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Alan Rutherford Design and Artwork

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DESIGN & ARTWORK<br />

ALAN RUTHERFORD<br />

HAND OVER FIST PRESS


Hume cover 1.qxd 12/10/04 11:26 am Page 1<br />

<strong>Design</strong> & <strong>Artwork</strong><br />

Book covers<br />

Illustration<br />

Graphics<br />

Posters<br />

Cartoons<br />

Photography<br />

Doodles<br />

Early Responses to H<br />

'This ten-volume series is among the most i<br />

to Hume scholarship since E.C. Mossner pu<br />

Hume several decades ago'<br />

Andrew Cu<br />

Edited <strong>and</strong> introduced by Jame<br />

University of Tennessee at Martin<br />

The moral theory of David Hume (1711–76) is o<br />

the history of philosophy both for its originality a<br />

on later moral theories. Hume introduced the te<br />

vocabulary, <strong>and</strong> his theory is the immediate forer<br />

utilitarian views of Bentham <strong>and</strong> Mill. He is famou<br />

cannot derive ‘ought’ from ‘is’. Some contempora<br />

as an early proponent of the meta-ethical view th<br />

principally express our feelings.<br />

In 1741 Hume published his Essays, Moral <strong>and</strong> Poli<br />

followed the model of informal essay writing. He<br />

collection, making a lasting impact in political, eco<br />

This collection gathers together over seventy imp<br />

Hume’s moral theory <strong>and</strong> Essays. Each selection i<br />

specialist James Fieser, who has also written a sub<br />

to the set.<br />

THOEMMES CONTINUUM<br />

11 Great George Street<br />

Bristol BS1 5RR, UK<br />

Philosophy, Economics <strong>and</strong> Politics<br />

ISBN 1 84371 117 6


ume<br />

mportant contributions<br />

blished The Life of David<br />

nningham, Boston University<br />

s Fieser,<br />

f lasting importance in<br />

nd for its influence<br />

rm ‘utility’ into our moral<br />

unner of the classical<br />

s for the position that we<br />

ry philosophers see Hume<br />

at moral judgements<br />

tical in which he consciously<br />

continually added to this<br />

nomic <strong>and</strong> aesthetic theory.<br />

ortant early responses to<br />

s introduced by Hume<br />

stantial general introduction<br />

01<br />

EARLY RESPONSES TO HUME’S<br />

MORAL, LITERARY AND POLITICAL WRITINGS I<br />

01<br />

EARLY RESPONSES<br />

TO HUME’S MORAL,<br />

LITERARY AND<br />

POLITICAL WRITINGS I<br />

ISBN 1-84371-117-6<br />

FIESER<br />

Edited <strong>and</strong> introduced by<br />

JAMES FIESER<br />

9 781843 711179


John Carter teaches sociology at the University<br />

of Teesside. He has a longst<strong>and</strong>ing involvement in<br />

radical politics <strong>and</strong> campaigning, including animal<br />

rights <strong>and</strong> the recent anti-capitalist mobilizations.<br />

Dave Morl<strong>and</strong> teaches sociology <strong>and</strong> philosophy<br />

at the University of Teesside. He has campaigned<br />

on issues such as the poll tax, the miners’ strike,<br />

nuclear arms <strong>and</strong> anti-capitalism.<br />

Cover design:<strong>Alan</strong> <strong>Rutherford</strong><br />

New Clarion Press<br />

5 Church Row<br />

Gretton<br />

Cheltenham<br />

GL54 5HG<br />

Engl<strong>and</strong><br />

Anti-Capitalist Britain is a collection of accessible <strong>and</strong><br />

informative essays on the emerging anti-capitalist movement in<br />

the UK.Through accounts of recent anti-capitalist protests <strong>and</strong><br />

organizations, often by those involved, the book considers the<br />

current state of radical politics in the UK. Its underlying theme is<br />

the emerging relationship between Marxist <strong>and</strong> other radical<br />

organizations <strong>and</strong> the disparate anti-globalization, anti-capitalist<br />

<strong>and</strong> direct action groups fronting campaigns against institutions<br />

such as the World Trade Organization <strong>and</strong> the G8.The study<br />

argues that there has been a shift towards anarchism on the<br />

British left <strong>and</strong> elsewhere.While it has a primarily domestic focus,<br />

the book also considers British anti-capitalism in an international<br />

context. It therefore includes contributions from authors whose<br />

focus is beyond the domestic <strong>and</strong> who participate in wider<br />

campaigns.<br />

New Clarion Press<br />

ANTI-CAPITALIST BRITAIN AND DAVE MORLAND<br />

ISBN 1-873797-44-3<br />

9 781873 797440


EDITED BY JOHN CARTER<br />

ANTI-CAPITALIST<br />

BRITAIN<br />

EDITED BY<br />

JOHN CARTER AND<br />

DAVE MORLAND<br />

Anti-Capitalist Britain is an account of the<br />

state of left <strong>and</strong> radical politics in the UK, delivered<br />

through a study of recent anti-capitalist protests<br />

<strong>and</strong> movements.The book is a collaborative project<br />

involving writers from various universities in the<br />

UK <strong>and</strong> recent participants in anti-capitalist actions.<br />

The introduction examines the origins of the current<br />

protest movement <strong>and</strong> its re-emergence from the<br />

‘Victory of the West’ <strong>and</strong> the free market. Caroline<br />

Lucas <strong>and</strong> Colin Hines then critique the dominant<br />

neoliberal version of globalization from a green <strong>and</strong><br />

localist perspective.This analysis is complemented by<br />

the work of Molly Scott Cato, who explores positive<br />

<strong>and</strong> sustainable alternatives to capitalism <strong>and</strong> the free<br />

market.Amir Saeed also takes the new geopolitics as<br />

his starting point, examining the difficulties created<br />

for Asian Britons after 9/11 <strong>and</strong> the subsequent<br />

‘War on Terror’.<br />

Other contributors consider the different forms<br />

of protest <strong>and</strong> activism in current anti-capitalist <strong>and</strong><br />

green politics. John Carter <strong>and</strong> Dave Morl<strong>and</strong>’s<br />

overview of the UK anti-capitalist scene detects an<br />

emerging shift towards a more libertarian mode of<br />

struggle. One source of this is set out in Derek<br />

Wall’s account of the Russian theorist Mikhail<br />

Bakhtin, whose theories loom large in the ongoing<br />

Carnival against Capitalism. Jon Purkis focuses on<br />

the role of anticonsumerist campaigns, finding<br />

echoes of radical movements from the English Civil<br />

War period. Paul Taylor examines the creative ways<br />

in which electronic ‘hacktivists’ have undermined<br />

corporations <strong>and</strong> the powerful. How all this<br />

diversity <strong>and</strong> seeming fragmentation produces a<br />

functioning ‘movement’ is the concern of Alex Plows,<br />

who explores the way in which groupings,<br />

communities <strong>and</strong> individuals have supported each<br />

other through fluid activist networks.The book<br />

concludes with a vibrant account of the Anti-G8<br />

mobilization in Genoa, written by one of the<br />

participants.


Darhbcover.1 15/3/03 4:57 PM Page 1<br />

David Stack is a lecturer in Modern British<br />

History at the University of Reading. He has<br />

previously taught at Queen Mary, University<br />

of London <strong>and</strong> Keele University, <strong>and</strong> has<br />

written widely on both the history of the<br />

left <strong>and</strong> popular science in the nineteenth<br />

century. His first book, Nature <strong>and</strong> Artifice:<br />

The life <strong>and</strong> thought of Thomas Hodgskin,<br />

1787–1869, was published by the Royal<br />

Historical Society in 1998 <strong>and</strong> he is currently<br />

writing a biography of the nineteenth-century<br />

Scottish phrenologist George Combe.<br />

Darwinism <strong>and</strong> socialism were the two most exciting ideas<br />

of the late nineteenth century. One tore down a model of<br />

nature that was static <strong>and</strong> unchanging; the other sought to do<br />

the same for society.Almost inevitably the ideas of Darwinism<br />

<strong>and</strong> socialism became intertwined in the period from 1859 to<br />

1914.The modern socialist movement was a product of the<br />

Darwinian age <strong>and</strong> most leading socialists of the period had<br />

studied <strong>and</strong> accepted Darwinism before reaching their political<br />

maturity.This was true of socialists both in Britain <strong>and</strong><br />

beyond – including Annie Besant, Ramsay MacDonald, Eduard<br />

Bernstein, Karl Kautsky, Jack London <strong>and</strong> Prince Peter<br />

Kropotkin. Each inevitably carried something of their<br />

Darwinism over into their underst<strong>and</strong>ing of socialism. In this<br />

study of the relationship between the two ideas, David Stack<br />

argues that the contribution of Darwinism to the thought of<br />

the British left has been underestimated. Darwinism played a<br />

crucially important role both in the shift from radicalism to<br />

socialism that occurred in the late nineteenth century <strong>and</strong> in<br />

enabling MacDonald <strong>and</strong> others to develop a distinctive<br />

socialist position, marked off from liberalism to the right<br />

<strong>and</strong> Marxism to the left.<br />

S O C I A L I S M A N D D A R W I N I S M 1 8 5 9 – 1 9 1 4<br />

DAVID STACK<br />

Cover design: <strong>Alan</strong> <strong>Rutherford</strong><br />

New Clarion Press<br />

5 Church Row<br />

Gretton<br />

Cheltenham<br />

GL54 5HG<br />

Engl<strong>and</strong><br />

New Clarion Press<br />

ISBN 1-873797-38-9<br />

9 781873 797389


THE FIRST DARWINIAN LEFT<br />

THE FIRST<br />

DARWINIAN LEFT<br />

S O C I A L I S M<br />

A N D D A R W I N I S M<br />

1 8 5 9 – 1 9 1 4<br />

DAVID<br />

STACK<br />

In this first study of the relationship<br />

between Darwinism <strong>and</strong> the left in Britain,<br />

David Stack argues that Darwinism provided<br />

the ‘constitutive metaphor’ within which<br />

modern socialism was developed.The organic<br />

<strong>and</strong> evolutionary language of Darwinism, it<br />

is shown, provided the discursive space in<br />

which the new ideology of socialism was<br />

probed, explored <strong>and</strong> developed in the<br />

period from 1859 through to 1914.<br />

The relationship between socialism <strong>and</strong><br />

Darwinism was not instrumental – with<br />

socialists simply picking <strong>and</strong> choosing<br />

convenient ideas to conform to their political<br />

prejudices – but isomorphic, involving a real<br />

cross-fertilization of ideas <strong>and</strong> concepts from<br />

the biological to the sociological <strong>and</strong> back<br />

again.This process was especially evident in<br />

writings of those socialists such as Alfred<br />

Russel Wallace, Emile V<strong>and</strong>ervelde <strong>and</strong><br />

Prince Peter Kropotkin who were also<br />

accomplished scientists, but also helps us<br />

better appreciate the stance of amateur<br />

enthusiasts such as Annie Besant, Jack London<br />

<strong>and</strong> Ramsay MacDonald.<br />

The First Darwinian Left demonstrates how the<br />

discursive boundaries imposed by Darwinism<br />

profoundly influenced the construction of<br />

socialist ideology in Britain: marking it off<br />

from the older radical tradition, as well as<br />

distinguishing it from liberalism on the right<br />

<strong>and</strong> Marxism on the left. In particular, the<br />

crucial role of Ramsay MacDonald in<br />

developing <strong>and</strong> disseminating a distinctively<br />

Darwinian underst<strong>and</strong>ing of socialism among<br />

the membership of the Independent<br />

Labour Party is analysed.


domestic<br />

violence<br />

ACTION FOR CHANGE<br />

✂---------<br />

new edition<br />

Gill Hague <strong>and</strong> Ellen Malos


MOLLY SCOTT CATO<br />

In the years of<br />

Africa two wo<br />

mutunya <strong>and</strong> k<br />

refers to the fre<br />

supply train pass<br />

baggy shorts wo<br />

soldiers, accordi<br />

were responsibl<br />

The first-h<strong>and</strong> ac<br />

Diary of Arthur<br />

tragic waste of l<br />

by Arthur Beagle<br />

extended introd<br />

chapter covering<br />

to 1918, it is ind<br />

military campaig<br />

I hope all who re<br />

institutionalised<br />

great sympathy f<br />

coerced or dupe<br />

be it straightforw<br />

lure of drum-thu<br />

bullshit, no matt<br />

some officers, a<br />

because the gree<br />

coexist on the s<br />

ISBN 0-95405<br />

MARKET<br />

SCHMARKET<br />

BUILDING THE<br />

POST-CAPITALIST<br />

ECONOMY<br />

9 780954 05<br />

H<br />

F


famine following World War I in East<br />

rds were coined by the local people:<br />

aputala. Mutunya, meaning scramble,<br />

nzy of the starving crowd whenever a<br />

ed through. Kaputala refers to the<br />

rn by the British troops. It was these<br />

ng to the local Gogo tribespeople, who<br />

e for their plight.<br />

count of war in East Africa in The<br />

Beagle brings out the absolute <strong>and</strong><br />

ife in a far-away war. Photographs taken<br />

add authenticity to his tale. With an<br />

uction <strong>and</strong> a final skirmish-by-skirmish<br />

the East Africa Campaign from 1916<br />

eed a fine introduction to this obscure<br />

n, <strong>and</strong> the horrors of war.<br />

ad this account will be sickened by the<br />

racism, find war abhorent <strong>and</strong> feel a<br />

or those, black <strong>and</strong> white, forced,<br />

d into the ranks, for whatever reason –<br />

ard intimidation or the sickly-sweet<br />

mping jingoism. Cutting away all the<br />

er how ‘gentlemanly’ the conduct of<br />

lot of people died horrible deaths<br />

d of competing capitalisms could not<br />

ame planet.<br />

KAPUTALA THE DIARY OF ARTHUR BEAGLE<br />

KAPUTALA<br />

THE DIARY OF<br />

ARTHUR BEAGLE<br />

&<br />

THE EAST AFRICA CAMPAIGN<br />

1916–1918<br />

17-0-X<br />

1709<br />

AND OVER<br />

IST PRESS<br />

HO<br />

F P<br />

Introduced <strong>and</strong> Edited<br />

by<br />

ALAN RUTHERFORD


WELL WELL ...<br />

THINK YOU’RE<br />

SO SMART EH?


Your book has<br />

how complex<br />

profound, fun<br />

ordinary <strong>and</strong><br />

people are.<br />

...working my<br />

your tales....I<br />

on ‘Smiths’ an<br />

staggering aro<br />

This book was i<br />

rebuff to those<br />

in everyone’s lif<br />

ones who alway<br />

your inconsisten<br />

an unnatural re<br />

grace <strong>and</strong> the w<br />

<strong>and</strong> usually men<br />

your friends – b<br />

just ended up a<br />

the sentimenta<br />

observations bu<br />

the occassional<br />

attitude.<br />

The very idea<br />

to right wrongs<br />

redundant, afte<br />

flying fig –Irea<br />

just write them<br />

ISBN<br />

978095405171<br />

HAND<br />

FIST P<br />

cover.qxd 16/7/07 14:56 Page


v<br />

reminded me<br />

<strong>and</strong> fragile, sad,<br />

ny, tragic,<br />

mysterious<br />

Katia Hamza<br />

way through<br />

always get stuck<br />

d end up<br />

und laughing ...<br />

Gareth Davies<br />

ntended as a<br />

critics who occur<br />

e, you know – the<br />

s harp on about<br />

cies, citing with<br />

lish your falls from<br />

rongs that you do,<br />

tioned in front of<br />

ut this book has<br />

s a w<strong>and</strong>er through<br />

l, a collection of<br />

mping up against<br />

sharp political<br />

of writing wrongs<br />

has become<br />

r all – who gives a<br />

lise now that they<br />

selves.<br />

WRITING SOME WRONGS ALAN RUTHERFORD<br />

WRITINGSOME WRONGS<br />

HAND OVER<br />

FIST PRESS<br />

6<br />

OVER<br />

RESS<br />

alan rutherford


FairPlay cover 4 26/9/05 10:30 am Page 1<br />

Fair play <strong>and</strong> foul?<br />

John Elder<br />

The Nordic countries remain unique in independently managing <strong>and</strong> operating their<br />

health care complaints mechanisms <strong>and</strong> medical regulatory bodies. They are also almost<br />

on their own in having established statutory no-fault patient compensation schemes as<br />

an alternative to the potentially expensive <strong>and</strong> risky civil litigation route. Moreover,<br />

these same nations (Sweden excepted) are among the few on the planet where sweeping<br />

patients’ rights set in stone are in place.<br />

Sadly, the enlightened example long set by lawmakers in Denmark, Finl<strong>and</strong>, Norway,<br />

Sweden <strong>and</strong> Icel<strong>and</strong> on all these issues is still not being matched by their counterparts in<br />

the United Kingdom – or, for that matter, anywhere else in Europe.<br />

For instance, ‘more’ rather than total independence is the theme of the latest British<br />

reforms following the sustained public excoriation of the previous health care<br />

complaints <strong>and</strong> medical regulatory systems – in particular the routinely inequitable<br />

outcomes they produced for complainants. Self-regulation continues to be the<br />

predominant force in the operation of these new procedures. As before, only a<br />

comparatively small proportion of complaints lodged with the National Health Service<br />

in the UK will receive the attention of the recently established independent review bodies<br />

– where these have been set up. Furthermore, regulation of doctors <strong>and</strong> nurses remains<br />

in the h<strong>and</strong>s of their existing, albeit extensively reformed, regulatory bodies under<br />

whose patronage the consideration of allegations about these professionals is also being<br />

maintained.<br />

The position about patients’ rights in the United Kingdom is nowhere near so<br />

contrasting. Nonetheless, instead of a specific set of comprehensive legal entitlements<br />

the interests of patients <strong>and</strong> those who attend to their clinical needs are provided for,<br />

collectively, via legislation, case law, set ethical criteria <strong>and</strong> health service policy rules.<br />

However, the proposals for a patient compensation <strong>and</strong> redress scheme as an alternative<br />

to the existing system of civil damages is a big step in the right direction – even if,<br />

initially, it turns out to be a comparatively limited arrangement <strong>and</strong> then not of the<br />

all-encompassing, no-fault variety.<br />

Fair play <strong>and</strong> foul? examines all these issues in some detail <strong>and</strong> also focuses on an area<br />

that had not been in the limelight before or during the reforms that began to take effect<br />

in Britain since the turn of the century. It seems to have always been assumed that the<br />

Health Service Ombudsman is above reproach. But is this really justified? The book<br />

explores vital aspects of the organization that this key independent complaints arbiter<br />

fronts in a way that has not been done before <strong>and</strong> raises matters that question the<br />

body’s seemingly high st<strong>and</strong>ing.<br />

In the process of examining the subject at h<strong>and</strong>, the book accepts that healthcare is not<br />

the only part of public life in Britain where self-regulation still prevails, <strong>and</strong> provides<br />

examples of the practice elsewhere in society. Perhaps, foremost among these cases of<br />

institutional self-regulation is that relating to the British parliament itself, the body that<br />

holds the key to enlightened public reform in all its guises.<br />

Fair play <strong>and</strong> foul? may not be a good read in the accepted sense, but if it succeeds in<br />

helping to bring forward the day when British citizens are conferred with the same level<br />

of entitlements in their relationship with health care that their counterparts in certain<br />

other European societies take for granted, it will have achieved its end.<br />

FAIR PLAY AND FOUL? JOHN ELDER<br />

£12.95<br />

ISBN 0-95346-041-X<br />

BOOKS<br />

9 780953 460410


FAIR<br />

PLAY<br />

AND<br />

FOUL?<br />

JOHN<br />

ELDER<br />

A book of<br />

revelations about<br />

patients’ rights,<br />

complaints<br />

h<strong>and</strong>ling <strong>and</strong><br />

compensation<br />

in the United<br />

Kingdom <strong>and</strong><br />

elsewhere in<br />

Europe


Sex&EthicsDVDcase 2/12/08 11:42 am Page 1<br />

Sex<br />

& Ethics<br />

Sex<br />

FILM ONE • Natural Law<br />

{Running time 21 minutes}<br />

FILM TWO • Situation Ethics<br />

{Running time 23 minutes}<br />

FILM THREE • Utilitarianism<br />

{Running time 24 minutes}<br />

FILM FOUR • Kant & Sex<br />

{Running time 21 minutes}<br />

●<br />

Four films on DVD providing teachers with dynamic lessons<br />

on ethical theories <strong>and</strong> sexual ethics<br />

●<br />

Each film includes teachers background notes<br />

<strong>and</strong> classroom activities<br />

●<br />

Written <strong>and</strong> directed by Joe Jenkins,<br />

author of popular GCSE <strong>and</strong> A Level texts<br />

& Ethics by Joe Jenkins<br />

www.ethicsonline.co.uk<br />

© Joe Jenkins, 2009 All Rights Reserved<br />

<strong>Artwork</strong>: <strong>Alan</strong> <strong>Rutherford</strong>


Sex<br />

& Ethics<br />

Four Films<br />

A<br />

Written <strong>and</strong> directed by<br />

Joe Jenkins


Gaia connectedDVDcase 31/8/10 4:13 pm Page 1<br />

FILM ONE • Gaia {16 minutes}<br />

FILM TWO • Genesis {18 minutes}<br />

FILM THREE • Stewards & Slayers {21 minutes}<br />

FILM FOUR • The Rapture {19 minutes}<br />

FILM FIVE • All Things Are Connected {16 minutes}<br />

A<br />

Teachers’ notes <strong>and</strong> classroom activities<br />

accompany each film<br />

<strong>Design</strong>ed to advance underst<strong>and</strong>ing of the<br />

natural world <strong>and</strong> help students articulate<br />

their own environmental ethic<br />

“This is an outst<strong>and</strong>ingly engaging <strong>and</strong><br />

timely resource that will persuade students<br />

of the significance of environmental ethics<br />

like never before”<br />

David Potter, High School Teacher<br />

ALL THINGS ARE CONNECTED<br />

www.ethicsonline.net<br />

© Joe Jenkins, 2010, All Rights Reserved<br />

<strong>Artwork</strong>: <strong>Alan</strong> <strong>Rutherford</strong><br />

www.freerangeproduction.com


ALL THINGS<br />

ARE CONNECTED<br />

“BREATHTAKING”<br />

BORDERLINES FILM FESTIVAL 2010<br />

Five films for Grades 9–12<br />

A stimulating portrayal of key scientific,<br />

philosophical <strong>and</strong> religious<br />

ideas that have shaped human<br />

perceptions of the environment


–––––––<br />

PHOTOMURAL<br />

at Ruskin College<br />

Oxford 1986<br />

Production at Oxford Polytechnic of<br />

photomural for Ruskin College’s student<br />

commonroom, Oxford 1986.


Photomural in place at Ruskin<br />

College’s student commonroom,<br />

Oxford 1986.<br />

Photograph shows Ken Gill (centre),<br />

general secretary for TASS, a trade<br />

union which was active in the fight<br />

against apartheid ... so much so that<br />

when Nelson M<strong>and</strong>ela was released<br />

<strong>and</strong> visited the UK, he chose the TASS<br />

union conference hall to meet <strong>and</strong><br />

thank ANC exiles <strong>and</strong> activists.


–––––––<br />

Photomontage<br />

for Play<br />

Gloucestershire<br />

at Gloucester<br />

Services<br />

on M5<br />

Project enlightened by production of this<br />

spoof montage which shows the location<br />

of Play Gloucestershire’s photomontage,<br />

see next page for the core montage,<br />

reproduced as a postcard.<br />

A compromised design, using more of<br />

Play Gloucestershire’s photo-archive, <strong>and</strong><br />

further restricted by Gloucester Services<br />

bureacracy, was eventually posted at<br />

Gloucester Services northbound.<br />

2015


Free Range Book <strong>Design</strong><br />

& Production<br />

Rooster <strong>and</strong> Hen ffs: 2009<br />

Rooster ffs, 36pt:<br />

New Fonts Created<br />

hmmmmm ...<br />

Fonts you say?<br />

Hen ffs, 14pt:<br />

Using Industria, a Neville Brody font<br />

from 1990 <strong>and</strong> Sabon, a font designed<br />

by Jan Tschichold in 1967 as homage to<br />

Jakob Sabon (16th century type cutter<br />

<strong>and</strong> type founder) as source fonts I have<br />

made Rooster ffs <strong>and</strong> Hen ffs – headline<br />

<strong>and</strong> text fonts respectively.


aeiou


New Clarion Press<br />

Chris plays his<br />

vuvuzela on demo<br />

Very best seasonal<br />

wishes <strong>and</strong> good luck<br />

with 2011!<br />

www.newclarionpress.co.uk


invite TPGP2003 1/8/03 6:05 PM Page 1<br />

INVITATION✺<br />

TO THE RUDE RE-BRANDING<br />

OF MISTER THOEMMES<br />

We, The Thoemmes Press<br />

warmly invite you to a garden party<br />

on 12 September from 4pm✺B<br />

Please bring a bottle <strong>and</strong> a plate (preferably full)<br />

to 11 Great George Street, Bristol<br />

<strong>and</strong> meet colleagues both past <strong>and</strong> present for a final address of the Old Guard<br />

<strong>and</strong> a toast to the new Thoemmes enterprise.<br />

THOEMMES PRESS<br />

2003<br />

R S V P


Charlie works on<br />

leaving present<br />

for his chums...<br />

STAY<br />

TRUE!<br />

Best wishes <strong>Alan</strong> & Paul


SKYLARKING


Jez<br />

for<br />

Prez<br />

Say no<br />

to a<br />

monarchy<br />

<strong>Alan</strong> <strong>Rutherford</strong><br />

<strong>Alan</strong> <strong>Rutherford</strong>


EPILOGUE:<br />

DON’T CROSS<br />

PICKET LINES


HAND OVER<br />

FIST PRESS<br />

BOOKS • DESIGN<br />

at<br />

www.h<strong>and</strong>overfistpress.com<br />

1 9 8 6<br />

2 0 1 7<br />

To read/view a book,<br />

please go to BOOK<br />

page on website <strong>and</strong><br />

click on their cover<br />

<strong>and</strong> follow the links ...<br />

SHEEP IN THE ROAD<br />

Vol. 1<br />

<strong>Alan</strong> <strong>Rutherford</strong><br />

2014<br />

SHEEP IN THE ROAD<br />

Vol. 2<br />

<strong>Alan</strong> <strong>Rutherford</strong><br />

2015<br />

SHEEP IN THE ROAD<br />

magazine, 3–24<br />

<strong>Alan</strong> <strong>Rutherford</strong><br />

Oct 2015–May 2017<br />

KAPUTALA<br />

The Diary of<br />

Arthur Beagle & The<br />

East Africa Campaign,<br />

1916-1918<br />

<strong>Alan</strong> <strong>Rutherford</strong><br />

Updated 2nd edn:<br />

2014<br />

IRISH GRAFFITI<br />

some murals in the<br />

North, 1986<br />

<strong>Alan</strong> <strong>Rutherford</strong><br />

2014<br />

NICETO<br />

DE LARRINAGA<br />

a voyage, 1966<br />

<strong>Alan</strong> <strong>Rutherford</strong><br />

2014


▼<br />

MAGAZINE<br />

SHEEP IN THE ROAD<br />

issues 3–24<br />

Oct 2015–May 2017<br />

Sheep in the Road magazine had<br />

writing, photography, cartoons <strong>and</strong><br />

odd assemblages of ideas, rants <strong>and</strong><br />

reviews ... eminating from a socialist<br />

<strong>and</strong> thoughtful core.<br />

Available to view/read at:<br />

www.h<strong>and</strong>overfistpress.com


HAND OVER<br />

FIST PRESS<br />

1 9 8 7<br />

2 0 1 7

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