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PROMETHEAN EDITIONS<br />

JOHN PSATHAS<br />

<strong>Piano</strong> <strong>Quintet</strong><br />

<strong>Piano</strong> and String Quartet


John Psathas<br />

<strong>Piano</strong> <strong>Quintet</strong><br />

<strong>Piano</strong> and String Quartet<br />

PROMETHEAN EDITIONS<br />

WELLINGTON


<strong>Piano</strong> <strong>Quintet</strong> (PE036), for <strong>Piano</strong> and String Quartet by<br />

John Psathas (2000) dedicated to Jack Body<br />

© John Psathas 2000<br />

Published exclusively by Promethean Editions Limited<br />

First edition © 2013 Promethean Editions Limited (201505)<br />

Series Editor: Ross Hendy<br />

Editors: Thomas Liggett, Jared Commerer<br />

ISBN: 978-1-877218-36-1 (print)<br />

ISBN: 978-1-77660-036-6 (ebook)<br />

ISMN: 979-0-67452-168-0<br />

Promethean Editions Limited<br />

PO Box 10-143<br />

Wellington<br />

NEW ZEALAND<br />

http://www.promethean-editions.com<br />

No part of this publication may be reproduced in any form or by<br />

any means without permission in writing from the Publisher.<br />

PE036 – ii


John Psathas (1966)<br />

John Psathas is one of New Zealand’s most frequently performed composers. With works<br />

in the repertoire of such high profile musicians as Evelyn Glennie, Michael Brecker, Pedro<br />

Carneiro, Michael Houstoun, Joshua Redman, Federico Mondelci, the Takács Quartet, the<br />

Netherlands New Blazers Ensemble, the Hallé Orchestra and others, he has established an<br />

international profile and is receiving regular commission offers from outside New Zealand.<br />

Psathas grew up in Taumaranui and then Napier, and left high school early to study<br />

composition and piano at Victoria University of Wellington. Psathas studied further with<br />

composer Jacqueline Fontyn in Belgium before returning to New Zealand, where he has since<br />

lectured in music at the New Zealand School of Music and continued to fulfil a busy schedule<br />

of commissions.<br />

Early success came in 1991 with Matre’s Dance, a maximum-energy duet for percussion and<br />

piano that has since made Psathas’ name internationally known through having been taken<br />

up and championed by percussionist Evelyn Glennie. This work and Drum Dances are now<br />

standard repertoire for percussionists throughout the world.<br />

In August 2000, the premiere of his saxophone concerto, Omnifenix, by legendary jazz<br />

saxophonist Michael Brecker in Bolgna, Italy, brought international acclaim; further<br />

prominent performances of his works have included the 2001 Klangspuren Schwaz Festival<br />

of Contemporary Music in Austria; Psyzygysm, performed by Pedro Carneiro with Strike and<br />

Stroma in the 2002 New Zealand Festival; the premiere of View From Olympus at the 2002<br />

Royal Gala Concert in Manchester, and the premiere of Orpheus in Rarohenga in November<br />

2002. This last, a major work for choir, soloists and orchestra, was a joint commission from<br />

poet Robert Sullivan and John Psathas by the Orpheus Choir of Wellington. In April 2004,<br />

pianist Stephen Gosling first performed Psathas’ piano concerto, Three Psalms, with the New<br />

Zealand Symphony Orchestra, who commissioned the work for pianist Michael Houstoun.<br />

Saxophonist Federico Mondelci commissioned Psathas to write his second saxophone<br />

PE036 – iii


concerto, Zahara, which he first performed with the New Zealand Symphony Orchestra,<br />

conducted by David Atherton, at the Michael Fowler Centre, Wellington, New Zealand on<br />

22 September 2006. In 2008, Chamber Music New Zealand commissioned Psathas to write<br />

a string quartet, A Cool Wind, for the world renown Takács Quartet, who presented the first<br />

performance in the Auckland Town Hall, Auckland, New Zealand on 23 July 2008.<br />

Psathas’ recent career highlights include the creation of key ceremonial music for the<br />

2004 Athens Olympic Games and more recently Zeibekiko, an entire programme of music<br />

celebrating the heritage of Greek music from antiquity and the present day. Zeibekiko was<br />

commissioned by the Eduard van Beinum Foundation at the request of the Nederlands<br />

Blazers Ensemble and toured Holland in 2004. It was a highlight of both the 2004 Bath<br />

Festival (UK) and the 2006 New Zealand International Festival of the Arts.<br />

Psathas’ inclination to work in a collaborative capacity with artists from a wide range of<br />

musical genres and backgrounds has resulted in projects such as Elect the Dead Symphony<br />

with Serj Tankian, and Pounamu with New Zealand roots musician Warren Maxwell. In 2011,<br />

Psathas produced his first film score for the feature-film, Good for Nothing, and further film<br />

music followed with White Lies in 2013. Psathas’ involvement with Booktrack—a company<br />

focused on developing synchronised soundtracks for eBooks—saw the opportunity to write<br />

music for the Salman Rushdie novel, In the South.<br />

Psathas has received a number of awards and honours, including twice winning the SOUNZ<br />

Contemporary APRA Silver Scroll Award (2002 and 2004) for individual works and taking<br />

three Classical CD of the Year awards (2000, 2004 and 2007) in the NZ Music Awards. In 2003<br />

he was made a New Zealand Arts Foundation Laureate and in 2005 was appointed an Officer<br />

of the New Zealand Order of Merit (ONZM).<br />

In 2014 Victoria University of Wellington awarded Psathas a Higher Doctorate in the degree of<br />

Doctor of Music (DMus) for the immense body of work he has contributed to his field.<br />

Latest information about the composer may be found at www.johnpsathas.com.<br />

PE036 – iv


<strong>Piano</strong> <strong>Quintet</strong> (2000)<br />

The <strong>Piano</strong> <strong>Quintet</strong> was written during the recent millennial changeover. It is inspired by and<br />

reflective of four composers by whom I have been influenced: Arvo Pärt, Alfred Schnittke,<br />

Jack Body, and Johann Sebastian Bach. There is a fifth element of inspiration functioning<br />

here also; the collective ‘composer’ made up of a great many unknown musicians who<br />

live in the folk music traditions of the Greek Islands. This island music has always moved<br />

me in both its simplicity and refinement. The second movement of this piece is based on<br />

a transcription I made of a recorded improvisation by the brilliant Greek violinist Stathis<br />

Koukoularis.<br />

While no music I’ve written has been programmatic, or had a literal narrative, I have come<br />

to realise that it is impossible to exclude what is immediately happening in one’s personal<br />

life from the final complex of ideas and emotions that make up a new piece of music.<br />

This autobiographical aspect of composition is nowhere more apparent to me than in this<br />

work. An example of how this manifests itself: some three or four minutes into the first<br />

movement, the second violin and viola burst out in melody. Prior to this moment I had<br />

spent almost an entire week failing to find a way forward from the previous bars. My family<br />

(three generations in the house at this point) took control and absolved me from all other<br />

responsibilities. Relieved of a great number of other pressures, I immediately found a way<br />

forward in the music, and the sense of liberation and sudden release is clearly audible in the<br />

second violin and viola as they sing out.<br />

The third movement is an expression of the wonder and luminous joy I experience when<br />

looking at our beautiful daughter, Zoe, who came in to the world as I was working on this<br />

piece. The <strong>Piano</strong> <strong>Quintet</strong> is dedicated to Jack Body.<br />

John Psathas<br />

PE036 – v


The <strong>Piano</strong> <strong>Quintet</strong> was commissioned by the 2000 International Festival of the Arts for Dan<br />

Poynton and the New Zealand String Quartet with financial support from Creative New<br />

Zealand, Arts Council of New Zealand Toi Aotearoa. The work was given its premiere by Dan<br />

Poynton with the New Zealand String Quartet in Wellington, New Zealand on 14 March, 2000.<br />

The <strong>Piano</strong> <strong>Quintet</strong> has been recorded by Stephen Gosling and the New Zealand String<br />

Quartet, and appears on Psathas’ album, Fragments (MMT2047).<br />

PE036 – vi


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This Edition © 2013 Promethean Editions Ltd<br />

PE036 – 1<br />

PE036 – 1<br />

ISMN: 979-0-67452-168-0<br />

ISMN: 979-0-67452-168-0


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