Lange<br />

California Polytechnic State University<br />

San Luis Obispo


lines<br />

walls<br />

the dynamic human spirit<br />

Patrick Cordelle<br />

B.<strong>Arch</strong> <strong>Thesis</strong> 2014-2015<br />

Studio 400, Karen Lange<br />

California Polytechnic State University<br />

San Luis Obispo


Contents<br />

8 Prologue<br />

11 Statement<br />

14 Transforming a Line<br />

17 Masterplan: Urban Generators<br />

18 Where the Line Meets the Ocean<br />

22 La Línea Borrosa<br />

41 Lines <strong>Thesis</strong> Research<br />

60 History<br />

71 Inspiration<br />

75 Process Site, Development, Experiments<br />

94 STUCK <strong>Thesis</strong> Book Installation<br />

98 Blackboard<br />

105 References


Paul Klee, The Angel of History. 1920


7


PROLOGUE<br />

Once, a land was divided by an imaginary line. The north and<br />

the south were created.<br />

The northerners had wealth. They lived in large merchant<br />

built houses in sprawling suburbs. Together, they commuted to<br />

work, millions of individual bubbles on a vast choked freeway.<br />

There were pool parties in the summer and green lawns tended<br />

by invisible gardeners. Food, electronics, automobiles, and<br />

clothing were overabundant. Life was seemingly easy for the<br />

northerners. They were fat, but they were not happy. Many were<br />

fearful.<br />

The southerners were poor. They lived in small, handmade<br />

homes that, in many cases, barely provided them with the basic<br />

elements of shelter. They worked hard to survive and their diet<br />

was basic. These people lived a simple yet complex existence.<br />

What they lacked in monetary wealth they made up for in<br />

culture and the arts. In some ways, they were happier than<br />

their counterparts to the north, but decent jobs were difficult<br />

to find. In search of work, there was always the temptation of<br />

the north.<br />

In the beginning, crossing was easy and safe because<br />

northerners needed cheap labor. As the population of<br />

southerners in the north grew, the northerners feared that<br />

their lives of excess and privilege may somehow be threatened.<br />

The north resorted to a brutal use of architecture. They built a<br />

wall to deter northern migration.<br />

The wall was a symbol. It was a line between wealth and poverty.<br />

It stood 14 feet tall crowned with menacing swirls of razor<br />

wire. It stopped and started infrequently. The construction was<br />

shoddy and the materials were cheap. The wall indiscriminately<br />

split and destroyed communities along its path.<br />

The psychological power of the wall was both its greatest<br />

strength and its greatest weakness. Ironically, the wall<br />

ultimately encouraged migration north.<br />

With dreams of a better life, the southerners climbed over the<br />

fence and they tunneled under it. They went deeper into the<br />

wilderness and crossed the border where the fence did not exist.<br />

On their journey to cross, the migrants encountered thieves,<br />

harassment, extortion, murder, the Border Patrol, and exposure<br />

to the elements. Many failed and many died, but more succeeded.<br />

The rate of illegal crossings directly correlated to the<br />

northern demands for inexpensive labor.<br />

After decades, the northerners became a minority in their own<br />

land. To protect their interest, they manipulated the laws<br />

and compromised democracy, assuring their electorate. They<br />

withdrew into conservative, deaf tribes. Religious views were<br />

manipulated to validate their contempt. The northerners lost<br />

the ability to perceive their southern neighbors as fellow<br />

human beings.


Perspective Shift digital<br />

9


My thesis is a study of people and the lines and walls that separate them.<br />

Specifically, I am interested in the border condition between the United<br />

States and Mexico.<br />

I grew up in San Diego with a distant appreciation of its sister city, Tijuana. I<br />

loved my home but I also loved the fact that a new world was always close. It<br />

is a special kind of freedom to be able to enter a new realm when you wish.<br />

I study this issue because I believe the border can be an armature for<br />

change and an example for the rest of the world. My project seeks to transform<br />

lines of duality to lines of connection and inclusion.<br />

I want to encourage a new paradigm of democracy through architecture.<br />

This democracy is not patriotic or limited to political boundaries. This is<br />

true human democracy.<br />

11


The field describes a space of propagation, of<br />

effects. It contains no matter or material points,<br />

rather functions, vectors, and speeds. It describes<br />

local relations of difference within fields of clarity,<br />

transmission or of careering points, in a word,<br />

what Minkowksi called the world.<br />

Sanford Kwinter<br />

The Plea of Our Ancestors. digital collage<br />

13


Transforming A Line<br />

This project seeks to transform the line of duality that is the US/<br />

Mexican border to a region of inclusion and urban prosperity.<br />

As the border becomes more and more militarized, it remains a<br />

region of hyper movement and porosity. This cultural, intellectual<br />

and social energy pools at the busiest border crossing in the<br />

world, the San Ysidro border crossing in Tijuana, Mexico. The<br />

border is not only a border between two countries, but a gateway<br />

between North and South America.<br />

As security along the closed border is heightened, the northern<br />

migration becomes increasingly treacherous. Transgressors face<br />

harassment, extreme environments, extortion, rape, and murder.<br />

They take this risk in search of a better life. In many cases, they<br />

make the journey to be united with family and loved ones.<br />

The negative aspects of a closed border are not only felt south of<br />

the border. Every year, the US pours billions of dollars in public<br />

resources to secure a border that is impossible to secure. On<br />

top of this, the US policy of isolation and separation threatens the<br />

country’s economic survival in a globally interdependent world.


15


Revolucion, Tijuana, Mexico


Renewable energy 10%<br />

Natural Preserve 10%<br />

Transitional Services 10%<br />

Border Commerce/Market 10%<br />

Center for Arts and Culture 20%<br />

Sports and Recreation 10%<br />

Intra-America University 20%<br />

Pacific Ocean<br />

Border View Deck<br />

Proposed Trolley Line<br />

US/Mexican Border<br />

San Ysidro Border Crossing<br />

Masterplan: Urban Generators<br />

Library 10%<br />

The first part of this project is a master plan that aims<br />

to harness the humanistic energy of the region to generate<br />

urban prosperity. These “Urban Generators”<br />

would consist of cultural infrastructure that fosters<br />

and encourages creative and intellectual pursuits,<br />

allowing for the society to prosper from the ground<br />

up. Examples of this infrastructure would include educational<br />

institutions, art centers and venues, sports<br />

facilities, and markets of exchange.<br />

N<br />

Because the border line itself is the core and unifying<br />

entity of the region, it makes sense that this infrastructure<br />

is connected by the line. To promote the<br />

movement of ideas and make these public institutions<br />

accessible, a trolley line running along the border is<br />

proposed. The infrastructure would oscillate above<br />

and below the wall like a wave, rejecting the dualistic<br />

and separatist implications of the line to create a<br />

region of prosperity on both sides of the border.<br />

top: Program Diagram. bottom: Foklorico, Juan Fernandez<br />

17


Where the Line Meets the Ocean<br />

While studying the border region, I became<br />

intrigued by the moment where the line meets<br />

the ocean. Less than 100 yards off shore, the<br />

wall disappears into the ocean. Conceptually,<br />

this site illustrates the fundamental problem with<br />

a closed border; No matter how much we invest<br />

in securing the border, there will always be a<br />

way around.<br />

I decided that this would be the ideal location<br />

to propose a pedestrian border crossing. The<br />

current pedestrian crossing, located at the San<br />

Ysidro checkpoint, lacks human scale and is<br />

not a positive experience. People are lined up<br />

next to a sea of cars and their pollution and<br />

noise. The gateway to the Americas is deserving<br />

of a better experience.<br />

top:looking down the border wall westward. bottom left: San Ysidro Border crossing .bottom right:Bullring by the Sea


19


The Fence at Friendship Park<br />

Moore, John. Getty Images


Louie Palu/ZUMA. Mexico, 2012.<br />

21


In 1971, Friendship Park was created<br />

CA<br />

along the US/Mexico Border as a<br />

binational meeting place. The park<br />

Mexico<br />

was located at a joint San Diego/<br />

Tijuana beach and was a place where friends and<br />

family separated by border politics could meet and<br />

spend time together. In 2009, a secondary border<br />

fence was built severely limiting access to the park.<br />

La Línea Borrosa or the line blurred, is a project<br />

that gives the community a new binational meeting<br />

place without the separation of a fence. The project<br />

consists of a pedestrian border crossing, the Spiral<br />

Pier, and the Americas Gateway Bridge. It is located<br />

at the original site of Friendship Park. There is also<br />

a proposed trolley line, which runs along the border<br />

and connects with the trolley stop at the San Ysidro<br />

border crossing 5 miles to the east.<br />

The Spiral Pier is a wooden and concrete structure<br />

located offshore just beyond where the border fence<br />

disappears into the ocean. The new pier would be<br />

considered a legal gray zone, neither US nor Mexico,<br />

allowing visitors to meet on common ground without<br />

fear of deportation. The Spiral Pier would have access<br />

by trolley or from two pedestrian bridges, one above<br />

the trolley line, and the Americas Gateway Bridge.<br />

The Americas Gateway Bridge is a suspension bridge<br />

that spans from the Spiral pier across the border to<br />

Plaza Monumental de Tijuana, an existing bullring that<br />

has a capacity of 21,000 spectators. By wrapping the<br />

bridge around the bullring, pedestrians are given the<br />

opportunity to view the activities within the bullring.<br />

The pylon for the bridge located in the Spiral Pier<br />

features an elevated view deck, giving visitors a new<br />

aerial perspective on the border region.


E<br />

23


25


Metal Screen<br />

Wood Screen<br />

Spiral Ramp<br />

Truss System<br />

Concrete Platform<br />

Pier Ring


The Americas Gateway Bridge<br />

The Americas Gateway Bridge<br />

Pedestrian Walkway<br />

Pedestrian Walkway<br />

Trolley Line<br />

Trolley Line<br />

Circulation Diagram<br />

Circulation Diagram<br />

27


The Americas Gateway Bridge and the path of the<br />

Spiral Pier could be considered an unconventional<br />

walking promenade. Along the outside of the<br />

spiraling ramp are a series of gathering and<br />

meeting places that could be reserved in<br />

advanced by visiting family and friends. People<br />

could send in pictures before their scheduled visit,<br />

which would be displayed on a large welcoming<br />

screen located at the border crossing on land.<br />

La Línea Borrosa would create a new place<br />

removed from political bias. The Spiral Pier<br />

provides the opportunity to reflect on current<br />

immigration policies and the people that it<br />

impacts.<br />

29


EXIT<br />

EXIT<br />

EXIT<br />

EXIT<br />

1<br />

2<br />

7<br />

6<br />

3<br />

8<br />

9<br />

United States<br />

1 The Spiral Pier<br />

2 Elevator<br />

3 New Perspective View Deck<br />

4 Stairs<br />

5 The Spiral Pier Trolley Stop<br />

6 Amphitheatre<br />

7 Elevator<br />

8 Pedestrian Border Crossing<br />

9 Crossing Trolley Stop<br />

10 Plaza Monumental De Tijuana<br />

(Bullring by the Sea)<br />

11 The Americas Gateway Bridge<br />

One Way Turnstile<br />

5<br />

4<br />

Blur Zone<br />

Mexico<br />

Pedestrian Border Crossing/<br />

Trolley Stop<br />

Floor 1<br />

11<br />

10<br />

Border<br />

Ground Floor<br />

Trolley Line<br />

Border<br />

Floor -1<br />

Av Del Pacifico<br />

Border<br />

50’ 100’ 400’<br />

31


1 The Spiral Pier<br />

2 Gathering & Dining Units<br />

3 New Perspective View Deck<br />

4 The Americas Gateway Bridge<br />

View Deck<br />

116 0”<br />

1<br />

Pedestrian Access<br />

48’ 0”<br />

Trolley Stop<br />

30’ 0”


3<br />

2<br />

4<br />

33


35


37


39


lines<br />

<strong>Thesis</strong> Research Fall 2014<br />

Studio 400 Karen Lange<br />

California Polytechnic State University San Luis Obispo<br />

41


The Treachery of Images. René Magritte


wikipedia on lines:<br />

Definitions versus descriptions<br />

All definitions are ultimately circular in nature since they depend on concepts which<br />

must themselves have definitions, a dependence which can not be continued indefinitely<br />

without returning to the starting point. To avoid this vicious circle certain<br />

concepts must be taken as primitive concepts; terms which are given no definition.<br />

In geometry, it is frequently the case that the concept of line is taken as a primitive.<br />

In those situations where a line is a defined concept, as in coordinate geometry,<br />

some other fundamental ideas are taken as primitives. When the line concept is<br />

a primitive, the behavior and properties of lines are dictated by the axioms which<br />

they must satisfy.<br />

43


A line is a flat wave<br />

The concept of a line is a human invention that serves as a foundation for our visual<br />

communication. Observation tells us that a line is the shortest distance between two<br />

points. Using this simple concept, we can measure our environment and have a<br />

better understanding of our world through mathematics. But it is not a complete and<br />

rational understanding. As an example, π (pi) is an irrational number. This means that<br />

it is impossible to perfectly resolve the relationship between a circle and a line. This<br />

is also true for planes, defined by three points. It is impossible to resolve a sphere by<br />

using one equilateral triangle.<br />

In the natural environment, our concept of lines does not exist. This linearity we perceive<br />

is an illusion. The horizon is a line that we perceive in nature. The illusion of that<br />

line is defined by the edge of an imperfect sphere and infinity. Even a single ray of<br />

light is not straight. It follows the path of an electromagnetic wave.<br />

Waves are dynamic. Waves have amplitude, frequency, and period. They represent<br />

cycles of change. Waves do not generate a duality as lines do. Lines can be perceived<br />

as a wave with an amplitude of zero, or a flat wave.


45


Richard Long. A line made by walking. 1967


Dictionary of the English Language of 1755<br />

Line:<br />

1 Longitudal extension<br />

2 A slender string<br />

3 A thread extended to direct any operations<br />

4 The string that sustains the angler’s hook<br />

5 Lineaments, or marks in the hands or face<br />

6 Delineation, sketch<br />

7 Contour, outline<br />

8 As much as is written from one margin to the other, a verse<br />

9 Rank<br />

10 work thrown up; trench<br />

11 Method, disposition<br />

12 Extension, limit<br />

13 Equator, equinoctial circle<br />

14 Progeny, family, ascending or descending<br />

15 A line is one tenth of an inch<br />

16 A letter; as in, I read your lines<br />

17 Lint or flax<br />

47


Lines are fundamental to our understanding<br />

of the physical world. We communicate<br />

our observations with lines. To know the world is<br />

to know the concept of lines at various definitions.<br />

A Taxonomy of Lines<br />

It is easy to get lost in the sheer depth of the matter.<br />

In order to make the topic of lines more manageable,<br />

it is necessary to create a system of categorizing the<br />

different types of lines. In Tim Ingold’s book Lines:<br />

A Brief History, he places the majority of physical<br />

lines into three groups: threads, traces, and cracks.<br />

Ingold defines a thread as “a filament of some kind,<br />

which may be entangled with other threads or suspended<br />

between two points in three-dimensional<br />

space.” Examples of threads: a spool of string, a<br />

spiders web, veins in a leaf, and an animals fur.<br />

These threads have a surface but they are not drawn<br />

on surfaces.<br />

Traces are defined as “any enduring mark left in or<br />

on a solid surface by a continuous movement.” A<br />

trace is either additive or subtractive. Lines drawn<br />

on a chalk board are additive; the trail of chalk<br />

leaves a new layer of white dust on the board,<br />

producing a mark. A subtractive trace would be a<br />

surface that is etched or scratched. The formation<br />

of the line is created by a subtraction of material.<br />

Animal tracks, hiking trails, and the wood etchings<br />

of Albrecht Dürer would constitute as traces, where<br />

material has been removed to produce a line.<br />

breaking or bending of a surface. There is no addition<br />

or subtraction, and without the surface these<br />

lines would not exist. The furrowed lines of the farmers<br />

field would fit into this category, the plow splitting<br />

the surface of the soil. There are also the lines of<br />

origami figures, where the surface of the paper is<br />

bent to produce creases defining the subject.<br />

Outside of the physical world exists lines that are<br />

intangible. Ingold refers to these lines as ghostly<br />

lines. Humans utilize this type of line in all fields of<br />

study. They are conceptual, abstract and metaphorical.<br />

Dominant in Western culture is the Euclidian<br />

concept of a line, infinitely thin and stretched between<br />

two points on an equally thin and immaterial plane.<br />

The lines we imagine to connect the stars, constellations,<br />

are ghostly in nature.<br />

All lines on a map are within this category. This is<br />

obvious with the geodesic lines of latitude, longitude<br />

and the equator, lines that exist with no physical<br />

counterpart. The lines that describe seafaring voyages,<br />

as seen to the right, are also nonexistent. Even<br />

the lines that define landmass are intangible. They<br />

can only approximately represent the shape of land,<br />

which constantly changes with the ebb and flow of<br />

tide and the rising of oceans.<br />

Many of the lines on a map are the results of politics<br />

and bureaucracy, the lines that define airspace, fishing<br />

waters, and territorial boundaries. Though they<br />

are not physical, they still have real consequences.<br />

Outside of these categories are the lines of cracks,<br />

cuts, and creases. These lines are realized by the


Patrick Ryan Bourgeois, Akshay Mehra. Around the World - Voyages Into the Unknown<br />

49


Ruedi Homberger Canadian Border Swath


Borders<br />

Borders exist continually in flux. They depend on<br />

a never-ending political story and evolve with the<br />

outcome. The lines themselves are decided by<br />

bureaucrats. Planners, surveyors, and policymakers,<br />

“experts” who act not from a perspective of experience,<br />

but typically in the interest of capital. Their work<br />

depends on a measurable and static understanding<br />

of space.<br />

There are essentially two types of borders, mutable<br />

and closed. Mutable borders are associated with prosperity,<br />

energy, and life. Closed borders are associated<br />

with crime, poverty, and ethnic division. Open borders<br />

are demarcated typically with signage or by manipulation<br />

of nature. The Canadian border, for example,<br />

manifests itself with a 40 ft. swaft that cuts through the<br />

natural landscape.<br />

For the last century, closed borders have commonly<br />

been solidified with the construction of a wall.<br />

The Wall An original element of architecture<br />

The wall is defined as a structural plane. Its most<br />

poetic function, defining the space of dwelling, the<br />

home. As man acted upon his instinct of possession,<br />

the destructive possibilities of walls were revealed.<br />

Dividing, controlling, imprisoning, the wall forgot its<br />

noble origins.<br />

As walls are built on closed borders, they promise<br />

security and protection. In reality, regions surrounding<br />

the walls are plagued with violence and death.<br />

The border barriers harden social edges and serve<br />

as obstacles to the movement of humans and their<br />

ideas. Because of their scale, the walls are expensive<br />

to construct and maintenance is consuming.<br />

Why are they built? The reason is that the true power<br />

of walls goes far beyond their ability to secure. Political<br />

walls are symbols that have global power. They are<br />

used as tools to create national identities. Ironically, by<br />

creating the other, walls allow us to identify ourselves.<br />

Though border barriers are associated with destruction,<br />

it is possible to imagine a positive transformation.<br />

This change could be powered by the social, intellectual<br />

and cultural energy in these regions. Lebbeus<br />

Woods envisioned change for the Israeli border wall<br />

in his essay and drawings titled “Wall Games.” He<br />

describes the potential for a closed border to become<br />

the instigator of cooperation.<br />

51


Case Study: Wall Games<br />

In an essay entitled Wall Games, Lebbeus<br />

Woods calls upon Israel to abandon<br />

construction of the wall as an act of self<br />

preservation. By building the wall, they<br />

only serve to isolate themselves which “ultimately<br />

threatens any nation’s survival in a<br />

globally interdependent world.” Lebbeus<br />

continues, “The power of even the strongest<br />

nations can be wasted by their own misplaced<br />

exertions of power, even to the point<br />

where weaker, jealous or vengeful nations<br />

can, by concerted effort, overcome them.”<br />

The wall only serves to hurt its builders,<br />

separating Israel from the world that supports<br />

it. “Israel is creating, in a grotesque<br />

historical twist, history’s largest ghetto.”<br />

Through the act of play, Woods envisions<br />

a new relationship for Israel and Palestine<br />

where competition is used for good.<br />

Woods imagines that Israel comes to a realization:<br />

a wall is not the answer. Construction<br />

of the wall is halted. The free-standing sections<br />

already built would remain, allowing<br />

porosity of the border. These pieces of the<br />

wall would serve as relics of the past and<br />

the site of the wall games.<br />

The field is two sided. The Israelis and<br />

Palestinians create teams consisting of<br />

builders, architects, artists, and performers.<br />

The game progresses as each team builds<br />

on their side of the wall. The sole support<br />

for this construction is the wall and balance<br />

plays a critical role. If the cantilever is not in<br />

balance, the wall falls and the game is over.<br />

Because of this, both sides must play or<br />

there is no point, no winner. Like all games,<br />

the point is to win.<br />

There are three levels of winning in this<br />

game. The first level of winning is simply<br />

keeping the game going. In essence, both<br />

teams win against the wall itself and in the<br />

process a new energy is activated.<br />

The second level of winning pertains to the<br />

constructions themselves. Because each<br />

side represents different cultures, histories,<br />

and aspirations, the constructions<br />

will be different. The architecture of each<br />

side uses different materials, systems and<br />

construction methods. If construction is<br />

similar on each side, the teams cannot win<br />

beyond the first level. Second level winning<br />

requires that one side of construction convert<br />

the other. Conversion of construction<br />

is achieved when its system of order, the<br />

basic system of spatial reference, is transformed<br />

to the system of order on the other<br />

side. As construction progresses, there<br />

will be points in time when one construction<br />

is left open, susceptible to construction<br />

This drawing by Woods illustrates the different spatial orders developing on<br />

each side of the playing field.


Play is a uniquely adaptive act, not subordinate to some other adaptive<br />

act, but with a special function of its own in human experience.<br />

Johan Huizinga, Homo Ludens<br />

infiltration from the other side. A successful<br />

attempt at infiltration is clear, strong, and<br />

succinct enough to reorder the opposing<br />

sides system of order.<br />

The highest level of winning is naturally the<br />

most difficult. The third level is achieved<br />

when each side of construction is converted<br />

not by the opposing side, but by an<br />

entirely new system of order. Both sides win<br />

because they have transcended together<br />

to a more multivalent state. Competitors<br />

become co-inhabiters. States of opposition<br />

are superseded. A new, greater hybrid<br />

system is created.<br />

This game is meant for the new generation<br />

of Israelis and Palestinians, those who<br />

are tired of the destructive self-defeating<br />

nature of the previous game. By using the<br />

approach of games, hostility and hatred are<br />

diminished. Woods points to the Ping-Pong<br />

matches between China and the United<br />

States and the Olympics, where, “Even<br />

the most bitterly opposed adversaries who<br />

learn to play together find it difficult to kill<br />

each other.”<br />

Various illustrations of the Wall games<br />

in progress.<br />

The following pages are a series of drawings<br />

continuing where Lebbeus Woods left<br />

off. These games take place on the U.S.-<br />

Mexico border wall.<br />

53


Above: Each side begins with balance in mind. They utilize whatever materials they can find. Right: As the games progresses, the structures grow and<br />

engage the opposing construction.


55


Above: Attempts at spatial conversion would appear as a poetic structural dance in slow<br />

motion. To the left, third level winning is achieved. The result is a new order of space, a<br />

hybrid of the two original spatial constructions.<br />

57


Walls of Change<br />

In another essay entitled Walls of Change, Woods continues<br />

to explore the idea of walls as armature for change.<br />

He looks at Havana, Cuba, which has the interesting condition<br />

of a city within a city. There is the area frequented<br />

by tourists, where money continually flows in and the<br />

architecture is sustained to preserve business. The city<br />

within this city is La Habana Vieja, the old town, which<br />

exists in a state of decay. Because no tourists visit, there<br />

is money flow to maintain upkeep of the district. Wooden<br />

trusses span across streets, bracing buildings to prevent<br />

them from collapsing.<br />

Because foreign investors have no incentive to help La<br />

Habana Vieja, the only possibility for saving this historical<br />

area is from the ground up. Woods proposes a series of<br />

walls be built that act as infrastructure to re-generate the<br />

city. These walls would be technological, providing services<br />

like water purification and energy production, what<br />

Woods calls “urban batteries.” Living units could plug<br />

into this system of walls, and slowly the endangered old<br />

city would self-generate by cultivating various sources of<br />

energy, social and otherwise.<br />

Left: wooden trusses spanning across streets to prevent collapse of buildings. Right:<br />

a section drawing of Walls of Change by Lebbeus Woods.<br />

Initially, there would be a need for outside professionals<br />

to build these mechanical walls of change. Their services<br />

would be a donation to preserve a unique history of the<br />

greater city. Over time, this infrastructure would generate<br />

its own growth. The community would foster its own group<br />

of designers and builders, whose skills and techniques<br />

with improve over time. They would build spontaneously<br />

as needs arise and these buildings would exist in the<br />

voids of previously destroyed buildings. Ultimately, La<br />

Habana Vieja would become self-sustaining and an<br />

important piece of history would be preserved.


This mixed media drawing explores what a Wall of Change might look like at the US/Mexican Border. The wall would appear<br />

spontaneous, built as needs of the community arise. The main source of power would be the collective effort of local people.<br />

59


History<br />

61


Historical Confrontations<br />

63


A Brief History<br />

To understand the current situation at the Mexican<br />

American border, one must understand major historical<br />

events of the region. The earliest remains<br />

of human civilization in Mexico date back 23,000<br />

years ago. The first major Mexican settlement was<br />

by the Aztecs, who established a city on an island<br />

in the lake of Tenochtitlan in AD 1300, modern<br />

day Mexico City. This settlement would become<br />

the capitol of the Aztec empire and would prosper<br />

for over 200 years until the arrival of the Spanish<br />

explorer Hernan Cortez in 1521. Hernan Cortez<br />

razed the city in name of Spain’s Reconquista. In<br />

its place, Spain built a new city that served as the<br />

capital of their south american colonies.<br />

For 300 years the Spanish ruled Mexican territory<br />

until Mexican revolutionaries under Agustin<br />

de Iturbide reclaimed power over Mexico City.<br />

Mexico gained independence from Spain in 1821.<br />

At this point, Mexico struggled to maintain unity<br />

within the newly unified country. One issue they<br />

were united on was refusing to recognize the<br />

United States ownership of Texas. At this time<br />

Mexico included a region from California to Texas.<br />

The military and diplomatic capabilities of Mexico<br />

declined after it attained independence. The<br />

northern half of the country was vulnerable to the<br />

native Americans. The Indians took advantage<br />

of Mexico’s weakness and undertook large-scale<br />

raids hundreds of miles deep into the country.<br />

They stole livestock for their own use and to<br />

supply the market in Texas and the United States.<br />

The Indian raids left thousands of people dead<br />

and devastated northern Mexico. When American<br />

troops entered northern Mexico in 1846,<br />

they found a demoralized people. There was<br />

little resistance to the Americans from the civilian<br />

population. The result of this war was the treaty of<br />

Hidalgo in 1848, where America acquired more<br />

than 500,000 square miles of valuable territory<br />

and emerged as a world power in the late nineteenth<br />

century. This land included all or part of<br />

ten states: California, Nevada, Utah, and Arizona,<br />

Texas, part o f Kansas, Colorado, Wyoming, Oklahoma,<br />

and New Mexico. The remaining parts of<br />

New Mexico and Arizona were peacefully purchased<br />

under the Gadsden Purchase.<br />

From this point on there has been a consistent<br />

flow of latin migration to north america. The first<br />

examples of this were encouraged by the United<br />

States. In 1883 Chinese labor was reduced<br />

because of the Chinese Exclusion Act and railroad<br />

companies were in desperate need of cheap<br />

labor. They recruited Mexican workers by the<br />

thousands. The first border patrol on the Mexican<br />

border was established in 1904, but not to<br />

stop the migration of Mexicans. It was used to<br />

stop Asian workers from entering through Mexico.<br />

In 1910 the Mexican Revolution began. It was<br />

a bloody civil war that lasted 10 years and cost<br />

the lives of over a million people. During this war<br />

tens of thousands of Mexicans fleed to the United<br />

States for safety. After the revolution ended, the


M. Bonne. North America. 1780<br />

65


Louie Palu. 2012<br />

immigration act was signed in the US, which was<br />

designed to halt the flow of immigrants, particularly<br />

of asian descent. During this year more than 89,000<br />

Mexican immigrants came into the United States on<br />

permanent visas.<br />

From 1942 to 1954 the United States ran a program<br />

that allowed Mexican workers to temporarily work in<br />

the United States. In 1954 Operation Wetback began.<br />

3.8 million people of Mexican Heritage were deported<br />

back to Mexico. This event marked a turn in the American<br />

sentiment towards Mexican immigration.<br />

Probably the single biggest influence on the flow of<br />

latin migrants north was the signing of the North American<br />

Free Trade Agreement. The agreement became<br />

an unmitigated disaster, costing the United States<br />

millions of jobs and billions of dollars in exports. The<br />

worst effects of NAFTA were felt south of the border.<br />

The country’s annual per capita growth flat-lined to an<br />

average of just 1.2 percent, one of the lowest in the<br />

hemisphere. Its real wage declined and unemployment<br />

went up.<br />

As heavily subsidized U.S. corn and other staples<br />

poured into Mexico, producer prices dropped and<br />

small farmers found themselves unable to make a<br />

living. Over two million Mexicans have been forced to<br />

leave their farms since NAFTA. As a result, 20 million<br />

Mexicans live in “food poverty”. Twenty-five percent of<br />

the population does not have access to basic food and<br />

one-fifth of Mexican children suffer from malnutrition.<br />

Transnational industrial corridors in rural areas have<br />

contaminated rivers and sickened the population.<br />

NAFTA was responsible for unprecedented Mexican<br />

migration north, over half a million people a year. This<br />

massive increase in migration lead to a new series of<br />

acts that aimed to stop immigration from the south.<br />

The first in this series of events was started with Clinton’s<br />

re-election campaign in 1996, which focused on<br />

securing the borders. The next big step was in 2006,<br />

after 9/11 and fears of terrorism gave George Bush the<br />

perfect platform to enable the secure fence act, a law<br />

that would build 700 miles of fence on the 2,000 mile<br />

southern border. There was an annual budget allotted<br />

to the border patrol amounting to over 3 billion dollars<br />

that still exists today. It is estimated that to maintain<br />

the border for another 15 years will cost american tax<br />

payers 49 billion dollars.<br />

Since all of this effort, it is estimated that migration north<br />

has more or less stayed constant since the signing<br />

of NAFTA. In 2009, over 650,000 Mexicans crossed<br />

the border. There have also been no decrease in the<br />

amount of drugs smuggled across the border, another<br />

major agenda of the secure fence act.<br />

Today people of Mexican descent make up 32% of all<br />

foreign born citizens in the US. This population is concentrated<br />

in southwestern United States. It is forecast<br />

that the United States will become the largest Spanishspeaking<br />

country in the world by 2050 and Spanish will<br />

be the second-most-spoken language on the planet,<br />

surpassed only by Chinese.<br />

67


La Linea<br />

The Mexican American border is unique situation in that<br />

it serves as both a connection and a barrier between a<br />

country of excess and a country of wants, a world super<br />

power and a developing country. It is the busiest border<br />

in the world. Over recent decades, American militarization<br />

of the border has consistently increased. Despite<br />

this, the border remains permeable with over one million<br />

border crossers daily. It is anticipated that the endurance<br />

of immigration will remain strong in the future.<br />

The Interdependent Border Region<br />

A Country of Its own<br />

There is a reciprocal relationship between sister cities in<br />

the border region. The area has its own character and<br />

its own problems that aren’t seen elsewhere in either<br />

country. The capital cities of both countries are located<br />

far away from the border and this distance is representative<br />

of the federal governments general involvement<br />

in the region. This has left local governments largely<br />

responsible for the management of issues that arise<br />

with the border dynamic. Because of a lack of federal<br />

involvement, the border region has essentially become<br />

a third country.<br />

Examples of this interdependence are numerous. In<br />

the US city of Brownsville, Texas, firefighters routinely<br />

cross the border to respond to emergencies in the towns<br />

sister city of Matamoros, Mexico. All across the border<br />

region there are hospitals that have developed shuttles<br />

to move patients across borders for different medical<br />

treatments. The cities of Juarez and El Paso share a<br />

common ground aquifer which is the primary source of<br />

water for both cities.<br />

Labor is a major aspect of the border regions interdependence.<br />

The maquiladora program, established in 1960,<br />

was a way for US companies to take advantage of cheap<br />

operation costs in Mexico. The program allowed companies<br />

from America to bring manufacturing and assembly<br />

work to Mexico, and ship back final products without tariffs<br />

or export taxes. The program grew exponentially after<br />

the signing of NAFTA, which dropped virtually all trade<br />

barriers between Mexico and the US and also caused a<br />

steep drop in the cost of Mexican labor.<br />

Another major aspect of immigration is America’s<br />

dependence on the cheap labor of the undocumented<br />

Mexican community. The economic success of places<br />

like California and Illinois is largely credited to this labor<br />

force. The migrant community is also fundamental to<br />

America’s access to cheap goods and services. Illegal<br />

immigrants have provided a cheap affluent lifestyle for<br />

Americans. Cheap gardeners, babysitters, busboys,<br />

cooks, cleaners…<br />

The American agricultural system, worth over 28 billion<br />

dollars, is completely dependent on undocumented<br />

laborers. It provides Americans with a low cost of food<br />

that they have grown used to. Because of this, the<br />

American government has unofficially tolerated the<br />

undocumented population in order to maintain the economic<br />

benefits of cheap labor.<br />

In 1950, there were 16 workers per retiree in America. In<br />

2050, it is estimated that this ratio will be 1.3:1. Without<br />

a consistent flow of migrant workers in America, it is<br />

undoubtable that America would face huge shortages<br />

of labor.<br />

Our [federal governments] treat us like a third<br />

country, so we might as well act like one.<br />

former mayor of Juarez, Gustavo Elizondo


This issue of labor is reciprocal. Mexico has consistently<br />

had difficulty providing its population with work throughout<br />

history. Without work, the flow of Mexicans north is<br />

inevitable. This exodus of people is not discouraged<br />

by the government. An example of this is the Guia del<br />

Migrante Mexicano (The Mexican Migrant Guide), a 22<br />

page illustrated document explaining the safest way to<br />

cross the border illegally, filled with tips and strategies<br />

to evade immigration authorities. The guide was posted<br />

on the official website for the Mexican Ministry of Foreign<br />

affairs.<br />

is the fact that the majority of Mexican and American<br />

tourists never travel beyond the border region. In 2003,<br />

out of 10 million Mexican visitors, only 3 million traveled<br />

to the interior of the US. In this same year, out of 18 million<br />

foreign tourists in Mexico, 8 million went south of<br />

the border region.<br />

In 2005, immigrants sent over 50 billion dollars back to<br />

Latin America. Of this money, Mexico received 20 billion<br />

dollars, which is more than all the money received<br />

through tourism and 71% of Mexican crude oil exports,<br />

Mexico’s two biggest money revenues. In 2006, the<br />

amount of remittance in Mexico rose to $24 billion. As<br />

one can imagine, many communities throughout Mexico<br />

are hugely reliant on this external money for survival, as<br />

well as the Mexican economy itself.<br />

As much as America relies on cheap Mexican labor,<br />

Mexico relies on its population migrating north to provide<br />

its people with jobs.<br />

Like the economic relationship between Mexico and the<br />

US, the tourism economies are also reciprocal. Mexico<br />

is the number one tourist destination for Americans and<br />

vice versa. Along with crude oil and remittances from<br />

America, the tourism industry is extremely important to<br />

the economy of Mexico. Americans almost single-handedly<br />

drive this industry, accounting for over 88% of all<br />

foreign tourists that visit Mexico. One interesting aspect<br />

of this tourism relationship between Mexico and America<br />

69


Inspiration<br />

71


White Arkitekter, CPH. Denmark, Kastrup Sea Bath<br />

Photo:


Amager Stranvej<br />

73


Robert Smithson, Spiral Jetty<br />

Photo: George Steinmetz


St. Petersburg Pier, Michael Maltzan <strong>Arch</strong>itecture<br />

75


Process<br />

77


Site: Joint US/Mexico Beach<br />

CA<br />

Mexico<br />

San Diego, California<br />

Secondary Border Fence<br />

US/Mexico Border<br />

Tijuana, Mexico<br />

Plaza Monumental De Tijuana<br />

(BullRing by the Sea)


Plaza Monumental De Tijuana (BullRing by the Sea)<br />

site diagram sketches<br />

79


Ideas<br />

I chose the joint US/Mexico beach for three reasons. First, the site is<br />

a naturally beautiful landscape with the Pacific and the mountaneous<br />

terrain in the background. I also thought it was amazing to see how the<br />

density of mexico pushes up right against the border fence, visually<br />

illustrating the immense energy that pools along the US/Mexico border.<br />

The moment where the border fence disappears into the ocean was<br />

also an important aspect of the site. It illustrates one of the fundamental<br />

problems with trying to create a closed border, people will always have<br />

a way around. By placing a binational space offshore, it is beyond the<br />

reach of the border fence and all of its connotations<br />

The Bullring was the third aspect of the site that I knew I wanted to<br />

incorporate into my project. I saw the Bullring by the Sea as an object<br />

representing the vibrant and rich culture of Latin America.<br />

Elevation Diagram


81


The Spiral Pier<br />

Monument to Latin immigration<br />

section<br />

section<br />

The pier structure spirals up into the air and down into the water. By<br />

going up, people would be given a new perspective on the border<br />

region. By going down into the water, the structure would interact with<br />

the water and its changing tide. I then connected the spiral pier to the<br />

bullring via a suspension bridge, which also spans over the border.<br />

I thought about creating a binational garden space in the buffer zone<br />

between the border fence and the secondary border fence. I ended<br />

up moving this space out to the Spiral Pier, which is a more desirable<br />

place for people to spend time together.<br />

shadows


A<br />

B<br />

83


Spiral Pier Section<br />

85


A 1<br />

Checkpoint Wrecking Ball<br />

Detail Concept<br />

This detail consists of a pedestrian<br />

turnstile, a system of gears, and<br />

a wrecking ball. As people pass<br />

through the checkpoint, a wrecking<br />

ball is slowly lifted and then suddenly<br />

released, smashing into the border<br />

wall. Powered by the action of people<br />

crossing, the checkpoint would ultimately<br />

destroy itself.<br />

2<br />

3<br />

4


A<br />

87


Site Relic<br />

When exploring connections within an environment<br />

a prescribed process produces<br />

prescribed results. The complexity of<br />

ecologies is deep and vast. By use of intuitive<br />

manipulation, sculpture, the subject is<br />

rendered unfamiliar. It is possible for new<br />

interpretations and understandings. New<br />

axis, extensions, localizations and potentials<br />

are realized.<br />

The subject in this case is the US/Mexico<br />

border. A place of exceeding complexity<br />

due to a relatively simplistic condition: the<br />

wall. Intended to separate and divide, it has<br />

become an environment of hyper movement<br />

and intense porosity. Here the effects of local<br />

and global forces converge and magnify.<br />

The wall, an obstacle to human movement<br />

and survival, drives the innovation of new systems<br />

of movement. These systems go under,<br />

over, and through the wall. Tunnels, ladders,<br />

and holes are utilized. Authorities constantly<br />

attempt to secure these weaknesses, driving<br />

the innovation farther. It is a game.<br />

In order to study the systems of movement,<br />

the architectural section is employed. The<br />

physical presence of the wall is quiet relative<br />

to its metaphorical implications. This becomes<br />

apparent when the sections are cut and relationships<br />

can be observed simultaneously.


89


Process<br />

Starting with subterranean systems, the<br />

structures of tunnels are constructed. These<br />

structures are as alive as their creators;<br />

moving, growing, and adapting for survival.<br />

Growth is limited by resources, in this case,<br />

a box of model scraps. The paths weave<br />

and turn to avoid rock, infrastructure, and<br />

above all, detection.<br />

The structures are wrapped with plastic film<br />

in order to preserve the spaces of tunnel<br />

structures. The earth, represented by plaster,<br />

is poured and built up into a terrain.<br />

The wall indescriminately runs through this<br />

terrain.


91


93


STUCK<br />

Installation // <strong>Thesis</strong> Research Book Show<br />

Created by Studio 400, STUCK is a<br />

web like structure created to house the<br />

thesis research books of the studio. The<br />

installation, consisting of 600 rolls of tape<br />

and two steel box frames, was located in<br />

the Simpson Strong Tie Building on the<br />

California Polytechnic Campus in San Luis<br />

Obispo. The tension tape structure had<br />

over a dozen tendrils shooting out from the<br />

core and latching onto the structure that<br />

the installation occupied. These tendrils<br />

became more intimate spaces where<br />

visitors could sit and read the research<br />

books. In the evenings, STUCK changed<br />

character by turning off the lights and<br />

projecting various videos onto the tape.


95


97


Blackboard<br />

Vellum Furniture Competiton entry 2014<br />

Blackboard adds a new dimension to<br />

the typical chalkboard. The double<br />

sided chalkboard surface has two<br />

positions, vertical and horizontal. In<br />

the vertical position, two people can<br />

work separately and simultaneously.<br />

By means of a pin connection, the<br />

surface rotates in its frame, turning<br />

into a chalkboard table where multiple<br />

people can stand around and share<br />

their ideas together.<br />

When upright, the chalkboard stands<br />

close to the ground so users of all<br />

heights can use the surface without<br />

adjustment. In the horizontal position,<br />

the chalkboard is at typical table height<br />

so users can sit at the table if desired.<br />

In order to make the transition from<br />

vertical to horizontal fluid, blackboard<br />

features a pulley and counterweight<br />

system integrated into the frame.


99


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Re


<strong>Arch</strong>itecture and war are not incompatible.<br />

<strong>Arch</strong>itecture is war. War is architecture.<br />

I am at war with my time, with history, with all authority<br />

that resides in fixed and frightened forms.<br />

I am one of millions who do not fit in, who have no home, no family,<br />

no doctrine, no firm place to call my own, no known beginning or end,<br />

no “sacred and primordial site.”<br />

I declare war on all icons and finalities, on all histories<br />

that would chain me with with my own falseness, my own pitful fears.<br />

I know only moments, and lifetimes that are as moments,<br />

and forms that appear with infinite strength, then “melt into air.”<br />

I am an architect, a constructor of worlds,<br />

a sensualist who worships the flesh, the melody,<br />

a silhouette against the darkening sky.<br />

I cannot know your name. Nor can you know mine.<br />

Tomorrow, we begin together the construction of a city.<br />

Lebbeus Woods


References<br />

Images<br />

Ingold, Tim. Lines: A Brief History. May 3, 2007. Routledge<br />

Silberman, Till & Ward. Walls, Borders, Boundaries. 2012<br />

Romero Fernando, Lar. Hyper-Border: The Contemporary U.S.-<br />

Mexico Border and Its Future. 2008. Princenton <strong>Arch</strong>itectural<br />

Press<br />

Dunn, Timothy. The Militarization of the U.S.-Mexico Border<br />

1978-1992. 1996. Center for Mexican American Studies<br />

Spener, David & Staudt, Kathleen. The U.S.-Mexico Border:<br />

Transcending Divisions, Contesting Identities. 1998. Lynne<br />

Rienner Publisher Inc.<br />

Woods, Lebbeus. Wall Games. November 9, 2009.<br />

lebbeuswoods.wordpress.com<br />

Woods, Lebbeus. Walls of Change. May 28, 2010.<br />

lebbeuswoods.wordpress.com<br />

Gargiani, Roberto. Rem Koolhaas OMA: The Construction of<br />

Merveilles. 2008. Routledge<br />

Linklater, Richard. Waking Life. 2001<br />

Jacobsen, Claire. XYZ: The <strong>Arch</strong>itecture of Dagmar Richter.<br />

2001. Princeton <strong>Arch</strong>itectural Press<br />

Allen, Stan. Field Conditions 1985<br />

Kwinter, Samuel. La Cita Nuova: Modernity and Continuity.<br />

Zone no. ½<br />

p 8. Klee, Paul. The Angel of History. 1920<br />

p 10. Cordelle, Patrick. Perspective Shift. 2015<br />

p 13. Cordelle, Patrick. The Plea of Our Ancestors. digital collage. 2015<br />

p 20. Moore, John. Getty Images<br />

p 21. Palu, Louie. Mexico, 2012.<br />

p 40. Magritte, René. The Treachery of Images. 1929<br />

p 43. Cordelle, Patrick. Waves. 2015<br />

p 44. Long, Richard. A Line Made By Walking. 1967<br />

p 47. Bourgeois, Patrick. Mehra, Akshay. Around the World - Voyages Into the<br />

Unknown.<br />

p 48. Homberger, Ruedi. Canadian Border Swath<br />

p 28-29. Woods, Lebbeus. Wall Games<br />

p 52-55. Cordelle, Patrick. Wall Games: US/Mexico Border 2015<br />

p 56. Woods, Lebbeus. Walls of Change<br />

p 57. Cordelle, Patrick. Section: Wall of Change 2015<br />

p 60-61. Cordelle, Patrick. Historical Confrontations 2015<br />

p 41. M. Bonne. North America. 1780<br />

p 42. Palu, Louie. Border Fence. 2012<br />

p 44. Romero Fernando, Lar. Border Region Diagram<br />

p 68-69. Cordelle, Patrick. Inspiration 2015<br />

p 70-71. Stranvej, Amager. Kastrup Seabath, CPH, DK.<br />

p 72. Steinmetz , George. The Spiral Jetty<br />

p 103. Cordelle, Patrick. Research 2015<br />

105

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