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<strong>13th</strong> Thessaloniki<br />

DocumenTary FesTival<br />

IMages of The 21st CenTury<br />

11-20 MarCh 2011<br />

<strong>13th</strong> Thessaloniki<br />

International<br />

Doc Market<br />

14-19 March 2011<br />

OFFICIAL SPONSOR<br />

COMMUNICAT<strong>IO</strong>N SPONSOR<br />

Organized by<br />

With the support of<br />

Υ.Π.Α. AirtrAvElling sponsor<br />

Communication Sponsors<br />

YΠOYPΓE<strong>IO</strong><br />

ΠOΛITIΣMOY KAI TOYPIΣMOY<br />

HELLENIC M<strong>IN</strong>ISTRY<br />

OF CULTURE AND TOURISM<br />

WITH THE SUPPORT OF<br />

EvEnts supportEr


General information<br />

Venue:<br />

Electra Palace Hotel, Byzantium Hall<br />

Opening hours:<br />

10:00 - 20:00<br />

Happy hour:<br />

17:30 - 18:30, at Excelsior Lounge, Electra Palace Hotel<br />

Reservations:<br />

Screening booths can be booked for a maximum<br />

of four consecutive hours.<br />

Please show up on time otherwise your reservation<br />

will be cancelled.<br />

Reservations should be made one day in advance.<br />

Please note<br />

• You are kindly requested to register your evaluation for each film you have<br />

watched.<br />

• You are kindly requested to leave the screening booth the way you found it.<br />

• Smoking is not allowed at the DocMarket’s facilities.<br />

• Priority to screenings booths is given to Doc Market Accreditations.


Indexes<br />

Index of Directors 563<br />

Index of Sales Companies 571<br />

Documentaries Participating<br />

0-9 14<br />

A 23<br />

B 57<br />

C 99<br />

D 127<br />

E 151<br />

F 177<br />

G 197<br />

H 209<br />

I 233<br />

J 267<br />

K 277<br />

L 289<br />

M 313<br />

N 349<br />

O 367<br />

P 393<br />

Q 421<br />

R 423<br />

S 443<br />

T 487<br />

U 521<br />

V 525<br />

W 533<br />

Y 557<br />

Z 559


Th e s s a l o n i ki<br />

I nternat i o n a l<br />

D o c M a r ke t<br />

docmarket@filmfestival.gr<br />

Head of Doc Market: Yianna Sarri<br />

Coordinator: Fotis Zampetakis, Angeliki Vergou<br />

Assistant: Katerina Chatzidiki<br />

Digitization Coordinator: Yorgos Nounesis<br />

Sales Manager, ERT: Yannis Kollias<br />

Sales Assistant Manager, ERT: Zefi Tsoukala, Nikoleta Karra<br />

Doc Market Catalogue Editor-in-Chief: Mary Kitroeff<br />

Coordination: Ioanna Loukopoulou<br />

Design-Art Direction: Andreas Remountis<br />

I m a g e s o f t h e 2 1 s t centur y<br />

1 3 t h T H E S S A LO N I K I D O C UMENTA RY FESTIVA L<br />

Director: Dimitri Eipides<br />

Thessaloniki:<br />

10 Aristotelous Sq., Thessaloniki 546 23, Greece<br />

Τ. +30 2310 378 400 F. +30 2310 285 759<br />

Athens:<br />

9 Alexandras Ave., Athens 114 73, Greece<br />

Τ. +30 210 870 6000 F. +30 210 644 8143<br />

info@filmfestival.gr<br />

www.filmfestival.gr


We are happy to welcome you to the <strong>13th</strong> edition<br />

of the Thessaloniki International Doc Market<br />

The Thessaloniki International Doc Market is evolving into an important international market<br />

and a major meeting place for film professionals. In the last twelve years it has managed<br />

to quadruple its size and put itself on the map of the international documentary<br />

film industry.<br />

We are very proud that from last year the Doc Market is fully digitalized. We have made<br />

a great effort the last years to achieve that. Our purpose is always to improve the facilities<br />

we offer to the participant buyers, but also to the directors and producers who entrust<br />

their work to us. The viewing results will be easily distributed and the buyers will have the<br />

opportunity to watch more documentaries than in past years.<br />

The last years the Doc Market took place in Electra Palace and after its success we decided<br />

to organize it in the same place. We would like also to note that we are very pleased that<br />

the collaboration with the Media Program of the European Union continuous.<br />

The 2011 Doc Market welcomes more than 60 TV buyers, distributors, commissioning<br />

editors and international festival representatives. While attending the Thessaloniki International<br />

Documentary Festival they will have the opportunity to watch documentaries in<br />

our theatres and Doc Market facilities and meet with producers, directors and sales agents.<br />

The Doc Market catalogue includes more than 520 titles, 160 of which have been selected<br />

for the <strong>13th</strong> TDF program. In our selection we have included productions from various<br />

countries, representing different topics, views and approaches of the world. We believe we<br />

have achieved a fine balance between independent as well as larger scale productions in<br />

order to highlight all aspects of contemporary documentary filmmaking.<br />

We are confident that the <strong>13th</strong> Thessaloniki International Doc Market will give many of its<br />

films the opportunity to find their place on television and movie screens all over the world.<br />

Happy viewing!<br />

Dimitri Eipides<br />

Director


0-9<br />

Current Affairs<br />

+ OR - CONFUSED SEX. TALES OF<br />

WORLDS <strong>IN</strong> THE AIDS AGE<br />

Andrea Adriatico & Giulio Maria Corbelli<br />

Stories and faces of people, very different the one from another: doctors, lawyers, social<br />

health workers, showmen, politicians and common people. Everyone introduces themselves<br />

by answering basic questions about AIDS, happiness, life and sex. Among a mix of<br />

thoughts, stories and descriptions, everyone will show us + or – / more or less/ positive<br />

or negative, the truth...<br />

Running time: 92΄<br />

Year of production: 2010<br />

Production Company: Cinemare<br />

Production Contact Person: Saverio Peschechera<br />

Sales Company: Vitagraph<br />

Sales Contact Person: Filippo D’Angelo<br />

Via Schiavonia 1<br />

Bologna 40121 Italy<br />

T.-F. +39 051 267 150<br />

vitagraph@libero.it<br />

14<br />

515<br />

ITALY<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Science & Technology<br />

0.9 AMPERE<br />

Giotto Barbieri<br />

Electroshock, cure or torture?<br />

- The history of a medical treatment<br />

- A quick sharp shock inside the complex labyrinth of depression.<br />

ECT (Electro Convulsive Therapy), also known as “electroshock”, is still used today and is<br />

probably one of the most controversial therapies.<br />

Electroshock was invented by an Italian neuropsychiatrist, Ugo Cerletti, Professor of Psychiatry<br />

at the University of Rome, in the late 30s and was based on inducing convulsions<br />

on a patient through an electric current of 0.9 Ampere to the brain using electrodes attached<br />

to the head. For some people the practice should have been banned, for others it was the<br />

last resort for severe pathologies.<br />

What do we really know about Electroshock?<br />

Running time: 55΄<br />

Year of production: 2009<br />

559<br />

ITALY<br />

Production Company: Filmcome 14<br />

Sales Company: 10 Francs<br />

Sales Contact Person: Guy Knafo<br />

28, rue de l’Equerre<br />

75019 Paris, France<br />

T. +33 1 4874 4377<br />

F. +33 1 4874 8265<br />

10francs@10francs.fr<br />

www.10francs.fr<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 15<br />

0-9


0-9<br />

Current Affairs<br />

12 ANGRY LEBANESE –<br />

THE DOCUMENTARY<br />

Zeina Daccache<br />

A theater director specializing in working with disadvantaged and traumatized people,<br />

Zeina Daccache struggled to set up Lebanon’s first prison-based drama project in the country’s<br />

notorious Roumieh Prison. For fifteen months, forty-five inmates, some completely<br />

illiterate, found themselves working together to present an adaptation of the famous stage<br />

play 12 Angry Men, here re-named 12 Angry Lebanese. In the film, the drama therapy sessions,<br />

the interviews with the inmates, and the interaction with both director and audience,<br />

convey a message of hope, forgiveness and change. Through their artistic journey,<br />

these “murderers, drug dealers and rapists” reveal kindness and faith in life. Inspiring and<br />

honest, this account of the prisoners’ journey demonstrates the positive effect of drama<br />

therapy and the positive effect on some of the most ostracized individuals in society.<br />

Running time: 78΄<br />

Year of production: 2009<br />

Production Company: Catharsis-LCDT<br />

Sales Company: Zeina Daccache<br />

Sales Contact Person: Zeina Daccache<br />

Rue v6; maison 7 Zone verte<br />

Kfarhbab-Ghazir, Lebanon<br />

T. +961 333 69 32<br />

F. +961 9 926 932<br />

zeina@zeinadaccache.com<br />

www.zeinadaccache.com<br />

16<br />

118<br />

LEBANON<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Sports<br />

Lucie and Sarah are both European boxing champions in their category. They also have been<br />

admitted at one of the top schools in France: Sciences Po Paris. Sarah Ourahmoune is the<br />

reserved brunette while Lucie Bertaud is the spirited blonde.<br />

Both of them have set two goals for the year 2009: the Boxing world’s championship in<br />

China and success in their first year of college.<br />

They’re always doing their best, whether in school, in the boxing ring or at work. Indeed<br />

they both have to keep a job to support themselves.<br />

As far as university is concerned, everything went well and they both have passed the first<br />

year. In regard to boxing, things were more complicated... Their journey has been full of hazards<br />

and even accidents. Lucie broke her elbow a month before the competition but she<br />

hid it and went to the championships anyway.<br />

Running time: 55΄<br />

Year of production: 2009<br />

560<br />

FRANCE<br />

2 GIRLS <strong>IN</strong> THE BOX<strong>IN</strong>G R<strong>IN</strong>G<br />

Alexandra Riguet<br />

Production Company: Actual Prod<br />

Sales Company: 10 Francs<br />

Sales Contact Person: Guy Knafo<br />

28, rue de l’Equerre<br />

75019 Paris France<br />

T. +33 1 4874 4377<br />

F. +33 1 4874 8265<br />

10francs@10francs.fr<br />

www.10francs.fr<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 17<br />

0-9


0-9<br />

Science & Technology<br />

20,000 CABLES UNDER THE SEA<br />

Gerhard Widmer & Michael Wolff<br />

How do the incredible volumes of data that are coursing through our air manage to cross<br />

the world’s oceans? The answer lies on the seabed in several million kilometres of very delicate<br />

glass fibre bundles. How does the Internet work so reliably, and what is done when<br />

faults have to be repaired at sea? This film poses questions about the future of broadband<br />

communication and looks over the shoulders of the people who dedicate their every-day<br />

lives to this globe-spanning cable network.<br />

Running time: 45΄<br />

Year of production: 2010<br />

Production Company: fact+film Medienproduktion (for NDR/ARTE/RB)<br />

Sales Company: united docs<br />

Sales Contact Person: Anne Hufnagel<br />

Breite Strasse 48-50<br />

Cologne 50667, Germany<br />

T. +49 221 92069 0<br />

F. +49 221 92069 69<br />

anne.hufnagel@united-docs.com<br />

www.united-docs.com<br />

18<br />

463<br />

GERMANY<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Lifestyles<br />

At some point in every marathon route, almost every runner has to face the following<br />

dilemma: to listen to the body that screams it’s had enough, or to the inner voice urging<br />

the runner to stay the course to the finish line. Life has a lot in common with a marathon<br />

race with one significant difference: there is no finish line – just running. Dr. Becky Clark,<br />

50, athlete and writer, is a licensed clinical social worker and sport psychologist in New York<br />

City. Deaf since her early teens, she successfully reconnected to the world of sound in 2008<br />

with the aid of cochlear implants. In 2009, she ran the Athens Classic Marathon as a celebration<br />

of her healing journey from child physical/sexual trauma.<br />

Running time: 55΄<br />

Year of production: 2011<br />

231<br />

GREECE<br />

26.2 THE ROAD TO HERE<br />

Lefteris Fylaktos<br />

Production Contact Person: Lefteris Fylaktos<br />

Sales Contact Person: Lefteris Fylaktos<br />

61 Archagelou Iatrou St<br />

Thessaloniki 56728, Greece<br />

T. +49 176 7028 4806<br />

lefteris.fylaktos@gmail.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 19<br />

0-9


0-9<br />

Lifestyles<br />

45365<br />

Bill and Turner Ross<br />

45365 takes us on an unforgettable journey into America’s heartland. Through beautiful<br />

imagery and intimate access into the participants’ lives, filmmakers Turner and Bill Ross<br />

present the intricate connections, close relationships, small moments and life-changing<br />

events of a small town in Ohio, giving us a cinema verité mosaic, reminiscent of the great<br />

Frederick Wiseman. From the man who calls a local policeman because his cable is out, to<br />

an ex-con who is just trying to get by, to a judge running for re-election, 45365 captures<br />

what it means to live in small town America.<br />

Running time: 93΄<br />

Year of production: 2009<br />

Production Company: Ross Bros.<br />

Sales Company: Seventh Art Releasing<br />

Sales Contact Person: Shane Griffin<br />

6579 Pickwick Street<br />

Los Angeles CA 90042 USA<br />

T. +1 323 259 8259<br />

F. +1 323 474 6371<br />

seventhart@7thart.com<br />

www.7thart.com<br />

20<br />

702<br />

USA<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


History & Politics<br />

The documentary takes the viewers on a journey to the bottom of the Black Sea, where<br />

the Soviet L-24 submarine, dating back to WWII, and its 57-member crew lie on the sea<br />

bottom. Bulgarian and Russian divers carry out a series of complex and dangerous dives<br />

in search of answers. How did the submarine sink? Was there any chance for the crew to<br />

be saved? What was its mission along the Bulgarian coast-line in the winter of 1942, since<br />

at that time there was no formal war declared between Bulgaria and the Soviet Union. Historians<br />

and military experts comment on the facts. The film was shot in the summer of<br />

2009 near the Bulgarian town of Shabla. Original video footage was also used of several<br />

cameras filming the joint Bulgarian-Russian expedition.<br />

Running time: 26΄<br />

Year of production: 2009<br />

599<br />

BULGARIA<br />

60 METERS UNDER THE SEA<br />

Kuzov Milan<br />

Production Company: Bulgarian National TV<br />

Sales Company: Bulgarian National TV<br />

Sales Contact Person: Daniela Kuzmanova<br />

29 San Stefano Street<br />

Sofia 1504, Bulgaria<br />

T. +359 2 814 2390<br />

F. +359 2 943 6045<br />

d_kuzmanova@bnt.bg<br />

www.bnt.bg<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 21<br />

0-9


0-9<br />

Art, Music & Culture<br />

7.1.2011<br />

Dimitris Theodoropoulos<br />

It’s January the 7th 2011 and master drummer Dimitri Varzabetian, is setting up for one<br />

last time his Gretsch drum-set in the yard, next to one of the few remaining active water<br />

wells in Athens. He has practiced there for twenty years. The new owners have decided that<br />

it’s time for a new apartment-building...<br />

Running time: 7΄<br />

Year of production: 2011<br />

Production Company: Theodoropoulos / Nikolakakis<br />

Production Contact Person: Dimitris Theodoropoulos<br />

Sales Contact Person: Dimitris Theodoropoulos<br />

24 Manoliassas St Athens 16121, Greece<br />

T.-F. +30 210 723 0054<br />

thinktank@ath.forthnet.gr<br />

Dimitris@theodoropoulos.info<br />

www.theodoropoulos.info<br />

22<br />

243<br />

GREECE<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Art, Music & Culture<br />

This film is a short document of the “Peri Peripterou”(About the Kiosk) action which took<br />

place at 8 Aristotelous Street in Thessaloniki from <strong>13th</strong> to 22nd November 2009. This film<br />

shows the process of this action from the beginning until the end, marking some events<br />

which transform the real kiosk into an open public platform of artistic creation.<br />

The Independent Peri Peripterou action is kindly supported by the State Museum Centre<br />

of Contemporary Art in Thessaloniki.<br />

Running time: 25΄<br />

Year of production: 2009<br />

278<br />

GREECE<br />

ABOUT THE K<strong>IO</strong>SK<br />

Yorgos Paliatsios & Dimitris Ameladiotis<br />

Sales Contact Person: Yorgos Paliatsos<br />

20 Stromnitsis St<br />

Thessaloniki 54248, Greece<br />

T. +30 6976 744 804<br />

paliatsos@yahoo.gr<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 23<br />

A


A<br />

Art, Music & Culture<br />

ADRIANA<br />

Goran Music<br />

Adriana is about a Paris-born sculptor of Serbian origin, Adriana Popovic. The film searches<br />

for the origins of her vocation, her efforts, initially interior, to fight, as a young child, for her<br />

own identity and desire to create.<br />

Then, the film continues with the author’s own visual interpretation of her own world, expressed<br />

through her sculptures, being less concerned with the work process itself (even<br />

if it is visible) but more with the roots of her inspiration and at the same time accentuating<br />

her impressive artistic achievements.<br />

This film is a romantic, poetic vision of creativity in general.<br />

Running time: 17΄<br />

Year of production: 2010<br />

Sales Contact Person: Goran Music<br />

2 rue Gustave Rouanet<br />

Paris 75018, France<br />

T. +33 6 8089 9081<br />

music_goran@hotmail.com<br />

24<br />

700<br />

FRANCE - SERBIA<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Environment & Wildlife<br />

It’s official: we’re facing a problem over water! But what exactly is the nature of the problem?<br />

The film points to concrete examples: the inhabitants of a village in Mali live on 6 litres<br />

of water per day and person, while at the same time in Barcelona the authorities fear a water<br />

shortage: each citizen uses on average 120 litres per day! This clearly demonstrates that<br />

the definition of need and shortage is a question of proportion. We investigate in Spain,<br />

Mali and Mexico and discover that water shortage is rarely only a question of resource. What<br />

if it were, above all, a question of democracy?<br />

Running time: 60΄<br />

Year of production: 2009<br />

368<br />

FRANCE<br />

AGA<strong>IN</strong>ST THE FLOW<br />

Vassili Silovic<br />

Production Company: Point du Jour – Intuitive Pictures<br />

Production Contact Person: Doris Weitzel<br />

Sales Company: Point du Jour International<br />

Sales Contact Person: Doris Weitzel<br />

23 rue de Cronstadt<br />

Paris 75015, France<br />

T. +33 1 7544 8080<br />

F. +33 1 4531 1305<br />

d.weitzel@pointdujour.fr<br />

www.pointdujour-international.fr<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 25<br />

A


A<br />

Current Affairs<br />

AGNUS DEI: LAMB OF GOD<br />

Alejandra Sanchez<br />

Jesús was sexually abused by a priest when he was an 11-year-old boy. As an adult, he<br />

decides not only to denounce his aggressor but also to find him and confront him. This is<br />

a story that reveals the impunity of the Catholic Church towards acts of pederasty committed<br />

by some of its members, while Jesús Romero tells his life story.<br />

Running time: 52΄<br />

Year of production: 2010<br />

Production Company: La Femme Endormie<br />

Production Contact Person: Carole Solive<br />

Sales Company: CAT&Docs<br />

Sales Contact Person: Catherine Le Clef<br />

18 rue Quincampoix #133<br />

Paris 75004, France<br />

T. +33 1 4459 6353<br />

cat@catndocs.com<br />

www.catndocs.com<br />

26<br />

148<br />

MEXICO - FRANCE<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Art, Music & Culture<br />

AISHA<br />

Oshri Hayun & Hila Cohen<br />

Born in the Atlas mountains of Morocco, Aisha was married at 11 when she fell in love with<br />

Joseph. They immigrated to Israel in 1955 and had 14 children, of which 11 are still alive.<br />

At 96, with her husband deceased and her children rarely visiting, she only has her animals<br />

to keep her company, and among them Booba, the goat with whom she has the kind<br />

of relationship normally seen between a mother and adolescent daughter.<br />

Aisha may live among the spectacular landscapes of Yavniel, but in her heart she is still at<br />

the foothills of the Atlas Mountains, refusing to let go of the traditions of her childhood,<br />

traditions that have alienated her children.<br />

Running time: 48΄<br />

Year of production: 2010<br />

537<br />

ISRAEL<br />

Production Company: Sapir College<br />

Production Contact Person: Sigal Golan<br />

Sales Company: JMT Films Distribution<br />

Sales Contact Person: Michael Treves<br />

20 Bialik Str.<br />

Tel Aviv 63324 Israel<br />

T. +97 25 2363 3398<br />

michael@jmtfilms.com<br />

www.jmtfilms.com/index.htm<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 27<br />

A


A<br />

Current Affairs<br />

AISHEEN, STILL ALIVE <strong>IN</strong> GAZA<br />

Nicolas Wadimoff<br />

Director Nicolas Wadimoff arrived in Gaza one month after the end of the Israeli military<br />

attack, in Febuary 2009. Among the rubble and ruins, he met people who “tried to put their<br />

life back together with little pieces of furniture or trinkets they found here and there…”<br />

Aisheen does not indulge in self-pity. There is no political or humanitarian analysis. Instead,<br />

it offers poignant scenes of every day life that speak louder than any commentary. “We don’t<br />

need aid, we need freedom!” sing the DARG Team rappers. Aisheen is a tribute to life –<br />

against all odds!<br />

2010 Award-winner: Berlin and Nyon<br />

Running time: 60΄<br />

Year of production: 2009<br />

Production Company: JCCTV – Akka Films<br />

Production Contact Person: Doris Weitzel<br />

Sales Company: Point du Jour International<br />

Sales Contact Person: Doris Weitzel<br />

23 rue de Cronstadt<br />

Paris 75015, France<br />

T. +33 1 7544 8080<br />

F. +33 1 4531 1305<br />

d.weitzel@pointdujour.fr<br />

www.pointdujour-international.fr<br />

28<br />

369<br />

FRANCE<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


History & Politics<br />

Like all modern conflicts, the war in Algeria has challenged the value of reported images.<br />

Confronted with the abundance of films produced by the French army, a few filmmakers<br />

like René Vautier, in reaction to propaganda, pledged allegiance to the Algerian fighters,<br />

depicting their struggle. Camera in hand, they brought crucial images back, although most<br />

of them were then censored.<br />

Running time: 52΄<br />

Year of production: 2010<br />

589<br />

BELGIUM<br />

ALGERIA. IMAGES OF A FIGHT.<br />

A PORTRAIT OF RENÉ VAUTIER<br />

Jérôme Laffont<br />

Production Company: Sourat Film<br />

Production Contact Person: Michel Khleifi<br />

Sales Company: Ventes-CBA/WIP Sales<br />

Sales Contact Person: Thierry Detaille<br />

Centre de l’Audiovisuel à Bruxelles,<br />

19 F, avenue des Arts<br />

Brussels 1000, Belgium<br />

T. +32 477 617 170<br />

F. +32 2 227 2239<br />

ventes-cbawip-sales@skynet.be<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 29<br />

A


A<br />

Environment & Wildlife<br />

ALGIERS, EL BADJA<br />

Nasser-Eddine Benalia<br />

In 1992, the Kasbah of Algiers was listed by UNESCO as part of the World Heritage to Humanity.<br />

The Kasbah is made of 1,700 houses and around 80,000 inhabitants. Slowly the<br />

term was given to the rest of the city. But what is really the state of the Kasbah today?<br />

Running time: 52΄<br />

Year of production: 2010<br />

Production Company: Peloche Prod.<br />

Sales Company: 10 Francs<br />

Sales Contact Person: Guy Knafo<br />

28, rue de l’Equerre<br />

Paris 75019 France<br />

T. +33 14 8744 377<br />

F. +33 14 8748 265<br />

10francs@10francs.fr<br />

www.10francs.fr<br />

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Art, Music & Culture<br />

For centuries, the most talented storytellers have been performing their craft in the unique<br />

market square Jemâa El Fna in Marrakesh. Recently, their oral transmissions have been declared<br />

as “Intangible World Heritage” by UNESCO.<br />

Abderahim is one of the most well known storytellers on the square. He takes his son Zoheir<br />

on a journey through Morocco. Zoheir experiences that there is much more to storytelling<br />

than just voice, rhythm and intonation. He has to learn that the first story to know<br />

is your own.<br />

Running time: 52΄<br />

Year of production: 2010<br />

511<br />

GERMANY<br />

AL-HALQA – <strong>IN</strong> THE<br />

STORYTELLER’S CIRCLE<br />

Thomas Landerburger<br />

Production Company: Thomas Ladenburger<br />

Sales Company: Taskovski Films<br />

Sales Contact Person: Manuela Buono<br />

463 Russell Court, Woburn Place<br />

London WC1H0NL UK<br />

T. +38 76 5906 583<br />

festivals@taskovskifilms.com<br />

www.taskovskifilms.com<br />

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A


A<br />

Current Affairs<br />

ALI PROJEKT<br />

Team “Rough Cats”<br />

Ali is an economic immigrant from Afghanistan. Trying to reach to Greece, he trekked<br />

through the mountains of Iraq and Pakistan and almost drowned in the Aegean Sea. Why<br />

did he finally stay in Greece? Is his life in Thessaloniki as he had imagined it would be?<br />

Running time: 10΄<br />

Year of production: 2010<br />

Production Company: Iris<br />

Production Contact Person: Anna Podara<br />

Sales Company: Iris<br />

Sales Contact Person: Anna Podara<br />

239, Lagada St., Stavroupoli<br />

Thessaloniki, Greece<br />

T. +30 6997 025 859<br />

F. +30 2310 662 944<br />

apodara@hotmail.com<br />

32<br />

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GREECE<br />

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Lifestyles<br />

ALIAS<br />

Jens Junker<br />

A fascinating account of a man who grew up in apparently idyllic circumstances as part<br />

of a strictly religious German family. Never really registering that his appearance seems different<br />

to that of his brothers. He is in his twenties before his father reveals the truth of his<br />

son’s real identity during an argument. The family emerges as a structure of hypocrisy, its<br />

members as silent guardians of secret knowledge. Years later, the protagonist finds the<br />

courage to return to his childhood village, to speak with members of his family, and to subsequently<br />

travel to Lebanon, where he encounters a familiar-looking stranger.<br />

Running time: 57΄<br />

Year of production: 2009<br />

437<br />

GERMANY<br />

Production Company: Walker+Worm Film GmbH&Co. KG<br />

Sales Company: Tobias Walker<br />

Sales Company: Rise and Shine World Sales<br />

Sales Contact Person: Diana Karklin<br />

Schlesische Str. 29/30<br />

Berlin 10997, Germany<br />

T. +49 30 4737 298 0<br />

F. +49 30 4737 298 20<br />

diana.karklin@riseandshine-berlin.de<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 33<br />

A


A<br />

Current Affairs<br />

ALL FOR THE GOOD<br />

OF THE WORLD AND NOSOVICE<br />

Vit Klusak<br />

An original portrait of a Czech village that houses a giant car plant built by South Korea’s<br />

Hyundai. Before the village turned into an industrial zone, many of the landowners had<br />

no intention of selling their plots of land. At least not until many of them faced pressure<br />

from their neighbors who had accepted approximately 4,000 euros in compensation and<br />

not until they received death threats. Using nine protagonists, the film paints a portrait of<br />

a village changed beyond recognition. A humorous yet compelling film about a field that<br />

yields cars.<br />

Running time: 82΄<br />

Year of production: 2010<br />

Production Company: Hypermarket Film<br />

Production Contact Person: Tereza Horska<br />

Sales Company: Taskovski Films<br />

Sales Contact Person: Vesna Cudic<br />

463 RUSSELL COURT, WOBURN PLACE<br />

London WC1H 0NL, UK<br />

T. +44 207 278 4284<br />

sales@taskovskifilms.com<br />

www.taskovskifilms.com<br />

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CZECH REPUBLIC<br />

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Science & Technology<br />

In medical science, progress is made by virtue of man’s incessant curiosity and percipience.<br />

Because of this, together with patience and a bit of luck, humankind is moving step by step<br />

toward an understanding of mysterious diseases like cancer.<br />

Guided by, among others, a cancer surgeon, a cell biologist and a night nurse, we witness<br />

their fascination with the daunting phenomenon of cancer. Although they are well aware<br />

that they themselves will not live to see the day that the disease is fully understood, and<br />

that the available treatments are as yet inadequate, they give it their heart and soul.<br />

Running time: 90΄<br />

Year of production: 2010<br />

485<br />

THE NETHERLANDS<br />

ALL MY TOMORROWS<br />

Sonia Herman Dolz<br />

Production Company: Hasten Slowly Films<br />

Production Contact Person: Sonia Herman Dolz<br />

Sales Company: NPO/RNW Sales<br />

Sales Contact Person: Ellie Beijaard<br />

Sumatralaan 45<br />

Hilversum 1217 GP, The Netherlands<br />

T. +31 35 677 3561<br />

F. +31 35 677 5318<br />

ellie.beijaard@omroep.nl<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 35<br />

A


A<br />

Current Affairs<br />

ALL THAT GLITTERS<br />

Tomas Kudrna<br />

Situated at the crossroads of global interests, Kyrgyzstan reflects the political rivalry between<br />

Russian and American influence, reveals the religious rivalry between Christianity and Islam,<br />

and lies between the economic predominance of China and Russia. All That Glitters<br />

examines how strange capitalism and democracy can be when introduced to a former Soviet<br />

country, where people who were never given autonomy are suddenly expected to<br />

make their own financial and political decisions.<br />

Running time: 90΄<br />

Year of production: 2010<br />

Production Company: Armada Films<br />

Production Contact Person: Tomas Kudrna<br />

Sales Company: CAT&Docs<br />

Sales Contact Person: Maëlle Guenegues<br />

18 rue Quincampoix #133<br />

Paris 75004, France<br />

T. +33 6 8177 6505<br />

maelle@catndocs.com<br />

www.catndocs.com<br />

36<br />

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CZECH REPUBLIC<br />

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History & Politics<br />

ALLENTSTEIG<br />

Nikolaus Geyrhalter<br />

This portrait of Allentsteig, a military training area and nature reserve, presents various aspects<br />

of life. Without comment but with a keen eye for humorous details.<br />

Running time: 78΄<br />

Year of production: 2010<br />

418<br />

AUSTRIA<br />

Production Company: Geyrhalter Filmproduktion<br />

Production Contact Person: Nikolaus Geyrhalter<br />

Sales Company: Autlook Filmsales GmbH<br />

Sales Contact Person: Andrea Hock<br />

Trappelgasse 4/17<br />

Vienna 1040, Austria<br />

T. +43 720 346 934<br />

andrea@autlookfilms.com<br />

www.autlookfilms.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 37<br />

A


A<br />

Lifestyles<br />

ALMA BONITA (BEAUTIFUL SOUL)<br />

Alexis Ponce & Vivi Zografou<br />

This documentary film discusses the way in which our children are born nowadays in<br />

Greece. The film puts forward the aspect that labor and pregnancy are experiences of selfknowledge<br />

and that Greek women are deprived of that experience, because labor in<br />

Greece is dealt with as a mere medical procedure. The central narrative axis is formed by<br />

mothers’ narrations who describe their labors. These narrations provoke discussions with<br />

doctors, midwives, psychiatrists, etc., on disputable medical practices and matters, and pose<br />

questions about our global civilization and Greek culture and mentality. Among others, we<br />

interview famous researcher Dr. Michel Odent, whom we meet in London. More than a<br />

medical documentary film, this film is a human conversation about labor, full of wisdom,<br />

humor, revelations and emotions.<br />

Running time: 90΄<br />

Year of production: 2011<br />

Production Company: Euroirida<br />

Production Contact Person: Vivi Zografou<br />

10, Tsotyliou St<br />

Athens, Greece<br />

T.-F.+30 210 682 6955<br />

vivizog@yahoo.gr<br />

38<br />

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Art, Music & Culture<br />

Fatma is Turkish.<br />

She loves an Italian man.<br />

Her family has always arranged marriages for the women.<br />

She wants to marry him.<br />

Huseyin is Turkish. He ran away to marry his love.<br />

Now he has four daughters, Turkey is awakening to modernity but he wants to decide for<br />

them.<br />

His younger daughter ran away to Italy to live a free life… but this summer she’s back…<br />

and she has something to tell him.<br />

Running time: 60΄<br />

Year of production: 2010<br />

512<br />

ITALY, TURKEY<br />

ALMOST MARRIED<br />

Fatma Bucak & Sergio Fargnachino<br />

Production Company: Move Productions, Zenit Arti Audiovisive<br />

Sales Company: Taskovski Films<br />

Sales Contact Person: Manuela Buono<br />

463, Russell Court, Woburn Place<br />

London WC1H 0NL, UK<br />

T. +38 76 5906 583<br />

festivals@taskovskifilms.com<br />

www.taskovskifilms.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 39<br />

A


A<br />

Art, Music & Culture<br />

AN AMERICAN JOURNEY<br />

<strong>IN</strong> ROBERT FRANK’S FOOTSTEPS<br />

Philippe Séclier<br />

In contemporary photography, everybody agrees there is a “before” and an “after” The Americans,<br />

Robert Frank’s 1958 photographic manifesto.<br />

Half a century later, French director Philippe Séclier decided to follow (shot in France, USA,<br />

China, Switzerland, Germany) in Robert Frank’s footsteps to explore the spirit of the Beat<br />

Generation and the impact of his book, The Americans, not only on the art of photography,<br />

but also on American culture.<br />

From Texas to Montana, from Nebraska to Louisiana, from New York to San Francisco, An<br />

American Journey is a 15,000-mile odyssey through contemporary America, moving between<br />

past and present, photography and cinema, and two Americas, separated by time.<br />

Running time: 58΄<br />

Year of production: 2009<br />

Production Company: AD Vitam Production<br />

Sales Company: 10 Francs<br />

Sales Contact Person: Guy Knafo<br />

28, rue de l’Equerre<br />

Paris 75019 France<br />

T. +33 14 8744 377<br />

F. +33 14 8748 265<br />

10francs@10francs.fr<br />

www.10francs.fr<br />

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FRANCE<br />

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History & Politics<br />

AMMOCHOSTOS<br />

Costas Orthodoxou<br />

The documentary is essentially a profile of the city of Ammochostos (Famagusta), starting<br />

from ancient times until today. To Cyprus, Famagusta has always been a major city, a<br />

port, a gateway for foreign cultures and civilizations. At the same time it is a gateway that<br />

has provided entry to many conquerors.<br />

Over the past 36 years, Famagusta has become a symbol of the struggle for liberation of<br />

Cypriots; in particular the closed city, the tourist part of Famagusta, has become a point<br />

of reference. Footage from a walk we took through the city – as far as we were allowed<br />

to by the occupying forces – is intercut with narratives by Famagustans; shocking testimony<br />

and accounts from people who were living in Famagusta during the tragic and heroic<br />

events of 1974.<br />

Running time: 74΄<br />

Year of production: 2010<br />

210<br />

CYPRUS<br />

Production Company: Cybc<br />

Production Contact Person: Costas Orthodoxou<br />

Ayias Theodoras 22, Strovolos<br />

Nicosia 2046, Cyprus<br />

T. +357 99 65 7833<br />

costas.orthodoxou@cybc.com.cy<br />

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A


A<br />

Art, Music & Culture<br />

AMONG HORSES AND MEN<br />

Marjolein Boonstra<br />

In the desert of Nevada, two raw and unpolished worlds come together in a unique program<br />

where men and horses meet.<br />

“We’re not out here to babysit. We want to develop these guys, let them learn something,<br />

let them do something.” Hank Curry Chris, Dean, Gilbert, Charles, Steven, Bo and Mike are<br />

all young inmates at the Northern Nevada Correctional Center. The men are in the last phase<br />

of lengthy prison sentences and are given the chance to enter a new world; they have three<br />

months to tame a wild mustang and transform it into a reliable, trustworthy riding horse.<br />

Marjoleine Boonstra follows the detainees over the course of this intensive training during<br />

which the men see themselves reflected in the eyes of their horses. The men learn to<br />

win the trust of another living being once again, a skill that has slipped away during their<br />

time on the inside.<br />

Running time: 56΄<br />

Year of production: 2010<br />

THE NETHERLANDS<br />

Production Company: Viewpoint Productions<br />

Production Contact Person: Valerie Schuit<br />

Sales Company: Illumina Films<br />

Sales Contact Person: Robin Brinster<br />

Leidsestraat 106-IV<br />

Amsterdam 1017PG, The Netherlands<br />

T. +31 20 6248 3985<br />

F. +31 20 3308 155<br />

robin@illuminafilms.nl<br />

www.illuminafilms.nl<br />

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History & Politics<br />

ANDREAS CALVOS<br />

Tasos Psarras<br />

Andreas Calvos, a major Greek poet, was born in 1792 on the island of Zakynthos. He traveled<br />

to Livorno, Pisa, Florence, Zurich and London, and then he returned to Florence. He<br />

was arrested by the police for political reasons and was deported to Geneva. There, in 1824,<br />

he wrote his ten first odes. He then went to Paris, where he wrote another ten odes. He<br />

moved to Corfu where he taught at the Ionian Academy. He died in 1869 in London.<br />

Running time: 60΄<br />

Year of production: 2010<br />

295<br />

GREECE<br />

Production Company: Hellenic Broadcasting Corp., ERT SA<br />

Sales Company: Hellenic Broadcasting Corp., ERT SA<br />

Sales Contact Person: Yannis Kollias<br />

432 Messoghion Ave<br />

Agia Paraskevi 153 42, Greece<br />

T. +30 210 607 5711<br />

F. +30 210 607 5715<br />

ykollias@ert.gr<br />

www.ert.gr<br />

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A


A<br />

Art, Music & Culture<br />

ANPO: ART X WAR<br />

Linda Hoaglund<br />

The United States has operated military bases in Japan for six decades. Their presence has<br />

rubbed salt into unhealed wounds from the war – a complex trauma.<br />

But ANPO is not a straightforward political documentary. Instead, the film depicts resistance<br />

to US military bases in Japan through an electrifying collage of paintings, photographs<br />

and animated, narrative and documentary films by Japan’s foremost contemporary artists.<br />

Running time: 60’<br />

Year of production: 2010<br />

Production Contact Person: Linda Hoaglund<br />

Sales Company: Autlook Filmsales GmbH<br />

Sales Contact Person: Andrea Hock<br />

Trappelgasse 4/17<br />

Vienna 1040, Austria<br />

T. +43 720 346 934<br />

andrea@autlookfilms.com<br />

www.autlookfilms.com<br />

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JAPAN - USA<br />

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Current Affairs<br />

ARAB ATTRACT<strong>IO</strong>N<br />

Andreas Horvath<br />

Arab Attraction explores the unusual paradigm shift of a woman known for her pronounced<br />

feminist views.<br />

She falls in love with a 20 years younger man from Yemen, to become his second wife and<br />

a devoted Muslim.<br />

Running time: 119΄<br />

Year of production: 2010<br />

420<br />

AUSTRIA<br />

Production Contact Person: Andreas Horvath<br />

Sales Company: Autlook Filmsales GmbH<br />

Sales Contact Person: Andrea Hock<br />

Trappelgasse 4/17<br />

Vienna 1040, Austria<br />

T. +43 720 346 934<br />

andrea@autlookfilms.com<br />

www.autlookfilms.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 45<br />

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A<br />

Lifestyles<br />

THE ARBOR<br />

Clio Barnard<br />

British playwright Andrea Dunbar was 19 when her play The Arbor was staged at London’s<br />

Royal Court Theater in 1980. Its raw, incisive portrayal of the cycles of violence and addiction<br />

on a tough Bradford housing estate was drawn directly from her own experience, brutalized<br />

and pregnant at 15. Two plays and one film (the raucous, funny Rita, Sue & Bob Too)<br />

later, the young playwright once acclaimed as a “genius from the slums”, was dead, aged<br />

just 29. Clio Barnard’s film also entitled The Arbor looks both at Dunbar’s life and the experiences<br />

of the young family she left behind and in particular her eldest daughter whose<br />

life followed a remarkably similar downward spiral to her mother. This is a documentary<br />

uniquely told, whereby audio interviews given by family members are lip-synced on-screen<br />

by actors to very powerful effect.<br />

Running time: 90’<br />

Year of production: 2010<br />

Production Company: Artangel Trust<br />

Production Contact Person: Tracy O’Riordan<br />

Sales Company: Wavelenght Pictures<br />

Sales Contact Person: John Flahive<br />

24 Alexandra Grove, Apt. 4<br />

London N42LF UK<br />

T. +44 79 6877 2792<br />

info@wavelenghtpictures.co.uk<br />

www.wavelengthpictures.co.uk<br />

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Art, Music & Culture<br />

ART UBER ALLES<br />

Yorgos Dimitsanos<br />

Art Uber Alles is a musical/cultural TV show and its main purpose is to make known and<br />

promote artists from all the spectrum of music and arts. The show mostly supports the<br />

kinds of music that aren’t represented adequately by the media, despite the fact that they<br />

have a special musical and cultural interest. The themes of the show are:<br />

1) Profiles of Greek and international music artists<br />

2) Concerts, events and exhibitions<br />

3) Do It Yourself column of musical engineering<br />

4) Cofix Wiggler informative and educational inset. This is an inset in the Art Uber Alles show<br />

about comics and animation.<br />

5) Blow Up is an inset about cinema, theater, plastic arts, directors, actors, painters, video<br />

artists, street artists, etc.<br />

Our purpose is to promote musical culture abroad as well as in Greece, to support and present<br />

new, noteworthy artists and to satisfy the TV public’s need for something different and<br />

not to create another show in order to support the established mainstream status.<br />

This particular show serves the artistic/creative concerns of thousands of young people.<br />

Running time: 45΄<br />

Year of production: 2008-2011<br />

261<br />

GREECE<br />

Production Company: Mysterious Art<br />

Production Contact Person: Kika Yannou<br />

Sales Company: Mysterious Art<br />

Sales Contact Person: Kika Yannou<br />

27 Aristotelous St, Nea Ionia<br />

Athens 142 33, Greece<br />

T. +30 6976 994 175, +30 211 7057 121<br />

artuberalles.nettv@gmail.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 47<br />

A


A<br />

Art, Music & Culture<br />

AS LILITH<br />

Eytan Harris<br />

An absurd, brilliant and surreal film about an orthodox Jewish organization and an eccentric<br />

mother who lock horns over the remains of her teenage daughter’s body.<br />

Lilith, a charismatic single mother with an unusual life story, has clashed with one of the<br />

largest religious organizations in Israel, only because she’s determined to cremate, not to<br />

bury in the Jewish way, the body of her 14-year-daughter, who unexpectedly committed<br />

suicide. A real witch hunt, with no limits, is taking place in the tiny suburban town.<br />

Eytan Harris’s darkly funny film is filled with situations so bizarre and carried out by a cast<br />

of characters so crazy, that you would swear it was all made up. But it’s not, and Harris, a<br />

skilled cinematographer and ace storyteller, is there to capture everything as it unfolds. As<br />

Lilith is an impeccably well-crafted film that uses fly-on-the-wall filmmaking to capture<br />

a completely off-the-wall story.<br />

Running time: 77΄<br />

Year of production: 2009<br />

Production Company: Eytan Harris Productions<br />

Production Contact Person: Eytan Harris<br />

Sales Company: JMT Films Distribution<br />

Sales Contact Person: Michael Treves<br />

20 Bialik St<br />

Tel Aviv 63324, Israel<br />

T. +972 5 2363 3398<br />

michael@jmtfilms.com<br />

http://www.jmtfilms.com/index.htm<br />

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552<br />

ISRAEL<br />

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Art, Music & Culture<br />

Who is Assen Peikov? For over thirty years he lived and worked in Rome, until his death<br />

in 1973. Today the atelier of the great Bulgarian sculptor in Via Margutta in Rome is part<br />

of the cultural history of The Eternal City. The people working in the artists’ street, also<br />

known as the Roma Montmartre, still cherish the memory of the “Bulgarian from Rome”.<br />

His works are an original gallery, reminiscent of a certain historical age, marked by great<br />

names from the early 20th century.<br />

Running time: 54΄<br />

Year of production: 2009<br />

600<br />

BULGARIA<br />

ASSEN PE<strong>IK</strong>OV – THE BULGARIAN<br />

FROM ROME<br />

Maria Trayanova<br />

Sales Company: Bulgarian National TV<br />

Sales Contact Person: Daniela Kuzmanova<br />

Sofia 1504 Bulgaria<br />

T. +35 92 8142 390<br />

F. +35 92 9436 045<br />

d_kuzmanova@bnt.bg<br />

www.bnt.bg<br />

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A


A<br />

Art, Music & Culture<br />

AT HOME WITH NEFERTITI<br />

Hubert Schäfer & Christoph Martin Grosser<br />

This documentary takes you behind the scenes of Berlin’s Egyptian Museum, one of the<br />

most renowned collections in the world, and of the dazzling Neues Museum. It explains<br />

about the origins, background and details of this unique collection. Explore how so many<br />

magnificent artefacts from ancient Egypt ended up in Berlin. The history of the museum<br />

is a tale of triumph and tragedy, passion and politics, failure and, ultimately, success. In the<br />

summer of 2005, the Egyptian Museum was moved from its post-war home in West Berlin<br />

to Museum Island. More than 1,800 priceless pieces, from massive statues to fragile papyrus,<br />

had to be packed up. We’ll take you into the heart of this enormous logistical undertaking<br />

and you’ll see exclusive footage of the final piece, the bust of Nefertiti, being<br />

moved in a spectacularly planned overnight operation.<br />

Running time: 52΄<br />

Year of production: 2010<br />

Production Company: Oculus Film<br />

Production Contact Person: Hubert Schäfer<br />

Sales Company: Rise and Shine World Sales<br />

Sales Contact Person: Diana Karklin<br />

Schlesische Str. 29/30<br />

Berlin 10997, Germany<br />

T. +49 30 4737 298 0<br />

F. +49 30 4737 298 20<br />

diana.karklin@riseandshine-berlin.de<br />

50<br />

438<br />

GERMANY<br />

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Lifestyles<br />

Alexei is a nineteen-year-old recruit being flown in to perform his military service on the<br />

frontier of northern Russia. The base is one of few such remaining outposts on the Arctic<br />

Ocean. There are five other seasoned and long serving soldiers stationed here, each with<br />

their own personal story or secret that has caused them to retreat from the real world. Their<br />

training and breaking in of the new arrival is sometimes humorous, at times harsh. Gradually,<br />

they each reveal something of themselves in their daily interactions and private moments<br />

as they continue their absurd duty in this snow covered no man’s land, hundreds<br />

of miles from the nearest human settlement.<br />

Running time: 72΄<br />

Year of production: 2010<br />

338<br />

POLAND<br />

AT THE EDGE OF RUSSIA<br />

Michal Marczak<br />

Production Company: Ozumi Films<br />

Contact Person: Michal Marczak<br />

Mokotowska 46a, Suite 28<br />

Warsaw 00-543, Poland<br />

T. +48 602 737 079<br />

marczakmarczak@gmail.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 51<br />

A


A<br />

Current Affairs<br />

AUNG SAN SUU KYI –<br />

LADY OF NO FEAR<br />

Anne Gyrithe Bonne<br />

We know Aung San Suu Kyi as “a golden bird in a cage”; she is a valuable icon representing<br />

freedom and democracy of which the oppressed population of Burma much hopes for.<br />

In the West she stands out as a symbol of peace and reconciliation, she has been awarded<br />

countless prizes for her effort, among them the Nobel Peace Prize. But who is the person<br />

and woman behind it all? In this film, her close family, friends and close colleagues tell<br />

about a daughter, a wife, a friend, a mother, and a rebel, that early in life knew deep grief<br />

and deprivation.<br />

Running time: 58΄<br />

Year of production: 2011<br />

Production Company: Kamoli Films<br />

Production Contact Person: Helle Ulsteen<br />

Sales Company: First Hand Films<br />

Sales Contact Person: Gitte Hansen<br />

Fritz Heeb-Weg 5<br />

Zurich 8050, Switzerland<br />

T. +41 44 3122 060<br />

F. +41 44 3122 080<br />

info@firsthandfilms.com<br />

www.firsthandfilms.com<br />

52<br />

544<br />

DENMARK<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Fifty years ago autism was a highly obscure disorder which affected four people in 10,000.<br />

Today some scientists believe the rate is1 in 100. What’s happened? Is there an epidemic<br />

of autism, and if so, what’s causing it? Or is it that awareness has grown and the definition<br />

of autism changed? Film-maker Saskia Baron’s older brother Timothy was one of the<br />

first children diagnosed with autism in Britain in the 1960s. This film mixes personal history<br />

and interviews with some of the world’s leading experts on autism and was acclaimed<br />

for being ‘a moving and important investigation’ by The Times of London.<br />

Running time: 59΄<br />

Year of production: 2003<br />

644<br />

UK<br />

“How I Αm: Challenging Perceptions”<br />

THE AUTISM PUZZLE<br />

Saskia Baron<br />

Production Company: BBC<br />

Sales Company: BBC Active<br />

Sales Contact Person: Richard Donnelly<br />

80 Strand<br />

London WC2R ORL, UK<br />

T. +44 20 70202 2751<br />

richard.donnelly@pearson.com<br />

www.bbcactivevideoforlearning.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 53<br />

A


A<br />

AUTISTICS<br />

Wolfram Seeger<br />

“Haus Bucken” is a hostel for adult autistic individuals, founded by stricken parents twenty<br />

years ago. For one year, director Wolfram Seeger visited the hostel and watched the daily<br />

life of the inhabitants. The documentary affords an insight into the peculiarities and rituals<br />

of the autistic individuals, but also into the experiences of the parents and the nursing<br />

staff.<br />

Running time: 90΄<br />

Year of production: 2010<br />

Production Company: Exit Filmproduktion<br />

Production Contact Person: Wolfram Seeger<br />

Sales Company: Exit Filmproduktion<br />

Sales Contact Person: Wolfram Seeger<br />

Stoecken 34<br />

Roesrath D-515-3 Germany<br />

T. +49 22 0589 6610<br />

F. +49 22 9589 7459<br />

mail@exit-seeger.de<br />

www.exit-seeger.de<br />

54<br />

626<br />

GERMANY<br />

“How I Am: Challenging Perceptions”<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


History & Politics<br />

“After all, a dictator is simply an artist who is able to fully put into practice his egotism. It<br />

is a mere question of aesthetic level, whether he turns out to be Baudelaire or Bolintineanu,<br />

Louis XVI or Nicolae Ceauşescu.”<br />

Andrei Ujică<br />

During the summary trial that he and his wife were submitted to, Nicolae Ceauşescu reviews<br />

his long reign in power: 1965-1989. The film uses unknown official footage from the<br />

Romanian National Television and National Film Archives.<br />

Running time: 180΄<br />

Year of production: 2010<br />

182<br />

ROMANIA<br />

THE AUTOB<strong>IO</strong>GRAPHY<br />

OF NICOLAE CEAUSESCU<br />

Andrei Ujică<br />

Production Company: Icon Production<br />

Production Contact Person: Velvet Moraru<br />

Sales Company: Mandragora International<br />

Sales Contact Person: Ronald Chammah<br />

29 Rue Des Pyramides<br />

Paris 75001, France<br />

T. +33 1 40 20 91 70<br />

F. +33 1 42 86 02 24<br />

ronald@mandragorasales.com<br />

www.mandragorasales.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 55<br />

A


A<br />

Sports<br />

AUTUMN GOLD<br />

Jan Tenhaven<br />

Autumn Gold tells the life-affirming story of five athletes as they prepare for the Track and<br />

Field World Championships. Their toughest challenge is their age: these potential world<br />

champions are between 80 and 100 years old. With ambition and plenty of humor, they<br />

accept the task. At the finishing line of their lives, and true to the motto “We can rest after<br />

we’re dead”, they seek one more ultimate challenge and give their best on the way to<br />

a gold medal in Finland. They want to stand on the podium one last time. It is a competition<br />

against age and the other hurdles of life. A story of winning and losing, of setbacks<br />

and triumphs. Autumn Gold is an homage to life as it can be: not smooth and wrinkle-free,<br />

but full of humor and determination.<br />

Running time: 58΄<br />

Year of production: 2010<br />

Production Company: Gebrueder Beetz Filmproduktion Berlin Gmbh<br />

Production Contact Person: Christian Beetz<br />

Sales Company: Films Transit International<br />

Sales Contact Person: Jan Röfekamp<br />

252 Gouin Boulevard East<br />

Montreal/Quebec H3L 1A8, Canada<br />

T. + 1 514 844 3358<br />

F. + 1 514 844 7298<br />

jan@filmstransit.com<br />

www.filmstransit.com<br />

56<br />

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GERMANY<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


History & Politics<br />

BACK AND FORTH<br />

Uri Rosenwaks<br />

Made up of four short films, all of which are directed by Bedouin directors in their debut<br />

as filmmakers, this unique film is an unprecedented, authentic self-portrait of current life<br />

in Bedouin society, portraying the struggle for progress that in many ways is held back by<br />

the traditions of the nomadic past. Back and Forth is the second documentary feature produced<br />

as part of the independent cinematic project in Rahat, by Uri Rosenwaks; the first<br />

one was The Film Class.<br />

Running time: 55΄<br />

Year of production: 2010<br />

302<br />

ISRAEL<br />

Sales Company: Ruth Diskin Films<br />

Sales Contact Person: Cara Saposnik<br />

5 Issachar Street<br />

Jerusalem 93629, Israel<br />

T. +972 2 672 4256<br />

F. +972 2 672 4210<br />

cara@ruthfilms.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 57<br />

B


B<br />

History & Politics<br />

BACK TO LIFE<br />

Carlos Haggerman<br />

How did a poor Mexican scuba diver get to marry an American top model? What was she<br />

looking for when she drove from New York to Acapulco with her 3-year-old son? What happened<br />

to that white freckly boy who grew up in a world that reminded him everyday that<br />

he was a gringo? Using a legendary shark hunt in the late seventies as our story’s core, we<br />

will meet the Martinez-Sidney family and discover the secrets of their peculiar past. They<br />

will also show us a bigger picture of a new view of the Mexican-American relationship.<br />

Running time: 72΄<br />

Year of production: 2011<br />

Production Company: Fondo para la Producción Cinematográfica<br />

de Calidad (Foprocine)<br />

Sales Company: Instituto Mexicano de Cinematografía (Imcine)<br />

Sales Contact Person: Pablo Briseño<br />

Insurgentes Sur #674 del Valle<br />

Mexico DF 03100, Mexico<br />

T. +525 55 448 5345<br />

F. +525 55 448 5345<br />

mercaint@imcine.gob.mx<br />

58<br />

323<br />

MEXICO<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Current Affairs<br />

In the spring of 2010, two ancient Kouroi statues were found in the zucchini field of a poor<br />

Greek farmer. Costas, the farmer, was accused of wanting to smuggle the statues out of the<br />

country. Greece was one of the first European countries that was seriously affected when<br />

the credit crunch hit in 2008. What does it do to the psyche of a society when a country<br />

is on the verge of bankruptcy? Backlight: Greek Tragedy focuses on the story of a small farming<br />

community in crisis, featuring Costas, the farmer, who would sell anything, including<br />

his own cultural heritage, in order to survive.<br />

Running time: 50΄<br />

Year of production: 2010<br />

147<br />

THE NETHERLANDS<br />

BACKLIGHT: A GREEK TRAGEDY<br />

Shuchen Tan<br />

Production Company: VPRO<br />

Sales Company: NPO Sales<br />

Sales Contact Person: Kaisa Kriek<br />

PO Box 26444<br />

Hilversum 1202JJ, The Netherlands<br />

T. +31 35 6773 760<br />

F. +31 35 6775 318<br />

info@nposales.com<br />

www.nposales.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 59<br />

B


B<br />

History & Politics<br />

BACKLIGHT: CALIFORNIA DREAM<strong>IN</strong>G<br />

Bregtje van der Haak<br />

California is bankrupt. Many people have lost their jobs, their health insurance and homes<br />

too. At the same time optimism and confidence in the American way are unbreakable. Traditionally,<br />

California is an experimental garden that people visit to reinvent themselves and<br />

their lives. So who are the new dreamers and doers and how do they see the future? Will<br />

America turn into a 3rd world country, or will Los Angeles continue to develop as an experimental<br />

garden of the post-consumer society with new, post-gold rush, forms of life,<br />

in which freedom gets new meaning as a core value?<br />

Running time: 50΄<br />

Year of production: 2010<br />

Production Company: VPRO<br />

Production Contact Person: Jos de Putter<br />

Sales Company: NPO/RNW Sales<br />

Sales Contact Person: Ellie Beijaard<br />

Sumatralaan 45<br />

Hilversum 1217GP, The Netherlands<br />

T. +31 35 6773 561<br />

F. +31 35 6775 318<br />

ellie.beijaard@omroep.nl<br />

www.nposales.com<br />

60<br />

492<br />

THE NETHERLANDS<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


History & Politics<br />

A documentary on the crash of the Polish government aircraft on April 10, 2010 near the<br />

Russian airport of Smolensk. The plane was on its way to attend ceremonies commemorating<br />

one of the greatest traumas in Polish history: the killings at Katyn. There, in 1940,<br />

over 20,000 Poles were killed by the Russian secret service. A more dramatic concurrence<br />

of circumstances is hardly imaginable. Poland was overcome with grief, but also with fear<br />

and suspicion towards the still threatening and dangerous bear: Russia. The tragedy of<br />

Smolensk demonstrates the paper-thin sense of security of the Poles, despite being embedded<br />

in “greater Europe”.<br />

Running time: 50΄<br />

Year of production: 2010<br />

486<br />

THE NETHERLANDS<br />

BACKLIGHT: LETTER FROM POLAND<br />

Mariusz Pills<br />

Production Company: VPRO Television<br />

Production Contact Person: Jos de Putter<br />

Sales Company: NPO/RNW Sales<br />

Sales Contact Person: Ellie Beijaard<br />

Sumatralaan 45<br />

Hilversum 1217GP, The Netherlands<br />

T. +31 35 6773 561<br />

F. +31 35 6775 318<br />

ellie.beijaard@omroep.nl<br />

www.nposales.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 61<br />

B


B<br />

History & Politics<br />

BACKLIGHT: OUR PERSIAN RUG<br />

Massoud Bakhshi<br />

The world’s best rugs are Iranian and Iran is the country of beautiful handmade rugs. This<br />

is the story of a rug which represents Iran and Iranians today. With a poetic and metaphorical<br />

approach, the film takes us on a journey and we fly on this rug to different periods of<br />

the troubled history of an ancient country in the Middle East. It is also through the story<br />

of this rug that we get to know different generations of women in a traditional family.<br />

Running time: 50΄<br />

Year of production: 2010<br />

Production Company: VPRO<br />

Sales Company: NPO Sales<br />

Sales Contact Person: Kaisa Kriek<br />

PO Box 26444<br />

Hilversum 1202JJ, The Netherlands<br />

T. +31 35 6773 760<br />

F. +31 35 6775 318<br />

info@nposales.com<br />

www.nposales.com<br />

62<br />

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THE NETHERLANDS<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


History & Politics<br />

The Stranger deals with Islam in the western world, especially in Europe. It portrays 62year-old<br />

Sheikh Khalid Yasin, a radical and controversial teacher and lecturer of Islam, who<br />

is also known as the most popular sheikh among young Muslims throughout the world,<br />

especially on YouTube. In The Stranger, questions are raised about how Islam will get along<br />

with the liberal democracy, and vice versa.<br />

Running time: 50΄<br />

Year of production: 2010<br />

488<br />

THE NETHERLANDS<br />

BACKLIGHT: THE STRANGER<br />

Hans Otten<br />

Production Company: VPRO Television<br />

Production Contact Person: Hanneke Hagen<br />

Sales Company: NPO/RNW Sales<br />

Sales Contact Person: Ellie Beijaard<br />

Sumatralaan 45<br />

Hilversum 1217GP, The Netherlands<br />

T. +31 35 6773 561<br />

F. +31 35 6775 318<br />

elle.beijaard@omroep.nl<br />

www.nposales.com<br />

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B


B<br />

History & Politics<br />

BACKSTAGE: THE BITTER STORY<br />

OF ANDREI GORENKO<br />

Lefteris Xanthopoulos<br />

The Russian scholar Andrei Gorenko, brother of the great poet Anna Achmatova (1889-<br />

1966), who came to Greece as a refugee following the Bolshevik revolution and the civil<br />

war, attempted to commit suicide with his wife Maria in a cheap hotel room hotel in the<br />

center of Athens, in February 1920. A few hours later, Andrei died while Maria survived.<br />

As soon as she recovered in the hospital, she was told by the doctors that she was pregnant.<br />

Some months later, she gave birth to a healthy boy, Andrei junior. We follow the story<br />

of the family from the October revolution in St Petersburg to the present day.<br />

Running time: 52΄<br />

Year of production: 2010<br />

Production Company: Hellenic Broadcasting Corp., ERT SA & Cinetic<br />

Sales Company: Hellenic Broadcasting Corp., ERT SA<br />

Sales Contact Person: Yannis Kollias<br />

432 Messoghion Ave<br />

Agia Paraskevi 153 42, Greece<br />

T. +30 210 607 5711<br />

F. +30 210 607 5715<br />

ykollias@ert.gr<br />

www.ert.gr<br />

64<br />

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GREECE<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Current Affairs<br />

BAD TIM<strong>IN</strong>G<br />

Tessa Doulkeri<br />

The documentary deals with the social phenomenon of violence in modern societies. Five<br />

examples from the real world, a fight in a neighborhood, a domestic argument, an act of<br />

violence in a football match, an attack on a university campus or in the workplace can have<br />

unpleasant results. We are used to solving our differences in a violent manner and almost<br />

never retreat. We tend to push things to the limit and when our behaviour has hurtful consequences<br />

we tend to call it “bad timing”! Could it possibly be that not only the person using<br />

the violence was to blame, but also the one who suffered it? Could the conflict stop<br />

with dialogue, with retreat? The documentary unravels real incidents, which may happen<br />

to any of us at any time!<br />

Running time: 28΄<br />

Year of production: 2010<br />

245<br />

GREECE<br />

Production Company: Dept. of Journalism and Mass Media,<br />

Aristotle University of Thessaloniki<br />

Production Contact Person: Yorgos Kalliris<br />

Sales Company: Lab of Electronic Media –<br />

Dept. of Journalism and Mass Media,<br />

Aristotle University of Thessaloniki<br />

Sales Contact Person: Tessa Doulkeri<br />

Thessaloniki, Greece<br />

T. +30 2310 992 052<br />

doulkeri@jour.auth.gr<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 65<br />

B


B<br />

History & Politics<br />

BAGHDAD FILM SCHOOL<br />

Shuchen Tan<br />

In 2003, shortly after the liberation of Baghdad, Iraqi born filmmakers Maysoon Pachachi<br />

and Kasim Abid developed the challenging idea to open up the first independent film<br />

school in Iraq. Their mission was to give a voice to a new generation of filmmakers and to<br />

let them tell their personal stories. This is a story about film making in a (post) war environment<br />

and what it takes to be an independent filmmaker in a country tormented by violence.<br />

What kind of problems do you have to face when you walk the streets of Baghdad<br />

with your film camera?<br />

Running time: 52΄<br />

Year of production: 2010<br />

Production Company: VPRO Television<br />

Production Contact Person: Swaze Hertog<br />

Sales Company: NPO/RNW Sales<br />

Sales Contact Person: Ellie Beijaard<br />

Sumatralaan 45<br />

Hilversum 1217 GP, The Netherlands<br />

T. +31 356773561<br />

F. +31 356775318<br />

ellie.beijaard@omroep.nl<br />

www.nposales.com<br />

66<br />

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THE NETHERLANDS<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Current Affairs<br />

Battle of Brooklyn follows the story of reluctant activist Daniel Goldstein as he struggles to<br />

save his home and community from being demolished to make way for the densest real<br />

estate development in US history. Along the way, he falls in love, gets married and starts<br />

a family while living in an abandoned building located at the heart of the project site. Over<br />

the course of seven years, Daniel and his community fight tenaciously in the courts, the<br />

streets, and the media to stop the abuse of eminent domain and reveal the corruption at<br />

the heart of the plan.<br />

Running time: 95΄<br />

Year of production: 2011<br />

610<br />

USA<br />

BATTLE OF BROOKLYN<br />

Michael Galinsky & Suki Hawley<br />

Production Company: rumur<br />

Production Contact Person: Michael Galinsky<br />

Sales Company: rumur<br />

Sales Contact Person: Michael Galinsky<br />

164 Hall St<br />

New York NY 11205 USA<br />

T. +1 718 636 0949<br />

M_galinsky@yahoo.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 67<br />

B


B<br />

Environment & Wildlife<br />

THE BAY OF WOLVES<br />

Bruno & Fabrizio Urso<br />

The ruination continues thanks to the production facilities of both chemical industries and<br />

refineries established on the bay of Priolo-Siracusa, an ancient site and coastal ecosystem<br />

on the Mediterranean Sea. Over the past several years, pollution particles have been detected<br />

in the air, toxic compounds in the soil, mercury has been found in the water. Public<br />

pressure to protect the environment is strong and growing but ignored by the Italian<br />

government as well as by company managers in the drive to increase the profits of the<br />

largest petrochemical pole in Europe. The Brothers Urso investigate a devastating past that<br />

weighs on the present and announces a not so comfortable future in an area prone to earthquakes.<br />

Running time: 59΄<br />

Year of production: 2009<br />

Production Company: Nois snc, C4 Production<br />

Production Contact Person: Jean-Marie Antonini<br />

Sales Company: Vitagraph<br />

Sales Contact Person: Filippo D’Angelo<br />

Via Schiavonia 2<br />

Bologna 40121, Italy<br />

T. +39 05 126 7150<br />

vitagraph@libero.it<br />

68<br />

520<br />

ITALY<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Current Issues<br />

BEAT<strong>IN</strong>G TIME<br />

Odette Orr<br />

126<br />

ISRAEL<br />

The minute Avi Kremer, 29, finds out that he has only four years to live, he decides to do<br />

the impossible and find a cure for ALS, the incurable Lou Gehrig’s disease he has contracted.<br />

Avi, an MBA student at Harvard University believes that he is not going to die of ALS and<br />

there’s a reason why he of all people contracted the disease. He masters all of his business<br />

knowledge, builds a plan of action, and sets out on a search for funds, investors and researchers<br />

who will join him in his race for the cure. He’s accompanied in his struggle by<br />

two other patients, Nir and Dov. As their muscles get weaker and weaker, they manage<br />

to raise millions of dollars and bring about a revolution in research of the disease throughout<br />

the world. The documentary film Beating Time follows Avi and his friends’ extraordinary<br />

struggle and achievements over five years as they search for the cure, as well as their<br />

personal battle against time. Only one question hovers over the entire film: Will they manage<br />

to beat time and survive until the first treatment becomes available?<br />

Running time: 50΄<br />

Year of production: 2011<br />

Production Company: Unicorn Content & Media<br />

Production Contact Person: Youval Orr<br />

Sales Company: Unicorn Content & Media<br />

Sales Contact Person: Youval Orr<br />

PO Box 8475<br />

Jaffa 61084, Israel<br />

T. +972 523 939 343<br />

info@unicornpro.net<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 69<br />

B


B<br />

History & Politics<br />

BEATRIZ GONZÁLEZ, WHY ARE YOU<br />

CRY<strong>IN</strong>G? MONOLOGUE <strong>IN</strong> THREE VOICES<br />

Diego García-Moreno<br />

What happened to the painter Beatriz González, whose ironic works so often made us<br />

laugh, to lead her to paint a self-portrait of herself, naked and in tears?<br />

I spent the past three years following her as she worked on her “Auras Anonymous” project,<br />

a monumental work involving 9,000 mausoleum plaques in Bogotá’s abandoned Central<br />

Cemetery, in hopes of answering that question. The resulting documentary reveals the<br />

trajectory of a body of work that developed alongside a nation steadily sinking into tragedy.<br />

The work of painter Beatriz Gonzalez follows the history of Colombia, step by step, during<br />

half a century. Initially full of humor and irony, her work has in time adopted the tragic tone<br />

that currently characterizes her country. This documentary in the form of a monologue<br />

weaves together the life of a great thinker, a witty and critical body of work, and the somber<br />

future of a nation grown accustomed to violence and death.<br />

Running time: 77΄<br />

Year of production: 2010<br />

Production Company: Lamaraca Producciones<br />

Production Contact Person: Diego García-Moreno<br />

Sales Company: Lamaraca Producciones<br />

Sales Contact Person: Diego García-Moreno<br />

Cra. 5 No. 26-57 Ap. 1802<br />

Bogotá 11001000, Colombia<br />

T. +57 1 340 00 96<br />

F. +57 1 702 11 97<br />

lamaracaprod@yahoo.com<br />

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Lifestyles<br />

BEAUTIFUL SON<br />

Julianne & Don King<br />

Beautiful Son is a personal story of a family’s effort to help their son with autism. When<br />

the medical establishment has little to offer, a family turns to a community of doctors and<br />

parents who are experimenting with treatments to help children recover. Through one family’s<br />

struggle to save their child, Beautiful Son explores the complex and sometimes controversial<br />

world of autism.<br />

Running time: 63΄<br />

Year of production: 2007<br />

649<br />

USA<br />

Production Company: Bright Child Films<br />

Production Contact Person: Don King<br />

Sales Company: Bright Child Films<br />

Sales Contact Person: Don King<br />

320 Poopoo Place Kailua<br />

Hawaii 96734, USA<br />

T. +1 808 286 4383<br />

donking@hawaii.rr.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 71<br />

B


B<br />

Art, Music & Culture<br />

BEETLE QUEEN CONQUERS TOKYO<br />

Jessica Oreck<br />

Beetle Queen Conquers Tokyo delves into the ineffable mystery of Japan’s age-old love affair<br />

with insects. A labyrinthine meditation on nature, beauty, philosophy and Japanese<br />

culture that might just make you question if your “instinctive” repulsion to bugs is merely<br />

a trick of Western conditioning.<br />

Running time: 56΄<br />

Year of production: 2009<br />

Production Company: Myriapod Production<br />

Production Contact Person: Jessica Oreck<br />

Sales Company: Rise and Shine World Sales<br />

Sales Contact Person: Diana Karklin<br />

Schlesische Str. 29/30<br />

Berlin 10997, Germany<br />

T. +49 30 4737 2980<br />

F. +49 30 4737 298 20<br />

diana.karklin@riseandshine-berlin.de<br />

72<br />

439<br />

USA<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


History & Politics<br />

BERL<strong>IN</strong><br />

Sam Hobkinson<br />

In 2009, Berliners will celebrate twenty years of the fall of the Berlin Wall, and once again<br />

all eyes will be on a city that has changed from a <strong>13th</strong> century swamp to the center of<br />

Prussian excellence; from Bauhaus to Nazi Imperialism; from Europe’s spy capital to the spiritual<br />

home of dance music.<br />

This is the city that invented the döner kebab, traffic lights, commercial cinema and Turkish<br />

hip hop, and it’s the first city ever to elect a gay mayor: Klaus Wowerweit. Berlin has<br />

been home to some of history’s biggest thinkers and talents – from Bertholt Brecht to Fritz<br />

Lang, from Marlene Dietrich to David Bowie, from Albert Speer to Albert Einstein.<br />

Running time: 3 x 58΄<br />

Year of production: 2009<br />

330<br />

UK<br />

Production Company: BBC<br />

Sales Company: Open University Worldwide<br />

Sales Contact Person: Marie Roche<br />

The Open University, Open University<br />

Worldwide, Walton Hall, Michael Young Building.<br />

Milton Keynes MK7 6AA, UK<br />

T. +44 1908 332 470<br />

F. +44 1908 858 787<br />

marie.roche00@gmail.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 73<br />

B


B<br />

Environment & Wildlife<br />

BERL<strong>IN</strong> BEASTS<br />

Reinhard Schädler<br />

Wild animals are returning to this major metropolis.<br />

A true clash between urbanization and nature –<br />

will humans and beasts be able to share the same home?<br />

Running time: 52΄<br />

Year of production: 2010<br />

Production Company: Büsch/Schädler<br />

Production Contact Person: Hans Bouma, Reinhard Schädler<br />

Sales Company: Autlook Filmsales GmbH<br />

Sales Contact Person: Andrea Hock<br />

Trappelgasse 4/17<br />

Vienna 1040, Austria<br />

T. +43 720 346 934<br />

andrea@autlookfilms.com<br />

www.autlookfilms.com<br />

74<br />

421<br />

GERMANY<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Lifestyles<br />

BEYOND LIFE<br />

Salma Hassaballa<br />

The film questions the concept of a continued existence of the soul, the spirit or the mind<br />

after our physical death. This is done through interviews with scholars intercut with the<br />

dramatized journey of a protagonist to an unknown destination, and exploring all the questions<br />

and worries that arise among the passengers who are stuck in a train with firmly<br />

closed curtains, completely unaware of what might be outside. The film attempts to answer<br />

some contemporary questions that arise from the evolution of quantum science as<br />

well as other questions that have been lingering in the mind of humans since the dawn<br />

of history to the present.<br />

The film encourages the audience to take a deeper look into their own lives in an eye opening<br />

journey – igniting their every sense of imagination and curiosity with depth and the<br />

setting of great expectations, perhaps not experienced before.<br />

Running time: 87΄<br />

Year of production: 2010<br />

435<br />

EGYPT<br />

Production Contact Person: Salma Hassaballa<br />

Sales Contact Person: Salma Hassaballa<br />

50 Kournish El Nile Street,<br />

Maadi, Cairo, Egypt<br />

T. +20 10 194 0561<br />

saloosh@gmail.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 75<br />

B


B<br />

Current Affairs<br />

BIBL<strong>IO</strong>BURRO, THE DONKEY LIBRARY<br />

Rendon Zipagauta<br />

Each weekend, Luis Humberto Soriano, a teacher living in the remote hamlet of La Gloria<br />

in the north of Colombia, brings, with the help of his two donkeys “ALPHA” and “BET”, the<br />

written word and knowledge to communes as secluded as Nueva Granada. With the kids<br />

– whose parents are peasants or members of FARC, paramilitaries, drug cartels – Luis gives<br />

lectures and private tutoring, organizes puppet shows and board game sessions.<br />

Running time: 52΄<br />

Year of production: 2009<br />

Production Company: Granade Production<br />

Production Contact Person: Anais Clanet<br />

Sales Company: Wide House<br />

Sales Contact Person: Anais Clanet<br />

40, rue Sainte Anne<br />

Paris 75002 France<br />

T. +33 15 3950 464<br />

F. +33 15 3950 465<br />

wide@widemanagement.com<br />

www.widemanagement.com<br />

76<br />

543<br />

FRANCE - COLOMBIA - BELGIUM<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Science & Technology<br />

Alzheimer’s disease has no cure and affects over 24 million people worldwide, a number<br />

that will quadruple within 10 years.<br />

This unique documentary blends human drama with science following Pasqual Maragall’s<br />

life, a born fighter and beloved politician who brought the Olympics to Barcelona, as he<br />

works with the leading doctors in the field to eradicate the disease, knowing that he will<br />

never reap the benefits because he is a victim as well.<br />

Running time: 54΄<br />

Year of production: 2010<br />

384<br />

SPA<strong>IN</strong><br />

BICYCLE SPOON APPLE<br />

Carles Bausch<br />

Production Company: Cromosoma<br />

Production Contact Person: Toni Marin<br />

Sales Company: CAT&Docs<br />

Sales Contact Person: Catherine Le Clef<br />

18 rue Quincampoix #133<br />

Paris 75004, France<br />

T. +33 1 4459 6353<br />

cat@catndocs.com<br />

www.catndocs.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 77<br />

B


B<br />

BILLY THE KID<br />

Jennifer Venditti<br />

Jennifer Venditti’s debut film is a provocative coming-of-age story, an odyssey into the soul<br />

of an American teenager. Following Billy as he bicycles through the quiet streets of smalltown<br />

Maine, we watch him traverse the frustrating gap between imagination and reality,<br />

grappling with isolation and first-time young love. By turns exhilarating and disturbing,<br />

we see the world from the intimate view of an expressive and seemingly fearless<br />

outsider.<br />

Running time: 85΄<br />

Year of production: 2007<br />

Production Company: Eight Films, Isotope Films<br />

Production Contact Person: Chiemi Karasawa<br />

Sales Company: Roco Films<br />

Sales Contact Person: Annie Rooney<br />

80 Liberty Ship Way, Suite 5<br />

Sausalito 94965 USA<br />

T. +1 415 332 6471<br />

F. +1 415 332 6798<br />

annie@rocofilms.com<br />

www.rocofilms.com<br />

78<br />

625<br />

USA<br />

“How I Am: Challenging Perceptions”<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


History & Politics<br />

BLACK DIAMONDS<br />

Saskia Vredeveld<br />

They hang out in glitzy bars, drive luxury cars, compete for the best homes and shop in<br />

supermarket stores. South Africa’s black middle class has arrived. How do they live as nouveau<br />

riche in South Africa?<br />

Running time: 50΄<br />

Year of production: 2010<br />

490<br />

THE NETHERLANDS<br />

Production Company: VPRO Television<br />

Production Contact Person: Nellie Kamer<br />

Sales Company: NPO/RNW Sales<br />

Sales Contact Person: Ellie Beijaard<br />

Sumatralaan 45<br />

Hilversum 1217GP, The Netherlands<br />

T. +31 35 6773 561<br />

F. +31 35 6775 318<br />

ellie.beijaard@omroep.nl<br />

www.nposales.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 79<br />

B


B<br />

Art, Music & Culture<br />

BLACK SANDS<br />

Anastasis Agathos<br />

Black Sands focuses on the significant archaeological discoveries of Professor Victor Sarianidis<br />

in the Karakum desert of Turkmenistan. According to Professor Sarianidis, it is an important<br />

centre of a hitherto unknown Bronze Age civilization, identified as the early Iranian<br />

kingdom of Margiani/Margus. The documentary focuses on the physical surroundings<br />

and natural beauty of the desert itself, as well as on the people working there and their<br />

everyday life in the simplicity and harshness of their surroundings. As such, Black Sands<br />

is not solely an archaeological documentary, but broadens its scope to encompass a fuller<br />

expression of the Gonur Tepe expedition and reveals the eerie and enchanting beauty and<br />

sheer energy of the desert and its surroundings, as well as the living conditions and traditional<br />

setting of the excavation team.<br />

Running time: 52΄<br />

Year of production: 2010<br />

Production Company: Urgh Productions<br />

Production Contact Person: Tatiana Karapanagioti<br />

Sales Contact Person: Ioanna Asmeniadou Phocas<br />

1a Stesichorou St<br />

Athens 106 74, Greece<br />

T.-F. +30 210 729 5605<br />

urghproductions@gmail.com<br />

80<br />

223<br />

GREECE<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Lifestyles<br />

BLATTANGELUS<br />

Araceli Santana<br />

As a member of a traditional Catholic family, Jorge Sosa was immersed since childhood<br />

in schools, activities and unions in which his homosexuality created an unbearable ideological<br />

conflict. This ended when he decided to move completely away from the precepts<br />

and practices of his religion. However, years later, he received the counsel of a priest who<br />

reconciled him with his faith. He went on to lead a church whose mission is to reconcile<br />

individuals with a god outside the precepts laid down by the Catholic Church; but above<br />

all, a god who promotes in his believers responsibility and full awareness of their freedom.<br />

Running time: 70΄<br />

Year of production: 2011<br />

312<br />

MEXICO<br />

Production Company: Fondo para la Producción<br />

Cinematográfica de Calidad (Foprocine)<br />

Sales Company: Instituto Mexicano de Cinematografía (Imcine)<br />

Sales Contact Person: Pablo Briseño<br />

Insurgentes Sur #674 del Valle<br />

Mexico DF 03100, Mexico<br />

T. +525 55 448 5345<br />

F. +525 55 448 5345<br />

mercaint@imcine.gob.mx<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 81<br />

B


B<br />

Current Affairs<br />

BLOOD <strong>IN</strong> THE MOBILE<br />

Frank Piasecki Poulsen<br />

We love our cell phones and the selection between different models has never been bigger.<br />

But the production of phones has a dark, bloody side. The main part of minerals used<br />

to produce cell phones are coming from the mines in the Eastern Democratic Republic of<br />

Congo. During the last fifteen years, the conflict has cost the lives of more than five million<br />

people and 300,000 women have been raped. Director Frank Poulsen travels to Congo<br />

to see the illegal mine industry for himself. He is given access to Congo’s largest tin-mine,<br />

which is being controlled by different armed groups, and where children work for days in<br />

narrow mine tunnels to dig out the minerals that end up in our phones. After visiting the<br />

mine, Frank Poulsen talks to Nokia, the world’s largest phone company. He wants them<br />

to guarantee that they are not buying conflict minerals and thereby financing the war in<br />

D.R. Congo. Nokia cannot give him that guarantee.<br />

Running time: 82΄<br />

Year of production: 2010<br />

Production Company: Koncern TV-og Filmproduction A/S<br />

Production Contact Person: Ole Tornbjerg<br />

Sales Company: DR TV, International Sales<br />

DR Byen, Emil Holms Kanal 20<br />

Kobenhavn C 0999 Denmark<br />

T. +45 3520 3040<br />

F. +45 3520 3969 drsales@dr.dk<br />

www.dr.dk<br />

82<br />

185<br />

DENMARK<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


History & Politics<br />

BLOOD RELAT<strong>IO</strong>N<br />

Noa Ben Hagai<br />

At 14, my grandmother’s sister disappeared from her home in Israel.<br />

Years later, she started sending her family letters from a refugee camp in the West Bank,<br />

where she lived as an Arab, with a desperate plea for contact.<br />

When I discovered her letters, after my grandmother died, I decided to search for my lost<br />

Palestinian family on the other side of the border. Little did I know that I was opening a<br />

Pandora’s Box; what started out as an exciting family reunion turned sour when reality<br />

knocked on the door.<br />

Running time: 75΄<br />

Year of production: 2009<br />

396<br />

ISRAEL<br />

Production Company: Eden Productions<br />

Sales Company: Cinephil<br />

Sales Contact Person: Philippa Kowarsky<br />

18 Levontin Street<br />

Tel Aviv 65112, Israel<br />

T. +972 3 566 4129<br />

F. +972 3 560 1436<br />

info@cinephil.co.il<br />

www.cinephil.co.il<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 83<br />

B


B<br />

Environment & Wildlife<br />

BLUE SKY. DARK BREAD<br />

Ilya Tomashevich<br />

It is summer, the harvest season. A festival of dust and light. The village is effervescent. Life<br />

flows by, peaceful and joyous. The image plays with time, the sound plays with space. A<br />

poetic gathering set to an up-tempo rhythm; lively, swirling shots framing human beings<br />

and nature.<br />

Running time: 21΄<br />

Year of production: 2010<br />

Production Contact Person: Ilya Tomashevich<br />

Sales Contact Person: Ilya Tomashevich<br />

9-10 Kiseleva Str.<br />

Saratov 410600, Russia<br />

T. +7 985 255 6517<br />

tomat1812@mail.ru<br />

84<br />

339<br />

RUSSIA<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Art, Music & Culture<br />

A fast-paced film about people whose feet are their primitive and powerful instrument of<br />

artistic expression.<br />

Beginning with “Bödälä” in Central Switzerland, this film journeys from tap dance and flamenco<br />

to Irish dance. The rhythmic stamping of the feet is reminiscent of ethnic ritualistic<br />

folk dances. Evolving from the “dances of the folk” are shows and competition dance.<br />

The film provides insight into passionate dancers and people who express joy, desire and<br />

sadness through rhythm with their feet.<br />

Running time: 78΄<br />

Year of production: 2010<br />

564<br />

SWITZERLAND<br />

BODALA – DANCE THE RHYTHM<br />

Gitta Gsell<br />

Production Company: Reck Filmproduktion<br />

Sales Company: 10 Francs<br />

Sales Contact Person: Guy Knafo<br />

28, rue de l’Equerre<br />

Paris 75019 France<br />

T. +33 1 4874 4377<br />

F. +33 1 487 48265<br />

10francs@10francs.fr<br />

www.10francs.fr<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 85<br />

B


B<br />

THE BOY <strong>IN</strong>SIDE<br />

Marianne Kaplan<br />

An award-winning Canadian filmmaker turns the camera on her 12-year-old son Adam<br />

in this powerful and ground-breaking documentary about growing up with autism.<br />

Adam has Asperger Syndrome, a form of high-functioning autism characterized by socially<br />

and emotionally inappropriate behavior. Unable to socialize normally with his classmates,<br />

school is a nightmare for Adam. He is regularly excluded or bullied, and left his last school<br />

after a boy pulled a knife on him.<br />

A rare and intimate portrait of an increasingly common form of autism, The Boy Inside follows<br />

Adam’s dramatic family life as he struggles against the odds to graduate elementary<br />

school and make sense of bullies, girls and life in the real world.<br />

Winner of the NHK Japan Prize, Golden Eagle Award and a Freddie award (the “Oscar” of<br />

the health and medical media awards).<br />

Running time: 47΄<br />

Year of production: 2006<br />

Production Company: MSK Productions<br />

Production Contact Person: Marianne Kaplan<br />

Sales Company: DR International Sales<br />

Sales Contact Person: Sanne Arlo<br />

DR Byen, Emil Holms Kanal 20<br />

Copenhagen 0999, Denmark<br />

T. +45 3520 3040<br />

F. +45 3520 3969<br />

drsales@dr.dk<br />

www.dr.dk<br />

86<br />

627<br />

CANADA<br />

“How I Am: Challenging Perceptions”<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


History & Politics<br />

Award-winning British filmmaker Phil Grabsky found 8-year-old Mir shortly after the fall<br />

of the Taliban in 2001. This cheeky, smart young boy was living with his family in a cave<br />

next to the destroyed Buddhas of Bamiyan. Over the course of a year, Grabsky filmed and<br />

then released the international hit The Boy Who Plays on the Buddhas of Bamiyan. He then<br />

decided to carry on filming until Mir reached adulthood. The result is an extraordinary, indeed<br />

unique, portrayal of an Afghan childhood at a time of terrible danger. Grabsky captures<br />

the day-to-day life of a poor Afghan family in a way that even Afghan experts are<br />

saying is remarkable. If you watch only one film to understand better this vitally important<br />

country, then this is the one. Above all, however, the film is full of humor and fun –<br />

a testimony to Mir and the resilience of the human spirit.<br />

Running time: 90΄<br />

Year of production: 2010<br />

115<br />

UK - AFGHANISTAN<br />

THE BOY MIR – TEN YEARS<br />

<strong>IN</strong> AFGHANISTAN<br />

Phil Grabsky<br />

Production Company: Seventh Art Productions<br />

Production Contact Person: Leigh Gibson<br />

Sales Company: Seventh Art Productions<br />

Sales Contact Person: Sam Gunningham<br />

63 Ship Street<br />

Brighton BN11AE , UK<br />

T. +44 1273 777 678<br />

F. +44 1273 323 777<br />

sgunningham@seventh-art.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 87<br />

B


B<br />

History & Politics<br />

BOYAMBA/BELGIQUE, OR WHY A K<strong>IN</strong>G<br />

SHOULD NOT LOSE HIS SWORD<br />

Dries Engel & Bart Van Peel<br />

The day before the Congo gained independence, the sabre of the Belgian king Baudouin<br />

was stolen by a young Congolese. Half a century later, we embark on a quest for the thief<br />

and discover the deeper meaning of his act.<br />

Running time: 60΄<br />

Year of production: 2010<br />

Production Company: Serendipity Films<br />

Production Contact Person: Ellen De Waele<br />

Sales Company: CAT&Docs<br />

Sales Contact Person: Catherine Le Clef<br />

18 rue Quincampoix #133<br />

Paris 75004, France<br />

T. +33 1 4459 6353<br />

cat@catndocs.com<br />

www.catndocs.com<br />

88<br />

382<br />

BELGIUM<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


BREADMAKERS<br />

Yasmin Fedda<br />

At a unique Edinburgh bakery, a community of workers with learning disabilities makes<br />

a variety of organic breads for daily delivery to shops and cafes in the city. The workers interact<br />

using individual expressions and sign language, revealing intricate social relationships<br />

with each other and their support workers .The Garvald Bakery is part of a centre inspired<br />

by the ideas of Rudolph Steiner where the workers realise their potential for<br />

self-discovery and creativity in a social environment.<br />

Running time: 11΄<br />

Year of production: 2007<br />

636<br />

UK<br />

“How I Am: Challenging Perceptions”<br />

Production Company: Cadies Productions Ltd.<br />

Production Contact Person: Robin Mitchell<br />

Sales Company: Network Ireland Television<br />

Sales Contact Person: Derry O’Brien<br />

23 South Frederick Str.<br />

Dublin 2 Ireland<br />

T. +353 1 679 7309<br />

F. +353 1 670 8493<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 89<br />

B


B<br />

Sports<br />

BREAK<strong>IN</strong>G AND ENTER<strong>IN</strong>G<br />

Benjamin Fingerhut<br />

Some say that to embrace one’s greatest talent is to make the world a better place. Others<br />

see a grown man spinning a seventeen-foot hula hoop and snicker about trivial obsessions.<br />

Breaking world records is a mysteriously seductive tradition, alternately inspiring,<br />

reckless, and bizarre. Follow a joggler, a grape catcher, and a man who cycles nowhere<br />

as they battle the odds – and their respective nemeses – in pursuit of global dominance.<br />

Since when is it trivial to dream?<br />

Running time: 88΄<br />

Year of production: 2010<br />

Production Company: Chump Change Productions<br />

Production Contact Person: Benjamin Fingerhut<br />

Sales Company: John Iltis<br />

Sales Contact Person: John Iltis<br />

5413 North Lakewood Ave<br />

Chicago IL 60640 USA<br />

T. +1 312 953 5411<br />

F. +1 773 769 5370<br />

jiltis@iltischicago.com<br />

90<br />

173<br />

USA<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Art, Music & Culture<br />

A library in Cape Town contains 150 small notebooks. The marbled covers mention a date<br />

and initials. The books’ pages show two columns. One column contains strange symbols<br />

and the other an English translation. This is all that remains of the language of the IXam,<br />

the aboriginal people in northern South Africa.<br />

Running time: 52΄<br />

Year of production: 2010<br />

491<br />

THE NETHERLANDS<br />

THE BROKEN STR<strong>IN</strong>G<br />

Saskia van Schaik<br />

Production Company: VPRO Television<br />

Production Contact Person: Swaze Hartog<br />

Sales Company: NPO/RNW Sales<br />

Sales Contact Person: Ellie Beijaard<br />

Sumatralaan 45<br />

Hilversum 1217GP, The Netherlands<br />

T. +31 35 6773 561<br />

F. +31 35 6775 318<br />

ellie.beijaard@omroep.nl<br />

www.nposales.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 91<br />

B


B<br />

Art, Music & Culture<br />

EL BULLI – COOK<strong>IN</strong>G <strong>IN</strong> PROGRESS<br />

Gereon Wetzel<br />

The starred chef Ferran Adrià is known as the best, most innovative and craziest cook in<br />

the world. Every year, the restaurant closes for six months. During this time, Adrià and his<br />

creative team retire to their cooking laboratory in Barcelona, to create a new menu for the<br />

following season. Everything is allowed – except copying each other.<br />

One year with Ferran Adrià, the development of a new menu, searching for the essence<br />

of creativity and obsession in a place where they already call the “frozen parmesan air with<br />

cereals” from 2004 a classic dish.<br />

Running time: 108΄<br />

Year of production: 2010<br />

Production Company: If Production<br />

Production Contact Person: Ingo Fliess<br />

Sales Company: Autlook Filmsales GmbH<br />

Sales Contact Person: Andrea Hock<br />

Trappelgasse 4/17<br />

Vienna 1040, Austria<br />

T. +43 720 346 934<br />

andrea@autlookfilms.com<br />

www.autlookfilms.com<br />

92<br />

424<br />

GERMANY<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


History & Politics<br />

“Only when there is discipline will there be progress” reads the billboard on the side of a<br />

Burmese road. Indeed, “discipline”, by the standards of the ruling Burmese army, means<br />

keeping civilians living in terror and violently crushing any sign of dissent. Myo Mint knows<br />

this first-hand – he entered the army as a teenager, attracted by the promise of security<br />

and power. But his harrowing stint came to an equally harrowing end when an arm and<br />

leg were blown away while clearing mines. Discharged and disillusioned, he began to try<br />

to educate himself – illicitly through banned books – on just why Burma was at war with<br />

itself. He soon became an outspoken activist, campaigning against the very regime he used<br />

to represent – a dangerous undertaking which soon led to brutal repercussions. Using<br />

smuggled footage, Burma Soldier tells us Mint’s story, and in so doing sheds light on the<br />

ever present fear that drives both civilians and soldiers in this tragic land.<br />

Running time: 70΄<br />

Year of production: 2010<br />

383<br />

IRELAND - USA<br />

BURMA SOLDIER<br />

Nic Dunlop, Annie Sundberg & Ricki Stern<br />

Production Company: LeBrocquyFraser<br />

Production Contact Person: Julie LeBrocquy<br />

Sales Company: CAT&Docs<br />

Sales Contact Person: Catherine Le Clef<br />

18 rue Quincampoix #133<br />

Paris 75004, France<br />

T. +33 1 4459 6353<br />

cat@catndocs.com<br />

www.catndocs.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 93<br />

B


B<br />

Arts & Culture - Environment<br />

BURN<strong>IN</strong>G ICE<br />

Peter Gilbert<br />

In September 2009, Peter Gilbert (Hoop Dreams, At the Death House Door) joined more than<br />

40 observers – including musicians Laurie Anderson, Jarvis Cocker, Robyn Hitchcock,<br />

Ryuichi Sakamoto and writers Suzan-Lori Parks and Andrew Revkin – on an ice-breaking<br />

ship for a nine-day voyage off the coast of Greenland with artist-led climate change project<br />

Cape Farewell. Their goal was to see, experience and contemplate the effects of climate<br />

change first-hand, and to begin a creative conversation with the rest of the world about<br />

one of the most important and pressing issues facing the future of humanity.<br />

Running time: 79΄<br />

Year of production: 2010<br />

Production Company: Cape Farewell<br />

Production Contact Person: Peter Gilbert<br />

Sales Company: CAT&Docs<br />

Sales Contact Person: Catherine Le Clef<br />

18 rue Quincampoix #133<br />

Paris 75004, France<br />

T. +33 1 4459 6353<br />

cat@catndocs.com<br />

www.catndocs.com<br />

94<br />

381<br />

UK<br />

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Environment & Wildlife<br />

BYE BYE BLUE SKY<br />

Patrick Pasin<br />

For more than twenty years, people all over the world, but first in the USA and Canada, have<br />

noticed strange persistent trails in the sky created by airplanes. In the meantime, people<br />

are becoming increasingly ill (with multiple sclerosis, Alzheimer’s, cancer, autism, etc., as<br />

well as with new diseases like Morgellons). The situation is the same with the trees and<br />

the plants, and also animals. Is there a link? Have there been illegal sprayings of metallic<br />

particles (barium, aluminum, and lithium) and virological agents which are responsible<br />

for these illnesses? For what purpose(s)? By whom? The military, the scientists, the governments<br />

keep replying that everything is normal and that they don’t do such things. How<br />

can we be sure? This documentary proves the contrary. Some of the information it reveals<br />

has since been deleted by a foreign army. To answer these questions, many people have<br />

been interviewed: scientists, politicians, activists, pilots...<br />

A journey from North America to Europe, from Africa to Asia. One thing is certain: after having<br />

watched this film, you will look – differently – at the sky!<br />

Running time: 92΄<br />

Year of production: 2010<br />

324<br />

UK<br />

Production Company: Telma Studios<br />

Production Contact Person: Patrick Pasin<br />

Sales Company: Wide House<br />

Sales Contact Person: Anais Clanet<br />

40, rue Saint Anne<br />

Paris 75002, France<br />

T. +33 1 5395 0464<br />

F. +33 1 5395 0465<br />

wide@widemanagement.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 95<br />

B


B<br />

History & Politics<br />

BYZANTIUM AFTER BYZANTIUM<br />

Erato Paris<br />

This production aims at revealing the major contribution of a specific elite, the Greek “Phanariotes”<br />

or byzantine and post-byzantine families, in shaping and reconstructing European<br />

and multinational identity in the East and West from the 15th to the 21st century,<br />

on a cultural, economic, historical, linguistic, political, financial, religious and social level.<br />

The original scenario is based on a new and thorough research of the past and presentday<br />

of the Phanariote families in Paris, Athens, Marseilles, Constantinople, Bombay,<br />

Odessa, Alexandria, Calcutta, Chios, Bucharest, Iaşi, and Syros. Never before has a film been<br />

made about the major influence of the Phanariotes on the shaping of an international culture<br />

and the defining of the best of what Hellenism can provide: its culture and its civilization.<br />

Running time: 53΄<br />

Year of production: 2010<br />

Production Company: Paris Films and TV Productions<br />

Production Contact Person: Erato Paris<br />

Sales Company: F Productions<br />

Sales Contact Person: Pascale Bensoussan<br />

14 rue des Fossés Saint-Jacques<br />

Paris 75005, France<br />

T. +33 1 42 60 6632<br />

fproductions@orange.fr<br />

96<br />

276<br />

GREECE<br />

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Art, Music & Culture<br />

Eleven centuries have passed full of arts and culture. In this documentary we analyze the<br />

most important arts (Hagiography, Sculpture, Architecture, Byzantine music, etc.), as<br />

well as the way of life of society of those times and how they regarded the arts and the<br />

artist. Information on the Byzantine Empire is provided by art historian Georgios Fousteris,<br />

Professor at the higher church academy of Thessaloniki, the hagiographer Nikolaos Kalafatis<br />

and the Priest Iakovos. All this is enriched not only with narration, pictures and videos from<br />

the Byzantine culture museum of Thessaloniki, but also with the music accompaniment<br />

of the talented Omid Tahmasebpour on the dulcimer.<br />

Running time: 31΄<br />

Year of production: 2010<br />

269<br />

GREECE<br />

BYZANTIUM: THE ARTS AND CULTURE<br />

Ioannis Alexiou & Charalambos Barkanikas<br />

Production Contact Person: Ioannis Alexiou & Charalambos Barkanikas<br />

Sales Contact Person: Ioannis Alexiou & Charalambos Barkanikas<br />

18 th Oktovriou & Lazou Streets<br />

Lamia 351 00, Greece<br />

T. +30 6981 208 479<br />

giannisnem89@hotmail.com<br />

haris-rodos@hotmail.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 97<br />

B


Art, Music & Culture<br />

Antoine d’Agata, a Magnum Agency photographer, is in Phnom Pen (Cambodia) where his<br />

artistic trail seems to reach an utmost point. After devoting his art to capture desolate landscapes<br />

and borderline realities, Antoine d’Agata focuses on his intimate human relations.<br />

His latest work concentrates on body and flesh, in a narrow room.<br />

This film catches the hidden part of his art making; his choice to live constantly on the edge,<br />

and considering sex as extreme vitalism.<br />

An apocalyptic and sublime course, similar to the ones of other heretic artists of contemporary<br />

culture, from Kerouac to Artaud, from Bacon to Pasolini.<br />

Running time: 55΄<br />

Year of production: 2009<br />

574<br />

FRANCE<br />

THE CAMBODIAN ROOM –<br />

SITUAT<strong>IO</strong>NS WITH ANTO<strong>IN</strong>E D’AGATA<br />

Tommaso Lusena de Sarmiento & Giuseppe Schillaci<br />

Production Company: Kolam Productions<br />

Sales Company: 10 Francs<br />

Sales Contact Person: Guy Knafo<br />

28, rue de l’Equerre<br />

Paris 75019, France<br />

T. +33 1 4874 4377<br />

F. +33 1 4874 8265<br />

10francs@10francs.fr<br />

www.10francs.fr<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 99<br />

C


C<br />

History & Politics<br />

CAMP VICTORY, AFGHANISTAN<br />

Carol Dysinger<br />

This tells the story of a battle-tested Afghan Brigadier General Fazel Ahmad Sayar, a veteran<br />

who has been fighting since the age of 13, and the friendship he develops with an<br />

American Colonel enlisted with helping him turn ragtag groups of uncertain, impoverished<br />

men into a trained, standing Afghan National Army. The film is an intimate, realistic account<br />

of constant cultural and professional conflicts between the Afghans and the visiting<br />

Americans. While lack of trust runs strong, stronger are the tight emotional bonds<br />

sometimes formed by leaders in the rebuilding of a nation.<br />

Running time: 84΄<br />

Year of production: 2010<br />

Sales Company: Cargo Film & Releasing<br />

Sales Contact Person: David Pipemi<br />

611 Broadway, #360<br />

New York NY 10012 USA<br />

T. +1 212 995 8139<br />

dpipemi@cargofilm-releasing.com<br />

100<br />

140<br />

USA<br />

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History & Politics<br />

CANNIBAL ISLAND<br />

Cédric Condom<br />

In 1933, Stalin organized a great pogrom in Moscow and Leningrad of all citizens deemed<br />

a social nuisance. This film recounts the untold story of these 6,000 undesirables, who were<br />

sent to a forgotten island in the middle of the Siberian River Ob. Deported with no food,<br />

clothes or tools, these poor men, women and children suffered the torture of hunger until<br />

they had no choice but to devour each other... An unbelievable and terrible story that<br />

plays like a thriller, suspenseful to the end.<br />

Running time: 75΄<br />

Year of production: 2010<br />

106<br />

FRANCE<br />

Production Company: Kilaohm Productions<br />

Production Contact Person: Emmanuel Migeot<br />

Sales Company: Zed<br />

Sales Contact Person: Céline Payot<br />

42 rue Eugene Carriere,<br />

Paris 75018, France<br />

T. +33 1 5309 9876<br />

F. +33 1 4262 6460<br />

cpayot@zed.fr<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 101<br />

C


C<br />

Art, Music & Culture<br />

CAR PARK GLAMOUR<br />

Michael Trabitzsch<br />

Multi-storey car parks, car dealerships, car museums and underground garages are not<br />

places one normally associates with art and design. The fact is, however, that over the last<br />

15 years, the most famous names on the international architectural scene have thrown<br />

themselves into this area. Bright halls were created underneath the ground; spaces reminiscent<br />

of banqueting halls or even cathedrals. Car showrooms were created which were<br />

singularly bold and breathtakingly courageous.<br />

Running time: 52΄<br />

Year of production: 2010<br />

Production Company: Prounen Film<br />

Sales Company: united docs<br />

Sales Contact Person: Anne Hufnagel<br />

Breite Strasse 48-50<br />

Cologne 50667, Germany<br />

T. +49 22 1920 690<br />

F. +49 22 1920 6969<br />

anne.hufnagel@united-docs.com<br />

www.united-docs.com<br />

102<br />

464<br />

GERMANY<br />

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Current Affairs<br />

CATCH<strong>IN</strong>G MLADIC<br />

Oliver Pighetti<br />

He was the Butcher of Bosnia’s right hand man. Along with Radovan Karadzic and Slobodan<br />

Milosevic, Ratko Mladic spearheaded the ethnic cleansing campaigns against Muslims<br />

and Croats. Milosevic died in prison. Karadzic was arrested in 2008. Only Mladic remains<br />

at large. How has such a notorious criminal evaded arrest? Who is protecting him<br />

and why? Will he ever be caught? In a bid to find out, we speak to the International Criminal<br />

Tribunal, the Serbian army and police force and Eufor, the EU rapid response unit.<br />

Running time: 52΄<br />

Year of production: 2010<br />

307<br />

FRANCE<br />

Sales Company: Java Films<br />

Sales Contact Person: Kathryn Bonnici<br />

4-6 Villa Thoreton,<br />

Paris 75015, France<br />

T. +33 1 4060 2624<br />

kathryn@javafilms.fr<br />

www.javafilms.fr<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 103<br />

C


C<br />

History & Politics<br />

CATENACC<strong>IO</strong> A LA DRNOVICE OR<br />

JOURNEY TO THE BEG<strong>IN</strong>N<strong>IN</strong>G OF TIME<br />

OF ECONOMIC TRANSFORMAT<strong>IO</strong>N<br />

Radim Prochazka<br />

The small Czech village of Drnovice that is the home of two thousand residents boasts a<br />

football stadium for eight thousand fans. It is a pyramid of a long-lost football civilization.<br />

The rise and fall of the local football club is typical of Czech football, politics and business<br />

of the 1990s, revealing not only beautiful goals but also mysterious sponsors, corruption<br />

or doping. This ironically investigative film takes us back to a time when top ministry officials<br />

had no clue about huge financial scams and when Czech footballers played for the<br />

European cup.<br />

Running time: 57΄<br />

Year of production: 2010<br />

Production Company: Produkce Radim Prochazka<br />

Production Contact Person: Radim Prochazka<br />

Sales Company: OutCome<br />

Sales Contact Person: Jarmila Outratova<br />

Jizni namesti 23<br />

Prague 14100, Czech Republic<br />

T. +42 07 7606 6165<br />

jarmila@outcome.cz<br />

www.outcome.cz<br />

104<br />

607<br />

CZECH REPUBLIC<br />

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Current Affairs<br />

CAVE<br />

Júlia Szederkényi<br />

A musical and poetic look at a group of Hungarian Roma living in a camp according to their<br />

own rules, forgotten, outside the surrounding civilization. A look at a content and uncomplicated<br />

existence.<br />

Running time: 82΄<br />

Year of production: 2010<br />

340<br />

HUNGARY<br />

Production Company: Új Budapest Filmstúdió Ltd..<br />

Production Contact Person: László Kántor<br />

Donáti utca 59<br />

1015 Budapest, Hungary<br />

T. +36 30 919 6687<br />

F. +36 1 336 1009<br />

ujbpfilm@ujbudapestfilmstudio.hu<br />

www.ujbudapestfilmstudio.hu<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 105<br />

C


C<br />

Art, Music & Culture<br />

CECIL TAYLOR – ALL THE NOTES<br />

Christopher Felver<br />

Cecil Taylor is the grand master of free jazz piano. All the Notes captures in a breezy fashion<br />

the unconventional stance of this media-shy modern musical genius, regarded as one<br />

of the true giants of post-war music. Taylor is first seen musing over Santiago Calatrava’s<br />

fleecy architecture – a typical sign of the pianist’s famed eclectic interests, which extend<br />

from soloing, combo and small orchestra work to spoken word performance.<br />

Seated at his beloved and battered piano in his Brooklyn brownstone, the maestro holds<br />

court with frequent stentorian pronouncements on life, art and music, while demonstrating<br />

his technique and views infusing his super clustered playing. Students at Mills College,<br />

where Taylor has a regular teaching gig, devise an avant-garde “free composition” under<br />

his generous tutelage. Taylor plays with his band at Yoshi’s in Oakland, NYC’s Lincoln Center,<br />

and the Iridium with his large ensemble Orchestra Humane.<br />

Running time: 73΄<br />

Year of production: 2011<br />

Production Company: Photography Felver<br />

Sales Company: 10 Francs<br />

Sales Contact Person: Guy Knafo<br />

28, rue de l’Equerre<br />

Paris 75019 France<br />

T. +33 14 8744 377<br />

F. +33 14 8748 265<br />

10francs@10francs.fr<br />

www.10francs.fr<br />

106<br />

565<br />

USA<br />

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Art, Music & Culture<br />

The fact of film education in Greece has been a “taboo” for many years because of the lack<br />

of a national film school. Theo Angelopoulos, Werner Hertzog, Michael Cacoyannis, Emir<br />

Kusturica and others participate in this discussion about Film Education today.<br />

Running time: 90΄<br />

Year of production: 2011<br />

275<br />

GREECE<br />

CHAMP<strong>IO</strong>NS: A COMIC TALE<br />

Gabriel Tzafka<br />

Sales Company: Vox Documentaries<br />

Sales Contact Person: Gina Petropoulou<br />

Athens, Greece<br />

T. +30 6937 419 383<br />

ginapetropoulou@hotmail.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 107<br />

C


C<br />

Art, Music & Culture<br />

CHANT DES SOLEILS<br />

Panayiotis Kyriakopoulos & Yorgos Matsikas<br />

June 21st is the day of the year with the longest hours of daylight in the northern hemisphere<br />

(summer solstice).Worldwide, interpretation of the event has varied from culture<br />

to culture but most have held recognition of a sign of fertility, involving holidays, festivals,<br />

gatherings, rituals or other celebrations around that time. On June 21st 1982, on an initiative<br />

by the French Minister of Culture Jack Lang, la Fête Européenne de la Musique (World<br />

Music Day) was celebrated for the very first time. Its goal was to offer free music concerts<br />

in public places. On June 21st 1983, Iannis Xenakis composed Chant des Soleils for that<br />

year’s Fête de la Musique. Τhe lyrics were inspired by the 16th century French poet Jacques<br />

Peletier du Mans. June 21st 2009 was the 10th anniversary of European Music Day in<br />

Athens.<br />

Running time: 26΄<br />

Year of production: 2010<br />

Sales Contact Person: Panayiotis Kyriakopoulos & Yorgos Matsikas<br />

5 Sarantaporou St<br />

Athens 163 46, Greece<br />

T. +30 6972 074 176<br />

kyriakopoulospanagiotis@gmail.com<br />

thegeomat@gmail.com<br />

108<br />

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GREECE<br />

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History & Politics<br />

This documentary tells about the legacy of the two Chechen wars (1994-96, 1999-2000)<br />

through the story of the famous Chechen surgeon Dr. Khasan Baiev. During the wars, he<br />

happened to be the only doctor for several big villages near Grozny. Working in primitive<br />

and life-threatening conditions, he saved the lives of more than 10,000 people – civilians,<br />

Chechen fighters and Russian soldiers. “The only weapon I had in those days was my<br />

scalpel,” Dr. Baiev said.<br />

Running time: 31΄<br />

Year of production: 2010<br />

601<br />

BULGARIA<br />

THE CHECHEN DOCTOR FROM GOD<br />

Hristo Chilingirov<br />

Production Company: Bulgarian National TV<br />

Sales Company: Bulgarian National TV<br />

Sales Contact Person: Daniela Kuzmanova<br />

Sofia 1504 Bulgaria<br />

T. +35 92 8142 390<br />

F. +35 92 9436 045<br />

d_kuzmanova@bnt.bg<br />

www.bnt.bg<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 109<br />

C


C<br />

Science & Technology<br />

CHILDHOOD UNDER SURVEILLANCE<br />

Marie-Pierre Jaury<br />

In today’s post-modern society, behavioral disorders in children and teenagers have become<br />

a matter of serious concern. Encouraged by recent research, the issue has even entered<br />

the political arena, since several scientific studies claim that particular behavioral patterns<br />

point to possible future delinquency. In Europe and North America, scientific research<br />

is orientated towards possible medical causes for violent behavior in youngsters and recommends<br />

screenings at an ever earlier stage.<br />

Does this mean that delinquency is an illness? We filmed in France, Canada, the USA, Belgium,<br />

the UK and Germany, to understand how behavioral science might influence our society<br />

in the future.<br />

Running time: 52΄<br />

Year of production: 2009<br />

Production Company: Point du Jour – Intuitive Pictures<br />

Production Contact Person: Doris Weitzel<br />

Sales Company: Point du Jour International<br />

Sales Contact Person: Doris Weitzel<br />

23 rue de Cronstadt,<br />

Paris 75015, France<br />

T. +33 1 7544 8080<br />

F. +33 1 4531 1305<br />

d.weitzel@pointdujour.fr<br />

www.pointdujour-international.fr<br />

110<br />

370<br />

FRANCE<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


History & Politics<br />

204<br />

GREECE<br />

CHILDREN <strong>IN</strong> HID<strong>IN</strong>G<br />

Vassilis Loules<br />

Rosa, Iossif, Eftyhia, Shelly and Marios, five Greek Jewish children are saved from certain<br />

death by Christian families during the German Occupation. These children remain hidden<br />

for a long time, using fake names, often separated from their parents. Days in total silence,<br />

days that forced them to mature suddenly. This experience marked their lives and sense<br />

of identity forever. Five survivors, who were once “children in hiding”, tell their stories, trying<br />

to recall memories and fragments from their childhood. Stories of terror and persecution,<br />

anguish and bewilderment. Stories of salvation and carefree childhood. Five small<br />

nests of peace amidst the turmoil of war, five secret gardens of Eden away from the horror<br />

of the Holocaust.<br />

Running time: 95΄ (also available: 124΄ & 3x52΄)<br />

Year of production: 2010<br />

Production Company: Massive Productions<br />

Production Contact Person: Vangelis Fabas<br />

Sales Company: Greek Film Center<br />

Sales Contact Person: Lina Manolopoulou<br />

7 Dion.Areopagitou St<br />

Athens , 1742, Greece<br />

T. +30 210 367 8525<br />

F. +30 210 361 4336<br />

lina.mano@gfc.gr<br />

www.gfc.gr<br />

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C


C<br />

History & Politics<br />

THE CHILDREN OF MIMAS<br />

Tahsin Isbilen<br />

The Prefecture of Ilia, the Municipality of Vartholomio and the “Agia Marina” Educational<br />

and Beautification Society of Glyfa created the documentary film The Children of Mimas.<br />

Mimas a mountain of Asia Minor, at the foothills of which lived for centuries the ancestors<br />

of many people from Glyfa, Gastouni, Korinthos and other places in Greece. Ninety years<br />

later, The Children of Mimas searched for their roots and traveled to the land of Ionia. Their<br />

efforts were captured in a documentary film of 50 minutes. It presents the placement of<br />

the refugees in Greece and the civilization that they created after the first years of the struggle<br />

to survive in the new place.<br />

Running time: 51΄<br />

Year of production: 2010<br />

Production Company: The “Agia Marina” Educational<br />

and Beautification Society of Glyfa, Ilia<br />

Production Contact Person: Andreas Baltas<br />

Glyfa Vartholomio Ilias<br />

Ilia 270 50, Greece<br />

T. +30 26230 96460<br />

glyfa@glyfa.gr<br />

112<br />

279<br />

GREECE<br />

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History & Politics<br />

‘The Children of Teheran is the story of the rescue of 700 children from occupied Poland and<br />

their grueling journey to Palestine/Israel in the winter of 1943. This unprecedented operation<br />

took the children, many without their parents, on a tortuous path that led them to<br />

distant lands, including Tehran, before they arrived safely in Palestine. The Children of Tehran<br />

was the first large group of Holocaust survivors to reach Palestine/Israel from occupied Europe.<br />

Running time: 59΄<br />

Year of production: 2009<br />

554<br />

ISRAEL<br />

THE CHILDREN OF TEHRAN<br />

Yehuda Kaveh, David Tour & Dalia Guttman<br />

Production Contact Person: Dalia Guttman<br />

Sales Company: JMT Films Distribution<br />

Sales Contact Person: Michael Treves<br />

20 Bialik St<br />

Tel Aviv 63324, Israel<br />

T. +972 5 2363 3398<br />

michael@jmtfilms.com<br />

www.jmtfilms.com/index.htm<br />

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C


C<br />

History & Politics<br />

THE CHILEAN BUILD<strong>IN</strong>G<br />

Macarena Aguiló<br />

At the end of the 1970s, many militant Chileans returned home from exile in Europe to help<br />

their comrades in the struggle against the Pinochet dictatorship. In her first full-length documentary,<br />

Macarena Aguiló relates a personal story played out against the backdrop of<br />

this period in history. She uses photographs, diaries and interviews to reconstruct an important<br />

time from her youth, when she lived in a commune in Cuba. Project “Homes” was<br />

set up by freedom fighters who could not take their children with them for reasons of personal<br />

safety. Together with 60 others, Aguiló was brought up by “social parents”. Aguiló<br />

paints a picture of a tight community where ideals of freedom and solidarity initially prevailed.<br />

But a few years later, the news from Chile that the struggle was not having the desired<br />

result and that increasing numbers of arrests and murders were taking place there also<br />

caused a loss of morale in Cuba. A sense of tragedy filters through in the stories from their<br />

childhoods (despite all good intentions, they felt abandoned) and the sacrifices their parents<br />

made in the name of freedom.<br />

Running time: 95΄<br />

Year of production: 2010<br />

Production Company: Aplaplac Producciones<br />

Production Contact Person: Juan Manuel Egaña<br />

Sales Company: Aplaplac Producciones<br />

Sales Contact Person: Juan Manuel Egaña<br />

Av. Bustamente 30, dpt. 31<br />

Santiago 9999, Chile<br />

T. +56 2 494 4009<br />

jmegana@aplaplac.cl<br />

114<br />

125<br />

CHILE<br />

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Current Affairs<br />

China’s unprecedented growth has placed it on the verge of overtaking the United States<br />

as the world’s preeminent power. But what type of power will China become? In today’s<br />

interconnected and globalized world, the answer effects each and every one of us. In Pakistan<br />

and Afghanistan, China’s humanitarian activities and investment in infrastructure have<br />

won it the hearts and minds of the people. Yet in Tibet and Xinjiang, China is reviled as an<br />

imperialistic abuser of human rights. Will China use its strength to dominate its neighbors<br />

and become a 21st century empire, or will China’s youth lead the country towards democracy?<br />

Whether it’s a peaceful rise or potential threat, China’s 21st century emergence as a<br />

great world power will change the lives of everyone.<br />

Running time: 56΄<br />

Year of production: 2010<br />

609<br />

USA<br />

CH<strong>IN</strong>A: THE REBIRTH OF AN EMPIRE<br />

Jesse Veverka & Jeremy Veverka<br />

Production Company: Veverka Bros<br />

Sales Company: Sideways Film<br />

Sales Contact Person: Kazz Basma<br />

178 Stoke Newington High Street<br />

London N16 7JL, UK<br />

T. +44 788 147 3603<br />

kazz@sidewaysfilm.com<br />

www.sidewaysfilm.com<br />

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C


C<br />

Christini’s life is being turned into a movie. Christini is a 31-year-old, Down syndrome girl,<br />

leading an ordinary life at an educational and occupational center for individuals with mental<br />

disabilities. She cares about clothes, about make-up, she flirts, she needs to charm; love<br />

occupies a central place in her life. Still, her engaging in theater activities, and, most importantly,<br />

her acting in the performance of Yorgos Dialegmenos’ play Bella Venezia, as<br />

staged by Lefteris Voyagis, take her to the epicenter of the debate which addresses the incorporation<br />

of people with mental disabilities in mainstream life. Can people with mental<br />

disabilities co-operate with so-called normal individuals? What are the latter to gain<br />

from such a collaboration? Can people with mental disabilities benefit from mixed education?<br />

Can people with mental disabilities start their own families? These are some of the<br />

questions this movie addresses to those officially involved, as well as to people with<br />

mental disabilities themselves, whom we get to know as the movie evolves and they make<br />

their personal statement about the case.<br />

Running time: 66΄<br />

Year of production: 2007<br />

116<br />

640<br />

GREECE<br />

“How I Αm: Challenging Perceptions”<br />

CHRIST<strong>IN</strong>I, A PR<strong>IN</strong>CESS<br />

Iris Zachmanidi<br />

Production Company: Studio Alfa SA & Iris Zachmanidi<br />

Production Contact Person: Dimitris Evangelopoulos & Iris Zachmanidi<br />

Sales Company: Studio Alfa SA<br />

Sales Contact Person: Dimitris Evangelopoulos<br />

10-12 Stoudiou St<br />

Maroussi 15126, Athens, Greece<br />

T. + 30 210 613 2900<br />

F. + 30 210 613 2906<br />

devangel@hol.gr<br />

devangel@studioalfa.gr<br />

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Lifestyles<br />

C<strong>IN</strong>EMATHERAPY<br />

Ivan Vojnar<br />

Living in the age of reality TV, in a society hungry for sensation, it is easy to feed on the<br />

highly emotional stories of people whose futures are being shaped by dozens of professionals.<br />

Cinematherapy takes a slightly different approach. A commercial aired on Czech<br />

Television invited viewers to attend a casting session and tell their stories. Later on, eleven<br />

of them underwent “cinematherapy” – provided by the camera as an intermediary between<br />

them and the outside world. Blurring the lines between feature film, documentary and reality<br />

show, the film does not offer the participants plastic surgery or a reunion with a long<br />

lost friend but lets them witness their often bizarre lives and thus move forward in dealing<br />

with their issues.<br />

Running time: 108΄<br />

Year of production: 2010<br />

341<br />

CZECH REPUBLIC<br />

Production Company: Ivan Vojnar Film & i/o post & Czech Television<br />

Production Contact Person: Jitka Prochazkova<br />

Sales Company: Czech Television<br />

Sales Contact Person: Jitka Prochazkova<br />

Kavci hory<br />

Prague 4, 140 70<br />

Czech Republic<br />

T. +420 736 531 568<br />

F. +420 261 216 628<br />

jitka.prochazkova@ceskatelevize.cz<br />

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C


C<br />

Lifestyles<br />

CLOSE TO HEAVEN<br />

Titus Faschina<br />

Dumitru Stanciu is one of the last mountain shepherds of Europe. As his forefathers did for<br />

thousands of years, in summer as in winter he and his herd of sheep roam the far reaches<br />

of the Transylvanian Carpathian Mountains, close to the edge of heaven...Vivid stories and<br />

fantastic myths, far from the world of today, cinematically narrated over the course of a year.<br />

The last refuge in Europe for a forgotten profession in an unhurried world.<br />

Running time: 93΄<br />

Year of production: 2010<br />

Production Company: ma.ja.de. filmproduktion<br />

Production Contact Person: Heino Deckert<br />

Sales Company: Deckert Distribution GmbH<br />

Sales Contact Person: Heino Deckert<br />

Marienplatz 1<br />

Leipzig 04103 Germany<br />

T. +49 34 1215 6638<br />

F. +49 34 1215 6639<br />

info@deckert-distribution.com<br />

www.deckert-distribution.com<br />

118<br />

159<br />

GERMANY - ROMANIA<br />

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Art, Music & Culture<br />

For many years, radio in Greece was the medium which, besides being a source of immediate<br />

information and news, also gave sound a magical dimension, offering quality musical<br />

programs and radio plays and inspiring listeners to for their own picture of people and<br />

events. Using rare audiovisual material, Close Your Eyes and You Will See“recreates” the first<br />

years of Greek radio.<br />

Running time: 109΄<br />

Year of production: 2009<br />

280<br />

GREECE<br />

CLOSE YOUR EYES AND YOU WILL SEE<br />

Stavros Stratigakos<br />

Sales Company: Hellenic Broadcasting Corp., ERT SA<br />

Sales Contact Person: Yannis Kollias<br />

432 Messoghion Ave<br />

Agia Paraskevi 153 42, Greece<br />

T. +30 210 607 5711<br />

F. +30 210 607 5715<br />

ykollias@ert.gr<br />

www.ert.gr<br />

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C


C<br />

Current Affairs<br />

COAL <strong>IN</strong> THE SOUL<br />

Ondrej Provaznik & Martin Dusek<br />

A documentary portrait of two women who play a very personal game with the fate of<br />

Horni Jiretin, a town endangered by the coalmining industry. With a sensitive approach<br />

tinged with irony, the directors present the case and use the two women, the press agent<br />

of the mining company and a chatelaine/eco-activist as their guides. Their personal stories<br />

mirror the current case of total liquidation of Horni Jiretin, a small town that stands in<br />

the way of further coalmining.<br />

Running time: 58΄<br />

Year of production: 2010<br />

Production Company: Czech Television<br />

Production Contact Person: Jitka Prochazkova<br />

Kavci hory<br />

Prague 4, 140 70<br />

Czech Republic<br />

T. +420 261 137 438<br />

F. +420 261 216 628<br />

jitka.prochazkova@ceskatelevize.cz<br />

120<br />

342<br />

CZECH REPUBLIC<br />

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Current Affairs<br />

Welcome to the picturesque world of the Kalderash Roma – a closed community of no<br />

more than one million people all over the world. Concrete Pharaohs take us on a journey<br />

into the lifestyle and traditions of the most hidden and intriguing Roma communities. A<br />

charismatic Gypsy baron will walk us through his stories and his new house. We will learn<br />

the hot trends in Roma tombstone design. We will go down into the underground homes<br />

of African granite, furnished with beds, wardrobes, stereos and a charged cell phone – a<br />

direct line to the other world. A celebration of life and the afterlife in all of their manifestations.<br />

Running time: 47΄<br />

Year of production: 2010<br />

343<br />

BULGARIA<br />

CONCRETE PHARAOHS<br />

Jordan Todorov<br />

Production Company: Agitprop Ltd<br />

Production Contact Person: Martichka Bozhilova<br />

Sales Contact Person: Martichka Bozhilova<br />

68, Budapest Str., Apt.1<br />

1202 Sofia, Bulgaria<br />

T. +359 888 579 959<br />

F. +359 298 319 29<br />

producer@agitprop.bg<br />

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C


C<br />

Lifestyles<br />

THE CONTRACT<br />

Lina Mannheimer<br />

In 2005, Beverly Carpentier declared an oath of allegiance to Catherine Robbe-Grillet. She<br />

thereby gave up her freedon for the rest of her life.<br />

The Contract is a film about the relationship between Beverly Charpentier, a married<br />

mother of two and the writer Catherine Robbe-Grillet. The film portrays two strong<br />

women’s unconventional love story, two women who have chosen to explore their love<br />

in a unique way, without compromise.<br />

Running time: 13΄<br />

Year of production: 2010<br />

Production Company: Fasad<br />

Production Contact Person: Lina Mannheimer<br />

Bogatan 3b<br />

Gothenburg 41272 Sweden<br />

T. +46 73 3120 218<br />

lina.mannheimer@gmail.com<br />

122<br />

168<br />

SWEDEN<br />

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History & Politics<br />

This film tells the story of activist Matthew Goniwe and three of his comrades, schoolteachers<br />

in the town of Cradock in the Eastern Cape of South Africa, as they take on the<br />

powerful security forces and racist generals with the view to bring Apartheid to an end.<br />

Their assassination was the trigger that should ultimately lead to liberation and the election<br />

of Nelson Mandela, in a new, multi-colored democracy. These murders marked the<br />

beginning of the end of South Africa’s fascist white-only government.<br />

Running time: 52΄<br />

Year of production: 2010<br />

473<br />

FRANCE<br />

THE CRADOCK MURDERS<br />

David Forbes & Michel Noll<br />

Production Company: Solferino Images<br />

Production Contact Person: Michel Noll<br />

Sales Company: ICTV<br />

Sales Contact Person: Lydia Castellano<br />

17 rue du Colisee<br />

Paris 75008, France<br />

T. +33 1 6403 7098<br />

F. +33 1 6403 7101<br />

lydia.c@ictv-solferino.com<br />

www.ictv.fr<br />

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C<br />

Current Affairs<br />

CRISIS<br />

Myrto Papadogeorgou<br />

The most commonly used word of late is crisis. The Greek crisis. But what does that phrase<br />

mean for someone living in it?<br />

Crisis tells the story of the Greek crisis from the perspective of a young Athenian woman<br />

as she struggles to deal with something very simple in very complicated times: her everyday<br />

life in the complicated Greek capital, Athens. She tells us about life in a city that made<br />

international news when its youth took to the streets to express their frustration at a deadend<br />

situation. A youth stigmatized with the burden of a gloomy future.<br />

Running time: 24΄<br />

Year of production: 2010<br />

Production Company: Phos Productions<br />

Production Contact Person: Eleni Atsikbasis<br />

75 El. Venizelou<br />

Athens 155 61 Greece<br />

T. +30 6974 328 808<br />

eleni@phos.gr<br />

124<br />

229<br />

GREECE<br />

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Current Affairs<br />

CZECH PEACE<br />

Vit Klusak, Filip Remunda<br />

The story of Star Wars, the Cold War and the War on Terror of a small Czech village. As part<br />

of its National Missile Defense Program, the United States plan to build a military base in<br />

the Czech Republic, a former hiding place for Soviet nuclear rockets during the Cold War.<br />

Despite the fact that 73% of Czechs are against the project, the government has continued<br />

with negotiations. Supporters of the base claim that it will strengthen the country’s<br />

defense against the global threats of the 21st century. Opponents point out that the plan<br />

essentially shifts the Iron Curtain toward the east; they also insist that it represents an attempt<br />

by the United States to rule the world.<br />

Running time: 57΄<br />

Year of production: 2010<br />

344<br />

CZECH REPUBLIC<br />

Production Company: Hypermarket Film<br />

Production Contact Person: Tereza Horska<br />

Sales Company: Taskovski Films<br />

Sales Contact Person: Vesna Cudic<br />

463 Russell Court, Woburn Place<br />

London WC1H 0NL, UK<br />

T. +44 207 278 4284<br />

sales@taskovskifilms.com<br />

www.taskovskifilms.com<br />

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Art, Music & Culture<br />

On a trip to Angkor Wat in Siem Reap, Cambodia in January 2000, filmmaker Anne Bass<br />

came across a sixteen-year-old boy who moved her immensely with his amazing natural<br />

charm and grace as a dancer. A longtime devotee of the world of dance, Bass felt compelled<br />

to give this young boy the opportunity to leave his home and follow a dream that<br />

he could not yet have fully imagined. From the serene countryside of Southeast Asia to the<br />

halls of New York’s School of American Ballet to the stage of the Pacific Northwest Ballet<br />

in Seattle, Dancing Across Borders peeks behind the scenes into the world of dance and<br />

chronicles the intimate and triumphant story of a boy who was discovered, and who only<br />

much later discovered all that he had in himself.<br />

Running time: 88΄<br />

Year of production: 2010<br />

328<br />

USA<br />

DANC<strong>IN</strong>G ACROSS BORDERS<br />

Anne Bass<br />

Production Company: 123 Productions, Inc.<br />

Production Contact Person: Anne Bass<br />

Sales Company: Wide House<br />

Sales Contact Person: Anais Clanet<br />

40, rue Saint Anne<br />

Paris 75002, France<br />

T. +33 1 5395 0464<br />

F. +33 1 5395 0465<br />

infos@widemanagement.com<br />

www.widemanagement.com<br />

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D


D<br />

Current Affairs<br />

THE DANC<strong>IN</strong>G BOYS OF AFGHANISTAN<br />

Jamie Doran<br />

As the West pours billions of dollars into the fight against the Taliban in southern<br />

Afghanistan, an ancient tradition (banned when the Taliban were in power) has reemerged<br />

across the rest of the country. Many hundreds of boys, as young as 10, living in<br />

extreme poverty, are lured off the streets on the promise of a new life away from destitution,<br />

unaware their real fate is to be used for entertainment and sex. They’re the “Bacha<br />

Bereesh”, literally “beardless boys”, chosen for their height, size and beauty to sing and dance<br />

before an audience prior to being traded for sexual favors among the warlords and powerful<br />

men of Afghanistan. Bought and sold by their rich masters, most will suffer<br />

grotesquely. All efforts by the authorities to eradicate the practice have failed largely because,<br />

as we will show, the authorities themselves are involved.<br />

Running time: 52΄<br />

Year of production: 2010<br />

Production Company: Clover Films<br />

Production Contact Person: Tracey Doran-Carter<br />

Sales Company: TVF International<br />

Sales Contact Person: Leila Monks<br />

375 City Road<br />

London EC1V 1NB, UK<br />

T. +44 207 837 3000<br />

F. +44 207 833 2185<br />

int@tvf.co.uk<br />

www.tvfinternational.com<br />

128<br />

139<br />

UK<br />

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Madrid dance troop Danza Down enchants audiences with classical ballet, traditional Spanish<br />

dance and musical theater performances. What makes this dance troop special is that<br />

all of the dancers in the troop have Down Syndrome.<br />

Under the nurturing and patient tutelage of Director Elias Lafuente, children and adults with<br />

Down Syndrome blossom, gain confidence and develop a love of music and dance.<br />

Running time: 8΄<br />

Year of production: 2010<br />

650<br />

SPA<strong>IN</strong><br />

“How I Am: Challenging Perceptions”<br />

DANC<strong>IN</strong>G WITH DOWNS<br />

Elizabeth Wood<br />

Production Contact Person: Elizabeth Wood<br />

Sales Contact Person: Elizabeth Wood<br />

Calle Freixa 37, piso 3<br />

Barcelona, Spain<br />

T. +34 689 195 013<br />

woodbarcelona@yahoo.com<br />

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D<br />

Art, Music & Culture<br />

DANIEL SCHMID – LE CHAT QUI PENSE<br />

Pascal Hofmann & Benny Jaberg<br />

Daniel Schmid, who grew up during the 1940s in a Belle Epoque hotel in the Swiss Alps,<br />

succumbed to the powers of the imagination already as a child. Spurred on by his grandmother’s<br />

fantastic stories, he made the hotel foyer his stage and its international array of<br />

guests his protagonists. Daniel Schmid became a storyteller – and remained one all his<br />

life. Daniel Schmid – Le chat qui pense is a kaleidoscopic portrait of the eventful life and<br />

unusual work of an outstanding Swiss film artist.<br />

Running time: 83΄<br />

Year of production: 2010<br />

Production Company: T&C Film AG, Zürich<br />

Production Contact Person: Nicole Barras<br />

Sales Company: T&C Edition<br />

Sales Contact Person: Susa Katz<br />

Seestrasse 41a<br />

Zürich, 8002<br />

Switzerland<br />

T. +41 44 208 99 55<br />

F. +41 44 208 99 54<br />

edition@tcfilm.ch<br />

www.tcfilm.ch<br />

130<br />

188<br />

SWITZERLAND<br />

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Lifestyles<br />

The Darkness of Day is a haunting meditation on suicide. It is comprised entirely of found<br />

16mm footage that had been discarded. The sadness, the isolation, and the desire to escape<br />

are recorded on film in various contexts. Voice-over readings from the journal kept<br />

by a brother of the filmmaker’s friend who committed suicide in 1990 intermix with a range<br />

of compelling stories, from the poignant double suicide of an elderly American couple to<br />

a Japanese teenager who jumped into a volcano, spawning over a thousand imitations.<br />

While this is a serious exploration of a cultural taboo, its lyrical qualities invite the viewer<br />

to approach the subject with understanding and compassion.<br />

Running time: 26΄<br />

Year of production: 2009<br />

455<br />

USA<br />

THE DARKNESS OF DAY<br />

Jay Rosenblatt<br />

Production Company: Locomotion Film<br />

Production Contact Person: Jay Rosenblatt<br />

Sales Company: Deckert Distribution GmbH<br />

Sales Contact Person: Heino Deckert<br />

Marienplatz 1 Leipzig 04103<br />

Germany<br />

T. +49 341 215 6638<br />

F. +49 341 215 6639<br />

info@deckert-distribution.com<br />

www.deckert-distribution.com<br />

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D


D<br />

Art, Music & Culture<br />

DAVID WANTS TO FLY<br />

David Sieveking<br />

In search of enlightenment, young David follows his idol David Lynch and uncovers the billion-dollar<br />

industry behind Transcendental Meditation.<br />

“A sprightly docu about finding your own artistic inspiration, both tongue-in-cheek and<br />

seriously questioning the TM financial empire.” Variety<br />

Running time: 96΄<br />

Year of production: 2010<br />

Production Company: lichtblick media<br />

Production Contact Person: Martin Heisler & Carl-Ludwig Rettinger<br />

Sales Company: Autlook Filmsales GmbH<br />

Sales Contact Person: Andrea Hock<br />

Trappelgasse 4/17<br />

Vienna 1040, Austria<br />

T. +43 720 346 934<br />

andrea@autlookfilms.com<br />

www.autlookfilms.com<br />

132<br />

422<br />

AUSTRIA - SWITZERLAND - GERMANY<br />

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Art, Music & Culture<br />

DEAF JAM<br />

Judy Lieff<br />

In Deaf Jam, Aneta Brodski seizes the day. She is a deaf teen introduced to American Sign<br />

Language (ASL) Poetry, who then boldly enters the spoken word slam scene. In a wondrous<br />

twist, Aneta, an Israeli immigrant living in Queens NY, eventually meets Tahani, a<br />

hearing Palestinian slam poet. The two young women embark on a hearing/deaf collaboration,<br />

a performance duet that is a metaphor for the complex realities they share.<br />

Running time: 70΄<br />

Year of production: 2011<br />

176<br />

USA<br />

Production Company: Made-By-Hand, LLC<br />

Production Contact Person: Judy Lieff<br />

Sales Contact Person: Judy Lieff<br />

227 West 11th Street, #52<br />

New York ΝY 10014 USA<br />

T. +1 212 929 6878<br />

judylieff@mac.com<br />

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D<br />

Lifestyles<br />

DECLARAT<strong>IO</strong>N OF IMMORTALITY<br />

Marcin Koszalka<br />

In his new film, Marcin Koszałka returns to a forgotten genre, namely a mountain film. The<br />

protagonist of his story is Piotr “Mad” Korczak, and somewhere in the background there is<br />

his rival Andrzej Marcisz. The director focuses on the decline of the career of the great master,<br />

provoking his reflection on his future life, when he will no longer be able to climb<br />

mountains. It’s a moving story about inability to come to terms with old age and about<br />

the desire for immortality.<br />

Running time: 29΄<br />

Year of production: 2010<br />

Production Company: TVP S.A., WRiTv US<br />

Production Contact Person: Marcin Koszalka<br />

Sales Company: Krakow Film Foundation<br />

Sales Contact Person: Katarzyna Wilk<br />

Basztowa 15/8a<br />

Krakow 31-143 Poland<br />

T. +48 12 294 6945<br />

katarzyna@kff.com.pl<br />

www.kff.com.pl<br />

134<br />

523<br />

POLAND<br />

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Sports<br />

DEEP BLUE<br />

Axel Ramonet & Aurore Asso<br />

They are the “fish” men that make a living from apnea.<br />

Twenty years after The Big Blue, these explorers of the world of the deep beat depth records<br />

and snatch the headlines from each other.<br />

Among them, 27-year-old Guillaume Nery has been champion and world record holder<br />

of free diving several times. In the discipline of constant weight, he is the third man that<br />

has gone the deepest, with a dive to 113 meters.<br />

With a hundred men practicing this sport at the highest level, only 3 or 4 are qualified for<br />

these depths (the height of the 2nd floor of the Eiffel Tower). They will all compete in the<br />

World Championship which takes place in the Bahamas.<br />

The Austrian phenomenon Herbert Nitsch will also participate in the competition.<br />

The big race of the depths is on; each meter counts and William’s life is punctuated by trips<br />

to the sea, physical, but also psychological preparation.<br />

Running time: 54΄<br />

Year of production: 2010<br />

566<br />

AUSTRIA - SWITZERLAND - GERMANY<br />

Production Company: Actual Prod<br />

Sales Company: 10 Francs<br />

Sales Contact Person: Guy Knafo<br />

28, rue de l’Equerre<br />

75019 Paris, France<br />

T. + 33 1 4874 4377<br />

F. + 33 1 4874 8265<br />

10francs@10francs.fr<br />

www.10francs.fr<br />

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D<br />

Current Affairs<br />

THE DESERT OF FORBIDDEN ART<br />

Amanda Pope & Tchavdar Georgiev<br />

How does art survive in a time of oppression? During the Soviet rule, artists who stay true<br />

to their vision were executed, sent to mental hospitals or Gulags. Their plight inspired young<br />

Igor Savitsky. He pretends to buy state-approved art but instead daringly rescues 40,000<br />

forbidden fellow artist’s works and creates a museum in the desert of Uzbekistan, far from<br />

the watchful eyes of the KGB. This is his story.<br />

Running time: 80΄<br />

Year of production: 2010<br />

Production Company: Desert of Forbidden Art LLC<br />

Production Contact Person: Tchavdar Georgiev<br />

Sales Company: Films Transit International<br />

Sales Contact Person: Jan Röfekamp<br />

252 Gouin Boulevard East<br />

Montreal/Quebec H3L 1A8, Canada<br />

T. + 1 514 844 3358<br />

F. + 1 514 844 7298<br />

jan@filmstransit.com<br />

www.filmstransit.com<br />

136<br />

174<br />

USA<br />

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Current Affairs<br />

The idea of choosing your baby’s hair and eye colour, IQ, height, weight and talents fills most<br />

of us with a sense of horror, evoking memories of Nazi breeding programs from the<br />

1930s. Yet some are overcoming the taboo in a bid to create “the perfect child”.<br />

Filmed in the USA, India and Denmark, this documentary explores the new techniques that<br />

make what was once science fiction a reality. We hear from key figures in the debate on<br />

the ethics of this controversial practice.<br />

Running time: 52΄<br />

Year of production: 2010<br />

308<br />

FRANCE<br />

DESIGNER BABIES:<br />

THE NEW EUGENICS<br />

Camelle le Pomellec<br />

Production Company: Tac Presse<br />

Sales Company: Java Films<br />

Sales Contact Person: Kathryn Bonnici<br />

4-6 Villa Thoreton,<br />

Paris 75015, France<br />

T. +33 1 4060 2624<br />

Kathryn@javafilms.fr<br />

www.javafilms.fr<br />

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D


D<br />

History & Politics<br />

DESPERATELY SEEK<strong>IN</strong>G EUROPE –<br />

SOMETH<strong>IN</strong>G ABOUT GEORGIA<br />

Nino Kirtadzé<br />

This fable of power takes place in the ex-Soviet republic of Georgia. From the nation’s first<br />

truly free elections, when everything seemed possible, to a state of chaos and war and the<br />

resulting aftermath, the film exposes this critical year and turning point that reveal an international<br />

power struggle much larger than Georgia’s borders.<br />

Running time: 58΄<br />

Year of production: 2010<br />

Production Company: Zadig Productions<br />

Production Contact Person: Paul Rosenberg<br />

Sales Company: CAT&Docs<br />

Sales Contact Person: Catherine Le Clef<br />

18 rue Quincampoix #133<br />

Paris F-75004, France<br />

T. +33 1 44 59 63 53<br />

cat@catndocs.com<br />

www.catndocs.com<br />

138<br />

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Environment & Wild Life<br />

The emergence of tourism in Antarctica is the subject of this film. The growth rate of tourism<br />

towards Antarctica is 500 % these last five years and is expected to exceed in 2009 the<br />

threshold of 40,000 tourists, with the more and more frequent use of large capacity ships,<br />

able to carry more than 800 passengers.<br />

What will be the impact of this tourism on such a fragile environment?<br />

This documentary helps us to better understand the fragility of this continent, its role in<br />

the balance of our planet and the fantasy which urges tens of thousands tourists to make<br />

a trip to Antarctica in the same way that they would go on photo safari in Kenya.<br />

Running time: 52΄<br />

Year of production: 2010<br />

567<br />

USA<br />

DEST<strong>IN</strong>AT<strong>IO</strong>N: ANTARCTICA<br />

Hervé Nicolas<br />

Production Company: F Productions<br />

Sales Company: 10 Francs<br />

Sales Contact Person: Guy Knafo<br />

28, rue de l’Equerre<br />

75019 Paris France<br />

T. + 33 1 4874 4377<br />

F. + 33 1 4874 8265<br />

10francs@10francs.fr<br />

www.10francs.fr<br />

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D


D<br />

Environment & Wildlife<br />

THE DEVIL OPERAT<strong>IO</strong>N<br />

Stephanie Boyd<br />

The charismatic Father Marco Arana, named a Hero of the Environment in 2009 by TIME<br />

magazine, has been so effective in advocating against the US-owned Yanacocha mine that<br />

he’s code-named “the Devil” and targeted in a campaign of harassment and terror.<br />

When one colleague is threatened with rape and another is killed, the activists fight back,<br />

capture a spy, and uncover a military-scale operation of surveillance and violence that<br />

shocks even them.<br />

When billions of dollars are at stake, just how far are corporations willing to go to protect<br />

their bottom line?<br />

A gripping David and Goliath tale of corporate espionage unfolds in this exposé of torture,<br />

intimidation, and murder of Peruvian eco-activists and indigenous farmers. Shocking<br />

video footage, horrifying photos, and meticulous reports compiled by private security firms<br />

working for gold mines are uncovered by the filmmakers to reveal the truth in this reallife<br />

political thriller.<br />

Running time: 56΄<br />

Year of production: 2010<br />

Production Company: Oxyopia / Udris Productions<br />

Sales Company: Sideways Film<br />

Sales Contact Person: Kazz Basma<br />

178 Stoke Newington High Street<br />

London N16 7JL, UK<br />

T. +44 788 147 3603<br />

kazz@sidewaysfilm.com<br />

www.sidewaysfilm.com<br />

140<br />

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CANADA<br />

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Current Affairs<br />

For over 80 years, the Alexkor mine in South Africa’s Richtersveld region has been producing<br />

diamonds of exceptional quality. But since the end of Apartheid, the black and coloured<br />

people who have been deprived of their rights battle hard to have the land of their ancestors<br />

returned to them. Mining exploitation is becoming more difficult and the diamond veins<br />

are showing signs of depletion. The Richtersvelders hope to regain possession of the<br />

mines before resources are depleted in order to secure a better future for their community<br />

in this “new” South Africa.<br />

Running time: 52΄<br />

Year of production: 2009<br />

373<br />

FRANCE<br />

DIAMONDS OF RECONCILIAT<strong>IO</strong>N<br />

Laure Poinsot<br />

Production Company: Bonne Compagnie<br />

Production Contact Person: Doris Weitzel<br />

Sales Company: Point du Jour International<br />

Sales Contact Person: Doris Weitzel<br />

23 rue de Cronstadt,<br />

Paris 75015, France<br />

T. +33 1 7544 8080<br />

F. +33 1 4531 1305<br />

d.weitzel@pointdujour.fr<br />

www.pointdujour-international.fr<br />

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D


D<br />

Adventure & Travel<br />

D<strong>IO</strong>L KADD. LIFE, DIARIES<br />

AND TAKES ON A VILLAGE <strong>IN</strong> SENEGAL<br />

Gianni Celati<br />

Diol Kadd is the result of three years spent filming in a small Senegalese village. The film<br />

offers no facile exoticism or filters, just the daily lives of these polygamist families who have<br />

17 children and a 104-year-old grandmother who still dances the seductive dance typical<br />

to the region. Where animist beliefs mix with the readings of the Koran. Where time<br />

has a different meaning and where desertification is consuming the Savannah. The writerdirector<br />

Celati enters the community and, together with actor-director Mandiaye N’Diaye,<br />

also captures the farmers’ comic desires for wealth, the kind of “disastrous wealth that blinds<br />

people”.<br />

Gianni Celati, one of the greatest living Italian writers and the author of this African diary,<br />

recounts the continent as perhaps an Italian intellectual has not done since Pasolini and<br />

Moravia.<br />

Running time: 90΄<br />

Year of production: 2010<br />

Production Company: Pierrot e la rosa srl<br />

Production Contact Person: Luca Buelli<br />

Sales Company: Vitagraph<br />

Sales Contact Person: Filippo D’Angelo<br />

Via Schiavonia 1<br />

Bologna 40121, Italy<br />

T. +39 05 1267 150<br />

F. +39 05 1267 150<br />

vitagraph@libero.it<br />

142<br />

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ITALY<br />

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Art, Music & Culture<br />

Disco and Atomic War tells the story of a strange kind of information war, where a totalitarian<br />

regime stands face to face with the heroes of popular culture; and loses. Western popular<br />

culture had an incomparable role shaping Soviet children’s worldviews in those days<br />

– in ways that now seem slightly odd. Finnish television was a window to a world of<br />

dreams that the authorities could not block in any way. Though Finnish channels were<br />

banned, many households found some way to access<br />

the forbidden fruit. Disco and Atomic War offers its own version of recent history, mixing<br />

spy games into a human tragicomedy.<br />

Running time: 78΄<br />

Year of production: 2009<br />

423<br />

ESTONIA<br />

DISCO & ATOMIC WAR<br />

Jaak Kilmi<br />

Production Company: Eetriüksus<br />

Production Contact Person: Kiur Aarma<br />

Sales Company: Autlook Filmsales GmbH<br />

Sales Contact Person: Andrea Hock<br />

Trappelgasse 4/17<br />

Vienna 1040, Austria<br />

T. +43 720 346 934<br />

andrea@autlookfilms.com<br />

www.autlookfilms.com<br />

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D


D<br />

Lifestyles<br />

DISH: WOMEN, WAITRESS<strong>IN</strong>G<br />

AND THE ART OF SERVICE<br />

Maya Gallus<br />

Dish delves into North American classic diners, the “sexy restos of Montreal”, the “haute<br />

eateries” in Paris, and Tokyo’s fantasy “maid bars” in an insider’s look at gender, power, and<br />

the art of service. Experience life on the other side. You’ll never look at a waitress the same<br />

way again.<br />

Running time: 58΄<br />

Year of production: 2010<br />

Production Company: Deep Dish Films Inc.<br />

Production Contact Person: Maya Gallus<br />

Sales Company: Films Transit International<br />

Sales Contact Person: Jan Röfekamp<br />

252 Gouin Boulevard East<br />

Montreal/Quebec H3L 1A8, Canada<br />

T. + 1 514 844 3358<br />

F. + 1 514 844 7298<br />

jan@filmstransit.com<br />

www.filmstransit.com<br />

144<br />

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CANADA<br />

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Lifestyles<br />

DIV<strong>IN</strong>E PIG<br />

Hans Dortmans<br />

In many parts of the world the pig is considered harmful and impure. But still, the pig is the<br />

most-eaten animal in the world. Will Dorus be an exception? Dorus is a pig living in the back<br />

yard of a Dutch butcher. During their walks together through the Netherlands Dorus becomes<br />

a local celebrity. Some customers try to discourage the butcher from killing Dorus. Others look<br />

forward to tasting its rich meat. As Dorus matures into his second year and reaches the point<br />

of slaughter, the butcher faces a difficult choice. Does his love for the pig run deeper than his<br />

love of pork? Divine Pig explores this controversial animal and challenges our cultural assumptions<br />

and tastes. A Palestinian woman married to a Dutchman discusses with her religious<br />

mother whether she should forbid her young son to eat pork. A Christian university<br />

doctor strictly observes the Jewish food laws, but despite his efforts to prove differently, cannot<br />

find evidence that pork is unhealthy. A medical researcher is working on a revolutionary<br />

cure for diabetes transplanting pig cells into humans. But for every patient he must kill five<br />

pigs. From every angle, our feelings for the pig and for Dorus’s fate are challenged. Will Dorus<br />

survive the film? By the time we learn of his fate, where do our sympathies lie?<br />

Running time: 55΄<br />

Year of production: 2011<br />

110<br />

THE NETHERLANDS<br />

Production Company: Pieter van Huijstee Film<br />

Production Contact Person: Curien Kroon<br />

Sales Company: Pieter van Huijstee Film<br />

Sales Contact Person: Curien Kroon<br />

Noordermarkt 37-39<br />

1015 NA Amsterdam, The Netherlands<br />

T. +31 20 421 0606<br />

curien@pvhfilm.nl<br />

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D


D<br />

Art, Music & Culture<br />

DOBUY. THE FABRIC OF FAITH<br />

Soniya Kirpalani<br />

Reflections on a Cultural Revolution, lead by two Arab girls, who work along with a design<br />

community to develop national brands. Demanding equal opportunities in their<br />

malls to stand alongside multinational brands, they use design as an element for change.<br />

Representing modern Arab culture, they challenge the social and political dimension of<br />

veils, using it as cultural armor against an increasingly globalized economy.<br />

Running time: 52΄<br />

Year of production: 2010<br />

Production Company: Sprocket Science<br />

Production Contact Person: Soniya Kirpalani<br />

Sales Company: Thierry Detaille Int’l imports<br />

Sales Contact Person: Thierry Detaille<br />

Rue Stevin, 174<br />

Brussels 1000 Belgium<br />

T.-F +32 477 617 170<br />

thierry.detaille@gmail.com<br />

146<br />

556<br />

<strong>IN</strong>DIA<br />

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Current Affairs<br />

99 Laskareos St, Athens is the first episode of Docville, a cinéma-vérité documentary series<br />

about urban life in Greece today, in times of crisis.<br />

Zoe and Athina, two women in their fifties, own two small shops in the same neighborhood.<br />

Everyone around knows them and shops from them. Their stores are a daily meeting<br />

point for the locals to exchange their news and discuss issues that relate to their common<br />

microcosm. Due to the crisis, most small businesses in this neighborhood are closing<br />

down. However, Zoe and Athina are fighting hard to keep their businesses afloat, even<br />

though they know that very soon their life is going to change, as is the local area.<br />

Running time: 47΄<br />

Year of production: 2011<br />

201<br />

GREECE<br />

DOCVILLE – 99 LASKAREOS ST, ATHENS<br />

Katerina Patroni<br />

Production Company: Minimal Films (Athens)<br />

Production Contact Person: Marco Gastine<br />

Sales Company: Minimal Films (Athens)<br />

Hellenic Broadcasting Corp., ERT SA, Greece<br />

Sales Contact Person: Marco Gastine, Yannis Kollias<br />

5 Fotiou Patriarchou St<br />

Athens 114 71, Greece<br />

T. +30 210 360 6730<br />

F. +30 210 360 6730<br />

fminimal@otenet.gr<br />

ykollias@ert.gr<br />

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D


D<br />

Current Affairs<br />

THE DOG HILL<br />

Grzegorz Zariczny<br />

A story about three men of different ages who spend six months each year working as<br />

shepherds, away from their families and civilization. They have a lot of time to talk about<br />

the most important aspects of life. The highlander’s philosophy in short.<br />

Running time: 39΄<br />

Year of production: 2010<br />

Production Company: Andrzej Wajda Master School of Film Directing<br />

Production Contact Person: Joanna Skalska<br />

Sales Company: Krakow Film Foundation<br />

Sales Contact Person: Katarzyna Wilk<br />

Basztowa 15/8a<br />

Krakow 31-143, Poland<br />

T. +48 12 294 6945<br />

katarzyna@kff.com.pl<br />

www.kff.com.pl<br />

148<br />

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Science & Technology<br />

The search for extraterrestrial life is officially 50 years old. In 1961, an astronomer called<br />

Frank Drake took everything we knew about star formation, planetary systems, the evolution<br />

of biology and the lifecycle of civilizations; and from this jumble of science he formulated<br />

one of the most controversial formulae in science. It came to be known as the<br />

Drake Equation.<br />

It’s a complex set of factors which looks impenetrable to the unmathematical eye. But behind<br />

it lies an amazing theory: That the Universe is teeming with intelligent life.<br />

Using the equation, Drake fed in values for each of the factors based on his astronomical<br />

knowledge, and he came up with a number. He suggested that there could be 10 alien civilizations<br />

capable of contacting us, right now, in our own galaxy; the Milky Way. That would<br />

be staggering enough, but our galaxy is just one of a mind-blowing 170 billion galaxies<br />

in the Universe.<br />

Running time: 60΄<br />

Year of production: 2010<br />

332<br />

UK<br />

DRAKE EQUAT<strong>IO</strong>N –<br />

THE SEARCH FOR LIFE<br />

Tim Usborne<br />

Production Company: BBC<br />

Sales Company: Open University Worldwide<br />

Sales Contact Person: Marie Roche<br />

The Open University, Open University Worldwide,<br />

Walton Hall, Michael Young Building.<br />

Milton Keynes MK7 6AA, UK<br />

T. +44 1908 332 470<br />

F. +44 1908 858 787<br />

marie.roche00@gmail.com<br />

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D


D<br />

Art, Music & Culture<br />

DUNDUN<br />

Ibisankale Kayode<br />

Dundun, also called the Talking Drum, is considered by many to be the most eloquent of<br />

all the African drums, and is believed to have originated within the divinity. In the southern<br />

Sahara in Africa, the Dundun is traditionally regarded as “the instrument of the Kings.”<br />

Dundun – The Talking Drum takes the viewer to the city of Oyo in Nigeria where the drum<br />

is believed to have originated. This comprehensive documentary shows the cultural and<br />

historical context surrounding the drum and an in-depth examination of its construction,<br />

from chopping down the correct tree to the finishing design touches. The film also presents<br />

many performances and demonstrates who may use the drum, when and for what<br />

it is used, and what is communicated.<br />

* GZ DOC Guangzhou International Documentary Film Festival - China 2010<br />

* The Toronto African Film & Music Festival - Canada 2010<br />

* Eko International Film Festival - Nigeria 2009<br />

* Ife International Film Festival - Nigeria 2009<br />

* Nigerian Festival of Festival of Arts and Culture, Tel Aviv - Israel 2009<br />

Running time: 52΄<br />

Year of production: 2009<br />

Production Company: Kadibis Entertainment<br />

Production Contact Person: Ibisankale Kayode<br />

Sales Company: JMT Films Distribution<br />

Sales Contact Person: Michael Treves<br />

20 Bialik St.<br />

Tel Aviv 63324, Israel<br />

T. +972 52 363 3398<br />

michael@JMTFilms.com<br />

www.JMTFilms.com/document.htm#dundun<br />

150<br />

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Art, Music & Culture<br />

E. CH. GONATAS<br />

Michalis Lykoudis<br />

E.Ch. Gonatas (1924-2006) holds a particular place in Greek literature as both an original<br />

author and a creative translator of, among others, Yvan Goll, Georg Christoph Lichtenberg,<br />

and Samuel Coleridge. His short paradoxical texts, often oscillating between poetry and<br />

fiction, together with his low public profile, have made him into an enigmatic figure and<br />

have, to a certain extent, hindered the wider acclaim of his work. This short film, which was<br />

prepared as part of a research program on teaching literature at a distance, aims to introduce<br />

Gonatas to a wider public and facilitate the understanding of his captivating work.<br />

Running time: 57΄<br />

Year of production: 2010<br />

292<br />

GREECE<br />

Sales Contact Person: Michalis Lykoudis<br />

Athens 17561, Greece<br />

T. +30 6979 981 284<br />

F. +49 22 1952 2113<br />

lykoudim@otenet.gr<br />

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E


E<br />

Art, Music & Culture<br />

ECHO OF TIME<br />

Panos Kekas<br />

“Somewhere near the limits of our imagination there exists a Labyrinth. It twists and pulsates,<br />

and no one has reached its center so far.”<br />

Echo of Time explores this labyrinth of legends and the transcendent spirituality of Ross<br />

Daly’s music. Director Panos Kekas follows and records the compelling forays of the world<br />

renowned Irish musician and composer Ross Daly into Tropical Music. Ross Daly has lived<br />

in Crete for the past thirty years and always remains a tireless tracker of new musical paths.<br />

He travels with the Labyrinth giving concerts and bringing different cultures together,<br />

guided by integrity and his endless inspiration.<br />

Running time: 50΄<br />

Year of production: 2010<br />

Production Company: PK Productions<br />

Production Contact Person: Panos Kekas<br />

Sales Contact Person: Panos Kekas<br />

13 Tassopoulou St.<br />

Agia Paraskevi 153 42, Greece<br />

T. +30 210 639 4933<br />

F. +30 210 639 8616<br />

panfilm@otenet.gr<br />

152<br />

218<br />

GREECE<br />

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Environment & Wild Life<br />

OK, so maybe Greece isn’t exactly a green produce export giant - and it probably never will<br />

be. But that doesn’t mean it can’t offer a premium boutique portfolio, worth its weight in<br />

gold, to be sold in every upscale department store in the world. Alexandros is one of the<br />

few farmers in Thessaly that has latched on to the growth potential of this exclusive organic<br />

market. In fact, he’s even expecting a food scout from a luxury store in London who’s interested<br />

in his tomato sauce. His bright example has gotten the entire local community to<br />

thinking that maybe there’s a different approach to farming, where small-scale organic produce<br />

could equal big bucks. Just like limited edition art.<br />

Running time: 42΄<br />

Year of production: 2010<br />

711<br />

GREECE<br />

ECOLOGICAL DIARIES:<br />

LITTLE BIG IDEAS<br />

Marianna Economou<br />

Production Company: DOC 3 & Hellenic Broadcasting Corp. ERT S.A<br />

Production Contact Person: Marianna Economou<br />

Sales Company: DOC 3<br />

Sales Contact Person: Marianna Economou<br />

12 Athinas St, Athens 118 51, Greece<br />

T. +30 210 322 3395 F. +30 210 322 3395<br />

mecon2@gmail.com<br />

Sales Company: Hellenic Broadcasting Corp., ERT SA<br />

Sales Contact Person: Yannis Kollias<br />

432 Messoghion Ave<br />

Agia Paraskevi 153 42, Greece<br />

T. +30 210 607 5711 F. +30 210 607 5715<br />

ykollias@ert.gr<br />

www.ert.gr<br />

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E


E<br />

Environment & Wild Life<br />

ECOLOGICAL DIARIES: ON THE ROAD<br />

Alexis Alexiou<br />

Featuring the largest trail network in the Cyclades Prefecture, the island of Tinos is aching<br />

to be walked but visitors are still dragging their feet. Split down the middle by its dual<br />

Catholic-Orthodox faith and strewn with intricate pigeon lofts that may appear quaint but<br />

in fact attest to the island’s past idiosyncratic eating habits, Tinos largely remains a mystery.<br />

And the best way to explore it is still on foot. Karolos Merlin, a trekking guide and cartographer,<br />

has already unearthed 300km of well-carved footpaths and is struggling to create<br />

human traffic, the only remedy against the all-effacing forces of time. On a nearby trail,<br />

a group of volunteers from the EU are engaged in a hands-on preservation program coordinated<br />

by local architect Ioanna Papastathopoulou. A cultural heritage management<br />

specialist, Papastathopoulou sheds some light on the sloping landscape that turned pigeons<br />

into an animal farming asset, while dedicated plant pathologist Yiannis Aspromougos,<br />

a recent addition to the island, is doing his damnedest to help local farmers make<br />

the best of what they’ve got.<br />

Running time: 42΄<br />

Year of production: 2010<br />

Production Company: DOC 3 & Hellenic Broadcasting Corp., ERT SA<br />

Production Contact Person: Valerie Kontakos<br />

Sales Company: DOC 3<br />

Sales Contact Person: Valerie Kontakos<br />

12 Athinas St<br />

Athens 118 51, Greece<br />

T. +30 210 322 3395 F. +30 210 322 3395<br />

vkontakos@gmail.com<br />

Sales Company: Hellenic Broadcasting Corp., ERT SA<br />

Sales Contact Person: Yannis Kollias<br />

432 Messoghion Ave, Agia Paraskevi 153 42, Greece<br />

T. +30 210 607 5711 F. +30 210 607 5715<br />

ykollias@ert.gr www.ert.gr<br />

154<br />

712<br />

GREECE<br />

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Lifestyles<br />

EGG FOR LATER<br />

Marieke Schellart<br />

This personal documentary tells the story of 35-year-old filmmaker Marieke Schellart,<br />

struggling with her ticking biological clock. The right guy hasn’t arrived yet and now she’s<br />

starting to worry she might never have children. To give herself a bit more time, she wants<br />

to extend her fertility by freezing her eggs, but in The Netherlands freezing eggs for social<br />

reasons isn’t allowed. She openly discusses her plans and doubts with her friends and parents,<br />

finding support and resistance along the way. She also looks for Mr. Right by asking<br />

dates for presents on her 36th birthday. For Marieke, a long journey started which even<br />

takes her abroad, trying to find a solution to a very common problem for modern women.<br />

Running time: 50΄<br />

Year of production: 2010<br />

493<br />

THE NETHERLANDS<br />

Production Company: Trueworks, NCRV Television<br />

Sales Company: NPO/RNW Sales<br />

Sales Contact Person: Ellie Beijaard<br />

Sumatralaan 45<br />

Hilversum 1217 The Netherlands<br />

T. +31 35 6773 561<br />

F. +31 35 6753 18<br />

ellie.beijaard@omroep.nl<br />

www.nposales.com<br />

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E


E<br />

History & Politics<br />

EHRE (HONOR)<br />

Aysun Bademsoy<br />

In her documentary film, Aysun Bademsoy tries to approach the term “honor” by searching<br />

for distinctions and similarities of the term in different sociocultural contexts.<br />

Running time: 87΄<br />

Year of production: 2011<br />

Production Company: ma.ja.de. filmproduktion<br />

Production Contact Person: Heino Deckert<br />

Sales Company: Deckert Distribution GmbH<br />

Sales Contact Person: Heino Deckert<br />

Marienplatz 1, Leipzig 04103<br />

Germany<br />

T. +49 341 215 6638<br />

F. +49 341 215 6639<br />

info@deckert-distribution.com<br />

www.deckert-distribution.com<br />

156<br />

454<br />

GERMANY<br />

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Current Affairs<br />

The prospect of manipulating our minds with machines has for decades been considered<br />

a cybernetic fantasy, but nowadays the accelerating advancements of brain science are materializing<br />

into a genuine cure for people. This film tells the story of four people ill with Depression,<br />

PTSD, Dystonia and Schizophrenia, as they go through various cutting edge neuroenhancement<br />

therapies.<br />

Running time: 60΄<br />

Year of production: 2010<br />

386<br />

ISRAEL<br />

THE ELECTRIC M<strong>IN</strong>D<br />

Nadav Harel<br />

Production Company: NoProcess Films<br />

Production Contact Person: Nadav Harel<br />

Sales Company: CAT&Docs<br />

Sales Contact Person: Catherine Le Clef<br />

18 rue Quincampoix #133<br />

Paris 75004 , France<br />

T. +33 1 44 59 63 53<br />

cat@catndocs.com<br />

www.catndocs.com<br />

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E


E<br />

History & Politics<br />

THE EMBRACE OF THE RIVER<br />

Nicolas Rincon<br />

On one of the rocks of the Magdalena, first river of Colombia, the Mohan smokes and drinks,<br />

waiting for women to drag them to his underwater palace. They come back pregnant or<br />

disappear. He scares fish away and holds the nets; sometimes he drowns a fisherman. But<br />

lately, he rarely appears. One is less afraid of spirits than of paramilitary terrorists. And the<br />

Magdalena rolls corpses in its depths.<br />

Running time: 76΄<br />

Year of production: 2010<br />

Production Company: VOA<br />

Production Contact Person: Marie Betbeze<br />

Sales Company: Ventes-CBA/WIP Sales<br />

Sales Contact Person: Thierry Detaille<br />

19F Avenue des Arts<br />

Brussels 1000, Belgium<br />

T. +32 477 617 170<br />

F. +32 2 227 22 39<br />

ventes-cbawip-sales@skynet.be<br />

158<br />

587<br />

BELGIUM<br />

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EMBRACEABLE<br />

Jon Kent<br />

You think you know the meaning of kindness, charisma, musical passion and joy until you<br />

meet Ben Monkaba and others like him with a rare genetic condition called Williams Syndrome.<br />

Despite medical hardships and intellectual challenges, people with Williams embrace<br />

life, and everyone around them, with unconditional love and acceptance. Embraceable<br />

celebrates this beautiful variation of life through candid interviews, unforgettable social<br />

encounters, amazing musical performances and dramatic portrait photography. Running<br />

commentaries by top scientific experts bring to light how a rare genetic abnormality can<br />

teach us a great deal about ourselves.<br />

Running time: 48΄<br />

Year of production: 2011<br />

647<br />

USA<br />

“How I Am: Challenging Perceptions”<br />

Production Company: Kent Creative/501Cinema<br />

Production Contact Person: Dana Christina<br />

Sales Company: Kent Creative/501Cinema<br />

Sales Contact Person: Dana Christina<br />

123 South 11th Street<br />

Nashville ΤΝ 37206 USA<br />

T. +1 615 226 2202<br />

dana@kentcreative.com<br />

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E


E<br />

Art, Music & Culture<br />

ENCOUNTERS WITH K<strong>IK</strong>I DIMOULA<br />

Katerina Patroni<br />

A deeply personal and disarmingly frank encounter in which Kiki Dimoula lays chunks of<br />

her life, feelings and thoughts on the line. The camera remains tightly focused on the poetess<br />

throughout, searching her face with its lens and capturing an unbroken stream of consciousness<br />

with all its doubts, silences and tensions.<br />

Running time: 59΄<br />

Year of production: 2009<br />

Production Company: Periplus<br />

Production Contact Person: Thanos Lambropoulos<br />

Sales Company: Greek Film Center<br />

Sales Contact Person: Lina Manolopoulou<br />

7, Dionysiou Areopagitou St.<br />

Athens 117 42, Greece<br />

T. +30 210 367 8500<br />

F. +30 210 364 8245<br />

lina.mano@gfc.gr<br />

www.gfc.gr<br />

160<br />

281<br />

GREECE<br />

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Adventure & Travel<br />

Discovering Tierra del Fuego in the footsteps of the explorer Father Alberto Maria De<br />

Agostini.<br />

One hundred years after the first missionary landed in Tierra del Fuego, and fifty years since<br />

returning to Italy, his nephew Giovanni De Agostini visits the places his uncle described with<br />

such a wealth of detail during his short stays at home. Thanks to his uncle’s stories, Giovanni’s<br />

childhood was filled with dreams of uncontaminated peaks such as Mount<br />

Sarmiento and Fitz Roy; animals like penguins and whales; glaciers, fjords, and above all<br />

people dressed in guanaco skins, which he’ll never be able to see.<br />

Since the death of Father Alberto, a long while back in 1960, Giovanni has longed to carry<br />

out this journey. We’ll follow him, as he finally fulfils the dream of a lifetime.<br />

Running time: 54΄<br />

Year of production: 2010<br />

569<br />

ITALY<br />

END OF THE WORLD<br />

Davide Demichelis<br />

Production Company: Eurofilm<br />

Sales Company: 10 Francs<br />

Sales Contact Person: Guy Knafo<br />

28, rue de l’Equerre<br />

Paris 75019, France<br />

T. +33 1 4874 4377<br />

F. +33 1 4874 8265<br />

10francs@10francs.fr<br />

www.10francs.fr<br />

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E


E<br />

Art, Music & Culture<br />

THE ENDLESS HIGHWAY.<br />

A PORTRAIT OF ALLAN TAYLOR<br />

Patrick Ferryn<br />

Allan Taylor is a stranger, a troubadour who has spent over 40 years observing the customers<br />

of shady bars, cafés in the early morning, of cheap hotels and places where people<br />

living on the margins of society open their hearts. A film as the story of a talented composer,<br />

inspired poet, accomplished musician, and folk singer who went on the road,<br />

influenced by the Beat Generation. A biographical film which offers a better understanding<br />

of the process of composing a song, from a bar table to the mixing table of a studio.<br />

Running time: 68΄<br />

Year of production: 2010<br />

Production Company: Kabooze<br />

Production Contact Person: Patrick Ferryn<br />

Sales Company: Ventes-CBA/WIP Sales<br />

Sales Contact Person: Thierry Detaille<br />

19F, avenue des Arts<br />

Bruxelles 1000 Belgium<br />

T. +32 477 617 170<br />

F. +32 2 227 2239<br />

ventes-cbawip-sales@skynet.be<br />

162<br />

588<br />

BELGIUM<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Environment & Wildlife<br />

Throughout the year, a world of food is lying on our plate and changes the world. Has our<br />

food, from being both a temptation for our taste buds and a source of social gathering, degenerated<br />

to a matter of conscience?<br />

Under what conditions is it being produced? Fish-breeding ponds polluting the environment,<br />

patches of bush being chopped down to have cattle grazing and beans also have<br />

their dark side: a shortage of water in the region of origin. If we want to behave like conscientious<br />

consumers, we will have to clear a path through a minefield of moral choices<br />

and dilemmas.<br />

Running time: 55΄<br />

Year of production: 2009<br />

425<br />

BELGIUM - NETHERLANDS<br />

ENJOY YOUR MEAL – HOW FOOD<br />

CHANGES THE WORLD<br />

Walther Grotenhuis<br />

Production Company: Kleine Beer Films & Associate Directors<br />

Production Contact Person: Wouter Snip<br />

Sales Company: Autlook Filmsales GmbH<br />

Sales Contact Person: Andrea Hock<br />

Trappelgasse 4/17<br />

Vienna 1040, Austria<br />

T. +43 720 346 934<br />

andrea@autlookfilms.com<br />

www.autlookfilms.com<br />

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E


E<br />

History & Politics<br />

ENRAGED DECEMBER<br />

Chryssa Tzelepi & Akis Kersanidis<br />

What was the uprising of December 2008? Who were the social subjects that participated?<br />

What were the causes and how will it affect the future of socio-political demands in Greece?<br />

All these questions try to find answers in the documentary Enraged December which was<br />

filmed by a group of people who met in Thessaloniki during the first days following the<br />

murder of Alexandros Grigoropoulos (6th December 2008) in Athens. The film attempts<br />

to describe the chronicle of revolt through the eyes of those who participated in the mobilizations<br />

during the first three highly charged weeks.<br />

Running time: 63΄<br />

Year of production: 2010<br />

Production Company: Anemicinema<br />

Production Contact Person: Chryssa Tzelepi<br />

7 Skra St<br />

Thessaloniki 546 22, Greece<br />

T. +30 2310 266 702<br />

xryssasu@yahoo.gr<br />

164<br />

288<br />

GREECE<br />

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Science & Technology<br />

ENTELECHY<br />

Stavros Papageorghiou<br />

“The human soul is the entelechy of a natural body having life potentially within it.”<br />

Aristotle’s concise reasoning, hovering in the vast universe, beams out to merge with the<br />

main body of Cypriot director-producer, Stavros Papageorghiou’s documentary Entelechy;<br />

a Ulyssean, twenty-year long journey in the labyrinths of archaeo-astronomy, geodesy and<br />

philosophy.<br />

His navigator and fellow traveller in this journey of initiation, is Cypriot researcher and<br />

painter Goris Gregoriades. Since 1990, Stavros Papageorghiou’s camera has been following<br />

and recording Goris’s quest for the discovery of the geodetic and archaeo-astronomical<br />

dimension of Cyprus’s ancient sacred temples and sanctuaries. For the director, recording<br />

Goris’s research and findings turns into a parallel personal journey of investigation and<br />

exploration of the secrets that lie hidden in the ancient stone books of Knowledge.<br />

Running time: 110΄<br />

Year of production: 2010<br />

220<br />

CYPRUS<br />

Production Company: Tetraktys Films<br />

Production Contact Person: Stavros Papageorghiou<br />

Sales Company: Tetraktys Films<br />

Sales Contact Person: Stavros Papageorghiou<br />

95 Kerynia Ave, Aglanjia<br />

Nicosia 2113, Cyprus<br />

T. +357 99 694 407<br />

F. +357 22 339 286<br />

tetraktys@cytanet.com.cy<br />

www.tetraktys.tv<br />

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E


E<br />

History & Politics<br />

ETHOS<br />

Pete McGrain<br />

Ethos, a powerful new documentary hosted by Woody Harrelson, is an investigation into<br />

the flaws in our systems, and the mechanisms that work against democracy, our environment<br />

and the common good. With a stunning depth of research and breadth of analysis,<br />

this film delves deep into the inter-connected worlds of Politics, Multi-National Corporations<br />

and the Media. Most of us have wondered at some point how we have arrived<br />

at a situation where democracy is touted as having created an equal society when all we<br />

see is injustice and corruption. Politicians openly deceive the public with the support of major<br />

corporations and the mainstream media. Wars are waged, the environment is destroyed<br />

and inequality is on the rise. But what is the source of these institutional mechanisms which<br />

– when we scratch the surface – are so clearly anti-democratic, so contradictory to the<br />

values we hold in common and yet so firmly embedded that they seem beyond discussion?<br />

Running time: 56΄<br />

Year of production: 2010<br />

Production Company: Media for Change<br />

Sales Company: Sideways Film<br />

Sales Contact Person: Kazz Basma<br />

178 Stoke Newington High Street<br />

London N16 7JL, UK<br />

T. +44 788 147 3603<br />

kazz@sidewaysfilm.com<br />

www.sidewaysfilm.com<br />

166<br />

499<br />

USA<br />

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Lifestyles<br />

An actress, a performance and a psychotherapy session. The vanishing point between a theatrical<br />

role and real life.<br />

Running time: 17΄<br />

Year of production: 2011<br />

262<br />

GREECE<br />

ETHOS PROCESS PART II<br />

Spyros Amiropoulos<br />

Production Company: One Touch<br />

Production Contact Person: Spyros Amiropoulos<br />

91 Vas. Olgas Ave<br />

Thessaloniki 546 43, Greece<br />

T. +30 6936 809 371<br />

thouhast@gmail.com<br />

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E


E<br />

Current Affairs<br />

EUROPALIVE<br />

Anaud Jullien<br />

Getting to know today’s Europeans better through 140 interviews in 23 languages in 24<br />

states of the European Union.<br />

A young filmmaker travels around Europe in 75 days. Through ad-hoc interviews on<br />

streets, in parks, but also at people’s homes, different categories of people share their opinions<br />

in front of the camera. The answers given to the same list of questions about politics,<br />

culture, money, the EU and other personal concerns aim at providing a better understanding<br />

of who Europeans are today.<br />

Running time: 52΄<br />

Year of production: 2010<br />

Production Company: Europalive<br />

Production Contact Person: Arnaud Jullien<br />

Sales Company: OutCome<br />

Sales Contact Person: Jarmila Outratova<br />

Jizni namesti 23<br />

Prague 14100 Czech Republic<br />

T. +42 07 7606 6165<br />

jarmila@outcome.cz<br />

168<br />

608<br />

FRANCE<br />

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Current Affairs<br />

In 1999, Sean Sellers, sentenced to death at sixteen, was executed in Oklahoma at the age<br />

of twenty-nine. A few days earlier, the director filmed him on death row. He also met the<br />

victims’ families who were present at the clemency hearing, demanding justice. Ten years<br />

later, the director returns to Oklahoma in search of the protagonists he filmed, with one<br />

question in mind: does the death penalty really provide healing or does it act as a poison?<br />

The prosecutor admits his failure, the executioners are haunted by their memories, the victims’<br />

families are torn between shame, hatred and their sorrow still intact.<br />

Running time: 81΄<br />

Year of production: 2010<br />

134<br />

FRANCE<br />

EVERLAST<strong>IN</strong>G SORROW<br />

AFTER THE DEATH PENALTY<br />

David André<br />

Production Company: AMIP<br />

Sales Company: Doc and Film World Sales<br />

Sales Contact Person: Daniela Elstner<br />

13 rue Portefoin<br />

Paris 75003, France<br />

T. +33 1 4277 5687<br />

F. +33 1 4277 3656<br />

d.elstner@docandfilm.com<br />

www.docandfilm.com<br />

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E


E<br />

Art, Music & Culture<br />

EVERYDAY SUNSH<strong>IN</strong>E:<br />

THE STORY OF FISHBONE<br />

Lev Anderson & Chris Metzler<br />

Everyday Sunshine is a documentary about the band Fishbone, musical pioneers who have<br />

been rocking on the margins of pop culture for the past 25 years. From the streets of South<br />

Central-Los Angeles and the competitive Hollywood music scene of the 1980s, the band<br />

rose to prominence, only to fall apart when on the verge of “making it”.<br />

Laurence Fishburne narrates Everyday Sunshine, an entertaining cinematic journey into the<br />

personal lives of this unique Black rock band, an untold story of fiercely individual artists<br />

in their quest to reclaim their musical legacy while debunking the myths of young Black<br />

men from urban America. Highlighting the parallel journeys of a band and their city, Everyday<br />

Sunshine explores the personal and cultural forces that gave rise to California’s legendary<br />

Black punk sons that continue to defy categories and expectations.<br />

At the heart of Fishbone’s story is lead singer Angelo Moore and bassist Norwood Fisher<br />

who show how they keep the band rolling, out of pride, desperation and love for their art.<br />

To overcome money woes, family strife, and the strain of being aging Punk rockers on the<br />

road, Norwood and Angelo are challenged to re-invent themselves in the face of dysfunction<br />

and ghosts from a painful past.<br />

Running time: 107΄<br />

Year of production: 2010<br />

Production Company: Pale Griot Film<br />

Production Contact Person: Chris Metzler<br />

1588 Hayes Str., Ste. #2<br />

San Francisco CA 94117 USA<br />

T. +1 415 771 9987<br />

cametzler@gmail.com<br />

170<br />

306<br />

USA<br />

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Current Affairs<br />

EVRID<strong>IK</strong>I’S CASE<br />

Freddy Vianellis<br />

A creative documentary about the triumph of will. After seven years of heroin addiction,<br />

Evridiki sobers up by realizing that the root of her problems lies within her dysfunctional<br />

family and past. The film is based on the theatrical play Evridiki’s Case and follows the story<br />

of a girl who was bound to the world of drugs for 13 years. After hitting rock bottom, she<br />

turned to therapy to start all over again.<br />

The film weaves around four cinematic themes: Evridiki’s personal statement, the staging<br />

and development of the theatrical play, the everyday reality of drugs in downtown Athens<br />

and the normal upbringing of five girls between the ages of 3 and 16 which directly clashes<br />

with Evridiki’s childhood years.<br />

Running time: 56’<br />

Year of production: 2010<br />

291<br />

GREECE<br />

Production Company: Modiano SA<br />

Production Contact Person: Freddy Vianellis<br />

73 K. Palaiologou St<br />

Athens 152 32 Greece<br />

T. +30 210 684 6398<br />

F. +30 210 684 4078<br />

freddy@modianotv.com<br />

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E


E<br />

Lifestyles<br />

EX-MOTHER<br />

Nadine Kuipers<br />

In 2007, director Nadine Kuipers completed her final project for the Film Academy, Moeders<br />

Mooiste, about her reunion with her drug-addicted, estranged mother. Now, in a new<br />

documentary, she explores her dilemma: should she keep fighting and caring for her<br />

mother, or should she choose her own life instead? How unconditional is a daughter’s love<br />

for her mother? Would she rather just have an “ex-mother”?<br />

Running time: 55΄<br />

Year of production: 2010<br />

Production Company: Submarine<br />

Production Contact Person: Yaniv Wolf<br />

Sales Company: Submarine<br />

Sales Contact Person: Yaniv Wolf<br />

Rapenburgerstraat 109<br />

1011 VL Amsterdam, The Netherlands<br />

T. +31 2033 01226<br />

F. +31 2033 01227<br />

yaniv@submarine.nl<br />

172<br />

305<br />

THE NETHERLANDS<br />

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History & Politics<br />

EX-VOTO<br />

Caroline D’Hondt<br />

Alfredo Vilchis is one of the last mexican painters of ex-votos, these small paintings, naive<br />

and touching, offered to thank a saint or the Virgin Mary for his/her miraculous intervention.<br />

Alfredo takes social facts out of anonymity and gives them a life. Chronicler of his time,<br />

he also makes personal ex-votos dealing with symptomatic issues of contemporary Mexican<br />

society, on the eve of the centennary of its revolution.<br />

Running time: 54΄<br />

Year of production: 2010<br />

586<br />

BELGIUM<br />

Production Company: Cobra Film<br />

Production Contact Person: Vincent Tavier<br />

Sales Company: Ventes-CBA/WIP Sales<br />

Sales Contact Person: Thierry Detaille<br />

19F Αvenue des Arts<br />

Brussels 1000, Belgium<br />

T. +32 477 617 170<br />

F. +32 2 227 2239<br />

ventes-cbawip-sales@skynet.be<br />

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E


E<br />

Art, Music & Culture<br />

EYE OVER PRAGUE<br />

Olga Spatova<br />

The extraordinary tale of Jan Kaplicky, one of the most consummate visionaries of modern<br />

architecture. Shot over 3 years in the UK, the Czech Republic and Italy, the film portrays<br />

Kaplicky at the height of his profession and the petty political gamesmanship that<br />

denied him his crowning achievement. His most audacious building would have been the<br />

Czech National Library, a triumphant return to his home country and vindication of his uncompromising<br />

philosophy. The organic design was too forward-looking for the political<br />

powers in Prague, however, and the architect tragically died, uncertain whether his<br />

achievement would ever be realized.<br />

Running time: 78΄<br />

Year of production: 2010<br />

Production Company: Simply Cinema<br />

Production Contact Person: Eliska Kaplicky-Fuchsova<br />

Krizeneckeho nam. 322/5, Barrandov film studios<br />

Prague 5, 15200, Czech Republic<br />

T. +420 251 819 441<br />

eliska@simplycinema.cz<br />

174<br />

345<br />

CZECH REPUBLIC<br />

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Current Affairs<br />

EYEWITNESS<br />

Kate Shiers-Ghelliere<br />

Many of us will witness a violent crime at some point in our lives. The police will want us<br />

to describe what happened in detail, but our memory can play tricks on us. Could you give<br />

a reliable statement of exactly what happened?<br />

Using actors, hidden cameras and interviews, we show the difference between what witnesses<br />

remember and what actually happened. Ten volunteers, who think they are taking<br />

part in a series about memory, find themselves key witnesses to two dramatic and violent<br />

crimes, secretly staged and filmed. Our volunteers find it surprisingly hard to remember<br />

the sequence of events, let alone who did what.<br />

Running time: 3x60΄<br />

Year of production: 2009<br />

333<br />

UK<br />

Production Company: BBC<br />

Sales Company: Open University Worldwide<br />

Sales Contact Person: Marie Roche<br />

The Open University, Open University Worldwide,<br />

Walton Hall, Michael Young Building.<br />

Milton Keynes MK7 6AA, UK<br />

T. +44 1908 332 470<br />

F. +44 1908 858 787<br />

marie.roche00@gmail.com<br />

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E


Current Affairs<br />

Familia is a poignant documentary spanning over 35 years about a poverty-stricken Peruvian<br />

family trying to stay together in the midst of great difficulty. The story begins in 2006.<br />

Naty has lost her steady employment and can’t find a new job. With great anxiety she decides<br />

to leave her family to look for work in Spain. Two years later she returns to Peru, and<br />

finds her family in turmoil. But Naty has also changed...<br />

Running time: 58΄<br />

Year of production: 2010<br />

149<br />

SWEDEN<br />

FAMILIA<br />

Alberto Herskovits & Mikael Wistroem<br />

Production Company: Månharen Film & TV<br />

in co-production with Ventana Film AB and SVT<br />

Production Contact Person: Mikael Wistroem<br />

Sales Company: Deckert Distribution GmbH<br />

Sales Contact Person: Heino Deckert<br />

Marienplatz 1, Leipzig 04103<br />

Germany<br />

T. +49 341 215 6638<br />

F. +49 341 215 6639<br />

info@deckert-distribution.com<br />

www.deckert-distribution.com<br />

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F


F<br />

Current Affairs<br />

FAMILY <strong>IN</strong>ST<strong>IN</strong>CT<br />

Andris Gauja<br />

Family Instinct is a film about incest – an illegal act, social taboo and a violation of religious<br />

norms. Zanda is a 28-year-old woman, worn out by hard work. Surrounded by<br />

poverty and despair, she is trying to survive with her two children in a god-forsaken Latvian<br />

village. Her hardships can be traced back to living in a relationship with her brother<br />

Valdis. When Valdis is put in jail, the local community forces her to make a difficult choice:<br />

to stay with him or with her children. Despite her ill fortune, she manages to express her<br />

love for the children, still hoping to save her family. The film offers a tragicomic but highly<br />

authentic insight into the bleak reality of Latvian countryside today.<br />

Running time: 58΄<br />

Year of production: 2010<br />

Production Company: Fa Filma<br />

Production Contact Person: Madara Melberga<br />

Sales Company: Autlook Filmsales GmbH<br />

Sales Contact Person: Andrea Hock<br />

Autlook Filmsales GmbH<br />

Trappelgasse 4/17<br />

Vienna A-1040 Austria<br />

T. +43 6764 3720<br />

andrea@autlookfilms.com<br />

www.autlookfilms.com<br />

178<br />

116<br />

LATVIA<br />

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Lifestyles<br />

In December of 2002, McDonald’s had to shut down their restaurants in Bolivia. The company<br />

cited financial problems, but the real reasons were to be found elsewhere. Bolivia may<br />

be a small, poor nation on the global market, but strong traditions and national tastes are<br />

sometimes more powerful factors than economic clout. Filmmaker Fernando Martinez<br />

shows us the characters behind the events and their life stories. The symbolism is obvious<br />

when a multinational giant is brought to its knees by a country’s traditions and heritage.<br />

Through six intimate stories with renowned cooks and a review of popular sayings about<br />

Bolivian food, travel by the variety of its flavor, you’ll discover that love is in this home cooking,<br />

the market, the barter and the low cost of one of the cuisines that has not yet been<br />

recognized.<br />

* GIFF Göteborg IFF, Sweden 2011<br />

Running time: 73΄<br />

Year of production: 2011<br />

553<br />

BOLIVIA - VENEZUELA - ARGENT<strong>IN</strong>A<br />

FAST FOOD OFF THE SHELF<br />

Fernando Martínez<br />

Production Company: Producen Bolivia &<br />

Azpurua Productions & Lagarto Cine<br />

Production Contact Person: Viviana Saavedra<br />

Sales Company: JMT Films Distribution<br />

Sales Contact Person: Michael Treves<br />

20 Bialik St<br />

Tel Aviv 63324, Israel<br />

T. +972 52 363 3398<br />

Michael@JMTFilms.com<br />

www.JMTFilms.com/document.htm#fastfood<br />

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F


F<br />

History & Politics<br />

FATAL PROMISES: BOUGHT, SOLD<br />

AND DISCARDED A CLOSE LOOK<br />

AT HUMAN TRAFFICK<strong>IN</strong>G<br />

Kat Rohrer<br />

Fatal Promises is a controversial new documentary that takes an in-depth and refreshingly<br />

honest look into the scourge of human trafficking. Through personal stories of victims of<br />

trafficking, and interviews with politicians, non-governmental organizations and prominent<br />

spokespeople like Emma Thompson and Gloria Steinem, Fatal Promises cleverly juxtaposes<br />

the brutal realities of human trafficking suffered by victims and battled by activists,<br />

with the hollow rhetoric of politicians and pundits who claim to be making significant<br />

strides in combating this horrific crime against humanity.<br />

Running time: 58΄<br />

Year of production: 2010<br />

Production Company: GreenKat Productions<br />

Production Contact Person: Katharina Rohrer<br />

Sales Company: Films Transit International<br />

Sales Contact Person: Jan Röfekamp<br />

252 Gouin Boulevard East<br />

Montreal/Quebec H3L 1A8, Canada<br />

T. +1 514 844 3358<br />

F. +1 514 844 7298<br />

jan@filmstransit.com<br />

www.filmstransit.com<br />

180<br />

410<br />

USA - AUSTRIA<br />

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Environment & Wild life<br />

Alan Howell Parrot is one of the worlds leading falcon trainers with powerful connections<br />

in the Middle East, where he formerly trained hunting falcons for the Persian Gulf power<br />

elite. After witnessing relentless falcon smuggling in the wake of the USSR’s collapse, he<br />

left the Middle East and formed a global nature conservation group to protect the falcons.<br />

Through his connections, Mr. Parrot learned of the whereabouts of Osama Bin Laden, who<br />

is an obsessed falconer….<br />

Running time: 80΄<br />

Year of production: 2010<br />

411<br />

ICELAND<br />

FEATHERED COCA<strong>IN</strong>E: FOLLOW THE<br />

FALCON, F<strong>IN</strong>D THE TERRORIST<br />

Orn Marino Arnarson & Thorkell Hardarson<br />

Production Company: Markell Productions<br />

Production Contact Person: Thorkell Hardarso<br />

Sales Company: Films Transit International<br />

Sales Contact Person: Jan Röfekamp<br />

252 Gouin Boulevard East<br />

Montreal/Quebec H3L 1A8, Canada<br />

T. +1 514 844 3358<br />

F. +1 514 844 7298<br />

jan@filmstransit.com<br />

www.filmstransit.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 181<br />

F


F<br />

Art, Music & Culture<br />

FERL<strong>IN</strong>GHETTI<br />

Christopher Felver<br />

The poet and writer Lawrence Ferlinghetti is an iconic presence in the world of arts and<br />

letters. He is also the co-founder of City Lights Booksellers & Publishers in San Francisco<br />

as well as a painter and a liberal activist.<br />

For well over half a century he has helped shape the currents of poetry and literature<br />

through his forceful engagement with society. Armed with an ideological position that often<br />

found him at odds with the political dogma of his day, Ferlinghetti became the best<br />

selling poet of the modern era in the USA (A Coney Island of the Mind, 1958, a collection<br />

of poems that has been translated into nine languages, with sales of over 1 million<br />

copies), a literary mercenary and a rebel at the forefront of a cultural revolution.<br />

Running time: 80΄<br />

Year of production: 2011<br />

Production Company: Photography Felver<br />

Sales Company: 10 Francs<br />

Sales Contact Person: Guy Knafo<br />

28, rue de l’Equerre<br />

Paris 75019, France<br />

T. +33 1 4874 4377<br />

F. +33 1 4874 8265<br />

10francs@10francs.fr<br />

www.10francs.fr<br />

182<br />

570<br />

USA<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


History & Politics<br />

We follow Welshman Paul Duddridge as, with the help of some of the world’s greatest writers,<br />

thinkers and academics, he pushes aside society’s taboos to find out what “race” really<br />

is. Along the way he attempts to solve the Middle East peace crisis, buys hundreds of<br />

Twinkies and desperately tries to find contestants to join him for a mini-Olympics staged<br />

in Los Angeles where teams are split by race rather than nationality.<br />

There is a serious point to the seemingly irreverent approach: if we can’t easily define race,<br />

why can it sometimes seem so easy to define racism?<br />

Filmed on location in Los Angeles, Texas, New York, New Jersey, Virginia, Ohio, and the UK,<br />

A Film about Races is an entertaining exploration of the common myths and misconceptions<br />

about race.<br />

Running time: 56΄<br />

Year of production: 2010<br />

453<br />

UK<br />

A FILM ABOUT RACES<br />

Jonathan Baker<br />

Production Company: Seagull Designed Films<br />

Sales Company: Sideways Film<br />

Sales Contact Person: Kazz Basma<br />

178 Stoke Newington High Street<br />

London N16 7JL, UK<br />

T. +44 788 147 3603<br />

kazz@sidewaysfilm.com<br />

www.sidewaysfilm.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 183<br />

F


F<br />

Art, Music & Culture<br />

FILM<strong>IN</strong>G, AN EVERYDAY STRUGGLE<br />

Nicolas Ploumpidis<br />

The voice here is that of those who still try to create cinema d’auteur in Greece. The film<br />

follows Margarita Manda who is shooting her first feature film. The set operates as a window<br />

on the often hard reality of the country and attests to the resourcefulness that today’s<br />

Greeks need to show in order to face reality: solidarity, smartness and a decent amount of<br />

poetry. The images are those of a film shoot, yet the editing renders it a real-life experience.<br />

Running time: 29΄<br />

Year of production: 2010<br />

Production Contact Person: N. Ploumpidis<br />

Sales Contact Person: N. Ploumpidis<br />

Paris 75010, France<br />

T. +33 6 2783 9078<br />

filmingos@gmail.com<br />

184<br />

230<br />

GREECE<br />

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Art, Music & Culture<br />

THE FIRE WITH<strong>IN</strong><br />

Petros Charalambous<br />

“The Power of Art is that it can carry the talent of artist through the centuries…”<br />

Now, regretfully, I think that ¨Art can be more ephemeral than the artist himself¨<br />

The painter’s workshop, destroyed by a fire, was a really priceless cultural treasure, with<br />

paintings of unique value, theatrical maquettes and hand-written scripts, rare collections<br />

of books, precious stones and photographs. The loss for the painter, who lost the work of<br />

a lifetime, but also for the culture of our country cannot be measured.<br />

Andreas Charalambous has dedicated himself to the art of Cyprus and to the cultural happenings<br />

of our country. This film is a small token of our appreciation to the artist and what<br />

he represents.<br />

Running time: 46΄<br />

Year of production: 2010<br />

217<br />

CYPRUS - GREECE<br />

Production Company: Film Etc. Ltd.<br />

Production Contact Person: Petros Charalambous<br />

4 Kyprou Chrysanthi St<br />

Engomi 2412, Cyprus<br />

T. +357 9955 6086<br />

F. +357 2235 5899<br />

filmpetros@gmail.com<br />

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F


F<br />

Art, Music & Culture<br />

THE FIRST GREEK WOMAN ARTIST<br />

Kleoni Flessa<br />

Eleni Boukouli Altamura. Searching for a glimpse of the first avant-garde woman artist of<br />

the 19th century against the backdrop of the Greek reality in which she lived, an alluring<br />

and enigmatic woman who somehow managed to turn her era’s every convention on its<br />

head.<br />

Dressed as a man, Eleni studied Painting at the Nazarene School in Rome (1847-50) and<br />

in Florence (1850-51). Her example became a demand for schools of art and universities<br />

around the world to open their doors to women and grant them access to knowledge.<br />

Eleni fell in love with an Italian artist, Saverio Altamura, and dared to live her life rebelliously<br />

and poetically, whatever the cost. And it cost her very dearly indeed.<br />

Running time: 56΄<br />

Year of production: 2010<br />

Production Company: Kleoni Flessa<br />

Production Contact Person: Kleoni Flessa<br />

Sales Company: Greek Film Center<br />

Sales Contact Person: Lina Manolopoulou<br />

7 Dion.Areopagitou St<br />

Athens 117 42, Greece<br />

T. +30 210 367 8525<br />

F. +30 210 341 4336<br />

lina.mano@gfc.gr<br />

www.gfc.gr<br />

186<br />

233<br />

GREECE<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Lifestyles<br />

It is 6:00 am, in Canton, in the South of China. The employees of the Jin Cheng restaurant<br />

are getting ready: collective dancing and singing will contribute to make this new day a<br />

successful one. The stakes are high: the restaurant has a reputation of excellence due to its<br />

“Chao” specialties: to guarantee the authenticity of “Chao” flavors, the supplying of fish,<br />

shellfish and tofu, among many others items, must come from the original source, where<br />

the skills of this ethnic group are still applied in accordance with the ancestral rules and<br />

where the quality and freshness of the products is indisputable. Nothing can be properly<br />

done if the traditions are not respected. As we follow the workings of this enterprise, we<br />

will understand how for the Chao Diaspora, cooking is an excellent cure for nostalgia.<br />

Running time: 52΄<br />

Year of production: 2011<br />

474<br />

FRANCE - CH<strong>IN</strong>A<br />

FLAVOR AND BONDAGE<br />

Feng Wang<br />

Production Company: Solferino Images, Grand Entertainment<br />

Production Contact Person: Michel Noll<br />

Sales Company: ICTV<br />

Sales Contact Person: Lydia Castellano<br />

17 rue du Colisée<br />

Paris 75008, France<br />

T. +33 1 6403 7098<br />

F. +33 1 6403 7101<br />

lydia.c@ictv-solferino.com<br />

www.ictv.fr<br />

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F


F<br />

Lifestyles<br />

FLY<strong>IN</strong>G HOME<br />

Tobias Wyss<br />

After a tragic car accident, Walter Otto Wyss immigrated to the United States in 1939. There<br />

he developed a revolutionary hybrid-car which will never be produced. Having interrupted<br />

his relationship to an Afro-American dancer, Martinique Landois, in the late fifties, he learns<br />

Japanese in Tokyo, living like a hermit.<br />

The last thirty years of his live, he lived alone in Hawaii, where he passed away in 2001.<br />

In spite of many opportunities to realize his dream of freedom, success and security, he<br />

never managed to free himself of Switzerland, his mother, his guilt. Walter’s nephew, the<br />

director Tobias Wyss, tells the story of his uncle in a personal way, using photos and videos<br />

from the family’s archive.<br />

Running time: 80΄<br />

Year of production: 2011<br />

Production Company: Mira Film GmbH<br />

Production Contact Person: Anna Martensen<br />

Sales Company: Mira Film GmbH<br />

Badenerstr. 129,<br />

Zurich 8004, Switzerland<br />

T. +41 43 960 3684<br />

info@mirafilm.ch<br />

188<br />

459<br />

SWITZERLAND<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


This is the story of an inspiring group of people and their dream to make music. This documentary<br />

film follows the members of the Spirit of Goodwill Band while they prepare for<br />

the concert of a lifetime. As they navigate daily life, these 28 musicians and singers, all with<br />

a wide range of severe mental and physical disabilities, display innate talent, humor and<br />

tenacity. For Once in My Life shatters preconceived notions of what it means to be “disabled”<br />

and reveals the humor, hope and the greatness within us all.<br />

Running time: 89΄<br />

Year of production: 2010<br />

634<br />

USA<br />

“How I Am: Challenging Perceptions”<br />

FOR ONCE <strong>IN</strong> MY LIFE<br />

Jim Bigham & Mark Moormann<br />

Production Company: Visit Films<br />

Sales Company: Visit Films<br />

Sales Contact Person: Aida LiPera<br />

89 5th Ave., Suite 806,<br />

New York NY 10003 USA<br />

T. +1 718 312 8210<br />

F. +1 718 362 4865<br />

intern@visitfilms.com<br />

www.visitfilms.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 189<br />

F


F<br />

Current Affairs<br />

FOREIGN PARTS<br />

Verena Paravel & J.P Sniadecki<br />

A hidden enclave in the shadow of the New York Mets’ new stadium, the neighborhood<br />

of Willets Point is an industrial zone fated for demolition. Filled with scrapyards and auto<br />

salvage shops, lacking sidewalks or sewage lines, the area seems ripe for urban development.<br />

But Foreign Parts discovers a strange community where wrecks, refuse and recycling<br />

form a thriving commerce. Cars are stripped, sorted and catalogued by brand and part, then<br />

resold to an endless parade of drive-thru customers. Joe, the last original resident, rages<br />

and rallies through the street like a lost King Lear, trying to contest his imminent eviction.<br />

Two lovers, Sara and Luis, struggle for food and safety through the winter while living in<br />

an abandoned van. Julia, the homeless queen of the junkyard, exalts in her beatific visions<br />

of daily life among the forgotten. The film observes and captures the struggle of a contested<br />

“eminent domain” neighborhood before its disappearance under the capitalization of<br />

New York’s urban ecology.<br />

Running time: 80΄<br />

Year of production: 2010<br />

Production Company: Verena Paravel and J.P Sniadecki<br />

Production Contact Person: Verena Paravel<br />

17 marie ave. #3<br />

Cambridge ΜΑ 02139 USA<br />

T. +1 617 223 7732<br />

paravel@mit.edu<br />

190<br />

364<br />

USA - FRANCE<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


History & Politics<br />

FRITKOT<br />

Manu Poutte<br />

Humorous, featuring colorful characters, the film portrays a traditional and endangered<br />

chips snack, as the little theater of contemporary troubled Belgium. A cramped hut where<br />

queuing brings dialogue and improbable encounters. A friendly place, which represents<br />

a chance, in compartmented societies, of living together.<br />

Running time: 76΄<br />

Year of production: 2010<br />

592<br />

BELGIUM<br />

Production Company: Lux Fugit Film<br />

Production Contact Person: Manu Poutte<br />

Sales Company: Ventes-CBA/WIP Sales<br />

Sales Contact Person: Thierry Detaille<br />

Wallonie Image Production<br />

Quai des Ardennes 16<br />

Liège 4020, Belgium<br />

T. +32 477 617 170<br />

F. +32 4 340 1041<br />

ventes-cbawip-sales@skynet.be<br />

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F


F<br />

Art, Music & Culture<br />

FROM CALL<strong>IK</strong>RATES TO CALATRAVA –<br />

THE GREEK APARTMENT BUILD<strong>IN</strong>GS<br />

Yannis Skopeteas<br />

Which was the first block of flats in Athens? Are lofts the luxurious apartment blocks of the<br />

21st century? What does the condominium represent? What changes occurred after World<br />

War II, when there was a building boom of blocks of flats in most major Greek cities? This<br />

documentary traces the evolution of the apartment building from the first ones that appeared<br />

in Greece in the early 20th century to the luxurious apartments of wealthy Greeks<br />

in the early 1930s, the mass-produced bourgeois blocks of flats of the 1960s, the condominiums<br />

of the two past two decades and the lofts of 2010. Special emphasis is given to<br />

the apartment buildings which became landmarks of the evolution of that type of building,<br />

such as apartment blocks built by the architects Valsamakis, Dekavallas, Manetas, and<br />

Biris, as well as Panagiotakos’s legendary “Blue Block of Flats” in the Exarcheia district of<br />

Athens.<br />

Running time: 48΄<br />

Year of production: 2010<br />

Production Company: Hellenic Broadcasting Corp., ERT SA & Studio Pixel<br />

Sales Company: Hellenic Broadcasting Corp., ERT SA<br />

Sales Contact Person: Yannis Kollias<br />

432 Messoghion Ave<br />

Agia Paraskevi 153 42, Greece<br />

T. +30 210 607 5711<br />

F. +30 210 607 5715<br />

ykollias@ert.gr<br />

www.ert.gr<br />

192<br />

294<br />

GREECE<br />

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Art, Music & Culture<br />

Whatever your preconceptions about hip hop may be, throw them out the window. The<br />

Furious Force of Rhymes explodes the stereotypes of swagger and bravado to reveal an irresistible<br />

unifying force of global significance. Lushly photographed, bursting with music<br />

and dance, this powerful documentary carries you away on a trans-national hip hop<br />

Road Movie. Startling and provocative, with an uplifting message of hope and reconciliation,<br />

it reveals how a single genre of music connects people as diverse as American Blacks,<br />

East German Skinheads, Israeli Jews, Palestinians, African Feminists and French Banlieusards.<br />

Alternately exuberant, moving and humorous, The Furious Force of Rhymes is a<br />

stirring chronicle of the combustible intersection between politics and art.<br />

Running time: 82΄<br />

Year of production: 2010<br />

146<br />

FRANCE<br />

THE FUR<strong>IO</strong>US FORCE OF RHYMES<br />

Joshua Atesh Litle<br />

Production Company: Les Films d’Ici<br />

Sales Company: Doc & Film International<br />

Sales Contact Person: Daniela Elstner<br />

13 rue Portefoin<br />

Paris 75003, France<br />

T. +33 1 4277 5687<br />

F. +33 1 4277 3656<br />

d.elstner@docandfilm.com<br />

www.docandfilm.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 193<br />

F


F<br />

Environment & Wildlife<br />

FUTURE OF HOPE<br />

Henry Bateman<br />

Everything bubbles to the surface in its purest form: lava, spouting geysers and the untouched<br />

hilly landscape that stretches out as far as the eye can see. The banking crisis hit<br />

Iceland hard, but not everyone here considers it to have been a disaster: of all people, it is<br />

a bankrupted entrepreneur who says, “It’s the best thing that could happen to the soul of<br />

Iceland. We had lost ourselves in greed.” So keep your spirits up: in the words of Vala Ragnarsdottir<br />

from the University of Iceland, her country is “the best place to be when the energy<br />

crisis hits.” The opportunities for sustainable development are boundless. All that is<br />

required is a shift in mentality, a shift from importing nearly all the population’s food to<br />

installing greenhouses on a volcano. Future of Hope presents Icelanders who are leading<br />

their compatriots in a new way of thinking. Images of the spectacular Icelandic landscape<br />

are intercut with interviews that strike a hopeful chord.<br />

Running time: 75΄<br />

Year of production: 2010<br />

Production Company: Future of Hope<br />

Production Contact Person: Heather Millard<br />

Sales Company: Raven Films/Spier Films<br />

Sales Contact Person: Heather Millard<br />

10 Old House Road, Balsham<br />

Cambridge CB21 4EF, UK<br />

T. +44 7793 030 475<br />

heather@spierfilms.com<br />

www.spierfilms.com<br />

194<br />

131<br />

ICELAND - UK<br />

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History & Politics<br />

When President of Ecuador Rafael Correa announced in 2007 that he will not exploit the<br />

country’s Amazonian oil fields in exchange for financial compensation from industrialized<br />

countries, he makes a very bold move. The challenge? To convince them that the safeguarding<br />

of nature is worth more than petroleum extraction. The film tells the three-yearstory<br />

of Correa’s team as they try to convince the international community that both<br />

north and south would gain by supporting this post-petroleum-era model for sustainable<br />

development.<br />

Running time: 52΄<br />

Year of production: 2010<br />

107<br />

FRANCE<br />

A FUTURE WITHOUT OIL<br />

Laëtitia Moreau<br />

Production Company: What’s Up Films<br />

Production Contact Person: Matthieu Belghiti & Pierre Carrique<br />

Sales Company: Zed<br />

Sales Contact Person: Céline Payot<br />

42 rue Eugene Carriere<br />

Paris 75018, France<br />

T. +33 1 5309 9876<br />

F. +33 1 4262 6460<br />

cpayot@zed.fr<br />

www.zed.fr<br />

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F


Science & Technology<br />

GENP<strong>IN</strong><br />

Naomi Kawase<br />

Life born into this world, life that ends at the moment of birth, life that ends before birth.<br />

Lives do not cease as a solitary life, but are carried on by the species, and continue.<br />

Through the flux of the Japanese seasons, Kawase Naomi entered the circle of the women<br />

giving birth at the Yoshimura Clinic and the world of Dr. Yoshimura, who has spent forty<br />

years on the path of natural childbirth, and wove the footage she shot with her own 16mm<br />

camera into this film.<br />

The film takes place at the Yoshimura Clinic, in the city of Okazaki in Aichi Prefecture, near<br />

central Japan. The clinic stands in a dense forest, as if protected by something in the midst<br />

of a rapidly developing residential district. Expectant mothers come here from across the<br />

country, seeking a natural childbirth that doesn’t depend on medical intervention.<br />

The work of childbirth, essential and instinctive to humans, has continued without change<br />

from the beginning of time. But in today’s world, with the flood of information about childbirth,<br />

pregnancy brings anxiety along with joy.<br />

Running time: 92΄<br />

Year of production: 2010<br />

186<br />

JAPAN<br />

Production Company: Kumie Inc.<br />

Sales Company: Kumie Inc.<br />

Sales Contact Person: Yuko Naito<br />

2-14-2, Shitaya,Taito-Ku<br />

Tokyo 110 0004, Japan<br />

T. +81 3 5942 4610<br />

F. +81 3 5942 4610<br />

noirmam@sepia.ocn.ne.jp<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 197<br />

G


G<br />

Current Affairs<br />

GIRLS AND GANGS: THE CHANG<strong>IN</strong>G<br />

FACE OF MEXICO’S DRUG CARTELS<br />

Stephanie Brillant & Manon Quérouil<br />

In today’s Mexico, the role of women in drug cartels has evolved beyond that of the traditional<br />

girlfriend. As women, they arouse less suspicion transporting drugs and arms, enabling<br />

them to gain greater influence within the cartels. Some have risen up the ranks to<br />

become involved in money laundering or even murder. A handful have even reached the<br />

level of gang leaders, becoming icons.<br />

How has this happened? Mexican drug cartels are notoriously macho, so what has<br />

changed? An investigation into the changing face of Mexico’s drug cartels.<br />

Running time: 52΄<br />

Year of production: 2010<br />

Production Company: She is the Boss<br />

Sales Company: Java Films<br />

Sales Contact Person: Kathryn Bonnici<br />

4-6 Villa Thoreton,<br />

Paris 75015, France<br />

T. +33 1 4060 2624<br />

Kathryn@javafilms.fr<br />

www.javafilms.fr<br />

198<br />

310<br />

FRANCE<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Art, Music & Culture<br />

Following the renowned Israeli director Amos Gitai in the course of directing his latest and<br />

most personal film to date, Carmel.<br />

Running time: 55΄<br />

Year of production: 2010<br />

395<br />

ISRAEL<br />

GITAI – <strong>IN</strong> SEARCH OF HIS CARMEL<br />

Ran Tal<br />

Sales Company: Cinephil<br />

Sales Contact Person: Philippa Kowarsky<br />

18 Levontin Street<br />

Tel Aviv 65112<br />

Israel<br />

T. +972 3 566 4129<br />

F. +972 3 560 1436<br />

info@cinephil.co.il<br />

www.cinephil.co.il<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 199<br />

G


G<br />

Current Affairs<br />

GOD NO SAY SO<br />

Brigitte Uttar Kornetzky<br />

God No Say So finds the uplifting spirit in those who suffered horrible war in Sierra Leone.<br />

From the hard working Bonka people, through the prostitute Julietta, and the wild, hilarious,<br />

organized antics of the school children, we are treated to a spirit of togetherness, optimism,<br />

and sheer joy.<br />

Running time: 88΄<br />

Year of production: 2010<br />

Production Company: dit MagpieDreamPictures<br />

T. +41 71 374 1809<br />

phil@kornetzky.ch<br />

www.kornetzky.ch<br />

200<br />

181<br />

SWITZERLAND - SIERRA LEONE<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Current Affairs<br />

Gold has never been as expensive as it is today. “Gold is safe”, they say. But is that really true?<br />

And who wins and who loses in the gold trade? The Newmont Company likes to hold its<br />

cards close to its chest, but in 2008 it “won” the Public Eye Award – a negative award for<br />

companies who exploit their employees particularly badly. The Newmont mines in Peru<br />

and Ghana are the particular focus of criticism. At the edge of the town of Cajamarca in<br />

Peru lies the Yanacocha gold mine; it is the largest mine in Latin America. The very substance<br />

that represents so wealth in the industrial nations is making the people here poor,<br />

because in the gold rush, only the companies and the speculators make money. The film<br />

presents a boom’s winners and losers, about whom the people on the world’s gold markets<br />

know nothing.<br />

Running time: 30΄<br />

Year of production: 2010<br />

465<br />

GERMANY<br />

GOLDEN AGE?<br />

THE DUPLICITOUS GOLD TRADE<br />

Ralph Weihermann & Mirjam Leuze<br />

Production Company: Kigali Films<br />

Sales Company: united docs<br />

Sales Contact Person: Anne Hufnagel<br />

48-50, Breite Str.<br />

Cologne 50670 Germany<br />

T. +49 22 1920 690<br />

F. +49 22 1920 6969<br />

anne.hufnagel@united-docs.com<br />

www.united-docs.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 201<br />

G


G<br />

Lifestyles<br />

THE GOOD LIFE<br />

Eva Mulvad<br />

Two women, mother and daughter, live on the sunny Portuguese coast. They have been<br />

exceptionally wealthy all their lives and have relished the “good life”. There has been ample<br />

pleasure and a total absence of work. Now, however, they have one big problem. Their<br />

wealth has run out. How do they now cope with a life of poverty after having been born<br />

into wealth? How do they manage to find a job and keep it, when nobody in the family<br />

has ever worked? And who is to blame now that the sweet and dreamy life has turned into<br />

a nightmare?<br />

Running time: 87΄<br />

Year of production: 2010<br />

Production Company: Danish Documentary Production<br />

Production Contact Person: Sigrid Dyekjær<br />

Sales Company: Danish Documentary Production<br />

Sales Contact Person: Sigrid Dyekjær<br />

Danish Documentary Production<br />

Kompagnistræde 20 B<br />

1202 København K, Denmark<br />

T. +45 6060 6810<br />

info@danishdocumentary.com<br />

www.danishdocumentary.com<br />

202<br />

101<br />

DENMARK<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Current Affairs<br />

Goodnight Nobody takes us on a journey through night, space and time. Four protagonists<br />

from four different continents share the same handicap: they can’t sleep. With varying tactics,<br />

they resign themselves to the fact that they must live around the clock without interruption.<br />

Four ways of killing time.<br />

Their stories follow the rhythm of the night, like flickering dreams in calm REM sleep. Narrations<br />

become fragments, the transition between reality and fantasy begins to flow and<br />

develop suction, making the feeling of sleeplessness palpable. A hypnotic journey through<br />

the most beautiful of all film settings: the night.<br />

Running time: 58΄ & 77΄<br />

Year of production: 2010<br />

426<br />

SWITZERLAND<br />

GOODNIGHT NOBODY<br />

Jacqueline Zünd<br />

Production Company: DOCM<strong>IN</strong>E Productions<br />

Production Contact Person: Patrick M. Mueller & Sebastian Zembol<br />

Sales Company: Autlook Filmsales GmbH<br />

Sales Contact Person: Andrea Hock<br />

Trappelgasse 4/17<br />

Vienna 1040, Austria<br />

T. +43 720 346 934<br />

andrea@autlookfilms.com<br />

www.autlookfilms.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 203<br />

G


G<br />

Current Affairs<br />

GRACE, MILLY, LUCY…<br />

CHILD SOLDIERS<br />

Raymonde Provencher<br />

Over the past twenty years, more than 30,000 Ugandan children have been abducted by<br />

rebel troops and forced into armed conflict. Many of these child soldiers are girls. Grace,<br />

Milly Lucy... Child Soldiers explores this little-known reality.<br />

When they return from captivity, girls who were trained to kill and often forced to “marry”<br />

their captors must readjust to life within their community. Clinging to their dreams, Grace,<br />

Milly and Lucy are trying to restore meaning to their lives and break the silence surrounding<br />

the fate of a sacrificed generation.<br />

Combining personal accounts and scenes from daily life, this documentary conjures up the<br />

stifled echoes of a painful past and dares to believe that a better future is within reach for<br />

these women who are united in a common struggle.<br />

Running time: 73΄<br />

Year of production: 2010<br />

Production Company: Macumba Doc & National Film Board οf Canada<br />

Sales Company: National Film Board of Canada<br />

Sales Contact Person: Christina Rogers<br />

3155 Cote-De-Liesse Rd.<br />

St-Laurent, Quebec, Canada<br />

T. +1 514 496 4134<br />

distribution@nfb.ca<br />

www.nfb.ca<br />

204<br />

178<br />

CANADA<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Adventure & Travel<br />

The Lausanne Population Exchange subjected Greeks living in Anatolia and Turks living in<br />

the Balkans to forced immigration on an unprecedented scale. These populations encountered<br />

life-threatening dangers on their journeys as they left their homelands never<br />

to return again. Grandchildren of the Lost Lands brings together contemporary high school<br />

students from Greece and Turkey on the occasion of a school trip. The two different societies<br />

have coexisted in the same lands for centuries. The children trace their ancestries and<br />

travel to Thessaloniki and İzmir to find out together about their own social and cultural heritage<br />

that lives on by the grandparents left behind, as well as the cultural interaction between<br />

the two societies in the two lands. Despite the emotional pain these new experiences<br />

bring, the children are also very happy to get to know each other.<br />

Running time: 71΄<br />

Year of production: 2010<br />

257<br />

GREECE - TURKEY<br />

GRANDCHILDREN OF THE LOST LANDS<br />

Berfi Dicle Ogut<br />

Production Company: Tane Film<br />

Production Contact Person: Viron Cavaras<br />

Ogul Sok. No:3 D:4 Arnavutkoy<br />

Istanbul, Turkey<br />

T. +90 21 2265 7692<br />

tanefilm@yahoo.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 205<br />

G


G<br />

Current Affairs<br />

GREECE: THE EMBERS OF REVOLT<br />

Cyril Lafon<br />

Giorgos joined the December 2008 riots that set fire to Greece after the murder of Alexandros<br />

Grigoropoulos, a 16-year-old boy. A few months after the events, he talks about his<br />

dreams and disappointments.<br />

Thanassis, Nikos, Zoe and Adriani are part of the “€700 generation”. After finishing high<br />

school, they studied for five years or more and they graduated in economics, sociology and<br />

law. They joined the protests because they feel their condition is unbearable. How can they<br />

live, when at the age of 30 they earn a monthly wage of €700 which as much as their rent?<br />

“We are the Iphigenia generation. Society has sacrificed us just as the ancient princess was<br />

by her father.”<br />

But will the fight go on? Have the December riots forged a new path and brought a glimmer<br />

of hope to a dying society?<br />

Running time: 52΄<br />

Year of production: 2010<br />

Production Company: L’Oeil de la chouette<br />

Production Contact Person: Danae Otatzi<br />

Sales Company: L’Oeil de la chouette<br />

Sales Contact Person: Danae Otatzi<br />

24 rue Francoeur<br />

Paris 75018, France<br />

T. +33 688 831 511<br />

oeildelachouette@yahoo.fr<br />

206<br />

449<br />

FRANCE<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Current Affairs<br />

The Greek Crisis Explained trilogy is NOM<strong>IN</strong>T’s interpretation of the Greek Financial Crisis.<br />

And the story goes like this: Greece, a young spoiled girl gets devoured by Dept, a humongous<br />

monster. The EU cannot help Greece out of its own. And when all hope is lost,<br />

the IMF is brought into play...<br />

Running time: 3΄<br />

Year of production: 2010<br />

290<br />

GREECE<br />

GREEK CRISIS EXPLA<strong>IN</strong>ED<br />

ΝΟΜΙΝΤ<br />

Production Company: NOM<strong>IN</strong>T<br />

Production Contact Person: Marianna Papachristodoulou<br />

Sales Company: NOM<strong>IN</strong>T<br />

Sales Contact Person: Marianna Papachristodoulou<br />

45 Michalakopoulou St<br />

Athens 115 28, Greece<br />

T. +30 210 724 2994<br />

F. +30 210 976 7208<br />

mananna@nomint.gr<br />

www.nomint.gr<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 207<br />

G


G<br />

Adventure & Travel<br />

GUAÑAPE SUR<br />

Janos Richter<br />

A barren rock island off the coast of Peru. No soil, no water, but hundreds of thousands of<br />

birds. For a period of ten years, only two guards may live on Guañape Sur. But in the<br />

eleventh year, hundreds of workers arrive to harvest the birds’ excrement.<br />

Running time: 24΄<br />

Year of production: 2010<br />

Production Company: ZeLIG School for Documentary,<br />

Television and New Media<br />

Production Contact Person: Georg Zeller<br />

20d, via Brennero<br />

Bolzano 39100, Italy<br />

T. +39 04 7130 2028<br />

F. +39 04 7197 7931<br />

zeller@zeligfilm.it<br />

www.zeligfilm.it<br />

208<br />

143<br />

ITALY<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Lifestyles<br />

HAMMADA<br />

Anna Bofarull<br />

Dadah, a Saharawi child who lives in the refugee camp of Dajla, does not know anything<br />

but the life in the desert, the air full of sand, the dunes as horizon, the school, the games,<br />

the world-weariness of adults’ long conversations while they prepare tea… Through the<br />

cinema he will discover very different worlds.<br />

Running time: 86΄<br />

Year of production: 2010<br />

163<br />

SPA<strong>IN</strong><br />

Production Company: Kaboga<br />

Production Contact Person: Anna M. Bofarull<br />

4, Sant Eulogi<br />

Tarragona 43002, Spain<br />

T. +34 60 5610 889<br />

F. +34 97 7225 219<br />

info@kaboga.eu<br />

www.kaboga.eu<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 209<br />

H


H<br />

History & Politics<br />

THE HANGMAN<br />

Netalie Braun<br />

The administrator of the mass deportation of Jews to the Nazi death camps, Adolf Eichmann,<br />

was hanged in Israel’s first and only execution. Shalom Nagar, a religious Jewish ritual<br />

slaughterer and street philosopher who believes in charity, was the hangman.<br />

Running time: 61΄<br />

Year of production: 2010<br />

Production Company: Pardes<br />

Production Contact Person: Avigail Sperber<br />

Sales Company: First Hand Films<br />

Sales Contact Person: Esther van Messel<br />

Fritz Heeb-Weg 5<br />

Zurich 8050 Switzerland<br />

T. +41 131 220 60<br />

F. +41 131 220 80<br />

info@firsthandfilms.com<br />

www.firsthandfilms.com<br />

210<br />

545<br />

ISRAEL<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Current Affairs<br />

The Harvest/La cosecha tells the story of three of the estimated 400,000 children in the<br />

United States who leave behind their homes, schools, and friends to migrate across the<br />

country from farm to farm and crop to crop. They work brutally long days, exposed to the<br />

elements and pesticides and without the protection of child labor laws, to help their families<br />

survive. The Harvest/La cosecha boasts unparalleled access to their lives and gives us<br />

the opportunity to connect with these children who live these unthinkable lives to feed<br />

their fellow citizens, and more importantly to them, to feed their families and themselves.<br />

The Harvest/La cosecha is the story of the children who feed America.<br />

Running time: 84΄<br />

Year of production: 2010<br />

104<br />

USA<br />

THE HARVEST/LA COSECHA<br />

U. Roberto Romano<br />

Production Company: Shine Global, Inc.<br />

Production Contact Person: Alexandra Blaney<br />

Sales Company: The Film Sales Company<br />

Sales Contact Person: Andrew Herwitz<br />

The Film Sales Company<br />

165 Madison Ave., Suite 601<br />

New York NY 10016, USA<br />

T. + 1 212 481 5020<br />

F. + 1 212 481 5021<br />

contact@filmsalescorp.com<br />

www.filmsalescorp.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 211<br />

H


H<br />

Science & Technology<br />

HEALTH FACTORY<br />

Håvard Bustnes<br />

Health care institutions mimic industry production to become more efficient. The goal is<br />

to get more health for the money spent, based on the presumption that private corporations<br />

are more efficient and less wasteful than public institutions. Do we have to be in a<br />

competitive state in order to work efficiently, or does professional pride really exist? Are we<br />

about to lose our humanity in our struggle to increase productivity?<br />

Running time: 58΄<br />

Year of production: 2010<br />

Production Company: Faction Films<br />

Production Contact Person: Dag Hoel<br />

Sales Company: CAT&Docs<br />

Sales Contact Person: Catherine Le Clef<br />

18 rue Quincampoix #133<br />

Paris 75004 , France<br />

T. +33 1 4459 6353<br />

cat@catndocs.com<br />

www.catndocs.com<br />

212<br />

387<br />

NORWAY<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Art, Music & Culture<br />

The exciting story of a unique church: its roots lie in Antiquity, its walls originate from the<br />

Middle Ages, but its art treasures and the breathtaking cupola bear witness to an era that<br />

changed Europe forever. How could a goldsmith with no experience as an architect create<br />

the largest masonry dome of all time? Detailed animations show how Filippo<br />

Brunelleschi revolutionized architecture. Historic documents and fascinating images tell of<br />

his life, his visionary genius and his bitter rivalry with colleague Lorenzo Ghiberti. With his<br />

Gates of Paradise, Ghiberti created an unparalleled masterpiece. The film shows their<br />

magnificence in details that only the camera can capture – together with an astonishing<br />

wealth of art treasures: the baptistery with its mosaics and the masterful portals, Giotto’s<br />

bell tower, the fantastic visual realm of the cupola frescoes and, last but not least, the<br />

groundbreaking sculptures of Donatello and Michelangelo.<br />

Running time: 52΄<br />

Year of production: 2010<br />

444<br />

GERMANY<br />

THE HEART OF FLORENCE<br />

Hubert Schäfer & Christoph Martin Grosser<br />

Production Company: Oculus Film<br />

Sales Company: Hubert Schäfer<br />

Sales Company: Rise and Shine World Sales<br />

Sales Contact Person: Diana Karklin<br />

Schlesische Str. 29/30<br />

Berlin 10997, Germany<br />

T. +49 30 4737 298 0<br />

F. +49 30 4737 298 20<br />

diana.karklin@riseandshine-berlin.de<br />

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H


H<br />

Lifestyles<br />

HEAVEN HELL<br />

David Calek<br />

Heaven Hell is a full-length documentary film project dealing with human diversity that<br />

doesn’t necessarily lead to hell even though it might seem like that from the outsider’s point<br />

of view. It is an attempt to defend even very extreme notions of freedom if such notions<br />

are well-founded and lead to new horizons of human understanding. The film portrays<br />

people who have found pleasure in pain and decided not to hide this passion, or at least<br />

not to suppress and deny it any more. These people either inflict pain or demand it from<br />

others, but they do not force anyone to do anything. This closed society is often labeled by<br />

its members as BDSM.<br />

Running time: 84΄<br />

Year of production: 2010<br />

Production Company: Jacket Bros., HBO Czech Rep.<br />

Sales Company: Martina Santava<br />

Sales Company: OutCome<br />

Sales Contact Person: Jarmila Outratova<br />

Jizni namesti 946/23<br />

Prague 4, 141 00<br />

Czech Republic<br />

T. +420 776 066 165<br />

jarmila@outcome.cz<br />

214<br />

347<br />

CZECH REPUBLIC<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Lifestyles<br />

HEAVY METAL<br />

Huaging Jin<br />

For more than twenty years, tons and tons of metallic and electronic waste from Japan,<br />

the USA, Australia and Europe was transported to a Chinese town called Fengjiang, in the<br />

south of Shanghai. Around 50,000 migrant workers, avoiding the living conditions of the<br />

western poor regions of China, formed a real army of dismantling of this metallic waste.<br />

These “green soldiers” decompose and recycle with the most rudimentary means, almost<br />

two million tons of garbage every year. The whole city seems to be given rhythm by this<br />

relentless work and the noise seems to become blurred only in the dark night...<br />

Running time: 52΄<br />

Year of production: 2010<br />

475<br />

FRANCE - CH<strong>IN</strong>A<br />

Production Company: Solferino Images, China Screen<br />

Production Contact Person: Michel Noll<br />

Sales Company: ICTV<br />

Sales Contact Person: Lydia Castellano<br />

17, rue du Colisee<br />

Paris 75008, France<br />

T. +33 1 6403 7098<br />

F. +33 1 6403 7101<br />

lydia.c@ictv-solferino.com<br />

www.ictv.fr<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 215<br />

H


H<br />

Current Affairs<br />

HELL <strong>IN</strong> PARADISE<br />

Frank Garbely<br />

“Agro-energies” are developed very drastically in the Chocó Province, in Colombia. Some<br />

kind of hidden war has been going on there for about ten years. Heavily armed paramilitary<br />

enter little accessible rain forests only to leave behind a trace of blood and fire. They<br />

chase the inhabitants, burn their villages and steel their land to sell it to willing consortia<br />

of palm oil producers. As they do so, drug money is laundered and palm oil is exported<br />

to Europe and the United States. It will be transformed into agro fuel, products of the foodprocessing<br />

and cosmetic industries...<br />

Running time: 52΄<br />

Year of production: 2010<br />

Production Company: R Film, SF, 3 Sat<br />

Production Contact Person: Michel Noll<br />

Sales Company: ICTV<br />

Sales Contact Person: Lydia Castellano<br />

17, rue du Colisee<br />

Paris 75008 France<br />

T. +33 1 6403 7098<br />

F. +33 1 6403 7101<br />

lydia.c@ictv-solferino.com<br />

www.ictv.fr<br />

216<br />

476<br />

FRANCE - SWITZERLAND<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


This deeply personal documentary tells the saddest of stories—not just because we feel<br />

sorry for actress Sandrine Bonnair’s mentally abnormal sister but because we can imagine<br />

how she might have turned out differently. That’s because for decades Sandrine has<br />

been filming Sabine. However strange, unpredictable, and angry she may have been, she<br />

had intelligence and talent, could read and write, taught herself English and Bach on the<br />

piano, and had a capacity for joy. She loved America and as a young person Sandrine took<br />

her there. She could travel! She was so happy!! And then, today, at 38, and institutionalized,<br />

she weeps. For joy, she says. But she is a devastated person, beaten down by five years<br />

in a psychiatric hospital, heavily medicated but undiagnosed, insecure, repetitive, sluggish,<br />

70 pounds heavier, drooling and with the shakes.<br />

Running time: 85΄<br />

Year of production: 2007<br />

641<br />

FRANCE<br />

“How I Am: Challenging Perceptions”<br />

HER NAME IS SAB<strong>IN</strong>E<br />

Sandrine Bonnaire<br />

Production Company: Mosaique Films<br />

Production Contact Person: Thomas Schmitt<br />

www.mosaique-films.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 217<br />

H


H<br />

History & Politics<br />

HERO OF ALL SEAS<br />

Talal Derki<br />

The documentary deals with humanitarian problems facing Kurdish communities in Iraq,<br />

Iran, Turkey, and Syria. These problems have led to the exodus of three million Kurds, 2.5<br />

million of which have gone to the EU as illegal immigrants. Abu Yashar, one of the main<br />

characters, is someone worthy of media attention given that in his life journey lie the hardships<br />

and upheavals of the Kurds. In four main episodes, we re-visited his journey and emigration<br />

as a case study and template for other Kurds who went through the same path.<br />

The four parts of his journey are: 1) Prison 2) Emigration 3) Exile 4) Nostalgia. “Champion<br />

of the Seas” is what the Kurds of Greece nicknamed Abu Yashar. On June 21-22, 2001, Abu<br />

Yashar managed to swim from the shores of Turkey to the island of Samos. The real reason behind<br />

his illegal immigration, he says, is to register his marriage and children. When he had originally<br />

asked to do that in Syria, his request had been turned down and he had been asked for<br />

“security cooperation” after all his ID papers were confiscated by authorities. Along with his<br />

wife and children he fled to Turkey, since his wife is a Turkish Kurd. After that, he immigrated<br />

to Greece and was unable to unite with his family until 2010.<br />

Running time: 28΄<br />

Year of production: 2011<br />

Production Company: Cinema Group Production<br />

Production Contact Person: Talal Derki<br />

Sales Company: Cinema Group Production<br />

Sales Contact Person: Talal Derki<br />

Al Akhdar Alarabi Str 7<br />

Damascus, Syria<br />

T. +963 944 489 985<br />

talalderki@yahoo.com<br />

218<br />

190<br />

SYRIA<br />

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History & Politics<br />

The Hidden Tomb is a documentary series for children aged 8-12 years about antiquities<br />

and archaeology in Greece, Egypt and Cyprus.<br />

The first episode tells the story of the treasure of Aidonia, through re-enactments, archive<br />

material, three-dimensional graphics and stunning cinematography.<br />

The second episode brings to life the discovery of the hidden treasure of the Deir El Bahri<br />

Cache in Egypt and the third episode is about the looting of Cyprus by Cesnola in the 19th<br />

Century and the Metropolitan Museum.<br />

Running time: 10΄<br />

Year of production: 2011<br />

232<br />

GREECE<br />

THE HIDDEN TOMB<br />

Angeli Andrikopoulou & Argyris Tsepelikas<br />

Production Company: Anemon Productions<br />

Production Contact Person: Rea Apostolides<br />

Sales Company: Anemon Productions<br />

Sales Contact Person: Rea Apostolides<br />

5 Stisihorou St<br />

Athens, 106 74, Greece<br />

T. +30 210 721 1073<br />

F. +30 210 722 8023<br />

info@anemon.gr<br />

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H<br />

Current Affairs<br />

HOLY WARS – WAR IS HEAVEN<br />

Stephen Marshall<br />

Take one Muslim advocate for global jihad and put him in a room with one conservative<br />

Christian on a mission to evangelize the world’s Muslims. Which man will be left standing?<br />

The film follows danger-seeking Christian missionary Aaron Taylor and radical Muslim<br />

Irish convert Khalid Kelly, both of whom believe in an apocalyptic battle, after which<br />

their religion will ultimately rule the world. Tracking their lives from the onset of the “War<br />

on Terror” to the election of Barack Obama, Holy Wars shows that even the most radical of<br />

believers can be transformed by our changing world.<br />

Running time: 80΄<br />

Year of production: 2010<br />

Production Company: Smuggler Films and Revolution Theory Pictures<br />

Production Contact Person: Stephen Marshal<br />

Sales Company: Films Transit International<br />

Sales Contact Person: Jan Röfekamp<br />

252 Gouin Boulevard East<br />

Montreal/Quebec H3L 1A8, Canada<br />

T. + 1 514 844 3358<br />

F. + 1 514 844 7298<br />

jan@filmstransit.com<br />

www.filmstransit.com<br />

220<br />

412<br />

USA<br />

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Current Affairs<br />

This is the story of over 350,000 Romanian children left “home alone”. One or both their<br />

parents are working abroad, in Italy, Spain and other Western European countries. The kids<br />

were left to be taken care of by relatives or even neighbors. Many of them committed or<br />

attempted suicide. How can one explain what they did? What did these kids think? What<br />

drove them to the point of losing everything?<br />

The film tells three of these stories, three stories about children that ended their own lives.<br />

The observational style is mixed with interviews, as the film weaves between the three stories<br />

and their characters, the parents that opened their hearts in front of the camera and<br />

shared their profound grief but also their ideas about what caused the tragedies.<br />

This is not only a Romanian tragedy; it’s a human tragedy that we all have to reflect upon.<br />

Running time: 58΄<br />

Year of production: 2010<br />

380<br />

ROMANIA<br />

HOME ALONE –<br />

A ROMANIAN TRAGEDY<br />

Ionut Carpatorea<br />

Production Company: Evolution Film Production<br />

Production Contact Person: Carmen Manu<br />

22, bl. 104/1, ap. 29<br />

Bucharest 060382, Romania<br />

T. +40 721 590 285<br />

F. +40 318 170 998<br />

Carmen@evolutionfilm.ro<br />

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H<br />

Current Affairs<br />

HONEYMOON<br />

Grzegorz Krawiec<br />

Tomek has just got out of jail after seven years. On the day he is released he gets married to<br />

Agnieszka. She has to stay in prison longer because she’s waiting for her trial. And Tomek<br />

needs to start his life all over again. He wants to visit his mother and above all tries to stay<br />

in touch with his new wife who is still a prisoner.<br />

Running time: 29΄<br />

Year of production: 2010<br />

Production Company: Polish National Film School in Lodz<br />

Production Contact Person: Maria Gawinek<br />

Sales Company: Krakow Film Foundation<br />

Sales Contact Person: Katarzyna Wilk<br />

Basztowa 15/8a<br />

Krakow 31143, Poland<br />

T. +48 12 2946 945<br />

katarzyna@kff.com.pl<br />

www.kff.com.pl<br />

222<br />

524<br />

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THE HORSE BOY<br />

Michel Orion Scott<br />

The Horse Boy is a film about one family’s struggle to find answers to their son’s autism.<br />

Shot over the course of two years, this film follows the Isaacson family as they journey on<br />

horseback across Mongolia from healer to healer, and the amazing healings they found for<br />

their son, and for themselves. An inspiration to think outside the box, a travel adventure,<br />

an insight into shamanic traditions, the autistic mind, and man’s relationship with animals;<br />

at its heart, The Horse Boy is a film about a family that went to the edge of the earth to find<br />

a way into their son’s life.<br />

Running time: 94΄<br />

Year of production: 2008<br />

635<br />

USA<br />

“How I Am: Challenging Perceptions”<br />

Production Contact Person: Michel Scott<br />

Sales Contact Person: Film Sales Co.<br />

Andrew Herwitz<br />

165 Madison Avenue, Suite 601<br />

New York NY 10018, USA<br />

T. +1 212 481 5020<br />

F. +1 212 481 5021<br />

contact@filmsalescorp.com<br />

www.filmsalescorp.com<br />

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H


H<br />

Current Affairs<br />

THE HOUSE <strong>IN</strong> THE PARK<br />

Hercli Bundi<br />

Architects from Europe, America and China are invited to a Chinese provincial town.<br />

Within several months, they are to construct a park in Jinhua, intended to form the center<br />

of a new district of that town. Where green fields now flourish and farmers plough the<br />

land, investors will soon flock, followed by new inhabitants and political reforms.<br />

But the project ends up being drawn out over years. The euphoria of the early stages runs<br />

up against a reality in which torn-open earth and the ambitious hopes of politicians, workers<br />

and locals are the only manifest features.<br />

The film documents the changes leading to the Jinhua Architecture Park – from the laying<br />

of the foundation stone to its final opening. In giving all participants in this process an<br />

opportunity to comment, one central question proved to be a common concern: What is<br />

there for individuals to contribute, when the world around them is changing at such a rapid<br />

pace?<br />

Running time: 86΄<br />

Year of production: 2010<br />

Production Company: Mira Film GmbH<br />

Sales Company: Mira Film GmbH<br />

Badenerstr. 129<br />

Zurich 8004, Switzerland<br />

T. + 41 43 960 3684<br />

info@mirafilm.ch<br />

www.mirafilm.ch<br />

224<br />

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“I’m like a hermit on an island.” This is what Patrick writes about his life as an autistic who<br />

lives caught in his own body.<br />

With the wisdom of a thinker and the dreams and fears of a teenager, Patrick takes us on<br />

a trip into his world and allows us a glimpse of his inner feelings.<br />

How I Am introduces us to Patrick, a teenage autistic boy. With indelible imagery, the film<br />

follows him at school, with family and by himself, and transcribes his innermost thoughts<br />

onto the screen to reveal his point of view, which is normally muffled by his condition. What<br />

is revealed is a complex, philosophical soul. This shows one mission that movies can accomplish:<br />

giving us insight – not pity, but sympathy – into another’s life.<br />

Running time: 49΄<br />

Year of production: 2007<br />

630<br />

ITALY<br />

“How I Am: Challenging Perceptions”<br />

HOW I AM<br />

Ingrid Demetz & Caroline Leitner<br />

Production Company: ZeLIG School for Documentary<br />

Production Contact Person: Georg Zeller<br />

Sales Contact Person: Icarus Films<br />

Anthony Sweeney<br />

32, Court St. 21st floor<br />

New York NY 11201 USA<br />

T. +1 718 488 8900<br />

F. +1 718 488 8642<br />

anthony@icarusfilms.com<br />

icarusfilms.com<br />

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H


H<br />

Art, Music & Culture<br />

HOW TO MAKE A BOOK WITH STEIDL<br />

Jörg Adolph & Gereon Wetzel<br />

Who’s the man behind Robert Frank, Karl Lagerfeld and Günter Grass?<br />

Their publisher, Gerhard Steidl.<br />

Spend an exclusive year with the greatest publisher and printer of the 21st century and be<br />

part of the fragile processes when creativity is captured in a book. The art of publishing at<br />

its perfection.<br />

Running time: 57΄<br />

Year of production: 2010<br />

Production Company: If Production<br />

Production Contact Person: Ingo Fliess<br />

Sales Company: Autlook Filmsales GmbH<br />

Sales Contact Person: Andrea Hock<br />

Trappelgasse 4/17<br />

Vienna 1040, Austria<br />

T. +43 720 346 934<br />

andrea@autlookfilms.com<br />

www.autlookfilms.com<br />

226<br />

427<br />

GERMANY<br />

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Current Affairs<br />

The use of illegal drugs is one of the most divisive issues today. With opinions ranging from<br />

those who want outright prohibition to those who believe in legaliζing even the strongest<br />

of narcotics, the battle lines are firmly drawn in this drug war. For now, the likes of amphetamines,<br />

heroin, LSD and cocaine are all controlled substances. However, as others like<br />

meow meow – or mephedrone – are added to the list, we ask whether our drugs policy<br />

is on the right track.<br />

Writer, broadcaster and convicted drugs smuggler Howard Marks finds out which substances<br />

are illegal, explores the hidden human cost of an outright ban, and ponders what<br />

might happen if the drug laws were ripped up and all substances either decriminalised or<br />

legalized. Is it really high time for a change?<br />

Running time: 48΄<br />

Year of production: 2010<br />

311<br />

UK<br />

HOWARD MARKS ON DRUGS<br />

Jonathan Brooks<br />

Production Company: Current TV<br />

Sales Company: Java Films<br />

Sales Contact Person: Kathryn Bonnici<br />

4-6 Villa Thoreton,<br />

Paris 75015, France<br />

T. +33 1 4060 2624<br />

Kathryn@javafilms.fr<br />

www.javafilms.fr<br />

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H<br />

History & Politics<br />

HUMAN TERRA<strong>IN</strong><br />

James der Derian, Michael Udris & David Udris<br />

Human Terrain exposes the US effort to enlist the best and the brightest of American universities<br />

in a struggle for the hearts and minds of its enemies. Facing long wars in Iraq and<br />

Afghanistan, the US military has adopted a controversial new program, “Human Terrain Systems”,<br />

to make cultural awareness a key element of its counterinsurgency strategy. Designed<br />

to embed social scientists with combat troops, the program swiftly comes under attack by<br />

academic critics who consider it misguided and unethical to gather intelligence and target<br />

potential enemies for the military.<br />

Gaining rare access to war games in the Mojave Desert and training exercises at Quantico<br />

and Fort Leavenworth, Human Terrain takes the viewer into the heart of the war machine<br />

and the shadowy collaboration between American academics and the armed services.<br />

Running time: 52΄<br />

Year of production: 2010<br />

Production Company: Oxyopia, Udris Productions<br />

Sales Company: Sideways Film<br />

Sales Contact Person: Kazz Basma<br />

178 Stoke Newington High Street<br />

London N16 7JL, UK<br />

T. +44 788 147 3603<br />

kazz@sidewaysfilm.com<br />

www.sidewaysfilm.com<br />

228<br />

456<br />

USA<br />

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History & Politics<br />

In this beautiful film, we follow the attempts to harness wind and solar energy for the benefit<br />

of the residents of the Palestinian village of Susia. And in the process we come to know<br />

extraordinary individuals from both sides of the conflict. What was missing in Noam<br />

Dotan’s otherwise perfect life? What made him, and others, leave symbols of success and<br />

devote themselves to a renewable energy project in a Palestinian village? What is this<br />

dream, shared with the residents of Susia, which is today coming to fruition? They work<br />

through action, rather than through protest or demonstrations. Three years in the making,<br />

in joint meetings with local residents, they have created a renewable energy project at Susia.<br />

They have succeeded in supplying electricity for residents living in tents and caves, figuratively<br />

and literally lighting up their lives.<br />

Running time: 55΄<br />

Year of production: 2010<br />

301<br />

ISRAEL<br />

THE HUMAN TURB<strong>IN</strong>E<br />

Danny Verete<br />

Production Company: Yehuda Bitton Productions<br />

Production Contact Person: Yehuda Bitton<br />

Sales Company: Ruth Diskin Films<br />

Sales Contact Person: Cara Saposnik<br />

5 Issachar St<br />

Jerusalem 93629, Israel<br />

T. +972 2 672 4256<br />

F. +972 2 672 4210<br />

cara@ruthfilms.com<br />

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H<br />

History & Politics<br />

HUMANITARIAN CITADEL<br />

Frederic Gonseth<br />

The extraordinary human adventure of the first delegates of the International Committee<br />

of the Red Cross, sent on a mission during civil war in Yemen in the sixties, to “humanize<br />

the war” and ensure compliance with the Geneva Convention. The exciting stories of André<br />

Rochat, who, for thirty years, ran the ICRC, the testimonies of his contemporaries, as<br />

well as rare archival documents give new perspective to recent international events, but<br />

also to the limits of diplomacy. A destiny that leads us behind the scenes of humanitarian<br />

power, to the roots of the right to interfere and the source of the struggle for human<br />

dignity.<br />

Running time: 96΄ & 52΄ (TV version)<br />

Year of production: 2009<br />

Production Company: Frederic Gonseth Production<br />

Production Contact Person: Sophie Bonaudi<br />

Sales Company: Thierry Detaille Int’l imports<br />

Sales Contact Person: Thierry Detaille<br />

174, rue Stevin<br />

Brussels 1000 Belgium<br />

T. +32 47 7617 170<br />

thierry.detaille@gmail.com<br />

230<br />

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SWITZERLAND<br />

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History & Politics<br />

The internationally acclaimed director and recipient of the Erasmus Award in 2007, Péter<br />

Forgács, created a documentary exploring the fate of hundreds of thousands of Hungarian<br />

men and women who arrived in the United States between 1890 and 1921. To tell their<br />

sagas, Forgács weaved this grand epic from the early American cinema, found footage,<br />

photographs and interviews. The film reveals the difficult moments of arrival, integration<br />

and assimilation, which eventually fed the happiness of the later generations and their fulfilment<br />

of the American dream.<br />

Running time: 100΄<br />

Year of production: 2009<br />

348<br />

HUNGARY<br />

HUNKY BLUES –<br />

THE AMERICAN DREAM<br />

Péter Forgács<br />

Production Company: Filmpartners Ltd.<br />

Production Contact Person: Gabor Kovacs<br />

Hüvösvölgyi út 62<br />

Budapest 1021 Hungary<br />

T. +36 1 391 4800<br />

F. +36 1 391 4809<br />

filmpartners@filmpartners.hu<br />

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Current Affairs<br />

I AM ELEVEN<br />

Genevieve Bailey<br />

I Am Eleven is a globe-spanning portrait of humanity at a crucial age – no longer children,<br />

not quite adults, preparing to inherit a world changing as quickly and dramatically as they<br />

are. This documentary focuses on a series of eleven-year-olds from 15 countries, each<br />

speaking in their own words and revealing the private obsessions and public concerns that<br />

animate their lives. It is simultaneously an epic survey of the similarities and distinctions<br />

between cultures and an intimate account of these young personalities finding their way<br />

in the world today.<br />

I Am Eleven is multi platform, please visit www.iameleven.com<br />

Running time: 93΄<br />

Year of production: 2011<br />

385<br />

AUSTRALIA<br />

Production Company: Proud Mother Pictures<br />

Production Contact Person: Genevieve Bailey<br />

447 Church St<br />

Victoria 3121, Australia<br />

T. +61 40 3983 934<br />

gen@iameleven.com<br />

proudmother.com.au<br />

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I<br />

Art, Music & Culture<br />

I F<strong>IN</strong>ALLY DID IT<br />

Apostolos Paraskevas & Mathew Tucciarone<br />

When Grammy® nominated composer Apostolos Paraskevas was given a commission to<br />

write a piece, he took it even further by making the short film I Finally Did It, a peculiar film,<br />

part musical-comedy but also a remarkable trip of friendship and artistic creativity. Directed<br />

by Apostolos and filmmaker Mathew Tucciarone, I Finally Did It is a feature-length documentary<br />

that opens with a short film and explores the power of friendship, music, and<br />

death. It features a soundtrack filled with Paraskevas’s original music as performed by legendary<br />

conductors and world renowned musicians. Death has a life. He lives in an apartment<br />

downtown, he has friends, he wakes up late, he enjoys a cup of coffee. Death is also<br />

disgruntled. They don’t pay him enough. He wants to retire. Returning home one day from<br />

his second job, he finds an assignment from “the Boss” in his mailbox: a picture of someone<br />

he has failed to find for the past 50 years. “Find him this time!” the note orders. And<br />

thus starts the search... for Gerald. This musical comedy brings up the sensitive issue of mortality<br />

from a different point of view, featuring original music by Apostolos Paraskevas as<br />

the only medium that brings our character in harmony with our environment.<br />

Running time: 60΄<br />

Year of production: 2010<br />

Production Company: Silver Sickle Productions<br />

Production Contact Person: Apostolos Paraskevas<br />

Sales Company: Silver Sickle Productions<br />

Sales Contact Person: Apostolos Paraskevas<br />

735 Harrison Ave, W302<br />

Boston MA 02118 USA<br />

T. +1 617 680 2160<br />

aparaskevas@berklee.edu<br />

ifinallydiditmovie.com<br />

234<br />

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Lifestyles<br />

The true story of Sandrine, deaf since birth but born to hearing parents. From early childhood<br />

to adult age, we discover the “hearing universe” as Sandrine did – looking at her surroundings<br />

with wonder and puzzlement. At first, no one fully realised she was deaf. She<br />

even went to regular school and was left wondering how the others understood what the<br />

teacher was trying to impart… We accompany Sandrine on her voyage of discovery into<br />

the strange land of the hearing. Her innate sense of humor makes this a very touching and<br />

surprisingly funny film.<br />

Running time: 70΄<br />

Year of production: 2009<br />

374<br />

FRANCE<br />

I’M DEAF AND I DIDN’T KNOW<br />

Igor Ochronowicz<br />

Production Company: Point du Jour<br />

Production Contact Person: Doris Weitzel<br />

Sales Company: Point du Jour International<br />

Sales Contact Person: Doris Weitzel<br />

23 rue de Cronstadt<br />

Paris 75015, France<br />

T. +33 1 7544 8080<br />

F. +33 1 4531 1305<br />

d.weitzel@pointdujour.fr<br />

www.pointdujour-international.fr<br />

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I<br />

Current Affairs<br />

I WAS WORTH 50 SHEEP<br />

Nima Sarvestani<br />

The Afghani girl Sabere was ten years old when she was sold to an abusive 55-year-old<br />

Taliban member. Now she is sixteen and is being helped by a Women’s Shelter to fight for<br />

her freedom. But her eleven-year-old half-sister Farzaneh is now at risk, as the family has<br />

decided to sell her to pay off their debts. Once the price of 50 sheep will be fully paid, the<br />

buyer will come to claim Farzaneh.<br />

Running time: 72΄<br />

Year of production: 2010<br />

Production Company: Nima Film<br />

Production Contact Person: Maryam Ebrahimi<br />

Sales Company: Deckert Distribution GmbH<br />

Sales Contact Person: Heino Deckert<br />

Marienplatz 1, Leipzig 04103<br />

Germany<br />

T. +49 341 215 6638<br />

F. +49 341 215 6639<br />

info@deckert-distribution.com<br />

www.deckert-distribution.com<br />

236<br />

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Art, Music & Culture<br />

A music documentary about an unmarried accordion player who has decided to find wives<br />

for all the unmarried men in his village, himself included. In a world full of cynicism, he<br />

may be the last romantic. With his motto – I’m going to marry the whole village, even if I<br />

regret it – he is a modern day Don Quixote. This is a somewhat funny, somewhat sad documentary<br />

fairy tale about an ordinary man who endeavors to change the world around<br />

him. A beautiful, life-affirming film, full of hope and the belief in the good of humankind.<br />

Running time: 57΄<br />

Year of production: 2010<br />

513<br />

SERBIA<br />

I WILL MARRY THE WHOLE VILLAGE<br />

Zeliko Mirkovic<br />

Production Company: Optimistic Films<br />

Production Contact Person: Zeliko Mirkovic<br />

Sales Company: Taskovski Films<br />

Sales Contact Person: Manuela Buono<br />

463, Russell Court, Woburn Place<br />

London WC1H 0NL, UK<br />

T. +44 7977 051 577<br />

festivals@taskovskifilms.com<br />

www.taskovskifilms.com<br />

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I<br />

Art, Music & Culture<br />

I WOULD L<strong>IK</strong>E TO GIVE YOU<br />

MY HEART FOREVER ZITA-MI<br />

Antonis Kioukas<br />

Zita-Mi was established in 1955 by Pavlos Zannas and Alexandros Mavrokordatos. At first<br />

it sold Olivetti typewriters, records of classical and jazz music, and objects of art. For the<br />

generation of the 60s, the Zita-Mi is a symbol, a meeting point for poets, film lovers, and<br />

intellectuals. The Thessaloniki Film Festival, the “Techni” Macedonian Art Association and<br />

the “Democratic Defence” were all conceived on its premises. In the 1970s, Maro Layia and<br />

Katerina Kamara transformed Zita-Mi into a gallery. 320 exhibitions of the work of pioneers,<br />

rebels, perfectionists, and self-taught painters, find a warm welcome there. The Macedonian<br />

Museum of Contemporary Art was also born here. During its 55 years, Zita-Mi was<br />

an open window to all new or different ideas in Thessaloniki, gathering the intellectual and<br />

political elite of the city and contributing to its cultural development.<br />

Running time: 83΄<br />

Year of production: 2011<br />

Production Company: Antonis Kioukas<br />

Production Contact Person: Antonis Kioukas<br />

60, Kolokotroni St<br />

Athens 105 60, Greece<br />

T. +30 210 331 3004<br />

F. +30 210 331 3005<br />

kioukas@otenet.gr<br />

238<br />

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Current Affairs<br />

In December 2005, Daniel McGowan was arrested by Federal agents in a nationwide sweep<br />

of radical environmentalists involved with the Earth Liberation Front – a group the FBI has<br />

called America’s “number one domestic terrorism threat”. For years, the ELF had launched<br />

spectacular arsons against dozens of businesses they accused of destroying the environment:<br />

timber companies, SUV dealerships, wild horse slaughterhouses, and a $12 million<br />

ski lodge at Vail, Colorado. If a Tree Falls: A Story of the Earth Liberation Front tells the remarkable<br />

story of the rise and fall of this ELF cell, by focusing on the transformation and<br />

radicalization of one of its members. Drawing from striking archival footage – much of it<br />

never before seen – and intimate interviews with ELF members, and with the prosecutor<br />

and detective who were chasing them, the film explores the tumultuous period from 1995<br />

until early 2001 when environmentalists were clashing with timber companies and law<br />

enforcement, and the word “terrorism” had not yet been altered by 9/11.<br />

Running time: 85΄<br />

Year of production: 2011<br />

161<br />

USA<br />

IF A TREE FALLS: A STORY<br />

OF THE EARTH LIBERAT<strong>IO</strong>N FRONT<br />

Marshall Curry<br />

Production Company: Marshall Curry Productions<br />

Production Contact Person: Marshall Curry<br />

Sales Company: Films Transit International<br />

Sales Contact Person: Jan Rofekamp<br />

252 Gouin Blvd. East<br />

Montreal/Quebec H3L 1A8, Canada<br />

T. +1 514 844 3358<br />

jan@filmstransit.com<br />

www.filmstransit.com<br />

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I<br />

Current Affairs<br />

IF NOT US, WHO?<br />

Nikoletta Papathanassiou<br />

The students are lead into a world full of colors, emotions, music, visions, dreams and<br />

hopes. By occupying their school and according to the general situation in Greece in 2006,<br />

the students are demanding the obvious: a better school infrastructure and more advanced<br />

lessons and teachers within an educational framework that will quench their thirst for<br />

learning and open horizons. As a team and individually, with seriousness, consistency and<br />

humor, they contribute to a better educational system in the future, having lived a unique<br />

experience that brings them closer to one another and which they will never forget.<br />

Running time: 68΄<br />

Year of production: 2011<br />

Production Company: Noima & Periplous<br />

Production Contact Person: Nikoletta Papathanassiou<br />

Athens Greece<br />

T. +30 69 4480 8428<br />

nicolpapa@yahoo.com<br />

Sales Company: Noima<br />

Sales Contact Person: Alexis Komnakos<br />

T. +30 210 513 1295<br />

alexis@nohma.gr<br />

Sales Company: Periplus<br />

Sales Contact Person: Thanos Lambropoulos<br />

T. +30 210 867 0478<br />

periplus@ath.forthnet.gr<br />

240<br />

270<br />

GREECE<br />

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Art, Music & Culture<br />

ILJA<br />

Ivan Ostrochovsky<br />

A film manual on how not to get dragged down by communism or by one’s own death<br />

or the last days of Ilja Zeljenka, the most famous music composer of the second half of the<br />

20th Century, known for his forbidden cantata Auschwitz, for two speakers.<br />

Running time: 30΄<br />

Year of production: 2010<br />

349<br />

SLOVAK REPUBLIC<br />

Production Company: sentimentalfilm s.r.o.<br />

Production Contact Person: Marek Urban<br />

Spitalska 20<br />

Bratislava 81108, Slovak Republic<br />

T. +421 903 229 446<br />

F. +421 252 492 175<br />

email@sentimentalfilm.com<br />

http://www.sentimentalfilm.com<br />

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I<br />

Current Affairs<br />

IMPUNITY<br />

Juan José Lozano & Holloman Morris<br />

Columbia today: the biggest trial against Paramilitary forces – accused of killing thousands<br />

of Colombians – is designed to create “peace and justice”. Instead, the process comes to<br />

an abrupt halt, when the political and economic interests in the paramilitary war are uncovered.<br />

Are the victims’ families doomed to stay victims forever, or will they be able to fight Impunity?<br />

Running time: 85΄<br />

Year of production: 2010<br />

Production Company: Dolce Vita Films & Intermezzo Films<br />

Production Contact Person: Isabelle Gattiker<br />

Sales Company: Autlook Filmsales GmbH<br />

Sales Contact Person: Andrea Hock<br />

Trappelgasse 4/17<br />

Vienna 1040, Austria<br />

T. +43 720 346 934<br />

andrea@autlookfilms.com<br />

www.autlookfilms.com<br />

242<br />

428<br />

SWITZERLAND - COLOMBIA - FRANCE<br />

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Art, Music & Culture<br />

Fugitive, student, mercenary, aviator, shipbuilder and seafarer, Manolis Calliyannis left his<br />

homeland Lesbos at the age of seventeen with a dream of becoming a painter and only a<br />

painter. Turkey, Palestine, South Africa, England, France, Crete, Lesbos and the shimmering<br />

waters of the Aegean Sea are the backdrops against which his life – a never-ending<br />

quest – unfolds. In 2008, the Spanish Hellenist, writer and photographer Pedro Olalla<br />

meets Calliyannis and decides to devote a film portrait to him. A twist of fate turns this creative<br />

adventure into the painter’s last confession, and what begins as an attempt to make<br />

a documentary becomes – by the force of circumstance – an evocative film about life itself<br />

and, what’s more, about our amazement and perplexity before life.<br />

Running time: 87΄<br />

Year of production: 2010<br />

202<br />

GREECE<br />

<strong>IN</strong> COMPANY WITH CALLIYANNIS<br />

(C<strong>IN</strong>EMATOGRAPHIC PORTRAIT)<br />

Pedro Olalla<br />

Production Company: Massive Productions<br />

Production Contact Person: E. Fabas<br />

Sales Company: Massive Productions<br />

Sales Contact Person: E. Fabas<br />

Perrikou 3<br />

Athens 115 24, Greece<br />

T. +30 210 699 5320<br />

akron@hol.gr<br />

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I<br />

Environment & Wildlife<br />

<strong>IN</strong> MOTU GRATIA<br />

Andrea Zanoli<br />

The first World Graziella Bicycle Olympics (Grazielliadi), the famous Italian 60s folding bike.<br />

Mouad and Asghar, two young Afro-Italians, pimp their ride with a big stereo set and a<br />

car steering-wheel and challenge hundreds of other weird cyclists in a “fully sustainable<br />

sport event”.<br />

Running time: 45’<br />

Year of production: 2010<br />

Sales Company: Lab 80 Film<br />

Sales Contact Person: Alberto Valtellina<br />

123 via Pignolo<br />

Bergamo 24121, Italy<br />

T. +39 33 3849 0808<br />

F. +39 03 534 1255<br />

alberto@lab80.it<br />

www.lab80.it/index.php<br />

244<br />

501<br />

ITALY<br />

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Current Affairs<br />

Brother Jay recently moved into the world’s most unusual flat share. Nestled in the center<br />

of Jerusalem lies the heart of Christianity, the Church of the Holy Sepulchre. Under its roof,<br />

six Christian denominations live door to door. The young Fransican’s gentleness is severely<br />

challenged by the conflicts in this multi-cultural collective. As Father Samuel, Prior of the<br />

Armenian community, defends his brother’s rank in the pecking order with ploy and passion.<br />

Partriarch Theophilos III, on the other hand, is content: his Greek-Orthodox monks rule<br />

over the house as if they were in sole reign. Abdilkadr Joudeh and Wajeeh Nusseibeh lock<br />

the door in the morning and at night. They keep out of all this – they are Muslim. Nevertheless,<br />

they endlessly argue over the question which job is more prestigious: to hold the<br />

key or to actually turn it.<br />

Running time: 52΄& 89΄<br />

Year of production: 2010<br />

440<br />

GERMANY - SWITZERLAND<br />

<strong>IN</strong> MY FATHER’S HOUSE<br />

ARE MANY MANS<strong>IO</strong>NS<br />

Hajo Schomerus<br />

Production Company: busse&halberschmidt<br />

Production Contact Person: Marcelo Busse<br />

Sales Company: Rise and Shine World Sales<br />

Sales Contact Person: Diana Karklin<br />

Schlesische Str. 29/30<br />

Berlin 10997, Germany<br />

T. +49 30 4737 2980<br />

F. +49 30 4737 298 20<br />

diana.karklin@riseandshine-berlin.de<br />

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I<br />

Adventure & Travel<br />

<strong>IN</strong> SEARCH OF SOUTHERN AFRICA<br />

Wilma Pradetto & Eberhard Ruhle<br />

Starting from Cape Town and traveling as far as Botswana and Namibia, we encounter all<br />

kinds of people, marvel at breathtaking nature while listening to numerous individual stories<br />

from the big cities, the townships and the national parks, where entrepreneurs are<br />

grasping new opportunities in a changing cultural and economic landscape, environmentalists<br />

are facing new challenges to protect this ecologically diverse region, and poor<br />

parents are finding means to give their children a bright future.<br />

Running time: 5x52΄<br />

Year of production: 2010<br />

Production Company: Looks Filmproduktionen, NDR/Arte<br />

Sales Company: united docs<br />

Sales Contact Person: Anne Hufnagel<br />

48-50, Breite Str.<br />

Cologne 50667 Germany<br />

T. +49 22 1920 690<br />

F. +49 22 1920 6969<br />

anne.hufnagel@united-docs.com<br />

www.united-docs.com<br />

246<br />

466<br />

GERMANY<br />

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Art, Music & Culture<br />

<strong>IN</strong> TALL<strong>IN</strong>N<br />

Dimitris Vrakas<br />

Tallinn: the capital of the small country of Estonia, between Russia and Scandinavia. The<br />

pace of the city is evoked through its streets, architecture and people. The film travels from<br />

the old city center to the suburbs, often making stops at various neighborhoods to hear<br />

the thoughts of Estonians. A journey to the accompaniment of electronic pop music by the<br />

Estonian band Antonina. In modern-day Tallinn, the skyscrapers encircle the medieval town<br />

and romance succeeds modernism in a country of socially sensitive people. The impassive<br />

objectivity of the camera creates a pleasant visual impression with no tendency towards<br />

drama.<br />

Running time: 38΄<br />

Year of production: 2010<br />

247<br />

GREECE - ESTONIA<br />

Production Contact Person: Dimitris Vrakas<br />

4 Aristeos St<br />

Thessaloniki 546 36, Greece<br />

T. +30 6957 629 450<br />

sou192@yahoo.com<br />

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I<br />

Current Affairs<br />

<strong>IN</strong> THE BAZAAR OF SEXES<br />

Sudabeh Mortezai<br />

A lonesome middle-aged bachelor, a divorced single mother, and a jovial young mullah<br />

are the protagonists of this intimate account of gender relations in Iran. Their stories revolve<br />

around the institution of temporary marriage, also called lust-marriage, a Shia practice that<br />

allows a man and a woman to legally marry for a fixed period of time ranging from one<br />

hour to 99 years. Religiously sanctified prostitution or a loophole for couples to have a relationship<br />

within the rigid Islamic laws? Religious dogma meets macho, sentimentality<br />

meets female realities. A relentlessly honest, eye-opening, and sometimes funny account<br />

of Islamic sexual and gender politics.<br />

Running time: 85΄<br />

Year of production: 2009<br />

Production Company: Freibeuterfilm<br />

Production Contact Person: Oliver Neumann<br />

Kellermanngasse 1-3/1-6<br />

Vienna A-1070 Austria<br />

T. +43 720 346 510<br />

oliver@freibeuterfilm.at<br />

www.freibeuterfilm.com<br />

248<br />

350<br />

AUSTRIA<br />

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Current Affairs<br />

Three men from Veracruz who want to convert to Judaism embark on a spiritual quest that<br />

leads them to face various situations, obstacles and sacrifices on their journey to the Holy<br />

Land to achieve religious and personal fulfilment.<br />

Running time: 90΄<br />

Year of production: 2011<br />

314<br />

MEXICO<br />

<strong>IN</strong> THE FOOTSTEPS OF ABRAHAM<br />

Daniel Goldberg<br />

Production Company: Fondo para la Producción<br />

Cinematográfica de Calidad (Foprocine)<br />

Sales Company: Instituto Mexicano de Cinematografía (Imcine)<br />

Sales Contact Person: Pablo Briseño<br />

Insurgentes Sur #674 del Valle<br />

Mexico City 03100, Mexico<br />

T.-F +52 55 5448 5345<br />

mercaint@imcine.gob.mx<br />

www.imcine.gob.mx<br />

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I<br />

In the Garden of Sounds is a touching, poetic exploration of the relationship between mind,<br />

body and sound, and a cinematic journey to the borders of communication.<br />

Nicola Bellucci’s documentary tells the extraordinary story of Wolfgang Fasser, a blind musician<br />

and soundscape artist, who works with severely handicapped children. On his own<br />

way into the darkness, Fasser discovered the world of sounds, a parallel universe to our visual<br />

world. His far-reaching explorations of the effect of sound on mind and body led him<br />

to the field of music therapy. Today, the Swiss native lives in a beautiful valley near Florence.<br />

Most of his young patients have multiple disabilities; some are blind and can’t speak, others<br />

seem to be completely oblivious to the world around them. Step by step, through the<br />

use of all kinds of sound, Fasser establishes a dialogue with the children and dramatically<br />

improves their abilities of expression and perception.<br />

Running time: 86΄<br />

Year of production: 2010<br />

250<br />

642<br />

SWITZERLAND<br />

“How I Am: Challenging Perceptions”<br />

<strong>IN</strong> THE GARDEN OF SOUNDS<br />

Nicola Bellucci<br />

Production Company: soap factory<br />

Production Contact Person: Frank Matter<br />

Juramento 1081<br />

Basel 4057 Switzerland<br />

T. +41 61 6320 050<br />

film@soapfactory.ch<br />

www.soapfactory.ch/filme-giardino3-e.html<br />

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Current Affairs<br />

On December 10, 2007, a 16-year-old Toronto schoolgirl, Aqsa, was strangled to death by<br />

her father; Three weeks later, two teenage sisters were shot to death by their father in Dallas.<br />

Six months later a 19-year-old college student was stabbed by her brother. In the Name<br />

of the Family is a chilling investigation into honor killings in the Western world, the heartbreaking<br />

tragedies committed against young girls caught between two cultures.<br />

Running time: 60΄<br />

Year of production: 2010<br />

413<br />

CANADA<br />

<strong>IN</strong> THE NAME OF THE FAMILY<br />

Shelley Saywell<br />

Production Company: Bishari Films<br />

Production Contact Person: Shelley Saywell & Deborah Parks<br />

Sales Company: Films Transit International<br />

Sales Contact Person: Jan Röfekamp<br />

252 Gouin Boulevard East<br />

Montreal/Quebec H3L 1A8, Canada<br />

T. + 1 514 844 3358<br />

F. + 1 514 844 7298<br />

jan@filmstransit.com<br />

www.filmstransit.com<br />

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I<br />

History & Politics<br />

<strong>IN</strong> THEIR OWN WORDS:<br />

BRITISH NOVELISTS<br />

David Berry<br />

This is the story of the British novel in the 20th century, as told by those who know it best<br />

– the authors themselves. Plundering the BBC archive, In Their Own Words: British Novelists,<br />

produced in partnership with The Open University, reveals Britain’s greatest novelists<br />

talking candidly about their life and work. Some of these recordings have not been seen<br />

again since their original broadcast.<br />

Running time: 3x60΄<br />

Year of production: 2010<br />

Production Company: BBC<br />

Sales Company: Open University Worldwide<br />

Sales Contact Person: Marie Roche<br />

The Open University, Open University<br />

Worldwide, Walton Hall, Michael Young Building<br />

Milton Keynes MK7 6AA, UK<br />

T. +44 1908 332 470<br />

F. +44 1908 858 787<br />

marie.roche00@gmail.com<br />

252<br />

334<br />

UK<br />

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History & Politics<br />

<strong>IN</strong> THIS WAIT<strong>IN</strong>G<br />

Anna Tsiarta<br />

Some two thousand Greek and Turkish Cypriots went missing during the bi-communal conflicts<br />

of the 1960s and the Turkish invasion of Cyprus in 1974. Seven relatives of these missing<br />

recall their harrowing stories: from their last moments together until recent excavations<br />

began to shed light on their possible fate. As these individuals struggle to come to terms<br />

with both their past and their possible future, their stories reveal how these events have<br />

shaped not only their lives but also their<br />

divided country.<br />

Running time: 68΄<br />

Year of production: 2011<br />

199<br />

GREECE - CYPRUS<br />

Production Company: Roads and Oranges / New Films<br />

Production Contact Person: Anna Tsiarta<br />

P.O. Box 28386<br />

Nicosia 2093, Cyprus<br />

T. +357 9941 4683<br />

F. +357 2232 3149<br />

annatsiarta@mac.com<br />

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I<br />

Current Affairs<br />

<strong>IN</strong> WHAT WE TRUST<br />

Claus Strigel<br />

Money: a magical substance that can mean anything and yet has no worth. Poverty<br />

guarantees its value: If everyone had enough money, it would have no worth. Some are<br />

convinced that the current challenges to humanity cannot be solved within our monopolistic<br />

monetary system. In a favela on the edge of Brazil’s Fortaleza, a second, homemade<br />

currency, the palmas, has given this poor quarter a flourishing economy. Thousands of complementary<br />

currencies around the world are proving this now.<br />

Running time: 52΄<br />

Year of production: 2009<br />

Production Company: DENKmal-film<br />

Sales Company: united docs<br />

Sales Contact Person: Anne Hufnagel<br />

48-50, Breite Str.<br />

Cologne 50667 Germany<br />

T. +49 22 1920 690<br />

F. +49 22 1920 6969<br />

anne.hufnagel@united-docs.com<br />

www.united-docs.com<br />

254<br />

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GERMANY<br />

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Before his son Samuel was diagnosed with cerebral palsy, photojournalist Dan Habib rarely<br />

thought about the inclusion of people with disabilities. Now he thinks about inclusion every<br />

day. Shot and produced over four years, Habib’s award-winning documentary film, Including<br />

Samuel, honestly chronicles the Habib family’s efforts to include Samuel in every<br />

facet of their lives. The film also features four other families with varied inclusion experiences,<br />

plus interviews with dozens of teachers, young people, parents and disability<br />

rights experts. Including Samuel is a highly personal, passionately photographed film<br />

that captures the cultural and systemic barriers to inclusion.<br />

Running time: 58΄<br />

Year of production: 2008<br />

633<br />

USA<br />

“How I Am: Challenging Perceptions”<br />

<strong>IN</strong>CLUD<strong>IN</strong>G SAMUEL<br />

Dan Habib<br />

Production Company: DH Photography LLC<br />

Production Contact Person: Dan Habib<br />

40, Roger Ave.<br />

Concord NH 03301 USA<br />

T. +1 603 848 5301<br />

F. +1 603 228 3270<br />

dan.habib@unh.edu<br />

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I<br />

History & Politics<br />

<strong>IN</strong>GRID BETANCOURT:<br />

6 YEARS <strong>IN</strong> THE JUNGLE<br />

Angus Macqueen<br />

For over six years, Ingrid Betancourt was one of the most famous hostages in the world.<br />

Kidnapped in Colombia by Marxist guerrillas of the FARC (The Revolutionary Armed<br />

Forces), she was released in 2008 in an audacious rescue operation, together with 15 other<br />

hostages. In an exclusive documentary interview, she sheds light on her experience and<br />

on the meaning of being denied your freedom; awaiting your rescue or death. The film takes<br />

us along rivers and thick jungle to confront the past events through extensive interviews<br />

and unique archives, including FARC footage from the jungle and material shot during the<br />

rescue operation.<br />

Running time: 60΄<br />

Year of production: 2010<br />

Sales Company: Cinephil<br />

Sales Contact Person: Philippa Kowarsky<br />

18 Levontin Street<br />

Tel Aviv 65112<br />

Israel<br />

T. +972 3 566 4129<br />

F. +972 3 560 1436<br />

info@cinephil.co.il<br />

www.cinephil.co.il<br />

256<br />

189<br />

FRANCE - GERMANY - UK<br />

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Lifestyles<br />

<strong>IN</strong>SIDE OUT<br />

Vangelis Rigas<br />

The testimony of Fanis Zografos, who served a life-sentence (twenty years) in prison. His<br />

narration and those of his former cellmates – other notorious “lifers” – paint a picture of<br />

the conditions that the inmates have to contend with in prison, and the scars the experience<br />

must leave behind. The film also provides insights both into the enormous difficulties<br />

prisoners face following their release when, burdened with a criminal record, they<br />

struggle to reintegrate themselves into a prejudiced society, and into their hopes of succeeding<br />

using their skills and talents, and with the help – rather than the hindrance – of<br />

others.<br />

Running time: 74΄<br />

Year of production: 2010<br />

236<br />

GREECE<br />

Production Contact Person: Vangelis Rigas<br />

9-11 K. Oreopoulou St<br />

Athens 141 21, Greece<br />

T. +30 6945 629 306<br />

F. +30 210 271 2385<br />

klagosdim@vidi.gr<br />

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I<br />

Lifestyles<br />

<strong>IN</strong>SIDE THE METAVERSE<br />

Steven Dhoedt<br />

Reality, as we know it, is not the same anymore but has split in two: a factual, physical reality<br />

and a synthetic, virtual reality. All across the network society, people have started to<br />

flock to online worlds for very different reasons. We call this on-line universe “the Metaverse”.<br />

Inside the Metavesre introduces a patch-work of characters from all walks of life and<br />

nationalities for whom virtual worlds have become an important part of their lives.<br />

Running time: 52΄<br />

Year of production: 2010<br />

Production Company: Visualantics<br />

Production Contact Person: Steven Dhoedt<br />

Sales Company: NPO/RNW Sales<br />

Sales Contact Person: Ellie Beijaard<br />

45, Sumatralaan Str.<br />

Hilversum 1217, The Netherlands<br />

T. +31 35 677 3561<br />

F. +31 35 675 318<br />

ellie.beijaard@omroep.nl<br />

www.nposales.com<br />

258<br />

494<br />

THE NETHERLANDS<br />

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Art, Music & Culture<br />

Imagine a future world. Imagine a world where technology has taken over society and<br />

mankind now makes all the choices based on instincts. Imagine a derelict world of the future.<br />

Where would these people live? What would the cityscape look like?<br />

J.G. Ballard suggests it wouldn’t be far away from what we can see now in contemporary<br />

London.<br />

Canary Wharf is an example of what J.G. Ballard was trying to say through his novels.<br />

Through the observational analysis of the architectural structures of Canary Wharf, the<br />

docuemntary attempts to discover how they affect our lives and how they are also affected<br />

by our dystopian thoughts of the future. What is Dystopia and where is it located? Analyzing<br />

the people, their habits and the social structures, the film attempts to glimpse the<br />

future. Because, in a way, we love to hate our dystopian realities.<br />

Running time: 14΄<br />

Year of production: 2010<br />

241<br />

GREECE - UK<br />

<strong>IN</strong>TO THE GARDEN<br />

OF GLASS AND STEEL<br />

Aristotelis Marangos<br />

Production Company: London Film School<br />

Production Contact Person: Mark Rance<br />

Sales Company: London Film School<br />

Sales Contact Person: Aristotelis Marangos<br />

342 Kingsland Road<br />

London E8 4DA, UK<br />

T. +44 7542 635 223<br />

aristotelis_m@yahoo.com<br />

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I<br />

Sports<br />

<strong>IN</strong>TO THE W<strong>IN</strong>D<br />

Steve Nash & Ezra Holland<br />

In 1980,Terry Fox continued his fight against cancer with the pursuit of a singular, motivating<br />

vision: to run across Canada. Three years after having his right leg amputated six<br />

inches above the knee after being diagnosed with osteosarcoma, Fox set out to cover a<br />

marathon’s distance each day until he reached the shores of Victoria, British Columbia.<br />

Anonymous at the start of his journey, Fox steadily captured the heart of a nation. Twotime<br />

NBA MVP and proud Canadian Steve Nash shares Fox’s incredible story of perseverance<br />

and hope.<br />

Running time: 51΄<br />

Year of production: 2010<br />

Production Company: ESPN Films in association with Meathawk<br />

Production Contact Person: Connor Schell & Erin Leyden<br />

1011 S Figueroa St<br />

Los Angeles CA 90015 USA<br />

T. +213 405 4321 (work)<br />

+646 245 5888 (cell)<br />

Erin.G.Leyden@espn.com<br />

260<br />

175<br />

USA<br />

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Current Affairs<br />

THE <strong>IN</strong>VISIBLE<br />

Gil Karni<br />

The film documents a period of twelve years in the un-recognized Arab village of Al-Naim<br />

in Galilee. The Bedouins, who have lived there for over a century, serve as scouts for the<br />

IDF (Israel Defense Forces). One of them is Fahim, the protagonist of the film. They have<br />

been living in tin huts since 1963, no electricity, rationed water and no asphalt road.<br />

Despite the change in the status of the village that was officially recognized in 1999, the<br />

red tape of government offices and political considerations have delayed the construction<br />

permits. Fahim, wanting to right the wrongs and bring progress, fights his own personal<br />

battle to receive authorization for a power connection in a place where the inhabitants get<br />

by using generators and camp fires.<br />

Running time: 52΄<br />

Year of production: 2010<br />

541<br />

ISRAEL<br />

Production Contact Person: Gil Karni<br />

Sales Company: JMT Films Distribution<br />

Sales Contact Person: Michael Treves<br />

20, Bialik St<br />

Tel Aviv 63324, Israel<br />

T. +972 52 363 3398<br />

michael@jmtfilms.com<br />

www.jmtfilms.com/document.htm<br />

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I<br />

Art, Music & Culture<br />

THE <strong>IN</strong>VISIBLE DIRECTOR<br />

Nikos Theodosiou<br />

The profile of the film maker Robert Manthoulis, through 25 distinctive scenes from own<br />

films.<br />

Running time: 67΄<br />

Year of production: 2011<br />

Production Company: Neaniko Plano<br />

Production Contact Person: Myrto Mavroidakou<br />

18, Rodou St<br />

Athens 112 52, Greece<br />

T. +30 210 866 4470<br />

F. +30 210 866 2344<br />

youthplan@olympiafestival.gr<br />

www.olympiafestival.gr<br />

262<br />

264<br />

GREECE<br />

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Art, Music & Culture<br />

Júlia and Ágnes Pusker are sisters from Kecskemét who play the violin wonderfully. For<br />

those less versed in the world of classical music, perhaps their names are unknown. The<br />

media has not discovered them yet, although they have performed at many prestigious<br />

venues both at home and abroad. Basically, they are just two girls who are simply doing<br />

what they love, what they have talent for, what they inherited from their family and what<br />

is an eternal bond between them… they are playing music. For an average person, this<br />

in itself would not be especially interesting. Many talents, many gifted musicians live<br />

among us, why would they be any different? However, the interest of director Ágnes Sós<br />

and HBO Hungary was aroused by the intimate relationship between the two girls, to which<br />

their musical talent – to use a violinist term, the “soul” – is only an addition.<br />

Running time: 72΄<br />

Year of production: 2010<br />

611<br />

HUNGARY<br />

<strong>IN</strong>VISIBLE STR<strong>IN</strong>GS.<br />

THE TALENTED PUSKER SISTERS<br />

Agnes Sos<br />

Sales Company: HBO Central Europe<br />

Sales Contact Person: Dita Krivska<br />

1037/49, Jankovcova Str.<br />

Prague 17000, Czech Republic<br />

T. +42 02 6109 4444<br />

dita.krivska@hbo.cz<br />

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I


I<br />

Adventure & Travel<br />

IRAN, THE MESSENGER OF GORGAN<br />

(BUS STOP COLLECT<strong>IO</strong>N)<br />

Hervé Rébillon<br />

We’ll be boarding a bus in Tehran for a 500km and 12-hour trip to Gorgan, the capital of<br />

the province of Golestan in north-eastern Iran. It is a voyage through ancient legends and<br />

harsh realities, at the crossroads of the steppes of the north-east and the wooded Alborz<br />

mountain range. 700 years ago, Marco Polo travelled along the same routes as the modern-day<br />

passengers we meet on board our regular bus: Anaba, a Turkmen horse breeder,<br />

Reza the fisherman, Hussein who is a calligraphist and, of course, Ali, our bus driver. The<br />

bus route follows the traces of the Silk Road. Along just a few hundred kilometres, we are<br />

offered a glimpse into a mysterious past as well as a voyage through majestic landscapes<br />

– the Mount Damavand, the green plains along the Caspian Sea, the little-known Kordkuy<br />

valley...<br />

Running time: 52΄<br />

Year of production: 2009<br />

Production Company: Point du Jour<br />

Production Contact Person: Doris Weitzel<br />

Sales Company: Point du Jour International<br />

Sales Contact Person: Doris Weitzel<br />

23 rue de Cronstadt<br />

Paris 75015, France<br />

T. +33 1 7544 8080<br />

F. +33 1 4531 1305<br />

d.weitzel@pointdujour.fr<br />

www.pointdujour-international.fr<br />

264<br />

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FRANCE<br />

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Adventure & Travel<br />

A small island, a great history. Long before giving its name to the country, Mozambique<br />

Island had a fundamental role in the Indian Ocean for centuries. An anchorage for caravels,<br />

a meeting point for pirates, it is a melting pot of races. It raises its walls in the middle of<br />

the sea. Its winding streets full of life reveal small places, churches and white houses. Its<br />

inhabitants are eccentric characters, proud of the island’s past history. As we wander<br />

through the streets, we meet an historian, a maritime archaeologist, a fisherman, the “doorman”<br />

of the island, a dancer, many spirits...<br />

Running time: 63΄<br />

Year of production: 2010<br />

536<br />

PORTUGAL - MOZAMBIQUE<br />

THE ISLAND OF SPIRITS<br />

Licinio Azevedo<br />

Production Company: Ebeno Multimedia<br />

Production Contact Person: Pedro Pimenta<br />

Sales Company: Marfilmes<br />

Sales Contact Person: Renee Gagnon<br />

Av. Duque de Loule 79 R/C Dto A<br />

Lisbon 1050-088, Portugal<br />

T. +35 12 1314 0339<br />

F. +35 12 1353 3075<br />

marfilmes@netcabo.pt<br />

www.marfilmes.com<br />

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I


History & Politics<br />

Jaffa, the orange’s clockwork narrates the visual history of the famous citrus fruit originated<br />

from Palestine and known worldwide for centuries as the “Jaffa orange”.<br />

The history of the orange is the history of this land. Through photography and cinema, poetry,<br />

paintings, workers in the citrus industry and historians, memory and present mythologies,<br />

Palestinians and Israelis cross and combine. The close reading of the Jaffa brand’s visual<br />

representation is a reflection on western orientalist phantasms surrounding the “Holy<br />

Land” and the “State of Israel” and a tool to reveal the untold story of what was once a commune<br />

industry and symbol to Arabs and Jews in Palestine.<br />

Running time: 88΄<br />

Year of production: 2009<br />

192<br />

ISRAEL - FRANCE - BELGIUM - GERMANY<br />

JAFFA, THE ORANGE’S CLOCKWORK<br />

Eyal Sivan<br />

Production Company: Trabelsi productions Ltd & Alma films & The Factory<br />

Production Contact Person: Osnat Trabelsi<br />

Sales Company: CAT&Docs<br />

Sales Contact Person: Catherine Le Clef<br />

18 rue Quincampoix #133<br />

Paris 75004 France<br />

T. +33 1 4459 6353<br />

cat@catndocs.com<br />

www.catndocs.com<br />

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J<br />

Environment & Wild Life<br />

JANE’S JOURNEY<br />

Lorenz Knauer<br />

More than twenty years ago, Dr. Jane Goodall decided to give up her career as a primatologist<br />

in order to devote her entire energy to saving our endangered planet. Since then<br />

she has traveled around the globe more than 300 days per year, spreading hope by giving<br />

lectures, writing books and through her youth organization “Roots & Shoots”, active in<br />

more than 100 countries worldwide. Jane’s Journey is a portrait of the private person behind<br />

the world-famous icon – an exceptional woman, possibly the most fascinating<br />

woman of our time.<br />

With its unhurried pace and unobtrusive camera, this documentary shows the charismatic<br />

and eloquent Jane Goodall as she has never been seen before. Intimate conversations with<br />

Goodall alternate with spectacular footage of her and her beloved chimpanzees as well as<br />

revealing comments by her son, her colleagues and even Hollywood celebrities. The definitive<br />

film on the ardent advocate for the protection of the earth!<br />

Running time: 107΄<br />

Year of production: 2010<br />

Production Company: Neos Film GmbH & Co. KG<br />

Production Contact Person: Philipp Schall<br />

Sales Company: united docs<br />

Sales Contact Person: Anne Hufnagel<br />

Breite Str. 48-50<br />

Cologne 50667, Germany<br />

T. +49 22 1920 690<br />

F. +49 22 1920 6969<br />

anne.hufnagel@united-docs.com<br />

www.united-docs.com<br />

268<br />

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GERMANY<br />

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Art, Music & Culture<br />

JAN<strong>IN</strong>E<br />

Paul Cohen<br />

Violinist Janine Jansen is the most frequently downloaded classical artist. This film shows<br />

the hectic life of a musician of worldwide renown. And still she is just as uninhibited and<br />

spontaneous as ever.<br />

Colleagues from the music scene comment on her talent. For herself, she does not want<br />

to know how she does it, afraid she will no longer be able to do it anymore. Meanwhile,<br />

other people are preparing the launch of the once-only glossy Janine. Because Janine<br />

Jansen is also a marketable product.<br />

Running time: 89΄<br />

Year of production: 2010<br />

495<br />

THE NETHERLANDS<br />

Production Company: IDTV Docs<br />

Production Contact Person: Susanne van Voorst<br />

Sales Company: NPO/RNW Sales<br />

Sales Contact Person: Ellie Beijaard<br />

Sumatralaan 45<br />

Hilversum 1217 GP<br />

The Netherlands<br />

T. +31 35 6773 561<br />

F. +31 35 6775 318<br />

ellie.beijaard@omroep.nl<br />

www.nposales.com<br />

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J<br />

Lifestyles<br />

JEREMIAH<br />

Eran Paz<br />

Yura (Jeremiah), his wife, and two children live in the Shapira neighborhood in the southern<br />

part of Tel Aviv. They live among junkies, prostitutes and alcoholics; a different image<br />

than the one expected when hearing the words: Tel Aviv. In one of the rooms lives Valera,<br />

an alcoholic. In the storage room lives Gora, Yura’s cousin and a drug addict. Misha, a former<br />

boxer, needs a place to stay and is willing to sleep in the yard. Yura accepts him without<br />

thinking.<br />

* “Festival Award Winners”: Krakow Film Festival - Poland (23-29/5/2011)<br />

* Documentary Competition: goEast, Festival of Central & Eastern European Film, Wiesbaden,<br />

Germany (6-12/4/2011)<br />

* Best Director Award (Documentary): Jerusalem International Film Festival - Israel 2010<br />

Running time: 48΄<br />

Year of production: 2010<br />

Production Company: Ilan Moskovitch Productions<br />

Production Contact Person: Ilan Moskovitch<br />

Sales Company: JMT Films Distribution<br />

Sales Contact Person: Michael Treves<br />

20 Bialik St<br />

Tel Aviv 63324, Israel<br />

T. +972 52 363 3398<br />

michael@jmtfilms.com<br />

www.JMTFilms.com/document.htm#jeremiah<br />

270<br />

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ISRAEL<br />

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History & Politics<br />

In the immediate aftermath of World War II, hundreds of thousands of Jews were homeless,<br />

sick and desperate to find lost family members. Jewish Transit Berlin will explore what<br />

many European Jews experienced on the “day after”. Without papers and with unclear futures,<br />

thousands came to Berlin to seek refuge in the Allied occupied city. It was in Berlin’s<br />

Displaced Persons Camp at Schlachtensee where as many as 200 people per day settled<br />

in the weeks after the war. Refugees came from all over middle and Eastern Europe.<br />

Schlachtensee soon became a magnet for the thousands who had nowhere else to go. Despite<br />

the still pervasive anti Semitism openly shown on the streets of Berlin, many Jews<br />

began to enter the city’s public life again. Their stories reveal the despair, survival and ultimate<br />

hope of people who overcame human history’s worst atrocity.<br />

Running time: 52΄<br />

Year of production: 2009<br />

468<br />

GERMANY<br />

JEWISH TRANSIT BERL<strong>IN</strong> –<br />

FROM HELL TO HOPE<br />

Gabriel Heim<br />

Production Company: DOKfilm with RBB<br />

Sales Company: united docs<br />

Sales Contact Person: Anne Hufnagel<br />

Breite Str. 48-50<br />

Cologne 50667, Germany<br />

T. +49 22 1920 690<br />

F. +49 22 1920 6969<br />

anne.hufnagel@united-docs.com<br />

www.united-docs.com<br />

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J<br />

History & Politics<br />

JIMMY DOHERTY<br />

<strong>IN</strong> DARW<strong>IN</strong>’S GARDEN<br />

Matt Barrett<br />

Charles Darwin returned from his five year expedition aboard The Beagle with some revolutionary<br />

ideas about the diversity of the world’s flora and fauna. However, before he could<br />

begin work on one of the most influential scientific publications of all time, On the Origin<br />

of Species, Darwin needed to expand his early hunches into a fully formed theory of evolution<br />

through a series of ingenious and astonishing experiments.<br />

Jimmy Doherty, farmer and entomologist, follows Darwin’s intellectual journey, recreating<br />

ground breaking experiments on in-breeding in plants, natural selection, and some<br />

quirky tests involving earthworms and music. Filmed in the gardens and greenhouses of<br />

Darwin’s home in Kent, this series rediscovers the science underpinning evolution.<br />

Running time: 3x60΄<br />

Year of production: 2009<br />

Production Company: BBC<br />

Sales Company: Open University Worldwide<br />

Sales Contact Person: Marie Roche<br />

The Open University, Open University<br />

Worldwide, Walton Hall, Michael Young Building<br />

Milton Keynes MK7 6AA, UK<br />

T. +44 1908 332470<br />

F. +44 1908 858787<br />

marie.roche00@gmail.com<br />

272<br />

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UK<br />

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Art, Music & Culture<br />

The life of musician José Cruz Camargo Zurita, leader, composer and singer of the Real de<br />

Catorce blues band, told through a moving review of their songs, allows us to get to know<br />

an essential part of Mexican Blues, while, at the same time, showing us how he tries to<br />

overcome multiple sclerosis through music.<br />

Running time: 79΄<br />

Year of production: 2011<br />

315<br />

MEXICO<br />

JOSÉ CRUZ THIRTY FEET FROM HELL<br />

Leobardo Jacob Lechuga<br />

Production Company: Fondo para la Producción Cinematográfica de<br />

Calidad (Foprocine)<br />

Sales Company: Instituto Mexicano de Cinematografía (Imcine)<br />

Sales Contact Person: Pablo Briseño<br />

Insurgentes Sur #674 del Valle<br />

Mexico City 03100, Mexico<br />

T.-F. +52 55 5448 5345<br />

mercaint@imcine.gob.mx<br />

www.imcine.gob.mx<br />

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J<br />

History & Politics<br />

JOY OF LEARN<strong>IN</strong>G<br />

Stéphane Xhrouet<br />

Teens arrive from the city at a village in the Belgian Ardennes to rehabilitate a half destroyed<br />

farm: a school should soon open there. Its educational context will be radically new, based<br />

on the pleasure and the appetite for knowledge, and learning freedom within a community.<br />

While teachers unlearn traditional methods and requirements, the students, however,<br />

stimulated by the trust given to them suddenly, are soon overwhelmed by the adventure<br />

of living their freedom.<br />

Running time: 76΄<br />

Year of production: 2010<br />

Production Company: La Parti Production<br />

Production Contact Person: Vincent Tavier<br />

Sales Company: Ventes-CBA/WIP Sales<br />

Sales Contact Person: Thierry Detaille<br />

Quai des Ardennes, 16.<br />

Liège<br />

T. +32 477 617 170<br />

F. +32 43 401 041<br />

ventes-cbawip-sales@skynet.be<br />

274<br />

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BELGIUM<br />

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Lifestyles<br />

JULIEN<br />

Gael Leingle<br />

Julien was eighteen. He was playing the knight in the village play. At the same time he<br />

was preparing to leave his friends and family, and the landscapes of his childhood; to go<br />

out into the world and earn his living. One could say... “Once upon a last time, between<br />

the Beauce and the Loire valley, last summer...”<br />

Running time: 80΄<br />

Year of production: 2010<br />

132<br />

FRANCE<br />

Production Contact Person: Nicolas Anthome<br />

Sales Company: bathysphere productions<br />

Sales Contact Person: Nicolas Anthome<br />

11, rue Manin<br />

Paris 75019, France<br />

T. + 33 1402 1370 2<br />

contact@bathysphere.fr<br />

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History & Politics<br />

Gorette Mawazu has had her land stolen from her. Too poor to afford a lawyer, she defends<br />

herself in the courts of the Democratic Republic of Congo. At the same time, Bahati Lukwebo,<br />

deputate and quaestor in charge of the finances of the Congolese National Assembly,<br />

seeks to retain his position coveted by many candidates. But how to defend their rights<br />

or be elected in a country where officials are not paid and voters too poor to make a free<br />

choice?<br />

Running time: 52΄<br />

Year of production: 2010<br />

593<br />

BELGIUM<br />

KAFKA <strong>IN</strong> CONGO<br />

Arnaud Zajtman & Marlène Rabaud<br />

Production Company: Eklektik Production<br />

Production Contact Person: Marie Besson<br />

Sales Company: Ventes-CBA/WIP Sales<br />

Sales Contact Person: Thierry Detaille<br />

Wallonie Image Production<br />

Quai des Ardennes, 16<br />

Liège 4020, Belgium<br />

T. +32 477 617 170<br />

F. +32 4 340 1041<br />

ventes-cbawip-sales@skynet.be<br />

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K<br />

History & Politics<br />

KAMENGE NORTHERN QUARTERS<br />

Manu Gerosa & Salva Muñoz<br />

Kamenge, Northern Quarters is the picture of the soul of a whole country, Burundi, which<br />

asks for freedom and justice, the ideals Alexis Sinduhije is fighting for.<br />

His story is closely linked to the life of his quarter, the Northern Quarters of the capital city<br />

Bujumbura, a symbol of one of the most cruel wars the world has ever known, the conflict<br />

between Hutu and Tutsi.<br />

The background and the glances of the ones who have not left are interwoven with the<br />

life of Alexis who gave up his job as a journalist in 2007 to found a political party, standing<br />

for President in 2010.<br />

“It is possible to build a liveable Burundi, it is possible. You must only believe it and take<br />

the risk,” Alexis says.<br />

In Burundi, although the present government was elected democratically, the people who<br />

profess freedom of speech put their life in danger.<br />

Running time: 58΄<br />

Year of production: 2010<br />

Production Company: One World DocuMakers<br />

Production Contact Person: Manu Gerosa<br />

Sales Company: Journeyman Pictures<br />

Sales Contact Person: Edward Caffrey<br />

4 High Street<br />

Thames Ditton KT7 0RY (Surrey), UK<br />

T. +44 2087 866 058<br />

eddie@journeyman.tv<br />

www.journeyman.tv<br />

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191<br />

ITALY - SPA<strong>IN</strong><br />

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Current Affairs<br />

KARLA’S ARRIVAL<br />

Koen Suidgeest<br />

In Managua, Nicaragua, teenager Sujeylin Aguilar raises her newborn daughter Karla on<br />

the same streets she has been calling home for the past eight years. Based in a city park<br />

and part of a larger group of youngsters, mother and baby struggle to reach the little one’s<br />

first birthday. Beautifully told and full of hope, Karla’s Arrival offers an intense personal story<br />

about second generation street children.<br />

Running time: 58’<br />

Year of production: 2010<br />

388<br />

SPA<strong>IN</strong> - BELGIUM - USA<br />

Production Company: El Rayo Films<br />

Production Contact Person: Koen Suidgeest<br />

Sales Company: CAT&Docs<br />

Sales Contact Person: Catherine Le Clef<br />

18 rue Quincampoix #133<br />

Paris F-75004, France<br />

T. +33 1 4459 6353<br />

cat@catndocs.com<br />

www.catndocs.com<br />

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K<br />

Lifestyles<br />

KATKA<br />

Helena Třeštíková<br />

Helena Třeštíková’s film is a remarkable documentary tracing fourteen years in the life of<br />

a young junkie and her futile battle with drug addiction. Why did she start taking drugs?<br />

She claims she wanted to be different. The year is 1996 and 19-year-old Katka is living in<br />

the Sananim therapy community in the town of Němčice with hope for a normal life – she<br />

dreams of having a boyfriend and even a family, some day. But there’s no happy ending.<br />

The director records Katka’s descent over the years into a spiral of theft, prostitution, physical<br />

and psychological deterioration – a spiral that is broken only by brief flashes of hope<br />

and resolutions to stop taking drugs. Katka’s desire is sincere, but in the end drugs always<br />

win. Will Katka finally find the strength when she becomes pregnant and motherhood offers<br />

her life-sustaining motivation?<br />

Running time: 90΄<br />

Year of production: 2010<br />

Production Company: Negativ<br />

Production Contact Person: Zuzana Bielikova<br />

Sales Company: Taskovski Films<br />

Sales Contact Person: Manuela Buono<br />

463 Russel Court, Woburn Place<br />

London WC1H 0NL, UK<br />

T. +44 7977 051 577<br />

festivals@taskovskifilms.com<br />

www.taskovskifilms.com<br />

280<br />

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CZECH REPUBLIC<br />

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Current Affairs<br />

KHAIMA<br />

Athanasios Karanikolas<br />

For the past twelve years, a provisory camp was set up by Afghan refugees in the harbor<br />

of Patras, in Greece. About 400 to 600 men, aged 12 to 60, lived in makeshift housing made<br />

out of found building materials and cardboard boxes. Most of the refugees living in the<br />

camp tried to get to their final destination, usually a country in Central Europe, by hiding<br />

themselves inside or under trucks which would then board ferries to Italy. Others tried to<br />

survive as long as possible in Patras, hoping to be granted asylum by the Greek state. On<br />

the 12th of July 2009, following orders by the Greek government, two bulldozers and four<br />

trucks demolished the camp, with the support of 150 riot police. No other living alternatives<br />

were planed for the refugees beforehand. Today, over 700 refugees spend the night<br />

on the streets of Patras.<br />

Running time: 86΄<br />

Year of production: 2010<br />

285<br />

GERMANY - GREECE<br />

Production Contact Person: Athanasios Karanikolas<br />

Leipziger Str.46<br />

Berlin 10117, Germany<br />

T. +49 30 2529 8582<br />

athanasios.k@gmx.net<br />

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K


K<br />

Art, Music & Culture<br />

K<strong>IN</strong>BAKU – ART OF BONDAGE<br />

Jouni Hokkanen<br />

Kinbaku, “tight binding”, is a Japanese style of bondage which involves tying up the bottom<br />

using simple, yet visually intricate, patterns and several pieces of rope, usually made<br />

of hemp or jute. In Shinto religion, in order to make something sacred, a man ties a rope<br />

around it. This sacred quality of tying can also be applied to Kinbaku, which is an erotic, spiritual<br />

and artistic connection between the people who do it. It started with the samurais capturing<br />

enemies on the battlefield 500 years ago. “Rope is an extension of one’s arms and a<br />

communication tool. Two people can really be close and have emotional exhange,” says rope<br />

master Osada Steve from Tokyo. Osada Steve is a student of Haruki Yukimura, a rope master<br />

who has tied over 3,000 people in his life. “If you look at the Japanese samurai armor,<br />

it’s tied on. If you’ve ever received a Japanese gift, it’s an exquisite thing,” says Asagi Ageha,<br />

the most popular star of the new generation. Japan places a ritualistic weight on everyday<br />

acts and talent our own culture lacks – and turns almost anything, including knots and<br />

ropes, into art. Nowadays rope is used to create an artistic, meaningful scene between two<br />

people. Kinbaku is about creating a beautiful climate and an exciting dramatic experience.<br />

Running time: 29΄<br />

Year of production: 2009<br />

Production Company: Hakalax Productions Oy<br />

Production Contact Person: John Hakalax<br />

Sales Company: Hakalax Productions Oy<br />

Sales Contact Person: John Hakalax<br />

Topeliuksenkatu 3b A9a<br />

Helsinki 00260, Finland<br />

T. +358 9 852 1448<br />

hakalax@hakalaxproductions.com<br />

www.hakalaxproductions.com<br />

282<br />

120<br />

F<strong>IN</strong>LAND<br />

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Lifestyles<br />

K<strong>IN</strong>G MATHIAS<br />

Milan Urbajs<br />

The story of a fallen son. Seppl has turned his back on his family and the conventions of<br />

society. Inspired by the legend of Kralj Matjaž, who ruled in Carinthia (Austria) in the Middle<br />

Ages, he is now setting out to save the world – from Catholicism, Capitalism and the<br />

strata of society who are destroying everything, academics. When Seppl sees his sister<br />

again, his hard shell is softened for a short time. Their family history has left its wounds<br />

on both sides.<br />

Running time: 27΄<br />

Year of production: 2010<br />

351<br />

SLOVENIA<br />

Production Company: AGRFT<br />

Production Contact Person: Milan Urbajs<br />

Ulica Talcev 7<br />

Lyubljana 1000, Slovenia<br />

T. +38 631 893 534<br />

milan.urbajs@gmail.com<br />

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K


K<br />

Art, Music & Culture<br />

K<strong>IN</strong>SHASA SYMPHONY<br />

Claus Wischmann & Martin Baer<br />

Two hundred orchestral musicians are playing Orff’s Carmina Burana in total darkness. A<br />

power cut has hit the Ngiri Ngiri district of Kinshasa, only a few bars before the last section<br />

of the work. Kinshasa’s power stations and main networks are insufficient to supply<br />

electricity to all the 10 million inhabitants of what is Africa’s third-largest city. Once again<br />

the lights have gone out in the “Salle des fêtes”, a kind of open garage where the orchestra<br />

practices. But for its members this is no reason to stop rehearsing. Most of them know<br />

their parts by heart. Small lapses of memory are compensated for by a talent for improvisation<br />

and the grace of God.<br />

Running time: 95΄<br />

Year of production: 2010<br />

Production Company: Sounding Images<br />

Production Contact Person: Claus Wischmann<br />

Sales Company: C Major Entertainment GmbH<br />

Sales Contact Person: Elmar Kruse<br />

Kaiserdamm 31<br />

Berlin 14057, Germany<br />

T. +49 30 3030 6464<br />

F. +49 30 3030 6468<br />

e.kruse@cmajor-entertainment.com<br />

www.cmajor-entertainment.com<br />

284<br />

142<br />

GERMANY<br />

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Art, Music & Culture<br />

The Klezmatics: On Holy Ground, is a feature-length documentary about the Grammy<br />

Award-winning, New York-based, klezmer band. The Klezmatics have made numerous television<br />

and radio appearances, including PBS’s Great Performances series with Itzhak Perlman<br />

as well as on Garrison Keillor’s A Prairie Home Companion on NPR. In 2006 the band<br />

released Wonder Wheel: Lyrics by Woody Guthrie. It was their first English language LP and<br />

won a Grammy Award for Best World Music. Anjou and crew followed the Klezmatics for<br />

over three years, capturing the band’s highs, lows, and relentless march forward.<br />

Running time: 106΄<br />

Year of production: 2010<br />

703<br />

USA<br />

THE KLEZMATICS: ON HOLY GROUND<br />

Erik Greenberg-Anjou<br />

Production Company: Roots First<br />

Sales Company: Seventh Art Releasing<br />

Sales Contact Person: Shane Griffin<br />

6579 Pickwick Street<br />

Los Angeles CA 90042 USA<br />

T. +1 323 259 8259<br />

F. +1 323 474 6371<br />

seventhart@7thart.com<br />

www.7thart.com<br />

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K<br />

Art, Music & Culture<br />

KOMEDA – A SOUNDTRACK FOR A LIFE<br />

Claudia Buthenhoff-Duffy<br />

Almost all metal scrap was sold from Kyrgyzstan to China. This film shows the global phenomenon<br />

in micro scale: the hard work of a Russian truck driver, the slow pace of one Kyrgyz<br />

family, and a few events from a long journey across the Tien Shan Mountains.<br />

Running time: 52΄<br />

Year of production: 2010<br />

Production Company: Film Studio Kalejdoskop & Benedikt Pictures<br />

Production Contact Person: Wojciech Szczudlo<br />

Sales Company: Krakow Film Foundation<br />

Sales Contact Person: Katarzyna Wilk<br />

Basztowa 15/8a<br />

Krakow 31-143, Poland<br />

T. +48 12 294 6945<br />

katarzyna@kff.com.pl<br />

www.kff.com.pl<br />

286<br />

525<br />

POLAND<br />

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Lifestyles<br />

KOSTAKIS<br />

Theodora Malliarou<br />

We are a group of young filmmakers who love documentaries. We live in the very polluted<br />

city of Thessaloniki. Most of the people around us keep mumbling about the long working<br />

hours and their misery of not having enough money to live “the good life”. So, what<br />

is missing from our everyday lives? Could nature and the connection to our roots bring back<br />

the smile on our faces? Kostakis is our young protagonist. When he was 16 years old, he<br />

chose to become a maker of horse saddles, because of his vast love for animals and nature.<br />

To our eyes, he is a man who emanates happiness.<br />

Running time: 26΄<br />

Year of production: 2010<br />

237<br />

GREECE<br />

Production Contact Person: Theodora Malliarou<br />

13 Timandras St<br />

Athens 157 71, Greece<br />

T. +30 210 777 7181<br />

F. +30 210 777 7181<br />

thmalliarou@yahoo.com<br />

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K


K<br />

Lifestyles<br />

KYPSELI<br />

City of Athens Cultural Organization<br />

Documentary Group 2009<br />

Vassiliki is a young poet and writer, a bohemian type that lives on Tinos Street. Mr. Mimis<br />

lives in his truck with his puppy. Lopez is a troubadour who sings a chorus at the corner<br />

of Ithakis and Drossopoulou Streets. Mrs. Aristea feels connected to the area where she has<br />

lived for more than thirty years. The old Neoclassical villas remind her of her lovely youth.<br />

The people who walk through Kypseli, who come from here and elsewhere, make up one<br />

of the most densely populated neighborhoods on earth.<br />

Running time: 29΄<br />

Year of production: 2009<br />

Production Company: Poulidis Productions<br />

Production Contact Person: Yorgos Poulidis<br />

Sales Company: Cultural Organization of the City of Athens –<br />

Poulidis Productions<br />

Sales Contact Person: Yorgos Poulidis<br />

50 Akadimias St<br />

Athens 106 79, Greece<br />

T. +30 6972 833 318<br />

poulidis2003@in.gr<br />

288<br />

224<br />

GREECE<br />

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History & Politics<br />

This is a tribute to Euphrosyne Proestou, an old woman from the village of Lapithos, who,<br />

in August 1974 in the midst of war, without taking into account the risk, hid and protected<br />

for a whole month 12 soldiers. We traveled to occupied Lapithos and recorded the shocking<br />

testimonies of soldiers who were one step from death.<br />

The subject of the documentary, in the consumer society we live in now, seems distant and<br />

perhaps unfashionable, but the sight of the Turkish flag flying on Mount Pentadaktylos reminds<br />

us once again that some people gave their lives for us to be here.<br />

Running time: 40΄<br />

Year of production: 2010<br />

211<br />

CYPRUS<br />

THE LADY FROM LAPITHOS<br />

Costas Orthodoxou<br />

Production Company: Cybc<br />

Production Contact Person: Costas Orthodoxou<br />

Sales Contact Person: Costas Orthodoxou<br />

Ayias Theodoras 22, Strovolos<br />

Nicosia 2046, Cyprus<br />

T. +357 99 657 833<br />

costas.orthodoxou@cybc.com.cy<br />

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L


L<br />

Environment & Wild Life<br />

THE LAMENT OF THE FIRS<br />

Nick Theodorakis<br />

Documentaries such as this try to raise awareness and to stand against the barbarity and<br />

harmfulness of such customs as are the cutting of Christmas trees and the slaughter of the<br />

lambs at Easter, highlighting their absurdity. Every year millions of fir trees are being cut<br />

throughout the world over the Christmas period and each of them has had to be alive for<br />

25 years in order to be at the right height. By taking the life of a fir tree, what remains is<br />

empty and thus phony. It no longer is authentic and alive. So the question arises: What do<br />

we want with it? Do we want “real” essence but lifeless? This is a horrible notion. These<br />

kinds of ideas we can fight against with our hearts and our souls.<br />

Running time: 16΄<br />

Year of production: 2011<br />

Production Company: FineworldProductions &<br />

Solon for Synthesis and Ecological Civilization<br />

Production Contact Person: Nick Theodorakis<br />

19 Kaningos St<br />

Athens 106 77, Greece<br />

T. +30 210 383 7840<br />

F. +30 210 330 3441<br />

theodorakisnik@hotmail.com<br />

290<br />

708<br />

GREECE<br />

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History & Politics<br />

A true scenario, with the island of Spinalonga being a blot on civilisation. A treatise expressed<br />

in words, narratives, tears, pain, hope for life, through the eyes and lips – or whatever<br />

was left of them – of the 330 lepers who became the protagonists. A tribute to those<br />

whom the scythe of Fate, for 53 years, cut off from society and cast on Spinalonga to die.<br />

Their lives, an everyday struggle to pull down the dark walls of prejudice, to change the<br />

horror of Spinalonga, in hopes of a humane life, even though everything around them led<br />

to death. Finally, there came the miracle, the cure, the great illusion of freedom; there came<br />

the obstacle of the world of men, where no one was waiting for them.<br />

Running time: 77΄<br />

Year of production: 2011<br />

252<br />

GREECE<br />

THE LAND OF THE WEEP<strong>IN</strong>G GODS<br />

Eleni Vlassi<br />

Production Company: Icons World<br />

Production Contact Person: Eleni Vlassi<br />

Sales Company: Icons World<br />

Sales Contact Person: Eleni Vlassi<br />

100 Astrous St<br />

Athens 104 42, Greece<br />

T. +30 6948 541 393<br />

F. +30 210 514 6963<br />

elenivlassi@yahoo.com<br />

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L


L<br />

Current Affairs<br />

THE LAST DAYS OF W<strong>IN</strong>TER<br />

Mehrdad Oskouei<br />

This film depicts the life of seven children under fifteen in the House of Correction before<br />

New Year in Tehran. By allowing the camera to be one of them, we will get to know their<br />

analyses of the situation and solutions for escaping their sad destiny.<br />

Running time: 60΄<br />

Year of production: 2011<br />

Production Company: Oskouei Film Production<br />

Sales Company: Sheherazad Media International (SMI)<br />

Sales Contact Person: Katayoon Shahabi<br />

1, 3rd Sarvestan, Pasdaran St, Shariati Ave,<br />

Tehran 16619, Iran<br />

T. +98 21 2286 3260 / 61<br />

F. +98 21 2285 8962<br />

sheherazad@smediaint.com<br />

292<br />

606<br />

IRAN<br />

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Art, Music & Culture<br />

The local movie theater that once was the vibrant center of the village of Panayia has been<br />

closed for more than 20 years. Two local men try to reopen it hoping to relive the memories<br />

of their youth and bring life back to the village.<br />

Running time: 45΄<br />

Year of production: 2010<br />

256<br />

GREECE - CYPRUS<br />

THE LAST REMA<strong>IN</strong><strong>IN</strong>G SEATS<br />

Marios Piperides<br />

Production Company: AMP Film Works Ltd<br />

Production Contact Person: Marios Piperides<br />

Sales Company: AMP Film Works Ltd<br />

Sales Contact Person: Marios Piperides<br />

4 Agias Elenis, Office 603<br />

Nicosia 1060, Cyprus<br />

T. +357 993 376 85<br />

F. +357 228 751 86<br />

marios@film-works.tv<br />

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L<br />

History & Politics<br />

THE LAST SURVIVOR<br />

Michael Pertnoy & Michael Kleiman<br />

Have you ever wondered how survivors of genocide who lost everything manage to put<br />

their lives together again? Hedi Fried survived the Holocaust, immigrated to Sweden<br />

where she became a renowned psychologist who offers survivors of genocide support.<br />

Jacqueline, the sole survivor in her family from the Rwanda genocide, studied political science<br />

in the United States where she now gives lectures on the subject. Justin, who found<br />

asylum in the United States after his tribe was slaughtered during the civil war in the Congo,<br />

established a center meant to document the heritage of his people. United by the will to<br />

make a difference, these inspiring characters are testimonies to the power of life.<br />

Running time: 52΄<br />

Year of production: 2010<br />

Sales Company: Cinephil<br />

Sales Contact Person: Philippa Kowarsky<br />

18 Levontin Street<br />

Tel Aviv 65112, Israel<br />

T. +972 3 566 4129<br />

F. +972 3 560 1436<br />

info@cinephil.co.il<br />

www.cinephil.co.il<br />

294<br />

399<br />

USA<br />

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Lifestyles<br />

Another painfully intimate documentary by Marcin Koszałka is devoted to family matters<br />

seen through his sister’s experience. With a running camera, adult siblings dissect their relations<br />

with parents and with each other. The protagonist of the film, an affluent businesswoman,<br />

who still hasn’t come to terms with the death of their mother and father, becomes<br />

the director’s conscience. He is trying to get closer to his dead parents in his own<br />

way – filming the last moments of patients in a hospital.<br />

Running time: 50΄<br />

Year of production: 2010<br />

612<br />

POLAND<br />

LET’S RUN AWAY FROM HER<br />

Marcin Koszałka<br />

Production Company: HBO Central Europe<br />

Production Contact Person: Dita Křivská<br />

Sales Company: HBO Central Europe<br />

Sales Contact Person: Dita Křivská<br />

Jankovcova 1037/49<br />

Prague 170 00, Czech Republic<br />

T.-F. +420 261 094 444<br />

dita.krivska@hbo.cz<br />

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L


L<br />

History & Politics<br />

THE LETTER<br />

Rafael Bonilla<br />

She came from El Salto, Durango to Lomas de Poleo, in Ciudad Juárez, the most violent border<br />

zone in Mexico. Paula Flores writes letters and tells us about her life: The kidnapping<br />

and murder of her daughter María Sagrario, the search for the killers, her fight against feminicide,<br />

the struggle for the land in Poleo, where there is a concentration camp, and the suicide<br />

of her husband, Chuy... In spite of everything, Paula is a human rights activist, fighting<br />

impunity and fear, always championing peace, planting this seed in the children of<br />

Lomas de Poleo, and trying to spread it around the world.<br />

Running time: 70΄<br />

Year of production: 2011<br />

Production Company: Fondo para la Producción Cinematográfica<br />

de Calidad (Foprocine)<br />

Sales Company: Instituto Mexicano de Cinematografía (Imcine)<br />

Sales Contact Person: Pablo Briseño<br />

Insurgentes Sur #674 del Valle<br />

Mexico City 03100, Mexico<br />

T.-F. +52 55 5448 5345<br />

mercaint@imcine.gob.mx<br />

www.imcine.gob.mx<br />

296<br />

316<br />

MEXICO<br />

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Lifestyles<br />

The world runs. Hari walks. His worn-out shoes cover long distances in the desert to deliver<br />

messages written in elegant handwriting for addressees who live in remote villages.<br />

The letters talk about loves, weddings, successes and deceases. Those that bear news of<br />

death have the right corner torn off. Hari reads them out in the doorway, and then tears<br />

them to bits, because bad news must be destroyed, deleted forever. In a world in which<br />

time is luxury, and speed is synonymous with efficiency and civilization, the story of Hari<br />

is an island fossilized in time. When the only way to communicate was a sheet of paper,<br />

a pen, and some ink; when people were still able to wait. A return to slowness, and to the<br />

harsh nature of the Thar Desert. Until a strange metallic tower appears, an intruder on the<br />

landscape, which will revolutionize the life of the small village…<br />

Running time: 88΄<br />

Year of production: 2011<br />

114<br />

ITALY<br />

LETTERS FROM THE DESERT<br />

(EULOGY TO SLOWNESS)<br />

Michela Occhipinti<br />

Production Contact Person: Michela Occhipinti<br />

Sales Contact Person: Michela Occhipinti<br />

Borgo Vittorio 33<br />

Rome 00193, Italy<br />

T. +39 339 534 1007<br />

michela_o@hotmail.com<br />

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L


L<br />

Lifestyles<br />

THE LIFE & DEATH OF CELSO JUN<strong>IO</strong>R<br />

Panagiotis Evangelidis<br />

What is more important? The boots or the man wearing them?<br />

In a storeroom in Brazil, a pair of leather boots catches the eye of little Celso. He is in awe,<br />

like a bird in front of a snake.<br />

Today he is an artist living in Switzerland, married to his beloved.<br />

The life and musings, the art and the many deaths of a fetishist.<br />

Running time: 50΄<br />

Year of production: 2011<br />

Production Contact Person: Amanda Livanou<br />

35, Dervenion St<br />

Athens 106 81, Greece<br />

T. + 30 210 330 2860<br />

F. + 30 210 610 0109<br />

amandalivanos@yahoo.com<br />

298<br />

227<br />

GREECE<br />

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Current Affairs<br />

Since 2003, Italy and Europe have asked Libya to stop the African migrants.<br />

What are the Libyan police really doing?<br />

From what thousands of African men and women suffer?<br />

Why does everybody pretend they do not know about it?<br />

Giving voice to the Ethiopian refugees living in Rome, the film (shot in Mini DV) provides<br />

a direct insight into the brutal ways in which Libya, aided also by Italian and European<br />

funds, is operating to control the immigration movements of people from Africa.<br />

Dagmawi Yimer was studying Law in Addis Ababa in Ethiopia. Prompted by the severe political<br />

oppression he had to face in Ethiopia, he decided to leave the country...<br />

Running time: 59΄<br />

Year of production: 2009<br />

571<br />

ITALIA<br />

L<strong>IK</strong>E A MAN ON EARTH<br />

Andrea Segre & Dagmawi Yimer<br />

Production Company: Zalab<br />

Sales Company: 10 Francs<br />

Sales Contact Person: Guy Knafo<br />

28, rue de l’Equerre<br />

Paris 75019, France<br />

T. +33 1 4874 4377<br />

F. +33 1 4874 8265<br />

10francs@10francs.fr<br />

www.10francs.fr<br />

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L<br />

Current Affairs<br />

LITTLE BRIDE<br />

Leslaw Dobrucki<br />

Our heroine stopped praying long ago. As a thirteen-year-old girl she was brought from<br />

her native Turkey to Germany to marry one of her cousins. This is how her childhood ended<br />

– she became the property of a husband who tortures and degrades her. She finally decides<br />

to flee, but must continuously be in hiding. Condemned by both families, she has no<br />

chance at a normal life, neither as a wife nor as a divorcee. The film is not a typical intervention<br />

reportage, but a poetic collage comprising documentary material, family photographs<br />

and children’s drawings. This individual life story reflects the stories of many other<br />

girls and women subjected to a patriarchal law still enforced by tacit consent in the multicultural<br />

societies of Western Europe.<br />

Running time: 14΄<br />

Year of production: 2010<br />

Production Company: Andrzej Wajda Master School of Film Directing<br />

Production Contact Person: Joanna Skalska<br />

Sales Company: Krakow Film Foundation<br />

Sales Contact Person: Katarzyna Wilk<br />

Basztowa 15/8a<br />

Krakow 31-143, Poland<br />

T. +48 12 294 6945<br />

katarzyna@kff.com.pl<br />

www.kff.com.pl<br />

300<br />

135<br />

POLAND<br />

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Current Affairs<br />

Children are the protagonists of a social phenomenon that first appeared in Greece three<br />

decades ago. The children of immigrants and children immigrants, the so-called second<br />

generation, are parts of a jigsaw puzzle that is trying to be put together. The children communicate<br />

their apprehension for the future, as well as their dream of a multicolored world<br />

that respects diversity. The documentary is divided into three parts: education, social protection<br />

and integration. The Children’s Ombudsman and the non-profit organizations AR-<br />

SIS, PRAKSIS, ΒABEL, i-RED, YRE, Hellenic Action for Human Rights, the Immigration Policy<br />

Department of the Ministry of the Interior, the immigration-related organizations and<br />

the Church, describe the phenomenon from a legal, social and psychological point of view<br />

and suggest solutions.<br />

Running time: 96΄<br />

Year of production: 2010<br />

249<br />

GREECE<br />

THE LITTLE OTHERS<br />

Nikos Drosakis<br />

Production Company: Artistic Organisation Tabula Rasa<br />

Production Contact Person: Nikos Drosakis<br />

Sales Company: Artistic Organisation Tabula Rasa<br />

Sales Contact Person: Nikos Drosakis<br />

250 Sofokleous St<br />

Athens 176 74, Greece<br />

T. +30 6945 031 693<br />

F. +30 210 942 9545<br />

nikosdrosakis@gmail.com<br />

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L<br />

Lifestyles<br />

THE LITTLE SEED ON THE ASPHALT<br />

Pedro Daniel López<br />

Dolores Santiz, Pascuala Díaz, Floriano Enrique Ronyk and Flavio Jiménez belong to several<br />

indigenous groups in Chiapas. They leave their home communities to go to the big city<br />

to follow their dream of a worthy and just life. In the city, they seek the recognition of a<br />

new community that is growing stronger. They struggle daily to build their identities. They<br />

do not want to remain stigmatized; they want to become symbols of power.<br />

Running time: 77΄<br />

Year of production: 2011<br />

Production Company: Fondo para la Producción Cinematográfica<br />

de Calidad (Foprocine)<br />

Sales Company: Instituto Mexicano de Cinematografía (Imcine)<br />

Sales Contact Person: Pablo Briseño<br />

Insurgentes Sur #674 del Valle<br />

Mexico City 03100, Mexico<br />

T.-F. +52 55 5448 5345<br />

mercaint@imcine.gob.mx<br />

302<br />

317<br />

MEXICO<br />

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Living with Fragile X takes a rare and intimate look at the lives of several families who live<br />

with a loved one affected by fragile X syndrome.<br />

Fragile X is the leading known cause of inherited mental disability and autism. The disorder<br />

drastically and forever changes the lives of the children, parents and family members<br />

it touches. But fragile X goes largely undiagnosed or misdiagnosed because it is virtually<br />

unknown to the public and often to the medical community.<br />

Living with Fragile X explains what fragile X is and how it is passed, exposes the day-today<br />

challenges faced by those who have it, and explores the deep frustration and fear that<br />

families experience.<br />

As the stories unfold, challenging issues emerge, including reproductive choice, acceptance<br />

of differences, the aging of a lifelong-dependent child, and the ethical implications<br />

of a genetic “fix” for those with disabilities.<br />

Running time: 64΄<br />

Year of production: 2008<br />

639<br />

USA<br />

“How I Am: Challenging Perceptions”<br />

LIV<strong>IN</strong>G WITH FRAGILE X<br />

Kathy Elder & Greg Mishey<br />

Production Company: ThinkMedia<br />

Production Contact Person: Kathy Elder<br />

Sales Company: ThinkMedia<br />

Sales Contact Person: Kathy Elder<br />

1385 47th Ave.<br />

Capitola CA 95010 USA<br />

T. +1 831.239.1896<br />

info@livingwithfragilex.com<br />

www.livingwithfragilex.com<br />

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L


L<br />

History & Politics<br />

LOBOTOMY<br />

Yury Khashchavatski<br />

Lobotomy is Yuri Khashchavatski’s personal indictment of the Russian media’s brainwashing<br />

tactics. Taking the recent war between Russia and Georgia as a point of departure, he<br />

illustrates how far removed actual events were from the conflict as it was reported on Russian<br />

state television. The director’s own voice drives the argument, but journalists, military<br />

experts and politicians also have their say. The film intersperses interviews (live or via<br />

Skype) with archive footage that is, in turn, contrasted with amateur clips found on the Internet.<br />

Khashchavatski contends that “Montage is a powerful and insidious weapon.” And<br />

he would be the one to know, because in addition to directing the film, he also edited it<br />

and its highly effective audio mix. He is a master of the art of irony as well. This personal<br />

account by the director suggests that the Russian state is not being governed according to<br />

democratic principles, but by a Mafia-style hierarchy.<br />

Running time: 57΄<br />

Year of production: 2010<br />

Production Company: FreeProVideo & Baltic Film Production<br />

& Bramafilm Belsat TV<br />

Production Contact Person: Marianna Kaat<br />

Sales Company: Baltic Film Production<br />

Sales Contact Person: Marianna Kaat<br />

Paldiski mnt. 183-38,<br />

P.O. Box 4752<br />

Tallinn 13517, Estonia<br />

T. +372 502 7509<br />

marianna.kaat@neti.ee<br />

www.bfp.ee<br />

304<br />

352<br />

ESTONIA - GERMANY - BELARUS - POLAND<br />

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Art, Music & Culture<br />

LOST BODIES<br />

Yannis Misouridis<br />

The founding members of a legendary underground band forge their way through life, one<br />

revolution at a time. Besides, what is life but one big joke? An idiosyncratic duo takes the<br />

lead in a music documentary where melody plays second fiddle. Still, they would be nothing<br />

without music. Thanos, 52, is a prospective pensioner, currently unemployed. Antonis,<br />

51, is a part-time utility meter reader and a take-out delivery guy. Masquerading behind<br />

their band, iconic undergrounders the Lost Bodies, they’ve made a life out of ignoring the<br />

system, seeking refuge in an alternative universe of their own. Principal characters in an<br />

as yet unwritten literary masterpiece, they oscillate wildly between existentialism and<br />

oafishness, clinging to humor as their last stand against reality. Besides, what is life but<br />

one big joke?<br />

Running time: 33΄<br />

Year of production: 2010<br />

221<br />

GREECE<br />

Production Company: Exile Room<br />

Production Contact Person: Valerie Kontakos<br />

12 Athinas St<br />

Athens 105 51, Greece<br />

T. +30 210 322 3395<br />

F. +30 210 322 3396<br />

vkontakos@gmail.com<br />

exile.room@gmail.com<br />

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L


L<br />

Science & Technology<br />

LOST DOWN MEMORY LANE<br />

Klara Van Es<br />

This is the first documentary about living with Alzheimer’s, as seen through the eyes of the<br />

people who suffer from it. The characters live together in an apartment called Iduna, under<br />

constant supervision and care. Iduna is a somewhat unusual department of The Bijster,<br />

a nursing home for people with dementia in Belgium. The eight residents of Iduna are in<br />

– scientifically considered – the first phase of the disease: flurries of lucidity, forgetfulness<br />

and falling into oblivion alternate constantly.<br />

Running time: 55΄<br />

Year of production: 2010<br />

Production Company: Associate Directors<br />

Production Contact Person: Bram Crols<br />

Sales Company: CAT&Docs<br />

Sales Contact Person: Catherine Le Clef<br />

18 rue Quincampoix #133<br />

Paris 75004, France<br />

T. +33 1 4459 6353<br />

cat@catndocs.com<br />

www.catndocs.com<br />

306<br />

389<br />

BELGIUM - THE NETHERLANDS<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Current Affairs<br />

LOST <strong>IN</strong> RELIG<strong>IO</strong>N<br />

Marc Burth<br />

After becoming a father, Marc Burth has a problem: Two children and no fitting religion for<br />

them. His father is Protestant, his mother is Jewish, and his sister a shaman. His wife’s dad<br />

is a Moslem; her mother, Catholic. Making the right choice for his children in this intersection<br />

of religions is a difficult job for the confused filmmaker! Searching for answers, Marc<br />

Burth meets people that have a relationship with God and some that consciously don’t.<br />

He talks to atheists, shamans, Jesuits, Jews, Moslems, heathens and many more. He<br />

wants to know if God exists and why religion should be important to his children. The film<br />

is a playful, crazy, slightly neurotic approach to the question many people find a hard nut<br />

to crack and humanity will always search answers for: Does God exist? And if yes, how<br />

many gods are there?<br />

Running time: 52΄<br />

Year of production: 2010<br />

162<br />

GERMANY<br />

Production Company: Gebrueder Beetz Filmproduktion<br />

Production Contact Person: Nick Pastucha<br />

Sales Company: Gebrueder Beetz Filmproduktion<br />

Sales Contact Person: Nick Pastucha<br />

Heinrich-Roller-Straße 15<br />

Berlin 10405, Germany<br />

T. +49 30 695 669 10<br />

F. +49 30 695 669 15<br />

n.pastucha@gebrueder-beetz.de<br />

www.gebrueder-beetz.de<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 307<br />

L


L<br />

Art, Music & Culture<br />

LOU B<strong>IO</strong>U, THE FEAST OF THE<br />

FABULOUS BULL<br />

Jascha de Wilde<br />

Lou Biou is a documentary about a community with a deep-seated passion for the wild<br />

bull in the French Camargue.<br />

In the Camargue region of Southern France, a village festival without bulls is unthinkable.<br />

The inhabitants of this region have a deep-seated passion for this quick, agile, and above<br />

all deadly animal. Bull breeders, “manadiers”, identify with their bulls as much as with their<br />

own family.<br />

Running time: 58΄<br />

Year of production: 2009<br />

Production Company: Second Skin Film<br />

Production Contact Person: Jascha de Wilde<br />

Sales Company: NPO/RNW Sales<br />

Sales Contact Person: Ellie Beijaard<br />

Sumatralaan 45<br />

Hilversum 1217 GP<br />

The Netherlands<br />

T. +31 35 677 3561<br />

F. +31 35 677 5318<br />

ellie.beijaard@omroep.nl<br />

www.nposales.com<br />

308<br />

496<br />

THE NETHERLANDS<br />

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Lifestyles<br />

LOVE ETC.<br />

Jill Andresevic<br />

Love Etc. is a witty, poignant and humorous exploration about the universal stages of love,<br />

depicted through five real stories over the course of one year in New York City. Young, old,<br />

gay, straight – everyone has experienced love – and the joy and frustration that come with<br />

it. From teen romance to a decades-long marriage,<br />

newlyweds to a recent divorcee, and even a bachelor so frustrated in his search that he<br />

chooses to have children without a partner, Love Etc. documents the intimate journeys of<br />

engaging characters aged 18-89 who reflect the city’s diversity, and takes an honest look<br />

at life’s most challenging pursuit.<br />

Running time: 95΄<br />

Year of production: 2010<br />

133<br />

USA<br />

Production Company: Walnut Hill Media<br />

Production Contact Person: Chiemi Karasawa<br />

Sales Company: Roco Films<br />

Sales Contact Person: Annie Rooney<br />

80 Liberty Ship Way, Suite 5<br />

Sausalito CA 94965 USA<br />

T. +1 415 332 6471<br />

F. +1 415 332 4798<br />

annie@rocofilms.com<br />

www.rocofilms.com<br />

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L


L<br />

Current Affairs<br />

LOVE HATE LOVE<br />

Dana Nachman & Don Hardy<br />

9/11, London, and a car bomb in Bali: a film chronicling the transformation of three families<br />

whose worlds are torn apart by terrorism. Can love triumph over pain and prove that<br />

terrorists don’t win? Executive produced by Sean Penn and with music from U2, Bruce<br />

Springsteen and Radiohead.<br />

Running time: 52΄<br />

Year of production: 2010<br />

Production Company: KTF Films<br />

Production Contact Person: Dana Nachman<br />

Sales Company: First Hand Films<br />

Sales Contact Person: Gitte Hansen<br />

Fritz Heeb-Weg 5<br />

Zurich 8050, Switzerland<br />

T. +41 44 312 2060<br />

F. +41 44 312 2080<br />

info@firsthandfilms.com<br />

www.firsthandfilms.com<br />

310<br />

546<br />

USA<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Current Affairs<br />

LOV<strong>IN</strong>G SOPHIA<br />

Ohad Itach<br />

The dark corners of growing up as a new immigrant are powerfully explored in this intense<br />

documentary. Arriving in Israel from Moldova in the 1990s left Sophia unstable and<br />

yearning for more. Her well educated parents are unable to control their only daughter as<br />

she rapidly descends from singer in a rock-band to drug addict and to prostitute. Sophia<br />

is strong and weak, vulnerable and impervious. Her wrenching journey into darkness is<br />

strikingly documented by filmmaker Ohad Itach, whose chance meeting with Sophia leads<br />

not only to a powerful film, but to the possibility of moving forward.<br />

Running time: 54΄<br />

Year of production: 2010<br />

304<br />

ISRAEL<br />

Sales Company: Ruth Diskin Films<br />

Sales Contact Person: Cara Saposnik<br />

5 Issachar Street<br />

Jerusalem 93629, Israel<br />

T. +972 2 672 4256<br />

F. +972 2 672 4210<br />

cara@ruthfilms.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 311<br />

L


L<br />

Art, Music & Culture<br />

LUANDA, THE MUSIC FACTORY<br />

Kiluanje Libertade & Ines Gonsalves<br />

In the middle of a Luanda slum, DJ Buda owns a recording studio, giving the opportunity<br />

to young singers to express themselves. Rhyming to Buda’s beats, the kids shout out all their<br />

worries and everyday experiences into his old micro with an incredible energy. In the end,<br />

they dance joyfully, laugh and listen to their own work with the inhabitants of the neighbourhood.<br />

It’s impossible not to dance with them.<br />

Running time: 56΄<br />

Year of production: 2009<br />

Production Company: Walnut Hill Media<br />

Production Contact Person: Ines Gonsalves<br />

Sales Company: Marfilmes<br />

Sales Contact Person: Renee Gagnon<br />

Ave. Duque de Loule 79 R/C Dto A<br />

Lisbon 1050-088 Portugal<br />

T. +35 12 1314 0339<br />

F. +35 12 1353 3075<br />

marfilmes@netcabo.pt<br />

www.marfilmes.com<br />

312<br />

534<br />

PORTUGAL - ANGOLA<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Art, Music & Culture<br />

LA MACH<strong>IN</strong>A<br />

Thierry Paladino<br />

Simple but also poetic, this is the journey of an old puppet master and his eight-year-old<br />

apprentice, entrusted by his mother over summer holidays. It is the first the boy will be traveling.<br />

Inexperienced but excited and eager to learn, he’s off on a journey of initiation. It’s<br />

a sunny southern France summer, and they set off on a long tour in the old truck. They bring<br />

a little stage, lights, and the sleeping puppets. They go from town to town to perform for<br />

the country people, taking them into their storytelling world. Meanwhile, the boy discovers<br />

the power of imagination and of freedom. A high quality “cinéma du réel”, feel good movie.<br />

Running time: 102΄<br />

Year of production: 2010<br />

581<br />

FRANCE<br />

Production Company: Centrala<br />

Production Contact Person: acek Naglo<br />

Sales Company: Thierry Detaille Int’l imports<br />

Sales Contact Person: Thierry Detaille<br />

Rue Stevin, 174,<br />

Brussels 1000, Belgium<br />

T.-F. +32 477 617 170<br />

thierry.detaille@gmail.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 313<br />

M


M<br />

Art, Music & Culture<br />

MADE <strong>IN</strong> BIRM<strong>IN</strong>GHAM:<br />

REGGAE PUNK BHANGRA<br />

Deborah Aston<br />

Reggae, Punk and Bhangra musicians from the UK city of Birmingham discuss their distinctive<br />

musical styles and reflect on how music has played its own role in fostering a new<br />

sense of collective identity in the city. Birmingham has a rich, but largely, ignored musical<br />

history. Made in Birmingham - Reggae Punk Bhangra explores the social, political and<br />

cultural issues that gave rise to music emanating from the city, using rare archive footage<br />

and interviews to shed new insight into the city and its music.<br />

Including interviews and archives: Brian Travers (UB40) Dennis Seaton (Musical Youth) Amlak<br />

Tafari (Steel Pulse), Pete Hammond and Paul Foad (Au Pairs) Pete Hyde (Spizz Energi)<br />

Janice Connolly and Conrad Swartz (The Ever Readies) Alan Apperley (The Prefects, The<br />

Nightingales) S-Endz (Swami) Vix (Fuzzbox) and archives include Patti Bell, Ranking<br />

Roger (The Beat) David Hines (Steel Pulse) Kevin Rowland ( Dexys Midnight Runners) and<br />

Anachak.<br />

Running time: 65΄<br />

Year of production: 2010<br />

Production Company: Swish Films<br />

Production Contact Person: Roger Shannon<br />

Sales Contact Person: Roger Shannon<br />

81 Blenheim Rd<br />

Birmingham B139TZ, UK<br />

T. +44 7887 5668 78<br />

rogershannonswish@gmail.com<br />

314<br />

194<br />

UK<br />

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Current Affairs<br />

MAIDS & BOSSES<br />

Abner Benaim<br />

Through the very peculiar relations between several live-in housemaids and their employers,<br />

Maids and Bosses evaluates human relations between social classes in Latin<br />

America. Rich and poor, under the same roof, share a big part of their life, and very complex<br />

emotional relations surge. Despite their physical proximity, maids and bosses are separated<br />

by an invisible socio-economic barrier.<br />

In this creative documentary, the class divide and its implications is approached from an<br />

intimate, personal point of view, focusing on those who choose to, or not, look each other<br />

in the eyes and accept each other as equals.<br />

Running time: 58΄<br />

Year of production: 2010<br />

429<br />

PANAMA<br />

Production Company: Apertura Films<br />

Production Contact Person: Abner Benaim<br />

Sales Company: Autlook Filmsales GmbH<br />

Sales Contact Person: Andrea Hock<br />

Trappelgasse 4/17<br />

Vienna 1040, Austria<br />

T. +43 720 346 934<br />

andrea@autlookfilms.com<br />

www.autlookfilms.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 315<br />

M


M<br />

Current Affairs<br />

A MAN CAME AND TOOK HER<br />

Jędrzej Niestroj & Rafał Przybył<br />

June 14, 2002: eight-year-old Ola went missing. On this day, time stopped for the whole<br />

family. Despite the lack of support, the girl’s mother Dorota trusts that her daughter is alive,<br />

somewhere, waiting to be found. Unfortunately, some hard facts indicate that Ola has been<br />

brutally murdered. Seers hired by Dorota follow misleading traces, the court is helpless in<br />

the absence of evidence, the main suspect smiles at the camera. The search has been going<br />

on for seven years in an atmosphere of both hopefulness and suspicion. The film depicts<br />

a Polish province of the 19th century, not only through the attitude of its inhabitants<br />

towards the unexplained tragedy, but also through a dramatic vision of nature.<br />

Running time: 81΄<br />

Year of production: 2009<br />

Production Company: Kalejdoskop Film Studio<br />

Production Contact Person: Wojciech Szczudło<br />

Sales Company: Kalejdoskop Film Studio<br />

Sales Contact Person: Wojciech Szczudło<br />

ul. Chełmska 21,<br />

Warsaw 00724, Poland<br />

T. + 48 22 851 1779<br />

F. + 48 22 841 2135<br />

szczudlo@kalejdoskop.art.pl<br />

316<br />

193<br />

POLAND<br />

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Sports<br />

Manu and Erol, kings of Belgian wheelchair-football, had promised to lead their MEC team<br />

up to the 1st Division. Erol died. The film captures the intimacy of the severely disabled although<br />

almost like others athletes. It portrays a challenging Manu, a captain fighting<br />

against the wind, the tides and his myopathy to lead his ship to port.<br />

Running time: 52΄<br />

Year of production: 2010<br />

557<br />

BELGIUM<br />

MANU, HIGH ON WHEELS<br />

Vincent Deveux<br />

Production Company: Instants Production<br />

Production Contact Person: Vincent Deveux<br />

Sales Company: Ventes-CBA/WIP Sales<br />

Sales Contact Person: Thierry Detaille<br />

Quai des Ardennes, 16<br />

Liège 4020, Belgium<br />

T. +32 477 617 170<br />

F. +32 4 340 1041<br />

ventes-cbawip-sales@skynet.be<br />

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M


M<br />

Current Affairs<br />

MANUAL ON HOW<br />

TO CREATE A TERRORIST<br />

Tereza Reichova<br />

In the Basque region of Navarra, the director – a stranger – stops passersby next to fragments<br />

of political graffiti, letting them explain what they mean and why they were<br />

painted. A feature-length documentary about repression, the anti-terrorist act and the<br />

events that happen within our common borders.<br />

Running time: 92΄<br />

Year of production: 2010<br />

Production Company: Studio FAMU<br />

Production Contact Person: Alice Tabery<br />

Vitezne namesti 13<br />

Prague 6, 160 00, Czech Republic<br />

T. +420 732 883 260<br />

tabery.alice@gmail.com<br />

318<br />

353<br />

CZECH REPUBLIC<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


MARIA AND I<br />

Félix Fernández De Castro<br />

Maria lives with her mother May, in the Canary Islands, 3,000 km from Barcelona, where<br />

Miguel Gallardo lives. Sometimes Miguel and Maria go on holiday together, spending a<br />

week at a resort in Gran Canaria South; an unusual setting that doesn’t often have among<br />

his guests a single father who used to be a well-known underground comic books author<br />

and his fourteen-year-old autistic daughter.<br />

This is the story of one of their journeys, but above all it’s an original tale, full of humor,<br />

irony and sincerity, about how to live with a disability.<br />

Running time: 76΄<br />

Year of production: 2010<br />

623<br />

SPA<strong>IN</strong><br />

“How I Am: Challenging Perceptions”<br />

Production Company: Bausan Films, S.L.<br />

Production Contact Person: Loris Omedes<br />

Sales Company: Bausan Films, S.L.<br />

Sales Contact Person: Loris Omedes<br />

C/ Muntaner 244, 4º 2º<br />

Barcelona 08021, Spain<br />

T. +34 93 241 1511<br />

F. +34 93 414 1797<br />

comercial@bausanfilms.com<br />

loris@bausanfilms.com<br />

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M


M<br />

Lifestyles<br />

MARIA’S WAY<br />

Anne Milne<br />

A woman, María, sits by the side of the road behind a rickety, homemade stall, her expression<br />

a blend of forbearance and exasperation. She greets passers-by and invites them<br />

to stop, to spend a few minutes with her as they continue on down the road. They are pilgrims<br />

and have a long, arduous journey ahead of them, on the ancient Camino De Santiago.<br />

María’s encounters with the passing strangers allow us to catch a glimpse of the modern<br />

pilgrim. Despite encountering some difficult pilgrims throughout her day, María nobly<br />

continues her task.<br />

Running time: 16΄<br />

Year of production: 2009<br />

Sales Contact Person: Anne Milne<br />

52/2 Marchmont Crescent<br />

Edinburgh EH9 1HE, Scotland<br />

T. +44 7794 709 802<br />

anne@annemilne.com<br />

320<br />

113<br />

UK<br />

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Lifestyles<br />

Marina Valieri, daughter of Jerome Valieri and Chariklia Cavafy, narrates her life journey, from<br />

the bourgeoisie of interwar Europe to rural life on the island of Lesvos in the 50s and 60s,<br />

to the present day.<br />

A life like a fairy tale, where everything you’re afraid of happens to you, but you keep on<br />

being optimistic.<br />

Running time: 70΄<br />

Year of production: 2011<br />

267<br />

GREECE<br />

MAR<strong>IN</strong>A VALIERI,<br />

CAVAFY’S GRAND NIECE<br />

Simos Korexenidis<br />

Production Company: Simos Korexenidis<br />

Sales Contact Person: Simos Korexenidis<br />

23 Evripidou St<br />

Athens 111 47, Greece<br />

T. +30 210 213 9995<br />

mahi@otenet.gr<br />

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M


M<br />

Current affairs<br />

THE MARKET<br />

Rama Rau<br />

In India, the fishermen who witnessed the 2004 tsunami refuse to go back to the sea and<br />

their wives are now selling their kidneys to feed their families. Hema wants to sell her kidney<br />

to pay off family debts but there’s no guarantee she’ll get paid, and losing a kidney will<br />

undermine her ability to work. In Canada, Sandra’s kidneys are failing. She has been on a<br />

new kidney waiting list for 5 years. To survive, she’s on dialysis four times each day. Two<br />

different people. Two journeys. With one end. To find a kidney, someone has to lose one...<br />

Running time: 70΄<br />

Year of production: 2010<br />

Production Company: Storyline Entertainment<br />

Production Contact Person: Ed Barreveld<br />

Sales Company: Storyline Entertainment<br />

Sales Contact Person: Ed Barreveld<br />

115 Palmerston Ave.<br />

Toronto M6J 2J2, Canada<br />

T. +1 416 603 8333<br />

F. +1 416 603 6318<br />

ed@storylineentertainment.com<br />

322<br />

154<br />

CANADA<br />

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Lifestyles<br />

Maserati has been one of the legends of motor racing for almost a century. Through numerous<br />

interviews with the protagonists and witnesses of the epic deeds of Maserati, a<br />

unique fresco has been created with the use of rare and fascinating images from the era,<br />

which originate from the company’s archives, as well as spectacular images from a more<br />

contemporary era. Discover the history of a true standard bearer of Made in Italy products,<br />

in a passionate and fascinating documentary that looks towards the future.<br />

Running time: 58΄<br />

Year of production: 2010<br />

517<br />

ITALY<br />

MASERATI: HISTORY OF A LEGEND<br />

Nicola Nannavecchia<br />

Production Contact Person: Nicola Nannavecchia<br />

Sales Company: Vitagraph<br />

Sales Contact Person: Filippo D’Angelo<br />

Via Schiavonia 1<br />

Bologna 40121, Italy<br />

T.-F. +39 05 126 7150<br />

vitagraph@libero.it<br />

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M<br />

Lifestyles<br />

MATCHMAK<strong>IN</strong>G MAYOR<br />

Erika Hnikova<br />

A situational documentary film about a village mayor trying to match local people in their<br />

thirties who are still single. Slowly but surely, the Slovak village Zemplínské Hámre is dying<br />

out. Its mayor, a retired general, doesn’t want to give up. Fighting the thirty-year-olds’<br />

loneliness, he has used various means such as offering a financial reward for each newborn<br />

child or encouraging people on the local public address system to have children. None<br />

of it has worked. However, the mayor has a new plan. He decides to organize a dating party<br />

for singles from all the neighboring villages...<br />

Running time: 72΄<br />

Year of production: 2010<br />

Production Company: endorfilm s.r.o.<br />

Sales Contact Person: Jiri Konecny<br />

Primeticka 4<br />

Prague 4, 140 00, Czech Republic<br />

T. +420 602 358 373<br />

F. +420 241 730 780<br />

jiri@endorfilm.cz<br />

324<br />

354<br />

CZECH REPUBLIC - SLOVAK REPUBLIC<br />

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Art, Music & Culture<br />

Sixteen-year-old Mbambu lives in the village of Kilembe, Uganda. She is an activist and<br />

wants to be the first in her family to get a secondary education. She decides to become a<br />

mountain guide to pay for her schooling. Her story is interwoven with the lives of the people<br />

who live at the foot of the beautiful Mountains of the Moon. They share their culture,<br />

customs and the problems facing their community and the humor they employ to cope.<br />

Running time: 50΄<br />

Year of production: 2011<br />

507<br />

SERBIA<br />

MBAMBU AND THE<br />

MOUNTA<strong>IN</strong>S OF THE MOON<br />

Lucian & Natasa Muntean<br />

Production Company: Lunam Docs<br />

Production Contact Person: Natasa Muntean<br />

Sales Company: Illumina Films<br />

Sales Contact Person: Robin Brinter<br />

Leidsestraat 106-IV<br />

Amsterdam 1017PG<br />

The Netherlands<br />

T. +31 20 624 8395<br />

F. +31 20 330 8155<br />

robin@illuminafilms.nl<br />

www.illuminafilms.nl<br />

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M<br />

Art, Music & Culture<br />

MEMORY<br />

Eftychia Melanitou<br />

“Cities, like dreams, are made of desires and fears, even if the thread of their discourse is<br />

secret, the rules are absurd, their perspectives deceitful and everything conceals something<br />

else.” Italo Calvino, Invisibles Cities<br />

Memory, a short film of nine minutes, interferes with the city, using street images, natural<br />

sounds and music. The cinematographic frame pinpoints, disconnects, segregates and<br />

creates correlations.<br />

The film’s narrative relates a passage, a wandering – real and imaginary – in the Athens<br />

of today, the one of the past, or possibly of an Athens that is “invisible”.<br />

Running time: 9΄<br />

Year of production: 2010<br />

Production Company: Eftychia Melanitou<br />

Sales Contact Person: Eftychia Melanitou<br />

44 Platonos St<br />

Alimos 174 55, Greece<br />

T.-F. +210 988 6591<br />

melan@in.gr<br />

326<br />

271<br />

GREECE<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Current Affairs<br />

MIEKO<br />

Yannis Misouridis<br />

In wintry Athens, a mysterious Japanese girl goes somewhere on a public bus. We look at<br />

her face and notice that it twitches, until a tear falls from her eye...<br />

But why?<br />

Running time: 12΄<br />

Year of production: 2009<br />

215<br />

GREECE<br />

Production Company: Portolanos Films<br />

Production Contact Person: Maria Gentekou<br />

Sales Company: Greek Film Center<br />

Sales Contact Person: Lina Manolopoulou<br />

7 Dion.Areopagitou St<br />

Athens 117 42, Greece<br />

T. +30 210 367 8525<br />

F. +30 210 361 4336<br />

Lina.mano@gfc.gr<br />

www.gfc.gr<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 327<br />

M


M<br />

Art, Music & Culture<br />

MILONGUEROS<br />

Andrea Zambelli & Andrea Zanoli<br />

Each night, in the historical and important milongas of Buenos Aires, the most famous old<br />

Milongueros explain, not only why the tango is a wonderful and sensual dance, but why<br />

it is also a “way of life”.<br />

Featuring: Alberto Dassieu, Flaco Dany, El Nene Masci, Hector “Cachirulo” Pellozo (“Cachirulo”),<br />

Julio Duplaa, Ricardo Suarez, Tito Roca, Tito Escarpe.<br />

Running time: 53΄<br />

Year of production: 2010<br />

Production Company: Pesca Production & Lab 80 film<br />

Production Contact Person: Emanuele Persico<br />

Sales Company: Pesca Production<br />

Sales Contact Person: Emanuele Persico<br />

via Borgo S. Caterina 86<br />

Bergamo, 24124 Italy<br />

T. +39 33 3849 0808, +39 035 578 1021<br />

F. +39 035 341 255<br />

emanuele@lab80.it<br />

www.lab80.it<br />

328<br />

506<br />

ARGENT<strong>IN</strong>A<br />

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Art, Music & Culture<br />

THE MIRACLE YEAR<br />

Simha Lev<br />

Four Jewish women are getting ready for a journey. They are about to travel to Ukraine to<br />

visit a holy man’s grave. They believe that if they pray on his grave, all their wishes will come<br />

true within a year.<br />

These women go to the grave of Rabbi Nachman of Breslov, who died 200 years ago and<br />

is considered to be a “Miracle Man” and founder of the Breslov Hasidic dynasty. This<br />

branch of Hasidic Judaism, which celebrates life and joy, has acquired tens of thousands<br />

of followers in the last ten years. When the four return to their day to day life, they have<br />

to find out if the miracles will happen.<br />

* Religion Today – International Festival of Cinema and Religion, Trento, Italy 2010<br />

* TRANZYT International Documentary Film Festival, Poland 2010<br />

* TV Broadcast: Polish Television<br />

Running time: 52΄<br />

Year of production: 2010<br />

542<br />

ISRAEL<br />

Production Company: The Communa<br />

Production Contact Person: Ziv Lev<br />

Sales Contact Person: JMT Films Distribution<br />

Sales Contact Person: Michael Treves<br />

20 Bialik St.<br />

Tel Aviv 63324, Israel<br />

T. +972 52 363 3398<br />

michael@JMTFilms.com<br />

www.JMTFilms.com/document.htm#miracleyear<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 329<br />

M


M<br />

History & Politics<br />

MISHA VS MOSCOW<br />

John Philp<br />

Having led his country into a disastrous war against Russia, Georgian president Mikheil<br />

“Misha” Saakashvili now finds himself ostracized by his western allies and facing demands<br />

at home to resign. With exclusive access to Saakashvili, his inner-circle and his most vocal<br />

critics, Misha Versus Moscow asks whether Saakashvili can regain his crown as the darling<br />

of international politics or whether the war has torpedoed for good any chance of peace<br />

with Russia.<br />

Running time: 60΄<br />

Year of production: 2009<br />

Production Company: Bad Dog Tales<br />

Sales Company: Seventh Art Releasing<br />

Sales Contact Person: Shane Griffin<br />

6579 Pickwick St<br />

Los Angeles CA 90042 USA<br />

T. +1 323 259 8259<br />

F. +1 323 474 6371<br />

seventhart@7thart.com<br />

www.7thart.com<br />

330<br />

704<br />

USA<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Art, Music & Culture<br />

Modou crosses borders with an instrument as a passport: the Hang.<br />

This instrument is a UFO, a folly that came out of Felix’s imagination and with which it is<br />

quite difficult to travel incognito.<br />

In a workshop lost in the middle of Bern’s peaceful countryside, Modou and Felix explore<br />

and develop the possibilities of this instrument.<br />

In Paris at night, Modou experiment these new sounds during improvised concerts. Languages,<br />

instruments and styles try to associate their singularity.<br />

This is how he prepares himself for the Ramadan Nights Festival in Cairo. There, famous oriental<br />

and international musicians invite him to join them on stage with his mysterious instrument.<br />

Then comes the time of retreat. Modou takes the path to Mount Sinaï. It is a story<br />

between him and God. At dawn he plays him the music that has been nourished by a year<br />

of exchanges and encounters.<br />

Running time: 52΄<br />

Year of production: 2009<br />

572<br />

FRANCE<br />

MODOU, THE HANG PLAYER<br />

Mino Dutertre & Cyrille de Canson<br />

Production Company: FTS Productons<br />

Sales Company: 10 Francs<br />

Sales Contact Person: Guy Knafo<br />

28, rue de l’Equerre<br />

Paris 75019, France<br />

T. +33 1 4874 4377<br />

F. +33 1 4874 8265<br />

10francs@10francs.fr<br />

www.10francs.fr<br />

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M


M<br />

Current Affairs<br />

MOTHER TERESA, ONLY GOD MATTERS<br />

Carine Lefebvre<br />

The story of Mother Teresa and the Order she established in 1950 – the Missionaries of<br />

Charity – is known the world over: she is an icon, the very symbol of unshaken faith. It<br />

came therefore as a shock to the world to discover the letters she’d written to her confessors<br />

and spiritual fathers which reveal the endless darkness of faith she experienced for the<br />

greatest part of her life. Yes, her surrender to God’s will was complete – but also blind –<br />

since it brought her fifty years of life in shadows and darkness. Has this self-confessed spiritual<br />

emptiness influenced her approach to charity?<br />

Through the prism of her life and extracts from her letters, the film explores Mother<br />

Teresa’s vision of Christian charity – which is perpetuated today by the Missionaries of Charity.<br />

The film looks at the charity work she incarnated – a “model” radically centered on God.<br />

Running time: 52΄<br />

Year of production: 2010<br />

Production Company: Point du Jour<br />

Production Contact Person: Doris Weitzel<br />

Sales Company: Point du Jour International<br />

Sales Contact Person: Doris Weitzel<br />

23 rue de Cronstadt<br />

Paris 75015, France<br />

T. +33 01 7544 8080<br />

F. +33 01 4531 1305<br />

d.weitzel@pointdujour.fr<br />

www.pointdujour-international.fr<br />

332<br />

377<br />

FRANCE<br />

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A moving, compassionate portrayal of a mother’s desperate quest to understand the perplexing<br />

condition that controls her son. A journey through different countries and cultures,<br />

where every stopover opens a new path into the depths of autism – and places her son<br />

in a strikingly different perspective as it reaches the end. Autism has neither a known cause<br />

nor cure but it affects one child in every 150. The film deals with autism in a deeply comprehensive<br />

way, as the growing global issue it has become.<br />

Running time: 103΄<br />

Year of production: 2009<br />

643<br />

ICELAND - USA<br />

“How I Am: Challenging Perceptions”<br />

A MOTHER’S COURAGE:<br />

TALK<strong>IN</strong>G BACK TO AUTISM<br />

Fridrik Thor Fridriksson<br />

Production Company: Frontier Filmworks<br />

Production Contact Person: Margaret Dagmar Ericsdottir<br />

Sales Company: The Film Sales Company<br />

Sales Contact Person: Andrew Herwitz<br />

165 Madison Ave., Suite 601<br />

New York NY 10016 USA<br />

T. +1 212 481 5020<br />

F. +1 212 481 5021<br />

andrew.herwitz@filmsalecorp.com<br />

www.filmsalescorp.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 333<br />

M


M<br />

Current Affairs<br />

MUGABE & THE WHITE AFRICAN<br />

Lucy Bailey & Andrew Thompson<br />

A South African family fights to retain possession of their farm in the face of the “Land Reform”<br />

programme operated by Robert Mugabe. Shot undercover, when foreign press was<br />

banned from the country, it offers an extraordinary glimpse into the dangerous reality of<br />

life in Zimbabwe.<br />

Running time: 88΄<br />

Year of production: 2009<br />

Production Company: Arturi Films Limited<br />

Production Contact Person: David Pearson<br />

Sales Company: HanWay Films<br />

Sales Contact Person: Mark Lane<br />

24 Hanway St<br />

London W1T 1UH, UK<br />

T. +44 207 290 0776<br />

F. +44 207 290 0751<br />

mfl@hanwayfilms.com<br />

www.hanwayfilms.com<br />

334<br />

597<br />

UK<br />

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History & Politics<br />

In the late morning of January 16th 2001, Laurent Desire Kabila is murdered in his presidential<br />

office by a child-soldier who had become his bodyguard. We are in the Congo (former<br />

Zaire), the very country where four years earlier Kabila had seized power thanks to his<br />

army of child-soldiers, putting an end to Mobutu’s dictatorial reign of several decades. A<br />

few minutes later, Kabila’s assassin is shot to death as he attempts to escape from the scene<br />

of his crime. Later, on his dead body a letter is found signed by the Military Attaché of the<br />

American Embassy: “Should there be a problem, call this number”.<br />

Many other trails will weave a thick curtain of mystery around this murder, which, to this<br />

day, has not yet been solved.<br />

Running time: 52΄<br />

Year of production: 2011<br />

477<br />

BELGIUM - FRANCE<br />

MURDER <strong>IN</strong> K<strong>IN</strong>SHASA<br />

David Forbes & Michel Noll<br />

Production Company: Entre chien et loup & Solferino Images<br />

Production Contact Person: Sebastien Delloye & Michel Noll<br />

Sales Company: ICTV<br />

Sales Contact Person: Lydia Castellano<br />

17 rue du Colisée<br />

Paris 75008, France<br />

T. +33 1 6403 7098<br />

F. +33 1 6403 7101<br />

lydia.c@ictv-solferino.com<br />

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M


M<br />

Art, Music & Culture<br />

A MUSEUM IS BORN<br />

Anna Kesisoglou<br />

I was looking up at the Hadjikyriakos-Gika building at number 3 Kriezotou Street which<br />

had been beautifully renovated. The door was open and I entered. Boxes, paintings, sculptures,<br />

and workers were coming and going and among them stood the director of the Benaki<br />

Museum, Mr. Angelos Delivorrias. “Can I turn on my camera?” I asked. With a smile,<br />

he answered “yes”. And that is how I began my journey into the interwar years, together<br />

with the major Greek artists of that time whose works will be housed in this new museum.<br />

Running time: 28΄<br />

Year of production: 2011<br />

Production Contact Person: Anna Kesisoglou<br />

T. +30 6973 668 884<br />

pnasium@yahoo.com<br />

336<br />

197<br />

GREECE<br />

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Art, Music & Culture<br />

THE MUSIC COURT<br />

Sergio Visinoni<br />

Gianluigi often talks about this, and he really looks amazed by a musical and social phenomenon<br />

that seems to defy passing time. This is the starting point of a journey into Gianluigi<br />

Trovesi’s music along the many years of his activity.<br />

Featuring: Gianluigi Trovesi, Barre Philips, Manfred Schoof, Günter “Baby” Sommer, Paolo<br />

Fresu, Giordano Montecchi, Gianni Coscia, Stefano Montanari.<br />

Running time: 60΄<br />

Year of production: 2010<br />

505<br />

ITALY<br />

Sales Company: Lab 80 Film<br />

Sales Contact Person: Alberto Valtellina<br />

via Pignolo 123 Bergamo 24121, Italy<br />

T. +39 333 849 0808, +39 035 578 1021<br />

F. +39 035 341 255<br />

alberto@lab80.it<br />

www.lab80.it<br />

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M


M<br />

Art, Music & Culture<br />

THE MUSIC PATHWAYS OF SALON<strong>IK</strong>A<br />

Ciners8<br />

This documentary attempts to register the variety of the musical trends and new trends<br />

that emerge in the musical scene of Thessaloniki, a city situated at the crossroads of the<br />

East and the West which has always been in the vanguard of the Greek music scene. A map<br />

of musical groups, a network of artistically creative bands seems to exist within the urban<br />

area. Representatives of ten musical bands that work out of Thessaloniki speak about the<br />

city and the times, the era of digital reality that has begun to prevail (Internet), allowing<br />

musicians and performers to claim our attention and build their reputation “gratis”, thus<br />

altering the rules of the game. Music producers, representatives of the radio and the municipal<br />

authorities also express their opinions.<br />

Running time: 70΄<br />

Year of production: 2011<br />

Production Company: Digital Video School & Ciners8<br />

Production Contact Person: Dimitri Papadopoulos<br />

18 Valaoritou St<br />

Thessaloniki 546 25, Greece<br />

T. 2310 62114, 6972 252 708, 6974 707 430<br />

dpapadd@gmail.com<br />

souvatzi@eled.auth.gr<br />

338<br />

240<br />

GREECE<br />

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Lifestyles<br />

Filmmaker Morgan Dews was very close to his grandmother Allis, but it wasn’t until after<br />

her death in 2001 that he became aware of an astounding archive she’d amassed<br />

throughout the 1960s. Filled with startlingly intimate and candid audio recordings detailing<br />

her family’s increasingly turbulent lives, the collection also contained hundreds of silent<br />

home movies, photographs and written journals. Using only these found materials, Dews<br />

has fashioned a searing family portrait that affords fly-on-the-wall access to one family’s<br />

struggles amid an America on the verge of dramatic transformation.<br />

Running time: 73΄<br />

Year of production: 2008<br />

480<br />

USA<br />

MUST READ AFTER MY DEATH<br />

Morgan Dews<br />

Production Company: Gigantic Pictures<br />

Production Contact Person: Morgan Dews<br />

Sales Company: ICTV<br />

Sales Contact Person: Lydia Castellano<br />

17 rue du Colisée<br />

Paris 75008, France<br />

T. +33 1 6403 7098<br />

F. +33 1 6403 7101<br />

lydia.c@ictv-solferino.com<br />

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M


M<br />

Current Affairs<br />

MY BAREFOOT FRIEND<br />

Seong-gyou Lee<br />

In Calcutta, 20 thousand feet are running tangled up, all barefoot. They are rickshaw<br />

pullers, slowly disappearing out of the city’s landscape. Among them are Manoj, a feeble<br />

young man; Mohamad, a lovely trickster; and Hussein, the street sage who knows all about<br />

the city. And Shallim, an ordinary man: a husband of a wife, a father of a son. For Shallim,<br />

an old and tired rickshaw has been the only means of hope. He’s run endless miles with<br />

it to save up money to buy an auto-rickshaw that will realize his dream: a house for his family.<br />

However, despair comes to the weakest first. Shallim’s wife is found to be seriously ill.<br />

His son catches swine flu while working at a factory. Hospital expenses are mounting and<br />

Shallim’s dream is on the verge of collapsing. Meanwhile, the trauma suffered by Manoj<br />

by his father’s death is revealed. Is there any hope left for barefoot Calcutta?<br />

Running time: 93΄<br />

Year of production: 2010<br />

Production Company: CreativEast<br />

Production Contact Person: Min-Chul Kim<br />

Sales Company: CAT&Docs<br />

Sales Contact Person: Catherine Le Clef<br />

18 rue Quincampoix #133<br />

Paris 75004, France<br />

T. +33 1 4459 6353<br />

cat@catndocs.com<br />

www.catndocs.com<br />

340<br />

102<br />

SOUTH KOREA<br />

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Looking back on his years of living in a closed institution for people labelled mentally retarded,<br />

Vermont-based autistic artist Larry Bissonnette assesses this form of “apartheid” as<br />

“better for growing vegetables rather than people.” This documentary is filled with Bissonnette’s<br />

humorous yet poignant assessments of his life – growing up, his family, and creating<br />

art. Moving back and forth between speech, typing, and painting. Bissonnette’s wit<br />

and insight punctuate a day in the life of this Outsider artist, and artfully illustrate the complexities<br />

of expression.<br />

(Produced by Douglas Biklen & Zach Rossetti.)<br />

Running time: 21΄<br />

Year of production: 2005<br />

624<br />

USA<br />

“How I Αm: Challenging Perceptions”<br />

MY CLASSIC LIFE AS AN ARTIST:<br />

A PORTRAIT OF LARRY BISSONNETTE<br />

Douglas Biklen & Zach Rossetti<br />

Production Company: Syracuse University<br />

Production Contact Person: Dani Weinstein<br />

Sales Company: Syracuse University<br />

Sales Contact Person: Dani Weinstein<br />

Institute on Communication and Inclusion,<br />

370 Huntington Hall<br />

Syracuse NY 13244 USA<br />

T. +1 315 443 9379<br />

F. +1 315 443 2274<br />

daweinst@syr.edu<br />

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M


M<br />

Lifestyles<br />

MY MESSY LIFE<br />

Josh Freed<br />

Successful and highly paid people are organized and work in neat offices… or do they?<br />

Montreal journalist and author Josh Freed confesses to an “order disorder.” His office is an<br />

extraordinary mess where he claims he gets his best ideas – although everyone else wants<br />

him to clean it up. But should he?<br />

He wonders if this obsession with order isn’t overrated. In an effort to bring clutterers out<br />

of the closet for the first time, he has written and directed the entertaining and humorous<br />

documentary, My Messy Life. Does a disorderly desk really mean a disorderly mind?<br />

Or does an empty desk mean an empty mind?<br />

Starting out in his own office mess (“a fragile ecosystem”), Josh goes on an odyssey to meet<br />

other successful slobs and see what they have to say in defence of mess!<br />

Running time: 45΄<br />

Year of production: 2009<br />

Production Company: Janet Torge Prod<br />

Production Contact Person: Doris Weitzel<br />

Sales Company: Point du Jour International<br />

Sales Contact Person: Doris Weitzel<br />

23 rue de Cronstadt<br />

Paris 75015, France<br />

T. +33 1 7544 8080<br />

F. +33 1 4531 1305<br />

d.weitzel@pointdujour.fr<br />

www.pointdujour-international.fr<br />

342<br />

378<br />

CANADA<br />

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Lifestyles<br />

MY OWN <strong>IK</strong>ARIA<br />

Spyros Teskos<br />

Can an ideal society be based on love, solidarity and equity so that there will be no need<br />

for it to impose its will? History says no. The reality is different. An island in the Aegean Sea,<br />

Ikaria, has for centuries developed such social structures that would be the envy of most<br />

virtual communities...<br />

The film focuses on the “Mnemosyno” (memorial) custom observed by the villagers on<br />

Ikaria which is very characteristic of their culture. “The mnemosyno is the culmination of<br />

love, solidarity and equality,” says the main character of the film.<br />

Running time: 79΄<br />

Year of production: 2010<br />

219<br />

GREECE<br />

Production Company: Massive Productions<br />

Production Contact Person: V. Fabas<br />

Sales Company: Greek Film Center<br />

Sales Contact Person: Lina Manolopoulou<br />

7 Dion.Areopagitou St<br />

Athens 117 42, Greece<br />

T. +30 210 367 8525<br />

F. +30 210 361 4336<br />

Lina.mano@gfc.gr<br />

www.gfc.gr<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 343<br />

M


M<br />

History & Politics<br />

MY PERESTRO<strong>IK</strong>A<br />

Robin Hessman<br />

When the USSR broke apart in 1991, a generation of young people faced a new realm of<br />

possibilities. An intimate epic about the extraordinary lives of this last Soviet generation,<br />

Robin Hessman’s feature documentary debut tells the stories of five Moscow schoolmates<br />

who were brought up behind the Iron Curtain, witnessed the joy and confusion of<br />

glasnost, and reached adulthood right as the world changed around them. Through candid<br />

first- person testimony, revealing verité footage, and vintage home movies, Hessman,<br />

who spent many years living in Moscow, reveals a Russia rarely ever seen on film, where<br />

people are frank about their lives and forthcoming about their country. Engaging, funny,<br />

and positively inspiring, in My Perestroika politics is personal, honesty overshadows ideology,<br />

and history progresses one day, one life at a time.<br />

(A perfect film to consider for 2011 – the 20th anniversary of the collapse of the USSR.)<br />

Running time: 87΄<br />

Year of production: 2010<br />

Production Company: Red Square Productions<br />

Sales Company: Roco Films<br />

Sales Contact Person: Shane Griffin<br />

80 Liberty Ship Way, Suite 5<br />

Sausalito CA 94965 USA<br />

T. +1 415 332 6471 x 200<br />

F. +1 415 332 6798<br />

annie@rocofilms.com<br />

info@myperestroika.com<br />

www.rocofilms.com<br />

344<br />

167<br />

USA - UK -RUSSIA<br />

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Sports<br />

MY PLAYGROUND<br />

Kaspar Astrup Schröder<br />

Parkour is a sport on which you have to go from one point of the city to another as efficiently<br />

and quickly as possible, overcoming any obstacles in your way: walls, fences,<br />

trees, etc. This has made Parkour the urban sport and one of the most dangerous in the<br />

world.<br />

Danish film maker Kaspar Astrup Schröder directed and produced My Playground, a documentary<br />

on movement, tricking, freerunning and parkour, and its relation with urban<br />

spaces. This documentary features scenes with parkour masters Team Jiyo and interviews<br />

with urban planners, local politicians, architects and philosophers.<br />

We journey to China, the USA, Japan and Denmark with these athletes who risk their lives<br />

for fun.<br />

Running time: 55΄<br />

Year of production: 2010<br />

129<br />

DENMARK<br />

Production Company: Kaspar Works<br />

Sales Company: Objective Cinema<br />

Sales Contact Person: Tara Farrell<br />

171 Topanga,<br />

Topanga CA 90290 USA<br />

T. +1 310 933 5828<br />

tara@objectivecinema.net<br />

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M<br />

Art, Music & Culture<br />

MY SWEET CANARY<br />

Roy Sher<br />

Roza Eskenazi sang the way she lived: with passion, fire and love.<br />

This is the story of three young musicians from Greece, Turkey, and Israel, who embark on<br />

an exciting musical journey, to tell the story of Greece’s best-known and best-loved rebetiko<br />

singer for the first time on film.<br />

It’s a journey that will take them from Istanbul to Thessaloniki and to Athens, following the<br />

musical trail she left behind. Most of all, it’s a journey into a world that has largely vanished,<br />

but whose sounds continue to echo throughout the Mediterranean Basin.<br />

Running time: 90΄<br />

Year of production: 2011<br />

Production Company: Sher Film and Music<br />

Production Contact Person: Roy Sher<br />

Sales Company: Cinephil<br />

Sales Contact Person: Philippa Kowarsky<br />

18 Levontin St.<br />

Tel Aviv 65112, Israel<br />

T. +972 3 566 4129<br />

F. +972 3 560 1436<br />

info@cinephil.co.il<br />

www.cinephil.co.il<br />

346<br />

127<br />

ISRAEL - FRANCE - GREECE<br />

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Environment & Wild Life<br />

MYKONOS BLUES<br />

Omiros Evangelinos<br />

An interesting example is Mykonos, which par excellence combines all of the contradictions<br />

between the old and new way of life.<br />

During the cosmopolitan summer, transitory entertainment and exorbitant consumption<br />

reign supreme, while winter brings desolation, with no one working to restore the summer<br />

wounds.<br />

In the four months of the tourist season, local and international entrepreneurs make millions<br />

next to a small population of farmers, stock breeders, fishermen, craftsmen and artists<br />

who predominantly follow the traditional way of life.<br />

This society was certainly ill-prepared to handle an experiment of this magnitude: criminal<br />

acts against public health and the environment are being committed on this beautiful<br />

and cosmopolitan island.<br />

Running time: 19΄<br />

Year of production: 2010<br />

250<br />

GREECE<br />

Production Contact Person: Omiros Evangelinos<br />

Mykonos 846 00, Greece<br />

T. +30 6974 120 833, +30 22890 24767<br />

omirosastra@yahoo.com<br />

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M


Lifestyles<br />

Napoli Napoli Napoli is not only a portrait of the city itself, but a deep sight into its humanity,<br />

vital and brutal, passionate and cruel at the same time. While interviewing a group<br />

of female convicts in Pozzuoli State Prison, Abel Ferrara was deeply impressed by their<br />

statements, so harsh and fatalistic.<br />

He then decided to base on their life experiences three different screenplays, written by<br />

Peppe Lanzetta, Maurizio Braucci and Gaetano Di Vaio.<br />

Running time: 102΄<br />

Year of production: 2009<br />

136<br />

ITALY<br />

NAPOLI NAPOLI NAPOLI<br />

Abel Ferrara<br />

Production Company: Minerva Pictures & PFA Films & Figli del Bronx<br />

Sales Company: Minerva Pictures Group<br />

Via del circo Massimo 9<br />

00153 Roma Italy<br />

T. +39 06 842 42430<br />

F. +39 06 855 8105<br />

minerva@minervapictures.com<br />

www.minervapictures.com<br />

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N<br />

Art, Music & Culture<br />

NEGATIVE HISTORY<br />

OF HUNGARIAN C<strong>IN</strong>EMA<br />

Gyula Nemes<br />

Reconstructions of unrealized Hungarian films in cooperation with the greatest Hungarian<br />

film directors.<br />

Running time: 47΄<br />

Year of production: 2010<br />

Production Company: Absolut Film Studio Bt.<br />

Production Contact Person: Gyula Nemes<br />

Pusztaszeri út 11-13<br />

Budapest 1025, Hungary<br />

T. +36 209 856 277<br />

F. +36 130 261 76<br />

nemes@absolutfilm.hu<br />

350<br />

355<br />

HUNGARY<br />

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Art, Music & Culture<br />

NEL’S LOVE WILL<br />

André Dartevelle<br />

Nel tells a writer, in the early 60s, about her companion who died in 1916 in the midst of<br />

war, the painter-sculptor Rik Wouters. With these unpublished letters, the film gives voice<br />

to the woman who was the only model of her husband. In their forest village, she lived<br />

with Rik in a love fusion, blending art, creation, and life. World War I destroys their happiness:<br />

Rik is sent to the battlefield.<br />

Running time: 55’<br />

Year of production: 2010<br />

590<br />

BELGIUM<br />

Production Company: Hallolalune Production<br />

Production Contact Person: Michel Khleifi<br />

Sales Company: Ventes-CBA/WIP Sales<br />

Sales Contact Person: Thierry Detaille<br />

Centre de l’Audiovisuel à Bruxelles<br />

19 F avenue des Arts<br />

Brussels 1000, Belgium<br />

T. +32 477 617 170<br />

F. +32 2 227 2239<br />

ventes-cbawip-sales@skynet.be<br />

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N<br />

NEUROTYPICAL<br />

Adam Larsen<br />

What is the standard that identifies one person as whole and capable and another as<br />

disabled and broken?<br />

Neurotypical parallels the lives of three individuals on the autism spectrum, each facing a<br />

pivotal stage of growth. Violet, 3 years old, is absorbing the sensory world and learning<br />

ways to navigate through it; Nicholas, a teenager, is coming to terms with his diagnosis<br />

and his identity; and Paula, newly diagnosed, balances her autism advocacy work with the<br />

demands of homeschooling her son and sorting out a disintegrating marriage.<br />

By exploring the behavioral and perceptual differences that autistics express, differences<br />

that tend to separate them from a society that both sets the standard and attempts to have<br />

them meet it, the definition of “normal” comes into question. Neurotypical ultimately broadens<br />

the concept of what it means to be human.<br />

Running time: 88΄<br />

Year of production: 2010<br />

Production Company: Hum Bar<br />

Production Contact Person: Adam Larsen<br />

Sales Contact Person: Adam Larsen<br />

1719 Sherwood Ave. SW.<br />

Roanoke VA 24015 USA<br />

T. +1 828 280 0626<br />

adam@neuro-typical.com<br />

www.neuro-typical.com<br />

352<br />

622<br />

USA<br />

“How I Am: Challenging Perceptions”<br />

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Science & Technology<br />

By questioning the new space owners, these two documentaries report on the state of contemporary<br />

architecture and design, enlightening the knowledge of ourselves throughout<br />

our environment.<br />

1st part: “Indoors: architects and designers” by C. Guichard shows 6 artists: Elliot Barnes,<br />

Frédéric Sicard, Joseph Dirand, Leiko Oshima, Isabelle Stanislas and Charles Zana, who dedicated<br />

their work and a great part of their life to re-designing and enchanting our habitats.<br />

Running time: 52΄<br />

Year of production: 2010<br />

327<br />

FRANCE<br />

NEW MASTERS OF SPACE – 1ST PART<br />

Camille Guichard, Laure Ducaroir & Christophe Touzalin<br />

Production Company: Injam Production & Cap 24<br />

Sales Company: Wide House<br />

Sales Contact Person: Anais Clanet<br />

40, rue Saint Anne<br />

Paris 75002, France<br />

T. +33 1 5395 0464<br />

F. +33 1 5395 0465<br />

infos@widemanagement.com<br />

www.widemanagement.com<br />

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N<br />

History & Politics<br />

NEW MUSLIM COOL<br />

Jennifer Maytorena Taylor<br />

Puerto Rican American rapper Hamza Pérez ended his life as a drug dealer 12 years ago,<br />

and started down a new path as a young Muslim.<br />

Now he’s moved to Pittsburgh’s tough North Side to start a new religious community, rebuild<br />

his shattered family, and take his message of faith to other young people through his<br />

uncompromising music as part of the hip-hop duo M-Team.<br />

But when the FBI raids his mosque, Hamza must confront the realities of the post-9/11<br />

world, and challenge himself. He starts reaching for a deeper understanding of his faith,<br />

discovering new connections with people from Christian and Jewish communities.<br />

New Muslim Cool takes viewers on Hamza’s ride through the streets, projects and jail cells<br />

of urban America, following his spiritual journey to some surprising places where we can<br />

all see ourselves reflected in a world that never stops changing.<br />

Running time: 56΄<br />

Year of production: 2009<br />

Production Company: Specific Pictures<br />

Sales Company: Seventh Art Releasing<br />

Sales Contact Person: Shane Griffin<br />

6579 Pickwick St<br />

Los Angeles CA 90042 USA<br />

T. +1 323 259 8259<br />

F. +1 323 474 6371<br />

seventhart@7thart.com<br />

www.7thart.com<br />

354<br />

705<br />

USA<br />

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History & Politics<br />

THE NEW SA<strong>IN</strong>T<br />

Allard Detiger<br />

The church, army and people of Russia embrace a fallen soldier and his mother, when after<br />

his death the boy becomes a religious icon glorifying self-sacrifice in the battle against<br />

Islam. Yevgeny Rodionov was an ordinary young Russian soldier who fell in Chechnya after<br />

being taken prisoner and refusing to convert to Islam. He was proclaimed a martyr and<br />

became an unofficial saint for many Russians.<br />

The life of Yevgeny’s mother Lyubov underwent a radical change when her child “became”<br />

a saint. Unable to let go of her grief, she keeps his iconic memory alive with the support<br />

of Orthodox priests, biker gangs and the Russian army, which uses his legend as an example<br />

for young soldiers. While the saint’s mother appears on TV shows, young cadets are<br />

preparing to sacrifice themselves and follow in their hero’s footsteps.<br />

Running time: 70΄<br />

Year of production: 2010<br />

121<br />

THE NETHERLANDS<br />

Production Company: Volya Films<br />

Production Contact Person: Denis Vaslin<br />

Sales Contact Person: NPO/RNW Sales<br />

Sales Contact Person: Ellie Beijaard<br />

Sumatralaan 45<br />

Hilversum 1217 GP<br />

The Netherlands<br />

T. +31 35 677 3561<br />

F. +31 35 677 5318<br />

ellie.beijaard@omroep.nl<br />

www.nposales.com<br />

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N<br />

Art, Music & Culture<br />

NEXT YEAR <strong>IN</strong> BOMBAY<br />

Jonas Pariente & Mathias Mangin<br />

Bene Israel is a Jewish community that settled in India over 2,000 years ago, and who only<br />

counts 4,000 people still living in and around Mumbai (ex-Bombay) today, a community<br />

that is now disappearing.<br />

Sharon and Sharona Galsulrkar are its last educators. Concerned for their daughters’ future,<br />

they are also committed to their community’s needs. Whose education will they sacrifice?<br />

* Mumbai Film Festival, India 2010<br />

* Palm Springs International Film Festival, USA 2011<br />

* Worldfilm Tartu Festival of Visual Culture, Estonia 2011<br />

Running time: 55΄<br />

Year of production: 2010<br />

Production Company: Chai Chai Films<br />

Production Contact Person: Jonas Pariente<br />

Sales Contact Person: JMT Films Distribution<br />

Sales Contact Person: Michael Treves<br />

20 Bialik St.<br />

Tel Aviv 63324, Israel<br />

T. +972 52 3633 398<br />

Michael@JMTFilms.com<br />

www.JMTFilms.com/document.htm#nextyearbombay<br />

356<br />

539<br />

FRANCE - <strong>IN</strong>DIA<br />

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Current Affairs<br />

NIGGERS<br />

Antonio Martino<br />

What happens to asylum-seekers once they’ve reached the Italian shores? The tensions between<br />

immigrants and locals in a little village in southern Italy, which hosts one of the<br />

greatest transit camps in Europe, reflect the social problems growing everywhere in Italy:<br />

fear of diversity and poverty, alarmed reactions against the uninterrupted arrivals of so<br />

many people in need.<br />

Running time: 47΄<br />

Year of production: 2009<br />

518<br />

ITALY<br />

Production Company: Videoinflussi<br />

Production Contact Person: Antonio Martino<br />

Sales Contact Person: Vitagraph<br />

Sales Contact Person: Filippo D’Angelo<br />

Via Schiavonia 1<br />

Bologna 40121, Italy<br />

T. +39 05 126 7150<br />

F. +39 05 126 7150<br />

vitagraph@libero.it<br />

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N<br />

Current Affairs<br />

NIGHTMARE <strong>IN</strong> DREAMLAND<br />

Edgar Wolf, Eva Grün & Adamu Adamni<br />

Dubai is the Gulf’s very own fairytale city, yet tales of misery lurk behind its gleaming facades.<br />

Many emirate families retain a housemaid, mostly from the Philippines, Ethiopia and<br />

elsewhere. What initially seemed to be a dream job often turns out to be the stuff of nightmares,<br />

with long working days, no breaks, very little food and no wages. Many of these<br />

young women are beaten, and even sexually assaulted by the men of the house. The investigation<br />

relates a tale of modern slavery. It accompanies Trungu, a young Ethiopian<br />

woman, as she prepares for her new job. The camera follows her as she flies to Dubai up<br />

until the moment her passport is taken from her upon arrival. After that, the contact with<br />

Trungu breaks up. Searching the city’s maze of houses and shopping malls for her, the authors<br />

soon find themselves being observed and hindered.<br />

Running time: 45΄<br />

Year of production: 2010<br />

Production Company: Berlin Producers film<br />

Sales Company: united docs<br />

Sales Contact Person: Anne Hufnagel<br />

Breite Str. 48-50<br />

Cologne 50667, Germany<br />

T. +49 221 920 690<br />

F. +49 221 920 6969<br />

anne.hufnagel@united-docs.com<br />

www.united-docs.com<br />

358<br />

469<br />

GERMANY<br />

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History & Politics<br />

If your neighbors were being hunted down and came to your door begging for help, would<br />

you risk your life to save theirs?<br />

This film tells the remarkable, yet little-known, story of Francisca Halamajowa, a Polish-<br />

Catholic woman who rescued 16 of her Jewish neighbors during the Holocaust, while cleverly<br />

passing herself off as a Nazi sympathizer.<br />

The film draws on excerpts from a diary kept by one of the survivors, Moshe Maltz, whose<br />

granddaughter is one of the filmmakers. It also incorporates testimonies from other Jews<br />

saved by Halamajowa, her descendants and former neighbors, as they reconnect on a trip<br />

back to Sokal. Powerful location shots add another rich dimension to the story, providing<br />

the backdrop as the drama unfolds.<br />

Running time: 71΄<br />

Year of production: 2009<br />

706<br />

USA<br />

NO. 4 STREET OF OUR LADY<br />

Barbara Bird, Judy Maltz & Richie Sherman<br />

Sales Company: Seventh Art Releasing<br />

Sales Contact Person: Shane Griffin<br />

6579 Pickwick St<br />

Los Angeles CA 90042 USA<br />

T. +1 323 259 8259<br />

F. +1 323 474 6371<br />

seventhart@7thart.com<br />

www.7thart.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 359<br />

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N<br />

History & Politics<br />

NOBODY IS <strong>IN</strong>NOCENT 20 YEARS LATER<br />

Sarah Minter<br />

2008, Ciudad Neza and the great metropolis. The movements of Pablo “El Podrido” Hernández<br />

intertwine the stories of “Cienfuegos”, “Rafa Punk”, Benjamín “El Costras”, “Moroco”,<br />

“Búho”, and others who are no longer with us. They are all young adults between 38 and<br />

45. They share three things: they grew up in Ciudad Neza, they belonged to the same gang<br />

Los Mierdas Punk (The Punk Shits) and they all starred in the documentary Nadie es inocente<br />

(nobody is innocent), filmed in 1986 by Sarah Minter. Now, twenty years later, she<br />

shows us their current lives and their memories of the past, reconstructing their footprints<br />

and weaves a new visual map of the city and other geographies through these characters’<br />

present as they confront their achievements, frustrations and the nostalgia for their past<br />

and youthful dreams.<br />

Running time: 72΄<br />

Year of production: 2011<br />

Production Company: Fondo para la Producción Cinematográfica de<br />

Calidad (Foprocine)<br />

Sales Company: Instituto Mexicano de Cinematografía (Imcine)<br />

Sales Contact Person: Pablo Briseño<br />

Insurgentes Sur #674 del Valle<br />

Mexico City 03100, México<br />

T.-F. +52 55 5448 5345<br />

mercaint@imcine.gob.mx<br />

www.imcine.gob.mx<br />

360<br />

319<br />

MEXICO<br />

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Norm is a love story pure and simple. But there is nothing simple about it.<br />

A loving sister decides to take her older brother with Down syndrome into her home to provide<br />

the care and the sense of family she feels he has been denied since childhood. Like<br />

many aging adults living with Down syndrome, he begins to experience the symptoms of<br />

Alzheimer’s disease. Her greatest fears have become a reality: “What if she can’t keep him<br />

at home forever?”<br />

Running time: 56΄<br />

Year of production: 2009<br />

628<br />

CANADA<br />

“How I Am: Challenging Perceptions”<br />

NORM<br />

Kent Nason & Teresa MacInnes<br />

Production Company: Sea to Sea International Productions<br />

Sales Company: TVF International<br />

Sales Contact Person: Leila Monks<br />

375 City Road<br />

London EC1V 1NB, UK<br />

T. +44 207 837 3000<br />

F. +44 207 833 2185<br />

info@tvf.co.uk<br />

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N<br />

Current Affairs<br />

NORTH OF CALABRIA<br />

Marcin Sauter<br />

North of Calabria is about a dream place to live, where living is easy and people know each<br />

other, tolerate their faults, like to meet, to talk and just be together. For one summer, Sauter’s<br />

film crew mingles with the inhabitants of a small town to enact an almost Italian comedy.<br />

It appears that all they needed was a few classes of Italian cuisine and the art of carpe<br />

diem to turn this Polish province into Calabria alike. A documentary midsummer night’s<br />

dream.<br />

Running time: 67΄<br />

Year of production: 2010<br />

Production Company: Studio Munka - Polish Filmmakers Association<br />

& Andrzej Wajda Master School of Film Directing<br />

Production Contact Person: Joanna Skalska<br />

Sales Company: Krakow Film Foundation<br />

Sales Contact Person: Katarzyna Wilk<br />

Basztowa 15/8a<br />

Krakow 31-143, Poland<br />

T. +48 12 294 6945<br />

katarzyna@kff.com.pl<br />

www.kff.com.pl<br />

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POLAND<br />

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Art, Music & Culture<br />

NOT AN ILLUS<strong>IO</strong>N<br />

Torang Abedian<br />

Sara is a young Iranian woman with a captivating voice who wants to be a singer. Yet according<br />

to the rules in the Islamic Republic of Iran, women should not sing solo in public.<br />

According to the clerics, God does not want to hear a woman’s voice even at prayers. But<br />

Sara, who used to be the champion gymnast of Iran and became disabled after a freak accident,<br />

is a highly motivated individual with great determination. She joins the Piccolo band<br />

as a backing vocalist and a co-singer. Although everything still has to be approved by the<br />

Ministry of Culture and Islamic Guidance, she hopes for a better time in an explosive society<br />

which is confused between modernity and tradition, as the band prepares for its first<br />

public concert.<br />

Running time: 85΄<br />

Year of production: 2009<br />

613<br />

IRAN<br />

Production Company: nuts films<br />

Production Contact Person: Torang Abedian<br />

Tehran, Iran<br />

T. +98 001 822 6162<br />

torang@nutsfilms.com<br />

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N<br />

History & Politics<br />

LA NUEVE, THE FORGOTTEN<br />

MEN OF THE 9TH COMPANY<br />

Alberto Marquardt<br />

History does not always recognize true heroes. The Spanish Republican soldiers of the 9th<br />

company in General Leclerc’s 2nd Armoured Division had fled their country and fought<br />

Nazism on the side of the Allies, yet their contribution and sacrifice had not been acknowledged.<br />

Yet, on August 24th 1944 they were among the first soldiers of liberated<br />

France to enter occupied Paris.<br />

Luis Royo and Manuel Fernandez are the last survivors of this epic tale. They speak of those<br />

years with humor and great dignity: “We did not fight for a flag, we fought for our ideals.”<br />

Running time: 53΄<br />

Year of production: 2009<br />

Production Company: Point du Jour<br />

Production Contact Person: Doris Weitzel<br />

Sales Company: Point du Jour International<br />

Sales Contact Person: Doris Weitzel<br />

23 rue de Cronstadt<br />

Paris 75015, France<br />

T. +33 1 7544 8080<br />

F. +33 1 4531 1305<br />

d.weitzel@pointdujour.fr<br />

www.pointdujour-international.fr<br />

364<br />

376<br />

FRANCE<br />

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Current Affairs<br />

In the mountains of Hindu Kush, in Pakistan, amongst 165 million Muslims, unfolds the<br />

unique story of 4,000 Kalasha, an ancient Pagan tribe that worships nymphs, gods and<br />

fairies. Kalasha women are strong, lovable and, oddly enough, free. Shamim is the first<br />

woman who has managed to go to university. She dreams of working with Athanassios<br />

Lerounis, the president of the “Greek Volunteers” NGO, who organize developmental and<br />

educational projects in the region that help her tribe. But, suddenly, Athanassios is kidnapped<br />

by the Taliban. His abduction fills the whole Kalasha tribe with insecurity and fear.<br />

Everything changes. How will the Kalasha women of Hindu Kush cope with this? What will<br />

happen to Shamim and her dreams?<br />

Running time: 56΄<br />

Year of production: 2011<br />

226<br />

GREECE<br />

THE NYMPHS OF H<strong>IN</strong>DU KUSH<br />

Anneta Papathanassiou<br />

Production Company: Modiano SA<br />

Production Contact Person: Photini Economopoulou<br />

Sales Company: Modiano SA<br />

Hellenic Broadcasting Corp. ERT SA -<br />

Intl’ co-production Department<br />

Sales Contact Person: Photini Economopoulou, Anneta Papathanassiou,<br />

Ilia Papaspyrou<br />

73, K. Palaiologou St, Halandri 152 32, Greece<br />

T. +30 210 684 6398<br />

F. +30 210 684 4078<br />

info@modianotv.gr<br />

anpap@otenet.gr<br />

ipapaspyrou@ert.gr<br />

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History & Politics<br />

THE OATH<br />

Laura Poitras<br />

An extraordinary inside view of militant Islamism. A quietly disturbing, often complex portrait<br />

of an Al Qaeda insider and a Guantanamo Bay detainee, The Oath offers a chilling preview<br />

of emerging Middle East battleground Yemen and poignantly questions American<br />

policies over the past decade in the Middle<br />

East. The Oath tells the story of Abu Jandal, Osama bin Laden’s former bodyguard, and Salim<br />

Hamdan, a prisoner at Guantanamo Bay Prison and the first man to face the controversial<br />

military tribunals.<br />

Running time: 96΄<br />

Year of production: 2010<br />

103<br />

USA<br />

Production Company: Praxis Films<br />

Production Contact Person: Laura Poitras<br />

Sales Company: CAT&Docs<br />

Sales Contact Person: Catherine Le Clef<br />

18 rue Quincampoix #133<br />

Paris 75004, France<br />

T. +33 1 4459 6353<br />

cat@catndocs.com<br />

www.catndocs.com<br />

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0<br />

Lifestyles<br />

OF MOTHERS AND DAUGHTERS<br />

Xiaolei Zheng<br />

There are more than 2,500 pensioners living in a large private retirement home located in<br />

a suburb of Canton (Guangzhou), China. As we discover the daily lives of these old people,<br />

the film focuses on the lives of two elderly ladies: Ms. Kuang and Ms Xie. As they are both<br />

counting the last days of their lives, one is worrying about her sick father and the other about<br />

her distant son. Our camera will reveal how today’s urban China can be reflected by the story<br />

of these two heroines who find themselves away from their families, in a retirement home.<br />

Here, in the wake of serious health considerations, they have to build new relationships, define<br />

a new rhythm to their daily life and invent new ways to be with others.<br />

Running time: 52΄<br />

Year of production: 2010<br />

Production Company: Solferino Images & Guangzhou TV<br />

Production Contact Person: Michel Noll<br />

Sales Company: ICTV<br />

Sales Contact Person: Lydia Castellano<br />

17 rue du Colisée<br />

75008 Paris France<br />

T. +33 1 6403 7098<br />

F. +33 1 6403 7101<br />

lydia.c@ictv-solferino.com<br />

www.ictv.fr<br />

368<br />

479<br />

FRANCE - CH<strong>IN</strong>A<br />

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Current Affairs<br />

OFFSIDE<br />

Reyan Tuvi<br />

Offside is the story of two young, illegal African immigrants who left their country to come<br />

to Turkey, hoping to be successful football players. The paths of Taju and Rachid, who are<br />

both Nigerian, cross in İstanbul.<br />

While Taju (TJ) dreams of becoming a member of a 3rd league football team, he spends<br />

his days working to make a living in a small barber shop in Kumkapı, a district where many<br />

illegal immigrants from different countries live.<br />

Rachid (Ade), who unlike Taju has come to the realization that he will not be able to realize<br />

his dream of becoming a football player in Turkey, tries to find ways to go to Europe,<br />

to join his English girlfriend Diane whom he has met on the Internet.<br />

Their plans are suddenly shattered when their teammate Okute (Festus Okey) is killed in<br />

police custody. This event leaves them with many questions about the future.<br />

As their shared passion for football brings them closer, it also forces them apart. Eventually<br />

each chooses his own way...<br />

Running time: 52΄<br />

Year of production: 2010<br />

450<br />

TURKEY<br />

Production Company: Ominira<br />

Sales Company Person: Reyan Tuvi<br />

Prof. Dr. Tarik Zafer Tunaya sok. No:7/4<br />

Beyoglu<br />

Istanbul 34427, Turkey<br />

T. +90 532 332 2935<br />

reyantuvi@gmail.com<br />

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0<br />

Art, Music & Culture<br />

OHAD NAHAR<strong>IN</strong> – OUT OF FOCUS<br />

Tomer Heymann<br />

A month before their New York premiere, groundbreaking choreographer Ohad Naharin is<br />

working with the Cedar Lake Company on a selection of his world known works.<br />

Running time: 55΄<br />

Year of production: 2010<br />

Sales Company: Cinephil<br />

Sales Contact Person: Philippa Kowarsky<br />

18 Levontin St<br />

Tel Aviv 65112, Israel<br />

T. +972 3 566 4129<br />

F. +972 3 560 1436<br />

info@cinephil.co.il<br />

370<br />

400<br />

ISRAEL<br />

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Art, Music & Culture<br />

The third film in Julien Temple’s trilogy (The Filth and the Fury, Joe Strummer: The Future<br />

Is Unwritten) about the British music culture of the 70s features Dr Feelgood, four men in<br />

cheap suits who crashed out of Canvey Island and sandpapered the face of rock ’n’ roll. Featuring<br />

contributions from members of The Clash, Blondie and the Sex Pistols.<br />

Running time: 110΄<br />

Year of production: 2009<br />

596<br />

UK<br />

OIL CITY CONFIDENTIAL<br />

Julien Temple<br />

Production Company: Cadiz Music Limited<br />

Production Contact Person: Stephan Malit<br />

Sales Company: HanWay Films<br />

Sales Contact Person: Fabien Westerhoff & Mark Lane<br />

24 Hanway Street<br />

London W1T 1UH, UK<br />

T. +44 207 290 0776<br />

F. +44 207 290 0751<br />

fw@hanwayfilms.com<br />

mfl@hanwayfilms.com<br />

www.hanwayfilms.com<br />

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0<br />

Lifestyles<br />

ON RUB<strong>IK</strong>’S ROAD<br />

Laila Pakalnina<br />

If the entire world can be reflected in a single drop of dew (and it can!), then why couldn’t<br />

it fit onto a single bicycle road in Latvia? A film about a world that walks, runs, crawls,<br />

sits, rides, flies; and falls. A world alive.<br />

Running time: 30΄<br />

Year of production: 2010<br />

Production Company: Hargla Company<br />

Production Contact Person: Laila Pakalnina<br />

Valtaiku 19<br />

Riga 1029, Latvia<br />

T. +371 292 356 180<br />

laila.pakalnina@inbox.lv<br />

372<br />

356<br />

LATVIA<br />

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Current Affairs<br />

ON THE ROAD<br />

Leszek Dawid<br />

A road movie in which the director, driving across the country, picks up hitch-hikers. A<br />

patchwork of their stories, fears and dreams combined with the changing landscapes outside<br />

the car creates a picture of mankind which is still on the road.<br />

Running time: 43΄<br />

Year of production: 2010<br />

521<br />

POLAND<br />

Production Company: Anagram Film<br />

Production Contact Person: Anna Pachnicka<br />

Sales Company: Krakow Film Foundation<br />

Sales Contact Person: Katarzyna Wilk<br />

Basztowa 15/8a<br />

Krakow 31-143, Poland<br />

T. +48 12 294 6945<br />

katarzyna@kff.com.pl<br />

www.kff.com.pl<br />

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0<br />

Lifestyles<br />

ONE DAY LESS<br />

Dariela Ludlow<br />

Carmen (84) and Emeterio (97) are an elderly couple living out their last years in their home<br />

in Acapulco, the house they built with their own hands. Time seems to stand still for them;<br />

no day is more or less special than the one before. All they can do is wait. Carmen and Eme<br />

survive together and, as every New Year’s eve, they expect their family’s visit.<br />

Running time: 77΄<br />

Year of production: 2011<br />

Production Company: Fondo para la Producción Cinematográfica de<br />

Calidad (Foprocine)<br />

Sales Company: Instituto Mexicano de Cinematografía (Imcine)<br />

Sales Contact Person: Pablo Briseño<br />

Insurgentes Sur #674 del Valle<br />

Mexico City 03100, Mexico<br />

T.-F. +52 55 5448 5345<br />

mercaint@imcine.gob.mx<br />

www.imcine.gob.mx<br />

374<br />

321<br />

MΕXICO<br />

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Current Affairs<br />

Stories of encounters and separations in a dividing frontier wall that impedes families,<br />

friends and lovers to touch and kiss each other. In some cases, the wall does not obstruct<br />

human contact, while in some other cases it presents itself as a metaphor of division in human<br />

relationships.<br />

Running time: 55΄<br />

Year of production: 2010<br />

187<br />

MEXICO - ARGENT<strong>IN</strong>A - BRAZIL<br />

ONE FRONTIER, ALL FRONTIERS<br />

David Pablos<br />

Production Company: IMC<strong>IN</strong>E<br />

Sales Contact Person: Angelica Ramirez<br />

Mexico City 03100, Mexico<br />

T. +52 55 5448 5337<br />

aramirez@imcine.gob.mx<br />

www.imcine.gob.mx<br />

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0<br />

Environment & Wildlife<br />

ONE LUCKY ELEPHANT:<br />

A TEN THOUSAND POUND LOVE STORY<br />

Lisa Leeman<br />

Where does an elephant go after a life in the circus? Sixteen years have passed since David<br />

Balding adopted Flora, the orphaned baby African elephant he lovingly raised as part of<br />

his family and made the star of his circus. Now an adult animal, he realizes that she is not<br />

happy performing. The road to Flora’s retirement, however, is a difficult and emotional journey<br />

which tests their bond in unexpected ways. Ten years in the making, One Lucky Elephant<br />

explores the consequences of keeping wild animals in captivity, while never losing<br />

sight of the delicate love story at its heart.<br />

Running time: 81΄<br />

Year of production: 2010<br />

Production Contact Person: Cristina Colissimo & Jordana Glick-Franzheim<br />

Sales Company: Films Transit International<br />

Sales Contact Person: Jan Röfekamp<br />

252 Gouin Boulevard East<br />

Montreal/Quebec H3L 1A8, Canada<br />

T. + 1 514 844 3358<br />

F. + 1 514 844 7298<br />

jan@filmstransit.com<br />

www.filmstransit.com<br />

376<br />

111<br />

USA<br />

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Art, Music & Culture<br />

ONE OF SEVEN<br />

Goel Pinto<br />

One of Seven is a fascinating journey along journalist and film critic Goel Pinto’s life stations.<br />

Goel, born to an Oriental religious family, one of seven children, in the ultra-Orthodox city<br />

of Bnei Brak. Going back to his childhood memories, the director, along with his mother<br />

Monique, peel off the layers of his past, in order to get to the root of the lack of identity<br />

that accompanies him. He tries to reconcile the different elements that shape his being:<br />

religion, ethnicity, homosexuality and the memory of the Holocaust.<br />

* Documentary Competition: Cape Winelands Film Festival 2011, South Africa<br />

* Fipatel: FIPA International Film Festival 2011, Biarritz, France<br />

* Haifa Film Festival 2010, Israel<br />

TV Broadcast: Channel 8, Israel (Noga Communications)<br />

Running time: 48΄<br />

Year of production: 2010<br />

531<br />

ISRAEL<br />

Production Company: Goel Pinto<br />

Production Contact Person: Goel Pinto<br />

Sales Company: JMT Films Distribution<br />

Sales Contact Person: Michael Treves<br />

20 Bialik St<br />

Tel Aviv, 63324 Israel<br />

T. +972 52 363 3398<br />

michael@JMTFilms.com<br />

www.JMTFilms.com/document.htm#oneofseven<br />

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0<br />

Current Affairs<br />

ONLY THE WORDS CONT<strong>IN</strong>UE<br />

Kalliopi Legaki<br />

It was in the winter of 2010, at the “Dasein” bar in the Exarcheia district of Athens, that the<br />

Confession Session project began. It all started with an idea by Alkis Gounaris, who invited<br />

52 of the bar’s regulars to confess personal stories. These stories went online and also became<br />

the material for this documentary. In front of the camera, words, phrases and people<br />

take on an added gravity. They reveal feelings, thoughts, pursuits and decisions that<br />

have played a decisive role in each person’s life. By filming people’s confessions, we chart<br />

their inner world – a world which has been forgotten in the din and alienation of modern-day<br />

cities.<br />

Running time: 54΄<br />

Year of production: 2011<br />

Production Company: Portolanos Films & Alkis Gounaris<br />

Production Contact Person: Maria Gentekou<br />

120, Agiou Eleftheriou St<br />

Piraeus 185 41, Greece<br />

T. +30 210 483 3515<br />

F. +30 213 030 2506<br />

portolan@hol.gr<br />

378<br />

282<br />

GREECE<br />

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Art, Culture & Music<br />

Operetta, Your Inner World portrays the magic world of the Greek operetta through the<br />

words of leading figures of the theater and music, as well as people who simply love the<br />

operetta. These interviews, intercut with images and musical excerpts from exceptional performances,<br />

take us back to a time of innocence and romance. Director George Danopoulos<br />

is a sound engineer for the Greek National Opera and has taken part in over 700 operetta<br />

performances during the last 10 years. Enchanted by this musical genre, he depicts<br />

his own theatrical experience and through images, interviews and theatrical excerpts, he<br />

creates a cinematic fresco of the 100-year-long history of the Greek operetta. The final target<br />

of the director remains the heart of the audience: to get closer to the operetta by a work<br />

of simple technique, but full of artistic feeling and devoted passion.<br />

Running time: 56΄<br />

Year of production: 2011<br />

206<br />

GREECE<br />

OPERETTA, YOUR <strong>IN</strong>NER WORLD<br />

Yorgos Danopoulos<br />

Production Company: G.D.<br />

Production Contact Person: Giorgos Danopoulos<br />

5, Ko Str.<br />

Athens 171 23, Greece<br />

T. +30 6945 244 250<br />

gdanopoulos@otenet.gr<br />

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0<br />

Lifestyles<br />

ORCHIDS – MY <strong>IN</strong>TERSEX ADVENTURE<br />

Phoebe Hart<br />

“Hermaphrodite” is a word used to describe Phoebe, a woman with a man’s chromosomes.<br />

Wherever possible, Phoebe actively seeks to disrupt the cataloguing with as much honesty<br />

and humor as she can. In her film Orchids she comes clean on her journey of self-discovery<br />

to embrace her future and reconcile the past shame and family secrecy surrounding<br />

her intersex condition. Despite her mother’s refusal to be in the film, Phoebe hits the<br />

road...<br />

Running time: 56΄<br />

Year of production: 2010<br />

Production Company: Hartflicker Moving Pictures<br />

Production Contact Person: Phoebe Hart<br />

Sales Company: First Hand Films<br />

Sales Contact Person: Gitte Hansen<br />

Fritz Heeb-Weg 5<br />

Zürich 8050, Switzerland<br />

T.-F. +41 44 312 2060<br />

info@firsthandfilms.com<br />

www.firsthandfilms.com<br />

380<br />

547<br />

AUSTRALIA<br />

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Lifestyles<br />

Mr. Liang has a passion for cooking. Aged around 60, he is today the owner of two restaurants<br />

and an organic farm in the rich Southern Province of Guangdong, China. A few years<br />

ago, he converted his farm to an organic holding and it became a modest success. Encouraged<br />

by this experience, he bought a huge restaurant, seating 500 people, right in the<br />

heart of the province’s capital, the city of Canton. He attempts to convert this one also into<br />

an organic restaurant, but in Canton competition is fierce. Mr Liang’s ideals and his absolute<br />

quest for a healthier way of life have not yet made his Canton business a profitable one.<br />

Many still doubt the pertinence of the concept and keep resisting it…<br />

Running time: 52΄<br />

Year of production: 2011<br />

481<br />

FRANCE - CH<strong>IN</strong>A<br />

ORGANIC, AGA<strong>IN</strong>ST ALL ODDS<br />

Shi Wei<br />

Production Company: Solferino Images & CCIC & Guangzhou<br />

Documentary Association & China Screen<br />

Production Contact Person: Michel Noll<br />

Sales Company: ICTV (Rest of the World)<br />

Sales Contact Person: Lydia Castellano<br />

17 rue du Colisée<br />

Paris 75008, France<br />

T. +33 1 6403 7098<br />

F. +33 1 6403 7101<br />

lydia.c@ictv-solferino.com<br />

www.ictv.fr<br />

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0<br />

Lifestyles<br />

OUR LANGUAGE<br />

Elisavet Laloudaki & Massimo Pizzocaro<br />

In the Eastern Peloponnese, in a remote region in the shadow of Mt Parnon, live the Tsakonians,<br />

a stubborn group of native Greeks. For the past 3,000 years they have been speaking<br />

an ancient dialect, the only surviving example of a Doric language. They never abandoned<br />

it, not even when the Attic-based Koiné (from which Modern Greek derives)<br />

became the first common dialect of all Greeks and the lingua franca of the entire Mediterranean.<br />

Having survived for a great many centuries, the Tsakonian dialect entered a period<br />

of neglect in the 1960s, and may currently be approaching its end. The national language<br />

was imposed through compulsory schooling, roads were opened for the first time, tourists<br />

began to arrive, many locals emigrated or took to the sea. Now the time has come to face<br />

a simple truth: when you lose your language, you lose your world. Tsakonian is not unique<br />

in this respect. According to the UN, half of the languages spoken today face the same threat<br />

of extinction and oblivion. This film is about the loss of identity: what it means to know<br />

that your language will have vanished in a hundred years’ time.<br />

Running time: 52΄<br />

Year of production: 2011<br />

Production Company: HappyAnt TV<br />

Production Contact Person: Elisavet Laloudaki<br />

T. +30 201 341 2687<br />

eli@happyant.tv<br />

382<br />

255<br />

GREECE<br />

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Lifestyles<br />

The life and viewpoint of the farmers of Southern Baja California, Mexico, told through people<br />

who are as interesting as they are unknown, living in remote and isolated parts of the<br />

desert, facing the changes in their current reality.<br />

Running time: 80΄<br />

Year of production: 2011<br />

318<br />

MEXICO<br />

THE OTHER CALIFORNIANS<br />

César Talamantes<br />

Production Company: Fondo para la Producción Cinematográfica de<br />

Calidad (Foprocine)<br />

Sales Company: Instituto Mexicano de Cinematografía (Imcine)<br />

Sales Contact Person: Pablo Briseño<br />

Insurgentes Sur #674 del Valle<br />

Mexico City 03100, Mexico<br />

T.-F. +52 55 5448 5345<br />

mercaint@imcine.gob.mx<br />

www.imcine.gob.mx<br />

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0<br />

Current Affairs<br />

THE OTHER CHELSEA –<br />

A STORY FROM DONETSK<br />

Jakob Preuss<br />

Donetsk is the coal-mining area of Ukraine. Here most people work for low wages in the<br />

run down mines, while others make a lot of money. No matter which side of the social divide<br />

you are on, coming from Donetsk you will almost certainly be an opponent of the Orange<br />

Revolution and a fan of the local football team, Shakhtar Donetsk. Billionaire Akhmetov<br />

invests heavily in the club, which is becoming a major European force during the season<br />

followed by the film. Yet this sporting success funded by an Oligarch fortune only seems<br />

to highlight the wider social and political stagnation of the region. Off the pitch, the outlook<br />

appears bleak...<br />

Running time: 88΄<br />

Year of production: 2010<br />

Production Company: Kloos & Co. Medien GmbH<br />

Production Contact Person: Stefan Kloos<br />

Sales Company: Rise and Shine World Sales<br />

Sales Contact Person: Diana Karklin<br />

Schlesische Str. 29/30<br />

Berlin 10997, Germany<br />

T. +49 30 4737 2980<br />

F. +49 30 4737 298 20<br />

diana.karklin@riseandshine-berlin.de<br />

384<br />

446<br />

GERMANY<br />

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History & Politics<br />

THE OTHER TOWN<br />

Nefin Dinç<br />

Why do neighbors fight? Why do the world’s ethnic or religious groups experience mutual<br />

hatred and suspicion? The documentary film The Other Town, explores the negative<br />

feelings of a Greek town, Dimitsana, and a Turkish town, Birgi, towards the Other. Bitter sentiments<br />

and prejudices are widespread in both societies. Locals of all ages are caught in a<br />

web of stereotypes that impedes bilateral relationships between Turkey and Greece. Similar<br />

situations exist in many other societies around the world.<br />

The Other Town examines the key issues of why peace is sometimes so difficult to achieve,<br />

and why hate is constantly reproduced in public life. While visiting the two towns and talking<br />

with the inhabitants during the span of a year, the documentary’s makers come to understand<br />

that bad relations between the two nations exist not so much due to their turbulent<br />

past, but due to contemporary nationalistic mentalities and education.<br />

Running time: 45΄<br />

Year of production: 2011<br />

156<br />

TURKEY<br />

Production Company: Atlantik Film<br />

Production Contact Person: Nefin Dinç<br />

Sales Company: Atlantik Film<br />

Sales Contact Person: Claudine Avetyan<br />

Ust Zeren sokak, no:2 34330<br />

Istanbul, Turkey<br />

T. + 90 212 278 3611<br />

F. + 90 212 278 1971<br />

dinc@theothertown.com<br />

www.theothertown.com<br />

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0<br />

Current Affairs<br />

OTHER WOMEN’S NARRATIVES<br />

Maria Pesli<br />

Other Women’s Narratives is a collaborative creative documentary, inspired by the tradition<br />

of participatory video. On the theme of foreignness and migration, it employs the personal<br />

narratives of Aferdita Çako and Manjola Milla (from Albania) and Svetlana Blakhina (from<br />

Belarus), who have lived in Greece for the past 12-15 years. Drawing upon their names,<br />

jobs and habits, the work recomposes thoughts and feelings of their daily living, in an effort<br />

to trace changes of their identity as it is being shaped miles away from their native<br />

countries. What is remarkable in this documentary is the fact that all three women participated<br />

actively in almost all production phases. Working closely with the director Maria<br />

Pesli, they took lessons on filmmaking literally on the road, and managed to shoot their<br />

stories themselves.<br />

Running time: 33΄<br />

Year of production: 2010<br />

Production Contact Person: Maria Pesli<br />

3, Aischylou St<br />

Pireaus 185 33, Greece<br />

T. +30 6973 042 133, +30 210 412 7295<br />

mpesli@gmail.com<br />

386<br />

266<br />

GREECE - ALBANIA - BELARUS<br />

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Current Affairs<br />

Three Roma (Gypsy) children from a small Transylvanian town participate in a project to<br />

desegregate the local school, struggling against indifference, tradition and bigotry with humor,<br />

optimism and sass. Shot over four years in an unflinching yet intimate visual style<br />

characteristic of the new Romanian naturalistic cinematography, Our School is a bittersweet<br />

story about hope and race, and an elegy about generational prejudice and squandered<br />

opportunities.<br />

Running time: 95΄<br />

Year of production: 2011<br />

169<br />

USA - SWITZERLAND<br />

OUR SCHOOL<br />

Mona Nicoara & Miruna Coca-Cozma<br />

Production Company: Sat Mic Film<br />

Production Contact Person: Mona Nicoara<br />

124 First Place<br />

New York NY 11231 USA<br />

T. +1 917 574 2329<br />

mona.nicoara@gmail.com<br />

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0<br />

Lifestyles<br />

OUT OF CONCRETE<br />

Vana Alexopoulou<br />

For many people, camping is an “outdoor recreational activity during which the participants<br />

(known as campers) leave urban areas, their home and civilization, and enjoy nature while<br />

spending one or several nights outdoors, usually at a campsite” (Wikipedia). But what exactly<br />

is “free camping” and what are the real reasons behind it? Is it just an alternative way<br />

of vacationing or is there also a political aspect to it? Do campers really leave behind civilization<br />

or do they just recreate another form of it?<br />

Out of Concrete is a film that explores a different point of view of what camping can be,<br />

walking with the campers along the cliff, drinking coffee with them and traveling through<br />

beautiful scenery.<br />

Running time: 25΄<br />

Year of production: 2010<br />

Production Contact Person: Vana Alexopoulou<br />

5, An. Romilias St<br />

Athens Greece<br />

T. +30 6973 786 289<br />

vialexopoulou@yahoo.gr<br />

388<br />

283<br />

GREECE<br />

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Current Affairs<br />

OUT OF REACH<br />

Jakub Stozek<br />

Karolina and Natalia seek refuge from their domineering father and reminisce about their<br />

sad childhood without a mother in a basement of a block of flats. When the younger sister’s<br />

poor eyesight starts to deteriorate, the girls decide to find Bożena, their mother, who<br />

left the family when they were young. The director, Jakub Stożek, accompanies Karolina<br />

on her journey to Paris where the older sister is supposed to meet the mother, whom the<br />

girls know only from the voice message left on the phone she never answers. Will the<br />

daughter be able to establish a bond with the mother she has not seen for fourteen years?<br />

Running time: 30΄<br />

Year of production: 2010<br />

526<br />

POLAND<br />

Production Company: Darklight Film Studio<br />

Production Contact Person: Anna Zajaczkowska<br />

Sales Company: Krakow Film Foundation<br />

Sales Contact Person: Katarzyna Wilk<br />

Basztowa 15/8a<br />

Krakow 31-143, Poland<br />

T. +48 12 294 6945<br />

katarzyna@kff.com.pl<br />

www.kff.com.pl<br />

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0<br />

Lifestyles<br />

OUT OF ROUND: WHAT IS BEH<strong>IN</strong>D?<br />

Jaro Vojtek<br />

After the festival success of his films Here We Are and The Border, documentary filmmaker<br />

Jaro Vojtek returns with the short social documentary Out of Round. The main protagonist<br />

is a Roma man called Jožo/Fero whose addiction has taken everything from him and<br />

pushed him and his family to the edge of society. Marked by difficult fate, he is still an eternal<br />

child whose best friend is Nemo the dog. Despite his primary backwardness, he feels<br />

mentally superior to other members of his family and is the only one who makes an effort<br />

to return to normal life.<br />

Running time: 30΄<br />

Year of production: 2010<br />

Production Company: Ugly Agency & Production<br />

Kresankova 13<br />

Bratislava 840000, Slovakia<br />

T. +421 905 648 024<br />

jarovojtek@gmail.com<br />

390<br />

357<br />

SLOVAK REPUBLIC<br />

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Current Affairs<br />

The documentary Ovriokastro is a 2010 production, funded by Local Government and the<br />

Municipality of Keratea. It presents people who represent the community of Keratea and<br />

reveals the identity of the residents in the area who for 15 years have been fighting for a<br />

better and more civilized quality of life. In 1995, when the people of Keratea learnt that<br />

the archaeological site of Ovriokastro was to become a landfill, they strongly objected and<br />

produced for the state all the evidence prohibiting the location of a landfill in the area. The<br />

documentary reveals the untrustworthy attitude towards the community adopted by<br />

governments over the last 15 years and presents the people of Keratea’s methodical and<br />

determined stand.<br />

Running time: 57΄<br />

Year of production: 2010<br />

293<br />

GREECE<br />

OVR<strong>IO</strong>KASTRO KERATEAS<br />

Christos Akridas<br />

Production Contact Person: Michalis Lykoudis<br />

Athens 175 61, Greece<br />

T. +30 6979 981 284<br />

lykoudim@otenet<br />

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Lifestyles<br />

PACKAG<strong>IN</strong>G<br />

Antoine Laguerre<br />

Packaging was born during the Industrial Revolution in the 19th century. Today it has become<br />

an instrument of communication. Now, to buy “good”, you have to buy “beautiful”.<br />

From Paris to New York, this documentary shows designers who explain how packaging<br />

now acts as a promise of quality of the product in our modern society.<br />

Running time: 52΄<br />

Year of production: 2010<br />

329<br />

FRANCE<br />

Production Company: Injam Production<br />

Production Contact Person: Marc Andreani<br />

Sales Company: Wide House<br />

Sales Contact Person: Anais Clanet<br />

40, rue Saint Anne<br />

Paris 75002, France<br />

T. +33 1 5395 0464<br />

F. +33 1 5395 0465<br />

wide@widemanagement.com<br />

www.widemanagement.com<br />

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P<br />

Art, Music & Culture<br />

THE PA<strong>IN</strong>TER SAM F RANCIS –<br />

A PORTRAIT OF AN ARTISTE<br />

Jeffrey Perkins<br />

Forty years in the making, The Painter Sam Francis is artist Jeffrey Perkins’ lyrical and intimate<br />

portrait of a friend, mentor, and leading light of American abstract art. The film retraces<br />

Francis’ life and career from his childhood in California to his artistic maturation in<br />

post-war Paris, his time spent in Japan, and his return to the United States. Hinging on an<br />

interview that Perkins conducted with Francis in 1973, as well as extended scenes of the<br />

artist at work in the studio, the film provides deep insight into a man for whom creativity<br />

was a powerful life-sustaining force. Interviews with friends, family, and fellow artists –<br />

including Ed Ruscha, James Turrell, Bruce Conner, Alfred Leslie, and others – illuminate a<br />

mysterious and complex personality, and its reflection in a body of work that is simultaneously<br />

diverse and singular. For Francis, art was a path to transcendence; for Perkins, Francis<br />

was art. The Painter Sam Francis is a labor of love, a moving portrait of a man, and a<br />

tribute to the power of art.<br />

Running time: 85΄<br />

Year of production: 2009<br />

Production Company: Body & Soul Productions<br />

Sales Company: 10 Francs<br />

Sales Contact Person: Guy Knafo<br />

28, rue de l’Equerre<br />

75019 Paris, France<br />

T. + 33 1 4874 4377<br />

F. + 33 1 4874 8265<br />

10francs@10francs.fr<br />

www.10francs.fr<br />

394<br />

575<br />

USA<br />

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Current Affairs<br />

THE PALACE<br />

Ioannis Roumeliotis<br />

Six men from Pakistan live and work cut off from society for the past seven years on a deserted,<br />

rocky island in Greece. They are working on a fish farm and are waiting for the moment<br />

when they will have collected the money they need, so that they and their families<br />

can have a better life back home. The Palace is the metaphorical meaning of the dream,<br />

the time spent realizing it. The poetical recording of time, of images, of sounds and objects,<br />

behaviors and situations as they occurred.<br />

Running time: 80΄<br />

Year of production: 2010<br />

208<br />

GREECE - GERMANY<br />

Production Contact Person: Ioannis Roumeliotis<br />

Sales Contact Person: Ioannis Roumeliotis<br />

67, Kottbusser Damm<br />

Berlin 10967, Germany<br />

T. +49 30 5595 8780<br />

zariinberlin@yahoo.gr<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 395<br />

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P<br />

Current Affairs<br />

PAL<strong>IN</strong>DROME<br />

Roger Villarroya<br />

When we depend on the others.<br />

Running time: 4΄<br />

Year of production: 2010<br />

Production Company: Mailuki Films<br />

Production Contact Person: Eduardo M. Escribano<br />

Sales Contact Person: Eduardo M. Escribano<br />

4 Villarias St, 3A<br />

Bilbao, Spain<br />

T. +34 650 761 484<br />

escribanosolera@mac.com<br />

396<br />

172<br />

SPA<strong>IN</strong><br />

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History & Politics<br />

An atypical figure in Belgium and in the Congo. He was the first Congolese to have pursued<br />

advanced studies in Belgium in the 20th century. Appointed agricultural agent, he<br />

returned to the Congo as the first black Belgian civil servant. He suffered from exclusion<br />

and renounced his career. A volunteer in 1914, he was taken prisoner and spent his captivity<br />

in Germany. After the war, he devoted his energy to promoting equality between<br />

whites and blacks.<br />

Running time: 55΄<br />

Year of production: 2010<br />

558<br />

BELGIUM<br />

PANDA FARNANA.<br />

AN UNSETTL<strong>IN</strong>G CONGOLESE<br />

Françoise Levy<br />

Production Company: Memento Production<br />

Production Contact Person: Françoise Levy<br />

Sales Company: Ventes-CBA/WIP Sales<br />

Sales Contact Person: Thierry Detaille<br />

Wallonie Image Production<br />

Quai des Ardennes<br />

Liège 16 4020, Belgium<br />

T. +32 477 617 170<br />

F. +32 4 340 1041<br />

ventes-cbawip-sales@skynet.be<br />

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P<br />

Current Affairs<br />

PARADISE HOTEL<br />

Sophia Tzavella<br />

The young Demir dreams of a wedding. But his Roma tower block on the outskirts of a<br />

provincial town in Bulgaria is no place for romance. Twenty-five years ago it had all it took<br />

to be considered a socialist heaven: from parquet floors to intercom, an exemplary central<br />

hot water system, street lamps, benches where one could sit and listen to the rustling apple<br />

trees. Someone called the place Paradise Hotel – and the name stuck. But as time went<br />

by, the building changed. The parquet disappeared. The water was cut off. The lights<br />

went out. But each of its 1,500 residents has a plan of getting back the dream of Paradise<br />

Lost. And if you cross the field behind the Paradise Hotel, where heaven and earth meet,<br />

you will see Bozhidar “the God Given”, who protects everyone from evil and excessive happiness,<br />

in a documentary about social integration, love, poverty, countless dreams, some<br />

song lyrics and one gypsy wedding.<br />

Running time: 54΄<br />

Year of production: 2010<br />

Production Company: Agitprop Ltd.<br />

Production Contact Person: Martichka Bozhilova<br />

Sales Contact Person: Martichka Bozhilova<br />

68, Budapest str., ap.1<br />

Sofia 1202, Bulgaria<br />

T. +359 888 579 959<br />

F. +359 298 319 29<br />

producer@agitprop.bg<br />

398<br />

151<br />

BULGARIA<br />

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Current Affairs<br />

PEACE<br />

Kazuhiro Soda<br />

What is peace? What is coexistence? And what are the bases for them?<br />

Peace is a visual-essay-like observational documentary, which contemplates these<br />

questions by observing the daily lives of people and cats in Okayama city, Japan, where<br />

life and death, acceptance and rejection are intermingled.<br />

Three people and stray cats are the main characters.<br />

Toshio Kashiwagi runs an affordable taxi service for the disabled and the elderly, having<br />

retired as a principal at a special school. Meanwhile, he feeds a group of stray cats everyday.<br />

However, there is a growing tension in the cats’ peaceful community because a male<br />

“thief cat,” an outsider, is trying to invade it. Toshio’s wife, Hiroko Kashiwagi, runs a nonprofit<br />

organization, which sends home helpers to houses of the elderly and the disabled.<br />

But her organization is facing financial difficulties because of budget cuts from the government.<br />

At home, she has been grumbling about the way Toshio feeds his cats...<br />

Running time: 75΄<br />

Year of production: 2010<br />

442<br />

JAPAN - USA - SOUTH KOREA<br />

Prosuction Company: Laboratory X<br />

Sales Company: Laboratory X, inc.<br />

Sales Contact Person: Kiyoko Kashiwagi<br />

25-90, 35th Street #4H<br />

Astoria NY 11103 USA<br />

T. +1 917 586 8620<br />

kiyoko@laboratoryx.us<br />

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P<br />

History & Politics<br />

THE PEASANT AND THE PRIEST<br />

Esther Podemski<br />

The Peasant and the Priest tells the story of two Italian men in their eighties whose ways<br />

of life have survived from medieval Italy to the present. Sergio, a Tuscan sharecropper, uses<br />

ancient farming methods that have become overshadowed by corporate agriculture. Father<br />

Oreste fights the tide of sexual slavery, which grows each day as more and more<br />

women from Africa and Europe are forced into prostitution in Italy. Each man tries to make<br />

his contribution to a globalized world that moves relentlessly and carelessly forward.<br />

Podemski’s film offers a re-reading of this much-loved region, a landscape shaped and continually<br />

transformed by co-existing extremes of human labor, cultivation, and exploitation.<br />

The point of departure for exploring these parallel lives is a 14th-century fresco, The Allegory<br />

of Good and Bad Government, by Ambrogio Lorenzetti. The mural tells a timeless, cautionary<br />

tale of the struggles necessary to establish and maintain social justice.<br />

Running time: 47΄<br />

Year of production: 2010<br />

Production Company: Always at Sea Productions<br />

Production Contact Person: Esther Podemski<br />

Sales Company: Always at Sea Productions<br />

Sales Contact Person: Esther Podemski<br />

128 St Marks Avenue, #2<br />

Brooklyn NY 11217 USA<br />

T. +1 718 857 8375<br />

F. +1 718 753 8789<br />

epodemski@verizon.net<br />

400<br />

112<br />

ITALY - USA<br />

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Current Affairs<br />

PELICAN’S WATCH<br />

Lea Binzer<br />

A small community on the island of Santorini has a unique duty: that of preserving the tradition<br />

of vine growing. We follow two vine growers and one wine maker, during a year of<br />

work in the vineyards and the winery. Nikos Pelekanos, Christos Dalmiras and Paris Sigalas<br />

are facing issues, due not only to the current financial climate: the Santorini vineyard may<br />

be the oldest in Europe, but it is threatened with extinction, compromised by the more profitable<br />

and ever-growing activity of construction and tourism. In the end, and despite all<br />

obstacles, the community achieves a harmonious coexistence through a commonly shared<br />

reality: that of vine growing and wine drinking.<br />

Running time: 67΄<br />

Year of production: 2011<br />

251<br />

GREECE<br />

Production Company: studioCrocus<br />

Production Contact Person: Lea Binzer<br />

Sales Company: studioCrocus<br />

Sales Contact Person: Lea Binzer & Nico Manessis<br />

P.O. Box 163, Emporeio<br />

Santorini 84 703, Greece<br />

T. +30 22860 83194<br />

lea@studiocrocus.com<br />

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P<br />

Art, Music & Culture<br />

PEOPLE I COULD<br />

HAVE BEEN AND MAYBE AM<br />

Boris Gerrets<br />

What would it be like, to enter into the life of a complete stranger? People I Could Have Been<br />

and Maybe Am evolved from two chance encounters in the streets of London. Its protagonists<br />

are Sandrine, an attractive young woman from Brazil on a mission to find a husband,<br />

Steve, a seasoned beggar, whose life is a continuous struggle with drug addiction, and Precious,<br />

a poet who became Steve’s girlfriend. The stories of these three characters emerge from<br />

the coarse anonymity of the city, and were shot entirely on a mobile phone camera. The filmmaker<br />

mostly remains off screen while he struggles to determine his own role between observer<br />

and participant. Originally begun as a documentary project, the film soon developed<br />

its own distinct dynamic where the confines between fact and fiction became blurred.<br />

Questions arise. Questions about the relationship between filmed and filmmaker and about<br />

real and imagined realities. There is a paradoxical sense of failure: the closer he gets to his subjects,<br />

the more the obstruction of his camera seemed to distance him from them. Yet ultimately,<br />

and perhaps unexpectedly, People... reveals a personal, humane and fragile space that<br />

only came into existence precisely because it had been filmed.<br />

Running time: 53΄<br />

Year of production: 2010<br />

Production Company: Pieter van Huystee Film & Pippacine<br />

Production Contact Person: Pieter van Huystee<br />

Sales Company: Taskovski Films<br />

Sales Contact Person: Manuela Buono<br />

463 Russell Court, Wobum Place<br />

London WC1H 0NL, UK<br />

T. +3934 7627 3390, +3876 5906 583<br />

festivals@taskovskifilms.com<br />

www.taskovskifilms.com<br />

402<br />

514<br />

THE NETHERLANDS<br />

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Art, Music & Culture<br />

PERA BEAUTY<br />

Soner Sevgili<br />

Pera Beauty is a documentary inspired from a story of two women, Laterna and Nilüfer<br />

Saltık. Laterna is a coy lady bearing pictures of beautiful ladies on her chest. After hearing<br />

Laterna’s voice once, Nilüfer bonded with her insolubly, and took her back to her homeland.<br />

This film documents the resurrection and reintroduction of the laterna, a mechanical<br />

barrel piano that was once a common sight in Istanbul. Even though the laterna was<br />

born in Europe, it had its golden age in Istanbul between 1850 and 1950, becoming an<br />

indispensable element at the celebrations of the city’s Greek community. With the advent<br />

of the gramophone and the radio, the popularity of this fascinating instrument waned, and<br />

as the last craftsmen died, it seemed destined to disappear forever. Ηalf a century later,<br />

Nilüfer Saltık meets Greek piano maker Panos Ioannidis and he agrees to build the first new<br />

laterna. Its name was to be “Pera Beauty”. Through a series of street performances and<br />

recordings, the laterna has been given a new lease on life.<br />

Running time: 53΄<br />

Year of production: 2010<br />

170<br />

TURKEY<br />

Production Company: Z. Muzik<br />

Production Contact Person: Nilufer Saltik<br />

IMC 6, Block 6609, Unkapani<br />

Istanbul, Turkey<br />

T. +90 21 2512 6673<br />

F. +90 21 2528 1134<br />

saltik@gmail.com<br />

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P<br />

PERFORMANCE<br />

Nikos Alevras<br />

The Small Experimental Theater Group of Penteli, Athens, and its Special Education Workshop<br />

Margarita, put on a theater play inspired by the Japanese fairy tale The Maiden with<br />

the Wooden Bowl. While shooting the rehearsals, the efforts of the children and the performance<br />

itself, we came to realize once more that the independence, the autonomy and<br />

finally the uniqueness that we all nurture, bears the authenticity that leads us to the Truth,<br />

aiming at Harmony and Happiness...<br />

Running time: 25΄<br />

Year of production: 2004<br />

Production Company: Panos Kekas<br />

Sales Contact Person: Panos Kekas<br />

13 Tassopoulou St<br />

Agia Paraskevi 153 42, Greece<br />

T. 210 639 4933<br />

panfilm@otenet.gr<br />

404<br />

621<br />

GREECE<br />

“How I Am: Challenging Perceptions”<br />

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Current Affairs<br />

It is the last days of the summer holidays. A grandfather, who works in the Bieszczady<br />

Mountains, awaits the arrival of his grandson. Surrounded by wild nature they try to reach<br />

an understanding of each other. The camera keenly observes, with a slow and subtle pace,<br />

their developing relationship to one another and to the world that envelops them.<br />

Running time: 24΄<br />

Year of production: 2010<br />

522<br />

POLAND<br />

A PIECE OF SUMMER<br />

Marta Minorowicz<br />

Production Company: Studio Munka – Polish Filmmakers Association,<br />

Film Studio Krkonika, TVP S.A.<br />

Production Contact Person: Liwia Madzik<br />

Sales Company: Krakow Film Foundation<br />

Sales Contact Person: Katarzyna Wilk<br />

Basztowa 15/8a<br />

Krakow 31-143, Poland<br />

T. +48 12 294 6945<br />

katarzyna@kff.com.pl<br />

www.kff.com.pl<br />

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P<br />

Art, Music & Culture<br />

P<strong>IN</strong>K SARIS<br />

Kim Longinotto<br />

At the heart of Pink Saris are the four young women who we meet when they come to<br />

Sampat for help. They are all at a great crisis in their lives and see Sampat as their last hope.<br />

We watch their stories unfold; we know they are stories which are being played out<br />

countless times across India. Change is a subtle, shifting thing. It needs people like Sampat<br />

to stand out and defy superstition and tradition. But it happens in countless other, often<br />

hidden, ways: in families, in villages, in cities all over the world. Pink Saris is a reflection<br />

of that longing for change.<br />

Running time: 96΄<br />

Year of production: 2010<br />

Production Company: Vixen Films<br />

Production Contact Person: Kim Longinotto<br />

Sales Company: Vixen Films<br />

Sales Contact Person: Kim Longinotto<br />

26 Balfour Road,<br />

London N5 2HE, UK<br />

T. +44 207 359 7368<br />

F. +44 207 226 7874<br />

tg@tgraham.demon.co.uk<br />

406<br />

122<br />

UK - <strong>IN</strong>DIA<br />

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Environment & Wildlife<br />

THE PIPE<br />

Risteard O Domhnaill<br />

A village on the magnificent coast of Ireland is attacked by the Shell oil company. They want<br />

to build a gas pipe through their community.<br />

The village fights back. This is their story.<br />

A compelling, challenging, provocative, first-rate film over 4 years in the making. (Reviews<br />

in Screen, Variety, and TimeOut.)<br />

Running time: 60΄ & 83΄<br />

Year of production: 2010<br />

144<br />

IRELAND<br />

Production Company: Scannain Inbhear<br />

Production Contact Person: Risteard O Domhnaill<br />

Sales Company: Autlook Filmsales GmbH<br />

Sales Contact Person: Andrea Hock<br />

Trappelgasse 4/17<br />

Vienna 1040, Austria<br />

T. +43 720 346 934<br />

andrea@autlookfilms.com<br />

www.autlookfilms.com<br />

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P<br />

Current Affairs<br />

PIT NO. 8<br />

Marianna Kaat<br />

In the heart of a once thriving Ukrainian coal-mining region everybody digs – retirees, unemployed<br />

miners and even the children. Years ago, the town’s desperate residents decided<br />

to start mining illegally; they excavate everywhere. The story focuses on the Sikanov<br />

family, which has three children. Fifteen-year-old Yura, the grandson of a powerful Soviet<br />

plant director, is the head of the family working as a miner in the illegal pit. More than anything,<br />

Yura wants to run his own cafe somewhere far from home, but the responsibility for<br />

his two sisters and the looming economic crisis pushes his dreams into the distant future.<br />

Running time: 95΄<br />

Year of production: 2010<br />

Production Company: Baltic Film Production & Interfilm Production Studio<br />

Production Contact Person: Marianna Kaat<br />

Sales Company: Deckert Distribution GmbH<br />

Sales Contact Person: Heino Deckert<br />

Marienplatz 1<br />

Leipzig 04103, Germany<br />

T. +49 341 215 6638<br />

F. +49 341 215 6639<br />

info@deckert-distribution.com<br />

www.deckert-distribution.com<br />

408<br />

359<br />

ESTONIA - UKRA<strong>IN</strong>E<br />

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Art, Music & Culture<br />

The Galata bridge in Istanbul is a cosmos of its own. Between shops, restaurants and tourists<br />

we meet people for whom the bridge is home, hope and their purpose in life. There is<br />

restaurant owner Kemal; Gaffur and Erkan, who work in the kitchen at the restaurant next<br />

door; the paper collectors Bayram and Erdogan; Sadiye, who there to fish since her husband<br />

died; and Ömer, the director and secret king of the bridge. Florian Thalhofer has been<br />

engaged with non-linear storytelling for more than a decade. For this cross-media project<br />

on the microcosm of Istanbul’s Galata bridge, he teamed up with Turkish filmmaker<br />

Berke Baş.<br />

Running time: 58΄<br />

Year of production: 2010<br />

441<br />

GERMANY<br />

PLANET GALATA –<br />

A BRIDGE <strong>IN</strong> ISTANBUL<br />

Florian Thalhofer & Berke Baş<br />

Production Company: Kloos & Co. Medien GmbH<br />

Production Contact Person: Stefan Kloos<br />

Sales Company: Rise and Shine World Sales<br />

Sales Contact Person: Diana Karklin<br />

Schlesische Str. 29/30<br />

Berlin 10997, Germany<br />

T. +49 30 4737 2980<br />

F. +49 30 4737 298 20<br />

diana.karklin@riseandshine-berlin.de<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 409<br />

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P<br />

Current Affairs<br />

PLANET KIRSAN<br />

Magdalena Pieta<br />

Thirteen-year-old Alehan and his brother Amir spend several hours everyday hunched over<br />

a chessboard. It’s Alehan’s biggest dream to become the next World Chess Champion. The<br />

first step on the way to becoming a grandmaster is a tournament in Chess-City. The<br />

event. Full of young players, it allows us to see the actors and creators while also exposing<br />

the mechanisms behind the Kalmykian chess fairytale. For Alehan it’s a chance to examine<br />

his dreams more closely. Ilyumzhinov’s revolution was supposed to transform the<br />

whole republic, but can it even change the life of just one small boy?<br />

Running time: 52΄<br />

Year of production: 2010<br />

Production Company: Eureka Media<br />

Production Contact Person: Krzysztof Kopczynski<br />

Sales Company: Krakow Film Foundation<br />

Sales Contact Person: Katarzyna Wilk<br />

Basztowa 15/8a<br />

Krakow 31-143, Poland<br />

T. +48 12 294 6945<br />

katarzyna@kff.com.pl<br />

www.kff.com.pl<br />

410<br />

527<br />

POLAND<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Adventure & Travel<br />

In the middle of the Pacific, the Polynesian islands are scattered throughout a huge triangle,<br />

the 3 points of which are Hawaii, the Easter Islands and New Zealand. These islands<br />

are inhabited by a single people, the Polynesians. Where did they come from? From South<br />

America – or from Asia? How could people without maps or compass colonize this vast<br />

ocean? This mystery has always fascinated travelers. In the 20th century, many sailors and<br />

scientists of every nationality set off to solve the enigma: Eric de Bisschop, Francis Cowan,<br />

David Lewis, James Siers...<br />

Running time: 53΄<br />

Year of production: 2009<br />

371<br />

FRANCE<br />

POLYNESIAN ODYSSEY<br />

Olivier Comte<br />

Production Company: Point du Jour<br />

Production Contact Person: Doris Weitzel<br />

Sales Company: Point du Jour International<br />

Sales Contact Person: Doris Weitzel<br />

23 rue de Cronstadt<br />

Paris 75015, France<br />

T. +33 1 7544 8080<br />

F. +33 1 4531 1305<br />

d.weitzel@pointdujour.fr<br />

www.pointdujour-international.fr<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 411<br />

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P<br />

Lifestyles<br />

PORTRAIT OF A MAN<br />

Visa Koiso-Kanttila<br />

Portrait of a Man is a rough but beautiful documentary film about the crisis of a man in<br />

his forties and his desire for a better life; its a story of parenthood, alcohol, a Finnish man<br />

and his desire for love. Portrait of a Man is also an unusually intimate depiction of the relationship<br />

between the father and his son. Despite the seriousness of the topic, Portrait of<br />

a Man includes black humor and situational comedy.<br />

Portrait of a Man is the final film of Visa Koiso-Kanttila’s manhood trilogy (Father to Son<br />

[2004] and A Winter’s Journey [2007]).<br />

Running time: 81΄<br />

Year of production: 2010<br />

Production Company: Guerilla Films<br />

Production Contact Person: Iiris Härmä<br />

Sales Company: Deckert Distribution GmbH<br />

Sales Contact Person: Heino Deckert<br />

Marienplatz 1<br />

Leipzig 04103, Germany<br />

T. +49 341 215 6638<br />

F. +49 341 215 6639<br />

info@deckert-distribution.com<br />

www.deckert-distribution.com<br />

412<br />

123<br />

F<strong>IN</strong>LAND<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Art, Music & Culture<br />

1992. Manolo and Lalo, obsessed with the terror cult-film Alucarda, which they say is a<br />

representation of their lives, try in vain to get a copy. Dutring their search, they find the film’s<br />

director, Juan Lopez Moctezuma, in a mental hospital suffering from amnesia. They kidnap<br />

him for three days. They show him his films and take him to the filming locations. Thus<br />

he regains his memory. To repay them, he makes them the heirs of his work.<br />

Running time: 85΄<br />

Year of production: 2011<br />

320<br />

MEXICO<br />

PORTRAIT OF A VAMPIRE<br />

Ulises Guzmán<br />

Production Company: Fondo para la Producción Cinematográfica de<br />

Calidad (Foprocine)<br />

Sales Company: Instituto Mexicano de Cinematografía (Imcine)<br />

Sales Contact Person: Pablo Briseño<br />

Insurgentes Sur #674 del Valle<br />

Mexico City 03100, Mexico<br />

T.-F +52 55 5448 5345<br />

mercaint@imcine.gob.mx<br />

www.imcine.gob.mx<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 413<br />

P


P<br />

Current Affairs<br />

POSIT<strong>IO</strong>N AMONG THE STARS<br />

Leonard Retel Helmrich<br />

For tweleve years, filmmaker Leonard Retel Helmrich has followed an Indonesian family<br />

from the slums of Jakarta. Just as in his previous two multiple award-winning documentaries<br />

The Eye of the Day and The Shape of the Moon, in Position among the Stars, Retel continues<br />

to show us the underlying patterns of life in Indonesia. He presents this both literally<br />

and metaphorically with his revolutionary camera work. His intimate access to the<br />

Indonesian Sjamsuddin family provides viewers with a microcosm depicting the most important<br />

issues of life in Indonesia today: corruption, conflict between religions, gambling<br />

addiction, the generation gap, and the growing difference between poor and rich. One does<br />

not have to have seen Retel’s previous films to fully enjoy Position among the Stars.<br />

Running time: 109΄<br />

Year of production: 2010<br />

Production Company: Scarabee Films<br />

Production Contact Person: Hetty Naaijkens & Retel Helmrich<br />

Sales Company: Films Transit International<br />

Sales Contact Person: Jan Röfekamp<br />

252 Gouin Boulevard East<br />

Montreal/Quebec H3L 1A8, Canada<br />

T. +1 514 844 3358<br />

F. +1 514 844 7298<br />

jan@filmstransit.com<br />

www.filmstransit.com<br />

414<br />

160<br />

THE NETHERLANDS - <strong>IN</strong>DONESIA<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Praying with Lior introduces Lior Liebling, also called “the little rebbe”. Lior has Down syndrome<br />

and has spent his entire life praying with utter abandon. Is he a “spiritual genius”<br />

as many around him say? Or simply the vessel that contains everyone’s unfulfilled wishes<br />

and expectations? Lior – whose name means “my light” – lost his mother at age six, and<br />

her words and spirit hover over the film. While everyone agrees Lior is closer to God, he’s<br />

also a burden, a best friend, an inspiration, and an embarrassment, depending on which<br />

family member is speaking. As Lior approaches Bar Mitzvah, the Jewish coming-of-age<br />

ceremony, different characters provide a window into life spent “praying with Lior”. The<br />

movie poses difficult questions such as what is “disability” and who really talks to God?<br />

Running time: 58΄<br />

Year of production: 2007<br />

620<br />

USA<br />

“How I Am: Challenging Perceptions”<br />

PRAY<strong>IN</strong>G WITH L<strong>IO</strong>R<br />

Ilana Trachtman<br />

Production Company: Ruby Pictures, Inc.<br />

Production Contact Person: Ilana Trachtman<br />

Sales Company: Smiley Film Sales<br />

Sales Contact Person: Ewa Bigio, Go Eun Yoon<br />

PO Box 90943 AMSC<br />

Auckland 1011, New Zealand<br />

T. +64 9 360 0325<br />

F. +64 9 360 0163<br />

bigio@smileyfilmsales.com<br />

sales@smileyfilmsales.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 415<br />

P


P<br />

History & Politics<br />

PREC<strong>IO</strong>US LIFE<br />

Shlomi Eldar<br />

A Palestinian woman, unable to treat her baby in Gaza, is struggling to save his life after<br />

loosing two other children to the same genetic defect. As a last resort, she sets out to get<br />

treatment in an Israeli hospital. There, she meets Dr Somech who immediately joins her<br />

campaign; the boy could be saved. To raise the money required, he brings aboard a journalist<br />

who airs a piece on Israeli TV and raises the full amount within hours. The mother,<br />

doctor and journalist are now bound together in what soon develops into a suspenseful<br />

saga in the race to save one child’s life against the backdrop of the conflict in Gaza.<br />

Running time: 86΄<br />

Year of production: 2010<br />

Production Company: Bleiberg Entertainment<br />

Sales Company: Cinephil<br />

Sales Contact Person: Philippa Kowarsky<br />

18 Levontin St.<br />

Tel Aviv 65112, Israel<br />

T. +972 3 566 4129<br />

F. +972 3 560 1436<br />

info@cinephil.co.il<br />

www.cinephil.co.il<br />

416<br />

401<br />

ISRAEL<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Current Affairs<br />

The island lies in Oslofjord, Norway. 115 men are imprisoned there: bank robbers, drug<br />

dealers, sex criminals, Hell’s Angels, fraudsters, gang leaders and murderers. Mostly serving<br />

long terms. On the island there are no cells, no cameras, no fences. The guards don’t<br />

carry weapons while the prisoners work with chainsaws and kitchen knives. It’s only a twohour<br />

swim to the mainland and yet no one goes for it.<br />

Running time: 55΄<br />

Year of production: 2010<br />

548<br />

THE NETHERLANDS<br />

PRISON ISLAND BASTØY<br />

Michel Kapteijns<br />

Production Company: DNU Film<br />

Production Contact Person: Rolf Orthel<br />

Sales Company: First Hand Films<br />

Sales Contact Person: Gitte Hansen<br />

Fritz Heeb-Weg 5<br />

Zürich 8050, Switzerland<br />

T. +41 44 312 2060<br />

F. +41 44 312 2080<br />

info@firsthandfilms.com<br />

www.firsthandfilms.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 417<br />

P


P<br />

Current Affairs<br />

PROGRAMM<strong>IN</strong>G THE NAT<strong>IO</strong>N<br />

Jeff Warrick<br />

Programming the Nation is a feature documentary about the history of subliminal messaging<br />

in America. According to many authorities, since the late 1950s subliminal content<br />

has been delivered through all forms of mass media. The modern military has even been<br />

accused of these practices in the War on Terror. Director Jeff Warrick leads this journey<br />

through the subconscious mind while examining the reported history, scientific research<br />

and potential effects of such techniques on society. With eye-opening footage, revealing<br />

interviews, humorous anecdotes, and an array of visual effects, this fast-paced film explores<br />

the alleged use of subliminals in advertising, music, film, political propaganda and the military.<br />

It takes in the entire history of alleged subliminal messages, from hidden sexual imagery<br />

in Disney cartoons and satanic messages in rock music, to the James Vicary experiment<br />

where “drink coca-cola” was flashed between frames at a cinema, and the infamous<br />

Republican “RATS” campaign that won Bush the presidency. Warrick makes it his mission<br />

to determine if these manipulative tactics have succeeded in programming the nation, or<br />

if subliminal programming belongs in the category of what many consider an urban legend.<br />

Now, you be the judge.<br />

Running time: 2 X 52΄<br />

Year of production: 2010<br />

Production Company: Ignite Productions<br />

Sales Company: Sideways Film<br />

Sales Contact Person: Kazz Basma<br />

178 Stoke Newington High Street<br />

London N16 7JL, UK<br />

T. +44 788 147 3603<br />

kazz@sidewaysfilm.com<br />

www.sidewaysfilm.com<br />

418<br />

403<br />

USA<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Current Affairs<br />

THE PROSECUTOR<br />

Stevens Barry<br />

A fascinating story with extraordinary access, Prosecutor follows the Chief Prosecutor<br />

through the first trials of the newly formed International Criminal Court. Luis Moreno-<br />

Ocampo investigates and prosecutes some of the world’s worst criminals for some of the<br />

world’s worst crimes.<br />

He’s a hero to genocide survivors, but has bitter enemies on both the Right and the Left.<br />

Prosecutor offers front-row seats to the historic events that will determine whether the ICC<br />

is a groundbreaking new weapon for global justice<br />

or just an idealistic dream.<br />

Running time: 95΄<br />

Year of production: 2010<br />

153<br />

CANADA<br />

Production Company: White Pine & National Film Board οf Canada<br />

Sales Company: National Film Board of Canada<br />

Sales Contact Person: Christina Rogers<br />

3155 Cote-de-Liesse Rd.<br />

St-Laurent,<br />

Quebec H4N 2N4, Canada<br />

T. +1 514 496 4134<br />

distribution@nfb.ca<br />

www.nfb.ca<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 419<br />

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P<br />

History & Politics<br />

PROV<strong>IN</strong>CIAL CALENDAR<br />

Stergios Mountsakis<br />

The Provincial Calendar is made up of 12 images of the Greek provinces captured over one<br />

year – one for each month. It is a commentary on all that is changing, on the environment<br />

and on alternative proposals.<br />

Running time: 25΄<br />

Year of production: 2011<br />

Production Contact Person: Stergios Mountsakis<br />

Sales Contact Person: Stergios Mountsakis<br />

Xilagani 694 00 Greece<br />

T. +30 6979 289 316<br />

smountsakis@hotmail.com<br />

420<br />

196<br />

GREECE<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Lifestyles<br />

QUEST<br />

Ionut Piturescu<br />

Two characters, a carriage and a horse. Where are they going? Towards what? Joy, torment<br />

and indefinable music. Vulnerable, yet not ready to surrender. They are the poets of time.<br />

Running time: 30΄<br />

Year of production: 2010<br />

361<br />

ROMANIA<br />

Production Company: Aristoteles Workshop<br />

Production Contact Person: Ionut Piturescu<br />

Sos. Stefan cel Mare, nr. 1<br />

7000 Bucharest, Romania<br />

T. +40 746 240 090<br />

goionutgo@yahoo.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 421<br />

Q


Q<br />

Science & Technology<br />

A QUEST<strong>IO</strong>N OF CHOICE<br />

Karim Miské<br />

Each week at the Robert Debré Hospital in Paris (a renowned paediatric hospital), the medical<br />

staff has to grapple with fate: based on the results of a number of medical exams, they<br />

will have to decide whether a foetal handicap represents a “substantial risk” (“une particulière<br />

gravité”) which justifies a voluntary termination of pregnancy. An article of French<br />

law places them in a position to decide over life and death. The film follows three stories,<br />

three cases, each of them presenting a different challenge and requiring the most difficult<br />

of all decisions: to authorise or not an abortion. The film sheds light on a bio-ethical issue<br />

that raises debates in every country, since scientific progress allows for early detection of<br />

a variety of foetal handicaps. Because in the end, it is the parents who have to make the<br />

most difficult choice of their lives...<br />

Running time: 50΄<br />

Year of production: 2008<br />

Production Company: Point du Jour<br />

Production Contact Person: Doris Weitzel<br />

Sales Company: Point du Jour International<br />

Sales Contact Person: Doris Weitzel<br />

23 rue de Cronstadt<br />

75015 Paris, France<br />

T. +33 1 7544 8080<br />

F. +33 1 4531 1305<br />

d.weitzel@pointdujour.fr<br />

www.pointdujour-international.fr<br />

422<br />

379<br />

FRANCE<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Current Affairs<br />

RA<strong>IN</strong><strong>IN</strong>G <strong>IN</strong> BIL<strong>IN</strong><br />

Glafkos Economides<br />

In the village of Bilin, in the West Bank Occupied Palestinian Territories every Friday it rains.<br />

In the village of Bilin, every Friday after the morning mass a crowd of Palestinians, Israelis<br />

and Internationals demonstrate against the building of the illegal Israeli wall. In the village<br />

of Bilin every Friday it rains toxic tear gas and rubber bullets.<br />

Running time: 29΄<br />

Year of production: 2010<br />

195<br />

GREECE<br />

Production Company: Hellenic Visual Archives<br />

Production Contact Person: Kitsos Tripos<br />

Sales Company: Hellenic Visual Archives<br />

Sales Contact Person: Kitsos Tripos<br />

hellenicvisualarchives@gmail.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 423<br />

R


R<br />

Environment & Wildlife<br />

RA<strong>IN</strong>MAKERS: CH<strong>IN</strong>A’S WARR<strong>IO</strong>RS<br />

FOR THE ENVIRONMENT<br />

Floris-Jan Van Luyn<br />

Rainmkers is a shocking investigative documentary about the decline of China’s environment,<br />

told from the perspective of four civil activists who refuse to accept the ongoing ecological<br />

destruction of their homeland. On the border of heroism and insanity, these four<br />

diverse and remarkable Chinese explain why they have the courage to fight, against all<br />

odds, the narrow-minded and sometimes even aggressive local authorities.<br />

Running time: 52΄<br />

Year of production: 2010<br />

Production Company: Submarine BV<br />

Production Contact Person: Yaniv Wolf<br />

Sales Company: Films Transit International<br />

Sales Contact Person: Jan Röfekamp<br />

252 Gouin Boulevard East<br />

Montreal/Quebec H3L 1A8, Canada<br />

T. + 1 514 844 3358<br />

F. + 1 514 844 7298<br />

jan@filmstransit.com<br />

www.filmstransit.com<br />

424<br />

415<br />

THE NETHERLANDS<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Current Affairs<br />

RAW MATERIAL<br />

Christos Karakepelis<br />

The dreams of large steelworks for dirt-cheap scrap, Greece’s environmental obligations to<br />

the European Union, and the Western dream of an army of illegal immigrants come together<br />

in a string of shanty towns in the shadow of the Acropolis. Which of the three is trodden underfoot?<br />

Three Roma from Albania, two Indians, a Turk, one Greek and a boy among them<br />

are a mere sample of the endless army of desperados who recycle the metal of an entire nation.<br />

The heroes of Raw Material are raw material themselves, hunter-gatherers in the heart<br />

of a modern European capital city. The film documents their toil in the city streets, through<br />

the turning of the seasons and the frenetic cycles of global economy.<br />

Running time: 78΄<br />

Year of production: 2011<br />

254<br />

GREECE<br />

Production Company: CL Productions<br />

Production Contact Person: Zoe Lisgara<br />

Sales Company: CL Productions<br />

Sales Contact Person: Zoe Lisgara<br />

65 Vrilissou St<br />

Athens 114 76, Greece<br />

T. +30 210 641 2700 F. +30 210 641 2709<br />

papa_zoe@otenet.gr info@clproductions.gr<br />

Sales Company: Greek Film Center<br />

Sales Contact Person: Lina Manolopoulou<br />

7 Dion.Areopagitou str 11742, Athens, Greece<br />

T. +30 210 3678525 F. +30 210 3614336<br />

Lina.mano@gfc.gr<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 425<br />

R


R<br />

Current Affairs<br />

RAW OPIUM<br />

Peter Findlay<br />

Opium is a commodity that has tremendous power – both to ease pain and to destroy lives.<br />

For centuries, this flower has played, and continues to play, a pivotal role, not just in the<br />

lives of people who grow, manufacture and use it, but also in the increasingly tense<br />

sphere of international relations. Through the interconnected stories of Raw Opium, filmed<br />

in East and West, our assumptions about drug addiction and the War on Drugs are profoundly<br />

challenged.<br />

Running time: 80΄<br />

Year of production: 2010<br />

Production Company: Submarine BV<br />

Production Contact Person: Yaniv Wolf<br />

Sales Company: Films Transit International<br />

Sales Contact Person: Jan Röfekamp<br />

252 Gouin Boulevard East<br />

Montreal/Quebec H3L 1A8, Canada<br />

T. + 1 514 844 3358<br />

F. + 1 514 844 7298<br />

jan@filmstransit.com<br />

www.filmstransit.com<br />

426<br />

416<br />

CANADA<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Current Affairs<br />

Jamie Kastner (Kike Like Me) sets off on a black-comic road trip through California, Europe<br />

and Dubai, meeting those who manage to turn the world economic crisis into opportunity.<br />

The quirky cast, at times funny and absurd and at times heart-rending, ranges from kids<br />

at “Camp Millionaire”, to Berlin prostitutes offering eco-discounts, to the owners of a<br />

French hotel promising a “hamster-like” experience.<br />

The present-day journey is interwoven with the ironic tales of various financial solutions<br />

people resorted to during the 1930s Great Depression.<br />

A bittersweet tale, the film touches on the universal ironies of modern market-guided existence.<br />

Running time: 55΄<br />

Year of production: 2010<br />

158<br />

CANADA<br />

RECESS<strong>IO</strong>NIZE! FOR FUN AND PROFIT!<br />

Jamie Kastner<br />

Sales Company: Cinephil<br />

Sales Contact Person: Philippa Kowarsky<br />

18 Levontin St<br />

Tel Aviv 65112, Israel<br />

T. +972 3 566 4129<br />

F. +972 3 560 1436<br />

info@cinephil.co.il<br />

www.cinephil.co.il<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 427<br />

R


R<br />

Art, Music & Culture<br />

THE RED ARMY CHOIR –<br />

PALAIS DES FESTIVALS DE CANNES<br />

Thierry Wolf<br />

Discover the very successful French tour of The Red Army Choir in 2008. For this birthday<br />

tour, those amazing voices sang the most beautiful airs of the immortal Russia with – for<br />

the first time – female choirs (from the Air Force) !<br />

An unforgettable moment with more than 150,000 spectators applauding the famous<br />

band of the Ballet Chorus under the direction of Colonel Alexandre Drouzhinine.<br />

This exceptional film will let you discover or rediscover the show of The Red Army Choir,<br />

recorded in the beautiful theater of the Palais des Festivals in Cannes on March, 28th, 2008.<br />

Nearly 2 hours of agrandiose show that celebrates the triumph of the Red Army Choir reunited<br />

with bands of musicians, dancers, male and female chorus.<br />

Running time: 120΄<br />

Year of production: 2009<br />

Production Company: FGL Productions<br />

Sales Company: 10 Francs<br />

Sales Contact Person: Guy Knafo<br />

28, rue de l’Equerre<br />

Paris 75019, France<br />

T. +33 1 4874 4377<br />

F. +33 1 4874 8265<br />

10francs@10francs.fr<br />

www.10francs.fr<br />

428<br />

576<br />

FRANCE<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Art, Music & Culture<br />

A music journey from the 60s to the present day. A journey through the underground<br />

haunts of Exarhia, underground stages of Thessaloniki, secret schools of the provinces where<br />

for years Greek rock has been hiding. An appointment with today’s Mainstream Rock.<br />

A documentary that records the most powerful, the most seditious sound of the town, filming<br />

the Rock Fathers, the seminal musicians as well as the younger generation.<br />

Savopoulos, Mikroutsikos, Maheritsas, Thivaios and other vocalists talk about their career<br />

and the contradictory world of the rock movement.<br />

At the same time, children in youth hang-outs, in school bands, thinking up songs with<br />

music and lyrics on the canvas of their asymmetrical dreams and their unconventional lives.<br />

Rock sounds everywhere. In festivals, quarries, music stages. Ally for those kids, rock, by<br />

its nature, network that swept over the walls of entertainment industry.<br />

Running time: 52΄<br />

Year of production: 2010<br />

298<br />

GREECE - GERMANY<br />

RELFECT SOCIETY –<br />

ROCK<strong>IN</strong>G <strong>IN</strong> GREECE<br />

Yorgos Papatheodorou<br />

Production Company: The Art Factory & Hellenic Broadcasting Corp., ERT SA<br />

Sales Company: Hellenic Broadcasting Corp., ERT SA<br />

Sales Contact Person: Yannis Kollias<br />

432 Messoghion Ave<br />

Agia Paraskevi 153 42, Greece<br />

T. +30 210 607 5711<br />

F. +30 210 607 5715<br />

ykollias@ert.gr<br />

www.ert.gr<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 429<br />

R


R<br />

Current Affairs<br />

RELAT<strong>IO</strong>NSHIPS & CRISIS<br />

Prodromos Trochidis<br />

A research on relationships today affected by the global economic and social crisis.<br />

Real time shooting with a handycam as the protagonist is looking for answers by watching<br />

a couple breaking up and interviewing people looking for answers on what is different<br />

nowadays .<br />

Running time: 29΄<br />

Year of production: 2009<br />

Production Contact Person: Prodromos Trochidis<br />

Sales Contact Person: Prodromos Trochidis<br />

21 Irodotou St<br />

Athens 106 74, Greece<br />

T. +30 6943 074 130<br />

maktro@hotmail.com<br />

430<br />

263<br />

GREECE<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Art, Music & Culture<br />

RELIG<strong>IO</strong>US FEAST<br />

Yorgos Antoniou<br />

What has remained, nowadays, from the old, traditional, authentic, country feast of the<br />

past? To what extend are the nouveu riche aesthetic choices of the Modern Greeks for the<br />

“mass” feast, the electric sounds of popular folk songs, and the “famous names” of the entertainment<br />

hall, who tour the countryside every summer, related to genuine popular entertainment?<br />

Where do the populist, the spree, the exhibitionism, the kitsch, the motto “live<br />

it up or we are lost”, start and where do they end. The film tries, thoughtfully, to approach<br />

all these decadent phenomena of the alienated aesthetic look of the modern Greek,<br />

through many feats that took place last summer.<br />

Undoubtedly, they constitute the elements of the modern urban folklore.<br />

Running time: 46΄<br />

Year of production: 2011<br />

299<br />

GREECE<br />

Production Contact Person: Yorgos Antoniou<br />

Nafplio 211 00, Greece<br />

T. +30 6936 704 131<br />

giorg.antoniou@gmail.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 431<br />

R


R<br />

Current Affairs<br />

RESEARCH TODAY:<br />

ABOUT CHILDREN’S RIGHTS<br />

Laurence Scarbonchi<br />

Over 2 billion children in the world live in poverty. 275 million children are exposed to domestic<br />

violence. 246 million children are working, including 2 million in rich countries. 170<br />

million suffer from malnutrition. 130 million do not go to school. 40 million are born without<br />

being declared. 25 million orphans die in Africa because of AIDS. 2 million girls are circumcised.<br />

1 million children are on the sex market. 300,000 children are soldiers.<br />

Given this, there is the Convention on the Rights of the Child. It turned 20 in 2009 November<br />

the 20th.<br />

Why does it exist? How does it help kids to protect and enforce their rights?<br />

Why is it important for the future of mankind?<br />

Running time: 52΄<br />

Year of production: 2009<br />

Production Company: C Productions Chromatiques<br />

Sales Company: 10 Francs<br />

Sales Contact Person: Guy Knafo<br />

28, rue de l’Equerre<br />

Paris 75019, France<br />

T. +33 1 4874 4377<br />

F. +33 1 4874 8265<br />

10francs@10francs.fr<br />

www.10francs.fr<br />

432<br />

561<br />

FRANCE<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Science & Technology<br />

Disability is not just a state of birth. Each of us can be a victim. It is not a personal attribute,<br />

it is situational.<br />

In this film, specialists lead research to improve the autonomy of persons with disabilities.<br />

Technological, sociological and political speeches are present in the film, between high tech<br />

and human.<br />

Running time: 52΄<br />

Year of production: 2009<br />

568<br />

FRANCE<br />

RESEARCH TODAY:<br />

DISABILITIES – AUTONOMY<br />

Anne Guicherd<br />

Production Company: C Productions Chromatiques<br />

Sales Company: 10 Francs<br />

Sales Contact Person: Guy Knafo<br />

28, rue de l’Equerre<br />

Paris 75019, France<br />

T. +33 1 4874 4377<br />

F. +33 1 4874 8265<br />

10francs@10francs.fr<br />

www.10francs.fr<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 433<br />

R


R<br />

Sports<br />

RESEARCH TODAY: SPORT AND HEALTH<br />

François-Xavier Busnel<br />

Disease prevention, preservation of youth, it allows quality for optimal life. Sport is<br />

healthy. It now occupies an important place in schools and its practice attracts all generations.<br />

In a society where race performance doesn’t stop, what about doping? Is doping dangerous<br />

for your health? What other techniques exist to improve performance?<br />

Today, new coaching techniques are used by athletes. The highest technology takes place<br />

in sports halls, to accurately assess the skills and abilities of muscular athletes.<br />

But between high tech and personal challenge, sport remains primarily a pleasure for the<br />

body and the mind.<br />

Running time: 52΄<br />

Year of production: 2009<br />

Production Company: C Productions Chromatiques<br />

Sales Company: 10 Francs<br />

Sales Contact Person: Guy Knafo<br />

28, rue de l’Equerre<br />

Paris 75019, France<br />

T. +33 1 4874 4377<br />

F. +33 1 4874 8265<br />

10francs@10francs.fr<br />

www.10francs.fr<br />

434<br />

573<br />

FRANCE<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Science & Technology<br />

Human beings have an ever-growing need to produce and reproduce constantly objects,<br />

which are supposed to make life easier. Can you imagine a human without any of these<br />

objects in his everyday life? The ability to invent and create objects is characteristic of the<br />

human species. From the flint of our prehistoric ancestors to the modern computer, all in<br />

their scale have had, have and will affect our lives. Whether it is technological or symbolic<br />

objects, items are a medium between man and nature.<br />

Historians, anthropologists, philosophers and scientists are doing research on the consequences<br />

of technological progress, regarding the symbolic role of the object, its impact on<br />

human behavior and on our environment.<br />

But in the future do we have to focus on technologies?<br />

And where will it lead us to?<br />

Should we fear that the man is increasingly shaped by objects rather than the shape itself?<br />

Running time: 52΄<br />

Year of production: 2010<br />

577<br />

FRANCE<br />

RESEARCH TODAY:<br />

THESE ITEMS THAT SURROUND US<br />

Rafaël Gutiérrez<br />

Production Company: C Productions Chromatiques<br />

Sales Company: 10 Francs<br />

Sales Contact Person: Guy Knafo<br />

28, rue de l’Equerre<br />

Paris 75019, France<br />

T. +33 1 4874 4377<br />

F. +33 1 4874 8265<br />

10francs@10francs.fr<br />

www.10francs.fr<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 435<br />

R


R<br />

Current Affairs<br />

RESTREPO<br />

Tim Hetherington & Sebastian Junger<br />

One platoon. One valley. One year. Restrepo chronicles the one-year deployment of a platoon<br />

of American soldiers to one of the most dangerous outposts in Afghanistan.<br />

Running time: 93΄<br />

Year of production: 2009<br />

Production Company: Outpost Films<br />

Production Contact Person: Tim Hetherington & Sebastian Junger<br />

Sales Company: Goldcrest Films International<br />

Sales Contact Person: Penny Wolf<br />

65-66, Dean St<br />

London W1D 4PL, UK<br />

T. +44 207 437 8696<br />

F. +44 207 437 4448<br />

sales@goldcrestfilms.com<br />

436<br />

701<br />

USA<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


History & Politics<br />

REVOLUT<strong>IO</strong>N 101<br />

Doron Tsabari<br />

A journey into the real world of Israeli society and politics, Revolution 101 is not only a guide<br />

to the revolution but a film about film and its powerful essence. Combining both documentary<br />

and fictional material, this unique film outlines the path to change. The focus is<br />

on a film director and his producer and their struggle to restore the public in “public broadcasting”.<br />

Following the two protagonists over a period of seven years, we see their experience<br />

with corruption, inflexibility and deterioration against which they strive in their quest<br />

to guarantee a new law that will ensure well-managed public broadcasting. The two central<br />

characters share a strong and unshakable belief in the power of film – it is an almost<br />

religious belief that the revolution will indeed be televised.<br />

Running time: 85΄<br />

Year of production: 2010<br />

303<br />

ISRAEL<br />

Production Company: Guerilla Films<br />

Production Contact Person: Ori Inbar<br />

Sales Company: Ruth Diskin Films<br />

Sales Contact Person: Cara Saposnik<br />

5 Issachar Street<br />

Jerusalem 93629, Israel<br />

T. +972 2 672 4256<br />

F. +972 2 672 4210<br />

cara@ruthfilms.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 437<br />

R


R<br />

History & Politics<br />

RIVKA’S TRIBE<br />

Sabrina Van Tassel<br />

The Zalcbergs, a joyful, close and solid family are gathering in order to celebrate the Jewish<br />

New Year. Six siblings, living life to the fullest, recall their childhood spent during World<br />

War ΙΙ in France. Brought up in a Jewish family of Polish immigrants, the eldest brother is<br />

fifteen when his father is arrested by the French police and sent to Auschwitz. From then<br />

on, he has only one goal: save his entire family from death.<br />

The film tells the amazing story of a family which was united by mutual love and faith, and<br />

which today numbers over sixty people.<br />

Running time: 58΄<br />

Year of production: 2010<br />

Production Company: Injam Production<br />

Production Contact Person: Marc Andréani<br />

Sales Company: JMT Films Distribution<br />

Sales Contact Person: Michael Treves<br />

20 Bialik St<br />

Tel Aviv 63324, Israel<br />

T. +972 52 363 3398<br />

michael@jmtfilms.com<br />

www.jmtfilms.com/document.htm#rivkastribe<br />

438<br />

540<br />

FRANCE<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


History & Politics<br />

THE ROLE OF <strong>IN</strong>TELLECTUALS TODAY<br />

(A CONVERSAT<strong>IO</strong>N BETWEEN COSTAS DOUZ<strong>IN</strong>AS<br />

AND SLAVOJ ZIZEK)<br />

Yorgos Keramidiotis<br />

In Athens, below the Acropolis, London University Professor Costas Douzinas, and the<br />

philosopher Slavoj Žižek discuss the role of intellectuals today, in a world marked by economic,<br />

moral and cultural crisis and corruption.<br />

Running time: 60΄<br />

Year of production: 2010<br />

300<br />

GREECE<br />

Production Contact Person: Yorgos Keramidiotis<br />

5, Stefanou Tatti St<br />

Thessaloniki Greece<br />

T. +30 2310 278 710<br />

F. +30 2310 545 349<br />

georgekeramidiotis@yahoo.gr<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 439<br />

R


R<br />

Art, Music & Culture<br />

RONIT ELKABETZ –<br />

“STRANGER <strong>IN</strong> PARIS”<br />

Nir Bergman<br />

An intimate portrait of Israel’s cinematic diva who made an international career, first as an<br />

actress and then as an accomplished director.<br />

Running time: 50΄<br />

Year of production: 2010<br />

Sales Company: Cinephil<br />

Sales Contact Person: Philippa Kowarsky<br />

18 Levontin St<br />

Tel Aviv 65112, Israel<br />

T. +972 3 566 4129<br />

F. +972 3 560 1436<br />

info@cinephil.co.il<br />

www.cinephil.co.il<br />

440<br />

402<br />

ISRAEL<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Lifestyles<br />

A romantic documentary about love in a foreign city. Disillusioned by love, four Bulgarian<br />

guys who emigrated to Helsinki decide to give themselves a task: they need to find new<br />

girlfriends in Helsinki in 12 months. Otherwise – they figure – they won’t deal with Nordic<br />

ladies ever again.<br />

Running time: 56΄<br />

Year of production: 2010<br />

551<br />

F<strong>IN</strong>LAND - BULGARIA<br />

RULES OF S<strong>IN</strong>GLE LIFE<br />

Tonislav Hristov<br />

Production Company: Making Movies Oy<br />

Production Contact Person: Kaarle Aho<br />

Sales Company: First Hand Films<br />

Sales Contact Person: Gitte Hansen<br />

Fritz Heeb-Weg 5<br />

Zürich 8050, Switzerland<br />

T. +41 44 312 2060<br />

F. +41 44 312 2080<br />

info@firsthandfilms.com<br />

www.firsthandfilms.co<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 441<br />

R


History & Politics<br />

SALAAM ISFAHAN<br />

Sanaz Azari<br />

Isfahan, June 2009. In the street or in their home, Iranians have their picture taken by the<br />

director, revealing themselves. One question emerges: the spatial and moral limits of the<br />

regime's authority. The film portrays a society before, during and after elections, a short<br />

period of hope when change was taking shape.<br />

Running time: 59΄<br />

Year of production: 2010<br />

591<br />

BELGIUM<br />

Production Company: Entre Chien et Loup<br />

Production Contact Person: Sébastien Delloye<br />

Sales Company: Ventes-CBA/WIP Sales<br />

Sales Contact Person: Thierry Detaille<br />

Centre de l’Audiovisuel à Bruxelles<br />

19 F, avenue des Arts<br />

Brussels 1000, Belgium<br />

T. +32 477 617 170<br />

F. +32 2 227 2239<br />

ventes-cbawip-sales@skynet.be<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 443<br />

S


S<br />

Art, Music & Culture<br />

THE SAMBA WITH<strong>IN</strong> ME<br />

Georgia Guerra-Peixe<br />

The Samba within Me is a documentary set in the Mangueira Hill, Rio de Janeiro, during<br />

the pre-carnival period. The starting point is the Estação Primeira de Mangueira samba<br />

school, the place where the director Georgia Guerra-Peixe reencounters her own history.<br />

In the beginning of the documentary, she tells us what the carnival has always meant to<br />

her and to her family. From the school, she starts her way up the Hill, driven by her desire<br />

to go beyond the samba “If I could silence a Samba school...”. Beyond the school lies the<br />

samba of Georgia Guerra-Peixe, a samba that is a way of being, of living and, also, a way<br />

of singing and dancing.<br />

Running time: 72΄<br />

Year of production: 2010<br />

Production Company: BossaNovaFilms<br />

Production Contact Person: Paula Cosenza<br />

Sales Company: BossaNovaFilms<br />

Sales Contact Person: Paula Cosenza<br />

Rua das Tabocas, 170<br />

São Paulo 5445-020, Brazil<br />

T. +55 11 3811 2000<br />

F. +55 11 3811 2000<br />

pcosenza@bossanovafilms.com.br<br />

444<br />

177<br />

BRAZIL<br />

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Current Affairs<br />

SAMPLE RETURNS<br />

Sofia Touboura<br />

A modular documentary, a fragmentary and subjective portrait of urban isolation, alienation<br />

and decline in Greece, at the beginning of the 21st century. Three stories/moments<br />

are narrated visually through the personal view of the filmmaker, with detached sympathy<br />

towards the main subjects as well as with an ironic attitude towards the situation they<br />

find themselves in.<br />

(A sample return mission is a spacecraft mission with the goal of returning tangible samples<br />

from an extraterrestrial location to Earth for analysis.)<br />

Running time: 7΄<br />

Year of production: 2010<br />

253<br />

GREECE<br />

Production Company: OpenShowstudio<br />

Production Contact Person: Sofia Touboura<br />

14 Ag. Eleousis St<br />

Athens 10 504, Greece<br />

T. +30 6977 977 126<br />

os@openshowstudio.gr<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 445<br />

S


S<br />

History & Politics<br />

THE SARI SOLDIERS<br />

Julie Bridgham<br />

Nepal, in the aftermath of the massacre of the royal family, the ensuing deadly battle between<br />

the Royal Army and Maoists is largely told through the story of one woman’s search<br />

for her missing daughter. Filmed over three years during the most historic and pivotal time<br />

in Nepal’s modern history, The Sari Soldiers tells the extraordinary story of six very different<br />

women’s bold efforts to shape Nepal’s future.<br />

Running time: 68΄<br />

Year of production: 2010<br />

Production Company: Butter Lamp Productions<br />

Production Contact Person: Julie Bridgham<br />

Sales Company: Illumina Films<br />

Sales Contact Person: Robin Brinster<br />

Leidseatraat 106-IV<br />

Amsterdam 1017PG, The Netherlands<br />

T. +31 20 624 8395<br />

F. +31 20 330 8155<br />

robin@illuminafilms.nl<br />

446<br />

508<br />

USA<br />

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Adventure & Travel<br />

Satsang, Sitting by the Truth is the everyday life of people devoted to the search of themselves<br />

– yogis, monks, hermits and ascetics who live in the Himalaya Mountains and the<br />

jungle of India. They share their thoughts, their emotions, and their perception of the world.<br />

They answer the basic questions of human existence and they suggest ways for our own<br />

journey to our own truth.<br />

Running time: 40΄<br />

Year of production: 2011<br />

272<br />

GREECE<br />

SATSANG – SITT<strong>IN</strong>G BY THE TRUTH<br />

Marianna Astraka & George Fotiadis<br />

Production Company: Dangerous Productions<br />

Production Contact Person: Andreas Siadimas<br />

Sales Company: Dangerous Productions<br />

Sales Contact Person: Andreas Siadimas<br />

29 Kirikis St<br />

Thessaloniki 546 34, Greece<br />

T. +30 6944 973 009<br />

andreas@dangerousprods.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 447<br />

S


S<br />

Current Affairs<br />

SAV<strong>IN</strong>G EDWARDS<br />

Dagmar Smrzova<br />

For the purposes of this film, Edwards is a child; a long-awaited child of a loving couple,<br />

a child struck with a terrible and fatal mistake at conception. Edwards had an extra chromosome,<br />

one more than the exact number required for the development of a healthy baby.<br />

This flaw causes severe developmental disorders that cannot support life. The condition was<br />

first described by American medical scientist John Alexander Edwards, hence the name Edwards<br />

Syndrome. Considering modern prenatal diagnostics, it is very uncommon for such<br />

children to be born. In the majority of cases, the pregnancy is terminated. The parents of<br />

this child decided otherwise. The film follows the struggle of the parents to save a child<br />

who was buried by many, long before being born.<br />

Running time: 72΄<br />

Year of production: 2010<br />

Production Company: FEB<strong>IO</strong><br />

Production Contact Person: Fero Fenic<br />

Sales Company: HBO Czech Republic<br />

Sales Contact Person: Martina Santava<br />

Jankovcova 1037/49<br />

Prague 7, 170 00, Czech Republic<br />

T. +420 606 604 310<br />

F. +420 261 094 455<br />

martina.santava@hbo.cz<br />

448<br />

362<br />

CZECH REPUBLIC<br />

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Lifestyles<br />

SCARECROW<br />

Vassilis Economou<br />

“Mountainous Greece and its villages comprise one of the country’s landscapes still largely<br />

unexplored...”<br />

A journey in space and time in search of the few remaining scarecrows to be found scattered<br />

in the rural landscape of the region of Western Macedonia. A storyline that unfolds<br />

along the words of locals, now coping with declining agricultural activities. A glimpse into<br />

the Greek countryside and what is swiftly becoming recent memory. Scarecrows, agents<br />

of a different era, represent the focal elements in the ongoing battle between people and<br />

birds. Personal narratives give flesh and bones in those often elaborate assemblages that<br />

have served not only as a means of imposition of fear, but also as an inexhaustible source<br />

of metaphysical fables and superstitions.<br />

Running time: 30΄<br />

Year of production: 2010<br />

238<br />

GREECE<br />

Production Company: Vassilis Economou<br />

Sales Contact Person: Vassilis Economou<br />

36 Ioustinianou St<br />

Thessaloniki 551 34, Greece<br />

T. +30 6934 175 678<br />

vasilikonomu@yahoo.gr<br />

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S


S<br />

Lifestyles<br />

SCAVENGERS’ UN<strong>IO</strong>N<br />

Marina Danezi<br />

The Scavengers’ Union was founded in 1992. “Before we set up our union, we depended<br />

on the goodness of each institution,” says Spyros, the chairman. Their need for a steady<br />

livelihood led them to organize, in order to claim and finally procure a regular venue for<br />

their weekly bazaar, every Sunday. People with different cultures, backgrounds and religious<br />

views coexist in harmony. The honorary chairman, the chairman, the secretary, the<br />

treasurer, the members, the honorary members – they all form a human mosaic, our society<br />

in miniature.<br />

Running time: 73΄<br />

Year of production: 2011<br />

Production Company: NiMa / Marni Film SA<br />

Production Contact Person: Nikos Triandafyllidis<br />

Sales Contact Person: Nikos Triandafyllidis<br />

203 Liosion St<br />

Athens 104 45, Greece<br />

T. +30 210 822 6445<br />

triandafyllidis@gagarin205.gr<br />

450<br />

234<br />

GREECE<br />

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Current Affairs<br />

“It’s better to hear the sound of the prison gate closing than to hear church bells ringing,”<br />

says a Neapolitan adage. Better behind bars than dead. The teens that are locked up on the<br />

prison island of Nisida, situated across from the shores of Naples, use it as a wry joke to put<br />

their hopeless situation into perspective.<br />

Scena del Crimine is a frame narrative in seven “scenes” that begins and ends on the prison<br />

island of Nisida. In between, we see five views of the city that have been determined by<br />

the underworld. We hear the sad story of a grandmother about her murdered grandson.<br />

At the forensic department of the police, detective Baiano tells how his former classmates<br />

fell prey to the mafia one by one. At the military academy, they aspire to counterbalance<br />

the chaos of the city with forced efforts. We see how petty thief Mauro, confined to his<br />

home under house arrest, is going out of his mind with boredom while looking down longingly<br />

at the lively streets of Naples.<br />

Running time: 57΄<br />

Year of production: 2010<br />

326<br />

THE NETHERLANDS<br />

SCENA DEL CRIM<strong>IN</strong>E<br />

Walter Stockman<br />

Production Company: Zeppers Film & TV<br />

Production Contact Person: Frank van den Engel<br />

Sales Company: Wide House<br />

Sales Contact Person: Anais Clanet<br />

40, rue Saint Anne<br />

Paris 75002, France<br />

T. +33 15 395 0464<br />

F. +33 15 395 0465<br />

wide@widemanagement.com<br />

www.widemanagement.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 451<br />

S


S<br />

Adventure & Travel<br />

SCHO<strong>IN</strong>OUSA,<br />

THE ISLAND OF THE RIS<strong>IN</strong>G SUN<br />

Isabella Mavraki<br />

Schoinousa, this naturally beautiful island was not inhabited during the last century, as<br />

some people think. At times, the island was abandoned by its inhabitants. In the mid-19th<br />

century it began to be inhabited by families mainly from Amorgos. It is said that they were<br />

undesirables, encouraged to leave by the monks. During the past ten years, things on the<br />

island have changed dramatically. Rapid construction, improvement of transport conditions,<br />

a new port, a desalination plant, tourist development and therefore a lot of people<br />

visiting in the summer. The island has passed into the hands of the younger generation and<br />

is moving ahead irrepressibly. Where to? The film has no narrator. Whatever is said comes<br />

from the lips of the islanders. Through their stories we learn the history of the island and<br />

its current state. History and memories from the older inhabitants; problems, dreams and<br />

aspirations from the younger ones.<br />

Running time: 72΄<br />

Year of production: 2009<br />

Production Company: Studio ALPHA<br />

Production Contact Person: Dimitris Evangelopoulos<br />

10-12 Studiou<br />

Marousi, Greece<br />

T. +30 210 613 2900<br />

F. +30 210 613 2906<br />

devangel@hol.gr<br />

452<br />

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Current affairs<br />

Honest, objective and nuanced, this documentary aims to show why individuals are consciously<br />

or unconsciously drawn into the Church of Scientology. It asks why they stay, sometimes<br />

for long periods of time and sometimes despite doubts as to the Church’s true nature,<br />

which is often revealed as devouring, indoctrinating and even totalitarian.<br />

Running time: 97΄<br />

Year of production: 2010<br />

392<br />

FRANCE<br />

SCIENTOLOGY. THE TRUTH ABOUT A LIE<br />

Jean-Charles Deniau<br />

Production Company: Novaprod Owl<br />

Production Contact Person: Andrew Orr<br />

Sales Company: CAT&Docs<br />

Sales Contact Person: Catherine Le Clef<br />

18 rue Quincampoix #133<br />

Paris 75004, France<br />

T. +33 1 4459 6353<br />

cat@catndocs.com<br />

www.catndocs.com<br />

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S<br />

Current Affairs<br />

SCRAP ODYSSEY<br />

Pawel Ferdek<br />

Almost all the metal scrap was sold from Kyrgyzstan to China. This film shows the global<br />

phenomenon in micro scale: by the hard work of the Russian truck driver, the slow rhythm<br />

of one Kyrgyz family, and events from a long journey across the Tien Shan Mountains.<br />

Running time: 52΄<br />

Year of production: 2010<br />

Production Company: Film Studio Kalejdoskop<br />

Production Contact Person: Wojciech Szczudlo<br />

Sales Company: Krakow Film Foundation<br />

Sales Contact Person: Katarzyna Wilk<br />

Basztowa 15/8a<br />

Krakow 31-143, Poland<br />

T. +48 12 294 6945<br />

katarzyna@kff.com.pl<br />

www.kff.com.pl<br />

454<br />

528<br />

POLAND<br />

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Current Affairs<br />

Darek Ambroszczyk is the only person working at a small declining cinema in Łódź. He<br />

spends long hours in the ticket office of the empty Tatry cinema, indulging in grumbling<br />

and manifesting his dislike for the world and chance customers. Is it possible that the every<br />

day routine may have completely drained his passion? Professional burnout is exposed by<br />

Darek’s hopelessness and apathy. Darek lives the life of a local freak, spending time in his<br />

cluttered flat with two unruly dogs.<br />

Running time: 27΄<br />

Year of production: 2010<br />

529<br />

POLAND<br />

SCREEN<strong>IN</strong>G AT THE TATRY C<strong>IN</strong>EMA<br />

Igor Chojna<br />

Production Company: Polish National Film School in Lodz<br />

Production Contact Person: Maria Gawinek<br />

Sales Company: Krakow Film Foundation<br />

Sales Contact Person: Katarzyna Wilk<br />

Basztowa 15/8a<br />

Krakow 31-143, Poland<br />

T. +48 12 294 6945<br />

katarzyna@kff.com.pl<br />

www.kff.com.pl<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 455<br />

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S<br />

Art, Music & Culture<br />

SCRIPTWRITERS’ SHADOWBOX<strong>IN</strong>G<br />

Dimitris Yatzouzakis<br />

What does a screenwriting workshop mean? This documentary follows 25 screenwriters<br />

and their trainers in their effort to find the different tools required for each one of the writers’<br />

stories in order for them to become film screenplays. It presents the privileges, joys and<br />

torments of people who have made the obscure act of narration their profession; of writers<br />

and directors who insist, even in this day and age, on practicing the ancient art of the<br />

storyteller. The filming of the documentary took place during the last summer that Professor<br />

Lewis Cole worked at the Mediterranean Film Institute’s Workshops. He was suffering<br />

from Amyotrophic Lateral Sclerosis (ALS) and used an electric wheelchair in order to<br />

move. He knew he was running out of time. He could have opted not to spend it teaching<br />

at the Nisyros workshop, but travelling around the Mediterranean Sea, to some of the<br />

cities of the ancient Greco-Roman world that he knew so well and loved. Instead, he chose<br />

to spend his last summer teaching screenwriting in Nisyros.<br />

Running time: 72΄<br />

Year of production: 2010<br />

Production Company: Mediterranean Film Institute<br />

Production Contact Person: Apostolia Papaioannou<br />

Sales Company: Greek Film Center<br />

Sales Contact Person: Lina Manolopoulou<br />

7 Dion.Areopagitou St<br />

Athens 117 42, Greece<br />

T. +30 210 367 8525<br />

F. +30 210 361 4336<br />

lina.mano@gfc.gr<br />

www.gfc.gr<br />

456<br />

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Lifestyles<br />

Alice, a blind person, sets off on an unusual voyage on the sailing ship Zawisza Czarny. Full<br />

of doubts and anxiety about the wisdom of her decision, she slowly starts to see the value<br />

of the experience. This isn’t just a trip. It’s hard work, it’s an adventure, but most of all it’s<br />

a chance for her to perceive her life differently. Alice is one of the blind people who make<br />

up half of the ship’s crew. Until the very last minute of the film we doubt whether she is<br />

indeed blind, since she behaves as if she can see. She doesn’t even wear dark glasses. We<br />

observe Alice changing, as the ship sails from Holland to Poland, across the North and the<br />

Baltic Seas.<br />

Running time: 25΄<br />

Year of production: 2010<br />

155<br />

POLAND<br />

THE SEA THROUGH YOUR EYES<br />

Lech Mikulski<br />

Production Company: Studio Obrazu – Lech Mikulski<br />

Production Contact Person: Lech Mikulski<br />

Sales Company: Studio Obrazu – Lech Mikulski<br />

Sales Contact Person: Lech Mikulski<br />

Plac Inwalidow 6/5<br />

Krakow 30-033, Poland<br />

T. +48 696 440 215<br />

mikulski@studioobrazu.com.pl<br />

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S<br />

Environment & Wildlife<br />

SELL<strong>IN</strong>G THE SILENCE<br />

Markku Tuurna<br />

Salla, a small town in Finland lies at the southernmost border of Lapland. For filmmaker<br />

Markku Tuurna, it was where he and his boyhood friend, Jyrki, spent many joyous years<br />

skiing, sledding, swimming, boating and fishing in the huge natural reserve.<br />

Today, Salla, as well as Markku’s friend, has been devastated by depopulation, recession<br />

and countless income generating schemes. From a failing ski resort to a year-round<br />

Christmas village, the struggle between environmentalists, entrepreneurs and the local citizenry<br />

comes to blows, leaving Salla as the bigger casualty.<br />

Running time: 59΄<br />

Year of production: 2010<br />

Production Company: Filmimaa Ltd<br />

Production Contact Person: Markku Tuurna<br />

Sales Company: Illumina Films<br />

Sales Contact Person: Robin Brinster<br />

Leidsestraat 106-IV<br />

Amsterdam 1017PG, The Netherlands<br />

T. +31 20 624 8395<br />

F. +31 20 330 8155<br />

robin@illuminafilms.nl<br />

458<br />

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Environment & Wildlife<br />

“What you do makes me cry at night [...] Please make your actions reflect your words [...]<br />

I am here to speak for all generations to come [...]”<br />

1992, 1st Summit of the Earth, Rio de Janeiro, Brazil: For the first time in human history,<br />

a child calls out to the whole planet. Eighteenyears later, we still don’t practice what we<br />

preach. The Earth is still in the same state and Severn is now expecting a baby. She speaks<br />

again, showing that despite the emergency, it is still possible to change the course of things.<br />

In this documentary full of hope and emotion, Severn embodies a reference for those people,<br />

from Canada to Japan, going through France, who act in concrete and positive terms<br />

in order to respect biodiversity.<br />

Who will answer Severn’s call?<br />

Running time: 120΄<br />

Year of production: 2010<br />

325<br />

FRANCE<br />

SEVERN, THE VOICE OF OUR CHILDREN<br />

Jean-Paul Jaud<br />

Production Company: J+B Sequences<br />

Production Contact Person: Jean-Paul & Béatrice Jaud<br />

Sales Company: Wide House<br />

Sales Contact Person: Anais Clanet<br />

40, rue Saint Anne<br />

Paris 75002, France<br />

T. +33 15 395 0464<br />

F. +33 15 395 0465<br />

wide@widemanagement.com<br />

www.widemanagement.com<br />

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S<br />

Current Affairs<br />

SHOOT<strong>IN</strong>G VS SHOOT<strong>IN</strong>G<br />

Nikos Mengrelis<br />

The documentary Shooting vs. Shooting presents a group of astonishing stories about journalists<br />

who suffered in the Iraq war, by following a journalist’s journey to Baghdad in 2009<br />

and the story of a mother who seeks an answer to the question of why her son was killed<br />

when his only weapon was his camera. Shooting vs. Shooting narrates incredible moments<br />

and adventures; reveals unknown sides to the facts; and shows the dramatic stories of media<br />

workers who lost their lives, trying to freely broadcast the truth to the public. Through<br />

the documentary, we witness the absurdity of war, the responsibility of governments and<br />

armies, and the barbarity of blinded fanatics.<br />

Running time: 73΄<br />

Year of production: 2010<br />

Production Company: CL Productions<br />

Production Contact Person: Costas Lambropoulos<br />

Sales Company: CL Productions<br />

Sales Contact Person: Costas Lambropoulos,<br />

65 Vrlilissou St, Athens 114 76, Greece<br />

T. +30 210 641 2700<br />

info@clproductions.gr<br />

Sales Company: Greek Film Center<br />

Sales Contact Person: Lina Manolopoulou<br />

7 Dionissiou Areopagitou St, Athens 117 42, Greece<br />

T. +30 210 367 8525 F. +30 210 361 4336<br />

lina.mano@gfc.gr<br />

www.gfc.gr<br />

460<br />

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History & Politics<br />

Best friends Ezat and Bayan are about to make the journey they have planned since they<br />

were children. Born on the Israeli-occupied Golan Heights, they’ve lived all of their lives<br />

right next to the closed border with their homeland Syria. Now eighteen, they’re given the<br />

opportunity to cross the UN-monitored no man’s land to study in the capital, Damascus.<br />

Feeling young, invincible and a hundred percent Syrian, they say goodbye to their village<br />

and families, knowing they won’t be able to return for the next year.<br />

Like young people all over the world, Ezat and Bayan are pursuing their dreams and enjoying<br />

their new freedom. But Damascus also proves to be a city where it’s not easy to feel<br />

at home and where you have to watch what you say.<br />

What started out as an adventure to an unknown homeland leads to a dilemma that forces<br />

them to choose sides.<br />

Running time: 55΄<br />

Year of production: 2009<br />

497<br />

THE NETHERLANDS<br />

SHOUT<br />

Sabine Lubbe Bakker & Ester Gould<br />

Production Company: Pieter van Huystee Film<br />

Production Contact Person: Pieter van Huystee<br />

Sales Company: NPO/RNW Sales<br />

Sales Contact Person: Ellie Beijaard<br />

Sumatralaan 45<br />

Hilversum 1217 GP, The Netherlands<br />

T. +31 35 677 3561<br />

F. +31 35 677 5318<br />

ellie.beijaard@omroep.nl<br />

www.nposales.com<br />

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S<br />

Art, Music & Culture<br />

THE SHUKAR COLLECTIVE PROJECT<br />

Matei-Alexandru Mocanu<br />

The Shukar Collective is a Romanian music project that fuses electronic music with Gypsy<br />

bear tamers’ music. At night, the enthusiastic crowd gathered at the Uranus Garden (a former<br />

factory transformed into an open air cinema and music concert venue) gives Shukar<br />

Collective a standing ovation. The Shukar Collective play bear tamer music using spoons,<br />

wooden barrels or daraboukas, while a pair of djs add layer after layer of urban sound over<br />

this traditional music. It is this kind of eclectic environment that best describes what the<br />

documentary deals with: “culture contact”.<br />

Running time: 76΄<br />

Year of production: 2010<br />

Production Company: HBO Central Europe<br />

Production Contact Person: Dita Křivská<br />

Sales Company: HBO Central Europe<br />

Sales Contact Person: Dita Křivská<br />

Jankovcova 1037/49<br />

Prague 170 00, Czech Republic<br />

T.-F. +420 261 094 444<br />

dita.krivska@hbo.cz<br />

462<br />

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Lifestyles<br />

A Juarez hit man speaks: El Sicario, Room 164 is an eighty-minute documentary about a<br />

hit man. He has killed hundreds of people, is an expert in torture and kidnapping, and for<br />

many years was a commander of the state police in Chihuahua. He even received some<br />

training from the FBI. He has lived in Ciudad Juárez and has moved freely throughout Mexico<br />

and the United States. At the moment, there is a contract on his life of $250,000 and<br />

he lives as a fugitive, though he is still free and has never been charged with a crime in any<br />

country.<br />

The film takes place in a motel room on the US-Mexico border. The sicario is highly intelligent,<br />

very articulate and all too believable. The film stems from Charles Bowden’s essay<br />

The Sicario, published in 2009 in Harper’s Magazine.<br />

Running time: 84΄<br />

Year of production: 2010<br />

152<br />

FRANCE<br />

EL SICAR<strong>IO</strong>, ROOM 164<br />

Gianfranco Rosi<br />

Production Company: Les Films d’Ici<br />

Production Contact Person: Serge Lalou<br />

Sales Company: Doc & Film International<br />

Sales Contact Person: Daniela Elstner<br />

13, rue Portefoin<br />

Paris 75003, France<br />

T. + 33 1 4277 5687<br />

F. + 33 1 4277 3656<br />

itl@docandfilm.com<br />

www.docandfilm.com<br />

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S<br />

Current Affairs<br />

THE SILENT TRUTH<br />

Joan Brooker-Marks<br />

On a US military base in Iraq, US Army private LaVena Lynn Johnson is found dead, shot<br />

in the head. The Army rules it a suicide. Later, independent forensic evidence reveals she<br />

was raped, mutilated and murdered.<br />

The Silent Truth follows the search by the parents of LaVena for the truth behind their<br />

daughter’s death. They confront the US Army and embark on an agonizing and obstacle<br />

filled journey to bring justice to their daughter and expose a pattern of cover-ups and impunity.<br />

Running time: 73΄<br />

Year of production: 2010<br />

Production Company: Midtown Films<br />

Production Contact Person: Joan Brooker-Marks<br />

Sales Company: Illumina Films<br />

Sales Contact Person: Robin Brinster<br />

Leidsestraat 106 -IV<br />

Amsterdam 1017PG, Τhe Netherlands<br />

T. +31 20 624 8395<br />

F. +31 20 330 8155<br />

robin@illuminafilms.nl<br />

www.illuminafilms.nl<br />

464<br />

510<br />

USA<br />

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Art, Music & Culture<br />

Bibi Russell seeks to take the Asian textile tradition out of its curse, its economic servitude.<br />

Former international top model and United Nations ambassador, she denounces the absence<br />

of a local textile brand in countries which supply the international brand retail stores.<br />

Providing livelihood to millions of weavers and artisans, Bibi encourages a cultural identity<br />

conducive to responsible development. Nurturing national talent across the Silken<br />

Route, she refuses to let eastern creativity be nameless providers servicing the interest of<br />

global brands.<br />

Running time: 52΄<br />

Year of production: 2010<br />

579<br />

<strong>IN</strong>DIA<br />

SILKEN SYNERGY. THE MORAL FABRIC<br />

Soniya Kirpalani<br />

Production Company: Sprocket Science<br />

Production Contact Person: Soniya Kirpalani<br />

Sales Company: Thierry Detaille Int’l imports<br />

Sales Contact Person: Thierry Detaille<br />

Rue Stevin, 174<br />

Brussels 1000, Belgium<br />

T.-F. +32 477 617 170<br />

thierry.detaille@gmail.com<br />

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S<br />

Lifestyles<br />

SKYDANCER<br />

Katja Esson<br />

The Brooklyn Bridge, the Empire State Building, the World Trade Center: for more than 120<br />

years, Mohawk ironworkers have raised America’s modern cityscapes. They are called “sky<br />

walkers” because they walk fearlessly atop steel beams just a foot wide, high above the<br />

city. Who are these Mohawk sky walkers? What is their secret for overcoming fear? Has “sky<br />

walking” replaced an ancient rite of passage? Or is it the pure need to adapt in order to survive?<br />

And what is their life really like when, every Friday at quitting time, they jump in their<br />

cars and make the eight-hour drive up north to their families on the reservation?<br />

Skydancer is a feature length documentary that takes a provocative look at Indian life in<br />

the 21st Century.<br />

Running time: 72΄<br />

Year of production: 2011<br />

Production Company: Penelope Pictures & ma.ja.de. filmproduktion &<br />

WDR & ARTE & Schenk Production<br />

Production Contact Person: Katja Esson<br />

Sales Company: Deckert Distribution GmbH<br />

Sales Contact Person: Heino Deckert<br />

Marienplatz 1<br />

Leipzig 04103, Germany<br />

T. +49 341 215 6638<br />

F. +49 341 215 6639<br />

info@deckert-distribution.com<br />

www.deckert-distribution.com<br />

466<br />

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Lifestyles<br />

A SMALL ACT<br />

Jennifer Arnold<br />

Can one small act dramatically change multiple lives? Chris Mburu was the top student<br />

in his Kenyan village, but without money for school fees, he had little hope of a future –<br />

until Hilde Back, a Swedish teacher, sponsored his early education. Unknowingly, her tiny<br />

contribution paved the way for Mburu to go all the way to Harvard Law School. Today he<br />

is a Human Rights officer for the United Nations. He’s dedicated his life to fighting genocide<br />

and has no idea that the woman who sponsored him is a Holocaust survivor. A Small<br />

Act follows Mburu’s efforts to find his benefactor, give back to his community and continue<br />

the cycle of sponsorship. This award-winning film uses a strong narrative thread to capture<br />

the ripple effect that one singular action can have.<br />

*World Premiere: Sundance<br />

* International Premiere: Hot Docs (Top Ten Audience Favorite)<br />

* New York Times Critic’s Pick<br />

* Roger Ebert top ten documentary of 2010<br />

(Broadcasts include: HBO, ABC Australia, TV4 Fakta)<br />

Running time: 88΄<br />

Year of production: 2010<br />

179<br />

USA - SWEDEN - KENYA<br />

Production Company: Harambee Media / HBO Documentary Films<br />

Production Contact Person: Jennifer Arnold<br />

Sales Company: Louise Rosen Ltd<br />

Sales Contact Person: Louise Rosen<br />

16 High Street<br />

Brunswick MA 04011 USA<br />

T. +1 207 725 8215<br />

F. +1 207 725 8057<br />

LRosenltd@aol.com<br />

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S<br />

Lifestyles<br />

THE SMALLEST PLACE<br />

Tatiana Huezo Sánchez<br />

A cow carer that guards storms. A peasant that writes the story of his town on the walls<br />

of his house. A woman that wanders the streets avoiding her dead teenage daughter,<br />

drawn on the town walls. A young man that turned in his rifle and lost his job.<br />

This documentary tells the everyday life of some characters that live in a small town stuck<br />

in the mountains of El Salvador, where you can see the scars of the past that this country<br />

has inherited and where their capability of assuming this legacy to keep on growing is<br />

shown.<br />

The story takes place in El Salvador, Central America. In this country, the smallest in Latin<br />

America, more than 80,000 people died during the civil war in the 80s.<br />

Running time: 104΄<br />

Year of production: 2011<br />

Production Company: Centro de CapacitaciónCinematográfica (CCC)<br />

Sales Company: Instituto Mexicano de Cinematografía (Imcine)<br />

Sales Contact Person: Pablo Briseño<br />

Insurgentes Sur #674 del Valle<br />

Mexico City 03100, Mexico<br />

T.-F. +52 55 5448 5345<br />

mercaint@imcine.gob.mx<br />

www.imcine.gob.mx<br />

468<br />

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Lifestyles<br />

SMASH<br />

Andreas Morgan<br />

The film follows a group of 16-year-old graffitists on their night walks in Athens. Drawings,<br />

paintings, references to master pieces, train carriages, obsessions with the art of the<br />

street, colours against the grey cement, a barrage of images, in combination with hip hop<br />

music – these are the film’s elements, with just one camera in hand and pictures. Worries,<br />

questions, conclusions, a monologue that is their voice, experiments and mixed media<br />

techniques. A first step. This is the first attempt of a group of 16-year-old boys of the city<br />

who paint graffiti. Holding the camera, they filmed their adventures during the night in<br />

hot spots. With no script, they used the image and their idea as well as their daily obsession<br />

with the art of graffiti. We have always liked street signs, graffiti on football stadiums.<br />

We used to write everywhere. It was an expression of our feelings, which were being caged<br />

inside this sterile city of concrete. Our group used to look outside the train window, eagerly<br />

searching for a piece of wall where we would go to write during the night. Writing was<br />

like breathing to us... Once a policeman let us continue, saying “you are artists, but please<br />

don’t write on the 2004 bridge on Kifissias Avenue”. Our names are still there...<br />

Running time: 10΄<br />

Year of production: 2010<br />

205<br />

GREECE<br />

Production Company: Andreas Morgan<br />

Production Contact Person: Andreas Morgan<br />

Sales Contact Person: Andreas Morgan<br />

34 Andrea Syngrou<br />

Marousi 151 26, Greece<br />

T. +30 210 612 7867 +30 6977 775 244<br />

andreasmorgan156@hotmail.com<br />

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S<br />

Adventure & Travel<br />

SOLARTAXI – AROUND<br />

THE WORLD WITH THE SUN<br />

Erik Schmitt<br />

What began as a childhood dream is now an epic 18-month adventure that spans the<br />

globe. More than a few have embarked on an “around the world” adventure; some have<br />

even completed it, but no one has ever done so powered exclusively by the sun. Meet Louis<br />

Palmer and his home-made “Solartaxi”. Full of surprises and apparently insurmountable<br />

obstacles, his journey begins in the summer of 2007. Solar energy is functional, efficient,<br />

and most importantly, reliable. A car with zero emission is not a dream. This film is proof.<br />

Along the way, Louis and his Solartaxi meet princes, movie stars, politicians and scientists,<br />

but most importantly, they encounter ordinary people, showing them that mobility with<br />

the mere power of the sun is possible.<br />

Running time: 53΄<br />

Year of production: 2010<br />

Production Company: Daniel Thomaser<br />

Production Contact Person: Daniel Thomaser<br />

Sales Company: Rise and Shine World Sales<br />

Sales Contact Person: Diana Karklin<br />

Schlesische Str. 29/30<br />

Berlin 10997, Germany<br />

T. +49 30 4737 2980<br />

F. +49 30 4737 298 20<br />

diana.karklin@riseandshine-berlin.de<br />

470<br />

443<br />

GERMANY<br />

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Current Affairs<br />

SOMETIMES CITY<br />

Tom Jarmusch<br />

“Sometimes City is a gritty and personal documentary portrait of Cleveland Ohio. Sometimes<br />

City suggests the city’s people, landscape, and decline. It was conceived to include<br />

documentary, home movie, personal, and possibly fictional elements and was originated<br />

from two different video installations with the intention that it would evolve into a film.<br />

As filmmaking progressed, it became important to let different people speak, people that<br />

we do not usually hear from. I filmed a great deal and found what I would. The movie juxtaposes<br />

many scenes of residents and some performed music becoming kind of a ‘spareparts<br />

scavenging of stories’. The title comes from a poem by D. A. Levy and part of one of<br />

his poems is read in the movie. Sometimes City was photographed during 2008 and 2009<br />

using various consumer video formats, 16mm and Super 8 film.”<br />

Tom Jarmusch<br />

Running time: 80΄<br />

Year of production: 2010<br />

183<br />

USA<br />

Production Company: Tom Jarmusch<br />

Production Contact Person: Tom Jarmusch<br />

Sales Contact Person: Tom Jarmusch<br />

17 Cleveland Place # 18<br />

New York NY 10012 USA<br />

T. + 1 347 613 7821<br />

jarmuschtom@hotmail.com<br />

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S<br />

Art, Music & Culture<br />

SONG OF THE LODZ GHETTO<br />

David Kaufman<br />

Brave Old World’s haunting musical program of street songs from the Lodz Ghetto serves<br />

as the backdrop for David Kaufman’s definitive new film about the “first and last ghetto”<br />

in Poland. The film consists of a chilling narrative, stirring concert performances, unforgettable<br />

photographs and extensive interviews with survivors of the Holocaust from<br />

Lodz.<br />

The film focuses on the lives of two historical figures: the Ghetto’s beloved and popular<br />

street-singer, Yankele Herszkowicz, and the Nazi-appointed Jewish leader of the ghetto,<br />

Chaim Rumkowski. This documentary explores the uplifting role that music and culture<br />

played for ghetto dwellers who faced the constant fear of death. This history of the Lodz<br />

Ghetto is an extraordinary Holocaust narrative.<br />

Running time: 121΄<br />

Year of production: 2010<br />

Production Company: Sun-Street Inc.<br />

Sales Company: Seventh Art Releasing<br />

Sales Contact Person: Shane Griffin<br />

6579 Pickwick St<br />

Los Angeles CA 90042 USA<br />

T. +1 323 259 8259<br />

T. +1 323 474 6371<br />

seventhart@7thart.com<br />

www.7thart.com<br />

472<br />

707<br />

CANADA<br />

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Current Affairs<br />

Music elates, touches the soul, and bypasses reason. Music is magic. But precisely this<br />

magic can turn it into an insidious weapon – for music and violence belong together.<br />

In Songs of War, we explore this extraordinary harmony between music and violence.<br />

The film’s main protagonist is Christopher Cerf, a composer who wrote more than 200 songs<br />

for the children’s TV series Sesame Street. He always wanted his music to be fun, educational<br />

and entertaining. But then he learned that his songs had been used to torture prisoners<br />

in Guantanamo and Abu Ghraib. He is stunned by this abuse of his work and wants<br />

to find out how this could happen.<br />

Cerf embarks on a journey to learn how the military has been employing music as a powerful<br />

stimulant and mighty weapon for hundreds of years.<br />

Running time: 52΄<br />

Year of production: 2011<br />

309<br />

GERMANY<br />

SONGS OF WAR: MUSIC AS A WEAPON<br />

Tristan Chytroschek<br />

Production Company: A & O Bureau<br />

Sales Company: Java Films<br />

Sales Contact Person: Kathryn Bonnici<br />

4-6 Villa Thoreton<br />

Paris 75015, France<br />

T. +34 634 869 646<br />

kathryn@javafilms.fr<br />

www.javafilms.fr<br />

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S<br />

History & Politics<br />

SONS OF THE SUN<br />

Simeon Idakiev<br />

A film about the little-known details of the daily life, traditions, customs and religious beliefs<br />

of the inhabitants of the Inca Empire.<br />

The film explores Machu Picchu and Olyantayatambo, built by “the sons of the Sun”. These<br />

two most popular buildings are still hiding many secrets and mysteries.<br />

Sons of the Sun is part of a series of six films shot in South America by the journalist Simeon<br />

Idakiev, dedicated to the 50th anniversary of Bulgarian National Television.<br />

Running time: 30΄<br />

Year of production: 2009<br />

Production Company: Bulgarian National TV<br />

Sales Company: Bulgarian National TV<br />

Sales Contact Person: Daniela Kuzmanova<br />

29 San Stefano Street<br />

Sofia 1504, Bulgaria<br />

T. +359 2 814 2390<br />

F. +359 2 943 6045<br />

d_kuzmanova@bnt.bg<br />

www.bnt.bg<br />

474<br />

602<br />

BULGARIA<br />

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Art, Music & Culture<br />

This intriguing film tells the story of a fairytale church and a city without compare, in an<br />

hour of gripping accounts and magical images: Venice, melting pot of the Occident and<br />

Orient for a thousand years. To this day, the lustrous soul of Venice is the Basilica of St. Mark’s.<br />

Inside St. Mark’s Basilica, the Venetians celebrate God – and themselves. In its overwhelming<br />

beauty, the Patriarch’s cathedral also relates to the history of the city: from a cluster<br />

of marshy islands to the world’s most magnificent trading centre, from the spectacular<br />

abduction of the remains of St. Mark from Alexandria, via the conquest of the imperial<br />

city of Constantinople with its unimaginable treasures, to the eventual demise of the Republic,<br />

sealed by Napoleon’s troops. From the breathtaking exterior to the unique huge ceiling<br />

mosaics, you will experience the history and the drama of this church and its treasures<br />

from fascinating perspectives.<br />

Running time: 58΄<br />

Year of production: 2010<br />

445<br />

GERMANY<br />

THE SOUL OF VENICE<br />

Hubert Schäfer & Christoph Martin Grosser<br />

Production Company: Oculus Film<br />

Production Contact Person: Hubert Schäfer<br />

Sales Company: Rise and Shine World Sales<br />

Sales Contact Person: Diana Karklin<br />

Schlesische Str. 29/30<br />

Berlin 10997, Germany<br />

T. +49 30 4737 298 0<br />

F. +49 30 4737 298 20<br />

diana.karklin@riseandshine-berlin.de<br />

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S<br />

Art, Music & Culture<br />

SOUTH CENTRAL GOSPEL<br />

Chronis Pechlivanidis & Jim Whitney<br />

South Central Gospel is an intimate peek into the down-home gospel churches of South<br />

Central, Los Angeles, an area plagued with poverty, racial oppression and gang warfare.<br />

Gospel music, or “the Word of God in song,” heals the spirit, calms the soul and provides<br />

solace and release amidst the troubles of life. Rooted in the spirituals and blues of the American<br />

slave south, gospel music continues today as α central part of lives of many African<br />

Americans. South Central Gospel weaves lively, heartfelt performances together with<br />

compelling interviews, including with 60s icon Willie Chambers, for a moving and entertaining<br />

look into the world of authentic gospel culture.<br />

Running time: 53΄<br />

Year of production: 2010<br />

Production Company: Onos Productions<br />

Production Contact Person: Chronis Pechlivanidis<br />

Sales Company: Onos Productions<br />

Sales Contact Person: Chronis Pechlivanidis<br />

18 Iraklidon St<br />

Athens 118 51, Greece<br />

T. +30 210 341 7228<br />

F. +30 210 341 7256<br />

info@onos.gr<br />

476<br />

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GREECE<br />

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History & Politics<br />

Lyrical, intimate, and sometimes humorous, Souvenirs is a eulogy in film of a Veteran whose<br />

Post Traumatic Stress Disorder case is actively under review by the Veterans’ Affairs office<br />

8 years after his suicide. Ivars “Andy” Pelecis was a man who wanted to move on. Andy survived<br />

the Vietnam War physically, but lived without recognition of his war-related mental<br />

illness until the day he took his own life in 2002. After 30 years of struggling to “survive<br />

the peace” through alcohol and ten stays in the locked ward at hospital, Andy’s case<br />

was reopened by his social workers. Mara Pelecis, Andy’s daughter, seeks to reveal her dad’s<br />

real story that was hidden from her as a child. She continues to ask the question “Why he<br />

was the way he was?”<br />

Running time: 90΄<br />

Year of production: 2010<br />

363<br />

LATVIA - USA<br />

SOUVENIRS: HEAL<strong>IN</strong>G AFTER WAR<br />

Mara Pelecis<br />

Production Company: Documentary Media LLC & Whirlygig Productions<br />

Production Contact Person: Mara Pelecis<br />

4814 Colfax Ave. S.<br />

Minneapolis MN 55419 USA<br />

T. +1 612 227 8979<br />

marapele@mac.com<br />

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S<br />

Art, Music & Culture<br />

SPYROS PAPALOUKAS –<br />

THE ADVENTURE OF PA<strong>IN</strong>T<strong>IN</strong>G<br />

Kalliopi Legaki<br />

Throughout my childhood, my teacher used to criticize my drawings so severely that painting<br />

became an ordeal for me. As the years went by, I often felt the need to paint. But I never<br />

dared draw a line, maybe because – having been so traumatized in the past – I always<br />

thought I’d never succeed.<br />

Thumbing through an album about the painter Spyros Papaloukas one day, I was deeply<br />

touched by a remark he made in his notes, saying that anyone can learn to sketch as long<br />

as they have a method to follow. From that moment on, painting was no longer something<br />

inaccessible to me. It became an art with codes and secrets I could decypher.<br />

Through the dark paths of time, I tried with my camera to trace the painter’s course and<br />

started to “sketch” his portrait. But at the same time, the painter himself paved the way for<br />

me to explore the enigma of painting and let me wander inside strange and enchanting<br />

landscapes, where painting comes together with the other arts and reveals the deepest<br />

meaning of Art and Life.<br />

Running time: 51΄<br />

Year of production: 2010<br />

Production Company: Portolanos Films<br />

Production Contact Person: Maria Gentekou<br />

Sales Company: Greek Film Center<br />

Sales Contact Person: Lina Manolopoulou<br />

7 Dionissiou Areopagitou St,<br />

Athens 117 42, Greece<br />

T. +30 210 367 8525<br />

F. +30 210 361 4336<br />

lina.mano@gfc.gr<br />

www.gfc.gr<br />

478<br />

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History & Politics<br />

STA<strong>IN</strong>ED IMAGE<br />

Eleni Choumou<br />

In Greece between the Wars banditry flourished. In the region of Western Thessaly, in the<br />

mountain villages of Elassona, Thomas Gadaras becomes an outlaw in 1917, creating a kind<br />

of folk legend. Thefts, robberies, escapes, kidnapping well-off members of society, charities<br />

for the disadvantaged, murders, betrayals, escaping to Albania, all these contribute<br />

to the creation of a feared but also admired popular idol. In 1923, Gadaras, just before his<br />

enigmatic end, decides to be photographed by A. Manthos, thus capturing on photographic<br />

paper his personal story, and representing the social role of bandits, who served as scapegoats<br />

for the socio-political situation at the time. The story of Gadaras comes to life<br />

through the memories and aspects of his 3rd generation offspring, the grandson of A. Manthos<br />

and music composer Thanasis Papakonstantinou.<br />

Running time: 27΄<br />

Year of production: 2010<br />

209<br />

GREECE<br />

Production Company: Eleni Choumou<br />

Sales Contact Person: Eleni Choumou<br />

4A Grigoriou Afxentiou St<br />

Evangelistria<br />

Thessaloniki 546 36, Greece<br />

T. +30 6984 760 005<br />

e.xoumitsa@yahoo.gr<br />

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S<br />

Art, Music & Culture<br />

THE START<br />

Marineta MAK Kritikou<br />

The Start, a movie about the 1st Tinos Jazz Festival and the first ever visual live recording<br />

of major musicians of the Greek Jazz Scene.<br />

A musical surprise, the vision of a local Jazz musician come true.<br />

Eight ensembles of musicians who for four days live on the same island<br />

play together, jam and for the first time talk about Jazz in Greece.<br />

The encounter of prominent Greeks and Finnish jazzmen in a really beautiful place,<br />

where the music adds to the history, art and cultural tradition of Tinos.<br />

Running time: 53΄<br />

Year of production: 2010<br />

Production Company: Cultural Foundation of Tinos<br />

Production Contact Person: Marineta MAK Kritikou<br />

Sales Company: Cultural Foundation of Tinos<br />

Sales Contact Person: Marineta MAK Kritikou<br />

47, Kokkinara St<br />

Kifissia 145 63, Greece<br />

T. +30 210 801 0432<br />

kmarineta@gmail.com<br />

480<br />

239<br />

GREECE<br />

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Lifestyles<br />

The film travels through Finland joining men of all walks of life in many different saunas<br />

to let us hear their touching stories about love, death, birth and friendship; about life. In<br />

all its simplicity, the camera records the raw and rare beauty of landscapes, saunas and men<br />

in almost magical pictures. The presence of the characters and the depth of their emotion<br />

reaches a limit where it is almost intolerable for the viewer to watch. Steam of Life reveals<br />

the men’s naked souls in an exceptionally intimate and poetic way.<br />

Running time: 81΄<br />

Year of production: 2010<br />

184<br />

F<strong>IN</strong>LAND - SWEDEN<br />

STEAM OF LIFE<br />

Joonas Berghäll & Mika Hotakainen<br />

Production Company: Oktober Oy<br />

Production Contact Person: Joonas Berghall<br />

Sales Company: Films Transit International<br />

Sales Contact Person: Jan Röfekamp<br />

252 Gouin Boulevard East<br />

Montreal/Quebec H3l 1A8, Canada<br />

T. +1 514 844 3358<br />

F. +1 514 844 7298<br />

janrofekamp@filmstransit.com<br />

www.filmstransit.com<br />

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S<br />

Art, Music & Culture<br />

STREET SPECTACLES<br />

Sotiris Kappos<br />

Street Spectacles is a documentary about street theater.<br />

The film tries to show the education that a person needs for this polymorphic kind of art,<br />

the communication between the artist and the audience, the response of the audience, the<br />

reasons that make a person perform in the street and whether street theater can provide<br />

the artist with enough money to make a living.<br />

In this movie you can also watch street theater performances such as<br />

pantomime, marionette shows and acrobatics, all taking place in the historical<br />

center of Athens. Finally, there is a short reference to the history of street theater after the<br />

first interviews.<br />

Running time: 61΄<br />

Year of production: 2010<br />

Production Company: M.C.R. Production<br />

Production Contact Person: Sotiris Kappos<br />

Sales Company: M.C.R. Production<br />

Sales Contact Person: Sotiris Kappos<br />

103-105 Momferatou St<br />

Athens 114 75, Greece<br />

T. +30 210 647 1064<br />

s.kappos@hotmail.com<br />

482<br />

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GREECE<br />

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Art, Music & Culture<br />

STUD<strong>IO</strong> VAROUJ<br />

Yakie Ayalon<br />

Varouj Ishkinain, the third generation in an Armenian family of photographers, is nearly<br />

80 years old. Many know the studio, a local establishment, located in an alley in the old<br />

city of Jerusalem. Varouj has come to a point where he needs to close his studio, since his<br />

sons are not interested in maintaining the trade, and Varouj himself can no longer deal with<br />

a rapidly changing digital world. The documentary accompanies Varouj during the last<br />

month before he closes the studio.<br />

The documentary shows Varouj at a moment when he retires and has to leave behind<br />

friends, habits and work which he has done for a lifetime. Photography for Varouj is not<br />

just work – it is his entire life, a way to watch the history of a city and a way to communicate<br />

with the different nationalities that make up Jerusalem.<br />

Running time: 18΄<br />

Year of production: 2010<br />

358<br />

ISRAEL<br />

Production Company: Yakie Ayalon Broadcast Pro.<br />

Production Contact Person: Yakie Ayalon<br />

Sales Contact Person: Yakie Ayalon<br />

Haarazim 9, Mevaseret Zion<br />

P.O Box 890<br />

Jerusalem 90805, Israel<br />

T. +972 54 566 5502<br />

F. +972 25 333 664<br />

yakiayalon@hotmail.com<br />

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S<br />

Science & Technology<br />

SUBMISS<strong>IO</strong>N<br />

Stefan Jarl<br />

Submission is a documentary about “chemical society” – the society we have been building<br />

since World War II.<br />

Back then, humans used 1 million tons of chemicals per year; the figure today is 500 million<br />

tons. The chemical industry is the fastest-growing industry in the world and this film<br />

is about the 100,000 chemicals we use every day – what they’re used for and what they<br />

do to us and our health. Not only food additives, but also the chemicals we are exposed<br />

to in our daily environments: softeners, flame retardants, surfactants and so on.<br />

Consulting a wide range of scientists from the United States, the UK, Canada, Germany,<br />

Switzerland, Spain, Finland, Denmark and Sweden, documentary film maker Stefan Jarl<br />

seeks answers: What problems can these chemicals cause? What are we passing on to our<br />

unborn children? And why do we submit?<br />

Running time: 87΄<br />

Year of production: 2010<br />

Production Company: Stefan Jarl AB<br />

Production Contact Person: Stefan Jarl<br />

Sales Company: Svesnk Filmindustri<br />

Sales Contact Person: Josephine Julner<br />

Greta Garbos väg 13<br />

Solna 169 36, Sweden<br />

T. +46 8680 3704<br />

F. +46 8710 4460<br />

josephine.julner@sf.se<br />

484<br />

124<br />

SWEDEN<br />

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Lifestyles<br />

SURVIV<strong>IN</strong>G AM<strong>IN</strong>A<br />

Barbara Celis<br />

Surviving Amina is a love story challenged by illness and death, an intimate diary of resilience<br />

and hope. It’s a compelling lesson on life that explores how we construct meaning<br />

from events that defy our emotional understanding: the illness and loss of a child.<br />

Running time: 59΄<br />

Year of production: 2010<br />

390<br />

USA - SPA<strong>IN</strong><br />

Production Company: Life is Great Productions<br />

Production Contact Person: Barbara Celis<br />

Sales Company: CAT&Docs<br />

Sales Contact Person: Catherine Le Clef<br />

18 rue Quincampoix #133<br />

Paris 75004, France<br />

T. +33 1 4459 6353<br />

cat@catndocs.com<br />

www.catndocs.com<br />

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S<br />

Current Affairs<br />

SURVIV<strong>IN</strong>G <strong>IN</strong> KABUL –<br />

A CITY AND ITS WOMEN<br />

Elke Jonigkeit<br />

Kabul is still a city of men, of abductions, of attacks. But how are the women of this unsettled<br />

metropolis faring? The author has been following the stories of three women in<br />

Afghanistan for some 25 years, during the Soviet era and when the Taliban was overthrown.<br />

Now ISAF troops patrol the country; their aim is to make it safe so that a democracy can<br />

be established. But what is the reality on the ground? Parwin is the head mistress of a girls’<br />

secondary school. Hafiza runs the seamstress shop in the women’s prison in Kabul. Now<br />

her daughters want to be doctors or journalists. But don’t they have to worry about being<br />

forced into an arranged marriage? The documentary allows us to share directly in the<br />

fates of Parwin, Hafiza and their daughters. It is a story of strength and beauty but also of<br />

disappointment and uncertainty.<br />

Running time: 45΄<br />

Year of production: 2010<br />

Production Company: Circe Film with HR<br />

Sales Company: united docs<br />

Sales Contact Person: Anne Hufnagel<br />

Breite Str. 48-50<br />

Cologne 50667, Germany<br />

T. +49 221 920 690<br />

F. +49 221 920 6969<br />

anne.hufnagel@united-docs.com<br />

www.united-docs.com<br />

486<br />

470<br />

GERMANY<br />

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Adventure & Travel<br />

The documentary Take to the Hills portrays people who decided to leave the big city and<br />

to completely change the kind of life they lead and work they do, alone or with their families.<br />

We follow the journey an “internal immigrant” makes in search of a more humane and<br />

better life for himself and his family. How will life in Athens be in a relatively short time,<br />

given that more than half of the country’s population is squeezed in the Attica basin? What<br />

kind of people decide to move away from urban centers? How, why, when and what are<br />

their motives? The human geography of “internal immigrants” under the microscope.<br />

Running time: 47΄<br />

Year of production: 2010<br />

297<br />

GREECE<br />

TAKE TO THE HILLS – EVIA<br />

Pinelopi Krontiropoulou<br />

Production Company: Hellenic Broadcasting Corp., ERT SA &<br />

Fine World Productions<br />

Production Company: Hellenic Broadcasting Corp., ERT SA<br />

Sales Company: Hellenic Broadcasting Corp., ERT SA<br />

Sales Contact Person: Yannis Kollias<br />

432 Messoghion Ave<br />

Agia Paraskevi 153 42, Greece<br />

T. +30 210 607 5711<br />

F. +30 210 607 5715<br />

ykollias@ert.gr<br />

www.ert.gr<br />

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T<br />

Lifestyles<br />

TALES<br />

Nikolay Vassilev<br />

For the past 15 years, a former miner has been sheltering orphans from all over Bulgaria.<br />

Their childhood ends, yet with it ends the chance for them to have a hot meal and a roof<br />

over their heads. Kicked out in the street after they come of age, they have to learn how<br />

to survive and how to be men of worth at the same time. Will their benefactor succeed in<br />

making their dreams come true, and at what price?<br />

Tales is a story about snails and dreams, desolate graveyards and fondness, fears and<br />

hopes…<br />

Running time: 28΄<br />

Year of production: 2009<br />

Production Company: Bulgarian National TV<br />

Sales Company: Bulgarian National TV<br />

Sales Contact Person: Daniela Kuzmanova<br />

29 San Stefano St<br />

Sofia 1504, Bulgaria<br />

T. +359 2 814 2390<br />

F. +359 2 943 6045<br />

d_kuzmanova@bnt.bg<br />

www.bnt.bg<br />

488<br />

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Environment & Wildlife<br />

The film is about one of the most charming places in Bulgaria in the Rhodopi Mountains<br />

– homeland to Dionysus, Orpheus and Spartacus. Here is where the mysterious and<br />

enigmatic cave leading to the Underworld is. The gorge in its very throat, the so-called<br />

Devil’s Throat (Dyavolskoto Garlo), formed by a mountain river, is home to many rare and<br />

endangered species, where they live in natural harmony. And when autumn gives way to<br />

winter, nature’s beauty overwhelms us.<br />

Running time: 22΄<br />

Year of production: 2009<br />

604<br />

BULGARIA<br />

TALES OF THE TRIGRAD GORGE<br />

Dobrin Keresteliev<br />

Production Company: Bulgarian National TV<br />

Sales Company: Bulgarian National TV<br />

Sales Contact Person: Daniela Kuzmanova<br />

29 San Stefano St<br />

Sofia 1504, Bulgaria<br />

T. +359 2 814 2390<br />

F. +359 2 943 6045<br />

d_kuzmanova@bnt.bg<br />

www.bnt.bg<br />

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T<br />

Art, Music & Culture<br />

TCHILOLI, MASKS AND MYTHS<br />

Kiluanje Liberdade & Ines Gonsalves<br />

The Tchiloli is performed only by prominent men from certain quarters of the island.<br />

Originally from France, the Tchiloli was introduced in Sao Tome in the XVIth century. The<br />

main roles are transmitted from generation to generation. Dressed in European clothes<br />

(mainly women’s costumes) and wearing masks, the actors of Tchiloli narrate a Renaissance<br />

text with music and dance, turning the spectacle into an extravagant cultural manifestation<br />

of African and European heritage.<br />

Running time: 52΄<br />

Year of production: 2009<br />

Production Company: Noland Filmes<br />

Production Contact Person: Ines Gonsalves<br />

Sales Company: Marfilmes<br />

Sales Contact Person: Renee Gagnon<br />

Ave. Duque de Loule 79 R/C Dto A<br />

Lisbon 1050-088, Portugal<br />

T. +35 12 1314 0339<br />

F. +35 12 1353 3075<br />

marfilmes@netcabo.pt<br />

www.marfilmes.com<br />

490<br />

533<br />

PORTUGAL - SA<strong>IN</strong>T THOMAS ISLAND<br />

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History & Politics<br />

TEACHER IRENA<br />

Itamar Chen<br />

Summer vacation is over and 26 kids come back to school fearful of their notoriously strict<br />

new teacher, Irena. Russian born Irena immigrated to Israel with her son and husband who<br />

died shortly after. She faces the challenge of teaching the third grade in one of the most<br />

difficult neighborhoods in Jerusalem, where poverty, violence and unemployment are<br />

widespread. Using her unique approach, combining uncompromising discipline and love,<br />

she brings about a real change in the lives of her students. Following the course of the<br />

school year, the film offers a window onto the confines of a classroom.<br />

Running time: 52΄<br />

Year of production: 2010<br />

404<br />

ISRAEL<br />

Production Company: Blacksheep<br />

Sales Company: Cinephil<br />

Sales Contact Person: Philippa Kowarsky<br />

18 Levontin St<br />

Tel Aviv 65112, Israel<br />

T. +972 3 566 4129<br />

F. +972 3 560 1436<br />

info@cinephil.co.il<br />

www.cinephil.co.il<br />

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T<br />

Sports<br />

THE TEAM<br />

Patrick Reed<br />

Kenya has long been Africa’s success story – relatively stable and ethnically harmonious.<br />

But following the 2007 elections, everything changed. Voting controversies split the<br />

country along ethnic lines, pushing Kenya toward civil war.<br />

In an attempt to deal with the ethnic strife, a taboo-breaking TV soap, The Team, was created,<br />

following the struggles of a fictional multi-ethnic soccer squad to overcome their differences,<br />

both on and off the shoot. What can a soap opera achieve in a place desperate<br />

for change but teetering on the brink of collapse? Watch and find out.<br />

Running time: 56΄<br />

Year of production: 2010<br />

Production Company: White Pine Pictures Inc.<br />

Production Contact Person: Peter Raymont<br />

Sales Company: Films Transit International<br />

Sales Contact Person: Jan Röfekamp<br />

252 Gouin Boulevard East<br />

Montreal/Quebec H3L 1A8, Canada<br />

T. + 1 514 844 3358<br />

F. + 1 514 844 7298<br />

jan@filmstransit.com<br />

www.filmstransit.com<br />

492<br />

417<br />

CANADA<br />

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History & Politics<br />

TEARS OF GAZA<br />

Vibeke Lokkerberg<br />

In a rough style, by way of unique footage, the brutal consequences of modern wars are<br />

exposed. The film also depicts the ability of women and children to handle their everyday<br />

life after a dramatic war experience. Many of them live in tents or in ruins without walls<br />

or roofs. They are all in need of money, food, water and electricity. Others have lost family<br />

members, or are left with seriously injured children. Can war solve conflicts or create<br />

peace? The film follows three children through the war and the period after the ceasefire.<br />

Running time: 82΄<br />

Year of production: 2010<br />

130<br />

NORWAY<br />

Production Company: Nero Media AS<br />

Sales Company: AB Svensk Filmindustri<br />

Sales Contact Person: Ann-Kristin Westerberg<br />

Stockholm 169 86, Sweden<br />

T. +46 8680 3500<br />

F. +46 8680 3783<br />

international@sf.se<br />

www.sfinternational.se<br />

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T<br />

Art, Music & Culture<br />

TED NOTEN: GOLD, SWEAT & PEARLS<br />

Frank van den Engel & Simone de Vries<br />

Jewelry designer Ted Noten (1956) is well-known for his cheeky pieces of jewelry. Are they<br />

wearable? Not necessarily. Are they provocative? Absolutely. Noten: “I make jewelry that<br />

takes some time getting used to. When you wear it, you make yourself vulnerable as it<br />

makes such a striking statement. I speak out through my jewelry and objects. I comment<br />

upon jewelry as a phenomenon, upon the industry or – like any artist – upon humanity.”<br />

The documentary is an intimate portrait of an artist who throws his golden formula overboard<br />

abruptly and faces the future fearlessly and with an open mind.<br />

Running time: 53΄<br />

Year of production: 2010<br />

Production Company: Zeppers Film & TV<br />

Production Contact Person: Simone de Vries<br />

Sales Company: NPO/RNW Sales<br />

Sales Contact Person: Ellie Beijaard<br />

Sumatralaan 45<br />

Hilversum 1217 GP, The Netherlands<br />

T. +31 35 677 3561<br />

F. +31 35 677 5318<br />

ellie.beijaard@omroep.nl<br />

www.nposales.com<br />

494<br />

498<br />

THE NETHERLANDS<br />

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Lifestyles<br />

She was a dreamer, he was a thinker.<br />

He had a question, she was the answer.<br />

Two people once met and created the poetry of life and inspired generations of artists in<br />

Europe.<br />

Franciszka and Stefan Themerson lived and worked together for almost 60 years, first in<br />

Poland, then in France, eventually settling in England. The only time when they were separated<br />

was the outbreak of World War II, but even then they remained connected.<br />

The unusual love story of a unique, creative couple from Poland.<br />

Running time: 52΄<br />

Year of production: 2010<br />

451<br />

UK - FRANCE - POLAND<br />

THEMERSON & THEMERSON<br />

Wiktoria Szymanska<br />

Production Company: Luna W & 24 Images & ARTE & TVP<br />

Production Contact Person: Wiktoria Szymanska<br />

Sales Company: Deckert Distribution GmbH<br />

Sales Contact Person: Heino Deckert<br />

Marienplatz 1<br />

Leipzig 04103, Germany<br />

T. +49 341 215 6638<br />

F. +49 341 215 6639<br />

info@deckert-distribution.com<br />

www.deckert-distribution.com<br />

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T<br />

Art, Music & Culture<br />

THEODORE TERZOPOULOS –<br />

ENCOMIUM OF THE THEATER<br />

Dimitris Trikas<br />

The portrait of the Greek stage director Thodoros Terzopoulos. Through the confessions of<br />

the director and interviews with his protagonists, intercut with excerpts from his work and<br />

archival photographic material, the film traces the creative course of the theater group AT-<br />

TIS from the early eighties to the present.<br />

Running time: 86΄<br />

Year of production: 2010-2011<br />

Production Company: Hellenic Broadcasting Corp., ERT SA<br />

Production Contact Person: Lena Choida<br />

Sales Company: Hellenic Broadcasting Corp., ERT SA<br />

Sales Contact Person: Yannis Kollias<br />

432 Messoghion Ave<br />

Agia Paraskevi 153 42, Greece<br />

T. +30 210 607 5711<br />

F. +30 210 607 5715<br />

ykollias@ert.gr<br />

dtrikas@ert.gr<br />

www.ert.gr<br />

496<br />

286<br />

GREECE<br />

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Environment & Wildlife<br />

What if your community had to decide whether to leave their homeland forever and there<br />

was no help available? This is the reality for the culturally unique Polynesian community<br />

of Takuu, a tiny low-lying atoll in the South Western Pacific. As a terrifying tidal flood rips<br />

through their already damaged home, the Takuu community experiences the devastating<br />

effects of climate change first hand. In this verite-style film, three intrepid characters – Telo,<br />

Endar and Satty – allow us into their lives and their culture and show us first hand the human<br />

impact of an environmental crisis. Two scientists, oceanographer John Hunter and geomorphologist<br />

Scott Smithers, investigate the situation with our characters and consider<br />

the impact of climate change on communities without access to resources or support. Intimate<br />

observational scenes allow Teloo, Endar and Satty to take us on their personal journeys<br />

as they consider whether to move to an uncertain future in Bougainville or to stay on<br />

Takuu and fight for a different, but equally uncertain, outcome. This film gives a human face<br />

to the direct impacts of climate change in the Pacific, challenging audiences everywhere<br />

to consider their own relationship to the earth and the other people on it.<br />

Running time: 80΄<br />

Year of production: 2010<br />

157<br />

NEW ZEALAND - USA - PAPUA NEW GU<strong>IN</strong>EA<br />

THERE ONCE WAS AN ISLAND:<br />

TE HENUA E NNOHO<br />

Briar March<br />

Production Company: On the Level Productions<br />

Production Contact Person: Lyn Collie<br />

Sales Company: Journeyman Pictures<br />

Sales Contact Person: Rose Hughes<br />

4-6 High St, Thames Ditton<br />

Surrey KT7 0RY, UK<br />

T. +44 208 786 60 F. + 44 20 8972 9100<br />

sales@journeyman.tv<br />

www.journeyman.tv<br />

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T<br />

Lifestyles<br />

(THERE’S ALWAYS) A BETTER PLACE<br />

Sara Luraschi<br />

The portrait of a family originally from India that has settled permanently in the deep north<br />

of Italy, suspended between new roots and the impossible desire of leaving and finding<br />

a new, better place to stay.<br />

Running time: 53΄<br />

Year of production: 2010<br />

Production Company: Lab 80 film<br />

Production Contact Person: Alberto Valtellina<br />

Sales Company: Lab 80 Film<br />

Sales Contact Person: Alberto Valtellina<br />

via Pignolo 123<br />

Bergamo 24121, Italy<br />

T. +39 33 3849 0808 +39 03 5578 1021<br />

F. +39 03 534 1255<br />

alberto@lab80.it<br />

www.lab80.it<br />

498<br />

504<br />

ITALY<br />

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Current Affairs<br />

The idea emerged out of the need to organize a very different “party” for the 20th birthday<br />

of the oldest free-press in Greece, parallaxi. Having already contributed a great deal<br />

to the city’s public affairs, the parallaxi team moved to a series of cultural, architectural and<br />

environmental events, which transformed a large part of the city’s urban area. This urban<br />

experiment was carried out in June 2010, inspired by World Environment Day. The Thessaloniki<br />

in a Different Way project is the largest cooperation of creative teams from different<br />

professional sectors, institutions, private initiatives and volunteers ever to take place<br />

in Thessaloniki. In total, 1,000 people and 120 local authorities and groups worked together<br />

towards this idea, while 60,000 people attended the events.<br />

Running time: 74΄<br />

Year of production: 2011<br />

200<br />

GREECE<br />

THESSALON<strong>IK</strong>I <strong>IN</strong> A DIFFERENT WAY<br />

Christos Nikoleris<br />

Production Company: N-ORASIS<br />

Production Contact Person: Frida Spathaki<br />

Sales Company: N-ORASIS<br />

Sales Contact Person: Frida Spathaki<br />

3 Vafopoulou St<br />

Thessaloniki, Greece<br />

T. +30 2310 42 5880<br />

F. +30 2310 42 5882<br />

mail@n-orasis.gr<br />

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T<br />

History & Politics<br />

THIEVES BY LAW<br />

Alexander Gentelev<br />

For the first time ever, the vori v zakone, (thieves by law), former heads of Russia’s criminal<br />

underworld, share their story with the world.<br />

The thugs who transformed themselves into reputable businessmen reveal in the most intimate<br />

detail how they came to influence Russia’s economy as it emerged from decades<br />

of Soviet rule, and how they used their vast wealth to build up a political base in a land<br />

that once treated them as common criminals.<br />

Now with a strong base at home, they are eager to embark on a new crusade to spread<br />

their influence over the rest of the world.<br />

Running time: 90΄<br />

Year of production: 2010<br />

Production Company: SMS Productions & LE Vision<br />

Sales Company: Cinephil<br />

Sales Contact Person: Philippa Kowarsky<br />

18 Levontin St<br />

Tel Aviv 65112, Israel<br />

T. +972 3 566 4129<br />

F. +972 3 560 1436<br />

info@cinephil.co.il<br />

www.cinephil.co.il<br />

500<br />

405<br />

ISRAEL - GERMANY<br />

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A short documentary about a boy with Down Syndrome. The boy’s father, Dwight L. Core<br />

Sr., an amateur filmmaker and Air Force veteran of World War II, originally produced the<br />

film over the course of the 1960s, incorporating home movies he had shot of his son<br />

throughout his childhood and teenage years.<br />

In 2006, Dwight Core Sr.’s grandson, George Ingmire, discovered the film, along with a separate<br />

narration track, while doing research for a feature length documentary about his<br />

grandfather’s work as an unknown filmmaker.<br />

This film explores perceptions about Down Syndrome from multiple viewpoints: the boy,<br />

his sister and the father. The sincere tone and heartwarming narration by the father lends<br />

a remarkable poignancy to this film. The story that unfolds within this documentary is sure<br />

to shed light on both the struggles and blessings of raising a child with special needs.<br />

Running time: 8΄<br />

Year of production: 1975/2006<br />

637<br />

USA<br />

“How I Αm: Challenging Perceptions”<br />

TH<strong>IN</strong>K OF ME FIRST AS A PERSON<br />

George Ingmire<br />

Production Company: Mi Abuelo Productions<br />

Production Contact Person: George Ingmire<br />

Sales Company: Mi Abuelo Productions<br />

Sales Contact Person: George Ingmire<br />

PO Box 50294<br />

New Orleans LA 70150 USA<br />

T. +1 504 975 6353<br />

miabuelo@miabuelo.com<br />

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T<br />

History & Politics<br />

THIS IS MY PICTURE<br />

WHEN I WAS DEAD<br />

Mahmoud Al Massad<br />

Athens, 1983. The world press reports that 4-year-old Palestinian Bashir is killed in the assassination<br />

of his father, Mamoun Meraish, a top PLO lieutenant. But what if death was not<br />

the end of his journey? What if he was brought back to life and has to dig through his past<br />

and discover his future? In finding out what his life would have been like, it turns out that,<br />

like his father, he would have been political. But instead of expressing himself with<br />

weapons, he uses what he loved doing as a child: drawing. He would become the finest<br />

political cartoonist in Jordan. But while his drawings mirror the escalating misery and<br />

poverty of his people, getting the cartoons published is proving increasingly harder.<br />

Running time: 72΄<br />

Year of production: 2010<br />

Production Company: KeyDocs<br />

Production Contact Person: Hanneke Niens<br />

Sales Company: CAT&Docs<br />

Sales Contact Person: Catherine Le Clef<br />

18 rue Quincampoix #133<br />

Paris 75004, France<br />

T. +33 1 4459 6353<br />

cat@catndocs.com<br />

www.catndocs.com<br />

502<br />

393<br />

THE NETHERLANDS<br />

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Environment & Wildlife<br />

What happens...<br />

-When development – albeit with an ecologically friendly face – comes into conflict with<br />

conservation over a huge stretch of “protected” land in Eastern Crete?<br />

-When a loose alliance of environmentalists, green groups, archaeologists and concerned<br />

citizens stand up against powerful business interests in alliance with church and government?<br />

-When a few people set out to find out the facts for themselves in the face of widespread<br />

cover-ups and misinformation?<br />

A Thousand Lost Golf Balls tells the story.<br />

Running time: 81΄<br />

Year of production: 2010<br />

212<br />

GREECE<br />

A THOUSAND LOST GOLF BALLS<br />

Vangelis Kalaitzis<br />

Production Company: Real Life Documentaries<br />

Production Contact Person: Cliff Cook<br />

Sales Contact Person: Cliff Cook<br />

7 Kryoneridos St<br />

Chania 73133<br />

Crete, Greece<br />

T. +30 28210 66274<br />

cliffcoo@otenet.gr<br />

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T<br />

Art, Music & Culture<br />

THREE STARS<br />

Lutz Hachmeister<br />

They are set in an alien and exclusive world, inaccessible to most of us: the highly stylized<br />

gourmet restaurants and their often cramped and noisy kitchens. Focusing on nine Michelin<br />

starred chefs from three continents, skilled both in charming small talk with their guests<br />

and a gruff commanding tone towards their kitchen brigades, the film depicts their everyday<br />

life behind the scenes and reveals the real business of cooking on the highest level.<br />

Running time: 90΄<br />

Year of production: 2010<br />

Production Company: HMR (for WDR/ARTE)<br />

Sales Company: united docs<br />

Sales Contact Person: Anne Hufnagel<br />

Breite Strasse 48-50<br />

Cologne 50667, Germany<br />

T. +49 221 920 690<br />

F. +49 221 92069 69<br />

anne.hufnagel@united-docs.com<br />

www.united-docs.com<br />

504<br />

462<br />

GERMANY<br />

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Art, Music & Culture<br />

THUNDER SOUL<br />

Mark Landsman<br />

The film is about the 70s. About James Brown, afros and how a school band made history.<br />

An inspiring professor turns a mediocre inner-city high school band into a funk sensation<br />

– the Kashmere Stage Band went on to tour the world and release several albums. Thirtyfive<br />

years later, his students reunite to pay tribute to the man who changed their lives. Some<br />

haven’t played their horns in decades, but they dust off their instruments, determined to<br />

retake the stage to show the ailing Prof that they’ve still got it.<br />

Running time: 84΄<br />

Year of production: 2010<br />

598<br />

USA<br />

Production Company: Snoot Entertainment, USA<br />

Production Contact Person: Keith Calder<br />

Sales Company: HanWay Films<br />

Sales Contact Person: Fabien Westerhoff & Mark Lane<br />

24 Hanway St<br />

London W1T 1UH, UK<br />

T. +44 207 290 0776<br />

T. +44 207 290 0751<br />

fw@hanwayfilms.com<br />

mfl@hanwayfilms.com<br />

www.hanwayfilms.com<br />

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T<br />

History & Politics<br />

THE TILLMAN STORY<br />

Amir Bar-Lev<br />

When Pat Tillman gave up his professional football career to join the Army Rangers in 2002,<br />

he became an instant symbol of patriotic fervor and unflinching duty. But the truth about<br />

Pat Tillman is far more complex, and ultimately far more heroic, then the caricature. And<br />

when the government tried to turn his death into propaganda, they took on the wrong<br />

family. From her home in Northern California, Pat’s mother, Dannie Tillman, led the family’s<br />

crusade to reveal the truth beneath the mythology of their son’s life and death. The Tillman<br />

Story resounds with emotion and insight, and goes beyond an indictment of the government<br />

to touch on themes as timeless as the notion of heroism itself.<br />

Running time: 95΄<br />

Year of production: 2010<br />

Production Company: A&E IndieFilms<br />

Production Contact Person: Ryan Howard<br />

Sales Company: AETN International<br />

Sales Contact Person: Jonathan South<br />

6 Sloane Square<br />

London SW1W 8EE, UK<br />

T. +44 207 824 9233<br />

F. +44 207 730 9569<br />

jonathan.south@aetn.com<br />

506<br />

105<br />

USA<br />

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Current Affairs<br />

Think about your first school day... Hope, fear, grand expectations and the attendant feelings<br />

of triumph.<br />

We see Joonas, Karit, Doris and Fred growing up in the course of their first school year –<br />

an essential milestone in the lives of children and their parents.<br />

Running time: 75΄<br />

Year of production: 2010<br />

432<br />

ESTONIA<br />

TIME IS HERE<br />

Marje Jurtshenko & Kertu Köösel<br />

Production Company: Kopli Kinokompani<br />

Production Contact Person: Anneli Ahven<br />

Sales Company: Autlook Filmsales GmbH<br />

Sales Contact Person: Andrea Hock<br />

Trappelgasse 4/17<br />

Vienna 1040, Austria<br />

T. +43 720 346 934<br />

andrea@autlookfilms.com<br />

www.autlookfilms.com<br />

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T<br />

Current Affairs<br />

THE TIME OF THEIR LIVES<br />

Jocelyn Cammack<br />

With a combined age of almost 300, Hetty, Rose and Alison live in a home for the “active<br />

elderly” and regularly share their impassioned concerns on everything from terrorism to<br />

global warming – not to mention the meaning of life, death and sex. Rose, 101, is the oldest<br />

newspaper columnist in the world; Hetty, 102, is still marching against war and Alison,<br />

88, a one time Communist Party member is now a self-styled “establishment lady”.<br />

But despite their unstoppable enthusiasm and disarming humour, all three women are not<br />

simply ready for death – they actively want to die. Surprising, poignant and at times very<br />

funny, this documentary reveals the everyday mystery of how very old people experience<br />

life and the intense challenges that old age brings. Hetty, Rose and Alison tell us things<br />

of which no one ever speaks.<br />

Running time: 57΄<br />

Year of production: 2009<br />

Production Company: Redbird Productions & Certain Pictures<br />

for BBC Storyville<br />

Production Contact Person: Hilary Durman<br />

Sales Company: Rise and Shine World Sales<br />

Sales Contact Person: Diana Karklin<br />

Schlesische Str. 29/30<br />

Berlin 10997, Germany<br />

T. +49 30 4737 298 0<br />

F. +49 30 4737 298 20<br />

diana.karklin@riseandshine-berlin.de<br />

508<br />

447<br />

UK<br />

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Art, Music & Culture<br />

In the summer of 1962, at the height of the Cold War, the American government sent 19<br />

young jazz musicians with the legendary “King of Swing” Benny Goodman on an adventurous<br />

tour of the Soviet Union. This was the first American big band on Soviet soil. With<br />

their emotive and stirring music, the big band would open a Pandora’s Box from which the<br />

“American way of life” would unfold in the darkness of the USSR, and awaken the American<br />

desire for freedom in the hearts and minds of the supposed archenemy. Under constant<br />

scrutiny by the KGB, they were witness to the repression of their Soviet fans. Benny<br />

Goodman and his Orchestra played 30 concerts to almost 180,000 people in Moscow,<br />

Sotschi, Tiflis, Taschkent, Leningrad and Kiev and with their music tore the first holes in the<br />

Iron Curtain.<br />

Running time: 45΄<br />

Year of production: 2010<br />

471<br />

GERMANY<br />

TO RUSSIA WITH JAZZ<br />

Konstanze Burkard<br />

Production Company: Sarabandefilm with WDR<br />

Sales Company: united docs<br />

Sales Contact Person: Anne Hufnagel<br />

Breite Strasse 48-50<br />

Cologne 50667, Germany<br />

T. +49 221 920 690<br />

F. +49 221 920 6969<br />

anne.hufnagel@united-docs.com<br />

www.united-docs.com<br />

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T<br />

TODAY’S MAN<br />

Lizzie Gottlieb<br />

Today’s Man tells the story of Nicky Gottlieb, a former child genius who, at age 21, is diagnosed<br />

with Asperger Syndrome. People with Asperger’s, which is a form of autism, tend<br />

to be highly intelligent – often geniuses in certain subjects – but are unable to pick up<br />

on social cues. Their own behavior can be considered by others to be bizarre and inappropriate.<br />

One in 160 children today are born with some form of autism. While there are an increasing<br />

number of resources for Asperger’s children, there are surprisingly few organizations and<br />

programs for adults with the syndrome, resulting in a “lost generation” of people like Nicky<br />

who must find their own ways to navigate life with this perplexing disorder.<br />

Today’s Man follows Nicky as he struggles to leave the safety of his family’s home and the<br />

comfort of his favorite TV shows in order to find a job and an apartment. Made by Nicky’s<br />

sister Lizzie Gottlieb, the film is a sister’s search to understand her brother’s mysterious inner<br />

life and a larger effort to comprehend Asperger Syndrome and the people who struggle<br />

with it.<br />

Running time: 56΄<br />

Year of production: 2007<br />

Production Company: YoungLove Productions<br />

Production Contact Person: Lizzie Gottlieb<br />

Sales Contact Person: Lizzie Gottlieb<br />

285 Garfiled Place<br />

Brooklyn NY 11215 USA<br />

T. +1 917 650 1822<br />

lizziegottlieb@mac.com<br />

510<br />

629<br />

USA<br />

“How I Am: Challenging Perceptions”<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Art, Music & Culture<br />

Some know Tom Zé is the man behind tropicalism, that movement which, in the sixties,<br />

revealed the potential and voracity of a young Brazil willing to incorporate the world to its<br />

art, and vice versa. Some understand Tom Zé was not part of that because his art never fitted<br />

in any movement.<br />

His life puts together all that makes a biography interesting: talent, opportunity, success,<br />

oblivion, withdrawal, ostracism, rediscovery and return. His work is melody and spirit, cosmos<br />

and polyrhythm, a mix of moods and disciplines, kindness and life.<br />

Running time: 90΄<br />

Year of production: 2009<br />

117<br />

SPA<strong>IN</strong><br />

TOM ZÉ LIBERATED ASTRONAUT<br />

Ígor Iglesias González<br />

Production Company: Xiquexique Films<br />

Sales Contact Person: Ígor Iglesias<br />

c/Toledo 105-4ºB<br />

Madrid 28005, Spain<br />

T. +34 678 630 750<br />

igor_iglez@hotmail.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 511<br />

T


T<br />

Current Affairs<br />

THE TOWN OF BADANTE WOMEN<br />

Stephan Komandarev<br />

A town without women. The men look after the children, cook, do the washing and... wait<br />

for money from their wives who work abroad.<br />

The Bulgarian town of Varshets is the site of a staggering social experiment. Many of its<br />

women work as “badante” in Italy, taking care of the old and the sick. The social structure<br />

of Varshets is changing and the transformations – some dramatic, others humorous – are<br />

everywhere: in the pubs, in the families, in the local brass band... And at the bus station,<br />

where once a year the women arrive on holiday.<br />

The Town of Badante Women is a film about the new realities in today’s Europe. It tells the<br />

story of a small town in northwestern Bulgaria transformed through the role its women<br />

play on the growing market for care giving services across the continent.<br />

Running time: 56΄<br />

Year of production: 2009<br />

Production Company: ArgoFilm<br />

Production Contact Person: Stephan Komandarev<br />

Sales Company: Autlook Filmsales GmbH<br />

Sales Contact Person: Andrea Hock<br />

Trappelgasse 4/17<br />

Vienna 1040, Austria<br />

T. +43 720 346 934<br />

andrea@autlookfilms.com<br />

www.autlookfilms.com<br />

512<br />

431<br />

BULGARIA<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Lifestyles<br />

TRANS-ACT<strong>IO</strong>N<br />

Sławomir Grünberg<br />

Anna Grodzka was born in a male body and for many years tried to live as was expected<br />

of her. The man she was until 2009 got married and became a father but could not fully<br />

enjoy his life. As an adult and father of an adult son, he decided to undergo a long term<br />

process of sex change. The crew accompanies Anna in crucial moments on the way to<br />

womanhood – at the courtroom, in plastic surgery clinic in Bangkok, where she undergoes<br />

an operation, but as well in common, everyday life moments, when she talks to her<br />

son, goes shopping, goes to the beauty parlor, works in her fund. Anna is surrounded by<br />

people who support her through the tough process of change.<br />

Running time: 72΄<br />

Year of production: 2010<br />

615<br />

POLAND<br />

Production Company: HBO<br />

Production Contact Person: Dita Křivská<br />

Sales Company: HBO Central Europe<br />

Sales Contact Person: Dita Křivská<br />

Jankovcova 1037/49<br />

Prague 170 00, Czech Republic<br />

T.-F. +1 420 261 094 444<br />

dita.krivska@hbo.cz<br />

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T


T<br />

Lifestyles<br />

THE TRAP<br />

Marina Danezi<br />

When you are caught, unsuspectingly, in the Trap, it is almost certain that the end has come.<br />

The Trap is a documentary film about the rehabilitation of disabled/handicapped people.<br />

A glance at psychiatric institutions, operating as storehouses for human beings, and endangered<br />

hostels in Christmastime Athens. Our hero, Dionysis, is 34 years old and lives with<br />

his mother. He is a quadriplegic and suffers from slight mental retardation. He loves Sunday<br />

“strolls”, singing, talking on the phone and secretly drinking coke. His future is uncertain.<br />

In his own words: “Today’s society is a very tough place to live. OK, our parents will<br />

eventually pass, but what is there left to see for us children?”<br />

Running time: 23΄<br />

Year of production: 2009<br />

Production Company: ΝIMA Productions<br />

Production Contact Person: Marina Danezi<br />

Sales Company: NIMA Productions<br />

Sales Contact Person: Marina Danezi<br />

203 Liosion St<br />

Athens 104 45, Greece<br />

T. +30 210 822 6445<br />

marinadanezi@yahoo.gr<br />

514<br />

638<br />

GREECE<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Current Affairs<br />

A portrait of the Afghan community in Athens, through the every day lives of its people:<br />

Sadad the teacher, Abdul the former officer, Yonous the doctor of the community, Tahir the<br />

sculptor. The effort of integration and the memories of refugees. The hope of a new life in<br />

the “light” of the West and the struggle for survival. The rise in xenophobia, but also the<br />

joy of different cultures living together. Our own “foreigners”, the people who left everything<br />

behind to start over. Faces, like mirrors, reminding us of our past, making us think<br />

of our future, beyond our personal and national microcosm.<br />

Running time: 49΄<br />

Year of production: 2010<br />

709<br />

GREECE<br />

TRIBES OF ATHENS:<br />

NEW LIFE (AFGHANISTAN)<br />

Anthi Daountaki<br />

Production Company: Hellenic Broadcasting Corp., ERT SA<br />

Production Contact Person: Dimitris Kodossis<br />

Sales Company: Hellenic Broadcasting Corp., ERT SA<br />

Sales Contact Person: Dimitris Kodossis<br />

432 Messoghion Ave<br />

Agia Paraskevi 153 42, Greece<br />

T. +30 210 606 6650<br />

dkodossis@ert.gr<br />

www.ert.gr<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 515<br />

T


T<br />

Current Affairs<br />

TRIBES OF ATHENS: PHILIPP<strong>IN</strong>ES<br />

Stavros Psyllakis<br />

It is estimated that around 11 million Filipino people live in approximately 200 countries<br />

abroad. Since the early eighties, thousands of Filipino immigrants have been living and<br />

working in Athens. We follow our active, multi-tasking protagonists in their personal life,<br />

in their work environment, in daily, routine moments or more special ones with family and<br />

friends, in social gatherings and cultural events of their home country that are celebrated<br />

in Greece, adapted to the life and habits of Greek reality. Filipino community members that<br />

live among us today have dreams and hopes about their children leading a better life, while<br />

the old generation still experiences the contradictory feelings of the immigrant. The history,<br />

the rights and ambitions of a community that is perhaps the “aristocracy” of immigrants<br />

in this country.<br />

Running time: 49΄<br />

Year of production: 2010<br />

Production Company: Hellenic Broadcasting Corp., ERT SA<br />

Production Contact Person: Dimitris Kodossis<br />

Sales Company: Hellenic Broadcasting Corp., ERT SA<br />

Sales Contact Person: Dimitris Kodossis<br />

432 Messoghion Ave<br />

Agia Paraskevi 153 42, Greece<br />

T. +30 210 606 6650<br />

dkodossis@ert.gr<br />

www.ert.gr<br />

516<br />

710<br />

GREECE<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Environment & Wildlife<br />

TUBE PIPES<br />

Andreas Andonopoulos<br />

Tube pipes at the centre of Athens.<br />

Running time: 1΄<br />

Year of production: 2010<br />

265<br />

GREECE<br />

Production Company: Andreas Andonopoulos<br />

Sales Contact Person: Andreas Andonopoulos<br />

4 Bouboulinas St<br />

Athens, Greece<br />

T. +30 6945 586 058<br />

andreas.tps@gmail.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 517<br />

T


T<br />

Environment & Wildlife<br />

TURF WAR <strong>IN</strong> NO MAN’S LAND<br />

Suvi Andrea Helminen<br />

Turf War in No Man’s Land is about man’s attempt to leave its fingerprints on the last spots<br />

of unspoiled nature. Five countries are making competing claims to the Arctic Ocean’s underground<br />

and its natural resources while Russia, Canada and Denmark have interests in<br />

overlapping areas around the North Pole.<br />

Borders have to be drawn. The territorial war of today is scientific, it is about collecting the<br />

most convincing data to prove that the underwater bedrock is an extension of the respective<br />

countries. Should every spot on the planet be divided and conquered?<br />

* CPH:DOX Copenhagen International Documentary Film Festival, Denmark<br />

Running time: 70΄<br />

Year of production: 2009<br />

Production Company: Nordlys Film<br />

Production Contact Person: Suvi Andrea Helminen<br />

Sales Company: JMT Films Distribution<br />

Sales Contact Person: Michael Treves<br />

20 Bialik St<br />

Tel Aviv 63324, Israel<br />

T. +972 52 363 3398<br />

Michael@JMTFilms.com<br />

www.JMTFilms.com/document.htm#turfwar<br />

518<br />

555<br />

DENMARK<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Current affairs<br />

What could connect a Pakistani immigrant, a poet, and two 80-year-old sisters dispensing<br />

funeral offerings? What is the association between Michael Cacoyannis directing Lysistrata,<br />

the woman who dances in the dry cleaners, the local drug addict and the old man<br />

who watches life go by from his open window? Twelve socially, culturally and ethnically<br />

different neighbors share a small inner city street in Athens. The film is a puzzle of everyday<br />

incidents and personal confessions, revealing the diversity of human experience and<br />

touching upon deep existential concerns. Despite the major socioeconomic changes in this<br />

underprivileged area, a sense of neighborhood still exists. The “different” doesn’t seem so<br />

threatening and people find ways to accept each other.<br />

Running time: 52΄<br />

Year of production: 2010<br />

213<br />

GREECE<br />

TWELVE NEIGHBOURS<br />

Marianna Economou<br />

Production Company: Marianna Economou<br />

Production Contact Person: Marianna Economou<br />

Sales Company: Greek Film Center<br />

Sales Contact Person: Lina Manolopoulou<br />

7 Dionissiou Areopagitou St<br />

Athens 117 42, Greece<br />

T. +30 210 367 8525<br />

F. +30 210 361 4336<br />

lina.mano@gfc.gr<br />

www.gfc.gr<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 519<br />

T


Current Affairs<br />

Unhinged: Surviving Johannesburg is an honest, quirky and sometimes frenzied documentary<br />

about Johannesburg, South Africa’s biggest city and the world’s gateway to<br />

Southern Africa. With a rapid narrative, dry humor, insightful observations and a fantastic<br />

soundtrack, this film tells a slice-of-city-life story.<br />

Johannesburg has often been portrayed in the world’s media as a death trap, or marketed<br />

as the ultimate get-rich-quick destination. A hot-bed of hope, fear and opportunity, Johannesburg<br />

is a place where, with a little ingenuity, anyone can prosper, though just as<br />

easily find themselves stripped at gun-point.<br />

Using the city itself as the principle character, Adrian Loveland, an entrepreneur who was<br />

born and raised in Jo’burg, is the eccentric tour guide, exploring the glorious highs and the<br />

heart-stopping lows.<br />

Featuring interviews with an engaging group of Jo’burgers from the worlds of politics, business,<br />

the media and the street, Unhinged is a part-documentary, part-travelogue film that,<br />

like its subject, sparkles with energy, charisma and a touch of chaos.<br />

Running time: 52΄<br />

Year of production: 2010<br />

414<br />

SOUTH AFRICA<br />

UNH<strong>IN</strong>GED: SURVIV<strong>IN</strong>G<br />

JOHANNESBURG<br />

Adrian Loveland<br />

Production Company: Loveland Plant Hire<br />

Sales Company: Sideways Film<br />

Sales Contact Person: Kazz Basma<br />

178 Stoke Newington High Street<br />

London N16 7JL, UK<br />

T. +44 788 147 3603<br />

kazz@sidewaysfilm.com<br />

www.sidewaysfilm.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 521<br />

U


U<br />

Adventure & Travel<br />

THE UNKNOWN ISLANDS<br />

Jorge Silva Melo<br />

The Azores Islands, set halfway between Europe and America, are still one of the best kept<br />

natural paradises left on earth. In 1924, Portuguese writer Paul Brandao left for the Azores<br />

on board a steam cruiser. During that journey, he wrote one of the best travel books of Portuguese<br />

literature. Portuguese filmmaker Vicente Jorge Silva leads us through the Islands,<br />

following in the steps of Brandao, 85 years after his inaugural journey. What forces lie there,<br />

in the middle of the Atlantic, in a land of eternal volcanoes, deep dark forests, blue lagoons<br />

and fearless whalers?<br />

Running time: 3x52΄<br />

Year of production: 2008<br />

Production Company: Contracosta Producaoes<br />

Production Contact Person: Francisco Vilardebo<br />

Sales Company: Marfilmes<br />

Sales Contact Person: Renee Gagnon<br />

Ave. Duque de Loule 79 R/C Dto A<br />

Lisbon 1050-088, Portugal<br />

T. +35 12 1314 0339<br />

F. +35 12 1353 3075<br />

marfilmes@netcabo.pt<br />

www.marfilmes.com<br />

522<br />

535<br />

PORTUGAL<br />

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History & Politics<br />

On the evening of June 27th, 1980, off the Italian island of Ustica, a passenger plane<br />

crashed into the sea with the loss of 81 lives. Was it an assassination attempt on Gaddafi,<br />

an explosion or just a technical default? In the search for the truth, this film delves deep<br />

into the Europe of the Cold War. Following long years of investigation, this film finally sheds<br />

light on one of the most mysterious aviation disasters in European post-war history.<br />

Running time: 52΄<br />

Year of production: 2010<br />

472<br />

GERMANY<br />

THE USTICA CONSPIRACY<br />

Hans Von Kalckreuth<br />

Production Company: Bilderfest factual entertainment<br />

Sales Company: united docs<br />

Sales Contact Person: Anne Hufnagel<br />

Breite Strasse 48-50<br />

Cologne 50667 Germany<br />

T. +49 221 920 690<br />

F. +49 221 920 6969<br />

anne.hufnagel@united-docs.com<br />

www.united-docs.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 523<br />

U


Art, Music & Culture<br />

It is held daily by a million hands. The sound of its soul gives meaning to silent moments...<br />

We keep it between our fingers and we dream... It’s not only the beauty that we feast our<br />

eyes on; it’s more than that. It’s part of our self.<br />

Its complaint is that few know its course through the centuries, but the time came for us<br />

to travel together in Egypt and Greece, following the vestiges of the humble and beloved<br />

object of our prosaic life: the worry beads.<br />

A presentation of the worry beads through time: from his first worldwide presentation until<br />

today, giving emphasis to the shape of the Greek worry beads.<br />

Running time: 49΄<br />

Year of production: 2011<br />

287<br />

GREECE<br />

THE VESTIGE OF WORRY BEADS<br />

Alexander Pittidis<br />

Production Company: OPA TV<br />

Production Contact Person: Alexander Pittidis<br />

Sales Company: OPA TV<br />

Sales Contact Person: Alexander Pittidis<br />

10-12 Gripari St<br />

Kallithea 176 71, Greece<br />

T.-F. +30 210 956 8213<br />

apittidis@windowslive.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 525<br />

V


V<br />

Current Affairs<br />

LA VIDA LOCA<br />

Christian Poveda<br />

In Central America they are called Maras – these groups of youngsters who have modeled<br />

themselves on the Los Angeles youth gangs. They are extremely violent and are propagating<br />

terror in El Salvador and elsewhere. This is a study, through photography and the<br />

personal stories of these gang members, of a violent phenomenon that has been imported<br />

from the USA.<br />

Running time: 90΄<br />

Year of production: 2008<br />

Production Company: La Femme Endormie<br />

Sales Company: Wide House<br />

40, rue Saint Anne<br />

Paris 75002, France<br />

T. +33 1 5395 0464<br />

F. +33 1 5395 0465<br />

wide@widemanagement.com<br />

www.widemanagement.com<br />

526<br />

616<br />

FRANCE - SPA<strong>IN</strong> - MEXICO<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Lifestyles<br />

LA VIE EN ROSE<br />

George Papagaroufalis<br />

Elias is a mentally disturbed and the camera follows his theory of life and his philosophy<br />

upon theater. The story begins with three women acting parts of plays like Elektra and Macbeth.<br />

As the story proceeds, the relationship of Elias and Maria (his partner) is developed<br />

and more secrets about Elias’s case as an actor and psychopath are reveled. The story ends<br />

with Elias acting various plays and singing the song La vie en rose.<br />

Running time: 29΄<br />

Year of production: 2010<br />

274<br />

GREECE<br />

Production Company: George Papagaroufalis<br />

Production Contact Person: George Papagaroufalis<br />

1, Goura St<br />

Athens 105 58, Greece<br />

T. +30 210 322 4190<br />

F. +30 210 923 4779<br />

geephalis@yahoo.gr<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 527<br />

V


V<br />

History & Politics<br />

VIETNAM, A CONTAG<strong>IO</strong>US<br />

REVOLUT<strong>IO</strong>N<br />

Thuy-Tiên Ho<br />

For centuries, the fertility of the land and its vast coastal geography had turned Vietnam<br />

into coveted geopolitical prey. To achieve independence from their colonizers and shape<br />

their own destiny, the Vietnamese had to first neutralize China, free themselves from Japanese<br />

domination, and win the “French war” at Diên Biên Phu. Finally, with the “American<br />

War”, they had to overcome the most powerful army of the time, with under-equipped volunteers,<br />

supported by the majority of the population, North and South.<br />

Their leader, Ho Chi Minh, painted as a devil by Western Cold-War propaganda, in fact<br />

played a major role in bringing freedom and self-determination to his people, in a way like<br />

Gandhi did for the Indians. The evolution of Viet Nam in the 20th century is indissolubly<br />

connected to this man, to his political vision and to his revolutionary achievements.<br />

Running time: 52΄<br />

Year of production: 2011<br />

Production Company: Solferino Images<br />

Production Contact Person: Michel Noll<br />

Sales Company: ICTV<br />

Sales Contact Person: Lydia Castellano<br />

17 rue du Colisée<br />

Paris 75008, France<br />

T. +33 1 6403 7098<br />

F. +33 1 6403 7101<br />

lydia.c@ictv-solferino.com<br />

www.ictv.fr<br />

528<br />

484<br />

FRANCE<br />

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History & Politics<br />

Three Serbian brothers from a deserted village are looking for wives from Albania, a once<br />

bitter enemy of their country. Zoran, Dragan, Rodoljub and their neighbor Velimir are the<br />

only remaining inhabitants of the small womanless village of Zabrdje, on the top of a<br />

mountain. They are in the market for wives, but no woman has been seen there for the past<br />

fifteen years. Most have either died or moved to the city. Soon, Zoran leaves on an organized<br />

trip to Albania, and is soon being seated at a long table with fifteen attractive women.<br />

But which of these beauties would like to marry him?<br />

Running time: 83΄<br />

Year of production: 2010<br />

582<br />

FRANCE - CROATIA<br />

VILLAGE WITOUT WOMEN<br />

Srdjan Sarenac<br />

Production Company: Les Films du Balibari<br />

Production Contact Person: Estelle Robin<br />

Sales Company: Thierry Detaille Int’l imports<br />

Sales Contact Person: Thierry Detaille<br />

Rue Stevin, 174<br />

Brussels 1000, Belgium<br />

T.-F. +32 477 617 170<br />

thierry.detaille@gmail.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 529<br />

V


V<br />

Art, Music & Culture<br />

V<strong>IN</strong>YL (TALES FROM<br />

THE VIENNA UNDERGROUND)<br />

Andrew Standen-Raz<br />

Vinyl (Tales from the Vienna Underground) is the first feature-length documentary to reveal<br />

the interconnected world of experimental, trash and electronic musicians in Vienna,<br />

and how the artists in this historically unique space interpret which sounds make music<br />

in very different ways. Vinyl is also partly a love letter to a cultural icon – vinyl records –<br />

which have been a part of so many people’s lives for decades, and which persist in the future<br />

of music creation and distribution, despite the pervasiveness of digital technology. In<br />

this film, vinyl is a metaphor for something we love, even for its imperfections and<br />

scratches, and so it is with these musicians’ love-hate relationship with their city. Some<br />

things must change, but some things will be important forever.<br />

Running time: 94΄<br />

Year of production: 2010<br />

Production Company: Lush Films<br />

Production Contact Person: Andrew Standen-Raz<br />

18B Vicarage Gate<br />

London W8 4AA, UΚ<br />

T. +43 650 411 0681<br />

vinyl@lushfilms.com<br />

www.lushfilms.com<br />

530<br />

365<br />

GERMANY<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Science & Technology<br />

The World Wide Web is transforming everything from how we learn to how we shop, vote<br />

and make friends. Twenty years on from the invention of the Web, how, for better and for<br />

worse, is the digital revolution reshaping all our lives?<br />

The series brings together everyone who’s anyone on the Web – from its inventor Tim Berners-Lee<br />

to Facebook founder Mark Zuckerberg, Wikipedia’s Jimmy Wales to Amazon’s Jeff<br />

Bezos, and online giants Al Gore and Bill Gates.<br />

Through stories of how the Web is being used and abused today, this series explores the<br />

revolutionary benefits and uncovers the hidden costs of the Web’s culture of global, instant<br />

and free information.<br />

Running time: 4x60΄<br />

Year of production: 2010<br />

335<br />

UK<br />

THE VIRTUAL REVOLUT<strong>IO</strong>N<br />

Philip Smith<br />

Production Company: BBC<br />

Sales Company: Open University Worldwide<br />

Sales Contact Person: Marie Roche<br />

The Open University<br />

Open University Worldwide<br />

Walton Hall, Michael Young Building<br />

Milton Keynes MK7 6AA, UK<br />

T. +44 1908 332 470<br />

F. +44 1908 858 787<br />

marie.roche00@gmail.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 531<br />

V


V<br />

History & Politics<br />

VISA TO PARADISE<br />

Lillian Liberman Shkolnikoff<br />

Gilberto Bosques, people who knew him and those he rescued describe the actions that<br />

took place between 1939 and 1942 in Marseille, when he was the Mexican Consul General<br />

to France and saved tens of thousands of Spanish republicans, Jews, socialists, communists<br />

and other people persecuted by the Nazis.<br />

Running time: 94΄<br />

Year of production: 2011<br />

Production Company: Fondo para la Producción Cinematográfica<br />

de Calidad (Foprocine)<br />

Sales Company: Instituto Mexicano de Cinematografía (Imcine)<br />

Sales Contact Person: Pablo Briseño<br />

Insurgentes Sur #674 del Valle<br />

Mexico City 03100, Mexico<br />

T.-F. + 52 55 5448 5345<br />

mercaint@imcine.gob.mx<br />

www.imcine.gob.mx<br />

532<br />

322<br />

MEXICO<br />

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Current Affairs<br />

WADAN’S WORLD<br />

Dieter Schumann<br />

Wismar, 120km east of Hamburg, 45,000 citizens. The income of every third family here<br />

depends on Wadan Yards, the only large company in the region. In August, 2008, a Russian<br />

investor took over the old German company and the future seemed safe. Shortly<br />

thereafter, the world financial and economical crisis started somewhere in the United States<br />

and hit the old Hanseatic city hard. 5,000 jobs were endangered.<br />

A race against time began. We accompany a group of welders throughout the turbulent<br />

months and learn that the loss of work means a lot more than just the loss of income. “If<br />

you want to be a shipbuilder, you have to be born for it,” says one of the protagonists.<br />

The film captures what the crisis leaves behind and how the loss affects social values. People<br />

are divided into winners and losers, people with work and people without work.<br />

Running time: 100΄<br />

Year of production: 2010<br />

346<br />

GERMANY<br />

Production Company: Geb. Beetz Filmpoduktion<br />

Production Contact Person: Nick Pastucha<br />

Sales Company: Realfiction Film<br />

Sales Contact Person: Joachim Kuhn & Dirk Steinkuhler<br />

Hansaring 98<br />

Cologne 50670, Germany<br />

T. +49 22 1952 211<br />

F. +49 22 1952 2113<br />

info@realfictionfilme.de<br />

www.realfictionfilme.de<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 533<br />

W


W<br />

History & Politics<br />

WAR GAMES AND<br />

THE MAN WHO STOPPED THEM<br />

Dariusz Jablonski<br />

War Games is a story about a man whom historians consider to be the most important spy<br />

of the cold war era. The main character of Dariusz Jabloński’s documentary is Ryszard Kukliński<br />

(pseudonym: Jack Strong), a colonel of the Polish Army (Ludowe Wojsko Polskie) in<br />

the 70s. Between 1972 and 1981 he handed over to the West more than 40 thousand pages<br />

of the top secret Warsaw Pact documents. Some people claim that if it weren’t for those<br />

documents, maybe all of Europe would be licking their wounds after the worldwide nuclear<br />

cataclysm. Americans see him as a hero; Russians as a traitor. The Poles are divided...<br />

Running time: 113’<br />

Year of production: 2009<br />

Production Company: Apple Film Production & Trigon Production<br />

Production Contact Person: Izabela Wojcik<br />

Sales Company: First Hand Films<br />

Sales Contact Person: Esther van Messel<br />

Fritz Heeb-Weg 5<br />

Zurich 8050, Switzerland<br />

T. +41 131 220 60<br />

F. +41 131 220 80<br />

esther.van.messel@firsthandfilms.com<br />

www.firsthandfilms.com<br />

534<br />

366<br />

POLAND - SLOVAKIA<br />

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Current Affairs<br />

Members of the Military Intelligence, politicians, experts and researchers outline the new<br />

culture of conflict and the types of warfare at the turn of the 21st century, more invisible<br />

and enslaved to a Science without limits.<br />

Running time: 85΄<br />

Year of production: 2010<br />

519<br />

ITALY<br />

WAROLOGY – OPERAT<strong>IO</strong>NS<br />

OTHER THAN WAR<br />

Morgan Menegazzo<br />

Production Company: HGMobile<br />

Production Contact Person: Morgan Menegazzo<br />

Sales Company: Vitagraph<br />

Sales Contact Person: Filippo D’Angelo<br />

Via Schiavonia 1<br />

Bologna 40121, Italy<br />

T.-F. +39 05 126 7150<br />

vitagraph@libero.it<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 535<br />

W


W<br />

Environment & Wildlife<br />

WATER ROUTES <strong>IN</strong> AMORGOS<br />

Efi Latsoudi<br />

Fresh water is decreasing. What’s more, we have forgotten the methods by which to conserve<br />

it. In just a few decades, easy access to water has led to over-consumption, leaving<br />

traditional ways of water management behind. On the island of Amorgos, following the<br />

words of those who remember, we discover cisterns, wells, springs and fountains, all made<br />

with different techniques and materials but always with the same care. We listen to their<br />

stories, flowing like water, about the relation of their daily life to this valuable resource, and<br />

about the ancient tradition of dowsers and water-divination. This documentary was<br />

made on the occasion of the restoration and enhancement works of the water monuments<br />

on the island of Amorgos as co-ordinated by the Hellenic Society for the Protection of the<br />

Environment and the Cultural Heritage.<br />

Running time: 21΄<br />

Year of production: 2010<br />

Production Company: Efi Latsoudi-Apostolos Makaratzis<br />

Production Contact Person: Efi Latsoudi<br />

8 Kenteri St<br />

Mytilini 81100, Greece<br />

T. + 30 6976 234 668<br />

F. +30 22510 20994<br />

elat@aegean.gr<br />

536<br />

289<br />

GREECE<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


WE, THE CYCLOPES<br />

Maria Economou<br />

A team of children from the Alexandroupoli Special Vocational Education and Training<br />

School turn an idea into a short video. The children will discuss and examine the limits of<br />

myth and truth in relation to the story of the Cyclops Polyfimos in Homer’s Odyssey. According<br />

to myth, the Cyclops lived in a cave, a few kilometers away from the school. The<br />

team invites us to their school and we visit the workshops where the children’s creative<br />

work unfolds as they talk about the myth. Who were the Cyclopes and what was their true<br />

nature?<br />

Running time: 8΄<br />

Year of production: 2009<br />

648<br />

GREECE<br />

“How I Am: Challenging Perceptions”<br />

Production Company: Thessaloniki Film Festival<br />

Production Contact Person: Betty Semakoula<br />

T. +30 2310 378 631<br />

www.filmfestival.gr<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 537<br />

W


W<br />

Current Affairs<br />

WELCOME TO EUROPE<br />

Stelios Kouloglou<br />

Α refugee camp across the Pakistan-Afghanistan borders made of carton boxes and filled<br />

with stories of people tortured by the police. A prison in Jordan with cells designed for five<br />

people but in which more than a hundred people reside, reaching for fresh air through the<br />

prison bars. A makeshift camp in a forest in Kenya, the only refuge of people who have<br />

nowhere else to go. A mass grave in Bosnia and Herzegovina and an imam praying for their<br />

souls. There is only one problem: these pictures, as we will find out towards the end of the<br />

film, are not telling us the truth…<br />

Running time: 10΄<br />

Year of production: 2011<br />

Production Company: Lynx Productions<br />

Production Contact Person: Spyros Mavrogennis<br />

Sales Company: Lynx Productions<br />

Sales contact person: Spyros Mavrogennis<br />

25 Chaimanta St<br />

Athens 152 34, Greece<br />

T. +30 210 685 5098<br />

F. +30 210 680 1019<br />

lynx@lynxsa.gr<br />

538<br />

207<br />

GREECE<br />

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The dire conditions of one of the few schools that exist in Greece for children with special<br />

needs is seen through Yianna’s struggle to attain a decent education for her intellectually<br />

challenged son Dimitri. There are very few choices for them. The school he is attending is<br />

plagued with problems. Structurally and physically the school building is substandard and<br />

a public hazard. It is over crowded, understaffed and undersupplied. All children, regardless<br />

of their needs are thrown together. We observe Dimitri and his parents as they attempt<br />

to find a place for him in a vocational school that could provide him with a chance at becoming<br />

self-sufficient in society.<br />

Running time: 57΄<br />

Year of production: 2007<br />

631<br />

GREECE<br />

“How I Am: Challenging Perceptions”<br />

WHAT’S EAT<strong>IN</strong>G DIMITRI?<br />

Valerie Kontakos & Yannis Misouridis<br />

Production Company: Doc3 & Hellenic Broadcasting Corp., ERT SA<br />

Production Contact Person: Valerie Kontakos<br />

Sales Company: Hellenic Broadcasting Corp., ERT SA<br />

Sales Contact Person: Yannis Kollias<br />

432 Messoghion Ave<br />

Agia Paraskevi 153 42, Greece<br />

T. +30 210 607 5711<br />

F. +30 210 607 5715<br />

ykollias@ert.gr<br />

www.ert.gr<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 539<br />

W


W<br />

Science & Technology<br />

WHERE DID I PUT MY MEMORY?<br />

Josh Freed<br />

We meet people we know, but can’t recall their names. We forget where we put our wallet<br />

or our keys. As we live to an older age, memory loss is becoming one of the great health<br />

concerns. Are we all doomed to lose our minds? Or are there ways to keep our memories<br />

– and even improve them? Like the competitors of “The World Memory Championship”:<br />

an annual battle of the brains where the world’s best memories meet in a gruelling mental<br />

Olympics. If you can lose your memory, can you find it? Our film goes on a light-hearted<br />

and enlightening journey into our memories – and how we can improve them.<br />

Running time: 48΄<br />

Year of production: 2010<br />

Production Company: Morag Loves Company<br />

Production Contact Person: Doris Weitzel<br />

Sales Company: Point du Jour International<br />

Sales Contact Person: Doris Weitzel<br />

23 rue de Cronstadt,<br />

Paris 75015, France<br />

T. +33 1 7544 8080<br />

F. +33 1 4531 1305<br />

d.weitzel@pointdujour.fr<br />

www.pointdujour-international.fr<br />

540<br />

372<br />

CANADA<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Art, Music & Culture<br />

WHERE IS GARY?<br />

Jean-Baptiste Dumont<br />

Documentary maker Jean-Baptiste Dumont (JB), has been scammed by a certain Gary in<br />

a train station in Brussels. Out of curiosity he launches an interactive online investigation<br />

and soon realizes that Gary scammed many people all around Europe. Who is this guy?<br />

JB gives himself ten weeks to find Gary with the help of the audience. Twice a week he publishes<br />

a website, and Where Ιs Gary? becomes an interactive documentary. But it also raises<br />

many questions. How to avoid the search becoming a manhunt? What about privacy? What<br />

role does Facebook play? And is Gary for real?<br />

Running time: 52΄<br />

Year of production: 2010<br />

500<br />

THE NETHERLANDS<br />

Production Company: Potemkino<br />

Production Contact Person: Peter de Maegd<br />

Sales Company: NPO/RNW Sales<br />

Sales Contact Person: Ellie Beijaard<br />

Sumatralaan 45<br />

Hilversum 1217 GP, The Netherlands<br />

T. +31 35 677 3561<br />

F. +31 35 677 5318<br />

ellie.beijaard@omroep.nl<br />

www.nposales.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 541<br />

W


W<br />

Lifestyle<br />

WHO LOOKS AFTER<br />

Muriel Rebora<br />

Narda, a 28-year-old Βolivian student, leaves her country when she can no longer hide her<br />

pregnancy. In the face of family rejection and increasing difficulties with her career, she<br />

moves to Argentina with motherhood and saving money as her only goals. No previous<br />

arrangements, no warranties. In time, she’ll find herself building a life that both keeps and<br />

scares her. During her long hesitation on whether to go back or not, she will learn how to<br />

be a mother, look after, and be looked after, moving forward with the strength of her most<br />

unique quality: tenderness.<br />

Running time: 54΄<br />

Year of production: 2009<br />

Production Company: Jugo<br />

Production Contact Person: Muriel Rebora<br />

Sales Contact Person: Muriel Rebora<br />

Juramento 1081<br />

Buenos Aires 1428, Argentina<br />

T. +54 11 4786 9271<br />

reboramuriel@gmail.com<br />

542<br />

605<br />

ARGENT<strong>IN</strong>A<br />

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Science & Technology<br />

“The Orgasm as life-energy”. For this radical discovery, Wilhelm Reich was the last censored<br />

scientist of the 20th century.<br />

Arrested by the FBI, he died in prison. Now we discover that his findings are true... The<br />

amazing biography of a visionary.<br />

Running time: 58΄<br />

Year of production: 2010<br />

433<br />

AUSTRIA<br />

WHO’S AFRAID OF WILHELM REICH<br />

Antonin Svoboda<br />

Production Company: Coop99<br />

Production Contact Person: Antonin Svoboda<br />

Sales Company: Autlook Filmsales GmbH<br />

Sales Contact Person: Andrea Hock<br />

Trappelgasse 4/17<br />

Vienna 1040, Austria<br />

T. +43 720 346 934<br />

andrea@autlookfilms.com<br />

www.autlookfilms.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 543<br />

W


W<br />

Current Affairs<br />

WIEBO’S WAR<br />

David York<br />

Wiebo Ludwig is the prime suspect in a series of pipeline bombings near his family’s farm.<br />

The bombings echo a campaign of sabotage he waged against the gas industry 10 years<br />

ago: barricading roads, blowing up wells, and culminating in the unsolved death of a 16year-old<br />

girl.<br />

The Ludwig family lives according to strict religious values, and under the sway of Wiebo,<br />

their patriarch. They are self-sufficient in food and energy, but isolated, with seven unmarried<br />

adult children, and 38 grandchildren, many entering their teenaged years.<br />

And they believe that those who don’t share their beliefs, like filmmaker David York, are<br />

living in terrible darkness.<br />

Running time: 92΄<br />

Year of production: 2011<br />

Production Company: 52 Media Inc. & National Film Board of Canada<br />

Sales Company: National Film Board of Canada<br />

Sales Contact Person: Christina Rogers<br />

3155 Cote-de-Liesse Rd., St-Laurent,<br />

Quebec H4N 2N4, Canada<br />

T. +1 514 496 4134<br />

distribution@nfb.ca<br />

www.nfb.ca<br />

544<br />

166<br />

CANADA<br />

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Current Affairs<br />

Some people call him a racist, others adore him. Why has politician Geert Wilders turned<br />

so popular?<br />

The world is under the spell of Geert Wilders. The politician generates discussion, anger and<br />

admiration everywhere. During the elections of June 9th 2010, his Party for Freedom (PVV)<br />

was the major winner and became the third biggest party of the Netherlands. This journey<br />

takes us from the Netherlands to London, to the United States, and ends up in Israel.<br />

Running time: 53΄<br />

Year of production: 2010<br />

487<br />

THE NETHERLANDS<br />

WILDERS, THE MOVIE<br />

Joost van der Valk & Mags Gavan<br />

Production Company: Pieter van Huystee Film&TV and VPRO Television<br />

Production Contact Person: Pieter van Huystee<br />

Sales Company: NPO/RNW Sales<br />

Sales Contact Person: Ellie Beijaard<br />

Sumatralaan 45<br />

Hilversum 1217 GP, The Netherlands<br />

T. +31 35 677 3561<br />

F. +31 35 677 5318<br />

ellie.beijaard@omroep.nl<br />

www.nposales.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 545<br />

W


W<br />

Art, Music & Culture<br />

WILLIAM S. BURROUGHS:<br />

A MAN WITH<strong>IN</strong><br />

Yony Leyser<br />

Burroughs was one of the first writers to cross the boundaries of queer and drug culture<br />

in the 1950s. He has influenced generations of artists. However, his friends were left<br />

wondering, did William ever find happiness? This intimate documentary breaks the surface<br />

of the troubled and brilliant world of one of the greatest authors of all time.<br />

Running time: 90΄<br />

Year of production: 2010<br />

Production Company: Yonilizer Productions<br />

Production Contact Person: Yony Leyser<br />

Sales Company: CAT&Docs<br />

Sales Contact Person: Catherine Le Clef<br />

18 rue Quincampoix #133<br />

Paris 75004, France<br />

T. +33 1 4459 6353<br />

cat@catndocs.com<br />

www.catndocs.com<br />

546<br />

171<br />

USA<br />

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Current Affairs<br />

Sin País (Without Country) attempts to get beyond the partisan politics and mainstream<br />

media’s “talking point” approach to immigration issues by exploring one family’s complex<br />

and emotional journey involving deportation.<br />

After living in the United States for nearly twenty years, immigration agents stormed the<br />

Mejias’s house in 2007. Sam and Elida Mejia were undocumented and became deeply entangled<br />

in the US immigration system. After a passionate fight to keep the family together,<br />

Sam and Elida are deported back to Guatemala and leave their two teenage children in the<br />

United States.<br />

With intimate access and striking imagery, Sin País explores the complexities of the<br />

Mejias’s new reality of a separated family – parents without their children, and children<br />

without their parents.<br />

Running time: 20΄<br />

Year of production: 2010<br />

145<br />

US - GUATEMALA<br />

WITHOUT COUNTRY<br />

Theo Rigby<br />

Sales Contact Person: Theo Rigby<br />

318 Laidley St<br />

San Francisco CA 94131 USA<br />

T. +1 415 867 5977<br />

theorigby@yahoo.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 547<br />

W


W<br />

Art, Music & Culture<br />

THE WOMAN WITH THE 5 ELEPHANTS<br />

Vadim Jendreyko<br />

Swetlana Geier is considered the greatest translator of Russian literature into German. Recently<br />

she completed her life work – the translation of the five great novels by Dostoyevski,<br />

also known as “the five elephants”. Swetlana was born in Ukraine, which she left during<br />

the war in 1943. She never went back.<br />

The film interweaves the story of Swetlana Geier’s life with her literary work and traces the<br />

secret of this inexhaustible mediator of language. It tells of great suffering, silent helpers<br />

and unhoped-for chances. And a love of language that outshines all else.<br />

Running time: 94΄<br />

Year of production: 2009<br />

Production Company: Mira Film GmbH<br />

Production Contact Person: Anna Martensen<br />

Sales Company: Mira Film GmbH<br />

Sales Contact Person: Badenerstr.129<br />

Zurich 8004, Switzerland<br />

T. +41 439 603 684<br />

info@mirafilm.ch<br />

548<br />

457<br />

SWITZERLAND - GERMANY<br />

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History & Politics<br />

Hamas taking over Gaza turned it into one of the most controversial organizations in the<br />

world. While the most prominent members of the group are men, most of its field work<br />

is carried out by cadres of women supporters. Some serve as leaders of the movement<br />

while others are recognized for their social welfare activities on behalf of women and children<br />

and for being the mothers of suicide bombers.<br />

Director Suha Arraf obtained unprecedented access to three women who are active members<br />

of the organization in Gaza, and sheds light on the work of those who spend their life<br />

in the shadows.<br />

Running time: 60΄<br />

Year of production: 2010<br />

406<br />

ISRAEL - GERMANY<br />

WOMEN OF HAMAS<br />

Suha Arraf<br />

Sales Company: Cinephil<br />

Sales Contact Person: Philippa Kowarsky<br />

18 Levontin Street<br />

Tel Aviv 65112, Israel<br />

T. +972 3 566 4129<br />

F. +972 3 560 1436<br />

info@cinephil.co.il<br />

www.cinephil.co.il<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 549<br />

W


W<br />

Current Affairs<br />

WOMEN WITHOUT A PAUSE<br />

Paula Palacios<br />

Women without a Pause compares the most significant transition in all women’s life<br />

throughout different cultures: the menopause.<br />

Women from France, Brazil, Japan, Tanzania and USA share their experience and remind<br />

us that the menopause is a universal reality.<br />

Running time: 54΄<br />

Year of production: 2010<br />

Production Company: Palacios Films<br />

Production Contact Person: Paula Palacios<br />

Sales Company: Autlook Filmsales GmbH<br />

Sales Contact Person: Andrea Hock<br />

Trappelgasse 4/17<br />

Vienna 1040, Austria<br />

T. +43 720 346 934<br />

andrea@autlookfilms.com<br />

www.autlookfilms.com<br />

550<br />

434<br />

FRANCE<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Art, Music & Culture<br />

THE WOODMANS<br />

C. Scott Willis<br />

The Woodmans is an inspiring portrait of one family’s fall and redemption in the often brutal<br />

world of art. Family patriarch George is a professor and painter. Wife and mother Betty<br />

is a ceramicist who earns her own show at The Met. Charlie, their son, is a video artist. Most<br />

highly regarded is Francesca, their daughter, one of the late 20th century’s most recognized<br />

photographers, whose fame came after a tragedy that would forever scar the family.<br />

Through candid interviews with George, Betty, Charlie, and a host of friends, we come to<br />

understand how significant the importance of art-making has been to this family.<br />

Francesca’s work emerges in a highly developed way at a very early age. Through the creative<br />

use of her journal entries, experimental videos, and dynamic photographs, director<br />

C. Scott Willis brings us into the life of this young artist in a very intimate, visceral, and tragic<br />

way. His debut feature documentary is an original and extraordinary work that plumbs the<br />

depths of what it truly means to be an artist.<br />

Running time: 82΄<br />

Year of production: 2010<br />

394<br />

USA<br />

Production Company: C. Scott Films<br />

Production Contact Person: C. Scott Willis<br />

Sales Company: CAT&Docs<br />

Sales Contact Person: Catherine Le Clef<br />

18 rue Quincampoix #133<br />

Paris 75004, France<br />

T. +33 1 4459 6353<br />

cat@catndocs.com<br />

www.catndocs.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 551<br />

W


W<br />

History & Politics<br />

WORDS OF RESISTANCE<br />

Timon Koulmasis<br />

The taxi driver refused to be paid. Athens, late July 1974. The Greek military junta has collapsed<br />

the night before. Arriving from Cologne, Germany, my mother insists. The taxi driver<br />

does not answer. “May my hand wither if I take money from you!”, he utters finally. He had<br />

recognized her voice. She had been one of the three or four principal voices of the Greek<br />

radio program of the International German Radio Broadcast Deutsche Welle, a daily program<br />

that nearly all Greeks were listening to in secret during the dark years of the dictatorship<br />

of the colonels.<br />

Words of Resistance tells the story of the men and women who created this program and,<br />

forced into exile by the fascist regime, continued to fight for seven years to keep up the dignity<br />

and the hope of a whole people.<br />

This film tries to uncover for the first time the important part they played during and after<br />

the dictatorship and indicates their place in collective memory today. It questions the<br />

power of the critical, politically engaged speech and redefines its necessity today.<br />

Running time: 78΄<br />

Year of production: 2009<br />

Production Company: TK Films<br />

Production Contact Person: Timon Koulmasis<br />

Sales Company: AIA Films<br />

Sales Contact Person: Timon Koulmasis<br />

223 bd Raspail<br />

Paris 75013, France<br />

T. +33 1 4565 4241<br />

aia.films@orange.fr<br />

552<br />

203<br />

GREECE<br />

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Sports<br />

The European championship football madness, drunken “experts” at the provincial stadium,<br />

the backstage of the National team, raving fans in the streets of Paris and Lisbon. Football<br />

is a sport and entertainment, though possibly there is more to the game. In the film Working<br />

Class Ballet, philosophers, linguists, a neuropsychologist and a football coach contemplate<br />

the parallels between football and the drama of life, forming an unusual tale on<br />

what football is or could be.<br />

Running time: 49΄<br />

Year of production: 2009<br />

367<br />

LATVIA<br />

WORK<strong>IN</strong>G CLASS BALLET<br />

Roberts Vinovskis<br />

Production Company: Locomotive Production<br />

Production Contact Person: Roberts Vinovskis<br />

Bruņinieku iela 28-57<br />

Riga LV 1011, Latvia<br />

T. +371 292 986 67<br />

F. +371 672 985 38<br />

rv@locomotive.lv<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 553<br />

W


W<br />

Art, Music & Culture<br />

THE WORLD ACCORD<strong>IN</strong>G TO <strong>IO</strong>N B.<br />

Alexander Nanau<br />

The film starts in 2008. Ion B. is a 62-year-old homeless man living in Bucharest. As a young<br />

man, he had dreamed of becoming a film director. In the 70s he started creating collages<br />

that he refers to as “my films”. In 2008, a young gallery owner heard by chance about Ion<br />

and his work.<br />

The homeless man showed him a collection of old suitcases filled with almost 1000 collages<br />

he had made between the 70s and the 90s. Only one year later, in 2009, Ion is living<br />

in his own home and has become one of the most important contemporary artists in<br />

Romania.<br />

This is the story of a genuine artist living on the edge of society, creating art in its purest<br />

form: for himself.<br />

Running time: 60΄<br />

Year of production: 2010<br />

Production Company: Alexander Nanau Production & HBO Romania<br />

Production Contact Person: Alexander Nanau<br />

Sales Company: HBO Romania<br />

Sales Contact Person: Andrei Cretulescu<br />

62-64 Buzesti street, 3rd floor<br />

Bucharest 011017, Romania<br />

T. +40 21 307 7777<br />

F. +40 21 307 7788<br />

andrei.cretulescu@hbo.ro<br />

554<br />

138<br />

ROMANIA<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Art, Music & Culture<br />

This fascinating 3-part documentary series is a journey into the past, spanning 500 years<br />

of European history. Enjoy twelve gripping stories about the Old Masters, their secrets and<br />

often adventurous lives. What is concealed within their pictures? How did they see the<br />

world? And what high-tech methods do scientists employ today to uncover evidence of<br />

times past? Dive into the world of Caravaggio, Rembrandt, Titian, Raphael, Albrecht Dürer,<br />

Rubens, Lucas Cranach and many others. With great narration, the films explore connections<br />

that can’t easily be seen during a visit to the gallery. Crystal-clear close ups reveal<br />

those fascinating details that turn a painting into a masterpiece. Experience the immortal<br />

works of the Old Masters in all their beauty and discover the many stories they tell us.<br />

Running time: 3x26΄<br />

Year of production: 2010<br />

448<br />

GERMANY<br />

WORLDS OF THE MASTERS<br />

Hubert Schäfer & Christoph Martin Grosser<br />

Production Company: Oculus Film<br />

Production Contact Person: Hubert Schäfer<br />

Sales Company: Rise and Shine World Sales<br />

Sales Contact Person: Diana Karklin<br />

Schlesische Str. 29/30<br />

Berlin10997, Germany<br />

T. +49 30 4737 2980<br />

F. +49 30 4737 298 20<br />

diana.karklin@riseandshine-berlin.de<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 555<br />

W


W<br />

In Wretches & Jabberers, two men with autism embark on a global quest to change prevailing<br />

attitudes about disability and intelligence. With limited speech, Tracy Thresher, 42,<br />

and Larry Bissonnette, 52, both faced lives of social isolation in mental institutions or adult<br />

disability centers. When they learned as adults to communicate by typing, their lives<br />

changed dramatically. Their world tour message is that the same possibility exists for others<br />

like themselves. At each stop, they dissect public attitudes about autism and issue a<br />

hopeful challenge to reconsider competency and the future. Along the way, they reunite<br />

with old friends from the USA, expand the isolated world of a talented young painter and<br />

make new allies in their cause.<br />

Running time: 94΄<br />

Year of production: 2010<br />

556<br />

646<br />

USA - SRI LANKA - JAPAN - F<strong>IN</strong>LAND<br />

“How I Αm: Challenging Perceptions”<br />

WRETCHES & JABBERERS<br />

Gerardine Wurzburg<br />

Production Company: State of the Art, Inc<br />

Production Contact Person: Dan Curl<br />

Sales Company: Area 23A<br />

Sales Contact Person: Kirt Eftekhar<br />

1223 Wilshire Blvd. #820<br />

Santa Monica CA 90403 USA<br />

T. + 1 310 399 7937<br />

kirt@ocule.com<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Current Affairs<br />

Canadian citizen Omar Khadr has been in Guantánamo since 2002. He was 15 when he<br />

was arrested in Afghanistan and according to international law he is a child-soldier. This<br />

documentary shows the encounter between a team of Canadian intelligence agents and<br />

Omar Khadr, using the never before seen seven hours of video footage of his questioning<br />

recently declassified by the Supreme Court of Canada. The film delves into the unfolding<br />

high-stakes game of cat and mouse between captor and captive over a four day period and<br />

analyzes the political, legal and scientific aspects of a forced dialogue.<br />

Running time: 99΄<br />

Year of production: 2010<br />

108<br />

CANADA<br />

YOU DON’T L<strong>IK</strong>E THE TRUTH –<br />

4 DAYS <strong>IN</strong>SIDE GUATANAMO<br />

Luc Cote & Patricio Henriquez<br />

Production Company: Les Films Adobe<br />

Production Contact Person: Luc Cote<br />

Sales Company: Films Transit International<br />

Sales Contact Person: Jan Rofekamp<br />

252 Gouin Boulevard East<br />

Montreal/Quebec H3L 1A8, Canada<br />

T. + 1 514 844 3358<br />

F. + 1 514 844 7298<br />

jan@filmstransit.com<br />

www.filmstransit.com<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 557<br />

Y


Environment & Wildlife<br />

The Pantanal is a wild region in Brazil where the arid season rotates with the rainy one. Οld<br />

Zog, the dean of the howler monkeys, was serenely ruling his people in the haven of a generous<br />

forest. But for obscure reasons that no-one can explain, the winds haven’t blown this<br />

time. And they haven’t brought the usual flood with them which is terrible as they usually<br />

give life back to the dried out forest. The lack of rain will turn upside down what Zog<br />

always believed to be the natural order of things. His people will know hunger and thirst<br />

for the very first time.<br />

The buds have not blossomed, the water saved up in tree trunks has dried up and the king<br />

of the swamp, the anaconda Olim, has infiltrated the forest with the intention of capturing<br />

Zog who is really weakened.<br />

But the water brings forth all its efforts to save the inhabitants of the forest and it finally<br />

rains. Zog and his clan are saved but the old king is worried: What ever happened to the<br />

natural order of things?<br />

Running time: 2x52΄<br />

Year of production: 2010<br />

578<br />

FRANCE<br />

ZOG AND THE FLOOD<br />

Pierre Meynadier<br />

Production Company: Image Images Productions<br />

Sales Company: 10 Francs<br />

Sales Contact Person: Guy Knafo<br />

28, rue de l’Equerre<br />

75019 Paris, France<br />

T. +33 1 4874 4377<br />

F. +33 1 4874 8265<br />

10francs@10francs.fr<br />

www.10francs.fr<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 559<br />

Z


Z<br />

Art, Music & Culture<br />

ZUB<strong>IN</strong> MEHTA – “ZUB<strong>IN</strong> AND ME”<br />

Ori Sivan<br />

The director follows world famous Maestro Zubin Mehta from his home town in India to<br />

his adopted city, Tel Aviv, to discuss his career and personal choices.<br />

Running time: 66΄<br />

Year of production: 2010<br />

Sales Company: Cinephil<br />

Sales Contact Person: Philippa Kowarsky<br />

18 Levontin St<br />

Tel Aviv 65112, Israel<br />

T. +972 3 566 4129<br />

F. +972 3 560 1436<br />

info@cinephil.co.il<br />

www.cinephil.co.il<br />

560<br />

407<br />

ISRAEL<br />

1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Art, Music & Culture<br />

Voices, aspirations and contradictions of contemporary Iran in a journey across the undocumented<br />

world of Zurkhaneh, the traditional Iranian gymnasia where martial arts and<br />

music come together.<br />

Running time: 104΄<br />

Year of production: 2010<br />

503<br />

CANADA - IRAN - KOREA<br />

ZURKHANEH:<br />

THE HOUSE OF STRENGTH<br />

Federico Spinetti<br />

Production Company: University of Alberta (Canada) & Lab 80 film<br />

Production Contact Person: Alberto Valtellina<br />

Sales Company: Lab 80 Film<br />

Sales Contact Person: Alberto Valtellina<br />

via Pignolo 123<br />

Bergamo 24121, Italy<br />

T. +39 333 849 0808 +39 03 5578 1021<br />

F. +39 03 534 1255<br />

alberto@lab80.it<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 561<br />

Z


Index of Directors<br />

Abedian, Torang 363<br />

Adamni, Adamu 358<br />

Adolph, Jörg 226<br />

Adriatico, Andrea 14<br />

Agathos, Anastasis 80<br />

Aguiló, Macarena 114<br />

Akridas, Christos 391<br />

Al Massad, Mahmoud 502<br />

Alevras, Nikos 404<br />

Alexiou, Alexis 154<br />

Alexiou, Ioannis 97<br />

Alexopoulou, Vana 388<br />

Ameladiotis, Dimitris 23<br />

Amiropoulos, Spyros 167<br />

Anderson, Lev 170<br />

Andonopoulos, Andreas 517<br />

André, David 169<br />

Andresevic, Jill 309<br />

Andrikopoulou, Angeli 219<br />

Antoniou, Yorgos 431<br />

Arnarson, Orn Marino 181<br />

Arnold, Jennifer 467<br />

Arraf, Suha 549<br />

Asso, Aurore 135<br />

Aston, Deborah 314<br />

Astraka, Marianna 447<br />

Atesh Litle, Joshua 193<br />

Ayalon, Yakie 483<br />

Azevedo, Licinio 265<br />

Bademsoy, Aysun 156<br />

Baer, Martin 284<br />

Bailey, Genevieve 233<br />

Bailey, Lucy 334<br />

Baker, Jonathan 183<br />

Bakhshi, Massoud 62<br />

Bar-Lev, Amir 506<br />

Barbieri, Giotto 15<br />

Barkanikas, Charalambos 97<br />

Barnard, Clio 46<br />

Baron, Saskia 53<br />

Barrett, Matt 272<br />

Barry, Stevens 419<br />

Baş, Berke 409<br />

Bass, Anne 127<br />

Bateman, Henry 194<br />

Bausch, Carles 77<br />

Bellucci, Nicola 250<br />

Ben Hagai, Noa 83<br />

Benaim, Abner 315<br />

Benalia, Nasser-Eddine 30<br />

Berghäll, Joonas 481<br />

Bergman, Nir 440<br />

Berry, David 252<br />

Bigham, Jim 189<br />

Biklen, Douglas 341<br />

Binzer, Lea 401<br />

Bird, Barbara 359<br />

Bofarull, Anna 209<br />

Bonilla, Rafael 296<br />

Bonnaire, Sandrine 217<br />

Boonstra, Marjolein 42<br />

Boyd, Stephanie 140<br />

Braun, Netalie 210<br />

Bridgham, Julie 446<br />

Brillant, Stephanie 198<br />

Brooker-Marks, Joan 464<br />

Brooks, Jonathan 227<br />

Bucak, Fatma 39<br />

Bundi, Hercli 224<br />

Burkard, Konstanze 509<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e<br />

563


Burth, Marc 307<br />

Busnel, François-Xavier 434<br />

Bustnes, Håvard 212<br />

Buthenhoff-Duffy, Claudia 286<br />

Calek, David 214<br />

Cammack, Jocelyn 508<br />

Carpatorea, Ionut 221<br />

Castro, Félix Fernández De 319<br />

Celati, Gianni 142<br />

Celis, Barbara 485<br />

Charalambous, Petros 185<br />

Chen, Itamar 491<br />

Chilingirov, Hristo 109<br />

Chojna, Igor 455<br />

Choumou, Eleni 479<br />

Chytroschek, Tristan 473<br />

Ciners8 338<br />

City of Athens Cultural Organization<br />

Documentary Group 2009, 288<br />

Coca-Cozma, Miruna 387<br />

Cohen, Hila 27<br />

Cohen, Paul 269<br />

Comte, Olivier 411<br />

Condom, Cédric 101<br />

Corbelli, Giulio Maria 14<br />

Cote, Luc 557<br />

Curry, Marshall 239<br />

D’Hondt, Caroline 173<br />

Daccache, Zeina 16<br />

Danezi, Marina 450, 514<br />

Danopoulos, Yorgos 379<br />

Daountaki, Anthi 515<br />

Dartevelle, André 351<br />

Dawid, Leszek 373<br />

De Canson, Cyrille 331<br />

De Vries, Simone 494<br />

De Wilde, Jascha 308<br />

Demetz, Ingrid 225<br />

Demichelis, Davide 161<br />

Deniau, Jean-Charles 453<br />

Der Derian, James 228<br />

Derki, Talal 218<br />

Detiger, Allard 355<br />

Deveux, Vincent 317<br />

Dews, Morgan 339<br />

Dhoedt, Steven 258<br />

Dimitsanos, Yorgos 47<br />

Dinç, Nefin 385<br />

Dobrucki, Leslaw 300<br />

Doran, Jamie 128<br />

Dortmans, Hans 145<br />

Doulkeri, Tessa 65<br />

Drosakis, Nikos 301<br />

Ducaroir, Laure 353<br />

Dumont, Jean-Baptiste 541<br />

Dunlop, Nic 93<br />

Dusek, Martin 120<br />

Dutertre, Mino 331<br />

Dysinger, Carol 100<br />

Economides, Glafkos 423<br />

Economou, Maria 537<br />

Economou, Marianna 153, 519<br />

Economou, Vassilis 449<br />

Eldar, Shlomi 416<br />

Elder, Kathy 303<br />

Engel, Dries 88<br />

Esson, Katja 466<br />

Evangelidis, Panagiotis 298<br />

Evangelinos, Omiros 347<br />

Fargnachino, Sergio 39<br />

Faschina, Titus 118<br />

Fedda, Yasmin 89<br />

Felver, Christopher 106, 182<br />

Ferdek, Pawel 454<br />

Ferrara, Abel 349<br />

Ferryn, Patrick 162<br />

Findlay, Peter 426<br />

Fingerhut, Benjamin 90<br />

Flessa, Kleoni 186<br />

Forbes, David 123, 335<br />

Forgács, Péter 231<br />

Fotiadis, George 447<br />

Freed, Josh 342, 540<br />

Fridriksson, Fridrik Thor 333<br />

Fylaktos, Lefteris 19<br />

Galinsky, Michael 67<br />

Gallus, Maya 144<br />

Garbely, Frank 216<br />

García-Moreno, Diego 70<br />

Gauja, Andris 178<br />

Gavan, Mags 545<br />

Gentelev, Alexander 500<br />

Georgiev, Tchavdar 136<br />

Gerosa, Manu 278<br />

564 1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Gerrets, Boris 402<br />

Geyrhalter, Nikolaus 37<br />

Gilbert, Peter 94<br />

Goldberg, Daniel 249<br />

Gonsalves, Ines 312, 490<br />

Gonseth, Frederic 230<br />

Gottlieb, Lizzie 510<br />

Gould, Ester 461<br />

Grabsky, Phil 87<br />

Greenberg-Anjou, Erik 285<br />

Grosser, Christoph Martin 50, 213, 475, 555<br />

Grotenhuis, Walther 163<br />

Grün, Eva 358<br />

Grünberg, Sławomir 513<br />

Gsell, Gitta 85<br />

Guerra-Peixe, Georgia 444<br />

Guichard, Camille 353<br />

Guicherd, Anne 433<br />

Gutiérrez, Rafaël 435<br />

Guttman, Dalia 113<br />

Guzmán, Ulises 413<br />

Gyrithe Bonne, Anne 52<br />

Habib, Dan 255<br />

Hachmeister, Lutz 504<br />

Haggerman, Carlos 58<br />

Hardarson, Thorkell 181<br />

Hardy, Don 310<br />

Harel, Nadav 157<br />

Harris, Eytan 48<br />

Hart, Phoebe 380<br />

Hassaballa, Salma 75<br />

Hawley, Suki 67<br />

Hayun, Oshri 27<br />

Heim, Gabriel 271<br />

Helminen, Suvi Andrea 518<br />

Henriquez, Patricio 557<br />

Herman Dolz, Sonia 35<br />

Herskovits, Alberto 177<br />

Hessman, Robin 344<br />

Hetherington, Tim 436<br />

Heymann, Tomer 370<br />

Hnikova, Erika 324<br />

Ho, Thuy-Tiên 528<br />

Hoaglund, Linda 44<br />

Hobkinson, Sam 73<br />

Hofmann, Pascal 130<br />

Hokkanen, Jouni 282<br />

Holland, Ezra 260<br />

Horvath, Andreas 45<br />

Hotakainen, Mika 481<br />

Hristov, Tonislav 441<br />

Huezo Sánchez, Tatiana 468<br />

Idakiev, Simeon 474<br />

Iglesias González, Ígor 511<br />

Ingmire, George 501<br />

Isbilen, Tahsin 112<br />

Itach, Ohad 311<br />

Jaberg, Benny 130<br />

Jablonski, Dariusz 534<br />

Jarl, Stefan 484<br />

Jarmusch, Tom 471<br />

Jaud, Jean-Paul 459<br />

Jaury, Marie-Pierre 110<br />

Jendreyko, Vadim 548<br />

Jin, Huaging 215<br />

Jonigkeit, Elke 486<br />

Jullien, Anaud 168<br />

Junger, Sebastian 436<br />

Junker, Jens 33<br />

Jurtshenko, Marje 507<br />

Kaat, Marianna 408<br />

Kalaitzis, Vangelis 503<br />

Kaplan, Marianne 86<br />

Kappos, Sotiris 482<br />

Kapteijns, Michel 417<br />

Karakepelis, Christos 425<br />

Karanikolas, Athanasios 281<br />

Karni, Gil 261<br />

Kastner, Jamie 427<br />

Kaufman, David 472<br />

Kaveh, Yehuda 113<br />

Kawase, Naomi 197<br />

Kayode, Ibisankale 150<br />

Kekas, Panos 152<br />

Kent, Jon 159<br />

Keramidiotis, Yorgos 439<br />

Keresteliev, Dobrin 489<br />

Kersanidis, Akis 164<br />

Kesisoglou, Anna 336<br />

Khashchavatski, Yury 304<br />

Kilmi, Jaak 143<br />

King, Julianne & Don 71<br />

Kioukas, Antonis 238<br />

Kirpalani, Soniya 146, 465<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 565


Kirtadzé, Nino 138<br />

Kleiman, Michael 294<br />

Klusak, Vit 34, 125<br />

Knauer, Lorenz 268<br />

Koiso-Kanttila, Visa 412<br />

Komandarev, Stephan 512<br />

Kontakos, Valerie 539<br />

Köösel, Kertu 507<br />

Korexenidis, Simos 321<br />

Koszalka, Marcin 134<br />

Koszałka, Marcin 295<br />

Koulmasis, Timon 552<br />

Kouloglou, Stelios 538<br />

Krawiec, Grzegorz 222<br />

Krontiropoulou, Pinelopi 487<br />

Kudrna, Tomas 36<br />

Kuipers, Nadine 172<br />

Kyriakopoulos, Panayiotis 108<br />

Laffont, Jérôme 29<br />

Lafon, Cyril 206<br />

Laguerre, Antoine 393<br />

Laloudaki, Elisavet 382<br />

Landerburger, Thomas 31<br />

Landsman, Mark 505<br />

Larsen, Adam 352<br />

Latsoudi, Efi 536<br />

Le Pomellec, Camelle 137<br />

Lechuga, Leobardo Jacob 273<br />

Lee, Seong-gyou 340<br />

Leeman, Lisa 376<br />

Lefebvre, Carine 332<br />

Legaki, Kalliopi 378, 478<br />

Leingle, Gael 275<br />

Leitner, Caroline 225<br />

Leuze, Mirjam 201<br />

Lev, Simha 329<br />

Levy, Françoise 397<br />

Leyser, Yony 546<br />

Liberdade, Kiluanje 490<br />

Liberman Shkolnikoff, Lillian 532<br />

Libertade, Kiluanje 312<br />

Lieff, Judy 133<br />

Lokkerberg, Vibeke 493<br />

Longinotto, Kim 406<br />

López, Pedro Daniel 302<br />

Loules, Vassilis 111<br />

Loveland, Adrian 521<br />

Lozano, Juan José 242<br />

Lubbe Bakker, Sabine 461<br />

Ludlow, Dariela 374<br />

Luraschi, Sara 498<br />

Lusena de Sarmiento, Tommaso 99<br />

Lykoudis, Michalis 151<br />

MacInnes, Teresa 361<br />

Macqueen, Angus 256<br />

MAK Kritikou, Marineta 480<br />

Malliarou, Theodora 287<br />

Maltz, Judy 359<br />

Mangin, Mathias 356<br />

Mannheimer, Lina 122<br />

Marangos, Aristotelis 259<br />

March, Briar 497<br />

Marczak, Michal 51<br />

Marquardt, Alberto 364<br />

Marshall, Stephen 220<br />

Martínez, Fernando 179<br />

Martino, Antonio 357<br />

Matsikas, Yorgos 108<br />

Mavraki, Isabella 452<br />

Maytorena Taylor, Jennifer 354<br />

McGrain, Pete 166<br />

Melanitou, Eftychia 326<br />

Menegazzo, Morgan 535<br />

Mengrelis, Nikos 460<br />

Metzler, Chris 170<br />

Meynadier, Pierre 559<br />

Mikulski, Lech 457<br />

Milan, Kuzov 21<br />

Milne, Anne 320<br />

Minorowicz, Marta 405<br />

Minter, Sarah 360<br />

Mirkovic, Zeliko 237<br />

Mishey, Greg 303<br />

Miské, Karim 422<br />

Misouridis, Yannis 305, 327, 539<br />

Mocanu, Matei-Alexandru 462<br />

Moormann, Mark 189<br />

Moreau, Laëtitia 195<br />

Morgan, Andreas 469<br />

Morris, Holloman 242<br />

Mortezai, Sudabeh 248<br />

Mountsakis, Stergios 420<br />

Mulvad, Eva 202<br />

Muñoz, Salva 278<br />

566 1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Muntean, Lucian and Natasa 325<br />

Music, Goran 24<br />

Nachman, Dana 310<br />

Nanau, Alexander 554<br />

Nannavecchia, Nicola 323<br />

Nash, Steve 260<br />

Nason, Kent 361<br />

Nemes, Gyula 350<br />

Nicoara, Mona 387<br />

Nicolas, Hervé 139<br />

Niestroj, Jędrzej 316<br />

Nikoleris, Christos 499<br />

Noll, Michel 123, 335<br />

ΝΟΜΙΝΤ 207<br />

O Domhnaill, Risteard 407<br />

Occhipinti, Michela 297<br />

Ochronowicz, Igor 235<br />

Ogut, Berfi Dicle 205<br />

Olalla, Pedro 243<br />

Oreck, Jessica 72<br />

Orion Scott, Michel 223<br />

Orr, Odette 69<br />

Orthodoxou, Costas 41, 289<br />

Oskouei, Mehrdad 292<br />

Ostrochovsky, Ivan 241<br />

Otten, Hans 63<br />

Pablos, David 375<br />

Pakalnina, Laila 372<br />

Palacios, Paula 550<br />

Paladino, Thierry 313<br />

Paliatsios, Yorgos 23<br />

Papadogeorgou, Myrto 124<br />

Papagaroufalis, George 527<br />

Papageorghiou, Stavros 165<br />

Papathanassiou, Anneta 365<br />

Papathanassiou, Nikoletta 240<br />

Papatheodorou, Yorgos 429<br />

Paraskevas, Apostolos 234<br />

Paravel, Verena 190<br />

Pariente, Jonas 356<br />

Paris, Erato 96<br />

Pasin, Patrick 95<br />

Patroni, Katerina 147, 160<br />

Paz, Eran 270<br />

Pechlivanidis, Chronis 476<br />

Pelecis, Mara 477<br />

Perkins, Jeffrey 394<br />

Pertnoy, Michael 294<br />

Pesli, Maria 386<br />

Philp, John 330<br />

Piasecki Poulsen, Frank 82<br />

Pieta, Magdalena 410<br />

Pighetti, Oliver 103<br />

Pills, Mariusz 61<br />

Pinto, Goel 377<br />

Piperides, Marios 293<br />

Pittidis, Alexander 525<br />

Piturescu, Ionut 421<br />

Pizzocaro, Massimo 382<br />

Ploumpidis, Nicolas 184<br />

Podemski, Esther 400<br />

Poinsot, Laure 141<br />

Poitras, Laura 367<br />

Ponce, Alexis 38<br />

Pope, Amanda 136<br />

Poutte, Manu 191<br />

Poveda, Christian 526<br />

Pradetto, Wilma 246<br />

Preuss, Jakob 384<br />

Prochazka, Radim 104<br />

Provaznik, Ondrej 120<br />

Provencher, Raymonde 204<br />

Przybył, Rafał 316<br />

Psarras, Tasos 43<br />

Psyllakis, Stavros 516<br />

Quérouil, Manon 198<br />

Rabaud, Marlène 277<br />

Ramonet, Axel 135<br />

Rau, Rama 322<br />

Rébillon, Hervé 264<br />

Rebora, Muriel 542<br />

Reed, Patrick 492<br />

Reichova, Tereza 318<br />

Remunda, Filip 125<br />

Retel Helmrich, Leonard 414<br />

Richter, Janos 208<br />

Rigas, Vangelis 257<br />

Rigby, Theo 547<br />

Riguet, Alexandra 17<br />

Rincon, Nicolas 158<br />

Rohrer, Kat 180<br />

Romano, U. Roberto 211<br />

Rosenblatt, Jay 131<br />

Rosenwaks, Uri 57<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 567


Rosi, Gianfranco 463<br />

Ross, Bill and Turner 20<br />

Rossetti, Zach 341<br />

Rough Cats 32<br />

Roumeliotis, Ioannis 395<br />

Ruhle, Eberhard 246<br />

Sanchez, Alejandra 26<br />

Santana, Araceli 81<br />

Sarenac, Srdjan 529<br />

Sarvestani, Nima 236<br />

Sauter, Marcin 362<br />

Saywell, Shelley 251<br />

Scarbonchi, Laurence 432<br />

Schädler, Reinhard 74<br />

Schäfer, Hubert 50, 213, 475, 555<br />

Schellart, Marieke 155<br />

Schillaci, Giuseppe 99<br />

Schmitt, Erik 470<br />

Schomerus, Hajo 245<br />

Schröder, Kaspar Astrup 345<br />

Schumann, Dieter 533<br />

Séclier, Philippe 40<br />

Seeger, Wolfram 54<br />

Segre, Andrea 299<br />

Sevgili, Soner 403<br />

Sher, Roy 346<br />

Sherman, Richie 359<br />

Shiers-Ghelliere, Kate 175<br />

Sieveking, David 132<br />

Silovic, Vassili 25<br />

Silva Melo, Jorge 522<br />

Sivan, Eyal 267<br />

Sivan, Ori 560<br />

Skopeteas, Yannis 192<br />

Smith, Philip 531<br />

Smrzova, Dagmar 448<br />

Sniadecki, J.P 190<br />

Soda, Kazuhiro 399<br />

Sos, Agnes 263<br />

Spatova, Olga 174<br />

Spinetti, Federico 561<br />

Standen-Raz, Andrew 530<br />

Stern, Ricki 93<br />

Stockman, Walter 451<br />

Stozek, Jakub 389<br />

Stratigakos, Stavros 119<br />

Strigel, Claus 254<br />

Suidgeest, Koen 279<br />

Sundberg, Annie 93<br />

Svoboda, Antonin 543<br />

Szederkényi, Júlia 105<br />

Szymanska, Wiktoria 495<br />

Tal, Ran 199<br />

Talamantes, César 383<br />

Tan, Shuchen 59, 66<br />

Temple, Julien 371<br />

Tenhaven, Jan 56<br />

Teskos, Spyros 343<br />

Thalhofer, Florian 409<br />

Theodorakis, Nick 290<br />

Theodoropoulos, Dimitris 22<br />

Theodosiou, Nikos 262<br />

Thompson, Andrew 334<br />

Todorov, Jordan 121<br />

Tomashevich, Ilya 84<br />

Touboura, Sofia 445<br />

Tour, David 113<br />

Touzalin, Christophe 353<br />

Trabitzsch, Michael 102<br />

Trachtman, Ilana 415<br />

Trayanova, Maria 49<br />

Třeštíková, Helena 280<br />

Trikas, Dimitris 496<br />

Trochidis, Prodromos 430<br />

Tsabari, Doron 437<br />

Tsepelikas, Argyris 219<br />

Tsiarta, Anna 253<br />

Tucciarone, Mathew 234<br />

Tuurna, Markku 458<br />

Tuvi, Reyan 369<br />

Tzafka, Gabriel 107<br />

Tzavella, Sophia 398<br />

Tzelepi, Chryssa 164<br />

Udris, David 228<br />

Udris, Michael 228<br />

Ujică, Andrei 55<br />

Urbajs, Milan 283<br />

Urso, Bruno & Fabrizio 68<br />

Usborne, Tim 149<br />

Uttar Kornetzky, Brigitte 200<br />

Van den Engel, Frank 494<br />

Van der Haak, Bregtje 60<br />

Van der Valk, Joost 545<br />

Van Es, Klara 306<br />

568 1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Van Luyn, Floris-Jan 424<br />

Van Peel, Bart 88<br />

Van Schaik, Saskia 91<br />

Van Tassel, Sabrina 438<br />

Vassilev, Nikolay 488<br />

Venditti, Jennifer 78<br />

Verete, Danny 229<br />

Veverka, Jeremy 115<br />

Veverka, Jesse 115<br />

Vianellis, Freddy 171<br />

Villarroya, Roger 396<br />

Vinovskis, Roberts 553<br />

Visinoni, Sergio 337<br />

Vlassi, Eleni 291<br />

Vojnar, Ivan 117<br />

Vojtek, Jaro 390<br />

Von Kalckreuth, Hans 523<br />

Vrakas, Dimitris 247<br />

Vredeveld, Saskia 79<br />

Wadimoff, Nicolas 28<br />

Wang, Feng 187<br />

Warrick, Jeff 418<br />

Wei, Shi 381<br />

Weihermann, Ralph 201<br />

Wetzel, Gereon 92, 226<br />

Whitney, Jim 476<br />

Widmer, Gerhard 18<br />

Willis, C. Scott 551<br />

Wischmann, Claus 284<br />

Wistroem, Mikael 177<br />

Wolf, Edgar 358<br />

Wolf, Thierry 428<br />

Wolff, Michael 18<br />

Wood, Elizabeth 129<br />

Wurzburg, Gerardine 556<br />

Wyss, Tobias 188<br />

Xanthopoulos, Lefteris 64<br />

Xhrouet, Stéphane 274<br />

Yatzouzakis, Dimitris 456<br />

Yimer, Dagmawi 299<br />

York, David 544<br />

Zachmanidi, Iris 116<br />

Zajtman, Arnaud 277<br />

Zambelli, Andrea 328<br />

Zanoli, Andrea 244, 328<br />

Zariczny, Grzegorz 148<br />

Zheng, Xiaolei 368<br />

Zipagauta, Rendon 76<br />

Zografou, Vivi 38<br />

Zünd, Jacqueline 203<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 569


Index of sales Companies<br />

10 Francs 15, 17, 30, 40, 85, 99, 106, 135, 139, 161,<br />

182, 299, 331, 394, 428, 432, 433, 434, 435, 559<br />

AB Svensk Filmindustri 493<br />

AETN International 506<br />

AIA Films 552<br />

Always at Sea Productions 400<br />

AMP Film Works Ltd 293<br />

Anemon Productions 219<br />

Aplaplac Producciones 114<br />

Area 23A 556<br />

Artistic Organisation Tabula Rasa 301<br />

Atlantik Film 385<br />

Autlook Filmsales GmbH 37, 44, 45, 74, 92, 132, 143, 163,<br />

178, 203, 226, 242, 315, 407, 507, 512, 543, 550<br />

Baltic Film Production 304<br />

bathysphere productions 275<br />

Bausan Films, S.L. 319<br />

BBC Active 53<br />

BossaNovaFilms 444<br />

Bright Child Films 71<br />

Bulgarian National TV 21, 49, 109, 474, 488, 489<br />

C Major Entertainment GmbH 284<br />

Cargo Film & Releasing 100<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e<br />

571


CAT&Docs 26, 36, 77, 88, 93, 94, 138, 157, 212,<br />

267, 279, 306, 340, 367, 453, 485, 502, 546, 551<br />

Cinema Group Production 218<br />

Cinephil 83, 199, 256, 294, 346, 370, 416, 427, 440, 491, 500, 549, 560<br />

CL Productions 425, 460<br />

Cultural Foundation of Tinos 480<br />

Cultural Organization of the City of Athens – Poulidis Productions 288<br />

Czech Television 117<br />

Dangerous Productions 447<br />

Danish Documentary Production 202<br />

Deckert Distribution GmbH 118, 131, 156, 177, 236, 408, 412, 466, 495<br />

Doc & Film International 193, 463<br />

DOC 3, 153, 154<br />

Doc and Film World Sales 169<br />

DR International Sales 86<br />

DR TV, International Sales 82<br />

Exit Filmproduktion 54<br />

F Productions 96<br />

Films Transit International 56, 136, 144, 180, 181, 220,<br />

239, 251, 376, 414, 424, 426, 481, 492, 557<br />

First Hand Films 52, 210, 310, 380, 417, 441, 534<br />

Gebrueder Beetz Filmproduktion 307<br />

Goldcrest Films International 436<br />

Greek Film Center 111, 160, 186, 327, 343, 425, 456, 460, 478, 519<br />

Hakalax Productions Oy 282<br />

HanWay Films 334, 371, 505<br />

HBO Central Europe 263, 295, 462, 513<br />

HBO Czech Republic 448<br />

HBO Romania 554<br />

Hellenic Broadcasting Corp., ERT SA 43, 64, 119, 153,<br />

154, 192, 429, 487, 496, 515, 516, 539<br />

572 1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Hellenic Visual Archives 423<br />

Icons World 291<br />

ICTV 123, 187, 215, 216, 335, 339, 368, 528<br />

ICTV (Rest of the World) 381<br />

Illumina Films 42, 325, 446, 458, 464<br />

Instituto Mexicano de Cinematografía (Imcine) 58, 81, 249, 273,<br />

296, 302, 360, 374, 383, 413, 468, 532<br />

Iris 32<br />

Java Films 103, 137, 198, 227, 473<br />

JMT Films Distribution 27, 48, 113, 150, 179, 261, 270, 329, 356, 377, 438, 518<br />

Journeyman Pictures 278, 497<br />

Kalejdoskop Film Studio 316<br />

Kent Creative/501Cinema 159<br />

Krakow Film Foundation 134, 148, 222, 286, 300, 362, 373, 389, 405, 410, 454, 455<br />

Kumie Inc. 197<br />

L’Oeil de la chouette 206<br />

Lab 80 Film 244, 337, 498, 561<br />

Lab of Electronic Media – Dept. of Journalism and<br />

Mass Media, Aristotle University of Thessaloniki 65<br />

Laboratory X, inc. 399<br />

Lamaraca Producciones 70<br />

London Film School 259<br />

Louise Rosen Ltd 467<br />

Lynx Productions 538<br />

M.C.R. Production 482<br />

Mandragora International 55<br />

Marfilmes 265, 312, 490, 522<br />

Massive Productions 243<br />

Mi Abuelo Productions 501<br />

Minerva Pictures Group 349<br />

Minimal Films 147<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 573


Mira Film GmbH 188, 224, 548<br />

Modiano SA 365<br />

Mysterious Art 47<br />

N-ORASIS 499<br />

National Film Board of Canada 204, 419, 544<br />

Network Ireland Television 89<br />

NIMA Productions 514<br />

Noima 240<br />

NOM<strong>IN</strong>T 207<br />

NPO Sales 59, 62<br />

NPO/RNW Sales 35, 60, 61, 63, 66, 79, 91, 155, 258, 269, 308, 355, 461, 494, 541, 545<br />

Objective Cinema 345<br />

Onos Productions 476<br />

OPA TV 525<br />

Open University Worldwide 73, 149, 175, 252, 272, 531<br />

OutCome 104, 168, 214<br />

Periplus 240<br />

Pesca Production 328<br />

Pieter van Huijstee Film 145<br />

Point du Jour International 25, 28, 110, 141, 235, 264, 332, 342, 364, 411, 422, 540<br />

Raven Films/Spier Films 194<br />

Realfiction Film 533<br />

Rise and Shine World Sales 33, 50, 72, 213, 245, 384, 409, 470, 475, 508, 555<br />

Roco Films 78, 309, 344<br />

rumur 67<br />

Ruth Diskin Films 57, 229, 311, 437<br />

Seventh Art Productions 87<br />

Seventh Art Releasing 20, 285, 330, 354, 359, 472<br />

Sheherazad Media International (SMI) 292<br />

Sideways Film 115, 140, 166, 183, 228, 418, 521<br />

574 1 3 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Silver Sickle Productions 234<br />

Smiley Film Sales 415<br />

Storyline Entertainment 322<br />

Studio Alfa SA 116<br />

Studio Obrazu – Lech Mikulski 457<br />

studioCrocus 401<br />

Submarine 172<br />

Svesnk Filmindustri 484<br />

Syracuse University 341<br />

T&C Edition 130<br />

Taskovski Films 31, 34, 39, 125, 237, 280, 402<br />

Tetraktys Films 165<br />

The Film Sales Company 211, 333<br />

Thierry Detaille Int’l imports 146, 230, 313, 465, 529<br />

ThinkMedia 303<br />

TVF International 128, 361<br />

Unicorn Content & Media 69<br />

united docs 18, 102, 201, 246, 254, 268, 271, 358, 486, 504, 509, 523<br />

Ventes-CBA/WIP Sales 29, 158, 162, 173, 191, 274, 277, 317, 351, 397, 443<br />

Visit Films 189<br />

Vitagraph 14, 68, 142, 323, 357, 535<br />

Vixen Films 406<br />

Vox Documentaries 107<br />

Wavelenght Pictures 46<br />

Wide House 76, 95, 127, 353, 393, 451, 459, 526<br />

Zed 101, 195<br />

2 0 1 1 T h e s s a l o n i k i D o c M a r k e t G u i d e 575


ΦΕΣΤΙΒΑΛ ΝΤΟΚΙΜΑΝΤΕΡ ΘΕΣΣΑΛΟΝΙΚΗΣ<br />

Thessaloniki DocumenTary FesTival<br />

Πλατεία Αριστοτέλους 10, 546 23 Θεσσαλονίκη/10, Aristotelous Sq., 54623 Thessaloniki<br />

T. +30 2310 378400 F. +30 2310 285759<br />

Λεωφόρος Αλεξάνδρας 9, 11473 Αθήνα/9 Alexandras Ave., 11473 Athens<br />

Τ. +30 210 8706000 F. +30 210 6448163<br />

info@filmfestival.gr www.filmfestival.gr

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