1 year ago

Letter=Image, excerpt from The Triumph of Typography

Typography is far more than type design and layout. It touches on one of the key values of our society: the printed free word, democratic discourse. It is thanks to the power of typography that this discourse has assumed the form of a game of argument and counter-argument. The new-media technology calls into question our accepted notion of typographic communication and raises a number of essential questions that we cannot ignore. Never since Gutenberg's invention of moveable type in the fifteenth century has typographic communication been exposed to such a fundamental change as it is today. Can typography still play a significant role when digitisation and new media shake at the foundations of the typographic trade? Now this trade finds itself at a crossroads. What direction will it take in its further development? This book not only dwells on what moves and inspires today's typographer, but also elaborates on new developments in the field of typography. In The Triumph of Typography, 21 international experts in the fields of typography and communication in the broadest sense of the word share their expertise with fascinating analyses and examples. With contributions by: Peter Bil'ak, Petr van Blokland, Hans Rudolf Bosshard, Paul van Capelleveen, Roger Chartier, Paul Dijstelberge, Yuri Engelhardt, Willem Frijhoff, Christof Gassner, Michael Giesecke, Britt Grootes, Gerard Hadders, Henk Hoeks, Ralf de Jong, Ewan Lentjes, Ellen Lupton, Lev Manovich, Jack Post, Rick Poynor, José Teunissen, Wouter Weijers.

Letter=Image, excerpt from The Triumph of

Letter = Image Gerard Hadders The Triumph of Typography The scope of typography Gerard Hadders (1954), co-founder of the Hard Werken group in 1978, graduated in fine arts and photography in 1979. Inspired by Robert Venturi he developed a strong interest in architecture as sign and symbol. In 1992 he set up the design department of the Jan van Eyck Academy in Maastricht with Jan van Toorn. Subsequently, he taught for twelve years at the master course Post St. Joost Graphic Design, connecting design with the research of urban visual culture (CopyProof, a new method for design education, 2000). In 1993 he founded Buro Plantage. In 2013 he co-founded, with Edith Gruson, studio Pro Arts Design. 324 The Triumph of Typography (16 mrt).indd 324 31-03-15 11:20

Gestalt for a museum (of modern art); Adapt. 2018
Excerpt from View to the Future; Jan van Eyck Academy Design Dept., Maastricht, 1997
Counterpoint; TheExcercise...
Post St.Joost 2005, Superfacial Kruisplein: A New Advanced Method
Plates From The Grammar of Ornament by Owen Jones, 1856
Headlights First Selection
We don't know him as Hazel
RietveldsHeirs 1990 Brochure. Portugese version
Identities: Rotterdam 2001, cultural capital of Europe: 5 design proposals for a house style
Die wahre Geschichte vom Minotaurus | The true history of the Minotaur
Fragrance by Form
Textile Patterns from the Fabric Attic
What do Babies look like?
L.E.W. (Light Emitting Wall); Raw installations shots and details.
Piet Zwart’s Black Limo Days Are Over…
Gerard Hadders; Sensorium, Gläserne Manufaktur Dresden, VAG Gesellschaft, ProcessProposal 1999-2000
sgOriëntatie, Ewan Lentjes & Gerard Hadders, een lezing
Gerard Hadders, Senza Parole, a miscellaneous selection, graphic design 1977-2005
De Hoftrompet, Zichtbaar maken wat niet gezien wil worden.
New Towns and the Human Species, Visual start document for the INTI website
Franco! Postzegeljaarboek 1986; Franco! Postage Stamp Yearbook 1986
Historische Uitgeverij; Beijing Book Fair 2011