Andrej Mlakar 5

Andrej Mlakar 

Hiše / Houses 

Besedila in risbe / 

Texts and Drawings 

Andrej Mlakar / KROG 

Uvodnik / Foreword 

Miha Dešman 

Umetniško vodstvo in oblikovanje / 

Art Direction and Design 

Edi Berk / KROG 

Fotografije / Photography 

Miran Kambič 

Načrti / Plans 

Tatjana Mahovič 

Lektura in prevod / 

Proofreading and Translation 

Amidas, Ljubljana 

Izdal in založil / Published by 

KROG d.o.o., Ljubljana 

Tisk / Print 

Demago, Maribor 

1. izdaja / 1 st edition 

2017 

CIP - Kataložni zapis o publikaciji 

Narodna in univerzitetna knjižnica, Ljubljana 

72(497.4):929 Mlakar A. 

MLAKAR, Andrej, 1954- 

Andrej Mlakar / [besedila in risbe Andrej Mlakar ; 

uvodnik Miha Dešman ; fotografije Miran Kambič ; 

načrti Tatjana Mahovič ; prevod Amidas]. - 1. izd. = 

1st ed. - Ljubljana : Krog, 2017 

ISBN 978-961-285-600-7 

288643584

Vsebina 

Contents 

6 

8 

Občutek v konicah prstov 

Fingertip feeling 

10 

HIŠE / HOUSES 

12 

20 

30 

40 

46 

56 

66 

72 

78 

82 

92 

102 

106 

112 

116 

120 

126 

136 

142 

148 

156 

162 

168 

172 

182 

192 

196 

200 

208 

216 

224 

228 

232 

Kotorna 

Grajski vinograd / Castle Vineyard 

ALUO 

Kopišča 

Vila / Villa Vipolže 

Nunciatura / Nunciature 

Vinski konvent / Wine Convent 

Beli križ 

Spomenik žrtvam vseh vojn / 

Memorial to the Victims of All Wars 

Pod gozdom / Under the Wood 

Emporio 

Dakota 

Miškov dol 

Savlje 

Sodišče / Court Building 

Biotehniška fakulteta / Biotechnical Faculty 

Kotnikova, hiša C3 / House C3 

Zajčevi dvori 

Žerjal 

Kotnikova, hiše D1, D2 / Houses D1, D2 

Krizant 

Rakovnik 

Sončnica / Sunflower 

Pravna fakulteta / Law Faculty 

Vodovod–Kanalizacija 

Mladinska knjiga 

Impakta 

Metelkova, hiša E / House E 

Bežigrajski dvor 

Hiša na Litijski / Litijska Building 

WTC Zagreb 

MKC Maribor 

PTC Sarajevo 

236 

Bibliografija / Bibliography

Občutek v konicah prstov 

ARHITEKT ANDREJ MLAKAR 

Miha Dešman 

Po več kot 30 letih uspešne kariere je pred nami 

monografija o delu arhitekta Andreja Mlakarja. 

Smisel monografije o arhitektu je, da zbere in 

sortira svoja dela ter jih naredi dostopna širokemu 

krogu kolegov in zainteresirane javnosti. 

Avtor potegne črto pod obdobje, naredi inventuro 

in pospravi arhive. Smisel uvoda pa je, da 

pogleda za kulise ter skuša osvetliti metode dela 

in tudi miselno obzorje dela. Pri tem je fokus 

najprej v zarisu zgodovinskega konteksta. 

Slovenska arhitektura je jasno razčlenjena po 

generacijah. Njen padre padrone je Jože Plečnik, 

sledijo Edo Ravnikar in njegovi učenci, nato generacija 

ab in pozneje sodobna arhitektura nove 

države. Vmes so zrasle generacije, ki v miselnem 

obzorju povezujejo te mejne kamne slovenskega 

arhitekturnega kozmosa. Ena od njih je generacija 

arhitektov, ki je študirala v sedemdesetih in 

začela kariero v osemdesetih, katere pomemben 

protagonist je Andrej Mlakar in ki ji pripadam 

tudi sam. Odpiral se je svet arhitekture, ki ni bila 

več zamejena z vseobsegajočo figuro Ravnikarja, 

saj je njegov vpliv usihal. Ljubljanska šola ni 

imela več ne vsebine ne moči. Takrat se je slovenska 

arhitektura odprla v mednarodni prostor. 

Med redkimi arhitekti, ki jim je v tem času uspelo 

razviti lasten, prepoznaven izraz, je nedvomno 

Andrej Mlakar. Na eni strani je šlo za prevzemanje 

mednarodnih trendov in učenje iz njih, na 

drugi pa, čeprav prikrito, za nadaljevanje vpliva 

slovenske tradicije. 

Ta tradicija se je pri Mlakarju izrazila na dva načina. 

Najprej v pozornosti in obvladovanju materialov 

in detajlov. Ta tradicija se navezuje na 

Plečnika in dunajsko šolo. Druga tradicija, ki jo 

pooseblja Edo Ravnikar, pa je v pozornosti do 

konteksta. Lahko gre za fizični kontekst, pa tudi 

za zgodovinski, mentalni, filozofski, ideološki 

kontekst in druge. Duh časa in kraja kot fenomenološki 

repertoar, povezana s techné, znanjem, 

kako graditi. In na celotni Mlakarjevi ustvarjalni 

poti do danes se prepletata in kristalizirata ti 

temi: kontekst in detajl. 

Kontekst je najprej družbeni. Arhitekt je javni intelektualec 

in ima nalogo, da za družbo razmisli 

o stvareh, ki se tičejo bivanja, prostora in gradnje. 

Pri tem se mora izogniti ideologiji in ostati 

pri idejah. Ideje so tiste, ki odpirajo prostor arhitekturi. 

A od kod pridejo? Ideje ne izhajajo iz 

niča, pač pa iz znanja, zavzetosti, resnicoljubnosti, 

predanosti, inteligence, nadarjenosti, torej iz 

osebnega mentalnega konteksta arhitekta. Ideje 

se nikdar ne izgubijo, in ko kot arhitekt razviješ 

neko idejo, jo lahko, tudi če ni prišlo do izvedbe, 

vedno znova vključiš v ustvarjalni proces. 

Kontekst je tudi fizični, geografski, kulturni, pa 

socialni, mentalni, psihološki … Pomembno je, ali 

arhitekt gradi v mestu ali na vasi, v bregu ali na 

ravnini. Ali dopolnjuje obstoječo stavbo ali ambient 

ali kontekst šele ustvarja. Mojstrstvo se 

kaže v sposobnosti reagirati na pravšnji način. 

Kot piše Alberti v prevedenem delu O arhitekturi 

(Studia humanitatis, 2007), je lepota oblika simpatije 

in skladnosti, delov v telesu, v skladu z določenim 

številom, obrisom in pozicijo, kakor to 

narekuje concinnitas, najpopolnejši in najvišji 

zakon narave. 

6

Eno najpomembnejših Mlakarjevih del je prenova, 

ki sega v pozna devetdeseta in pri kateri se 

je soočil tako s Plečnikom kot z Ravnikarjem. Za 

potrebe Pravne fakultete je prenovil secesijsko 

Tönniesovo katoliško tiskarno na Kopitarjevi 

ulici, zgrajeno po načrtih Aloisa Cantonija leta 

1907 v wagnerjanskem stilu, z uporabo železobetona 

za stropne konstrukcije. V nadaljevanju 

stavbnega niza sta dve Ravnikarjevi stavbi Tiskarne 

Ljudske pravice, niz pa se izteče ob Plečnikovem 

Pegleznu. Mlakar je vešče prenovil dele 

stavb, ki so bili na voljo, povezal dvorišča stavb z 

zastekljeno študentsko promenado, ki vodi od 

Ljubljanice do Kapiteljske ulice, in v začelju dodal 

velike predavalnice, oblečene v tonalit. Na nabrežju 

Ljubljanice je zgradil vhodno ploščad z 

monumentalnim stopniščem, ki kot antični stilobat 

oblikuje prostor za kip pravnika Martina Pegiusa 

in za vhod v palačo, kjer se uči pravica, ki 

ga je opremil s secesijsko navdahnjenim nadstreškom 

iz jekla in stekla. V tej realizaciji je prepričljivo 

prisotna izkušnja širše časovnosti – 

nekakšna izkušnja izkušenj, ki povezuje sloge, 

avtorje in čas. 

Naslednji fokus tega uvodnika je na ustvarjalnem 

procesu. Sprašujem se: kako se teme prenašajo 

iz projekta v projekt? Kako zori arhitektura? 

Katere teme so stalnica, katere se precizirajo in 

kako? Kateri skoki vstran ali obvozi so pri tem 

neobhodni? Skupni imenovalec Mlakarjevih del 

je odnos prostor – detajl. 

V enem od Mlakarjevih najnovejših del, spominski 

kapelici na Kopiščih v Kamniški Bistrici, nov 

objekt samoumevno in samozavestno vstopi v 

kontekst, ne da bi ogrozil tradicionalno in historično 

dimenzijo alpske krajine. Nasprotno, prostor 

dopolni s posebno občutljivo pripovednostjo, 

poetičnostjo in arhitekturno zasnovanostjo, ki jo 

gradi v povezavi z vsebino in s pokrajino, v katero 

je umeščen. Ekstremni naklon arhetipske 

strehe spominja na gotsko težnjo proti nebu. 

Uporaba lokalnega materiala in znanja, lesa, 

aluminija in umetnega kamna, navezuje kapelo 

na materialni kontekst alpskega prostora in na 

Plečnika. Simbolna uprizoritev Berninijevega 

trga pred Sv. Petrom v Rimu v miniaturnem 

merilu pa pripelje v kompozicijo čutno izkušnjo 

baroka. Študija proporcev prereza evocira renesančni 

kanon, kot ga preberemo pri Albertiju. 

Odprti čeli kapele omogočata povezanost z okoliško 

monumentalno naravo in pogled proti 

goram. Preciznost, s katero operira arhitekt, je 

čitljiva v vseh fazah nastajanja dela, od skice do 

izvedbe, kjer gre zasluga poleg njemu tudi izvajalcem. 

Tak rezultat lahko nastane samo s sodelovanjem 

in entuziazmom vseh vpletenih v 

projekt in izvedbo. 

Naj zaključim z vprašanjem samemu sebi, namreč, 

kaj mi pove Mlakarjeva arhitektura, ali še 

bolje, kaj mu zavidam? Odgovor je vsekakor, da 

mu zavidam bogat opus, ki je konsekventen in 

brez večjih zdrsov. In pa nekaj, čemur pravimo 

arhitekti občutek. Rečemo, ta arhitekt ima občutek, 

ali pa opazimo, da ga nima. Kaj pa je občutek? 

Če bi hotel odgovoriti z eno besedo, bi rekel 

s tujko: Fingerspitzengefühl. Beseda pomeni občutek 

v konicah prstov. To je zmožnost povezave 

med merili, med konceptom in detajlom ter 

med arhitektom, naročnikom, izvajalcem in zgrajenim 

delom. Lahko rečem, da je Andrej Mlakar 

arhitekt z znanjem, kulturo in občutkom. 

7

Fingertip feeling 

ARCHITECT ANDREJ MLAKAR 

Miha Dešman 

This monograph on the work of the architect 

Andrej Mlakar comes after more than 30 years 

of a successful architectural career. The point of 

a monograph on an architect is to collect and 

sort the subject’s works and render them accessible 

to a wide circle of colleagues and others 

who may be interested in them. The author 

draws a line beneath a period, makes an inventory 

and tidies up the archives. The point of the 

introduction is to take a look behind the scenes 

and try and shed light on the architect’s methods 

of work and mental horizon. The focus here 

is first and foremost on outlining the historical 

context. 

Slovene architecture is clearly divided by generations. 

Its padre padrone is Jože Plečnik, who is 

followed by Edo Ravnikar and his pupils, then 

the ab generation, and later still by the modern 

architecture of the new independent state. In 

between came the generations which, in terms 

of their mental horizon, connect these boundary 

markers of the Slovene architectural cosmos. 

They include the generation of architects who 

studied in the 1970s and began their career in 

the 1980s, of which Andrej Mlakar was an important 

protagonist and to which I myself also 

belong. An architectural world was opening that 

was no longer delimited by the all–embracing 

figure of Ravnikar, whose influence was diminishing. 

The Ljubljana School no longer had either 

content or power. This was a period in which 

Slovene architecture was opening up to the international 

environment. 

Among the few architects who succeeded in developing 

their own, recognisable form of expression 

in this period is, without a doubt, Andrej 

Mlakar. On the one hand this process involved 

adopting international trends and learning from 

them, while on the other there was a continuation, 

though not a blatant one, of the influence 

of the Slovene tradition, which in Mlakar’s work 

found expression in two ways. First of all in his 

attention to and mastery of materials and details. 

This tradition is tied to Plečnik and the Viennese 

School. The second tradition, personified 

by Edo Ravnikar, is about attention to context. 

This may be the physical context, but it may also 

be about historical, mental, philosophical, ideological 

and other contexts. The spirit of time and 

place as a phenomenological repertoire, connected 

with techné, with knowing how to build. 

These two themes – context and detail – have 

interwoven and crystallised throughout Mlakar’s 

creative journey, right up to the present day. 

Context is first and foremost social. The architect 

is a public intellectual whose task it is to think, 

on society’s behalf, about questions relating to 

living, space and building. In doing so, the architect 

must avoid ideology and stick to ideas. It is 

ideas that open a space to architecture. But 

where do they come from? Ideas do not come 

from nothing, but from knowledge, commitment, 

love of truth, devotion, intelligence, talent 

– in other words from the personal mental context 

of the architect. Ideas are never lost. When, 

as an architect, you develop an idea, even if it 

ends up not being implemented you can always 

reincorporate it in the creative process. 

Context is also physical, geographical, cultural, as 

well as social, mental, psychological, and so on. Is 

the architect building in the city or in the village, 

on a slope or on flat ground? All this is important. 

Is the project complementing an existing 

building or environment or is it creating a context 

from nothing? True mastery is apparent in 

the ability to react in the right way. As Leon Battista 

Alberti wrote in De re aedificatoria, his famous 

treatise on the art of building, “Beauty is a 

form of sympathy and consonance of the parts 

within a body, according to definite number, 

outline, and position, as dictated by concinnitas, 

the absolute and fundamental rule in Nature.” 

8

One of Mlakar’s most important works is a project 

dating back to the late 1990s in which he encountered 

both Plečnik and Ravnikar. The 

University of Ljubljana’s Faculty of Law commissioned 

him to remodel Tönnies’s Secession– 

style Katoliška tiskarna building on Kopitarjeva 

ulica, built to a design by Alois Cantoni in 1907 in 

(Otto) Wagnerian style and using reinforced 

concrete for the ceiling structures. The architectural 

sequence continues with Ravnikar’s two 

Ljudska pravica buildings and ends by Plečnik’s 

Peglezen (“Flat Iron”) building. Mlakar skilfully 

renovated the parts of the buildings that were 

available, connecting their courtyards by means 

of a glazed promenade for students running 

from the river to Kapiteljska ulica, the street on 

the other side, and adding, at the back, large lecture 

halls clad in tonalite. On the Ljubljanica embankment 

he built a forecourt with monumental 

steps, which acts like a stylobate from classical 

antiquity and forms a space for the statue of the 

lawyer Martin Pegius and the entrance to the 

building in which law is studied. The latter is 

graced with a glass and steel canopy of Secessionist 

inspiration. Convincingly present in this 

realisation is the experience of a broader temporality 

– a kind of experience of experiences 

that connects styles, architects and periods. 

The next focus of this introduction is on the creative 

process. The questions I ask myself are the 

following: how are themes transferred from 

project to project? How does architecture mature? 

Which themes are a constant, which become 

more precisely defined, and how? What 

sideways shifts or diversions are inevitable in 

this process? The common denominator in 

Mlakar’s works is the relationship between 

space and detail. 

In one of Mlakar’s most recent works, the memorial 

chapel in Kopišča near Kamniška Bistrica, the 

new structure enters self–evidently and self–consciously 

into the context without threatening the 

traditional and historic dimension of the Alpine 

landscape. Quite the opposite, it complements the 

space with its particularly sensitive narrative and 

poetic qualities and an architectural design that 

builds it in connection with its content and the 

landscape in which it is placed. The extreme slope 

of the archetypal roof is reminiscent of the heavenward 

aspiration of the Gothic. The use of local 

materials and skills – wood, copper and artificial 

stone – tie the chapel to the material context of 

the Alpine environment and to Plečnik. The symbolic 

representation, on a miniature scale, of 

Bernini’s square in front of St Peter’s in Rome introduces 

the sense experience of the baroque to 

the composition. A study of the proportions of the 

cross–section evokes the Renaissance canon as 

found in Alberti. The open frontages of the chapel 

allow a connection with the monumental nature 

of the surrounding area and a view towards the 

mountains. The precision with which the architect 

operates is legible in all phases of development of 

the work, from sketch to execution, where the 

builders also deserve a share of the credit. Such a 

result can only be achieved with the cooperation 

and enthusiasm of everyone involved in the project 

and its implementation. 

Allow me to end with a question to myself. 

What does Mlakar’s architecture say to me, or – 

even better – what do I envy in him? The answer 

is, of course, that I envy him his rich oeuvre, 

which is logically consistent and without any 

glaring anomalies. And something that we architects 

call “feeling”. We say that a certain architect 

has feeling, or observe that he or she does 

not. But what is feeling? If I wanted to give a 

one–word answer, I would have to use a foreign 

expression: Fingerspitzengefühl. Literally, “feeling 

in one’s fingertips”. This is the ability to 

make connections between criteria, between 

concept and detail, between architect, client, 

builder and built work. Andrej Mlakar, then, is an 

architect with knowledge, culture and feeling. 

9

Hiše / Houses

Kotorna 

POSLOVNA HIŠA / OFFICE BUILDING 

LOKACIJA / LOCATION: Ljubljana Črnuče 

NAROČNIK / CLIENT: Kotorna, Ljubljana 

LETO PROJEKTA / PLANS: 2012 

LETO IZVEDBE / CONSTRUCTION: 2015 

POVRŠINA OBJEKTA / BUIDING AREA: 1430 m 2 

Podjetje Kotorna stoji kot zadnje v 

nizu poslovnih objektov, ki so bili 

zgrajeni leta 1988. Povečavo objekta 

smo zasnovali kot podolgovat 

kvadrast volumen, ki se poveča 

proti jugu. Na južni in severni 

strani sta temu volumnu odvzeta 

dva manjša, s čimer nastane na 

vsaki strani stavbe velik nadstrešek. 

Pod nadstreški so površine, 

ki so namenjene sprejemu in 

odpremi blaga. Odvzeta volumna 

sta obložena z odsevnimi ploščami, 

ki navidezno dematerializirajo 

objekt. Na zahodni fasadi je 

veliko obrobljeno okno, kjer je najpomembnejša 

pisarna podjetja. 

Pretežni del objekta zavzema skladišče, 

ob zahodni fasadi so v nadstropju 

pisarne in sejna soba. 

The Kotorna building stands at the 

end of a row of business premises 

built in 1988. We conceived the 

enlargement of the building as an 

elongated block-like volume extending 

towards the south. On the 

south and north sides two smaller 

volumes have been removed, thus 

creating a large projecting roof on 

either side of the building. Areas 

destined for the reception or dispatch 

of goods are located under 

the projecting roofs. The removed 

volumes are covered with reflective 

panels that seem to dematerialise 

the building. The west-facing 

elevation has a large window with 

a border round it, indicating the 

most important office. The greater 

part of the building is occupied by 

a warehouse. Offices and a conference 

room are located on the first 

floor on the west side. 

12

1 2 3 4 5 5a 6 

7 

A2 

A 

A1 

Brnčičeva ulica 

B 

C 

4 67 

8 

1 

2 3 

3 3 

2 

B 

C 

4 

8 

D 

D 

1 2 3 4 5 5a 6 

7 

0 10 20 m 

1 2 3 4 5 5a 6 

7 

A2 

A 

A1 

8 

B 

B 

C 

D 

3 

4 4 4 6 7 5 

3 3 

8 

4 

C 

D 

1 2 3 4 5 5a 6 

7 

Pritličje, prvo nadstropje 

Ground floor, first floor 

1 Vhod v poslovne prostore 

Entrance to offices 

2 Vhod v skladišče 

Entrance to warehouse 

3 Skladišče 

Warehouse 

4 Pisarne 

Offices 

5 Sejna soba 

Meeting room 

6 Čajna kuhinja 

Kitchenette 

7 Sanitarije 

Toilets 

8 Stopnišče 

Stairs 

14

15

18

19

Grajski vinograd / Castle Vineyard 

VINOGRAD S HRAMOM / VINEYARD WITH CELLAR 

LOKACIJA / LOCATION: Grajski grič, Ljubljana 

NAROČNIK / CLIENT: Javni zavod Ljubljanski grad / Ljubljana Castle, Ljubljana 



POVRŠINA VINOGRADA / VINEYARD AREA: 2500 m 2 

NETO POVRŠINA HRAMA / NET FLOOR AREA CELLAR: 39 m 2 

KONCEPTUALNO POSVETOVANJE / CONCEPTUAL ADVICE: Edi Berk 

Na jugovzhodnem pobočju 

Grajskega griča je bil velik travnik, 

nekdaj njiva, ki so jo uporabljali 

stanovalci stavb, ki so stale na 

mestu današnje Vile pod gradom. 

Ta sončna lega je bila izbrana za 

ureditev grajskega vinograda. Ker 

gre za mestni vinograd, je oblikovanje 

bolj urbano, bolj geometrično. 

Vrste višinsko sicer sledijo 

terenu, ne krivijo pa se kot izohipse. 

Med vrstami so nizke brežine 

utrjene z žičnimi košarami, ki 

so napolnjene s kamni. Tako so se 

razmaki med vrstami zmanjšali, 

pridobila se je ena vrsta več. V vinogradu 

je zasajenih 1050 trsov, 

polovica je rdeče sorte rdečegrajc 

in polovica sorte belpin. Hram je 

skrit pod nastopni plato, do katerega 

se pride iz smeri gradu. Na 

strehi hrama je razgledna ploščad 

s klopjo. Ograja je transparentna, 

še najbolj »masivna« ob sprehajalni 

poti, na nasprotni strani pa je 

v barvi zelenja, tako da se vinograd 

vizualno povezuje z okolico. 

On the south–east slope of the Castle 

Hill in Ljubljana there was once a 

large meadow, formerly a field used 

by the inhabitants of the buildings 

that stood on the site of the present–day 

residential complex 

known as the "Villa below the Castle" 

(Vila pod gradom). This sunny 

exposure was chosen for the creation 

of a castle vineyard. Because 

this is a city vineyard, its design is 

more urban, more geometric. While 

the terraces follow the terrain, they 

do not curve like contour lines. Between 

the terraces are low banks 

reinforced by wire baskets filled 

with stones. In this way the gaps 

between the terraces were reduced 

and an extra terrace was obtained. 

There are currently 1,050 vines 

planted in the vineyard, half of 

them rdečegrajc (a red variety otherwise 

known as Rotburger or 

Zweigelt) and half of them belpin 

(more commonly known as 

Chardonnay, a white grape). A cellar/storeroom 

is concealed beneath 

the flat area that serves as the entrance 

to the vineyard from the direction 

of the castle. The roof of the 

cellar/storeroom serves as a viewing 

platform, with a bench. The 

fence is at its most "solid" along the 

footpath, while on the opposite side 

it is painted green, with the result 

that the vineyard is visually connected 

to its surroundings. 

20

2 

1 

1 

1 

Situacija 

Site plan 

1 Vinograd 

Vineyard 

2 Razgledna ploščad, 

v spodnjem nivoju hram 

Viewing platform, 

storeroom on the lower level 

0 25 50 m 

0 5 10 m 

24

25

26

27

Akademija za likovno umetnost in oblikovanje 

ACADEMY OF FINE ARTS AND DESIGN 

LOKACIJA / LOCATION: Ljubljana 

NAROČNIK / CLIENT: Univerza v Ljubljani / University of Ljubljana 

NATEČAJ / COMPETITION: 2016 


Kompozicija stavbe je nekakšna 

Rubikova kocka v kvadratnem rastru 

10 m x 10 m. Razporeditev 

atrijev zmanjšuje globino objekta, 

tako da svetloba iz okolice in iz 

atrijev prehaja v notranjost objekta. 

Hiša je zasnovana kot arhitekturno 

nevtralen ovoj, kot 

nevtralno in nemoteče okolje za likovno 

ustvarjanje. Veliki razponi 

omogočajo fleksibilno rabo prostorov. 

Velikost in oblika ateljejev 

in delavnic se lahko spreminja 

skladno s spremembami učnega 

programa in števila študentov. 

Predelne stene, v katere so vgrajene 

omare, je možno prestavljati, 

ne segajo do stropa, tako da lahko 

nad njimi svetloba prosto prehaja. 

The composition of the building is 

a kind of Rubik's cube on a square 

grid measuring 10 m x 10 m. The 

distribution of the atria reduces 

the depth of the building, allowing 

light from the surrounding area 

and from the atria to reach the interior. 

The building is conceived as 

an architecturally neutral envelope, 

as a neutral and unobtrusive 

environment for artistic creativity. 

Large spans allow a flexible use of 

spaces. The size and shape of the 

studios and workshops can be 

changed in accordance with 

changes in the teaching programme 

and the number of students. 

The partition walls, into 

which cupboards are built, are 

movable. Since they do not reach 

all the way up to the ceiling, light 

passes freely above them. 

Levstikova ulica 

Vrtača 

Erjavčeva cesta 

Prešernova cesta 

0 25 

50 m 

30

1 

7 

2 2 3 

3 

3 

3 

3 

Pritličje 

Ground floor 

1 Vhod 

Entrance 

2 Vhodni prostor 

Entrance hall 

3 Razstavni prostor 

Exhibition space 

4 Predavalnica 

Lecture theatre 

5 Učilnica 

Classroom 

6 Knjižnica 

Library 

7 Dekanat in kabineti 

Dean's office and 

professors' offices 

5 6 

4 

5 5 

0 10 20 m 

Prečni prerez 

Cross–section 

32

33

34

35

7 10 

10 10 

7 8 

8 8 10 

8 

8 

8 

8 

9 

8 

10 

Tretje nadstropje 

Third floor 

7 Dekanat in kabineti 

Dean's office and 

professors' offices 

8 Ateljeji 

Studios 

9 Atrij 

Atrium 

10 Terasa 

Terrace 

8 

9 10 10 

8 

8 8 8 8 7 

0 10 20 m 

Podolžni prerez 

Longitudinal cross–section 

36

37

38

39

Kopišča 

SPOMINSKI PARK Z OBELEŽJEM / MEMORIAL PARK WITH MONUMENT 

LOKACIJA / LOCATION: Kamniška Bistrica 

NAROČNIK / CLIENT: NVO Otkritćemo istinu – Dušan Niklanović, Budva, Črna gora, Republika Slovenija, Občina Kamnik 

Otkrićemo istinu-Dušan Niklanović (NGO), Budva, Montenegro, Republic of Slovenia, Municipality of Kamnik 

LETO PROJEKTA / PLANS: 2015, natečaj, 1. nagrada / Competition, 1 st Prize 


POVRŠINA UREDITVE / AREA ARRANGEMENTS: 1900 m 2 

Leta 2014 je Občina Kamnik razpisala 

natečaj za ureditev spominskega 

parka, kjer sta v območju 

parka gomili s posmrtnimi ostanki 

pobitih po drugi svetovni vojni. 

Žrtve so bile pretežno črnogorske 

narodnosti. Rešitev, ki je bila izbrana 

na natečaju, je v sekularni 

simboliki poudarjala posvečenost 

prostora – obeležje je bilo v obliki 

slavoloka z baldahinom. Po natečaju 

se je izkazalo, da je eksplicitna 

želja naročnika iz Črne gore, da je 

obeležje v obliki kapelice z določenim 

ekumenskim značajem, saj 

naj bi pokopani bili različnih ver. 

Tipološko smo izbrali tip objekta, 

ki spominja na znamenje, ki je pogost 

element slovenske krajine in 

v katerem je mogoče opraviti priložnostni 

obred. Objekt naj bi bil 

lahkoten in vključen v okolje, ki 

ga tvorijo smrekov gozd in skalnati 

hribi. Imeli smo srečo, da so po 

natančno izrisanih načrtih in detajlih 

tudi izbrani izvajalci dela 

izvedli svojim strokam v ponos. 

Tako kot zlatar iz kosa zlata s pozornim 

oblikovanjem in natančnim 

delom izdela novo žlahtnost 

– nakit, smo želeli iz »navadnih« 

materialov narediti malo hišo z 

veliko arhitekturo. 

In 2014 the Municipality of Kamnik 

held a competition for the 

arrangement of a commemorative 

park in an area with two mass 

graves containing the remains of 

people killed after the Second 

World War. The victims were 

mainly from Montenegro. The solution 

chosen in the competition 

used secular symbols to emphasise 

the solemnity of the space: 

the memorial was in the form of a 

triumphal arch with a baldachin. 

After the competition it became 

apparent that it was the explicit 

desire of the client from Montenegro 

that the memorial should have 

the form of a chapel with a specific 

ecumenical character, since 

those buried there were of different 

faiths. In typological terms we 

selected a type of structure reminiscent 

of a wayside shrine or 

chapel, which is a common element 

of the Slovene landscape, in 

which it would be possible to perform 

occasional ceremonies. The 

structure needed to be light and 

integrated into an environment 

formed by a pine forest and rocky 

hills. We were fortunate that the 

selected contractors carried out 

the work in scrupulous accordance 

with the carefully drawn 

plans and details, in a manner that 

is a credit to their professions. Just 

as the goldsmith, through careful 

design and precise workmanship, 

creates a new preciousness from a 

piece of gold – in the form of jewellery 

– we wished to create, from 

"commonplace" materials, a little 

house that was at the same time 

big in architectural terms. 

40

42 

0 2 4 6 m

43

45

Vila / Villa Vipolže 

OPREMA PROTOKOLARNEGA DVORCA / INTERIOR OF PROTOCOL MANSION 

LOKACIJA / LOCATION: Vipolže, Goriška brda 

NAROČNIK / CLIENT: Ministrstvo Republike Slovenije za kulturo / Ministry of Culture of the Republic of Slovenia, Ljubljana 




V izhodišču smo opustili kakršnokoli 

spogledovanje s historičnim 

izročilom, saj zanj ni bilo podlage. 

Vila je v preteklosti služila veliko 

različnim namenom in v njej že 

dolgo ni več nobene prvotne 

opreme. Izhajali smo iz elementarnega 

principa oblikovanja in zavestno 

omejenega nabora materialov 

in barv. Pomembno se nam je 

zdelo, da dimenzije projektirane 

opreme in njena razporeditev 

ustrezajo merilu vile. Močan 

akcent prostorom dajejo veliki 

kamini. Leseno pohištvo (fotelji, 

mizice, pulti, ogledala, omare, 

postelje, obešalniki …) je iz macesnovih 

lepljenih panelov, ki barvno 

sovpadajo z materiali in barvami, 

ki po prenovi dominirajo v stavbi. 

Fotelji so tapecirani v naravnem 

usnju, mize so na kovinski konstrukciji 

iz nerjavnega jekla. 

Vsi elementi opreme so projektirani, 

razen stolov, ki so iz serije 

»chairik« oblikovalca Erica 

Magnussena. 

From the outset we abandoned 

any idea of flirting with historical 

tradition, since there was no basis 

for it. The villa had served many 

different purposes in the past and 

all its original fittings had long since 

disappeared. We started from the 

elementary principle of design and 

a deliberately limited range of materials 

and colours. It seemed important 

to us that the dimensions 

of the planned fittings and their 

arrangement should correspond 

to the scale of the villa. Large fireplaces 

give a strong accent to the 

rooms. The wooden furniture 

(armchairs, tables, counters, mirrors, 

wardrobes, beds, coat racks, 

etc.) is made of glued larch panels 

that coincide in terms of colour with 

the materials and colours that 

dominate in the building following 

the renovation. The armchairs are 

upholstered in natural leather and 

the tables rest on stainless steel 

structures. All elements of the interior 

fittings were planned except 

the chairs, which are from the 

Chairik series by Eric Magnussen. 

46

48

49

52

53

54

7 8 

7 

3 2 1 4 5 

3 

6 

8 

6 

Pritličje 

Ground floor 

1 Vhodna avla 

Entrance hall 

2 Recepcija in prodaja 

oljčnega olja 

Reception and sales 

of olive oil 

3 Muzejski prostor 

Museum area 

4 Salon, zajtrkovalnica 

Lounge, breakfast 

room 

5 Kavarna 

Coffee shop 

6 Stopnišče 

Stairs 

7 Sanitarije 

Toilets 

8 Dvigalo 

Lift 

0 5 10 15 m 

5 6 

5 

1 

3 

2 

2 

2 3 

4 

6 

4 

Nadstropje 

First floor 

1 Kongresna soba 

Conference room 

2 Salon 

Lounge 

3 Pisarne 

Offices 

4 Stopnišče 

Stairs 

5 Sanitarije 

Toilets 

6 Dvigalo 

Lift 

55

Nunciatura / Nunciature 

DIPLOMATSKO PREDSTAVNIŠTVO / DIPLOMATIC REPRESENTATION 


NAROČNIK / CLIENT: Sveti sedež, Apostolska nunciatura v Sloveniji / Holy See, Apostolic Nunciature in Slovenia 




Apostolsko nunciaturo tvorita dva 

objekta, in sicer ambasada in rezidenca. 

Ambasada je v rekonstruiranem 

objektu, rezidenca pa v 

novem, ki stoji na istem mestu kot 

dotrajan stari objekt. Objekta sta v 

kleti povezana. Parceli, na katerih 

stojita hiši, smo združili v eno in 

tako okoli objektov uredili velik 

park, ki stavbi povezuje v enovito 

celoto. Arhitektura sledi tradiciji 

oblikovanja vil, ki prevladujejo v 

tem območju. 

The apostolic nunciature consists 

of two buildings: the embassy and 

the residence. The embassy is situated 

in a reconstructed building, 

while the residence is in a new 

building constructed on the site of 

the derelict building that stood 

here previously. The two buildings 

are connected at the basement 

level. We combined the plots on 

which the buildings stand into a 

single plot and in this way created 

a large park around the buildings 

which connects the two structures 

into a single whole. The architecture 

follows the design tradition of 

the villas that predominate in this 

district. 

56

11 

6 

3 

A 

1 

1 

3 

7 

B 

C 

6 7 7 

8 

3 3 

2 9 

3 

10 

1 2 

7 9 

4 

5 

12 

2 

D 

1 

1 

2 

3 4 A 

B C 

D 

Pritličje 

Ground floor 

1 Vhod 

Entrance 

2 Stopnišče 

Stairs 

3 Sprejemni salon 

Reception rooms 

4 Kapela 

Chapel 

5 Zakristija 

Sacristy 

6 Čajna kuhinja 

Kitchenette 

7 Sanitarije 

Toilets 

8 Hodnik 

Corridor 

9 Dvigalo 

Lift 

10 Trg 

Square 

11 Zazelenjeno dvorišče 

Planted courtyard 

12 Uvoz v garažo 

Garage entrance 

0 5 10 15 m 

60

61

0 5 10 15 m 

63

64

65

Vinski konvent / Wine Convent 

OPREMA SVEČANEGA SEDEŽA / INTERIOR OF THE CEREMONIAL SEAT 

LOKACIJA / LOCATION: Stolp strelcev na Ljubljanskem gradu / Archers’ Tower at Ljubljana Castle 

NAROČNIK / CLIENT: Častivredni vinski konvent sv. Urbana Ljubljana in Javni zavod Ljubljanski grad / 

The Honourable Wine Convent of St Urban Ljubljana and Ljubljana Castle, Ljubljana 




SOAVTOR / CO-AUTHOR: Edi Berk 

FOTOGRAFIJE / PHOTOGRAPHY: Dragan Arrigler 

Častivredni vinski konvent 

sv. Urbana Ljubljana ima v Stolpu 

strelcev na Ljubljanskem gradu 

svoj svečani sedež. Na urbanovo, 

25. maja, in ob drugih svečanih 

priložnostih se v tem prostoru 

zberejo člani vinskega konventa 

in njihovi gostje na svečani večerji 

in spoznavanju vin. Ob koncu leta 

konventuali in njihovi gostje v 

arhivski omari vložijo izbrani vini, 

ki jih konvent podari Mestni občini 

Ljubljana in Javnemu zavodu 

Ljubljanski grad za njihove 

posebne protokolarne namene. 

Vinski omari sta konzolno pritrjeni 

na zid, vendar od njega odmaknjeni. 

Sprednja in zadnja stena 

sta stekleni. Nad omarama sta iz 

lesa izrezljana spomladanski vinski 

zavetnik sv. Urban in jesenski 

sv. Martin. 

The Honourable Wine Convent of 

St Urban Ljubljana has its ceremonial 

seat in the Archers’ Tower at 

Ljubljana Castle. The members of 

the Convent and their guests 

gather here on St Urban's Day 

(25 May) and other special occasions 

for gala dinners and wine 

tastings. At the end of each year 

the members and their guests 

select two wines to present to the 

City of Ljubljana and Ljubljana 

Castle, for use on special ceremonial 

occasions, and place them in 

the archive cabinets. These wine 

cabinets are attached to the wall 

by a cantilever arrangement that 

allows them to stand free of it. 

Above the cabinets, whose fronts 

and backs are made of glass, are 

carved wooden figures of the 

spring wine patron St Urban and 

the autumn wine patron St Martin. 

66

70 

0 0,5 1,0 1,5 m

71

Beli križ 

POČITNIŠKE HIŠE / HOLIDAY HOUSES 

LOKACIJA / LOCATION: Portorož 

NAROČNIK / CLIENT: VG5, Ljubljana 



S parcele, ki je predvidena za gradnjo 

počitniških hiš, je prekrasen 

razgled nad celotnim Piranskim 

zalivom. Naročnik je na parceli 

želel zgraditi štiri enakovredne 

stanovanjske enote. Da bi vsem 

zagotovili celotno širino pogleda 

na zaliv, smo enote zasnovali na 

štirih terasah v celotni širini parcele. 

Vsaka hiša ima spredaj velik 

vrt in teraso, na katero se podaljšujejo 

bivalni prostori. Hiše so 

delno vkopane, kar zagotavlja 

ugodno bivalno klimo. Zunanje 

stene so obložene s peščenjakom 

iz bližnjega kamnoloma Poljane/ 

Puče nad Sečovljami. 

The plot where the holiday houses 

are planned to be built offers a 

wonderful view over the whole of 

the Bay of Piran. The client wished 

to build four residential units of 

equal size on the plot. In order to 

provide all of them with the full 

breadth of the view over the bay, 

we designed the units on four terraces 

extending across the entire 

width of the plot. Each house has 

a large garden in front and a terrace 

onto which the living spaces 

extend. The houses are partially 

sunk into the slope, which ensures 

a comfortable living climate. The 

outside walls are lined with sandstone 

form the nearby Poljane/ 

Puče quarry above Sečovlje. 

72

2 

1 

2 

1 

3 

Pritličje in strehe 

Ground floor and roofs 

1 Vhod v hiše 

Entrance to houses 

2 Bivanjski prostori 

Living space 

3 Dostop do hiš 

Access to houses 

4 Parkirišče 

Parking 

5 Atrij 

Atrium 

6 Zelena streha 

Green roof 

2 

2 

1 

3 

1 

4 

0 10 20 m 

5 

6 

5 

4 

5 

74

75

76

0 10 20 m 

77

Spomenik žrtvam vseh vojn 

SPOMENIK / MEMORIAL TO THE VICTIMS OF ALL WARS 


NAROČNIK / CLIENT: Ministrstvo Republike Slovenije za delo, družino in socialne zadeve, Ljubljana / 

Ministry of Labour, Family and Social Affairs of the Republic of Slovenia, Ljubljana 


Podobo spomenika smo skušali 

zasnovati v subtilni simboliki, ki 

ponazarja senčni del zgodovine in 

se skozi motiv očiščenja zaključuje 

z optimističnim pogledom v prihodnost. 

Želeli smo spomenik s 

poudarjenimi vodoravnimi volumni 

in linijami, ki po našem 

mnenju primerneje odražajo sporočilo 

obeležja, kot bi ga poudarjene 

vertikale. Zgodba spomenika 

se začenja s »suho reko«, ki ponazarja 

mračno obdobje zgodovine, 

obdobje konflikta, nesporazuma. 

Upodobljeno je z likovno kompozicijo 

velikih oblih balvanov na 

prodnikih, prinesenih iz slovenskih 

rek. Osrednji motiv sta voda in šumenje 

slapa, kar ponazarja očiščenje 

in spravo. Voda s šumenjem 

odteka v odtočni žleb pod vodoravnim 

obeliskom, sam žleb ni 

viden. Tako je ustvarjena zvočna 

kulisa, ki bo preglasila moteče 

zvoke okolice in povečevala zbranost 

obiskovalcev. Na robu vode je 

na podstavku figura dekleta, mladenke, 

ki izstopa iz vode in opominjajoče 

gleda proti polagalcem 

venca. Ponazarja očiščenje, novo 

mladost, nove čase za Slovenijo. 

Povezovalni element je položeni 

obelisk (obeliskos, obelos = kopje) 

kot simbol odloženega orožja, simbol 

miru. 

The design of the memorial uses a 

subtle symbolic language that illustrates 

the dark side of history 

and ends, through the motif of purification, 

with an optimistic view 

of the future. We wanted a memorial 

with accentuated horizontal 

volumes and lines, which in our 

opinion more suitably reflect the 

message of the memorial than accentuated 

verticals. The story of 

the memorial begins with a "dry 

river" which illustrates a dark period 

of history, a period of conflict 

and disagreement. This is depicted 

by means of an artistic composition 

consisting of large round 

boulders resting on pebbles 

brought from the rivers of Slovenia. 

The central motif is water and 

the rushing of a waterfall, symbolising 

purification and reconciliation. 

The water pours away into a 

drainage channel (not visible) beneath 

a horizontal obelisk. In this 

way an aural backdrop is created 

that will drown out distracting 

ambient sounds and aid the composure 

of visitors. At the edge of 

the water the figure of a girl 

stands on a pedestal, a young 

woman emerging from the water 

and looking in admonition towards 

the wreath–layers. The girl 

emerging from the water symbolises 

purification, new youth and 

new times for Slovenia. The connecting 

element is the horizontal 

obelisk (obeliskos, obelos = javelin, 

spear), as a symbol of a weapon 

laid down, a symbol of peace. 

78

79

4 

Pogled / View 

1 

1 

2 

4 

2 

* 3 3 

0 20 40 m 

Tloris 

Ground plan 

1 Suha reka 

Dry river 

2 Vodna površina – 

očiščenje in sprava 

Water area – 

purification and 

reconciliation 

3 Skulptura mladenke 

Sculpture of a young 

woman 

4 Vodoravni obelisk 

Horizontal obelisk 

SPOMENIK / MEMORIAL 

PARK ZVEZDA 

KONGRESNI TRG 

80

81

Pod gozdom / Under the Wood 

STANOVANJSKA HIŠA / RESIDENTIAL HOUSE 

LOKACIJA / LOCATION: Trzin 

NAROČNIK / CLIENT: zasebni naročnik / individual client 




Parcela za hišo je bila zelo ozka, 

saj jo na eni strani omejuje cesta, 

na zgornji strani pa meja zazidljivosti. 

Višinska razlika med tema 

mejama parcele je šest metrov. 

Hiša je zasnovana tako, da je s 

ceste takojšen dovoz na pokrito 

dvorišče, kjer je vhod v hišo, 

v garažo in manjšo stanovanjsko 

enoto. Bivalni prostori so v nadstropju, 

spalnice pa v pol vkopanem 

traktu ob severnem robu 

parcele. Kot druge hiše v okolici 

ima tudi ta dvokapno streho in 

sleme vzporedno s preostalimi 

hišami. Okna so enkrat interpretirana 

kot prosojna stena, drugič kot 

»okvir slike«, ki prikazuje okoliška 

drevesa. Okno v ravnini fasadne 

obloge zrcali zelenje okolice, okno 

v globini stene izraža kompaktnost, 

tektonskost (firmitas) fasadnega 

ovoja. 

The plot for the house was extremely 

narrow since it is limited 

on one side by the road and on 

the other side by the boundary of 

the area classified as building land. 

The difference in elevation between 

the two parcel boundaries 

is six metres. The house is designed 

in such a way that there is 

direct access from the road into a 

covered courtyard giving entry to 

the house, the garage and a small 

residential unit. The living areas 

are on the first floor and the bedrooms 

are in a wing that is partly 

built into the slope along the 

north edge of the plot. Like the 

other houses in the area, it has a 

pitched roof, the ridge of which is 

parallel to the other houses. The 

windows are interpreted either as 

transparent walls or as "picture 

frames" showing the surrounding 

trees. A window in the plane of 

the façade cladding reflects the 

greenery of the surrounding area, 

while a window in the depth of 

the wall expresses the compactness 

and solidity (firmitas) of the 

façade envelope. 

82

A B C D E F‘‘‘ F 

G 

1 

1 

6 

5 

7 8 

2 

S 

2 

3‘ 

4 2 

3 

3 

4 

1 3 

5 

4 

5‘ 

5 

A 

B C D F F‘ F‘‘ E S G 

Pritličje 

Ground floor 

1 Dvorišče 

Courtyard 

2 Vhod in garderoba 

Entrance and cloakroom 

3 Apartma 

Apartment 

4 Garaža 

Garage 

5 Kolesarnica 

Bike shed 

6 Kotlovnica 

Boiler room 

7 Delavnica 

Workshop 

8 Spa 

Spa 

0 5 10 15 m 

A B C D E F‘‘‘ F 

G 

1 

1 

2 

S 

3 

4 

4 

4 

2 

3‘ 

3 

5 

2 

5 

3 

5 

4 

1 

4 

5‘ 

5 

A 

B C D F F‘ F‘‘ E S G 

Nadstropje 

First floor 

1 Dnevnobivalni prostor 

in kuhinja 

Living room and kitchen 

2 Povezovalni hodnik 

Hallway 

3 Spalnica 

Master 

bedroom 

4 Soba 

Bedroom 

5 Terasa 

Terrace 

86

88

Prečni prerez, vzhodna fasada 

Cross–section, east façade 

Zahodna fasada, južna vhodna fasada 

West façade, south entrance façade 

1 2 3 4 1 2 3 4 

4 

3 

2 

1 

A B C D F G 

89

91

Emporio 


LOKACIJA / LOCATION: Grosuplje 

NAROČNIK / CLIENT: Emporio Medical, Ljubljana 

LETO PROJEKTA / PLANS: 2007–2008 



Stavba stoji ob vzhodnem robu 

obrtne cone v Grosupljem in meji 

na zelene površine na južni strani 

Grosupeljščice. Večji del stavbe 

predstavlja dvoetažno skladišče za 

zdravila in medicinske pripomočke. 

Ker objekt meji na kmetijske 

in stanovanjske površine, je 

oblečen v panele v vzorcu kritine, 

in tako nekoliko asociira stanovanjske 

hiše. Trietažni pisarniški 

del je na vzhodni strani in vijugavo 

spremlja strugo potoka. Stekla v 

oknih, ki so v ravnini fasade, odsevajo 

zelenje okolice. 

The building stands on the eastern 

edge of the Grosuplje small business 

park and borders a green 

area on the south bank of a 

stream (the Grosupeljščica). The 

greater part of the building consists 

of a two-storey warehouse 

for medicinal products and medical 

devices. Since the building 

borders on agricultural and residential 

areas, it is clad in panels 

with a pattern resembling roofing 

tiles, as a slight allusion to the 

nearby houses. The three-storey 

office wing stands on the eastern 

side and follows the winding 

course of the stream. The glass in 

the windows, which are flush with 

the façade, reflects the greenery of 

the surroundings. 

92

1 2 3 4 5 6 7 

6 6 

A 

A 

5 5 

B 

B 

10 

C 

C 

D 

E 

F 

3 4 3 

1 

D 

E 

F 

7 9 2 

G 

8 

G 

potok Grosupeljščica 

1 2 3 4 5 6 7 

0 10 20 m 

Pritličje 

Ground floor 

1 Vhod v poslovne prostore 


2 Razstavni prostor 

Showroom 

3 Stopnišče 

Stairs 

4 Sanitarije 

Toilets 

5 Skladišče 

Warehouse 



7 Jedilnica s čajno kuhinjo 

Dining room with kitchenette 

8 Terasa 

Terrace 

9 Sejna soba 

Meeting room 


Entrance to garage 

94

95

1 2 3 4 5 6 7 

A 

A 

Prvo nadstropje 

First floor 

1 Hodnik 

Corridor 

2 Pisarne 

Officers 

3 Stopnišče 

Stairs 

4 Sanitarije 

Toilets 

5 Skladišče 

Warehouse 

B 

C 

D 

E 

F 

5 5 

3 4 3 

1 

2 2 2 

2 

2 

B 

C 

D 

E 

F 

G 

2 

G 

1 2 3 4 5 6 7 

0 10 20 m 

G F E D C B A 



G F E D C B A 

0 10 20 m 

99

100

101

Dakota 

POSLOVNA HIŠA S SKLADIŠČEM / OFFICE BUILDING WITH WAREHOUSE 


NAROČNIK / CLIENT: Milan Rojec s.p. in / and VG5 d.o.o., Ljubljana 



Ob Letališki cesti je veliko proizvodnih 

in skladiščnih površin, 

manjka pa pisarniških in parkirnih 

površin. Hiša ima dve kletni etaži, 

namenjeni parkiranju, in šest nadzemnih 

pisarniških etaž. Severna 

in južna fasada sta shematični, podrejeni 

severni in južni orientaciji. 

V izstopajočih volumnih so vsebinsko 

pomembnejši pisarniški 

prostori (prostori vodij in sejne 

sobe). 

There are several manufacturing 

premises and warehouses in the 

area along Letališka Cesta, but a 

shortage of office space and parking. 

The building has two basement 

levels destined for parking 

and, above the ground, six storeys 

of offices. The north and south elevations 

are schematic and subordinate 

to the north and south 

orientation. The more prominent 

volumes contain the more important 

office spaces (management 

and conference rooms). 

102

103

4 

2 

1 

3 3 3 3 3 3 3 3 

2 2 

1 

A1 

A 

B 

C 

5 

5 

D 

D1 

0 

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 17 

Pritličje 

Ground floor 

1 Vhod 

Entrance 

2 Sprejem 

Reception 

3 Poslovni prostori 

Offices 

4 Sejna soba 

Meeting room 

5 Parkirišče 

Parking 

0 10 20 m 

A1 

A 

B 

C 

0 

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 

Prvo nadstropje / First floor 

Tipično nadstropje / Typical floor 

A1 

A 

B 

C 

0 

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 

104

Miškov dol 

STANOVANJSKA SOSESKA 

/ RESIDENTIAL DEVELOPMENT 

LOKACIJA / LOCATION: Hrplje 

NAROČNIK / CLIENT: Stanovanjski sklad Republike Slovenije / Housing Fund of the Republic of Slovenia, Ljubljana 

NATEČAJ / COMPETITION: 2009, 1. nagrada / first prize 


Lokacija za novo sosesko je predvidena 

na severni brežini vrtače. 

Brežina je zelo strma in slabo 

osončena. Soseska je zasnovana 

v šestih vzporednih objektih, 

orientiranih z daljšimi fasadami 

proti vzhodu oziroma zahodu. 

Parkirišča so med in pod objekti 

v delu, ki je slabo osončeno. Po 

kraški tradiciji se prostori na zahodni 

strani razširjajo na balkone, 

proti vzhodu, od koder piha burja, 

pa so stene bolj polne. 

The planned location for this new 

residential development is the 

north slope of a valley. The slope is 

very steep and receives little sunlight. 

The development is designed 

as six parallel structures 

oriented with their longer frontages 

facing east and west. Car parking 

is provided between and below 

the buildings in the part that receives 

less sunlight. In accordance 

with the tradition of the Karst 

region, rooms facing west are 

extended onto balconies, while 

those facing east, the direction 

the Bora wind blows from, have 

fuller walls. 

106

3 

1 

4 

4 

2 

1 

1 

1 

2 

1 1 

0 50 100 m 

Situacija / Site plan 

1 Stanovanjski bloki 

Apartment houses 

2 Uvoz v garaže 

Garage entrance 

3 Otroško igrišče 

Children’s playground 

4 Pot med objekti 

Path between buildings 

2 2 

1 

4 

4 

4 

4 

Nadstropje –1 

Floor –1 

Pritličje 

Ground floor 

1 Vhod v hišo 

Entrance to 

the building 

2 Stopnišče 

z dvigalom 

Stairs and lift 


Hall 

4 Stanovanja 

Apartments 

1 

2 

4 

3 

3 

4 4 

2 

4 

4 

0 10 20 m 


First floor 

2 2 

4 4 

4 4 4 4 

108

Zahodna fasada 

West elevation 

Vzhodna fasada 

East elevation 

0 10 20 m 

111

Savlje 

STANOVANJSKA HIŠA 

/ RESIDENTIAL HOUSE 


NAROČNIK / CLIENT: Feniks invest d.o.o. 



Hiša je projektirana na vodovarstvenem 

območju. Na sorazmerno 

veliki parceli je bilo dovoljeno 

zgraditi le enostanovanjsko hišo. 

Investitor se je zato odločil, da postavi 

večjo hišo višjega bivalnega 

standarda – rezidenco. 

The house is planned in a water 

protection zone. Permission was 

only granted to build a single– 

family house on the relatively 

large plot. The developer therefore 

decided to build a large house or 

residence of a higher standard of 

comfort. 

112

113

Pritličje in 

nadstropje 

Ground floor 

and first floor 

1 Vhod 

Entrance 

2 Stopnišče 

Stairs 

3 Dnevna soba 

Living room 

4 Jedilnica 

Dining room 

5 Kuhinja 

Kitchen 

6 Shramba 

Storage 

7 Garderoba 

Wardrobe 

8 WC, kopalnica 

Toilets, 

bathroom 

9 Delovni 

prostor 

Utility room 

10 Soba 

Bedroom 

11 Delovna soba 

Workroom 

12 Spalnica 

Master 

bedroom 

13 Garaža 

Garage 

14 Terasa 

Terrace 

13 

7 6 

1 3 

8 2 

5 

4 

0 5 10 15 m 

10 8 10 10 11 12 

2 

8 9 

8 7 

14 

Vzdolžni 

prerez 

Longitudinal 

cross–section 

114

115

Sodišče / Court Building 

POSLOVNA HIŠA 

/ OFFICE BUILDING 


NAROČNIK / CLIENT: Ministrstvo Republike Slovenije za pravosodje / Ministry of Justice of the Republic of Slovenia, Ljubljana 

NATEČAJ / COMPETITION: 2007, priznanje / honourable mention 


Urbanistična določila za načrtovanje 

so bila zelo omejujoča. Kljub 

več urbanističnim preveritvam 

pred izvedbo natečaja brez velikih 

kompromisov programa sodišča 

praktično ni bilo mogoče razporediti 

v predvidene gabarite. V nižjih 

etažah stavbe smo razporedili 

večje in manjše sodne dvorane, v 

višjih pa so delovni kabineti sodnikov 

različnih sodišč. Da bi zagotovili 

dnevno svetlobo vsem 

pisarnam, je hiša zasnovana z 

enim, deloma pa z dvema srednjima 

hodnikoma. Tako so med 

hodnikoma, kjer dnevne svetlobe 

ni, razporejeni arhivski prostori, 

sanitarije, sejne sobe. 

Urban planning provisions were 

extremely restrictive. Despite several 

urban planning verifications 

being carried out before the competition 

was held, distributing the 

various court premises within the 

envisaged dimensions was a practically 

impossible task. We located 

the large and small courtrooms on 

the lower floors of the building 

and reserved the upper storeys for 

offices for judges from different 

courts. In order to provide daylight 

to all offices, the building is designed 

with two central corridors. 

File rooms, washrooms, meeting 

rooms, etc. are located between 

the corridors where there is no 

daylight. 

116

117

Tlorisi / Plans 

3 

2 

1 

P 

-1 

-2 

-3 

-4 

118 

0 

50 

100 m

Tlorisi / Plans 

11 

10 

9 

8 

7 

6 

5 

4 

0 

50 

100 m 

119

Biotehniška fakulteta / Biotechnical Faculty 

DEKANAT / DEAN'S OFFICE 


NAROČNIK / CLIENT: Univerza v Ljubljani, Biotehniška fakulteta / University of Ljubljana, Biotechnical Faculty, Ljubljana 



Objekti Biotehniške fakultete so 

paviljonsko razporejeni v zelenju 

pod Rožnikom. Z novim objektom 

smo želeli ustvariti prepoznaven 

vhod v celotni kompleks. Ločne 

obodne stene stavbe se mehko 

stapljajo z zelenjem okolice. Levo 

od vhoda v novo stavbo je predvidena 

amfiteatralna predavalnica, 

na desni so manjše predavalnice, 

laboratoriji, v nadstropju je knjižnica. 

V najvišji etaži so prostori dekanata. 

The buildings of the Biotechnical 

Faculty are arranged in pavilion 

style on a green site at the foot of 

Rožnik. With the new building we 

wished to create a distinctive entrance 

to the complex as a whole. 

The arch structure of the exterior 

walls allows the building to merge 

softly with the greenery of the 

surroundings. An amphitheatre– 

style lecture hall is planned to the 

left of the entrance to the building, 

with smaller lecture rooms and 

laboratories on the right. The first 

floor houses the library. The dean's 

office premises are on the top floor. 

120

121

Situacija 

Site plan 

0 50 

100 m 

8 

5 

3 

4 

2 

5 

1 

Pritličje 

Ground floor 

1 Vhod 

Entrance 


Entrance hall 

3 Stopnišče z dvigalom 




5 Laboratoriji 

Laboratories 

8 Požarno stopnišče 

Fire stairs 

0 10 

20 m 

122

123

124

Tloris nadstropja 

First floor 

7 

7 

8 

7 

3 

7 7 7 7 

7 7 7 7 7 7 7 7 

8 

3 

6 6 

0 10 

20 m 

Tloris galerije 

Gallery floor 



6 Knjižnica 

Library 

7 Kabineti in dekanat 

Offices and Dean's office 

8 Požarno stopnišče 

Fire stairs 

125

Kotnikova, hiša C3 / House C3 

STANOVANJSKO–POSLOVNI OBJEKT / RESIDENTIAL/OFFICE BUILDING 


NAROČNIK / CLIENT: Investplan d.d., Ljubljana 




ŠTEVILO STANOVANJ / NUMBER OF DWELLINGS: 48 

V kletnih etažah se objekt navezuje 

na kleti sosednjih objektov. V 

pritličju veliki kletni razponi preidejo 

na razpetine, ki so potrebne 

za stanovanjske tlorise. Ta prehod 

je oblikovno in konstrukcijsko zasnovan 

v tradiciji Ljubljanske šole 

za arhitekturo, z vutami, ki so speljane 

po celi višini pritlične etaže. 

Tipične etaže so obložene v vodoravnih 

pasovih z rumenimi fasadnimi 

ploščami. Najvišja etaža je 

drugačna, tu sta le dve veliki stanovanji, 

fasada je oblikovana drugače. 

Streha je dvokapna, sleme se 

tlorisno dvakrat lomi. Ta geometrija 

določa lomljen venec stavbe. 

On the basement levels the building 

is connected to the basements 

of the neighbouring buildings. On 

the ground floor the large basement 

spans transition into the 

spans that are necessary for the 

floor plans of the flats. This transition 

is formally and structurally 

based in the tradition of the Ljubljana 

school of architecture, with 

reinforcements running the entire 

height of the ground floor. The 

standard floors are faced with 

horizontal bands of yellow façade 

panels. The top floor is different, 

since there are only two large flats 

here and the façade is designed 

differently. The roof is pitched and 

the ridge is broken in two places. 

This geometry is determined by 

the building's broken cornice. 

Masarykova cesta 

Resljeva cesta 

C3 

D2 

D1 

D1 

E 

Kotnikova ulica 


S 

Metelkova ulica 

0 

50 

100 m 

126

H G F E D C B 

8 a 

9 

1 

2 2 

1 1 

1 

8 a 

9 

1 1 

1 1 

10 

10 

H G F E D C B 

Tipično nadstropje 

Typical floor 

0 10 20 m 

H G F E D C B 

8 a 

9 

2 2 

1 1 1 1 

8 a 

9 

10 

10 

H 

G F E D C B 

Šesto nadstropje 

Sixth floor 

1 Stanovanje 

Apartment 

2 Stopnišče 

z dvigalom 


Prečni prerez, 


Južna fasada 

South elevation 

10 9 8 10 9 8 

130

133

134

135

Zajčevi dvori 

STANOVANJSKA SOSESKA / RESIDENTIAL DEVELOPMENT 


NAROČNIK / CLIENT: Petmat d.o.o. 



POVRŠINA OBJEKTA / BUIDING AREA: tip / type A: 170 m 2 , tip / type B: 240 m 2 

Investitor je želel prostostoječe 

enostanovanjske hiše. Zasnovali 

smo dva tipa dveh velikosti. 

Bivalni del, ki je v pritličju, je orientiran 

proti jugovzhodu. Bivalni 

prostori se nadaljujejo na široko 

z lesom tlakovano teraso, ki se 

zaključi z vrtno lopo, namenjeno 

shranjevanju orodja, koles in drugega. 

Lesena terasa je namenjena 

posedanju, otroškim igralom, postavitvi 

otroškega bazena, mizi za 

namizni tenis. 

The developer wanted detached 

single–family dwellings. We designed 

two types of two different 

sizes. The living part, on the 

ground floor, is oriented towards 

the south–east. The living spaces 

continue onto a wide terrace with 

wooden decking that ends with a 

garden shed intended for the storage 

of tools, bicycles, etc. The 

wooden terrace can be used as a 

place to sit, for children's playground 

equipment, for setting up 

an above–ground swimming pool, 

for a table tennis table, and so on. 

136

7 

6 

5 

2 

1 

4 

3 

12 11 

Pritličje in nadstropje 

Ground floor and first floor 

1 Vhod 

Entrance 

2 Predsoba 

Hall 

3 Kuhinja 

Kitchen 

4 Jedilnica 

Dining room 

5 Dnevna soba 

Living room 


Toilets, bathroom 

7 Garderoba 

Wardrobe 

8 Soba 

Bedroom 

9 Spalnica 

Master bedroom 

10 Delovni prostor 

Utility room 

11 Terasa 

Terace 

12 Zunanja shramba 

Storage 

0 5 10 15 m 

6 

10 

8 8 

8 

6 

9 

Vzdolžni prerez 

Longitudinal cross–section 

138

140

141

Žerjal 

STANOVANJSKA HIŠA / RESIDENTIAL HOUSE 

LOKACIJA / LOCATION: Škofljica 

NAROČNIK / CLIENT: zasebni naročnik / individual client 




Parcela za gradnjo je na brežini, na 

njej je rastlo kar nekaj odraslih kostanjev. 

Geodet je odmeril lokacije 

dreves in hišo smo zasnovali tako, 

da je delno skrita v teren in da ni 

bilo treba odstraniti preveč dreves. 

Vhod z garažo je tako na spodnjem 

nivoju, bivalni prostori in 

spalnice pa v nadstropju, ki je 

delno na terenu. Tlorisno hišo tvorita 

dva trakta, ki se križata pod 

pravim kotom, vsak je po daljši 

stranici ovit v plašč sive pločevine. 

Fasada je obložena z vlaknenocementnimi 

ploščami, ki smo jim z 

manjšim formatom in vidnimi pritrdili 

dodali nekaj žlahtnosti. Vsakdanji, 

skoraj industrijski materiali s 

pozorno rabo in obdelavo postanejo 

izbrani in plemeniti. 

The plot is on a slope on which 

there are quite a number of mature 

chestnut trees. The surveyor 

marked the locations of the trees 

and we designed the house in 

such a way that it is partly hidden 

in the terrain and it was not necessary 

to remove too many trees. 

The entrance to the garage is on 

the lower level, while the living 

spaces and bedrooms are on the 

upper floor, which is partly buried 

in the terrain. The floor plan of the 

house is created by two wings 

that intersect at right angles. The 

longer side of each wing is 

wrapped in grey metal cladding. 

The façade is covered with fibre– 

cement tiles whose appearance 

we have enhanced by using a 

smaller size and visible fixings. 

Everyday materials that are almost 

industrial in appearance can 

become select and exclusive if 

used carefully and treated appropriately. 

0 10 20 m 

142

Pritličje 

Ground floor 

1 Stopnišče 

Stairs 

2 Jedilnica 

Dining room 

3 Kuhinja 

Kitchen 

4 Delovni prostor 

Utility room 

5 Dnevna soba 

Living room 

6 Terasa 

Terrace 

7 Hodnik 

Hallway 

8 Spalnica 

Master bedroom 


Toilet, bathroom 

10 Soba 

Bedroom 


Master bathroom 

4 

1 

3 2 11 10 10 

5 

6 

7 8 

0 5 10 15 m 

9 


Longitudinal 




144

145

Kotnikova, hiše D1, D2 / Houses D1, D2 

STANOVANJSKO–POSLOVNI OBJEKTI / RESIDENTIAL/OFFICE BUILDINGS 






ŠTEVILO ENOT / NUMBER OF UNITS: 120 stanovanj / dwellings, 245 garažnih parkirnih mest / garage parking spaces 

Ko je bila sprejeta odločitev, da se 

Masarykova cesta ne razširi v bulvar 

in da ostane take širine, kot je 

danes, so hiše, ki so bile mišljene 

kot palače ob glavni mestni ulici, 

lahko postale stanovanjske v notranjosti 

pozidave. Dopustne gostote 

pozidave so zato bile tudi 

zelo visoke. Iz določil, ki so veljala 

za poslovne objekte, so se tako 

projektirali stanovanjski objekti. 

Pod zemljo imajo objekti skupno 

klet, katere del je tudi javna garažna 

hiša. Pritličja in 1. nadstropja 

so trgovska ali poslovna. Nad petimi 

tipičnimi stanovanjskimi etažami 

je etaža z večjimi 

nadstandardnimi stanovanji. 

When the decision was made not 

to widen Masarykova Cesta into a 

boulevard and to leave it the same 

width as today, the buildings that 

were conceived as office blocks 

along a main city street were able 

to be converted for residential use 

in the interior of the development. 

For this reason the permitted densities 

were also very high. Residential 

buildings were thus 

planned on the basis of provisions 

that had applied to commercial 

buildings. The buildings have a 

common basement underground, 

part of which is also a public car 

park. The ground floors and first 

floors are for retail or business 

use. Above the five floors of standard 

flats is a sixth floor with large, 

luxury apartments. 



C3 

D2 

D1 

D1 

E 



S 


0 

50 

100 m 

148

H I J K M N 

3 

3 

2 1 

4 4 4 4 4 4 

D1 

3 a 

3 a 

4 

4 4 

4 

4 4 

4 

4 

4 4 

5 

3 

3 3 

5 

4 4 

6 

6 

D1 

4 

4 4 4 4 4 

6 a 

6 a 

4 

4 4 4 4 4 

1 2 

7 

7 

8 8 

8 

8 

8 

9 

4 4 4 4 

9 

D2 

10 

10 

4 

1 2 

4 

4 

11 

11 

H I J K M N 

Pritličje 

Ground floor 

1 Vhod v stanovanjska 

nadstropja 

Entrance to the 

residential floors 

2 Vhod v poslovni del 


business section 

3 Pasaža 

Passage 


Offices and shops 

8 Zelenica 

Lawn 

0 10 20 m 

150

H I J K M N 

3 

3 

5 5 

5 

D1 

3 a 

5 

5 

3 a 

5 

5 

4 

4 

5 

7 

5 

6 

6 

D1 

6 a 

5 

5 

5 

5 

6 a 

5 5 

5 

7 

7 

8 8 

8 

8 

8 

5 

5 

D2 

9 

10 

5 

5 5 

5 

5 

9 

10 

11 

11 

H I J K M N 


Typical floor 

5 Stanovanja 

Apartments 


Children’s playground 

8 Zelenica 

Lawn 

0 10 20 m 

153

3 3 a 4 5 

6 6 a 7 8 9 10 11 

D1 D1 D2 

5 

5 

5 

5 

5 

5 

5 

5 

5 

5 

5 

5 

5 

5 

5 

5 

7 

5 

5 

4 

4 

4 

2 4 

3 

4 1 8 

4 

1 

6 

6 

6 

6 

6 

6 

6 

6 

6 

6 

6 

3 3 a 4 5 

6 6 a 7 8 9 10 11 

0 10 20 m 




nadstropja 



2 Vhod v poslovni del 


business section 

3 Pasaža 

Passage 



5 Stanovanja 

Apartments 

6 Garaža 

Garage 

7 Zelena streha pasaže 

Green roof of the passage 

8 Zelenica 

Lawn 

154

Krizant 

STANOVANJSKO–POSLOVNI OBJEKTI / RESIDENTIAL/OFFICE BUILDINGS 

LOKACIJA / LOCATION: Domžale 

NAROČNIK / CLIENT: PA–KZ d.o.o., Domžale 





Na tem mestu je stala tovarna 

TOKO. Urbanistični dokument je 

predvideval gradnjo trgovskega 

centra. Z njegovo spremembo se 

je spremenila namembnost, ostale 

pa so enake gostote. Pod vsemi 

objekti je skupna dvoetažna garaža. 

Nad terenom je šest stanovanjskih 

blokov, ki formirajo notranja dvorišča 

med objekti, kjer so igrala, zelenice 

in nadstrešnica za ureditev 

manjše tržnice. Zunanji objekti sledijo 

cesti in njenemu loku. 

The TOKO factory once stood on 

this site. The urban planning document 

envisaged the construction 

of a shopping centre. With the 

amendment of this document, the 

purpose of use of the site was 

changed, although the densities 

remained the same. A shared 

two–storey garage runs underneath 

all the buildings. Above the 

ground there are six residential 

blocks forming internal courtyards 

between the buildings. These contain 

children's playground equipment, 

green areas and a projecting 

roof under which small markets 

can be set up. The exterior buildings 

follow the arc of the road. 

156

2 

1 

3 

2 

5 

1 

2 

2 

2 

2 

Slamnikarska cesta 

2 

2 

2 

2 

2 

2 

2 

2 

1 

2 

2 

2 

2 

4 4 

1 

1 

1 

2 

2 

2 

2 2 2 2 

2 2 2 

2 

2 2 2 2 2 2 

2 2 2 

2 

2 

Karantanska cesta 

0 25 

50 m 

Pritličje 

Ground floor 


nadstropja 



2 Poslovni prostor 

Business section 

3 Uvoz v garaže 

Entrance to the garage 


Children's playground 

5 Tržnica 

Marketplace 

158

Rakovnik 

MLADINSKI CENTER / YOUTH CENTRE 


NAROČNIK / CLIENT: Salezijanski zavod Rakovnik, Ljubljana 




Leta 1908 je v Ljubljano prišel 

samostanski red salezijancev. 

Red izvira iz Torina v Italiji, njihovo 

poslanstvo pa je, da mladino iz 

socialno ogroženega okolja vzgojijo 

in izobrazijo za kakšen poklic. 

Stavba vzhodno od cerkve, ki jo 

nekateri poznajo kot tovarno 

Angora, je bila zgrajena za potrebe 

tovrstnih delavnic in učilnic. 

Po drugi svetovni vojni salezijanci 

s stavbo niso več razpolagali, v njej 

je bila osnovna šola, potem 

tekstilna tovarna. Po slovenski 

osamosvojitvi, ko je bila stavba 

vrnjena prvotnim lastnikom, so 

v njej salezijanci uredili mladinski 

dom. V pritličju so skupni družabni 

in rekreacijski prostori, v nadstropju 

učilnice in v zgornjih dveh 

etažah bivalni prostori. Pred hišo 

so velike površine, namenjene 

športnim igriščem. 

The Society of St Francis de Sales 

arrived in Ljubljana in 1908. The 

Salesians have their origin in Turin, 

Italy and their mission is to educate 

the young from socially deprived 

backgrounds and train them for an 

occupation. The building to the east 

of the church, known to some people 

as the Angora factory, was built 

to house workshops and classrooms 

for the Salesians. Following 

the Second World War the Salesians 

no longer had the use of the 

building and it was used first as a 

primary school and then as a textiles 

factory. After Slovenia gained 

independence and the building 

was returned to its original owners, 

the Salesians set up a youth centre 

there. The ground floor contains 

communal social and recreational 

spaces. The first floor is given over 

to classrooms, while the upper two 

floors are used as living premises. 

The large areas in front of the 

building are used for sports. 

0 

20 

40 m 

162

13 

F 

12 13 

10 

15 

E 

11 

6 6 6 6 6 6 

14 14 

3 

D 

C 

4 

5 

2 

B 

1 

A 

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 

0 10 20 m 

F 

12 13 

10 

15 

E 

11 10 10 8 

14 14 

9 7 7 7 

8 

8 

8 

8 

3 

D 

C 

B 

A 

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 

Pritličje in nadstropje 

Ground floor and first floor 

1 Vhod 

Entrance 

2 Večnamenski prostor 

Multipurpose room 

3 Dvorana 

Hall 

4 Večnamenska dvorana 

Multipurpose hall 

5 Oder 

Stage 

6 Delavnice 

Workshops 

7 Učilnice 

Classrooms 

8 Kabineti 

Offices 

9 Upravni prostori 

Administrative offices 

10 Sanitarije in garderobe 

Toilets and cloakrooms 

11 Stopnišče 

Stairs 

12 Dvigalo 

Lift 

13 Strojnice 

Machine 

14 Hodnik 

Corridor 

15 Požarne stopnice 

Fire stairs 


Longitudinal 


1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 

166

167

Sončnica / Sunflower 







GARAŽA / GARAGE: 150 parkirnih mest / 150 parking spaces 

Dopustne gostote v tem območju 

so bile izredno visoke. Na severni 

strani poslovne hiše bi bilo mogoče 

urediti manjšo zelenico z 

igrali, vendar se je investitor odločil 

za gradnjo enonadstropnega 

poslovnega objekta, kar je urbanistični 

dokument dopuščal. Kot 

ironijo smo hišo poimenovali 

Sončnica in jo tudi obložili s ploščami 

iz steklocementa, v katerih 

je motiv sončnice. Pod objektom 

so tri kletne etaže, namenjene 

parkiranju. 

The densities permitted in this 

area were extremely high. It would 

have been possible to create a 

small green area with children's 

playground equipment on the 

north side of the office building, 

but the developer decided instead 

to build a single–storey office 

building, as permitted by the 

urban planning document. We 

gave the building the ironic name 

of "Sunflower" and clad it in 

glass–reinforced cement tiles decorated 

with a sunflower pattern. 

Below the building are three basement 

levels destined for parking. 



C3 

D2 

D1 D1 E 



S 


0 

50 

100 m 

168

1 1 a 1 b 1 c 2 2 a 3 3 a 3 b 4 4 a 5 6 6 a 6 b 

E 

E 

D 

1 1 1 

1 1 1 1 1 

D 

C 

B 

A 

4 5 6 6 

2 3 2 

C 

B 

A 

1 1 a 1 b 1 c 2 2 a 3 3 a 3 b 4 4 a 5 6 6 a 6 b 


First floor 


Business area 

2 Stopnišče 

Stairs 

3 Hodnik 

Corridor 

4 Dvigalo 

Lift 

5 Shramba 

Storage 

6 Sanitarije 

Toilets 

0 10 20 m 

Južna fasada 


1 1 a 1 b 1 c 2 2 a 3 3 a 3 b 4 4 a 5 6 6 a 6 b 

170

171

Pravna fakulteta / Law Faculty 

IZOBRAŽEVALNA USTANOVA / EDUCATIONAL INSTITUTION 


NAROČNIK / CLIENT: Ministrstvo Republike Slovenije za šolstvo in šport / Ministry of Education and Sport of the Republic of Slovenia 




Od nekdanje tiskarne Ljudska pravica 

je Ministrstvo za šolstvo kupilo 

dva objekta, in sicer dvoriščni 

objekt, kjer sta bili tiskarna in knjigoveznica, 

in objekt ob Ljubljanici, 

ki je bil leta 1908 zgrajen za potrebe 

Katoliške tiskarne. Prostori 

fakultete so nanizani ob »študentsko 

os«, ki se začne na ploščadi na 

Poljanskem nasipu in konča na 

drugi strani na ploščadi pred Plečnikovim 

Pegleznom. Ob tej osi so 

nanizani profesorski kabineti in 

dekanat, temu sledi študentska 

kantina, ki se odpira na zunanjo 

ploščad, in objekt nekdanje tiskarne, 

kjer so predavalnice in 

knjižnica. Ob Ljubljanici je na robu 

vhodne ploščadi kip Martina Pegiusa, 

legendarnega pravnika, ki ga 

je upodobil kipar Mirsad Begić. 

The Ministry of Education purchased 

two buildings from the former 

Ljudska Pravica printworks. 

These were the building containing 

the printworks and bindery, 

built round a courtyard, and a 

building on the Ljubljanica built in 

1908 for the needs of the Catholic 

printworks. The faculty premises 

are arranged along the "student 

axis" that runs from the entrance 

plaza on Poljanski Nasip and ends 

on the other side on the little plaza 

in front of Plečnik's "Peglezen" 

(Flat Iron) building. Professors' 

offices and the dean's office are 

arranged along this axis, followed 

by the student canteen, which 

opens onto an external plaza and 

the former printworks building 

where the lecture theatres and library 

are located. A bust of the legendary 

jurist Martin Pegius by the 

sculptor Mirsad Begić stands by 

the river Ljubljanica on the edge of 

the entrance plaza. 

172

1a 

1 

2 3 4 5 6 7 8 9 10 11 

1 

J 

J 

I 

H 

2 

3 4 

I 

H 

G 

F 

G 

F 

E 

D 

2 3 

E 

D 

C 

11 

10 

9 

5 

6 

8 

7 

6 

5 

4 

7 

3 

2 

1 

0 

Pritličje 

Ground floor 

1 Kapiteljska ulica 

Kapiteljska (street) 

2 Knjižnica 

Library 



4 Zgradba Kanarček 

“Canary” building 

5 Atrij 

Atrium 

6 Kuhinja in jedilnica 

Kitchen and restaurant 

7 Dekanat 

Dean’s office 

8 Poljanski nasip 

Poljanski nasip (street) 

A B C D E F G H I J 

8 

0 10 20 30 m 

K L M 

174

1a 

1 

2 3 4 5 6 7 8 9 10 11 

1 

J 

J 

I 

2 

3 

4 

I 

H 

H 

6 5 

G 

G 

F 

F 

E 

3 

3 

E 

D 

D 

C 

11 

10 

9 

7 

8 

7 

6 

5 

4 

8 

3 

2 

1 

0 


First floor 

1 Kapiteljska ulica 

Kapiteljska (street) 

2 Knjižnica 

Library 



4 Zgradba Kanarček 

“Canary” building 

5 Hall v nadstropju 

Hall on first floor 

6 Svetlobnik 

Light shaft 

7 Atrij 

Atrium 

8 Kabineti 

Offices 

9 Poljanski nasip 

Poljanski nasip (street) 

A B C D E F G H I J 

9 

0 10 20 30 m 

K L M 

177

178

179

180

181

Vodovod–Kanalizacija 



NAROČNIK / CLIENT: Javno podjetje / Utility company Vodovod–Kanalizacija, Ljubljana 




Investitor je želel, da bi se z več lokacij, 

na katerih je deloval, preselil 

na eno. Ob pisarniških objektih je 

zato predvidena velika pokrita 

ploščad, pod katero so parkirana 

tovorna vozila, ki imajo zahtevno 

in drago tehnološko opremo. 

Pisarniška trakta, ki se v vogalu 

stikujeta, na tem mestu tvorita 

manjšo piazzeto, kjer je glavni 

vhod v stavbo. Ob vhodu je vodnjak, 

nad vhodom pa baldahin, 

ki sega v notranjost objekta in 

prekriva tudi osrednje stopnišče. 

Zunanji videz objekta je poudarjeno 

vodoraven, saj je tak atribut, 

s katerim se podjetje ukvarja 

(voda). Objekt je zasnovan energetsko 

izredno ekonomično, zunanja 

senčila se prilagajajo jakosti 

sonca, tako da lahko stavba, kadar 

je to potrebno, sončno toploto pridobiva 

ali je pred njo zaščitena, 

kadar ta ni zaželena. Za ohranjanje 

stabilne toplote objekta in predvidenega 

hlajenja stavbe ponoči 

z naravnim zrakom (poleti), je bila 

v notranjosti povečana akumulacija 

– stene med hodnikom in 

pisarnami so zato namenoma 

odebeljene. 

The developer wanted to move its 

activities from the various locations 

where it operated to a single 

location. As well as office premises 

the plan therefore also envisaged 

a large covered platform beneath 

which trucks fitted with complex 

and expensive technological 

equipment are parked. In the corner 

where the two office wings 

meet, a "piazzetta" is formed, 

where the entrance to the building 

is located. A fountain stands by 

the entrance, above which there is 

a canopy. This canopy extends inside 

the building and also covers 

the main stairs. The external appearance 

of the building emphasises 

the horizontal (water), since 

this attribute represents the company's 

business. The building is 

designed to be extremely energy– 

efficient. External shades adapt to 

the strength of the sun so that the 

building can benefit from the 

warmth of the sun when necessary 

or be protected from it when 

it is not desired. In order to maintain 

a stable temperature in the 

building and use natural air for 

cooling the building at night (in 

summer), the accumulation capacity 

of the interior was increased. 

For this reason, the walls 

between the corridor and the offices 

are deliberately thicker. 

182

1 2 3 45 6 7 8 9 10 11 12 13 14 

P 

P 

O 

O 

N 

N 

M 

M 

L 

L 

K 

K 

J 

J 

I1 

I 

I 

7 7 

H 

H 

G 

6 

G 

F2 

F1 

F 

5 

F2 

F1 

F 

E1 

E 

D 

D1 

C 

B 

2 

4 4 

4 

E 

D 

C 

B 

1 

3 4 4 

4 

A 

A 

1 2 3 45 6 7 8 9 10 

11 12 13 14 

Pritličje 

Ground floor 

1 Vhodna ploščad 

Entrance piazzetta 

2 Večetažni hall 

Multi–floor 

entrance hall 

3 Blagajne 

Cash desks 

4 Pisarne 

Offices 

5 Prireditvena dvorana 

Event hall 

6 Restavracija 

Restaurant 

7 Parkiranje 

Parking 

0 

10 20 30 m 

184

185

1 2 3 45 6 7 8 9 10 11 12 13 14 

J 

J 

I1 

I1 

I 

1 

I 

H 

H 

G 

G 

F2 

F1 

F 

E 

E1 

1 

1 

1 1 

F2 

F1 

F 

E1 

D 

D1 

C 

B 

2 3 

E 

D 

D1 

C 

B 

1 1 1 

A 

A 

1 2 3 45 6 7 8 9 10 11 12 13 14 


First floor 

1 2 3 45 6 7 8 9 10 11 12 13 14 

J 

J 

I1 

I1 

I 

1 

I 

H 

H 

G 

G 

F2 

F1 

F 

E 

E1 

1 

1 

1 1 

F2 

F1 

F 

E1 

D 

D1 

C 

B 

2 3 

E 

D 

D1 

C 

B 

1 1 

A 

A 

1 2 3 45 6 7 8 9 10 11 12 13 14 

Drugo nadstropje 

Second floor 

1 Pisarne 

Offices 

2 Večetažno stopnišče 

Stairs 

3 Sejna soba 

Meeting room 

0 

10 20 30 m 

188

191

Mladinska knjiga 

STANOVANJSKA SOSESKA 

/ RESIDENTIAL DEVELOPMENT 





Stavba tiskarne Mladinska knjiga 

spada med kakovostnejše objekte 

ljubljanske moderne arhitekture. 

Avtor objekta je Savin Sever. Po izselitvi 

tiskarne je bila stavba nekaj 

let prazna. Investitor je želel preveriti, 

ali je mogoče to stavbo in 

parcele na zahodni strani nameniti 

stanovanjski gradnji. V nekdanji 

industrijski stavbi, ki ima velike 

razpone, smo razporedili parkirna 

mesta in tako obvarovali avtentičnost 

arhitekture. Ohranjeni so veliki 

volumni in značilni strešni 

nosilci ter stekleni svetlobniki. Za 

upravičenost ekonomije prenove 

industrijskega objekta je v sredino 

stavbe postavljena trinajstnadstropna 

stanovanjska stolpnica s 

približno osemdesetimi stanovanji. 

Na zahodni strani so stanovanjske 

stolpnice nižje in so 

razporejene ob novi parkovni ureditvi. 

V smeri sever–jug je speljana 

nova povezovalna cesta, ob kateri 

so klančine, ki vodijo v kletne parkirne 

etaže. 

The Mladinska knjiga printworks 

building is one of the better examples 

of modern architecture in 

Ljubljana. It was designed by Savin 

Sever. The building has remained 

empty for some years since the 

printworks moved out. The developer 

wished to verify whether it 

was possible to use this building 

and plots on the western side for 

residential construction. We created 

parking spaces in the former 

industrial building, which features 

large spans, in this way preserving 

the authenticity of the architecture. 

The large volumes, characteristic 

roof supports and glass 

skylights have all been maintained. 

To render the renovation 

of the industrial complex economically 

viable, a 13–storey residential 

tower block with 

approximately 80 apartments has 

been placed in the centre of the 

building. On the western side of 

the complex, lower residential 

blocks are distributed in a new 

park–type layout. A new connecting 

road runs from north to south, 

with ramps to the basement parking 

levels leading off it. 

192

193

Tolstojeva ulica 

3 

3 

2 

2 

3 

3 

3 

2 

2 

2 

3 

3 

2 

3 

3 

2 

3 

3 

1 1 

Tiskarska cesta 

2 2 

2 

3 

3 

3 

3 3 3 3 

2 

4 

2 

3 

3 

3 

3 

3 

3 

3 

3 

3 

Dunajska cesta 

3 

3 

1 

Ulica Mašera Spasiča 

Pritličje 

Ground floor 

1 Vhod v garažo 


2 Vhodi v stanovanja 

Entrances to apartments 



4 Shrambe 

Storage 

0 

50 

100 m 

194

195

Impakta 

POSLOVNO–SKLADIŠČNI OBJEKT / OFFICE BUILDING AND WAREHOUSE 


NAROČNIK / CLIENT: Impakta d.d., Ljubljana 



Južni del objekta je namenjen poslovni 

dejavnosti, v severnem delu 

stavbe pa so skladišča. Pisarne 

vodstva so razporejene ob južni 

fasadi. Od tu se odpirajo pogledi 

proti Krimu, proti nezazidanim zelenim 

površinam. Naročnik je želel 

prepoznavno, nekoliko atraktivno 

arhitekturo. Volumni stavbe, ki 

delno previsevajo na vzhodni in 

zahodni strani, so razporejeni ob 

pritlično prometnico, ob kateri so 

nanizana parkirna mesta. 

The southern part of the building 

is given over to offices, while the 

northern part contains warehouses. 

The offices of management 

staff are arranged along the 

south front. This side of the building 

faces onto undeveloped green 

areas and offers views of the 

mountain Krim. The client wanted 

a distinctive, attractive architecture. 

The volumes of the building, 

with partial overhangs on the 

eastern and western sides, are distributed 

along a road at ground 

level that is flanked by parking 

spaces. 

196

197

4 

4 

4 

4 4 

2 

3 

3 

6 

6 

4 

1 

5 

5 

Pritličje 

Ground floor 

1 Vhod 

Entrance 


Entrance hall 

3 Hodnik 

Corridor 

4 Pisarne 

Offices 



6 Skladišče 

Warehouse 

0 10 20 m 

4 

4 4 

3 

4 

3 

2 

4 

4 

4 

6 

6 

4 

4 4 

4 


First floor 

Drugo nadstropje 

Second floor 

7 Uprava 

Management 

8 Sejna soba 

Meeting room 

8 

8 

2 

6 6 

7 

4 4 4 4 

198

199

Metelkova, hiša E / House E 

STANOVANJSKO–POSLOVNI OBJEKT / RESIDENTIAL–OFFICE BUILDING 


NAROČNIK / CLIENT: Energoplan d.d., Ljubljana 





Kot stanovanjski blok ima hiša 

neugodno orientacijo. Večina stanovanj 

ima zato dvojno orientacijo, 

le nekaj garsonjer ima samo 

eno, severno. Iz tega razloga sta 

tudi fasadi zasnovani popolnoma 

drugače. Južna fasada je odprta, 

vsa stanovanja se podaljšujejo na 

balkone, kjer so predvidena tudi 

korita za zasaditev zelenja. Tako 

kot se hiša viša, se večajo tudi 

balkoni, saj je v višjih etažah več 

sonca in lepši razgled proti 

Ljubljanskemu gradu. Severna 

fasada je shematična, vodoravna, 

za barvano pločevino so skrita 

senčila. Pod stavbo so tri kletne 

etaže, namenjene parkiranju. 

The building has an unfavourable 

orientation as a residential block. 

For this reason, most of the flats 

have a dual exposure, while only a 

few studio flats have a single, 

northern exposure. As a result, the 

façades are also designed completely 

differently. The south 

façade is open. All the flats extend 

onto balconies, where trough 

planters for greenery are also envisaged. 

The balconies get bigger 

on each successive floor, since the 

higher floors get more sun and 

have better views towards Ljubljana 

Castle. The north façade is 

schematic, horizontal, with window 

shades hidden behind 

coloured metal panels. Below the 

building are three basement floors 

destined for parking. 



C3 

D2 

D1 

D1 

E 



S 


0 

50 

100 m 

200

15 14 13 12 11 10 9 8 7 6 5 4 3 2 1 

E 

E 

D 

C 

3 3 

1 2 

3 1 

3 3 

7 6 6 7 

5 5 

D 

C 

3 

3 

3 3 

3 3 

3 3 

B 

A 

B 

A 

15 14 13 12 11 10 9 8 7 6 5 4 3 2 1 

Pritličje 

Ground floor 

0 10 20 m 

15 14 13 12 11 10 9 8 7 6 5 4 3 2 1 

E 

E 

D 

C 

4 7 6 4 

4 6 7 4 

4 5 4 4 5 

4 

4 

4 

4 

4 

D 

C 

B 

B 

A 

A 

15 14 13 12 11 10 9 8 7 6 5 4 3 2 1 


Typical floor 

1 Vhod v stanovanjske 

prostore 

Entrance to apartments 

2 Vhod v poslovne 

prostore 



Offices 

4 Stanovanja 

Apartments 

5 Hodnik 

Hallway 

6 Stopnišče 

Stairs 

7 Dvigalo 

Lift 

202

A B C D E 

4 5 

4 5 

4 5 

4 5 

4 5 




prostore 

Entrance to apartments 

2 Vhod v poslovne 

prostore 



Offices 

4 Stanovanja 

Apartments 

5 Hodnik 

Hallway 

8 Garaže 

Garages 

4 

5 

3 

2 

G H I J 

3 

1 

8 

8 

8 

8 

8 

8 

8 

A B C D E 

G H I J 

205


STANOVANJSKO–POSLOVNI OBJEKT / RESIDENTIAL/OFFICE BUILDING 


NAROČNIK / CLIENT: IMOS d.d., Ljubljana 




POVRŠINA TREH OBJEKTOV / BUIDING AREA: 5800 m 2 

PARKIRANJE / PARKING: 500 garažnih parkirnih mest / 500 garage parking spaces 

V tem območju ob Dunajski cesti 

je stala nekdanja topniška vojašnica, 

ki je bila leta 1992 porušena. 

V natečajni rešitvi smo območje 

razdelili na poslovni del ob Dunajski 

cesti in na stanovanjskega v 

notranjosti območja. Med tema 

deloma je velik park, odprta zelena 

površina, ki sega od juga do severa 

soseske. Stanovanjski del soseske 

je zasnovan skladno s tradicijo pozidave 

v severnem delu Ljubljane, 

ki je bolj »modernistična«, z objekti, 

ki stojijo samostojno sredi 

zelenja. Po trije objekti definirajo 

majhne trge med njimi, ki so 

deloma ozelenjeni, deloma tlakovani. 

Pod sosesko sta parkirni 

etaži, zgornja je namenjena 

stanovalcem, spodnja je javna 

garažna hiša. 

An artillery barracks once stood in 

this area, on Dunajska Cesta. It was 

demolished in 1992. The competition 

solution divided the area into 

a commercial part on Dunajska 

Cesta and a residential part in the 

interior of the area. Between the 

two parts is a large park, an open 

green area that extends from 

south to north of the development. 

In accordance with the tradition 

of building in the northern 

part of Ljubljana, which is more 

"modernistic", the buildings stand 

independently in the midst of 

greenery. The residential part of 

the development is conceived in a 

similar manner. Three buildings on 

either side define small squares 

between them which are partly 

grass–covered and partly paved. 

There are two parking levels beneath 

the development. The upper 

level is reserved for residents and 

the lower one is a public car park. 

Kržičeva ulica 

Topniška ulica 

Peričeva ulica 

Peričeva ulica 

0 

50 

100 m 

208

3 

3 

3 

3 

3 

3 

3 

2 

2 

4 

3 

4 

3 

3 

3 

3 

3 

3 

3 

3 

1 

3 2 2 

3 

4 4 

3 

3 3 3 

3 

5 

5 

212 

Pritličje 

Ground floor 

1 Trg 

Square 


prostore 



Offices 


Staircase with lift 



0 10 20 m

213

6 6 

6 6 

7 

4 7 

4 

6 6 

6 6 

1 

6 7 6 6 7 

6 

4 4 

5 

214 

Pritličje 

Ground floor 

1 Trg 

Square 

4 Stopnišče 

Stairs 



6 Stanovanje 

Apartment 

7 Hodnik z dvigalom 

Hallway with lift 

0 10 20 m

215

Parmska cesta 

Hiša na Litijski / Litijska Building 



NAROČNIK / CLIENT: IMOS inženiring d.d, Ljubljana 




PARKIRANJE / PARKING: 70 garažnih parkirnih mest / 70 garage parking spaces 

Med stavbo in Litijsko cesto je 

veliko parkirišče, s katerega vodijo 

dostopi v stavbo. Vzdolž celotnega 

objekta je zasnovana pokrita 

arkada. Na skrajnem severnem 

in južnem delu sta predvideni 

manjši piazzeti. Deloma sta pokriti, 

pomenita akcent in prepoznavni 

element stavbe. 

Between the building and Litijska 

Cesta is a large car park from 

which the building is accessed. 

A covered arcade is planned to 

run along the entire length of the 

building. Small piazzas are envisaged 

at the northern and southern 

ends. These are partly covered 

and represent an accent and a distinctive 

element of the building. 

Litijska cesta 

0 

50 

100 m 

216

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 

A 

B 

3 1 1 1 

1 

1 1 

B 

C 

2 2 2 

C 

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 

Pritličje / Prečni prerez 

Ground floor / Cross–section 

1 Trgovski prostor 

Retail premises 

2 Arkade 

Arcade 

3 Trg 

Square 

4 Poslovni prostor 

Office 

5 Garaže 

Garage 

0 10 20 m 

C 

B 

4 

4 

1 

5 

A 

C 

B 

A 

220

WTC Zagreb 

HOTEL, POSLOVNI IN TRGOVSKI KOMPLEKS / HOTEL, BUSINESS AND SHOPPING COMPLEX 

LOKACIJA / LOCATION: Zagreb, Hrvaška / Croatia 

NAROČNIK / CLIENT: Društvo arhitektov Hrvaške / Society of Architects of Croatia, Zagreb 

NATEČAJ / COMPETITION: Jugoslovanski zvezni natečaj / Yugoslav federal competition, 1991, odkup / mention 


Program svetovnega trgovskega 

centra obsega površine, namenjene 

poslovni, trgovski, razstavni 

dejavnosti in hotelu višje kategorije. 

Pretežni del je poslovni program, 

ki v bolj kompaktni formi 

zapira vzhodni rob Zagrebškega 

velesejma. Proti vzhodu, proti 

glavni prometnici, pa je predviden 

obsežen park s samostojno stoječimi 

objekti drugih dejavnosti. 

To je bil eden zadnjih jugoslovanskih 

urbanistično-arhitekturnih 

natečajev. 

The World Trade Centre development 

includes areas dedicated to 

business, retail and exhibition activities 

and a superior–category 

hotel. Most of the WTC is taken up 

by business premises, which in a 

more compact form close off the 

eastern edge of Zagreb's trade fair 

and exhibition complex (Zagrebački 

velesajam). A large park is 

planned towards the east, in the 

direction of the main road, where 

free–standing structures dedicated 

to other activities are 

planned. This was one of the last 

Yugoslav urban planning architectural 

competitions. 

224

Situacija 

Site plan 



226

Pritličje 

Ground floor 

Fasade / Elevations 

Prerezi / Sections 

227

MKC Maribor 

MLADINSKI KULTURNI CENTER / YOUTH CULTURAL CENTRE 

LOKACIJA / LOCATION: Maribor 

NAROČNIK / CLIENT: Mestna konferenca ZSMS / Youth Conference ZSMS, Maribor 



Prostori Mladinskega kulturnega 

centra so predvideni v okroglem 

stolpu iz štirinajstega stoletja. 

Stolp stoji na levem bregu Drave, 

tik ob vodi. Zasnova objekta je zelo 

fleksibilna; različne dejavnosti 

Mladinskega kulturnega centra se 

prepletajo skozi etaže objekta. V 

zasnovi prenove smo skušali jasno 

ločiti nove posege od obstoječe 

historične stavbe. Nova konstrukcija 

medetažnih konstrukcij je tako 

popolnoma ločena od konstrukcije 

stolpa. Talne plošče in predelne 

stene se sten stolpa vedno dotikajo 

s prosojnimi elementi (steklene 

prizme, steklo). Uporabljeni 

materiali so sodobni, to so beton, 

kovina, steklo. 

Premises for the Youth Cultural 

Centre are planned in a fourteenth–century 

round tower. The 

tower stands on the left bank of 

the Drava, right by the water. The 

design of the structure is very flexible, 

with different activities of the 

Youth Cultural Centre taking place 

on different floors. The design attempted 

to maintain a clear separation 

of the new parts from the 

existing historic building. The new 

mezzanine structures are thus totally 

separate from the structure 

of the tower. The contact of floor 

slabs and partition walls with the 

walls of the tower is always via 

transparent elements (glass 

prisms, glass). The materials used 

are modern: concrete, metal, glass. 

228

Prerez 


Variante vsebinskih 

postavitev 

Variants of content 

formations 

230

231

PTC Sarajevo 

POSLOVNI IN TRGOVSKI PROGRAM / OFFICE AND RETAIL PREMISES 

LOKACIJA / LOCATION: Sarajevo, Bosna in Hercegovina / Bosnia and Herzegovina 

NAROČNIK / CLIENT: Društvo arhitektov BiH / Society of architects of BiH, Sarajevo 

NATEČAJ / COMPETITION: Jugoslovanski zvezni natečaj / Yugoslav federal competition, 1991, enakovredna 1. nagrada / equal first prize 


Bosna in Hercegovina in z njo 

Sarajevo sta vedno predstavljala 

stičišče različnih kultur, stik Orienta 

in Evrope, preplet različnosti. 

Ta duh smo skušali predstaviti v 

kompleksni arhitekturni kompoziciji 

novega trgovskega centra. 

Glavni del trgovskega centra smo 

zasnovali kot sodoben bazar, ki 

prehaja v trg in tlakovane površine, 

ki se prek velikega stopnišča 

spuščajo do reke Miljacke. 

Bosnia and Herzegovina and Sarajevo 

have always represented a 

meeting place of different cultures, 

a place where the East 

meets Europe, an interweaving of 

diversity. We attempted to represent 

this spirit in the complex architectural 

composition of the 

new retail centre. We designed the 

main part of the retail centre as a 

modern bazaar which transitions 

into a square and paved areas that 

descend down a large set of steps 

to the river Miljacka. 

232

Severna fasada 

North elevation 

Južna fasada 




Zahodna fasada 

West elevation 

235

Bibliografija / 

Bibliography

Andrej Mlakar 

ARHITEKT / ARCHITECT 

PODJETJE / COMPANY: KROG d.o.o., Ljubljana 

LOKACIJA / LOCATION: Krakovski nasip 22, 1000 Ljubljana 

KONTAKTNA ŠTEVILKA / CONTACT NUMBER: 041 796 095, 01 4265 761 

SODOBNE POVEZAVE / CONTEMPORARY LINKS: andrej.mlakar@krog.si, www.krog.si 

ŠOLANJE / EDUCATIN: Fakulteta za arhitekturo Univerze v Ljubljani / Faculty of Architecture of the University of Ljubljana 

DIPLOMIRAL / GRADUATED: 1979 

ANDREJ MLAKAR 

UNIV. DIPL. ING. ARH. 

238

PROJEKTI IN IZVEDBE / PROJECTS AND EXECUTIONS 

Vila Rovan 

Naročnik: zasebni 

Naloga: rekonstrukcija 

Lokacija: Ljubljana 

Leto projekta: 2016 

Velikost: dvostanovanjska vila 

Pišece 

Naročnik: Ministrstvo RS za kulturo 

Naloga: ureditev parkirišča in dostopne poti 

Lokacija: grad Pišece 


Leto izvedbe: 2016 

Velikost: 700 m 2 

Grajski vinograd 

Naročnik: Javni zavod Ljubljanski grad 

Naloga: grajski vinograd 





Hiša EK 


Naloga: enostanovanjska hiša 

Lokacija: Log Dragomer 



PC–1 / Evropska hiša 

Naročnik: Triglav, upravljanje nepremičnin d.d. 

Naloga: rekonstrukcija poslovnega objekta 





Dva cesarja – 2 

Naročnik: HETA in JSS MOL 

Naloga: urbanistična zasnova 



Velikost: 220 stanovanj 

Blok J81 

Naročnik: Petmat, d.o.o. 

Naloga: večstanovanjska hiša 




Velikost: 28 stanovanj, 1200 m 2 

Kopišča 

Naročnik: »Udruženje otkritćemo istinu, 

Budva, Crna gora«, 

Republika Slovenija, 

Občina Kamnik 

Naloga: spominski park z obeležjem 

Lokacija: Kamniška Bistrica 




Salon Matjaž 

Naročnik: Matjaž, d.o.o. 

Naloga: razstavno-prodajni salon 

Lokacija: Petrovče 




Vila Vipolže 


Naloga: oprema 

Lokacija: Vipolže 




Kotorna 

Naročnik: Kotorna d.o.o. 

Naloga: skladiščno-poslovni objekt 

Lokacija: Ljubjana Črnuče 




Nunciatura 

Naročnik: Sveti sedež, 

Apostolska nunciatura v Sloveniji 

Naloga: diplomatsko predstavništvo 

in rezidenca 





Kotlarna na biomaso 

Naročnik: Furli d.o.o. 

Naloga: kotlarna 

Lokacija: Želimlje 




Svečani sedež Častivrednega vinskega 

konventa sv. Urbana Ljubljana 

Naročnik: Častivredni vinski konvent 

sv. Urbana Ljubljana in 

Javni zavod Ljubljanski grad 

Naloga: vinski vitrini in ikonografija 





Hiša v Savljah 



Lokacija: Savlje 




Hiša Končan 



Lokacija: Vikrče 




Alterna 

Naročnik: Alterna international d.d. 






Dva cesarja 

Naročnik: VAZ d.o.o. 

Naloga: urbanistična zasnova 




Hiša Pod gozdom 



Lokacija: Trzin 




Majcnova hiša, arkade 

Naročnik: Salezijanski zavod Rakovnik 

Naloga: bivalni objekt, kotlarna na biomaso 





Narodna galerija 


Naloga: idejna zasnova 



Leto izvedbe: 


Miklošičeva 10 

Naročnik: Zavarovalnica Triglav d.d. 

Naloga: obnova kamnite fasade 




Dakota 

Naročnik: Milan Rojec s.p. in VG5 d.o.o. 

Naloga: poslovno-skladiščni objekt 




Glasbena šola 







Vila Savlje 

Naročnik: Feniks Invest d.o.o. 




Leto izvedbe: 


Skladišče Logatec 

Naročnik: CMC Ekocon, d.o.o. 

Naloga: dozidava 

Lokacija: Logatec 



Velikost: 1120 m 2 skladiščnih površin 

239


Preureditev pisarn 

Naročnik: Državni zbor 





Velikost: 250 m 2 poslovnih površin 

Zdravstvena zavarovalnica 



Lokacija: Koper 



Velikost: 2520 m 2 poslovnih površin 

Emporio 

Naročnik: Emporio Medical d.o.o. 

Naloga: skladiščno-poslovni objekt 

Lokacija: Grosuplje 




Črpališče Vič 

Naročnik: Javno podjetje 

Vodovod–Kanalizacija, Ljubljana 

Naloga: črpališče odpadnih vod 





Zelena jama 

Naročnik: Mihovec d.o.o. 

Naloga: dva stanovanjska bloka 



Velikost: 32 stanovanj, 

65 garažnih parkirnih mest 

Predstavništvo Miklošičeva 







Hiše Jurčkova 

Naročnik: Petmat d.o.o. 

Naloga: stanovanjsko naselje 




Velikost: 13 enostanovanjskih hiš 

Kotnikova 

Naročnik: Investplan d.d. 

Naloga: stanovanjski blok C 





840 m 2 poslovnih površin 

Rakovnik 


Naloga: rekonstrukcija tovarne Angora 





Letno gledališče 

Naročnik: Kulturno društvo Miran Jarc 

Naloga: amfiteater, obnova odra 

Lokacija: Studenec 



Velikost: 450 sedežev 

Centralna čistilna naprava 



Naloga: obnova servisnih objektov, 

likovna obdelava silosov 




Hiša Žerjal 



Lokacija: Škofljica 




Krizant 

Naročnik: N–Invest d.o.o. in LUZ d.d. 

Naloga: stanovanjska soseska 

Lokacija: Domžale 




3240 m 2 poslovnih površin, 


Sončnica 


Naloga: poslovni objekt 




Velikost: 2520 m 2 poslovnih površin, 


Pravna fakulteta 

Naročnik: Ministrstvo RS za šolstvo 

Naloga: rekonstrukcija objekta Ljudske 

pravice in novogradnja 






Metelkova 


Naloga: stanovanjski blok D 







Metelkova 


Naloga: stanovanjski blok E 








Naročnik: Imos d.d. 

Naloga: zunanja ureditev 





Hiša na Litijski 

Naročnik: Imos inženiring d.d. 

Naloga: poslovni objekt 




Velikost: 3520 m 2 , 70 parkirnih mest 



Naloga: garažna hiša 




Velikost: 850 parkirnih mest 

Dozidava mrliških vežic 

Naročnik: Komunalno podjetje Kamnik 

Naloga: dozidava vežic 

Lokacija: Kamnik 




Kodent 


Naloga: vrstne hiše z ambulantami 




Velikost: 6 vrstnih hiš 



Naloga: stanovanjsko naselje 





Rakitna 

Naročnik: Krajevna skupnost Rakitna 

Naloga: prostorski ureditveni pogoji 

Lokacija: Rakitna 


Poslovna zgradba VO–KA 



Naloga: poslovna zgradba 


Leto projekta: 1992–1994 



13926 m 2 parkirnih površin 

Mrliška vežica 


Naloga: mrliška vežica 

Lokacija: Šmartno 




240


Koseze 

Naročnik: Mestna občina Ljubljana, 

Oddelek za urbanizem 

Naloga: prostorski ureditveni pogoji 



Knjižnica 

Naročnik: Univerza v Ljubljani 

Naloga: ureditev knjižnice 





Stanovanjski blok 

Naročnik: SGP Sevnica d.o.o. 


Lokacija: Sevnica 



Kulturni dom 

Naročnik: Kulturni dom Črnuče 


Lokacija: Črnuče 



Hiša Logar 


Naloga: stanovanjska hiša, rekonstrukcija 




Hiša Kranjc 


Naloga: prizidek k stanovanjski hiši 





Stanovanjsko naselje 

Naročnik: SMELT, Ljubljana 

Naloga: 100 stanovanjskih hiš 

Lokacija: Bani Walid, Libija 



Velikost hiše: 170 m 2 

Delavnica Mandič 


Naloga: delavnica, rekonstrukcija 





Lokal Dernovšek 


Naloga: gostinski lokal, oprema 

Lokacija: Sevnica 




Vodarna Nova Gorica 

Naročnik: Komunalno podjetje Nova Gorica 

Naloga: vodarna 

Lokacija: Nova Gorica 



Mrliška vežica 

Naročnik: Krajevna skupnost Rakitna 

Naloga: mrliška vežica in ureditev centra 




Velikost: 250 m 2 , vežica 30 m 2 

Prečrpališče 

Naročnik: Komunalno podjetje Vrhnika 

Naloga: prečrpališče vode 

Lokacija: Vrhnika 




Hiša Vodopivec 



Lokacija: Logatec 




Hotel Iskra 

Naročnik: Iskra, Ljubljana 

Naloga: hotel, rekonstrukcija 

Lokacija: Poreč 



Hiša Kovačič 


Naloga: enostanovanjska hiša, 

rekonstrukcija 

Lokacija: Velike Lašče 



Hiša Bračič 


Naloga: počitniška hiša 





Prečrpališče Melje 

Naročnik: Komunalno podjetje Maribor 

Naloga: prečrpališče vode 

Lokacija: Maribor 




Vodohram Kalvarija 

Naročnik: Komunalno podjetje Maribor 

Naloga: vodohram, rekonstrukcija 




Hiša Kozak 


Naloga: enostanovanjska hiša, 






Paviljon 

Naročnik: Impol, Slovenska Bistrica 

Naloga: razstavni paviljon 

Lokacija: Zagreb 



Salon Lesnina 

Naročnik: Lesnina, Ljubljana 

Naloga: pohištveni salon, interier 

Lokacija: Celje 




Žarno pokopališče in mrliška vežica 


Naloga: razširitev pokopališča in vežica 

Lokacija: Komenda 



Velikost: pokopališče 400 m 2 , vežica 45 m 2 

Pokopališče in vežica 

Naročnik: Komunalno podjetje Nova Gorica 

Naloga: razširitev pokopališča in vežica 

Lokacija: Grgar 


Velikost: pokopališče 250 m 2 , vežica 40 m 2 

Pokopališče Žale v Kamniku 


Naloga: razširitev pokopališča 




Titov trg 

Naročnik: Občina Kamnik 

Naloga: ureditev glavnega trga 




Hiša Aljančič 



Lokacija: Bistrica 



Picerija Piramida 


Naloga: gostinski lokal 





Vodarna Vrhnika 

Naročnik: Komunalno podjetje Vrhnika 


Lokacija: Vrhnika 



Spomenik in ureditev grobišč NOB 

Naročnik: Zavod za spomeniško varstvo 

Kranj 

Naloga: spominski park 

Lokacija: Oklo, Blagovica, Krtina, Krašnja 



Velikost vsake lokacije: 40 m 2 

241


Hiša Gregorc 


Naloga: stanovanjska hiša 

Lokacija: Mengeš 




Restavracija Planinka 

Naročnik: Gostinsko podjetje Planinka 

Naloga: gostinski lokal 





Cerkev Ribniško selo 

Naročnik: Župnijski urad Maribor 

Naloga: preureditev notranjosti 




Pokopališče Moravče 

Naročnik: Krajevna skupnost Moravče 

Naloga: mrliška vežica in pokopališče 

Lokacija: Moravče 



Velikost: vežica 120 m 2 , 

pokopališče 2100 m 2 

Tržnica Kamnik 


Naloga: pokrita in odprta tržnica, 





Velikost: pokrita tržnica 350 m 2 , 

celotna površina tržnice 1200 m 2 

Dom krajevne skupnosti 

Naročnik: Krajevna skupnost Velika vas, 

Dešen 

Naloga: sedež krajevne skupnosti 

Lokacija: Velika vas 




Cerkev sv. Magdalene 

Naročnik: Župnijski urad sv. Magdalene, 

Maribor 

Naloga: preureditev prezbiterija 





Vrtec Rožna dolina 

Naročnik: Mesto Ljubljana, Občina Vič 

Naloga: otroški vrtec 





Park OF 

Naročnik: Mesto Ljubljana, Občina Vič 

Naloga: parkovna ureditev 




Hiša Cuderman 



Lokacija: Tupaliče 




Vodarna Medlog 

Naročnik: Komunalno podjetje Celje 


Lokacija: Medlog 




Hiša Lužar 


Naloga: prizidek k stanovanjski hiši 





242

NATEČAJI / COMPETITIONS 

Akademija za likovno umetnost 

in oblikovanje Univerze v Ljubljani 

arhitekturna zasnova 

Ljubljana, 2016 

javni natečaj 

Vodnjak 

urbanistična zasnova 



soavtor kipar Boštjan Drinovec 

Kopišča 

spominsko obeležje in park 

Kamniška Bistrica, 2015 


1. nagrada 

Center za zaščito in reševanje 




Beli križ 

urbanistično-arhitekturna zasnova 

Portorož, 2013 

vabljeni natečaj 

Spomenik žrtvam vseh vojn 

spominsko obeležje 



soavtor kipar Boštjan Drinovec 

Občinsko središče 


Vodice, 2013 


Stanovanjsko naselje Polje III 




Partnerstvo Celovška 




priznanje 

Vrtec Mavrica 


Krško, 2010 


Stanovanjska soseska Podutik 




Stanovanjska soseska Miškov dol 


Hrpelje Kozina, 2009 


1. nagrada 

Osnovna šola Lavrica 


Lavrica, 2009 


Izobraževalno središče sv. Stanislava 


Šentvid, 2008 


2. nagrada 

Parmova cesta 



interni natečaj 

Sodišče ob Masarykovi cesti 




priznanje 

Dekanat Biotehniške fakultete Univerze 

v Ljubljani 




Tobačna tovarna Ljubljana 




Stanovanjsko-poslovna soseska Stožice 




priznanje 

Stanovanjska soseska Brdo 




3. nagrada 

Mestni park Domžale 

krajinska zasnova 

Domžale, 2003 


2. nagrada 

Območje ob železnici 


Nova Gorica, 2003 


Pokopališče in mrliška vežica 


Šmarje - Sap, 2003 


2. nagrada 

Levji grad 


Koper, 2003 


Cinkarna Celje 


Celje, 2003 


priznanje 

Potniški center Ljubljana 

urbanistična zasnova avtobusne in 

železniške postaje 


soavtor Ferdo Jordan 

priznanje 

Ekonomska fakulteta Univerze v Ljubljani 

arhitekturna zasnova dozidave 



Stanovanjska soseska Sneberje 




Cestninska postaja 


Kozina, 1999 


Slovenski parlament 




3. nagrada 

Apostolska nunciatura 




Pravna fakulteta Univerze v Ljubljani, 

Center Carniola 




Stanovanjska soseska ob Koseškem 

bajerju 





Poslovni objekt A3–A4 v BO 2/3, 






Cerkev Ajdovščina 


Ajdovščina, 1996 

javni republiški natečaj 

Stanovanjska soseska spodnje Poljane 





Stanovanjska soseska Agrostroj 





Cerkev v Podutiku 




Preureditev objekta Semenarne 





Enakovredna 2. nagrada 

243


Palača Energoplana ob Masarykovi cesti 





1. nagrada 

Prizidek motela Kompas 


Medno, 1994 



Poslovni objekt A1-A2 v BO 2/3, 






Stanovanjski bloki v BO 2/3, 






Izbran predlog 

Topniška vojašnica, Bežigrajski dvor 





1. nagrada 

Policijska postaja 


Novo mesto, 1992 


Cerkev 


Lucija, 1991 



Svetovni trgovski center WTC 


Zagreb, Hrvaška, 1991 

jugoslovanski natečaj 

Odkup 

Hotel Južni trg 




Trgovsko-poslovni center 


Sarajevo, Bosna in Hercegovina, 1990 

javni jugoslovanski natečaj 


Poslovna hiša Studio marketing 




Pokopališče in vežica 

krajinsko arhitekturna zasnova 

Šentjernej, 1989 


Odkup 

Mladinski kulturni center v Sodnem stolpu 


Maribor, 1989 


1. nagrada 

Športni center Bor 


Trst, Italija, 1989 


soavtor Aleš Žetko 

3. nagrada 

Semenarna Ljubljana 




Rezidenca iraškega predsednika 


Bagdad, Irak, 1988 

Biro 71, Ljubljana 


soavtorja S. Heidir in Jurij Princes 

Športni center Bor 


Trst, Italija, 1987 


Ajdovščina 


Ajdovščina, 1987 


Hotel Belvedere 


Bled, 1986 


soavtor Tomaž Bekš 

Titov trg Kamnik 


Kamnik, 1986 


1. nagrada 

Župančičeva jama 




soavtor Tomaž Mihelčič 

Tržnica Kamnik 


Kamnik, 1984 



1. nagrada 

Germanski nacionalni muzej v Nürenbergu 


Nürenberg, Nemčija, 1984 

soavtorji Tomaž Mihelčič, 

Buero Nedeljkov, Berlin, 

Biro 71, Ljubljana 

javni nemški natečaj 

Kulturni center Prizren 


Prizren, Kosovo, 1984 



Športna dvorana Zadar 


Zadar, Hrvaška,1983 


Opera de la Bastille Pariz 


Pariz, Francija, 1983 

mednarodni natečaj 


Stožice 




Osijek 


Osijek, Hrvaška, 1983 



Večdružinska stanovanjska gradnja 





Hotel Slavija 


Maribor, 1982 



Pokopališče Marof 


Novo mesto, 1981 



Spominski park Udin Boršt 


Kranj, 1981 


Gračanica 


Gračanica, Bosna in Hercegovina, 1981 


Krematorij na Mirogoju 





Ureditev centra Radovljice 


Radovljica, 1981 


Muzej ljudske revolucije 





Spominski prostor 


Labin, Hrvaška, 1981 


244


Petkovškovo nabrežje 




Hotel Turist 


Maribor, 1980 


Centralni komite Zveze komunistov 

Slovenije 




Memorial Gradina 


Donja Gradina, Bosna in Hercegovina, 1979 


Spominski center Boško Buha 


Nova Gradiška, Hrvaška, 1979 



odkup 

Hotel Mercator 





odkup 

Primorsko dramsko gledališče, knjižnica, 

galerija 


Nova Gorica, 1979 



2. nagrada s pravico izvedbe 

Center Srce 


Celje, 1979 



odkup 

Cerkev 


Nova Gorica 1978 



4. nagrada 

Park OF in vrtec 

krajinsko-arhitekturna zasnova 

Ljubljana 1978 



1. nagrada 

Muzej Bosanske krajine 


Banja Luka , Bosna in Hercegovina, 1978 



odkup 

Narodna in univerzitetna knjižnica Zagreb 





odkup 

Poslovno trgovski center Kruševac 


Titograd, Črna gora, 1977 



Rastoča hiša 


Maribor, 1977 



2. nagrada 

Voda, vir življenja 

krajinska ureditev 

Radenci, 1976 


odkup 

Mladinski dom Niš 


Niš, Srbija, 1979 



Avtobusna in železniška postaja Ljubljana 





odkup 

Cerkev Marijinega oznanjenja 

preureditev prezbiterija 




Rekreacijski center Tivoli 





3. nagrada 

245

RAZSTAVE / EXHIBITIONS 

Razstava članov ZAPS 

Fužinski grad 

Ljubljana 

Vipolže, Kotorna, Kopišča 

2016 

Odprte hiše Slovenije 

Vila Vipolže 

Oprema Vile Vipolže 

2015 

Odprte hiše Slovenije 

Kopišča 

Kamniška Bistrica 

2015 

Razstava za nagrado Piranesi 

Galerija Portoval 

Portorož 

Hiša pod gozdom 

2013 

Razstava Društva arhitektov Ljubljane 

Cankarjev dom 

Ljubljana 


2012 

Razstava v Galeriji Dessa 

Ljubljana 

Izbor 10 individualnih hiš 


2012 

Razstava za nagrado Piranesi 

Mestna galerija 

Piran 

Poslovna stavba na Litijski cesti 

1997 


Cankarjev dom 

Ljubljana 

1986, 1988, 2001, 2009 

Salon arhitekture 

Beograd, Srbija 

1986 

Nekatere nove tendence v novejši 

slovenski arhitekturi 

Piran, Slovenija 

Reka, Hrvaška 

Beograd, Srbija 

1984 

Razstava dobitnikov priznanja Zlata ptica 

Novo mesto 

1982 

Trgi za naša mesta 

Beograd, Novi Sad, Srbija 

Skopje, Makedonija 

Delft, Nizozemska 

1982 


Maribor 


2012 


Cankarjev dom 

Ljubljana 

Emporio Medical 

2011 


Ljubljana 

Emporio Medical 

2011 

Razstava o sodobni stanovanjski 

arhitekturi Vizije so 

Galerija Kresija 

Ljubljana 

2008 

Samostojna razstava v Galeriji Dessa 

Ljubljana 

Arhitektura Andreja Mlakarja 

2006 


Cankarjev dom 

Ljubljana 

Sončnica 

2002 

Razstava Društva arhitektov Ljubljana 

Cankarjev dom 

Ljubljana 

Hiša na Škofljici 

2002 

246

NAGRADE / AWARDS 

SODELAVCI / COLLABORATORS 

Na arhitekturnih in urbanističnih natečajih 

prejel 35 nagrad in priznanj, od tega 

10 prvih nagrad. 

Priznanje Pohvala četrtletja za jesen 2013 

za ureditev Svečanega sedeža Častivrednega 

vinskega konventa sv. Urbana Ljubljana 

v Stolpu strelcev na Ljubljanskem gradu 

(soavtor Edi Berk), 

DOS – Društvo oblikovalcev Slovenije, 

Ljubljana, 

2013 

Nominacija za nagrado Piranesi 

za enostanovanjsko hišo »Pod gozdom« 

v Trzinu, 

Obalne galerije Piran, 

2013 

Nominacija za Plečnikovo medaljo 

za enostanovanjsko hišo »Pod gozdom« 

v Trzinu, 

Plečnikov sklad, Ljubljana, 

2013 

Priznanje Zlati svinčnik 

za Stanovanjsko sosesko na Jurčkovi cesti 

v Ljubljani, 

ZAPS – Zbornica za arhitekturo in prostor 

Slovenije, Ljubljana, 

2008 

Nominacija za Plečnikovo nagrado 

za poslovno hišo Vodovod–Kanalizacija, 

Ljubljana, 


2003 

Nominacija za Plečnikovo nagrado 

za Pravno fakulteto Univerze v Ljubljani, 


2002 

Nagrada SKOJ 

za delo na področju arhitekture, 

Jugoslovansko mladinsko priznanje za 

mlade ustvarjalce, 

RK ZSMH, Zagreb, Hrvaška, 

1984 

Priznanje Zlata ptica 

za delo na področju arhitekture, 

Slovensko priznanje za mlade ustvarjalce 

RK ZSMS, Ljubljana, 

1982 

V študentskih letih in kmalu po diplomi 

sem pri mnogo natečajih in nekaterih 

izvedbah sodeloval z arhitektom Tomažem 

Mihelčičem, v naslednjih nekaj letih sva se 

z arhitektom Ferdom Jordanom uspešno 

lotevala urbanističnih in arhitekturnih 

nalog, v zadnjem daljšem obdobju pa je 

stalna sodelavka pri skoraj vseh natečajih 

in projektih arhitektka Tatjana Mahovič. 

Seveda pa je bilo v preteklih letih tudi 

mnogo drugih sodelavcev, ki jih navajam 

po abecednem redu: 

Nina Bizjak 

Miha Bukovec 

Samo Groleger 

Jože Grošelj 

Mojca Kalan Šabec 

Damjan Kmetič 

Marko Kogovšek 

Mohor Kordež 

Janž Omerzu 

Maja Štefula 

Alenka Štuhli 

Toni Topolovec 

Igor Vrbanek 

In my student years and shortly after 

graduation I worked with Tomaž Mihelčič 

on numerous competitions and a few 

projects. Later on, Ferdo Jordan and 

I successfully tackled urban planning and 

architectural projects together, while in 

recent years my constant collaborator on 

almost all competitions and projects has 

been Tatjana Mahovič. 

Naturally there have been many other 

collaborators in past years. They are listed 

here in alphabetical order: 

Nina Bizjak 

Miha Bukovec 

Samo Groleger 

Jože Grošelj 

Mojca Kalan Šabec 

Damjan Kmetič 

Marko Kogovšek 

Mohor Kordež 

Janž Omerzu 

Maja Štefula 

Alenka Štuhli 

Toni Topolovec 

Igor Vrbanek 

247

Andrej Mlakar 5

Transform your PDFs into Flipbooks and boost your revenue!

Delete template?

Save as template ?