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<strong>BURIED</strong> <strong>LIGHT</strong><br />
Buried Light is an Adagio & Rondo which takes as its starting point Vernon Watkins’ poem of the<br />
same name and is written in memory of my cousin, Peter.<br />
I have long been an admirer of Watkins’ work and have written several works either based on or<br />
setting his poetry and his choice of subject matter – the landscape of Wales, the elements, loss,<br />
longing and rebirth all have a very personal resonance for me.<br />
Also, the idea of light has an important place in my work and I am fascinated by the various moods<br />
created by it – the vibrant colours of the fields in France, diffused light shining through the trees on<br />
the roads in Somerset, the sun shining through the bands of rain in the Welsh valleys, the warm<br />
shades of dawn and the mystical feeling of twilight.<br />
My large orchestral work, Towards the Light, depicting a storm as an allegory of the souls’ journey<br />
from the trials of this world to the triumph of the next, was written to celebrate the Golden Wedding<br />
of Peter’s parents and I felt it was fitting that Buried Light should be my tribute to someone I saw<br />
as my big brother and who is sorely missed.<br />
The musical material for this work is derived from an initial note row which has been repeated until<br />
it could be divided into equal segments of five notes each and then each segment subjected to row<br />
rotation to provide another five, interlinked, variants. This process yields sixty, five-note, cells which<br />
are all inter-related and which provide the basic material from which to build the fabric of the work.<br />
Although the building blocks are derived by use of serial technique, the work itself is not serial and<br />
has a harmonic structure that is independent of the rotated cells.<br />
I have chosen two, non –consecutive, stanzas of Buried Light to head the two movements of the<br />
work.<br />
What are the light and wind to me?<br />
The lamp I love is gone to ground.<br />
There all the thunder of the sea<br />
Becomes by contrast idle sound.<br />
Come, breath, instruct this angry wind<br />
To listen here where men have prayed,<br />
That the bold landscape of the mind<br />
Fly nobler from its wrist of shade.<br />
The first movement is an elegy for the lost light which as now “gone to ground” whilst the much<br />
faster, virtuosic, Rondo celebrates the soul “Flying from its wrist of shade.” Buried Light was written<br />
for, and dedicated to, Gwenllian Haf Richards.