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program
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PROGRAM: Saturday 18 March<br />
9.00–9.15am<br />
9.30–11.00am<br />
Welcome: Robert Wellington, Lecturer, ANU School of Art<br />
& Design Centre for Art History and Art Theory and<br />
co-convenor of the conference<br />
Session four: Outsiders<br />
• David Maskill, A Turk in the Hall of Mirrors<br />
• Meredith Martin, From port to palace: Maritime art and Mediterranean<br />
servitude at Louis XIV’s Versailles [appearing via video link]<br />
• Daniëlle Kisluk-Grosheide, Outside insider: Cornelis Hop (1685–1762),<br />
Dutch ambassador to the court of Louis XV<br />
11.00–11.30am<br />
11.30am–1.00pm<br />
Morning tea<br />
Session five: Representation<br />
• Mark de Vitis, The politics of embellishment in prints of Louis XIV<br />
• Louis Marchesano, Strategies of engraving and etching in Description<br />
de la grotte de Versailles 1676<br />
• Sophie Matthiesson, From fountains of Apollo to fountains of Liberty:<br />
Artificial landscape as political spectacle in eighteenth-century France<br />
1.00–2.00pm<br />
2.00–3.30pm<br />
Lunch<br />
Session six: Versailles now<br />
• Allison Holland, Reverberations of Japanese art at Versailles<br />
• Jennifer Ferng, American Versailles: Kitsch opulence, capitalism and<br />
McMansion dreams in Florida<br />
• Robert Wellington, Tanned by the Sun King: Donald Trump and Louis XIV<br />
3.30–4.30pm<br />
Round table<br />
With facilitators: Mark Ledbury, Power Professor of Art and Visual Culture,<br />
University of Sydney, and Lucina Ward, Senior Curator and coordinating curator<br />
for the exhibition, National Gallery of Australia<br />
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