Live Magazine June Edition - Spider-Man!

LIVE
JUNE/JULY 2017 ISSUE
SUPER
HERO
SPECIAL
ISSUE!
Page 8
OVER
170
PAGES
TM
SPIDER-MAN :
HOMECOMING
INTERVIEW WITH DIRECTOR
JON WATTS

There’s a lot of positives with super heroes. They fight evil, they have strong values, and even though
some are flawed and struggle with regular human issues they still do their best to be on the side of good.
We want to celebrate the good in the world and what better way for a bunch of pop culture fans then to
celebrate with our appreciation of super heroes.
With that in mind, June and July are dedicated to super heroes here at Gametraders Live Magazine.
We’ve got coverage of both Spider-Man and Wonder Woman as the two movies we’re excited about.
Plus we asked readers about their favourite super heroes too. Cosplayers chipped in by sharing their
cosplays of Wonder Woman - a movie that’s really blitzed the box office.
We also borrowed the System of the Century results from Retro Live so you can take a look at what
readers voted as the best game system of the previous century (sounds a long time ago) and the team
from VG Chartz have taken a look at the Prey demo and the top ten games they feel would rock the
Switch.
This month we’d like to encourage you to be the hero. How can we, as gamers, fans of pop culture
and some of us proud nerds, how can we make a difference? Here’s what Commissioner James
Gordon said...
The Live Team

INSIDE
8
Wonder
30
Geek
34
Spider-Man:
134
Video
156
Cosplay
Woman:
Special Report
Out
Homecoming
Games
“You’re going to
make a difference.
A lot of times it won’t be huge, it
won’t be visible even. But it will
matter just the same.”
THE LIVE
TEAM
Publisher: Rob Jenkins
(GTHQ)
Art Director: Giselle Capozza
(GTHQ)
Game Contributors:
VGChartz
Retro Editor: Paul Monopoli
Entertainment Editor:
Scott Sowter
Cosplay Editors:
Anny Simms
Wargaming Contributor:
Ben Makepeace

NEW PRODUCTS!
tHE WORLD OF BOARD GAMES!
STAR WARS MONOPOLY:
40TH ANNIVERSARY SPECIAL
EDITION
It’s the Fast-Dealing Property Trading
Game taken to a galaxy far, far
away! Celebrate the 40th anniversary
of the original Star Wars movie
with this special edition of the Monopoly
game. Players can relive the
story of Star Wars: A New Hope as
they travel around the board. Collect
memorable scenes and iconic
ships inspired by the 1977 movie.
Strengthen power and influence over
opponents by building Fleets and
Bases. Force and Smuggler’s Cargo
cards shape players’ destinies in this
exciting game. The only player left
after everyone else has gone bankrupt
wins!
MASS EFFECT MONOPOLY
Travel through the galaxy as you buy,
sell and trade organizations, factions
and locations as depicted in
the Mass Effect video game trilogy.
Includes:
6 Collectible Tokens: N7 Helmet,
Space Hamster, Normandy, Omni
Tool, Shifty Looking Cow, and Mako
Custom Game Board featuring Elites,
Special Interests, Mercs, and Crews.
The Hasbro Gaming, Parker Brothers,
and Monopoly names and logos, the
distinctive design of the gameboard,
the four corner squares, the Mr. Monopoly
name and character, as well
as each of the distinctive elements
of the board and playing pieces are
trademarks of Hasbro for its property
trading game and game equipment.
Star Wars products are produced by
Hasbro under license from Lucasfilm
Ltd.
Includes Gameboard, 6 tokens, 28
Title Deed cards, 16 Force cards, 16
Smuggler’s Cargo cards, 32 Fleets,
12 Bases, 2 dice, money pack, and
game guide.

terminator board game
The Terminator: The Official Board
Game is an asymmetrical strategy
game played across two boards: one
in 1984 and one in 2029. One player
takes control of all the forces of the
machines — Hunter Killer flying machines,
Terminator endoskeletons,
and new robots based on the classic
1980s aesthetic — while the rest of
the players take the role of the human
resistance, struggling against
the impossible odds of the machine
uprising.
ELDER SCROLL RISK
The classic strategy game of Risk
meets the world of magic, dragons
and swords as you fight for supremacy
of Tamriel!
X-WING EXPANSION
AUZITUCK GUNSHIP
Designed by Appazanna Engineering
Works of Kashyyyk and equipped
with three wide-range Sureggi twin
laser cannons, the Auzituck gunship
was known for its impressive firepower
and incredible durability. The
Auzituck Gunship Expansion Pack
brings this ship to X-Wing as a resilient,
pre-painted, small-base Rebel
starship with three attack, one agility,
and six hull protected by three shields
and the reinforce action. You’ll find
even more ammunition and defensive
options among the expansion’s
four ship cards and six upgrades.
ASK STAFF FOR PRODUCT DETAILS / RELEASE DATES!
Get it all at Gametraders!
X-WING EXPANSION TIE AGGRESSOR
X-WING EXPANSION H-6
BOMBER
The Scurrg H-6 Bomber was crafted
with combat versatility in mind. It was
armed with powerful shields and a
bristling array of destructive weaponry,
and one of its prototypes was
infamously stolen by Captain Nym.
You’ll find not one, but two different
ship cards for this notorious pirate in
the Scurrg H-6 Bomber Expansion
Pack for X-Wing, allowing you to
fly him with the Rebellion or the galaxy’s
Scum and Villainy. Additionally,
the expansion’s pre-painted, smallbase
miniature starship is accompanied
by three other ship cards, plus
a hefty complement of ten upgrades
laden with ordnance.
The TIE aggressor was designed for
long missions, supply chain raids,
and tactical flexibility, and in X-Wing,
it can lend a great deal of tactical
flexibility to your Imperial fleet. Much
of this versatility comes through the
ship’s ability to equip a turret weapon
and a pair of missiles. Altogether,
the TIE Aggressor Expansion Pack
pairs its pre-painted miniature starfighter
with four ship cards and five
upgrades, plus everything else you
need to fly the ship to battle.

NEW PRODUCTS!
WONDER WOMAN MOVIE
DIANA PRICE POP! VINYL
Available now! Ask staff for details.
WONDER WOMAN PLAY ARTS ACTION FIGURE
In the same ranks as BATMAN and
SUPERMAN, WONDER WOMAN is
one of the Big Three of DC Comics,
and she’s the world’s first and strongest
female super hero. Combining
both beauty and strength, this action
figure is a powerful representation of
WONDER WOMAN. Many dynamic
action poses are possible thanks
to the utilization of a flexible material
for her hair and skirt. The careful
paintwork on her face accentuates
her dignified yet delicate facial features.
Accessories include: her signature
magic lasso; a sword that can
be stowed on a loop in her belt; and
her circular shield. This action figure
condenses WONDER WOMAN’s appeal
into one compact package.
Figure also includes display stand
and interchangeable hand parts.

SPIDER-MAN - ONE:12 COLLECTIVE ACTION FIGURE
Your friendly neighbourhood Spider-
Man swings into the One:12 Collective!
When young Peter Parker is
inadvertently bitten by a radioactive
spider he is infused with spider-like
abilities; super strength, the ability
to cling to surfaces and climb walls,
and a “Spidey Sense” that allows
him to react to impending danger.
Utilizing his famous, self designed
Web Shooters as well as his amazing
powers Spider-Man vows to protect
his fellow man after the untimely
death of his uncle at the hands of a
common thief, quickly rising to the responsibility
of using his great powers
to be the hero we all know and love.
Assembled on an all new One:12
Collective body developed specifically
for this figure, Spider-Man features
over 30 points of articulation.
This figure also features a meticulously
tailored outfit with intricate
silk screened details and includes
multiple interchangeable parts and
accessories.
Spider-Man Black Suit Glow pop! vinyl
Coming soon! Ask staff for details.
FIDGET SPINNERS
Gametraders have a massive range
of Fidget Spinners in store now!!
Head in to your local store to see the
full range today!
ASK STAFF FOR PRODUCT DETAILS / RELEASE DATES!
Get it all at Gametraders!

FEATURE

WONDER
WOMAN

SHE’S A HIT!
Wonder Woman, Gal Gadot and
Patty Jenkins ... the reviews are in
and the film has resonated well with
movie critics and fans.
Browsing Rotten Tomatoes, the official
Tomatometer has given Wonder
Woman a very good 93% with
243 “Fresh” reviews as against 18
“Rotten” reviews.
Reviewers generally agree that it’s
Gal Gadot that makes the movie.
As Time Magazine’s Stephanie
Zacharek says:
“Gadot is simply marvelous.
Physically, she’s bold and
commanding. But there’s a
sweetness about her too, as if
she and Jenkins understand
intuitively that Wonder Woman
can’t just be blandly awesome.
She’s got to be able to feel
wonder too. Gadot carries the
movie through even its sloggiest
parts, most notably the big
action sequences that pile up
at the end.”
Fans too loved it with an average
rating of 4.5 out of 5 - with over
71,000 ratings, and with a box office
taking of over $300 million in its
first first days, the film set a record
for the biggest opeing weekend for
a female-directed movie.
This is good news for the super hero
genre, after some poor reviews for
both Batman vs Superman and Suicide
Squad not doing so well with
fans and critics. There’s even been
some talk of Oscar nomination... for
a super hero genre film!
Over the next few pages we take
a look at the history of Wonder
Woman, the movie characters and
we even had the cosplay community
send us their Wonder Woman
cosplays!
93%
ROTTEN TOMATOES

WONDER WOMAN
She has a golden lasso - The Lasso
of Truth, indestructible bracelets
she can deflect bullets with and has
superhuman powers which were
gifts from the Greek Gods. In 1940,
William Mouton Marston, a psychologist
who had invented the polygraph,
was talking to a family magazine
about the potential of comic
books and that article got the eye
of publisher Max Gains, a comic
publisher who then hired Marston to
be a consultant who went on to create
Wonder Woman when his wife
suggested the new super hero he
create be a woman.
Working with artist Harry G. Peter.
Marston and his wife Elizabeth’s cohabitant,
Olive Byrne, is credited as
being Marston’s inspiration for the
character’s appearance. Wonder
Woman was also Marston’s interpretation
of the ideal love leader...
the type of woman who’d be ideal
running society.
Many comic fans will know there
are “ages” of comics. Staring with
the Golden Age which was around
the 1930s to 1950... a time when
many comics where first published
and made popular.
Wonder Woman was around from
the beginning of the Golden Age
and was fighting Nazis and joined
the Justice Society of America. In
the Silver Age, the Wonder Woman
character was given a make over
with new Hellenic roots and begins
using the alias Diana Prince who
opens a boutique of mod fashion
and has a Chinese mentor who
teaches her martial arts and weapons
fighting. Think Emma Peel from
the Avengers but with kick-ass
skills.
In the Bronze Age Wonder Woman
returns to her super hero roots in
the Justice League and the 40s but
this was around the time a TV Show
began featuring Lynda Carter as
Wonder Woman.
The Modern Age sees a rewrite of
the character’s origin featuring a
lot of Greek Mythology and Diana
being “birthed out of clay” (wikipedia).
In 2011 when DC Comics relaunched
their titles/heroes Wonder
Woman had a revamp with a
new costume that harkens back
to her original look plus she has a
sword and shield and a new origin
- no more clay instead she is a
demi-goddess and the natural born
daughter of gods - Zeus and Hippolyta.
Wow... what a history. The movie
is set in WW1 with Diana Prince
choosing to leave her home to help
stop the war when the American
pilot Steve Trevor crashes on the
island and informs her of what is
happening abroad.

“Not even girls want to be
girls so long as our feminine
archetype lacks force,
strength, and power. Not
wanting to be girls, they
don’t want to be tender,
submissive, peace-loving as
good women are. Women’s
strong qualities have
become despised because
of their weakness. The
obvious remedy is to create
a feminine character with
all the strength
of Superman
plus all the allure of a good
and beautiful woman.”
- William Moulton Marston
THE AGE OF COMICS
The Silver Age of comics was around 1956 to 197 and was a time when comics found commercial success - particularly
the super hero comic. The Silver Age was post WW2 and life was good again.
The Bronze Age was from 1970 to the mid 1980s and saw comics return to darker story lines and elements that
related to the issues in the media at the time. Elements like drugs, racism and poverty - Wikipedia has a great article
you can follow here: https://en.wikipedia.org/wiki/Bronze_Age_of_Comic_Books
Finally the Modern Age which started in the mid 80s and is still today era. Comics changed, heroes too. Think the
Dark Knight and Watchmen.

WONDER WOMAN
Gal Gadot stars in the title role of
“Wonder Woman,” an epic action
adventure from director Patty Jenkins
(“Monster,” AMC’s “The Killing”)
marking the DC Super Hero’s firstever
stand alone feature film.
Before she was Wonder Woman,
she was Diana, princess of the
Amazons, raised on a sheltered island
paradise and trained to be an
unconquerable warrior. But when
an American pilot crashes off their
shores and tells of a massive conflict
raging in the outside world, Diana
leaves her home, convinced
she can stop the threat. Fighting
alongside men in the war to end
all wars, Diana will discover her full
powers... and her true destiny.
Joining Gadot in the international
cast are Chris Pine (the “Star
Trek” films), Robin Wright (“The
Girl with the Dragon Tattoo,” Netflix’s
“House of Cards”), Danny Huston
(“Clash of the Titans,” “X-Men
Origins: Wolverine”), David Thewlis
(the “Harry Potter” films, “The Theory
of Everything”), Connie Nielsen
(TV’s “The Following,” “Gladiator”),
Elena Anaya (“The Skin I Live In”),
Ewen Bremner (“T2 Trainspotting,”
“Snowpiercer”), Lucy Davis (“Shaun
of the Dead,” TV’s “Better Things”),
Lisa Loven Kongsli (upcoming “Ashes
in the Snow”), Saïd Taghmaoui
(“American Hustle”) and Eugene
Brave Rock (TV’s “Hell on Wheels”).
Patty Jenkins directed the film from
a screenplay by Allan Heinberg, story
by Zack Snyder & Allan Heinberg
and Jason Fuchs, based on characters
from DC. Wonder Woman was
created by William Moulton Marston.

The film was produced by Charles
Roven, Deborah Snyder, Zack Snyder
and Richard Suckle, with Stephen
Jones, Geoff Johns, Jon Berg,
Wesley Coller and Rebecca Steel
Roven serving as executive producers.
Joining Jenkins behind the camera
were director of photography
Matthew Jensen (“Chronicle,”
“Fantastic Four,” HBO’s “Game of
Thrones”), Oscar-nominated production
designer Aline Bonetto
(“Amélie,” “A Very Long Engagement”),
Oscar-winning editor Martin
Walsh (“Chicago,” “Jack Ryan:
Shadow Recruit”), Oscar-winning
costume designer Lindy Hemming
(“The Dark Knight” trilogy, “Topsy-
Turvy”) and two-time Oscar-winning
visual effects supervisor Bill Westenhofer
(“Life of Pi,” “The Golden
Compass”). The music is by composer
Rupert Gregson-Williams
(“Hacksaw Ridge,” “The Legend of
Tarzan”).
Warner Bros. Pictures presents, in
association with Tencent Pictures
and Wanda Pictures, an Atlas Entertainment/Cruel
and Unusual production,
“Wonder Woman.” The film
will be distributed in 3D and 2D in
select theaters and IMAX worldwide
by Warner Bros. Pictures, a Warner
Bros. Entertainment Company.

WONDER WOMAN
CHARACTER
BIOS
All photographs courtesy Warner Bros

WONDER WOMAN /
DIANA OF THEMYSCIRA
(Gal Gadot)
One of the world’s greatest and
most powerful Super Heroes, Wonder
Woman is a fierce Amazon warrior
with incredible strength, grace
and wisdom, who is unparalleled in
hand-to-hand combat. Her arsenal
includes her lasso, shield and sword.
Before she is Wonder Woman, Diana
is an Amazonian princess, living
on the mystical island paradise of
Themyscira, training for battle and
mastering skills like archery and
sword fighting.
HIPPOLYTA
(Connie Nielsen)
Hippolyta is Queen of the Amazons
and mother of the young princess,
Diana. A noble leader, she hopes
to teach Diana that her mind is her
most powerful weapon.
ANTIOPE (Robin Wright)
General Antiope is the greatest of
the Amazon warriors, responsible
for training their entire army. The
sister of the Amazonian queen,
Hippolyta, and aunt to their princess
Diana, Antiope secretly trains
her eager and gifted young niece to
prepare for battle as well.
STEVE TREVOR
(Chris Pine)
Captain Steve Trevor is a courageous
American fighter pilot performing
dangerous undercover missions
in World War I. Captivated
by the Amazon princess Diana, he
helps her navigate the human world
and fights alongside her in battle.
MENALIPPE
(Lisa Loven Kongsli)
Menalippe is the sister of Queen
Hippolyta and General Antiope. A
skilled Amazon warrior, Menalippe
uses the Lasso of Hestia to learn
the truth about Steve Trevor’s appearance
on the island paradise of
Themyscira and the war that rages
on in the outside world.
CHIEF (Eugene Brave Rock)
A smuggler with a well-earned
reputation for moving anything behind
enemy lines, Chief joins Diana
and Steve Trevor in their mission
against the enemy.
SAMEER (Saïd Taghmaoui)
Sameer, or Sammy, is a skilled linguist,
charmer and actor, though
many would call him a conman. Together
with Chief and Charlie, he
joins Diana and Steve Trevor in their
mission against the enemy.
ETTA CANDY (Lucy Davis)
Captain Steve Trevor’s loyal and
indispensible secretary, Etta Candy,
is a woman ahead of her time.
Working from the War Office, she
proves an invaluable asset to Steve
and Diana’s mission.
GENERAL LUDENDORFF
(Danny Huston)
A rogue leader in the German
Army who will do anything to continue
this war, the ruthless General
Ludendorff oversees the covert
military installation that houses the
factory where Dr. Isabel Maru is
developing a secret—and deadly—
chemical weapon.
DR. ISABEL MARU
(Elena Anaya)
Having earned the nickname “Dr.
Poison,” Dr. Isabel Maru is a controversial
chemist developing a
mysterious new chemical weapon
under the guidance of General Ludendorff.
She takes great joy in her
work—and in the deaths it causes.
CHARLIE (Ewen Bremner)
Despite suffering from shellshock,
Charlie is an expert marksmanfor-hire,
and joins Diana and Steve
Trevor in their mission against the
enemy.
IN CINEMAS
now...

YOUR SAY
TO SHARE A PHOTO OF THEIR
& WHY THEY CHOSE TO COSPL
“It was an easy choice to make. I
love Wonder Woman because she’s
courageous, strong and compassionate
and she sees the best in
people. She inspires me.”
- Starfirephoenix
“I’ve cosplayed Wonder Woman because
I love the character in all her
various costumes and eras. She’s
the embodiment of compassion and
justice.”
- JusZ Cosplay
“I chose to cosplay wonder woman
to challenge myself to do something
for myself. She is such a
strong powerful woman and I
wanted to feel strong and capable.
She gives me strength when I feel
stressed out and worn down, I
write I am wonder woman I can do
it on my wrist and it helps me get
through the day.
My page is @jawjarrose. Jawjarrose
and Finch Cosplay Photography.”
- Georgia Rose

WONDER WOMAN COSPLAY
AY THIS HERO...
“I chose to cosplay Wonder Woman
because she’s a comic icon! She
takes no sh*t, and is a great role
model for girls and guys alike. My
hero.”
- Tess Healy
“Wonder Woman is a compassionate
caring, stubborn, opinionated,
highly competitive, outgoing, immortal
Amazon. She is the best. It does
not matter that you have a disability
because all women are superheroes.”
- Pilar Rodriguez Baz
“I always wanted to cosplay Diana.
Wonder Woman was my first costume
as a little girl, the first reference
I got as a heroine. Wonder
Woman represents the ideals of
thruth, hope, equality for everyone.
Diana makes you believe everything’s
posible and you’re capabable
of great things if you’re fierce
enough to fight and stand for your
beliefs. She’s the ideal of honor and
courage.
I wish I was half as good as she is :)
This one is Wonder Woman Bombshell,
a design from Ant Lucia that I
just love so much.”
My Cosplay page is Ireth Minllatur
Cosplay :).”
- Karla M. Carlotti Blazquez
“I chose this cosplay
because Wonder
Woman is my favorite
superhero, she is
an inspiration for all
women, makes us see
that we are brave,
independent, powerful.
I adore her.”
- Veronica Merino
Palomares

YOUR SAY
TO SHARE A PHOTO OF THEIR
& WHY THEY CHOSE TO COSPL
“I’ve cosplayed as Wonder Woman
multiple times at Supanova, Oz
Comic Con and 2013 San Diego
Comic Con. Ive gone from a badly
made 2009 home made version
to commissioning a tiara, belt and
breast plate based on my favourite
design by Terry Dodson (as seen in
the photos).
I loved cosplaying her, watching
her and collecting DC figures of
her. Wonder Woman is a symbol of
strength and compassion and kids
love her! Great inspiration.”
- Adele K. Thomas
“I cosplay as wonder woman because
I am in love with her character!
Strong female role with no fear
to go against what her life before
her is meant to be. She’s an Amazonian
warrior. What more could you
want!”
- Ellie Manning
“ I love Diana and everything she
stands for. Strong but Compassionate.
Capable of Fighting but mostly
of Love. She would extend a hand
before a sword in any confrontation
she faces. She defeated the God
of War by showing him the truth of
his actions and brought friendship
to Cheetah. And she always always
believe that humanity can do good
and doesn’t waiver from that belief.
She is the hero the world needs.
My page is Heroine For Hire
Photos by Cosplay Australia.”
- Lani Deves

WONDER WOMAN COSPLAY
AY THIS HERO...
“I chose to cosplay Wonder Woman
as she is the ultimate super heroine!
I think she is a great role model for
children and to show that girls can
be tough too! :)”
- Amy Donaghey
“She’s brave. She has courage. She
looks amazing in her curves. She’s
quite a symbol to all women. I also
want to develope even more my
WW cosplay and take her to more
cons.”
- Sara Vilda
“I nominate my Princess Kuno Yuro.
She is truly amazing and all heart
when it comes to making children
smile n inspiring young girls around
her to better themselves. She
selfishly puts others ahead of her
n does more than just charities n
hospital visits. But strives to make
anyone life better. And is first to
offer herself to donate her time to
helping her community better.
As a child her inspiration was Lynda
Carter n believes in the principles of
what Wonder Woman stood for. I am
forever honored when I get to work
with her. :)”
- Matches Malone
“Why Wonder Woman? Because she’s not just as a superhero, but a hero
with a heart.”
- Victoria Hofferson

YOUR SAY
TO SHARE A PHOTO OF THEIR
& WHY THEY CHOSE TO COSPL
“I was attending a few conventions
and thought Wonder Woman
needed some love. This was at Oz
Comic Con 2014.”
- Tim Vega
“This is Wonder Mama at Wonder
Con!!!! Wonder Woman is my lifelong
idol and Wonder Mama stands for
love and equality!”
- Renny Roccon
“What isn’t to love about a woman
who is strong, caring and loyal to
helping those around her? I was
overweight and she encouraged
me to weight lift. I was scared and
dressing as her made me feel like
I was strong. I want everyone to be
able to feel like wonderwoman x
My instagram is www.instagram.
com/aimeeswiftfitness
Fb is Geek-Ta-Scale!”
- Aimee Swift
“This is my current version of
Wonder Woman. I’ve been a fan of
hers since the Lynda Carter series
when I was little. Cosplay allows me
to share my fandom and I love it
when little ones come over photo a
photo and they leave with the biggest
smiles :D I’m a Wondie fan of
over 30 years why would I cosplay
anyone else”
- Lisa Diana

WONDER WOMAN COSPLAY
AY THIS HERO...
“Despite my considerably short
height, I always wanted to cosplay
Wondy because she’s the epitome
of a female superhero that so many
kids look up to.”
- Rach Baker
“She is one of my favorite characters
to cosplay. :D Her strength
motivates me!”
- Brittney Joy
“Because She is Wonderful,perfect
warrior, an inspiration for me.”
- Cynthia Cabrera Hernandez
“I’m not sure if this is still ongoing? But I still want to share my love for
Wonder Woman in celebration of the movie!!
It was honestly a no brainer for me to
cosplay Wonder Woman cause she’s
a badass person who could hold
down a fort by herself. Also, she is
the embodiment of courage, justice
and compassion. A perfect role
model for everyone.

YOUR SAY
TO SHARE A PHOTO OF THEIR WONDER
WOMAN COSPLAY & WHY THEY CHOSE
TO COSPLAY THIS HERO...
“I’ve been a lifelong fan and had
great fun, completely out of my
comfort zone but love it.”
- Lisa Todd
“More photos on my page : Nad
Cosplay & Cousu Main.”
- Nadia Zeghloul
“I cosplay as wonder woman because
I am in love with her character!
Strong female role with no fear
to go against what her life before
her is meant to be. She’s an Amazonian
warrior. What more could you
want!”
- Ellie Manning
“At AMCExpo 2015 :) I love Wonder
Woman because she doesn’t let
anything or anyone stand in the way
of what she wants to do or needs to
do....she just gets shit done!”
- Monica Nixon
“Manuelsa Cosplay.”
- Manuelsa Kaskous

WONDER WOMAN MOVIE
WONDER WOMAN TRAINING ARMOR
12” 1:6 SCALE ACTION FIGURE
PRE-ORDER
NOW!
Ask staff for details.

geek o
GAMES & POP
CULTURE
TRIVIA
DID YOU KNOW
SYSTEM
OF THE
CENTURY
RETRO
SPIDER-MAN
SPECIAL FEATURE
MOVIES
THE GAMER
DIARIES:
1998-1999
RETRO

ut
THE CIRCUS
IS COMING
WARGAMING
SUPANOVA
INTERVIEWS
TCG
NEWS
BEST
SUPERHERO
MOVIES

THE
TRUTH
DID YO
GAME & POP CULTURE FU
With this month being Super Hero Month at Gametraders we thought we’d take
a look at some fun facts and trivia about super heroes!
The Hulk was originally supposed to
be grey but turned green cause it’s
easier to print that colour.
In 2006 the U.S post office released
a stamp to recognise that
Comice are a true art form - this
is of particular interest when in 50
years earlier they were considered
a cultural threat...
Superman and Clark Kent have
different birthdays - Superman on
June 10th, the day his pod landed
on Earth and Kent on June 18, the
day the Kents adopted him.

U KNOW...
N FACTS & TRIVIA
Every issue I search the globe
for game and pop culture trivia,
I get sent out across the globe,
(first class) to scout the world of
video games to bring you some
fun facts.
Iron Man use to have roller skates...
(Um... no. We gave you a crappy
old laptop and told you to search
the web... Ed.)
Clark Kent compresses his spine so
he looks smaller then Superman.
There was a hero called the “Green
Lama” that was a Buddhist... one of
his powers was reincarnation!
Images from Wikipedia.

YOUR MOVIESAY
SPIDER-MAN
Spider-Man... aka Peter Parker is
a super hero created by Stan Lee
and Steve Ditko and first appeared
in comics in 1962. He’s a unique
character in that he’s a teenager
who’s dealing wiht rejection, loneliness
and inadequacy, some of the
feelings teens relate to. Also he had
to learn how do deal with his powers
himself, as Uncle Ben said, “With
great power there must also come
great responsibility.”
Spider-Man movies have been numerous
starting out wiht a TV series
in 1977 and a movie in 1981 - Spider-Man:
The Dragon’s Challenge.
After many legal battles and wrangling
the Sam Raimi films featuring
Tobey Maguire kicked off with
Kirsten Dunst as Mary Jane Watson.
In the movie, Peter Parker is bitten
by a genetically engineered spider
resulting in gaining super powers
and the webbing abilities. In this
film, Spider-Man learns to use his
powers as at first he’s uncoordinated
and a touch clumsy. He ends up
fighting the Green Goblin and falling
in love with Mary Jane. In 2004
Spider-Man 2 is released again with
Maguire, who ends up fighting Dr.
Octopus. In film number 3 Spider-
Man ends up battling a villain known
as Sandman and also we see the
creation of Venom.
Further films by Raima featuring
Maguire and Dunst were canceled
and it wasn’t until The Amazing Spider-Man
in 2012 featuring Andrew
Garfield as Peter Parker that we
had a new Spider-Man movie with a
second film released in 2014.
The newest Spider-Man film from
Sony - Spider-Man Homecoming
is due out in July and features Tom
Holland as our hero with strong
support by Iron Man himself, Robert
Downey Jr and the role of villain going
to the brilliant Michael Keaton
(who actually also played Batman).
In this film, we see Peter Parker being
mentored by Tony Stark as he
balances life between being a powerful
hero and a teen dealing with
the usual teenage challenges.
The trailers shows humour and a
ton of action as you’d expect with
Spider-Man, let’s take a look on the
next page...

Image from Wikipedia.

YOUR SONY SAY PICTURES
SPIDER-MAN:
HOMECOMING
A young Peter Parker/Spider-Man (Tom Holland), who made his sensational debut in Captain
America: Civil War, begins to navigate his newfound identity as the web-slinging superhero
in Spider-Man: Homecoming. Thrilled by his experience with the Avengers, Peter
returns home, where he lives with his Aunt May (Marisa Tomei), under the watchful eye of
his new mentor Tony Stark (Robert Downey, Jr.). Peter tries to fall back into his normal daily
routine - distracted by thoughts of proving himself to be more than just your friendly neighbourhood
Spider-Man - but when the Vulture (Michael Keaton) emerges as a new villain,
everything that Peter holds most important will be threatened.
WIN A DOUBLE PASS!
Watch this trailer (https://youtu.be/cXcai_9ZqL4)
& tell us what Spider-Man says after “someone is
collecting stuff from Avengers battles, and building
these crazy weapons”...
Inbox us your answer (facebook.com/GametradersAustralia)
Hurry - limited numbers!
MARVEL and all related character names: © & 2017 MARVEL. Spider-Man: Homecoming, the
Movie ©2017 Columbia Pictures Industries, Inc. All Rights Reserved.

YOUR SONY SAY PICTURES
SPIDER-MAN:
HOMECOMING
Q: Just to get started, talk
about how concurrently this
was developed with Civil War
and what sort of foundation
that provided for you when
you started developing Spider-Man:
Homecoming.
Watts: Tom was hired right
around when I was hired. And I
went to Atlanta when they were
shooting Captain America: Civil
War.
Q: Did you feel like the success
of Civil War – and the
reception to Spider-Man –
emboldened you or gave you
an advantage when you were
sort of constructing what this
was going to be?
Watts: Yes, it’s great. I was
there when they shot the scene
between Tony and Peter in his
bedroom and you see that and
you’re like oh, this works. This
is great. And you also see that
there was this amazing chemistry
between Tony and Peter
that you just want to see more
of that. So that became a really
good jumping off point for us
to decide what sort of story we
wanted to tell.
Q: How easy or difficult was
it to use the superhero element
to amplify that journey?
Watts: Well, when you’re 15 you
feel like everything is the end of
the world, whether or not that
crush is going to talk to you or
whether or not the world is going
to be destroyed by Chitauri
aliens. Everything is the end of
the world. So it lets you take all
of this stuff and amplify it to a
fun and funny level.
Q: You talk about fun. What
sort of tone were you aiming
for?
Watts: Like Fish Tank. I mean,
my favorite movies are a little
bit of everything because that’s
what growing up feels like.
Sometimes it’s funny, sometimes
it’s annoying, sometimes
it’s thrilling and sometimes it’s
a little sad. So by having that as
our framework, it allows you to
do everything.
Q: How did that enable you to
avoid revisiting certain moments
of Spider-Man mythology
that audiences may have
seen before?
Watts: Well, it frees you up to
just have fun with the character
in the world. Because we’re
starting after the origin story,
we don’t have to do any of that
legwork and we don’t have
to do any universe building in
that way that they had to do in
the previous Spider-Man films

jon watts
[ Q & A ] [ director ]
“Well, when you’re 15 you feel like everything is the end of the world, whether or not
that crush is going to talk to you or whether or not the world is going to be destroyed by
Chitauri aliens. Everything is the end of the world. So it lets you take all of this stuff and
amplify it to a fun and funny level.”

“The reason to make this movie
is to show people things they’ve never seen
before and to take them on a journey that they’ve
never been on before. So that was actually a great
creative limitation, to make everything new.”

ecause superheroes already
exist in this world. The Avengers
exist. So we don’t have to
tell any of that story. We can
just have fun with “what if a
15-year-old became a superhero?”
What would that be like?
But I mean he still has to shoot
webs. That’s like that’s about it
– he’s got to shoot webs.
Q: When you started on
Homecoming, did you make
a list of things that you were
not going to do? And then
were there things that are
just so inherent to Spider-
Man that you knew you would
have to include, and would
just have to come up with a
more clever way to incorporate
them into your version?
Watts: That’s what we tried to
do with everything. Like if anything
seemed familiar, we tried
to come up with something else.
The reason to make this movie
is to show people things they’ve
never seen before and to take
them on a journey that they’ve
never been on before. So that
was actually a great creative
limitation, to make everything
new. Spider-Man still had to
shoot webs and swing around
every once in awhile, but then
you would come up with, well,
what haven’t we seen Spider-
Man do? Let’s take away buildings.
Let’s throw him in the suburbs
and see what he has to do,
if he has to go from rooftop to
rooftop. Or send him to Washington
DC, make him climb
up the side of the Washington
Monument. What are you going
to do then when there’s only
one building? What’s that going
to look like? So that was the fun
challenge, to just keep trying
to come up with something we
haven’t seen before and keep
pushing that.
Q: What was your first experience
with Spider-Man? Was
there specific material that
helped shape the landscape
of the world your Spider-Man
was going to inhabit?
Watts: Well, I immediately just
went back and started reading
the comics from the very beginning
when I got the job, [and]
that was just a great cornerstone
for what we were trying
to build because it’s a reminder
of why Spider-Man became so
popular in the first place. And
sure all these other people are
dealing with these life threatening
or world threatening stakes,
but one of the first things that
Peter Parker does in the comics
is he goes to try and join
the Fantastic Four because he
needs to make some money.
It’s just problems that a teen
would have. So that was a great
starting off point just in terms of
the tone, because it was funny
and irreverent and just its own
unique perspective. And in
terms of the visual language,
I just was trying to apply my
style to this universe and again
keeping with this whole groundlevel
perspective. I wanted this
movie [to be] on the ground
with Peter; it’s like you’re up in
the clouds with Tony, and now
here you are down in the dirt
with Peter.
Q: How tough was it to find
your own way of depicting

Spider-Man in action that
suits your personality but
still has that kind of elasticity
and nimbleness that’s maybe
a little different than other
superheroes?
Watts: I wanted it to always
again be grounded in a way
where I only wanted to shoot
shots that you could actually
shoot, like there’s no video
game camera flying around doing
impossible things. For me,
it has to always be within the
realm of, you could shoot this
with a drone, you could shoot
this with a 100 foot technocrane
– that was always an essential
part of creating the visual language
for this. We had to keep
it as realistic as possible. What
Spider-Man can do is more than
what a human being can do.
So you do some crazy things,
but he can’t break the laws of
physics. And a big part of what
we’re doing is being really rigorous
about making sure this
stuff feels as real as possible.
Q: What sort of discoveries
did you and Tom make together
in terms of Spider-Man
as he’s playing the character
and you’re directing him?
Watts: We learned to have a lot
of fun with it and with the blocking.
Some of the moments have
a very sort of Michael J. Fox
feeling about it – Tom has that
Marty McFly [from Back To The
Future] spirit in a way that’s
amazing, or like Tom Cruise in
Risky Business, just that twinkle
in his eye. But he’s still a
kid and he’s ready for bigger
and better things – but he still
has to get to like his chemistry
class on time. So we had a lot
of fun with that and found a lot
of humor in those moments and
that’s something that we would
work on together.
Q: What, if anything, really
surprised you about Tom’s
performance?
Watts: Do you know what
caught me off guard? I mean,
he’s so amazing and charming
and talented, but he’s also
such a precise technical actor
and you don’t ever encounter a
20-year-old that has that kind
of training and precision. I don’t
know if it’s training, I don’t know
if it’s just natural, but it was
amazing. He could hit his marks
perfectly. He could just do slight
tweaks to his performance to
dial it up and dial it down. And
it was amazing. That’s like having
a precision instrument – as
a director that’s so satisfying.
It’s like Tom, can you do that
again five percent less excited
and can you rotate your mark
20 degrees counterclockwise?
And he’d be like, “alright,” and
he could do it. I love complicated
camera moves and long
tracking shots and things like
that, so to be able to do that
with an actor who can hit all
those marks is like a dream
come true. It makes it so much
easier for me.
Q: How difficult was it to create
a story that is self-contained
and satisfying by itself
without telegraphing elements
that might be relevant
in future stories?
Watts: What’s great about Spider-Man
is that all that stuff is
already happening, and then
Spider-Man is just in that world.
I thanked [director] Joe Russo
recently for making all of the
serious, complicated movies so
that I could then come in and
make the Spider-Man one that
has fun in the sandbox that
[those] guys have all created.
Q: How did you develop the
relationship with Tony Stark,
as his mentor?
Watts: It’s interesting because
it’s part of Tony’s journey. He
picked Peter, he introduced Peter
to this world and now he’s
dealing with the implications
and responsibility of that. And
then Happy Hogan is sort of the
intermediary between the two
of them. I think of Happy as being
the annoying older brother
who Peter thinks is an obstacle
between him getting to talk to
Tony. And Tony is sort of the reluctant
mentor who picked him
when he was in a jam, and now
looks up to him like, what next?
He’s like oh, right, I’ve got to
do something about this. It’s a
really funny place to put Tony
into.
Q: Tony is a bells and whistles
guy when it comes to his
inventions. But Peter is himself
an inventor. Was there a
balance that you had to strike

etween what sort of assistance
Tony was going to be
able to provide versus what
Peter would be able to create
himself?
Watts: That’s a great question
and we have some fun with that
in the movie, because Tony’s
really smart and built this amazing
suit but Peter’s really smart
too.
Q: Looking at what has become
an expansive legacy of
different stories, what are you
looking to accomplish with
this Spider-Man tale that will
take them on a maybe slightly
different journey than they’ve
gone on in the past?
Watts: I think everyone loves
Spider-Man and I just want
this movie to remind them
why. Spider-Man was such
a revelation when he was
introduced into the comics in the
60s because no one had ever
thought to show the perspective
on this crazy universe that they
built. And they made him such
a believable, realistic, funny
character that I wanted to just
sort of go back to his roots in
that way. It’s a homecoming
for Spider-Man because he’s
back in the universe where he
belongs and I just wanted
to show that and to
remind people why
Spider-Man is the
best superhero of all
time. He’s the best. I
think you look at that
mask and you can
imagine yourself in
there.
INTERVIEWED BY TODD GILCHRIST

IN CINEMA

S 6 JULY!

RETRO
FROM OUR SISTER MAGAZINE RETRO LIVE ISSUE 2
SYSTEM OF THE
CENTURY
YOU VOTED!
Video games have
been part of our lives
since the 1970s.
While there were
massive computers
able to play simple games in
the50s and 60s, using vector
displays, it wasn’t until Magnavox
released the Odyssey
in 1972, a system that could
be connected to your TV set,
that we had true home console
gaming. Things really kicked off
when Atari’s Pong was released
on the Odyssey 100 and Atari’s
own home console.
On the computer side we had
Spacewar! in 1961, but you
needed a mainframe to run it.
With the first consoles for
homes released, things then
moved pretty quickly with Fairchild
releasing the VES in ’76
and Atari the 2600. The 2600
became the most popular second
generation console. In
1980, Atari had a conversion
of Space Invaders released on
their 2600 system and families
rushed out to buy systems just
so they could play the highly
addictive game at home.
The 80s came and initially the
outlook for gaming was bright.
A number of companies had
systems for the home and the
number of games to play was
growing, Then the video game
crash of 1983 happened. Too
many low quality games like
E.T flooded the market and
gamers voted with their pockets
and sales slowed with many
companies going bankrupt.
Then Nintendo released their
Famicom in Japan with better
graphics but they were worried
how it would be received in the
U.S after the crash so they released
it as the Nintendo Entertainment
System. It was the
start of things picking up again
for the video game industry.
Sega released their Master
System and while no where
near as popular as the NES, it
did well in the U.S and European
markets. It was now the
[PRE 2000]
mid 80s and computer systems
from Commodore, Atari, Texas
Instruments and the ZX Spectrum
from Sinclair were starting
to appeal to a different type of
customer. One that didn’t mind
a bit of fiddling with loading
cassettes or typing in code.
Tandy also were in the computing
business with their TRS-80
Color. Commodore released
the VIC-20 in 1980 and sold 1
million units by the end of 1982.
Then came the Commodore
64, a brilliant and much loved
system that cost almost $600
U.S on release but dominated
the low end market in computer
sales. In fact it sold around
2 million units per year in the
time from 1983 to 198 and was
considered by some major developers
as the best choice to
develop for due to its’ massive
sales.
The mid 80s saw the release of
some major computer systems
that were a favourite among
gamers. The Commodore Ami

?
??
?

ga 500, the Atari ST, the Amstrad
PC 1512 and Microsoft
released MS-DOS 3.2 for the
IBM PC. Looking back at it
all you can see the revolution
in progress. Better graphics,
sound, controllers and games
with more detail and story lines.
Many being released on multiple
disks.
The late 80s saw advances in
consoles like the Gameboy in
1989, Sega’s Game Gear, the
SNES from Nintendo and in the
early 90s we see the CD become
part of gaming with the
CD-ROM format. Sega release
their Sega CD as an add on to
their Genesis but it’s expensive
as an add on to a system
you’ve already paid for. The
3DO makes it’s debut in 1993
with systems using this format
manufactured by Sanyo, Goldstar
and Panasonic. It went on
to be Time Magazine’s Product
of the Year in 1993 but didn’t
sell in the same numbers as
competitors like the SNES or,
later in the mid 90s, the Sega
Saturn and the giants of the
mid 90s, the Nintendo 64 and
Sony Playstation.
Those two systems one from
long term video game console
manufacture, Nintendo
and the other from new comer,
Sony changed the console
market. Sega struggled after
many years of being the main
competitor to Nintendo, it was
now Sony vs Nintendo. The
first Playstation went on to sell
a whopping 104 million units
world wide (according to VG
Charts) and the N64 32 million.
The PC too, was a serious system
for gamers, VGA and Super
VGA graphics along with
sound cards saw DOS claim
around 65% of the computer
game market by 1990 whilst
the Amiga and Apple systems
that showed so much promise
shrunk to become minor players.
For many gamer’s it was id
Software’s Doom that changed
everything. It seemed that everyone
was running out to buy
a 486 that would run the first
level demo of Doom. That was
1993 and gaming changing.
Sure adults had been kicking
their kids off the Nintendo to
play Mario but now adults had
a choice of game systems that
were pushing serious graphics
around, providing a more realistic
and adult gaming experience
with sims such as race games
and flight games that got niche
markets forming clubs and online
communities. There were
still a few misses like the Apple
Pippin which sold only 42,000
unites and was shut down by
Steve Jobs when he returned
to Apple in 1997.
Late in the 90s Sega released
its’ last ever console - the
Dreamcast, a system that Sega
fans hoped would see the once
might console maker take it’s
place with the now big names
of Sony and Nintendo. Sadly,
due to lower then expected
sales, Sega withdrew from the
console market and focused
only becoming a 3rd-party publisher.
Only just over 9 million
Dreamcast were sold.
Those amazing years from the
70s to the end of 1990s have
so much gaming history to explore.
We’ve only just scratched
the surface in this short piece,
but that time frame has given
us games and gaming systems
that we can look back on and
see the beginnings of what we
have today as gamers. The
amazing graphics of a top spec
PC and even the current consoles
would astound the developers
from the 80s. Technology
marches on like time.
However when we look back to
those early times, a few systems
stand out as favourites.
Systems that you and we here
at Live Magazine, loved. They
may give you a rush of nostalgia
when thinking about those
times you sat and played a favourite
game. Unwrapped a
brand new PC game in a big
box and spent hours reading
the manual and novellas
that some came with. Those
are times that we, as gamers,
cherish. We at Gametraders
and Live Magazine wanted to
celebrate those gaming times
by asking you to vote for your
favourite system prior to 2000.
Let’s count down the top 5 that
you chose as your gaming System
of the Century.

5.
First released in 1989, it became
a massive success beating
rivals Sega (Game Gear)
and Atari’s Lynx and NEC’s
TurboExpress. It sold over 1
million in the first few weeks
of release in the U.S alone
and overall sold over 118 million
units (including Game Boy
Color). Launch titles like Tetris
NINTENDO GAME BOY
and Super Mario Land saw it be
the preferred hand held system
of its’ time. The Game Boy also
had the distinction of having a
much higher female user base
which Nintendo announced in
the mid 90s plus a better battery
life and was loved by gamers of
all ages. Originally it featured
a monochrome screen that was
replaced in 1998 by the Game
Boy Color.
VARIANTS:
1989 - Game Boy
1994 - Super Game Boy
1996 - Game Boy Pocket
1998 - Game Boy colour
1998 Game Boy Light

First released in 1988 in Japan
and the U.S market in 1989,
the Sega Mega Drive was a cartridge
and, later on, CD based
game console. It was Sega’s
third console and it dominated
sales in in the U.S outselling
the SNES by double during the
1991 season (source Wikipedia).
SEGA MEGA
DRIVE
(AKA SEGA
GENESIS)
The success was due to some
clever decisions by the new
CEO of Sega of America, Tom
Kalinske. The decision to release
Sonic the Hedgehog
as the bundled game with the
console saw sales rocket and
Sonic called one of the greatest
video games you could buy
at the time. Also Sega had released
the console in Japan
earlier then other markets and
so had a good library of games
available at launch in the U.S,
Australia and Europe.
Sega was considered “cooler”
in the U.S by male gamers then
the competing Nintendo system
and this enhanced with release

of games like Mortal Kombat
with the ability to play the
more gory version by entering
the “Blood Code” - the SNES
however released a censored
version of the game and Sega’s
“cool factor” increased in their
target market and in the gaming
media. Sega also released the
Sega CD (Mega CD) and a 32-
bit add on called the Sega 32X
which increased the power of
the system to compete with the
more powerful 32-bit console
from Sony - the Playstation.
The Mega Drive was eventually
replace with the Saturn.
4.

.
SNES (SUPER
NINTENDO
ENTERTAINMENT
SYSTEM)

First released in Japan in 1990
and then the North American
market in 1991, the SNES a
massive success globally for
Nintendo and was a follow up
to their wildly popular NES. The
system’s Mode 7 graphics allowed
programmers to develop
games with a 3D look - games
like Pilotwings showed off these
abilities as did F-Zero. Special
chips were included in game
cartridges to give more performance
rendering polygons and
advanced 2D graphical effects.
Games at launch were Super
Mario World and F-Zero and
Super Mario went on to sell
over 20 million. The SNES sold
over 49 million consoles and is
considered a classic by gamers
world wide.
VARIANTS:
1990 - Super Famicom
1991 - Super NES
1998 - Super Famicom Jr.

PLAYSTATION
.
The first playstation from Sony
almost didn’t happen. Originally
the system was a joint project
between Sony and Nintendo
where Sony was developing a
CD-ROM for Nintendo’s Super
Famicom - something Sony revealed
at the 1991 Consumer
Electronics Show. The story
goes that a day after the announcement,
Nintendo decided
to instead go with Phillips due
to both Sony and Nintendo unable
to agree on a revenue
split. Sony was not happy and
President Norio Ohga appointed
Ken Kutaragi as the head of
the PlayStation project. Still the
project had another hurdle to
overcome at a board meeting.
The meeting held in June of 92
had Kutaragi remind the board

and the CEO of the humiliation
that Nintendo had inflated
on them and the decision was
made to go ahead with the project.
3D polygon graphics were
chosen as the consoles focus
(source Wikipedia) after Sony
saw the success Sega had
with Virtua Fighter... Tekken
for example was a brilliant alternative.
Sony worked hard on
creating what some called, the
“machine of the future” (Steven
Pool in his book Trigger Happy)
and released it in 1994 in Japan
and 1995 in the U.S, Australia
and Europe. It was the first
console to sell over 100 million
saw classic games released including,
Tekken, Ridge Racer,
Grand Turismo, WipeOut, Tomb
Raider and Colin McRae Rally
among many others. For many
gamers, it was their first console,
it opened a world of 3D
gaming with fast smooth graphics
and excellent 3rd party support
thanks to Sony’s approach
of dealing with developers providing
them with a range of
programming libraries and a
well run tech support team to
help developers get the head
around the hardware. It may
have even inspired Microsoft
to create their first gaming console
- the Xbox.
The PlayStation in all its variants
sold over 104 million units.
VARIANTS:
1994 - PlayStation
1996 - PlayStation (5000
series)
1997 - PlayStation White
1998 - PlayStation (7000
series)
1999 - PlayStation (9000
series)
(In 2000 Sony released the
PSone but this system comes
after our cutoff time).

SYSTEM
OF THE
CENTURY:
NINTENDO
64!
Codenamed “Project Reality” it
was launched in 1996, named
by Time Magazine as “Machine
of the Year) and launched with
3 absolutely brilliant games -
Super Mario 64, Pilotwings 64
and Saikyo Habu Shogi (Japan
only).
While competing with the Play-
Station and Saturn it had, unlike
its competition, a 64-bit
processing unit based on the
MIPS processor architecture
owned by Silicon Graphics.
This meant it was better at displaying
polygon 3D graphics
and it’s cartridge system meant
fast loading times but higher
manufacturing costs. The N64
was promoted as the first 64-bit
gaming system even though the
Atari Jaguar claimed this title -
however some questioned this
as the Jaguar executed a 32-bit
instruction set but sent control
signals to the 64-bit processor
(source Wikipedia).
At the launch of the system,
many praised its face paced
graphics thanks to the 64-bit

processors, the lightning fast
cartridges compared to the
slower CD-ROMs of Sony and
Sega and it’s sharp detailed
graphics. It outsold Sony and
Sega during it’s first few months
but in Japan it didn’t sell as
well as the PlayStation or the
Saturn.
Gametraders stores regularly
report high demand for the
system and particularly the Pikachu
Edition that featured a
striking blue and yellow version
with a Pikachu on the system.
Some of the best video games
you can play came out on the
N64 including:
Pilotwings 64 (a favourite at the
Live offices)
Conker’s Bad Fur Day
Mario Party
Pokemon Snap
Star Wars: Rogue Squadron
Mario Tennis
F-Zero X
Golden Eye 007 (brilliant multiplayer)
Perfect Dark

YOUR RETROSAY
The Gamer
THE CONTINUING STORY
While I had stuck with my Super Nintendo
throughout the 32-bit era so
far, a special person was about to
change my perspective on things.
My second girlfriend, also called
Amy, was well and truly a member
of the Nintendo 64 club. Through
her I gained membership and experienced
my first time holding the
iconic controller. Well... many people
call it iconic, but I’ve never been a
fan of the original N64 analog stick.
While I currently own 5 or 6 Nintendo
64s, I have always disliked the
feel of the control stick. The way
that it grinds against the edges,
and the powdery buildup from it just
worries me. Having to replace the
stick with it dies is also a pain! A
couple of years ago I purchased a
Hori controller, which is a lot smaller
and has a Gamecube style analog
controller. They’re not cheap, but
it’s now my weapon of choice for all
of my N64 gaming.
Back in 1998 Amy and I played
through Mario 64, and I was surprised
at how easy it was to adapt
to the 3D world. Being that it was
the first third person 3D game I had
ever played it was a bit of a culture
shock, but it was just so much fun.
The graphics are delightfully blocky
and the music has a very Mario
feel about it. I still had issues with
the control stick, but that didn’t detract
from the gaming experience.
Around this time my mother suggested
that I sell the Super Nintendo,
as I wasn’t playing it anymore. I
hesitated, remembering what happened
with the Amstrad CPC and
the regret I felt over letting that go.
I didn’t want to sell something that
was a big part of my childhood, and
I knew that there was a lot of life
left in the system. I said I wanted to
keep it, so my mother uttered the
quote that would start the retro revolution
that still lives on inside me
today. Her near-exact words were:
“If you’re going to keep it
then you should go get some
more games for it.”
I pondered this, as SNES games
were becoming scarce. I thought
that maybe Cash Converters would
be the place to find some old games.
I journeyed down to my local store
and picked up a bunch of them for
between $5 and $10 each. I went to
a few stores that day, loaded up on
games, and introduced Amy to the
previous system. I’m not sure she
was that impressed, but I was having
fun with it.
I visited Cash Converters stores all
over the metro area, and discovered
games and devices that I had never
heard of before. I picked up different
types of controllers, including
the SNES programmable pad that
James and I had seen in the pages
of Super Play. All of my Cash Converter
trips would be about hunting
for Super Nintendo games, but
it was at Cash Converters Gepps

OF RETRO EDITOR, PAUL MONOPOLI’S GAMING JOURNEY...
diaries:
Cross that I would lay eyes on my
first ever US Super Nintendo. The
boxy console was accompanied
by a collection of cartridges, some
genuine, but many of them pirates
multi carts. I took the console home
and nothing I could do would get it
working. I owned an NTSC compatible
TV, so that wasn’t the problem.
There was nothing I could do, so I
took it back and got store credit to
buy a Nintendo 64 of my own with
Goldeneye 64.
I did end up keeping one of the controllers
that came with the US Super
Nintendo, though this was an
accident. I found it a few days after
returning it, though I always forgot
to take it back. There are a few regrets
with that one, as I should have
kept the games and negotiated a
return price for the console.
While I now owned the most current
Nintendo system, I found myself
playing the previous generation
far more. I was starting to become
addicted to hunting down Super
Nintendo games. If I wasn’t spending
time with Amy on the weekend
I would be visiting Cash Converters
stores and buying up anything
that looked interesting. A bit later
in the year I signed up for an Ebay
account which opened up a whole
new world for me.
On Ebay I was slow to get started,
using the site as a way of seeing
what was out there and then hunt-
1998 - 1999

ing at Cash Converters. I started to
explore other video game systems,
and I purchased a Sega Saturn for
$39 with a few games, including
Virtua Fighter Kids. Virtua Fighter
Kids is a chibi take on the classic
series, though being able to trap
your opponent in the corner meant
that it was a bit easy. I took the Saturn
over to Clinton’s house and we
spent most of the evening playing
the game, though we did check out
the other titles I bought as well.
Realising my growing interest in
retro, Clinton purchased a second
hand Megadrive as a Christmas
present. I’m not sure if he had spoken
to Amy about it previously, but
she did little to dissuade my interest
in retro games. When we would
visit Clinton, Amy would often take
a back seat and watch us play
games. We would talk with her as
we played, but I do wonder if she
got bored watching us play round
after round of Street Fighter or King
of Fighters.
Life was kinda cruisy in the late
90s and early 2000s. I had no responsibilities
yet, and when I wasn’t
working or studying I was out and
about hunting for games. This actually
helped me to get out of my
comfort zone and visit different
parts of the city and suburbs. It also
served to fill up my cupboards and
drawers rather quickly. Amy found it
amusing that I would keep my Star
Wars figures and retro games in an
old glory box that my mother used
to have. In reality, I needed all the
storage I could get for my growing
collections.
The final year of the millennium
would see my collection grow even
more. In early 1999 I used Ebay to
order my first ever import console.

During my Ebay browsing I came
across the Virtual Boy, and remembered
how James and I had longed
to play one. They had now been on
the market for 4 years, and people
couldn’t get rid of them fast enough!
I picked mine up for $90AU, and
that’s including international postage.
I think the console itself was
roughly $40, and was boxed. The
box was slightly beaten up, but that
was a small price to pay for this
piece of history.
While everything VB was cheap
I placed Ebay orders for all of the
common games, including Mario
Clash, Wario Land and more. Uncommon
games like SD Gundam
were expensive, even back then.
While the games arrived relatively
quickly, it would be 2 months of
waiting before the console itself
came knocking at the door. I can remember
the day I got it. Thankfully
I was home when I saw the delivery
man walking towards the door.
As soon as I saw the size of the
box I knew what it was. I ripped it
open, removed the Virtual Boy, then
realised that I didn’t have the 6 AA
batteries needed to power it! After
a quick trip down the shop I was
ready to play. I started with the pack
in title, Mario Tennis.
It’s a little known fact that Mario
Tennis on the Virtual Boy is actually
the first in the series, with Gameboy
and Nintendo 64 versions following
a short while after. I remember plugging
the cartridge in, then settling
my head into the visor and turning
the console on. Mario bounces the
ball on the ground, then hits it with
his racket. The ball came towards
me and I quickly backed my head
away from the visor, before laughing
and realising that it was the 3D
effect. Though many will criticise
the console for its lack of colour,
the games that play well on it are a
lot of fun.
Wario Land is a game that I have
completed several times now, and
I always go back to it every couple
of years. The game involves everyone’s
favourite antagonist chasing
down some treasure seekers in an
attempt to claim it all for himself. The
treasure hunters lay a trap for him,
and after being sent to the depths
of the underground, Wario must escape
while stealing as much of their
loot as possible along the way. The
rewards are plentiful and like the
GameBoy games before it, there
are plenty of power ups to keep you
busy. You can become Bull Wario,
Eagle Wario, Sea Dragon Wario and
King Dragon Wario. This was one of
the earliest games that allowed the
played to jump into the background,
a feature that has since been reused
in the Kirby series.
Mario Clash is a remake of the original
Mario Bros, but in 3D. Mario can
use the pipes to travel between the
foreground and background, hurling
koopa shells at the enemies.
Some enemies can only have shells
thrown at them when you are in the
same plane as them, while others
need to have shells hurled across
the two planes. The controls are
easy to master and the difficulty increases
gradually as you learn the
game mechanics. Unfortunately
there wasn’t enough to keep me
playing, as after the first 10 levels
or so I just felt like moving on to the
next game.
Around this time I was asked to babysit
my cousins on a semi-regular
basis. They owned a Nintendo 64
and were big fans of Goldeneye.
Amy would occasionally come along
1998 - 1999

to help me babysit, and we would
often end up sitting around the TV,
battling each other James Bond
style. What is there to say about
Goldeneye 64 that others haven’t
already mentioned? The level design
is well done, with plenty of elements
from the movie, the controls
don’t lag and the music helps to give
the game that James Bond feeling.
Earlier I mentioned that I owned my
own copy, and I had a lot of fun with
the single player part of the game.
However, I think most people will
agree that the game really comes
alive in 4 player mode.
Around early to mid 1999 I was still
working for Bi Lo Supermarkets, but
there was about to be a shakeup.
An old boss of mine from the Ingle
Farm store had been moved to
the Modbury store, and he wanted
me to move along with him. I was
a good worker, and a few of the
managers had expressed interest
in having me move to their stores.
My old boss was persuasive and
he managed to get me to make the
decision, so for the final 18 months
of my retail life I worked out of the
Modbury Triangle store. This put me
in close proximity to Cash Converters
Modbury and The Game Guru,
at Tea Tree Plaza, the shopping
centre across the road from the
Modbury Triangle.
I don’t actually ever recall buying
anything from The Game Guru, but
I certainly spent my fair share at
Cash Converters. For $15 I picked
up an official Master System adapt-
er for the Megadrive. I didn’t own
a Master System at this stage, so
it seemed like a worthy purchase.
When I got it home I realised that
the device is actually designed for
the Sega Megadrive 1. The unit
Clinton gave me for Christmas was
the Megadrive 2, and the moulding
caused the adapter to be incompatible.
Eventually I purchased an
original Megadrive and was able to
use the adapter.
It was at this store that I found my
first ever pirate cartridge, Mickey’s
Magical Quest 3 for the Super Famicom.
This is the final game in the
Mickey Mouse series, and arguably
the best. For some reason it was
only released in Japan, but while
the second game featured Minnie
as the the second player, this game
has your partner controlling Donald
Duck. Like the previous games you
could wear different costumes to
help you get through different situations,
and also like the previous
games in the series it was a lot of
fun. I found the concept of pirate
cartridges interesting, but unfortunately
in recent years the cartridge
has stopped working, though I still
keep it around as a keepsake.
That’s all from me this month. Join
me next month as I get a bit cheeky
with a video game store, discover
import stores and venture into obscure
handheld territory.
If you want to see more of what I do
then give me a follow on Twitter
@Dizrythmia.
1998 - 1999
WRITTEN BY PAUL MONOPOLI

YOUR INTERVIEW SAY
A SUPA INTER
Paul: I am sitting here, at Supanova
Melbourne with with the one and
only Vic Mignogna.
Vic: Hey.
Paul: I hope that’s how it’s pronounced.
(Min-ya-na)
Vic: Oh yes! You nailed it! You nailed
it Paul.
Paul: Haha, I practiced!
So, Broly from Dragonball!
Vic: Haha.
Paul: You’ve been in over 200 different
series.
Vic: Oh, 300.
Paul: 300 now.
Vic: Oh yeah.
Paul: I’ve been trying to interview
you for quite some time, but every
time I nearly do you do more work,
so there’s just such a long list of
things to talk about.
Vic: Haha, well, thank god. That’s a
very fortunate problem to have, so
I’m very grateful.
Paul: It is. Now the first thing I noticed,
when I was lining up today
for autographs was your fanbase.
You have a massive fanbase who
love you, and you get out there, you
interact with them, you give them
hugs and you talk to them all individually...
Vic: I love them.
Paul: And they love you!
Vic: I am so profoundly grateful for
the fact that people have enjoyed
the work that I’ve done. The anime
fans are, in my estimate, probably
the most enthusiastic, supportive,
kind fans, and so I want to make
sure that they all know how much
they mean to me and how grateful I
am for the privilege to do what I do.
So I would be remiss not to share
that with them.
Paul: And Australian fans, because
you’ve been here quite a few times.
Vic: Oh my gosh! I love Australia so
much! I think the first time I came
here was 10 plus years ago, to Supanova,
and ever since I have just
really, really cherished every chance
to come back, and I am continually
amazed and humbled by the turnout.
The fans are so supportive
and enthusiastic. I look for any excuse
to come back here. I love it.
And the people that run Supanova
are the best. I mean, they’re among
the best in the world. I do a lot of
conventions and there aren’t many
conventions that do it as well, or
certainly any better than Supanova.
Paul: Certainly not. Now, I wanted
to address a couple of different series.
You’ve been in 300 roughly...
Vic: Mmm, hmm...
Paul: So let’s just talk about a couple
of them...
Vic: Sure...
Paul: So you are probably best
known to Dragonball fans as Broly,
the legendary super saiyan. What
are your feelings on the character?
It’s a little bit of a mixed bag with
fans. Some people think the was
just a muscle bound beefcake who
pretty much just said “KAKKAR-
OT!!”
Vic: Hahaha. You know what? I’ve
been very fortunate that fans, at
least the DBZ fans that I’ve met
really like Broly. I mean, he doesn’t
have a very intricate personality.
He doesn’t have many facets to
his character. He’s a bad dude and
wants to cause trouble, but the DBZ
fans have really embraced him. In
fact I wish I had a nickel for every
time somebody said “why don’t
they bring Broly into the prime universe?”
You know, “why don’t they
make him part of the prime universe?”
I would love that. My feeling
about the character is that it’s really
hard to do, it’s very hard on my
voice, physically, because it’s very

VIEW WITH

ough. It’s very strenuous. I mean,
you hear that I sound like. I don’t
sound like him.
Paul: No, definitely not.
Vic: So, that part of it’s hard but I’m
very very grateful to be part of such
an amazing franchise. So, if it takes
screaming and yelling Kakkarot to
be a part of DBZ then that’s what
I’ll do.
Paul: And you were sitting 2 seats
away from the original Kakkarot today,
Masako Nozawa.
Vic: Wasn’t that amazing! I got to
meet her at the green room when
she first arrived this morning, and
we took photos, and what a pleasure.
Yes, she’s an icon.
Paul: She is. You hadn’t actually met
her before, I know Sean Schemmel
had.
Vic: I wouldn’t be surprised, because
he plays Goku. But that was the first
time I got to meet her.
Paul: Super Dimension Fortress
Macross. You played Hikaru in that.
Vic: I did. the Rick Hunter character.
So many people remember Robotech,
and they don’t always know
where it came from, what was
the original Japanese anime that
Robotech was built on and it was
Macross. So it was a real privilege
to play Hikaru Ichijo. What a thrill,
I mean such a great, great series,
Macross. Infact that was the same
year that I played Edward Elric in
Full Metal Alchemist and did Macross
and Full Metal at the same
time. That was pretty fun.
Paul: With Macross you worked with
the original Minmay who played the
role in Japanese.
Vic: How cool was that! Mari Iijima!
She is so lovely and talented. She’s
a musician like I am. Singer, songwriter
like I am, and we just hit it off.
We met each other at a convention
years before we did Macross and
they bought her in to reprise her
role as Minmay, so it was really a
thrill to do that with her.
Paul: I was speaking to Monica Rial,
who was also in that same production
and she said they got to hang
out a little bit and she was talking
about Uncle Carl. What are your
memories of Uncle Carl (Macek)?
Vic: Well, yeah... Carl was a really
good guy. He was a really good
guy... You never expect when you
work with people... I can’t even really
put it into words. You don’t expect
that you’re never going to see
someone again, you know what I
mean? It’s like, as long as you know
someone it’s always a bit of a shock
when you hear that they’ve passed,
and he was a really good guy. I did
several shows for Carl, and so... He
was a good guy, it was a pleasure to
work with him.
Paul: Now of the 200, 200 plus
shows you’ve done, do you have a
favourite?
Vic: You know, for the longest time
I always tried to be very diplomatic
about that and tactful, because
whoever asked the question, I
want to answer in a way that will
please them, I want to answer in
a way they’re going to like. So, if
an Ouran High School cosplayer
comes up to me and says “who’s
your favourite character?” I’m looking
em over and I’m thinking ‘I bet
they’d really love it if I said Tamaki’,
so I’ll say “Oh, Tamaki Suoh”, right?
But someone comes up dressed
as Yuki from Vampire Knight and
says ‘Who’s your favourite character?’
I’m gonna wanna say Zero. So
for the longest time I tried to be all
things to all men so to speak. But
then after we finished recording Full
Metal Brotherhood. When we got to
the last episode and I realised that
it was probably going to be the last
time I would ever play that character
I kinda had to come to terms with
the fact that Ed is probably the best
role, and the one that I have loved
the most of all the characters I play.
Edward Elric has to be my favourite.
Paul: Now you’ve done singing for
Funimation. You’ve sung the theme
to Dragonball Kai, Dragonball GT...
Vic: One Piece, Ouran, Full Metal...
Paul: Is it something that you do just
as a side gig?
Vic: Oh my gosh, not side gig? I’ve
been writing and producing music
twice as long as I’ve been voice acting.
So as long as I’ve been doing
this, I’ve been writing and singing,
producing and arranging, and composing
a long time. In fact, it took a
while before the anime industry that
I was in said “Oh hey, you sing don’t
you?” (laughs) “Who don’t you sing
this song?” I’m like, “yeah, I’d love
it!” So it was a long time, I was in the
industry 10 years before someone
said: “I think Vic sings. Why don’t
we have him sing one of the theme
songs?” So I was always hopeful
that maybe my music and singing
background would overlap at some
point.

Paul: And of all of the people who
sang the Dragonball Kai theme,
yours was the one that was chosen
for broadcast.
Vic: Well I was very grateful. I was
very honoured. In fact I was asked
by Funimation to record that, and
then some other voice actors kinda
decided to record it as well, but I really
enjoyed doing that song. In fact,
just a few hours ago, at my panel,
I sang it live here, at Supanova. I
plugged my phone in and... kick it
up, you know! (Vic sings a few bars
of Dragon Soul).
Paul: All we need is the backing
track now. Which I actually have on
here! I have it!
Vic: Hahaha!
Paul: Star Trek Continues is a series
you’re involved in. Live action, it’s
has been acclaimed and endorsed
by Rod Roddenberry as well.
Vic: Many, many people, thankfully,
have really enjoyed there series.
Not only am I involved in it, I created
it. I started it, I’m the executive
producer, I play Captain Kirk. It’s a
childhood dream project. It’s like my
passion project.
Paul: And you’ve got your fellow
Funimation alum involved, you’ve
got...
Vic: Todd Haberkorn playing Spock,
Chuck Huber playing McCoy, Chris
Doohan playing his father’s role as
Scotty. Grant Imahara from Myth
Busters playing Sulu. We’ve had
7 million views and won a dozen
awards. I’m very very proud of what
we’ve accomplished. I started it out
as merely, just my love letter to Star
Trek. I wanted to say “thankyou” to
that series, that meant so much to
me when I was young, and it’s been
so gratifying that so many people
have enjoyed it.
Paul: Now there are 8 episodes really
at the moment. How many do
you have planned?
Vic: 11 total, and 9, 10 and 11 have
already been shot. We’re editing
them and preparing them right now
and they will all be released this
year.
Paul: No previews at Supanova?
Vic: Nooooo, oh any gosh, but I’ve
gotta tell ya: 9 is amazing, and wait
till you see the guest star. 10 and 11
is a 2 parter, series finale.
Paul: Will they be released together,
or will fans have to wait?
Vic: They’ll be released a couple of
weeks apart. Not at the same time,
because that kinda ruins the fun of
the anticipation, but they’re not going
to be released months apart.
I think they’ll be released a few
weeks apart.
Paul: Brilliant. In closing, do you have
a message for the fans?
Vic: My message is simple, I love
you. God bless you for your kindness
to me. I never cease to be amazed,
never. You know, I told Daniel here,
who runs Supanova the other day.
We were back behind the partition
in Gold Coast, and I was walking up
and Daniel was behind the partition.
He goes “Bro, you’ve got a massive
queue!” And I said to him “you
know, any show I do, anywhere on
the planet, something in the back of
my mind is afraid that this is going
to be the show that I’m gonna step
out and nobody’s going to be there.
It’s always in the back of my mind
that the day is coming, when you
rode that wave, but it’s done now.
People are used to you, they’ve
seen you or they’ve met you or
whatever, and they’re not going to
be there. I say that to say that I do
not in any way take for granted every
time I do a show and fans come
out to say hello, or get an autograph
or get a picture, I am so tremendously
honoured by their support
and their kindness, and I hope they
know that.
And, any chance I get I any interview,
when somebody says to me,
as you just did, “do you have a message
for the fans”, my message is
“thankyou. I love you, for your kindness
to me”.
Paul: And thankyou. We love you
Vic Mignogna.
Vic: Thankyou.

“My message (to my fans) is simple,
I love you. God bless you for your
kindness to me.
I never cease to be
amazed, never.”
- Vic Mignogna
INTERVIEWED BY PAUL MONOPOLI

YOUR INTERVIEW SAY
A SUPA INTER
Paul: Similar to how you do Son
Goku?
Nozawa-san: Yes
Paul: Sitting with me now at Supanova
2017 is an absolute legend.
50 years in the business, voicing
characters like Gegege No Kitarou,
Son Goku, Son Gohan, Son Goten,
is Masako Nozawa. Thankyou for
joining me.
Nozawa-san: Thankyou very much.
Paul: I watched some episodes of
Gegege No Kitarou at my hotel last
night. I love the series.
Nozawa-san: Ahh, thank you very
much.
Paul: What are your memories of
the series?
Nozawa-san: The first time I saw
the storyline and the script I heard
that he was from the realm of the
past people, the Yokai. So in that
realm I didn’t expect him to be like
that, but I just acted as though I was
just a normal boy, and that was very
memorable for me.
Paul: How was the transition from
Goku as a child to Goku as an adult
for you?
Nozawa-san: It just comes very natural
to me, and I see the picture and
I get into character. So if I see an
adult Goku as a picture I would just
become an adult Goku. If I see him
as a child I just act as though I’m
just a child Goku, so it just comes
very natural.
Paul: Now, you’ve met Sean Schemmel,
the English Goku. Did you give
him any advice for the character?
Nozawa-san: No, I’ve never given
him any advice. He has his own
Goku, and I just believe in him in doing
what he does.
Paul: Beautiful. Thankyou very much
for your time Nozawa-san. Arigatou.
Nozawa-san: Thankyou.

VIEW WITH
INTERVIEWED BY PAUL MONOPOLI

YOUR INTERVIEW SAY
A SUPA INTER
Paul: With big thanks to Supanova
Melbourne, I’m sitting here with a
man who is described in the book
as “the nearest thing the games
industry has to a bonafide leading
man.” How do you explain that, Nolan
North?
Nolan: Ugh... I didn’t write it. Haha,
that’s the best way to explain it.
Nah, I’ve been privileged to get
some pretty cool roles... I mean,
haha, that’s a bit embarrassing to
be honest with you, but... I’ll take it.
Why not?
Paul: You’ve been Nathan Drake in
Uncharted, the Prince in Prince of
Persia. You’ve been Deadpool!
Nolan: Yes, I am all 3. This one, this
one and this one (Nolan impersonates
each of the 3 characters). So
yeah, all of those. Prince of Persia’s
kinda odd though because, I don’t
get the a lot when people bring it
up, because it was funny.
A friend for mine, Yuri Lowenthal
was the first, then it went to another
friend of mine, Robin Atkin Downes
for the next one, then it went back
to Yuri Lowenthal, then I did it, then
it went back to Yuri, so I don’t know
if they’re toying with Yuri Lowenthal.
Paul: Sounds like it.
Nolan: But it was nice to be able
to do that, although I don’t think he
should have sounded like he was
from Iowa. I wanted to do some exotic
voice but the carpet’s this thick
and that accent’s a little silly.
Paul: Now you started as a journalist.
You changed careers and become
an actor. Did you ever see
yourself becoming predominately a
voice actor?
Nolan: No, you know, I never really...
that wasn’t something that I necessarily
aspired to. I think an actor is
nothing more than any other independent
contractor, and I take the
work that is available and is interesting
to me at this point. You’ll never
meet a plumber who only works
on toilets, you know. It’s like “I’ll fix
do sink, I’ll fix the pipes”, so um.
Yeah, you know, I think it’s funny. I
don’t consider myself a voice actor.
I’m just an actor, and I’ve done live
theatre, so it’s the same if it’s a microphone
or if it’s a camera. My job
is to just to deliver performance and
it’s been great, and the one thing
I’d say about voice acting is when
you’re on camera you’re limited to
what you look like, and this is it. With
voice acting in animation or games
I can be anyone, any colour, anything.
I’ve played a viking beaver.
Not a lot of people can say that!
Paul: True. It also gets you friends in
high places. JJ Abrams had you in
a Star Trek movie because he was
a fan of Uncharted. What was that
like?
Nolan: That was a bit bizarre. I was
doing another job and he realised...
somebody had mentioned Uncharted
and he just went off that
he was a huge fan, and we called
his son and left him a message,
and he said “boy I really owe you.
Thankyou so much”, and I said “Well
yeah, just put me on the Enterprise
on you’re next go ‘round” and he
just flat out goes “hey, you wanna
do it? You wanna be in the movie?”
And I thought... you know, it’s one of
those things where you think “Really?”
I said “well, I’ll audition” and
he goes “nah, nah. I know you can
act. Yeah, you wanna do it?” and it
was just like that, so it was brilliant.
It was a wonderful time. One line
made it through, but I actually had
some fans here at Supanova bring
up Star Trek stuff for me to sign,
right next to Peter Weller’s name,
which is pretty interesting cos he
was my captain in that movie.
Paul: Now, the last question we’ve
got. Motion capture and voice acting
vs stage, TV and movie acting.
How do you approach each of
those?
Nolan: Again, I think an actor’s job
is just to deliver performance, no
matter the medium. You know, motion
capture, performance capture,
whatever you want to call it, it’s as
close to theatre as possible. Some-

VIEW WITH

thing called ‘black box theatre’
where there’s very minimal props,
and I think it’s incredibly... freeing
actually. I think a lot of people look
and they go ‘yeah, but there’s nothing
here to work with’, and so yeah,
or there’s everything here to work
with. And what’s great about it is if
you really focus on the connection
with the characters it doesn’t matter
what’s around you.
The technology has come to the
point where they’ll have monitors
up and you can actually now in
real time see what it’s gonna look
like, in rough sketch type form. But
that connection with the actor is
the same as it is when you’re doing
stage, except of course you’re
gonna take 2, 3 or 4. The only other
thing is now with all the facial capture
the makeup is very... you know,
they have to do the facial dots and
things like that, but the flip side, live
action, like Pretty Little Liars I’ve
done for 7 seasons and then Con
Man with Alan Tudyk and Nathan
Fillion that we’ve done. It’s pretty
amazing because when you do
live action it’s wardrobe, and then
there’s massive makeup and hair,
and we shoot one one side of the
scene, then they have to relight and
turn it all around, and it’s so time
consuming, and I think one of the
things I love about voice over and
motion capture is, well, it’s all done
at once. So in many ways I prefer
a lot of the motion capture and the
animation and things like that because...
I’m lazy. It’s so great. I don’t
have to shave, I don’t cleaned up.
I can just sit there and roll in some
coffee. We do a couple of scenes
and I’m home to pick up my kid from
school. You don’t do on location.
I had a small role in a show in Atlanta.
It was supposed to be in and
out, 3 days and be back in time for
my son’s birthday, and it rained for
6 straight days. I was there for 11
days and it’s the only time I’ve ever
missed one of my kid’s birthdays,
and that’s a privilege, and voice
over affords me that. But I’m happy
to do everything. At this point in my
career it’s just ‘what excites me?’
‘what gets me going?’ and quite
frankly, there’s a lot of good writing
and a lot of good roles in gaming
and animation. It’s just fun.
Paul: Thankyou for your time Nolan,
it’s been a pleasure.
Nolan: Absolutely, thankyou.
INTERVIEWED BY PAUL MONOPOLI

YOUR MOVIESAY
BEST SUPERH
In a world where you can’t turn a
corner without seeing a superhero
movie it seems like a challenge to
make a list of the best of them. But
damn it, I’m going to try! Not only am
I going to try but I’m also going to
surprise. Remember, these are my
opinions. It’s totally OK to disagree
with me. I know how you Marvel/DC
fans like to get all fired up and defensive
if someone disagrees with
you. Up, Up and away!
Darkman (1990)
Darkman is the underrated masterpiece
from director Sam Raimi.
Liam Neeson plays Dr Peyton
Westlake who is injured in a mob
attack on his laboratory leaving him
a scared, broken man. He now feels
no pain and with the technology
he was working on, growing skin
grafts, he is able to make up faces
to wear thus becoming able to hid
in plain sight. He plots his revenge
on the mobsters who attacked him
and ruined his life. This film is simply
wonderful. It has that frantic Sam
Raimi energy and is led by Liam
Neeson going totally bonkers in the
lead roll of Darkman. While it is not
a conventional superhero film, it is
certainly one of the best and most
entertaining films ever made.
Batman (1989)
The 1989 Batman film is just a joy
to watch. Michael Keaton is fantastic
as Bruce Wayne, but everyone
remembers Jack Nicholson’s The
Joker. The film is directed by Tim
Burton, but thankfully lacks the signature
weirdness his films would
eventually become saturated with.
The film stands as a fantastic gothic
fantasy with some great performances
from its exceptionally talented
cast.
Superman
Returns (2006)
I know what you are thinking, and
you’re wrong. Superman Returns
is a great film and is an affectionate
love letter to filmmaking of days
gone by and an amazing tribute to
Christopher Reeve’s Superman.
What makes this movie so great
is that it is fun, beautiful and totally
family friendly. Brandon Routh
makes a great turn as the man of
steel and really captures the hope
and love that Christopher Reeve
had planted in that role years before.
It breaks my heart that Superhero
movies have become bland,
drab, joyless affairs of late. Superman
Returns shows that a superhero
can be full of hope.
Captain America:
The Winter Soldier
(2014)
Captain America: The Winter Soldier
stands as one of the best political
thrillers of our times. What Joe
and Anthony Russo pull off with this
film is just fantastic. They take the

ERO MOVIES
EVER MADE!
superhero film and inject depth and
intelligence. It really does stand tall
among the ever blurring together
Marvel Cinematic Universe.
Split (2016)
Ha! Bet you didn’t see that coming!
Also spoiler alert, yes Split is a
superhero film! Well to be more accurate
it’s a super-villain film. Split
is essentially Unbreakable 2, the
sequel to M. Night Shyamalan’s
groundbreaking masterpiece. Split
is the ultimate super-villain origin
story. Nothing Marvel and DC have
done even comes close to this in
setting up a compelling and interesting
villain. The film received a lot
of flack for not being an accurate
depiction of mental illness... Well,
here’s the thing... It’s a damn superhero
movie! Not a documentary.
The Avengers
(2012)
Yes Marvel’s The Avengers. The
film that showed us that having that
big a cast can work, although only if
they are fighting Loki. The Avengers
was an absolute blast. It smashed
box office records and became a
worldwide sensation. What more
can you say about it? “Kneel!”

Guardians of the
Galaxy (2014)
Guardians of the Galaxy... The breath
of fresh air in the super hero genre.
What makes Guardians so special
is its irreverent joy and humour. Not
to mention the best soundtrack of
any movie on this list. James Gunn
brings us a film that is an utter joy
to behold. Filled to the brim with
loveable misfits and campy villains,
Guardians of the Galaxy is the ultimate
roller coaster ride.
The Dark Knight
(2008)
The smash sequel to Batman Begins,
The Dark Knight really took
superhero films to the next level. It
stands as not only a great superhero
film, but as a great film. It’s
like heat with a mad clown running
around. The film is elevated by this
need to stick to an element of realism.
I mean sure there are guys in
bat suits running around, but what
brings the movie up is that the
Joker’s plot is simply fantastic. He
isn’t here to destroy the world. He’s
just here to make Batman struggle.
That’s what makes it so damn
good! Unlike EVERY OTHER superhero
movie lately where the FATE
OF EVERYTHING is at stake! The
Dark Knight is simply the battle for
Gotham’s soul. Which makes this
movie far better than almost every
other superhero movie ever made.
You don’t need to end the world...
But you can break a bat’s spirit.
Superman (1978)
“You will believe a man can fly.” With
that simple promise Richard Donner’s
Superman soared to Number
2 on this list. While people today
may scoff at it’s simpleness and
its light heartedness, that’s what
makes this film so damn special. It’s
a joyful, cheerful, uplifting film that
exists purely for you to have fun and
be amazed and fill you with hope.
That’s what Superman is all about!
Hope. That’s what this film does! It
is just amazing in it’s hopefulness.
Unbreakable
(2000)
Yes! M Night. Shaymalan strikes
again. Unbreakable was just SO
FAR ahead of its time. Had this film
come out this year in the midst of
Superhero saturation we face now
it would be considered some kind of
post-modern masterpiece. It’s skilful
deconstruction of the superhero
mythology is second to none. The
film speaks volumes about what it
means to be a hero and weeds out
the essentials of what super heroes
and indeed their villains are all
about. The yin and yang of it all. It
is one of the best films ever made
and now given the world saturated
by pop culture we live in Unbreakable
stands even taller.

“Unbreakable
was just
SO FAR
ahead
of its time.”
BY SCOTT F. SOWTER
@SCOTTFSOWTER

YOUR WARGAMING SAY
THE CIRCUS
Ben: One day in late 2015, seemingly
out of nowhere, Sean had
started to build some terrain. No
that’s not true; he started building
some gorgeous terrain. The kind of
terrain that made me feel jealous,
and question whether I’d ever been
any good at building terrain! He’d
been inspired by Games Workshop’s
skirmish miniatures game,
Mordheim. Not long afterwards,
as he tells it, then I got inspired
and suddenly produced a narrative
campaign structure for 15-ish scenarios
strung together by a loose
story, and end-game impacts for
wins and losses, and the campaign
was born. But I don’t remember it
quite like that!
Sean: Like many weathered hobbyists
my bookshelves are a holding
of venerable rules manuals, White
Dwarfs and magical artifacts which
Games Workshop in their infinite
wisdom chose to confine to the
dark corners of neck-bearded nostalgia.
One relic in particular, the
Mordheim rulebook, has always had
the power to transport me back to
day I first picked through it. More
specifically there’s a photo in there
which evokes such a strange influx
of inspiration I’d almost consider it
my project muse. An Undead warband
complete with a characterful
“Hunchback of Notredame”-esque
Dreg seemed to have a profound
impact on 13-year-old me and define
much of how I imagined the
City of the Damned for the next 15
years. When, by chance, I stumbled
across that model (which I discovered
was “Luther the Hunchback”
from “Warhammer Quest: Catacombs
of Terror”) on eBay in early
2015 it gave a place to release
much of that post-teen Mordheim
angst...
Ben: Sean and I worked together
at GW during Mordheim’s ‘golden
years’ when it was on the shelves.
Indeed I still have the White Dwarf
issues where the concept game
was published. We ran many campaigns
in-store, and played them at
home. We both amassed huge collections
of minis, terrain, rules, and
source material over the years, and
I think it’s fair to say that both of us
still look back at those days with
fond memories. I even have a german
copy of Mordheim; Mortheim.
This was delivered one day to the
store in our weekly stock order. The
manager was amused, but thought
it wouldn’t sell. I bought it immediately.
It gave me extra scenery (always
good) and extra copies of the
minis (always hoard bitz). I speak
some conversational Deutsch, so
that was good too. Anyway, what
could be more atmospheric than
having a German language copy
of a game called Mordheim, set in
a city in the state of Ostermark,
where they speak Reikspiel, and
are lead (later on of course) by Karl
Franz? Nothing!
Sean: When I look back at our time
together in GW I don’t know if I’ll
ever be able to truly appreciate the

IS COMING
A MORDHEIM CAMPAIGN
incredible environment we shared.
The standard of painting, terrain
making, ideas and pure talent of
which we had contact would make
any aspiring hobbyist envious. Not
only did we have guys like BenSquig
as a staff member (who would go
on to win multiple Golden Demon
Emperor’s Chosen competitions,
as well as judging Golden Demon
itself!), but Adam Brignall from “Adpaint
Commissions” also spent
a couple of years with us and we
were lucky enough to have Victoria
Lamb as a regular visitor (yep, Vic
Lamb herself, famous for pioneering
source-lighting and her GD-winning
Mordheim diorama “The Rescue
of Sister Joan”). Mordheim has
always been an awesome platform
to express that whole spectrum of
hobby skills...
Ben: In the years since we both
moved on to other things, we had
often talked about playing another
Mordheim campaign, and spent intermittent
evenings mulling over
ideas, debating structure, and remember
the days when it was on
the shelves at GW. But it never really
happened, always just a favoured
memory and an exciting concept. I
wasn’t heaps keen on committing
to a regular gaming night at the
time, but I was keen to take my existing
warbands for a ‘points battle’
game every now and then. Sean

was dead-set on the campaign, and
didn’t give my suggestions much
play. These conversations went on
over some time, without an end. At
some point Sean just started building
terrain.
Sean: Perhaps strangely, I never
totally shunned the idea of a few
points match games. That section,
hidden away in the back of the
rules-manual, always struck me as
a curiosity - however it just doesn’t
“feel” like Mordheim. Mordheim, for
me at least, was always a vessel for
telling a story. A collection of narrative
games, or a loose campaign,
of which all added up to something
greater than the sum of its parts.
Needless to say, I was extremely
impressed (and perhaps equally
surprised) when Ben presented me
with a narrative campaign he’d written
as though he plucked it from
The Pit.
Ben: Not long afterward Sean began
his terrain building and had assembled
a whole bunch of buildings,
I got inspired to put some campaign
material together. Sean has an old
Carnival of Chaos warband he’d
done up for Armies on Parade, and
won, so I think that was fresh in my
mind and ultimately could be where
the spark of inspiration came from.
I thought about what happens when
the carnival comes to town; how the
people feel about it, what they’ve
heard about from rumours, and how
they react.
I didn’t really tell him though, I just
started quietly outlining a story.
This was about the carnival coming
to town, and the ‘good folk’ who’d
heard the stories of horror rallying
against it. On the other side would
be those who were aligned with the
chaos powers, and those who either
didn’t care or enjoyed the anarchy,
they’d be all for the carnival’s
arrival. I liked the concept, and over
the next couple of weeks I went
through all the different scenarios
gathered from various sources, and
fitted them into a loose story. I also
thought about small benefits that
could be earned down the line for
each win.
A little while later I showed my
working draft to Sean, and he was
keen for it, so then I wrote it all up
nicely in campaign document. We
discussed and agreed on several
key points:
1. 100% painted. No half-measures
here. Paint all your models, and
all the terrain. Make every game
gorgeous.
2. All-new warbands. Nothing
you’ve already painted.
3. All-human warbands. We previously
ran and enjoyed a Human-
League for Bloodbowl and loved it.
So we outlined a select list of Human
warbands that we’d use for
this campaign
Sean: The main intention regarding
the enforcement of human warbands
was for the purpose of longevity.
We’d invested so much time
in building terrain and planning the
campaign that we felt we needed
to make it last more than a dozen
games. I suggested that by limiting
which warbands available for
use we’d almost have ready-made
ideas for the future (and hopefully
be itching to convert/paint/run the
warbands we REALLY wanted to do
also!). Pirates warbands in Sartosa,
Witch-hunters sent to investigate
Slyvannian border-towns and competing
Cults of Possessed are all
plot-points which have been thrown
around to ensure we get the most
of hobby investment without Mordheim
going stale... But before all
that, it was time to get hyped up.
The circus is coming to town...
Ben: With our criteria sorted, we
made a list of both available resources
for the scenarios and resources
to be made/painted, and
then started to recruit additional
players for our campaign. We still
know plenty of gamers, and so the
call went out. We started the campaign
with four of us committing to
regular gaming, and another few
who would play occasionally. We
added everyone to a Google Drive,
and a Facebook Group so we could
share resources, updates, pics and
such. We then set a date... and
that date passed. We revised, and
missed, a second date. Eventually,
nearly six months later, we had finished
our warbands, enough terrain,
and were able to get together for
our first games! The point here, is
never give up because it’s hard to
coordinate dates. Keep throwing
them at each other until something
sticks.
So join us over the next few issues
as we share with you some of the
warbands involved, the battles we
fought, the scenery we’ve built,
and the players behind the madness.
Come follow us on Instagram
@rad_heim and Tumblr:
radheim.tumblr.com.

“Eventually
nearly six
months later, we had
finished our warbands,
enough terrain,
and were able to get
together for our first
games!”
ONLINE:
www.instagram.com/rad_heim
www.radheim.tumblr.com

YOUR WARGAMING SAY
BIOS
PLAYER
WILL
Will is a self-professed hobby butterfly,
flitting from project to project;
never truly finishing one before another
catches his eye. (though does
anyone ever finish projects in this
hobby).
Introduced to Warhammer Fantasy
Battles about 17 years ago, he was
caught up in the stories and characters
and the ability to represent
them on a table. Since then he’s
played pretty predominantly Games
Workshop produced games and
has collected many, many forces
of varying sizes, most of which sit
unpainted on a shelf. Happy to play
anything his favourite is definitely
Mordheim, so many amazing moments
and memories. The highlight
is when playing “The Lost Prince” a
vampire made it to the top of the
tower where the young princeling
was hiding, surrounded by enemies
and with no way out, the two leapt
from the tallest balcony (approximately
15” high). With the princeling
broken and dead at his feet the
bewildered vampire fled the scene,
cursing the frailties of men. Mordheim
is the one game where winning
and losing is irrelevant since
you still get to play strategic games,
but ones with such a high element
of storytelling.
Will’s main inspiration in the hobby,
and favourite area of it is in converting
and building models. Finding a
cool element of a story or character
and creating a new army around
that theme. He likes to restrict himself
to certain elements of a faction
and drill down into that visual aesthetic
to create a warband or army
with a lot of character to it. Some of
his favourites include his Arabyan
Ogre Kingdoms army, Slaaneshi Pit
Fighter warband, Dark Elf Corsair
fleet – which includes a converted
Dreadfleet ship, and his very WIP
Space Ork army that has pillaged a
museum (pirates, cowboys, gangsters
and egyptians). But his absolute
favourite army is his next army.
Will isn’t really a ‘gamer’ as such, he
really enjoys playing the game, but
more for the opportunity to create
amazing/fun moments on the tabletop.
Due to the nature of converting,
his armies are always a little bit
of a struggle to play with, but much
fun is had regardless.

BEN
Ben Makepeace, aka BenSquig has
been around tabletop wargaming
for almost 20 years. He worked at
Games Workshop for 12 of those
years. His first love was the creative
aspects of the hobby; painting
and assembling. He pursued those
interests over the years winning a
few Golden Demon trophies, ‘Best
Painted’ army awards, and also was
a judge at the Australian Golden
Demon finals. In the last six years
his hobby has understandably diversified,
and he has miniatures from
dozens of manufacturers, many
game systems, and several genres.
Generally speaking, gaming has
taken a back seat for Ben in recent
years, but painting has continued.
Three years ago Ben joined the
Gametraders franchise, whose
Franchisees are involved to varying
degrees in local Table-Top
and Console gaming communities
throughout SA, NSW, ACT and QLD.
As a result Ben is heavily involved
in the Small Business community in
SA, and keeps up-to-date with consoles,
retro gaming, board games,
wargames, TCGs, sci-fi and fantasy
movies and TV, and a large number
of other geeky, nerdy, pop-culture
things.
You can follow Ben’s creative exploits
on Facebook:
www.facebook.com/BenMakepeaceArt
Next issue:
Sean and Jamie’s Bios,
as well as all the
Warbands involved in
the campaign!

TCG NEWS
Yu-Gi-Oh! - Maximum
Crisis Booster -
OUT NOW!
The walls between dimensions are
collapsing and the supreme king of
destruction will rise in Maximum Crisis,
May’s all-new 100-card booster
set! Maximum Crisis is the climax of
the 2016-2017 Duelling season, introducing
three new themes as well
as bold new cards for a wide variety
of popular Decks.
Pendulum Summoning will undergo
its final evolution in Maximum Crisis
with a pair of Pendulum Monsters
with Scales of 0 and 13, opening
up the ability to Pendulum Summon
monsters of any Level in any Deck!
But that’s not the only type of Summoning
that’s evolving. Following up
on February’s Fusion Enforcers set,
Maximum Crisis introduces a new
Fusion Summoning Spell Card that
lets you keep your Fusion Monster
while giving back the monsters you
just fused together!
YU-GI-OH! - PENDULUM
EVOLUTION - OUT 22
JUNE!
Magicians with the might of dragons!
Sorcerers that defy the laws of nature!
Witness the magnificent and
mystifying results of Pendulum Summoning’s
final evolution! Following on
from Maximum Crisis, Pendulum Evolution
features powerful new Pendulum
Monsters that can either stand
on their own or in the service of that
dreaded dragon, the Dominator of
Dimensions itself, Supreme King Z-
ARC!
All-foil set, each pack includes a mix
of Ultra Rare and Super Rare cards.
Compatible with the Pendulum Monsters
you already own, but specially
crafted to take advantage of Maximum
Crisis. Includes a pair of superpowered
Sorcerers that are easy to
Summon and give a faster, easier
way to bring out Supreme King Z-
ARC (from Maximum Crisis). New
“Magician” monsters that excel at
disappearing acts, providing useful
effects when destroyed before moving
to your Extra Deck to be Pendulum
Summoned back for the grand
finale!
Features several new cards plus
dozens of the most popular cards
from the Pendulum Monster era of
the Yu-Gi-Oh! ARC-V animated TV
series.

Yu-Gi-Oh! - Battles
of Legend Light’s Revenge
- out 6 july!
The greatest Duels in history don’t
just happen on TV - they also happen
everywhere you go to Duel. The
Battles of Legend “Light’s Revenge”
special booster set brings cards
from climactic Duels seen in multiple
Yu-Gi-Oh! animated TV series to print
for the very first time and combines
them with championship-winning
cards from real life!
In addition, you’ll find new cards from
Yu-Gi-Oh! GX that can enhance the
Dinosmasher’s Fury Structure Deck,
new “D/D/D” monsters to revamp
the Pendulum Domination Structure
Deck, and even new Destiny
HEROes and Abyss Actors that are
compatible with the cards from Destiny
Soldiers.
Each 5-card pack contains 4 Ultra
Rares and 1 Secret Rare.
Previously only available to those
who finished at the top of the leaderboards
in high-level competitions,
Minerva, the Exalted Lightsworn
makes her first public appearance
since 2016, just in time for the return
of Lightsworn in Code of the Duelist!
The Lancers’ incursion into the Fusion
Dimension was nearly stopped
short by...Gladiator Beasts! The GXera
tournament powerhouse became
a powerhouse as well in the
Yu-Gi-Oh! ARC-V animated TV series.
New “Gladiator Beast” cards
give this well-loved Deck a spark of
modern day energy.
Synchro and Xyz Monsters that have
carried tons of Duelists to the top of
the bracket rise again!
Yusei’s Duel to save the future nearly
went wrong due to Z-one’s imposing
and indestructible Timelords! Master
these monsters from an alternative
future and you can rewind pieces of
your opponent’s Deck while draining
away their Life Points.

TCG NEWS
Yu-Gi-Oh! - Starter
Deck 2017 Link Strike
- OUT 20 JULY!
Catch the next wave of Yu-Gi-Oh!
TRADING CARD GAME monsters
with Starter Deck - Link Strike -! Link
Monsters let you bring a brand-new
level of domination to your Duels by
mastering not just how you play your
cards, but where you play them too!
Link Monsters start the Duel in your
Extra Deck, and you Link Summon
them to your field by sending face-up
monsters you control to the Graveyard;
each Link Monster will tell you
exactly what kind of monsters you
need and how many to use. Link
Monsters don’t have a Level or Rank,
or even a DEF stat. They can never
be face-down or in Defense Position;
they’re always face-up and in
Attack Position, so you always know
where their arrows point! Arrows on
the Link Monster are the most important
feature because they point out
the Monster Zones on the field they
are linked to. Depending on their effects,
a Link Monster could gain ATK
for every monster in a zone it points
to, or protect any monster in a zone it
points to from being destroyed. The
possibilities for Link Monster effects
are endless, but effects aren’t the
only great thing about Link Monsters!
Link Monsters also make it possible
to control many different monsters
Summoned from your Extra Deck, at
the same time! Any adjacent Monster
Zones a Link Monster’s arrows point
to become available to Summon new
monsters from your Extra Deck. Getting
as many arrows pointing at your
own zones as you can, while avoiding
arrows pointing to your opponent’s
zones, is a new and important element
of strategy you’ll want to master
with Starter Deck - Link Strike.

MAGIC THE GATHERING-
AMONKHET HOUR OF
DEVASTATION
Set Name: Hour of Devastation
Block: Set 2 of 2 in the Amonkhet
Block
Number of Cards: 184
Prerelease Events: July 8-9, 2017
Release Date: July 14, 2017
Draft Weekend: July 15-16, 2017

GRAB YO
JOIN
CLUB &
FREE
Conditions apply. Selected stores only. Ask staff for details.

OUR TCG
RECEIVE A
BOOSTER!*
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STAR WARS

ameS
DARKSIDERS
III OFFICIALLY
ANNOUNCED, REVEAL
TRAILER RELEASED
NEWS
NEW PLAYSTATION
RELEASES - DIRT 4,
WIPEOUT OMEGA
COLLECTION
NEWS
TOP 10 GAMES
SWITCH SHOULD
(REALISTICALLY) GET
GAMING
THE UPS AND
DOWNS OF THE
PREY DEMO
GAMING

NEWS
DARKSIDERS
III OFFICIALLY
ANNOUNCED,
REVEAL TRAILER
RELEASED
THQ Nordic and Gunfire Games have officially announced that Darksiders III following the leak earlier today.
The game launches for the PlayStation 4, Xbox One and Windows PC in 2018.
View the reveal trailer here: www.youtube.com/watch?v=Q-QgJ-EFq7A

VGCHARTZ.COM
FROM VGCHARTZ.COM
Here is an overview:
Return to an apocalyptic planet
Earth in Darksiders III, a hack-nslash
action adventure where
players take on the role of FURY
in her quest to hunt down and dispose
of the Seven Deadly Sins.
The Charred Council calls upon
Fury to battle from the heights of
heaven down through the depths
of hell in a quest to restore humanity
and prove that she is the most
powerful of the Horsemen. As a
mage, FURY relies on her whip and
magic to restore the balance between
good and evil. The expansive,
Darksiders III game world is
presented as an open-ended, living,
free-form planet Earth that is
dilapidated by war and decay, and
overrun by nature. FURY will move
back and forth between environments
to uncover secrets while
advancing the Darksiders III story.
www.youtube.com/watch?v=Q-QgJ-EFq7A
www.youtube.com/watch?v=Q-QgJ-EFq7A
www.youtube.com/watch?v=Q-QgJ-EFq7A
www.youtube.com/watch?v=Q-QgJ-EFq7A
www.youtube.com/watch?v=Q-QgJ-EFq7A
www.youtube.com/watch?v=Q-QgJ-EFq7A
BY WILLIAM D'ANGELO
FROM VGCHARTZ.COM

NEWS
NEW PLAYSTATION
RELEASES - DIRT 4,
WIPEOUT OMEGA
COLLECTION

VGCHARTZ.COM
FROM VGCHARTZ.COM
Here is the full list of games:
Cladun Returns: This is Sengoku!, PS4, PS Vita — Digital, PS4 Version at Retail
Dark Rose Valkyrie, PS4 — Digital, Retail
Dirt 4, PS4 — Digital, Retail
The Elder Scrolls Online: Morrowind, PS4 — Digital, Retail
Farming Simulator 18, PS Vita — Digital
Jump Stars, PS4 — Digital
Neighborhorde, PS4 — Digital
Perception, PS4 — Digital
Plague Road, PS Vita — Digital
Randall, PS4 — Digital
Special Delivery, PS VR — Digital
Superbeat: Xonic, PS4 — Digital, Retail
The Town of Light, PS4 — Digital, Retail
Victor Vran, PS4 — Digital
Wipeout Omega Collection, PS4 — Digital, Retail
BY WILLIAM D'ANGELO
FROM VGCHARTZ.COM

TOP 10 GAMES S
(REA
YOUR gaming SAY
With the Switch launch in the record
books, and with many small
and large-scale projects announced
for the future, it seems as
good a time as any to daydream
about a Switch software wishlist.
Before we start, let’s set a few
ground rules.
Everything on this list needs to be
realistic. There won’t be any titles
that require bleeding-edge technology,
nor will there be titles from
publishers reluctant to support
Nintendo’s newest platform. Don’t
expect Titanfall 2 or Mass Effect
Andromeda on this list. In addition,
every property needs to be either
controlled by Nintendo or independently
owned. There will be no
Bloodborne or Sunset Overdrive
on Switch.
With that housekeeping
out of the
way, let’s dive in!

VGCHARTZ.COM
WITCH SHOULD
LISTICALLY) GET
FROM VGCHARTZ.COM
BY EVAN NORRIS
FROM VGCHARTZ.COM

Owlboy
If any indie game belongs on Switch, it’s Owlboy. Inspired by Super Mario Bros. 3 and Kid Icarus, the pixel art platformer
would feel right at home next to Nintendo’s own platforming offerings. According to composer Jonathan
Greer, developer D-Pad Studio plans to bring the game to consoles, so perhaps it’s just a matter of time before
Sony, Microsoft, and Nintendo fans are all enjoying Owlboy’s retro goodness in the comfort of their living rooms
and, in the case of Switch, on the go.

Undertale
Toby Fox, creator of Undertale, reached out to Nintendo about a port of his critically-acclaimed RPG last year,
but nothing came of the conversation. Now, with Nintendo taking a more active role in recruiting third-party
content, maybe it’s time for Mr. Fox and the Japanese gaming giant to have another chat. With its minimalist
graphics, Undertale could easily run on Switch. Plus, it shares a lot in common with a beloved Nintendo property,
EarthBound.

Nintendo vs.
Capcom
With a retro Street Fighter and a BlazBlue title confirmed for Switch, Nintendo’s newest system is looking to
capitalize on those who enjoy 2D fighters. Now, Switch may not get heavy hitters like Tekken 7 or Injustice 2,
but surely it could work out a deal with Capcom for Nintendo vs. Capcom, a 2D brawler that pits the best of
Nintendo versus the best of Capcom. The two companies have a long history of supporting cross-over titles
together, including Tatsunoko vs. Capcom on Wii and Project X Zone on 3DS.
Imagine Dante facing off with Link, or Jill Valentine shooting it out with Samus Aran. Picture Amaterasu grappling
with Wolf O’Donnell, or Arthur (of Ghosts ‘n Goblins fame) attempting to tame Ridley. You know you want this
game.
Thanks to Spencer Manigat for this suggestion.

DIDDY KONG
RACING 2
Rumors about a sequel to the N64 classic Diddy Kong Racing have been circulating for several years now, although
none of them are especially believable; one suggested the Switch, then codenamed “NX,” would launch
at $150. Yet it’s an attractive proposition. Yes, Nintendo already has the industry-leading kart racer in Mario
Kart but Diddy Kong Racing, with its robust single-player campaign, always felt like a different animal. Monster
Games, which developed Excite Truck and worked closely with Retro on Donkey Kong Country: Tropical Freeze,
has the skill set to make this fabled sequel a reality.

Tecmo Bowl:
30th Anniversary
Switch might miss out on some high-profile sports sims, but it could become a home for retro arcade-like sports
games. Enter Tecmo Bowl, which celebrates its 30th anniversary this year. Tecmo Bowl originated in arcades,
but it was on NES that the game became a sensation. Since then it’s been ported to the Virtual Console on Wii,
WiiU, and 3DS. It was also one of 30 games included on the NES Classic last year. An updated version of the
game with HD graphics and old-school arcade gameplay would fit right in with Switch’s retro sensibilities.

ROCKET
LEAGUE
This just makes too much sense. Rocket League is a brilliant, accessible vehicular soccer game that speaks to
fans of all skill levels. It would find a strong following on Switch, or on any platform for that matter. The game’s
offline multiplayer offerings would make it especially attractive on a platform oriented around local play. According
to Jeremy Dunham, vice president of Psyonix, “It’s definitely too early to say it wouldn’t happen, but it’s also
definitely too early to say that it would.”

Bayonetta 3
As of E3 2016, PlatinumGames’ Hideki Kamiya hadn’t spoken to any publishers about Bayonetta 3, but Nintendo
would be wise to fund a third installment of the high-octane hack ‘n slash series. With Bayonetta 2 a WiiU
exclusive and with the titular character a newcomer in Super Smash Bros., it makes sense from a marketing
perspective for Nintendo to retain the rights for the franchise moving forward. A potential Bayonetta 3 probably
wouldn’t break any sales records or change the minds of fans inclined to ignore Switch, but it would fill a gap in
Nintendo’s portfolio and keep the best-in-the-genre series alive.

HEARTHSTONE
Overwatch might be a lost cause on Switch, but another Blizzard property has a fighting chance: Hearthstone. A
massive success on computers and smart devices, Hearthstone could easily make its console debut on Switch.
Thanks to the system’s large capacitive screen, Hearthstone could be played without any modifications in portable
mode. In docked mode, a Joy-Con could be used as a pointer to select cards. Senior designer Mike Donais
is open to the idea: “...it’s a good discussion worth having.”

METROID DREAD
At this point, Dread is as much a symbol as it is an actual game. It’s what many fans have requested for years:
a 2D side-scrolling sequel to Metroid Fusion. With games like Other M and Federation Force failing to capture
the essence of Metroid, a new 2D installment in the vein of Super Metroid, Zero Mission, and Fusion would go a
long way toward rebooting the franchise and satiating frustrated fans.

Super Smash
Bros. 4 Deluxe
This seems like a slam dunk. With Nintendo open to the idea of GOTY editions — see Mario Kart 8 Deluxe — and
with an online paywall arriving in the fall, the idea of a deluxe version of Super Smash Bros. 4 sounds like a nobrainer.
It would include all of the content from both the WiiU and 3DS versions of the game, plus all released
DLC. This would be a terrific value proposition for Switch owners and, along with Mario Kart 8 and Splatoon,
could provide incentive for fans to bite the bullet, so to speak, on online fees later this year.
BY EVAN NORRIS
FROM VGCHARTZ.COM

THE UPS AND
YOUR gaming SAY
The Prey property has a long and
bumpy history. The first game, released
in 2006, had been in development
limbo since 1995, recalculating
over the years according
to different designs, technologies,
and narratives. A planned sequel
suffered through a similarly
rocky period, as the Prey IP left
3D Realms in 2009 and ended up
with ZeniMax, the parent company
of Bethesda. In 2011, for unknown
reasons, Prey developer Human
Head stopped production of Prey
2. Two years later, Bethesda as-
signed the game to Arkane Studios
(Arx Fatalis, Dishonored).
The new, reinvented Prey, courtesy
of Arkane, arrives on May 5. Since
April 27, Bethesda has offered to
PS4 and XOne owners a demo
that includes the opening hour
of the game. It’s a robust, generous
demo not unlike Resident Evil
7’s “Beginning Hour.” It shines a
light on Prey’s gameplay systems,
which more closely resemble System
Shock, BioShock, and Deus
Ex, and share little in common with
the original 2006 title.

VGCHARTZ.COM
DOWNS OF THE
PREY DEMO
FROM VGCHARTZ.COM
BY EVAN NORRIS
FROM VGCHARTZ.COM

Prey follows Morgan Yu, a scientist
aboard a space station infested
with hostile alien life forms called
“Mimics.” Able to mimic everyday
items like coffee mugs and chairs,
Mimics are frightening enemies.
During the demo, players will encounter
mimics in several forms,
some of which are small and spidery,
some bipedal and ferocious.
While Mimics are a new and interesting
adversary, the combat
situations with them are far less
impressive. Combat in general is
the weakest element of Prey. It’s
clumsy and awkward. This might
be intentional on the part of Arkane
— the game reminds players
at one point that it’s possible to
sneak around or outsmart powerful
enemies —but if direct combat
is an option it should be enjoyable.
The worst part of combat is the
blaring music that plays during enemy
interaction. Once a Mimic is
discovered, the game blasts jarringly
loud music until all Mimics in
the area are dispatched. On the
one hand, this allows players to understand
when a combat scenario
has begun and ended. On the other
hand, it saps all of the tension
from the game. It defeats its own
purpose, to quote Robert DeNiro
in Raging Bull. Mimics can hide in
any interactive item in the game,
after all. Better to put the player
in a constant state of anxiety than
to make loud, obnoxious signals
when a Mimic is in the room.
Combat aside, Prey has several
intriguing gameplay systems that
make it attractive for fans of slowburn
first-person action-adventure
games. Early on, the game encourages
players to “play your way.”
It suggests to its audience that it
can experiment with different approaches
to overcome challenges
and enemies.
This isn’t mere lip service.
Throughout the demo, players can
embrace different play styles to
achieve their goals. In one section,
players can bypass a security door
by either finding a hidden badge or
sneaking through an air duct. In the
following area, players can access
a higher floor by fixing a broken
elevator — with the help of a neuromod,
which grants Morgan new
skills and abilities — or by using a
GLOO cannon to create platforms.
Open-ended exploration is another
strength of Prey. There are no discrete
levels in the game. Rather,
the Talos I space station is one
large venue that Morgan explores
and re-explores throughout the
game.
Toward the very end of the demo,
Prey introduces the Recycler and
Fabricator, two enticing modules.
The recycler reprocesses the useless
items Morgan finds around
Talos I into synthetic, mineral, and
organic material, which can then
be used in Fabricators to construct
dozens of useful items.
For fans of games that encourage
leisurely exploration and freedom
of choice, Prey may be a winner.
Fans looking for satisfying firstperson
shooting or anything approximating
the portal-based puzzles
of the original Prey will most
likely walk away disappointed.

BY EVAN NORRIS
FROM VGCHARTZ.COM

C O S P LA
ROSE
COSPLAY
interview
WHEN
COSPLAY IS
TOO SEXUAL
reader CONTRIBUTION

Y

COSPLAY
ROSE
Magic Missile Studios: www.facebook.com/magicmissilestudios
Andy Wana Photography: www.facebook.com/AndyWanaPhotography

INTERVIEWED BY ANNY SIMMS
Welcome to LIVE Magazine Cassie!
Could you tell our readers a bit about
yourself?
Thanks! My name is Cassie and I’m
a 21 year old cosplayer from Canberra!
Online I go by Rose Cosplay,
and I love to cosplay a mix between
anime and video game characters.
I’ve been cosplaying for about 8
years now, primarily at Sydney conventions
and occasionally in Canberra
and Melbourne. My main hobbies
include video games, anime, board
games and tabletop RPG’s!
How did you discover cosplay?
In high school I studied Japanese,
and there was a poster in my Japanese
classroom for a convention in
Sydney called Animania! My friends
and I talked about going, and in September
2009 we all made the trip
together and we attended our very
first convention! Looking it up gave
us a very vague idea of cosplay, and
I made a backpack that looked like
a character from my favourite anime
at the time (Kagura from Fruits
Basket), thinking that I didn’t want
to stand out too much. When I got
there, and saw all the brightly coloured
wigs and elaborate costumes
my mind changed immediately, and
after that I decided cosplay was
for me. It all seemed so fantastical,
and I desperately wanted to be one
of those people in the big, beautiful
cosplays. Ever since, I’ve been striving
for that.
What’s your favourite con to attend?
My favourite definitely is PAX Australia.
Of all the Australian conventions
I have attended, PAX has the
most to see and do. While some
conventions can feel a little repetitive
after a few years, PAX always
brings in new and exciting things
for me to watch and play and take
part in. I’ll always make sure to plan
at least one day out of cosplay so I
can go around the convention floor
and play all the indie games, line up
for the VR demos and spend all my
money on board games.
What’s the most challenging
part about choosing and making
cosplay?
The most challenging part for me is
starting a new costume! I’m the kind
of person that can’t leave a job half
done, often sacrificing sleep to finish
something I’ve started. If I haven’t
started yet, I feel a little less obligation
to get going with it however.
Once I get the ball rolling and just
pick one part of the cosplay to start,
even if it is as small as jewellery, the
momentum from that keeps me going
and it becomes much easier to
finish.
What has cosplay added to your life?
A whole lot of amazing connections
and friends I never would have otherwise
met. It’s like having a huge
friendship circle that are all into
the same nerdy stuff as you, and I
don’t ever have to worry about talking
about my nerdy interests online
and having friends not understand.
Before cosplay my circle of friends
that shared my interests in anime
and games was very, very small, but
once I started I met so many new
and wonderful people at conventions,
and they have become some
of the best and most supportive
friends I have. For a long time it also
gave me something to look forward
to in the year, and something to work
towards when work and life got too
repetitive and mundane.
Any tips for someone just starting to
get into cosplay?
Don’t worry about whether a cosplay
will suit you or whether people will
‘get it’ or recognize you, just pick a
character you love! There is no way
to do cosplay ‘wrong’. The most fun I
have in cosplay is when I am dressed
as a character that I really like and
enjoy. The best part of my day is always
when other fans of the series
come up and talk to me about it, or
yell the character’s catchphrase at
me, or even something as simple as
taking a photo with me and saying
how much they like the character.
It gives me just a brief connection
with someone else that shares my
love of the character, and it feels so
nice when people get excited about
it with you. Cosplay is for fun! So if
you’re not going to have fun doing
it, there is no point in doing it. Wear
something that will make you feel
good, and at the end of the day it will
be worth it.
Are there any games you’re looking
forward to, or are currently enjoying
playing?
I’m really looking forward to getting
to play Persona 5! I’m also very ex-

Carlos Mayenco Photography: www.facebook.com/carlosmayencophotography

cited to get my hands on The Legend
Of Zelda: Breath of the Wild. I
really think that is going to be a huge
leap forward in gaming and from all
the videos I’ve seen it really looks
amazing.
Any ideas what you’ll be working on
next?
I’ll actually be cosplaying Futaba
from Persona 5 very soon, but after
this I will begin my bigger project this
year and start working on my Diablo
III Monk. I’m really looking forward to
working on that one as the armour
will be a fun challenge for me!
What’s the most expensive and
least expensive cosplay you’ve ever
done?
Ooh my most expensive would be
Samara from Mass Effect due to the
latex headpiece alone. Unfortunately
there was some complications
which made the costume unwearable
the week before the convention
but I sunk $800-$1000 into that one,
and I actually bought an airbrush machine
to do the makeup as well!
Least expensive would probably be
Futaba – I was lucky to have all of
her outfit pieces on hand already so
I just had to buy a $6 set of headphones
and an $8 T-Shirt which I will
be altering.
Where can our readers find out more
about you?
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eader CONTRIBUTION
when
cosplay is too sexual?
by Bec from Costume Collection [costumecollection.com.au]
This month we received an article from
Bec from Costume Collection - (you
can see more here:
www.costumecollection.com.au)
It asks the question of what to do when
Cosplay is too sexual. Here’s what she
had to say...
“Cosplay is an abbreviation of ‘costume
play’. It is a hobby whereby people
dress up as fictional characters,
especially those from manga, animation
or computer games,” says Melinda
Tankard Reist, writer and advocate for
women and girls. Dressing up, whether
it’s for a party or just to look nice when
you go out, is a fundamentally human
thing to do and I daresay countless anthropologists
have devoted their PhDs
to uncovering the deep spiritual need
that binds all the earth’s people. While
Melinda does explain what cosplay is, it
is only the tip of the iceberg. At its core,
cosplay is a combination of social fun
and self-expression, literally wearing
your fandoms for all the community to
see. For some it is a form of escape
and liberation, wearing something you
would dare not wear in your daily life.
But at a convention you can be the
character you have always wanted to
be.
Another thing that is as old as Gandalf
is sexism, and the cosplay community
is not immune. The community’s
reliance on social media and that lifegiving
nectar that is the internet only
amplifies the issues to a global scale
giving cosplayers no safe haven from
unwanted attention. Melinda Tankard
Reist says “there is nothing inherently
wrong with dressing up as one’s favourite
character. But because of the
sexualised way that women are depicted
in many of the manga, anime and
games that cosplayers emulate, it can
have negative impacts on women.”
Just because you’re wearing an attention-grabbing
outfit doesn’t mean you
want it (and, inherently, yourself) sexualised.
At best it is uncomfortable, and
at worst it can make for a very dangerous
situation.
Cosplayers, no matter their gender,
should be able to enjoy a convention
without worrying about lecherous congoers.
Australian Cosplayer and judge
of Jakarta’s 2016 Toys & Comics Fair,
Kiara Kirameki, is no stranger to receiving
sexual harassment. Most harassment
is from people calling out of
their cars or passing by on the street,
people who don’t know or understand
what cosplay is. Let’s not forget that
the internet, as amazing as it is, allows
people to harass cosplayers from
the safety of their computer chairs at
home. However, while at the convention,
the security staff are there to protect
all attendees and ensure that no
one, no matter how they are dressed,
are harassed in any way.
“It doesn’t fly in conventions, the Con’s
will actually protect you which is good.
So, if you have a problem with someone
you can go up to security and they
will help you.”
Popular conventions in Australia such
as SupaNova, OzComicCon have very
strict anti-harassment policies where
stepping even a toe out of line can
lead to people being kicked out of the
event. Dracula’s Operations Manager,
Luke Newman, says that they have a
zero tolerance policy towards sexual
harassment, “sometimes, customers
can get a little too ‘into the atmosphere’,
and say or act inappropriately
towards staff members. It’s rare, but
when it does happen, our staff are
trained to drop character and address
the issue. We want to foster an environment
where our customers and
staff feel safe to enjoy themselves.”
- Jessica Nigri, Kida, Atlantis
Sexiness as costuming isn’t an unspoken
aspect of the community and
it certainly has been tapped into, for
better or for worse. Popular cosplayer,
Jessica Nigri, is well known for her sexy
adaptations of popular characters,
most notably her sexy pikachu and has
received mixed comments. While some
people see her creative approach to
characters and making them sexy as
the opening of new doors, some people
see it as attention-seeking and demeaning.

Satsuki Kiryuin, Kill La Kill – Rage Kitten
Bayonetta – Feline Paige Cosplay
Prince Endymion (Darien), Sailor Moon – A.K. Wirru

Melbourne Sexy Cosplay Winner 2016 – Sharné Mcmurray
Witchblade – Danica Rockwood
Powergirl – Variable Cosplay

While PAX, a popular convention celebrating
all things gamer-related,
has firmly put their foot down against
“booth babes,” and have even asked
cosplayers to cover up when dressed
in a revealing costume. This is fair
enough as PAX is a family-friendly
convention, but where can the sexilydressed
cosplayers go? Fortunately,
Sexpo has given them a home. Their
notorious Sexy Cosplay competition is
certainly popular and, kudos to Sexpo,
the event is run in a safe, sex-positive
environment where, by definition, cosplayers
are definitely welcoming sexualised
attention. Sexpo’s event manager
Bentleigh Gibson says that Sexpo’s
Sexy Cosplay competition was created
“to give the Cosplayers who did
want to express a different angle on
their Cosplays a safe home in which to
do so and express their own passion
and creativity.”
And hat’s off to Sexpo, a lot of cosplayers
have said they felt very comfortable
and welcomed at the event.
Melbourne Sexy Cosplay winner and
creator of the self-love project ‘I Am
F*cking Extraordinary,’ Sharne Mcmurray,
said “it was well organised, had a
positive and uplifting atmosphere, everyone
was supportive and it was an
overall great experience.”
The Sexy Cosplay Competition has
opened up new doors for cosplayers
and allows for more variety when performing
a skit on stage, such as pole
or burlesque dancing, both of which
would not be welcomed at other conventions
in Australia.
For many cosplayers, the costumes
they decide to wear are not influenced
by the “sexiness.” Sharne says “how
much skin I show doesn’t come into the
equation. I am completely happy with
myself and If I want to do something
I’ll do it. It doesn’t matter what anyone
else thinks as I am doing it for me and
not them.”
A lot of cosplays are sexy (hey, who
doesn’t love Batman’s abs?) however,
many cosplayers feel unpleasantly
sexualised against their wishes. And,
thanks to the incredible edible internet,
there are precious few places where a
cosplayer who is targeted by this unwanted
attention can get away from it.
This problem is disproportionately directed
towards women because women’s
bodies are still being commodified
like it’s the 1950s. Melinda Tankard Reist
is of the opinion that “the sexualisation
of women and girls is one of the
bedrocks of gaming culture and also
of some manga and anime. Until this
changes, I don’t think we can expect to
see an easy solution for problems like
this in the cosplay community.”
Because of this, Australian native (but
well known overseas) cosplayer Variable
has experienced so much harassment
online she has enough material
to maintain an energetically busy Tumblr
dedicated solely to screenshots of
her social media’s inbox. Check out
niceguystm.tumblr.com if you want to
scroll through the terrible and random
things strangers say to her online. Sure,
Variable as Powergirl is sexy. Powergirl
is sexy. Hell, the comic character has a
purpose-built boob-window. That’s not
an invitation to talk to Variable about
her own boobs. To suggest that costumes
in any way creates harassment
from perpetrators demonstrates ignorance
of the real-world issues at play.
The cosplay community is a wonderland
of creativity but there is an undeniable
negative impact on the way
both costumes and some cosplayers
are perceived. It’s unfair – so many
cosplayers are just trying to have a
good time and express themselves
and their craftsmanship, only to have
to check themselves for fear of being
thrown under a label they didn’t ask for.
In cases that are more extreme but
not uncommon, just existing publicly in
a costume leads to cosplayers being
made to feel unsafe. It would be cool if
we geeks could be sexy geeks on our
own terms.
“It’s unfair – so many
cosplayers are just
trying to have a good
time and
express
themselves
and their
craftsmanship, only
to have to check
themselves for fear
of being thrown
under a label they
didn’t ask for.”
Sources:
Melinda Tankard Reist – Writer and advocate
for women and girls
Kiara Kirameki – Cosplayer
Sharne Mcmurray (Sirensbelle) – Cosplayer
Sexpo
Dracula’s Cabaret Show and Dinner
Images:
David Love Photography
Rage Kitten – Cosplayer
Feline Paige Cosplay
A.K. Wirru – Cosplayer
Jessica Nigri
Sharne Mcmurray (Sirensbelle) – Cosplayer
SKYline Photography
Danica Rockwood – Cosplayer
Variable Cosplay
Isidro Urena – Photographer
BY BEC FROM COSTUMECOLLECTION.COM.AU
ORIGINAL ARTICLE HERE: costumecollection.com.au/blog/when-cosplay-is-too-sexual

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