13.03.2017 Views

Portfolio2017

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

02<br />

REGGIO<br />

EMILIA<br />

ITALY<br />

BRIEF<br />

Multi-use building serving as a Cultural and Social<br />

Center designed within a new masterplan for the historic<br />

core of Reggio Emilia.<br />

INTENT<br />

To utilize the clues given by the existing fabric of the city<br />

in order to generate a design which seamlessly fits into<br />

the context. At the same time serving the programmatic<br />

needs identified within the urban precinct.<br />

CONTEXT<br />

The Ghiara Church, facing the site from across the piazza,<br />

is described as Reggio’s most important. Its conception<br />

is associated with a miracle involving a boy called<br />

Marchino who couldn’t hear or speak. The boy is said<br />

to have miraculously gained both his voice and hearing<br />

back while praying before a portrait of the Madonna.<br />

The term ghiara comes from the fact that the Cròstolo<br />

stream, with large gravel deposits, used to run where the<br />

church is now built.<br />

CONCEPT<br />

The church is a signifying aspect of not only the site<br />

but the entire city. Utilizing many of the aspects of the<br />

church, the public space is ordered through this device.<br />

The strong axis of the church itself, penetrates through<br />

the site. This axis becomes a key element from which the<br />

space progresses. This axis is received by the auditorium<br />

and sets up the narrative within the project. The ideas<br />

of miracle and spectacle are translated into the cultural<br />

elements of the building, as glowing boxes, within this<br />

otherwise humble building.<br />

The pre-existence of the river on the site also gives<br />

design cues. The original position of the river is a strong<br />

element that brings memory back to the site of the<br />

history of the city. The use of water also gives the oppurtunity<br />

to generate a narrative within the public square,<br />

starting with an area of reflection outside the back of the<br />

church. This fortifies the the idea of axis spanning from<br />

the church to the building as well as providing an area of<br />

tranquility and pause within the space.<br />

11 GIUSEPPE CAROSINI<br />

Site Plan -<br />

Contextual relationship<br />

between site and rear of the<br />

church, generating a new<br />

piazza.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!