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PROMETHEAN EDITIONS

JOHN PSATHAS

Piano Quintet

Piano and String Quartet


John Psathas

Piano Quintet

Piano and String Quartet

PROMETHEAN EDITIONS

WELLINGTON


Piano Quintet (PE036), for Piano and String Quartet by

John Psathas (2000) dedicated to Jack Body

© John Psathas 2000

Published exclusively by Promethean Editions Limited

First edition © 2013 Promethean Editions Limited (201505)

Series Editor: Ross Hendy

Editors: Thomas Liggett, Jared Commerer

ISBN: 978-1-877218-36-1 (print)

ISBN: 978-1-77660-036-6 (ebook)

ISMN: 979-0-67452-168-0

Promethean Editions Limited

PO Box 10-143

Wellington

NEW ZEALAND

http://www.promethean-editions.com

No part of this publication may be reproduced in any form or by

any means without permission in writing from the Publisher.

PE036 – ii


John Psathas (1966)

John Psathas is one of New Zealand’s most frequently performed composers. With works

in the repertoire of such high profile musicians as Evelyn Glennie, Michael Brecker, Pedro

Carneiro, Michael Houstoun, Joshua Redman, Federico Mondelci, the Takács Quartet, the

Netherlands New Blazers Ensemble, the Hallé Orchestra and others, he has established an

international profile and is receiving regular commission offers from outside New Zealand.

Psathas grew up in Taumaranui and then Napier, and left high school early to study

composition and piano at Victoria University of Wellington. Psathas studied further with

composer Jacqueline Fontyn in Belgium before returning to New Zealand, where he has since

lectured in music at the New Zealand School of Music and continued to fulfil a busy schedule

of commissions.

Early success came in 1991 with Matre’s Dance, a maximum-energy duet for percussion and

piano that has since made Psathas’ name internationally known through having been taken

up and championed by percussionist Evelyn Glennie. This work and Drum Dances are now

standard repertoire for percussionists throughout the world.

In August 2000, the premiere of his saxophone concerto, Omnifenix, by legendary jazz

saxophonist Michael Brecker in Bolgna, Italy, brought international acclaim; further

prominent performances of his works have included the 2001 Klangspuren Schwaz Festival

of Contemporary Music in Austria; Psyzygysm, performed by Pedro Carneiro with Strike and

Stroma in the 2002 New Zealand Festival; the premiere of View From Olympus at the 2002

Royal Gala Concert in Manchester, and the premiere of Orpheus in Rarohenga in November

2002. This last, a major work for choir, soloists and orchestra, was a joint commission from

poet Robert Sullivan and John Psathas by the Orpheus Choir of Wellington. In April 2004,

pianist Stephen Gosling first performed Psathas’ piano concerto, Three Psalms, with the New

Zealand Symphony Orchestra, who commissioned the work for pianist Michael Houstoun.

Saxophonist Federico Mondelci commissioned Psathas to write his second saxophone

PE036 – iii


concerto, Zahara, which he first performed with the New Zealand Symphony Orchestra,

conducted by David Atherton, at the Michael Fowler Centre, Wellington, New Zealand on

22 September 2006. In 2008, Chamber Music New Zealand commissioned Psathas to write

a string quartet, A Cool Wind, for the world renown Takács Quartet, who presented the first

performance in the Auckland Town Hall, Auckland, New Zealand on 23 July 2008.

Psathas’ recent career highlights include the creation of key ceremonial music for the

2004 Athens Olympic Games and more recently Zeibekiko, an entire programme of music

celebrating the heritage of Greek music from antiquity and the present day. Zeibekiko was

commissioned by the Eduard van Beinum Foundation at the request of the Nederlands

Blazers Ensemble and toured Holland in 2004. It was a highlight of both the 2004 Bath

Festival (UK) and the 2006 New Zealand International Festival of the Arts.

Psathas’ inclination to work in a collaborative capacity with artists from a wide range of

musical genres and backgrounds has resulted in projects such as Elect the Dead Symphony

with Serj Tankian, and Pounamu with New Zealand roots musician Warren Maxwell. In 2011,

Psathas produced his first film score for the feature-film, Good for Nothing, and further film

music followed with White Lies in 2013. Psathas’ involvement with Booktrack—a company

focused on developing synchronised soundtracks for eBooks—saw the opportunity to write

music for the Salman Rushdie novel, In the South.

Psathas has received a number of awards and honours, including twice winning the SOUNZ

Contemporary APRA Silver Scroll Award (2002 and 2004) for individual works and taking

three Classical CD of the Year awards (2000, 2004 and 2007) in the NZ Music Awards. In 2003

he was made a New Zealand Arts Foundation Laureate and in 2005 was appointed an Officer

of the New Zealand Order of Merit (ONZM).

In 2014 Victoria University of Wellington awarded Psathas a Higher Doctorate in the degree of

Doctor of Music (DMus) for the immense body of work he has contributed to his field.

Latest information about the composer may be found at www.johnpsathas.com.

PE036 – iv


Piano Quintet (2000)

The Piano Quintet was written during the recent millennial changeover. It is inspired by and

reflective of four composers by whom I have been influenced: Arvo Pärt, Alfred Schnittke,

Jack Body, and Johann Sebastian Bach. There is a fifth element of inspiration functioning

here also; the collective ‘composer’ made up of a great many unknown musicians who

live in the folk music traditions of the Greek Islands. This island music has always moved

me in both its simplicity and refinement. The second movement of this piece is based on

a transcription I made of a recorded improvisation by the brilliant Greek violinist Stathis

Koukoularis.

While no music I’ve written has been programmatic, or had a literal narrative, I have come

to realise that it is impossible to exclude what is immediately happening in one’s personal

life from the final complex of ideas and emotions that make up a new piece of music.

This autobiographical aspect of composition is nowhere more apparent to me than in this

work. An example of how this manifests itself: some three or four minutes into the first

movement, the second violin and viola burst out in melody. Prior to this moment I had

spent almost an entire week failing to find a way forward from the previous bars. My family

(three generations in the house at this point) took control and absolved me from all other

responsibilities. Relieved of a great number of other pressures, I immediately found a way

forward in the music, and the sense of liberation and sudden release is clearly audible in the

second violin and viola as they sing out.

The third movement is an expression of the wonder and luminous joy I experience when

looking at our beautiful daughter, Zoe, who came in to the world as I was working on this

piece. The Piano Quintet is dedicated to Jack Body.

John Psathas

PE036 – v


The Piano Quintet was commissioned by the 2000 International Festival of the Arts for Dan

Poynton and the New Zealand String Quartet with financial support from Creative New

Zealand, Arts Council of New Zealand Toi Aotearoa. The work was given its premiere by Dan

Poynton with the New Zealand String Quartet in Wellington, New Zealand on 14 March, 2000.

The Piano Quintet has been recorded by Stephen Gosling and the New Zealand String

Quartet, and appears on Psathas’ album, Fragments (MMT2047).

PE036 – vi


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This Edition © 2013 Promethean Editions Limited

This Edition © 2013 Promethean Editions Ltd

PE036 – 1

PE036 – 1

ISMN: 979-0-67452-168-0

ISMN: 979-0-67452-168-0


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PE036 – 25

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PE036 – 26

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#

PE036 –– 27 27



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catch F –B with sost. pedal

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PE036 – 28

PE036 – 28



Â



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PE036 –– 29 29



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PE036 –– 30 30


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4 PE036 –– 31 31


[

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43

Violently, più mosso C = 88

b bG

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# 44

C>

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{ev`}

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spiccato

behind the bridge

{

ì

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spiccato, behind the bridge

G

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ì

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ì T T C C

>

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{ev`}

più f

PE036 – 32


[

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[

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T

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___

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47

Y

b

b b

! 4

5 W C

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ì

4

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C T X b C S > {

ì

più f

b G

b b

! 4

5 W

&

b

T Y C

4 C W

T T W C W b

& T

X C ì

C C

ì più

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f

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pizz.

4 4 Y

ĊCS

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T S


!

G

b G

arco

pizz.

# 4

5 Y C

4 TU

C > arco

T Y C ___

C

ff

ff

W > C

X C> {eva}

! 4

5 C C W W W >

W

C

C

W C S Y C WX C C.

C T W C >

4

sfz

.

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G

# 54 S

Y

4 C

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{ev`}

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eva

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G

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qua

W

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49

Y b

W b ! T T WX pizz. CC

WX CC

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T T

3 8

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b

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3 8

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4 pizz.

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# 3 8

4

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> > X > C O

ff

{qua}

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! W

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C 3 Q

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Y

8

4

G W X W X C W C

molto

# Y

T S 3 C

C

Y C 8 C Y C

4

W C Y C C X C Y

{ev`}

d

PE036 –– 33 33


[

]

[

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[

]

C

C

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C

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A

C

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51

Meno mosso C = 60

! 4 Q Q

! 4 4

Q Q R

! 4 R

"

fade in from piano cluster

W

F

W

W

W

arco

C

W C F

W

W C

W

s

arco

F

p

G

ß

ß

s

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cresc.

# 4 4

Q

s

fade in from piano cluster

F

ß

G

cresc.

ß

s

G

G

G

p cresc.

G

ß C

s

p cresc.

ß C

s

G

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! 4 4

Q Q Q

ff possibile

# 44 Q Q

{ev`}

54

! C

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cresc.

!

s

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ß C

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W

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s C

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s

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ß

s

mp

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! Q

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p

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C C C C

# Q Q Q #

una corda (sin‘ al fine del movimento)

57

! C

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s

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#

s

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s C

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!

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mp

# g

W

d

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C

C

WC

C C

C

C

h

C C C C

C CCC

C C W C

CCg

W

d

W

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C

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C

h

C C C C

PE036 – 34

PE036 – 34

C CCC

W C C

C C

W

W

d

W

W C

C W

WC

C C

C

C

h

C C C

W

C CCC

C

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PE036 – 35

PE036 – 35

[

]

60

! C

C

C

W

C

C

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#

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R.H. dim. a niente

C

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[

]

62

!

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43

! Q Q Q

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mp

F

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d

46

! Q 5 8

Q 7 8

Q 3 4

pizz.

! Q 5 8

Y > C

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X C

> S S T

4

3

mf

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7 8 4

3

mf

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molto

pp mf

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8

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4

leggiero (senza d )

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49

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PE036 –– 45 45


[

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51

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53

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55

solo

eva

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PE036 – 46


[

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58

{eva}

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61

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{eva}

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mf

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64

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{eva}

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PE036 –– 47 47


[

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S

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67

!

{eva}

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70

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PE036 – 48

Ç g

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mf

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C Ç C ÇO CO

! Q Q Q

(sempre con d )

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mf

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[

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A

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A

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76

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Ç

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eva

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! Ç g

eva

B O

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3 4 3 4 4

F F

p

{eva}

O

! 3 Q 4 Q 3 4 4

p

F

optional: play note

as harmonic

eva

! Q 3 Q Q 4 R

3 4 F

4

" CÇ

T S R

4

3 Q Q 4 Q 4

3

79

F

! 3 4

4 4

3 4

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4

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d

d

83

{eva}

! 3 4

4 4

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! 4

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{eva}

B O

B B

! 4

3 4 7 8

p

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3 4 7

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W

8

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8

d

PE036 –– 49 49


[

]

[

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C

B

A

C

B

C

C

C

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Q

Q

A

C

C

C

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CC

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h

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86

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eva

A

! 7 Q 4 8 F

Y

eva

O

C B B

! 7 8

4

F

p

{eva}

! 7 S S T

8

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4 Q R

!

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! 7 4 #

8 W

W

W

X

d

W

W

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Y

Y

d

X

B

F

89

{eva}

! 2 Q 4

4 + 16

3

p

! Q Q 2 4

Q 4 4 + 3 16

F

! Q Q 2 4

Q 4 4 + 3 16

! 2 4

4 + 16

3

mp

p

! 2 4

4 4 + 3 16

# Q Q 2 4

Q 4 4 + 3 16

92

! 4 4 + 3 16

T O

Q 2

4

4 + 16

3 R O

loco

! 4 + 16

3 O

4 A

2 4 + 16

3 O

4 F

mp

loco

! 4 + 16

3 O

4 2 4 + 16

3 O

4 mp

F

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3 W O

4 2 4 + 16

3 4 mp

O

mp

F

! 4 + 16

3 Y CC

Y CC

4 X 2 4 + 16

3 4

X

C C X C C

C C

# Y

C

4 + 16

3 Y

4 Y C

2 4 + 16

3 4

Y d

d

PE036 – 50

4


[

]

[

]

[

]

C

C

C

C

C

C

A

C

C

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C

C

C

C

C

B

B

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CC

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Q

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C

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B

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C

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C

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T

T

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C

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95

! 4 B C S

5 F

4

mp

F

! 4 R R S X C

5 4

Y loco

F

! 4 R R S C

5 4

F

! 4 4

Q Q 5 4

F

C C C C CC

C C C C

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! 4 Y Y X X

4

5

# Y 44 Y

Y

Y

d

d

4

5

F

F

98

! 5 Q 4 4 + 3 O 5 16 4

! 4

5 O

4 + 16

3 O 4

5

mp

F

! 5 O

4 4 + 3 O 5 16 4