15.06.2017 Views

On the Chronicles of Ceylon

A judicious appraisal of the various Chronicles that were written in Sri Lanka, assessing their chronology, literary and historical character.

A judicious appraisal of the various Chronicles that were written in Sri Lanka, assessing their chronology, literary and historical character.

SHOW MORE
SHOW LESS
  • No tags were found...

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

6<br />

Chapter I. Chronological Position<br />

[1] It is not unreasonably claimed that so far as <strong>the</strong> Buddhist world is<br />

concerned, <strong>the</strong> Theras <strong>of</strong> <strong>Ceylon</strong> stand unrivalled in <strong>the</strong> field <strong>of</strong><br />

<strong>Chronicles</strong> narrating not only <strong>the</strong> political history <strong>of</strong> <strong>the</strong>ir island but<br />

also <strong>the</strong> ecclesiastical history <strong>of</strong> <strong>the</strong>ir faith. If <strong>the</strong> Dīpavaṁsa is <strong>the</strong><br />

oldest known Pali chronicle produced in <strong>Ceylon</strong>, <strong>the</strong><br />

Sāsanavaṁsadīpa by Thera Vimalasāra is certainly <strong>the</strong> latest one<br />

(1929). In between <strong>the</strong> two we have first <strong>of</strong> all general introductions<br />

to <strong>the</strong> Sumaṅgalavilāsinī and a few o<strong>the</strong>r commentaries written by<br />

Buddhaghosa, <strong>the</strong> pioneer Pali commentator, and after that <strong>the</strong><br />

general introduction to <strong>the</strong> Samantapāsādikā, <strong>the</strong> Mahāvaṁsa by<br />

Mahānāma in its two recensions, <strong>the</strong> Mahābodhivaṁsa, <strong>the</strong><br />

Dīpavaṁsaṭṭhakathā, <strong>the</strong> Vaṁsatthappakāsini, <strong>the</strong> Dāṭhāvaṁsa, <strong>the</strong><br />

Thūpavaṁsa, <strong>the</strong> Cetiyavaṁsaṭṭhakathā, <strong>the</strong><br />

Nalāṭadhātuvaṁsa, and <strong>the</strong> Saddhammasaṅgaha, all written in Pali,<br />

and, above all, <strong>the</strong> Cūḷavaṁsa representing <strong>the</strong> continuation <strong>of</strong> <strong>the</strong><br />

Mahāvaṁsa through its later supplements. In <strong>the</strong> list one must<br />

include also such Sinhalese writings as <strong>the</strong> Pūjāvalī, <strong>the</strong><br />

Nikāyasaṅgraha, <strong>the</strong> Dhātuvaṁsa, <strong>the</strong> Rājāvalī, <strong>the</strong> Rājaratnākara<br />

and Vuttamālā. Although we have a masterly dissertation on <strong>the</strong><br />

chronological position <strong>of</strong> <strong>the</strong>se works from <strong>the</strong> pen <strong>of</strong> Geiger, it is<br />

necessary to reconsider it before dealing with <strong>the</strong>ir literary position.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!