HOME AWAY FROM HOME
Each year thousands of people make the pilgrimage to Antiques Week in New Hampshire. For many, it’s like a home away from home—the collective shows are a huge house, with diverse dealers occupying different rooms—each inviting you in to explore, learn and take away a little bit (or a lot) of their home to yours. “Home Away From Home” is a collection of Folk Art & Americana assembled for exhibition and sale at Antiques In Manchester: The Collector's Fair, August 9-10, 2017. Additional information: stevenspowers.com
Each year thousands of people make the pilgrimage to Antiques Week in New Hampshire. For many, it’s like a home away from home—the collective shows are a huge house, with diverse dealers occupying different rooms—each inviting you in to explore, learn and take away a little bit (or a lot) of their home to yours.
“Home Away From Home” is a collection of Folk Art & Americana assembled for exhibition and sale at Antiques In Manchester: The Collector's Fair, August 9-10, 2017. Additional information: stevenspowers.com
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ANTIQUES IN MANCHESTER • ST ANSELM COLLEGE • AUGUST 9-10
S T E V E N S . P O W E R S<br />
Each year thousands of people make the pilgrimage to<br />
Antiques Week in New Hampshire. For many, it’s like a<br />
home away from home—the collective shows are a huge<br />
house, with diverse dealers occupying different rooms—<br />
each inviting you in to explore, learn and take away a little<br />
bit (or a lot) of their home to yours.<br />
“Home Away From Home” is a collection of Folk Art &<br />
Americana assembled for exhibition and sale at Antiques<br />
In Manchester: The Collector's Fair, August 9-10, 2017.<br />
Where: Sullivan Arena | St. Anselm College<br />
100 St. Anselm Dr, Manchester, NH 03102<br />
Additional show information: stevenspowers.com<br />
W O R K S O F<br />
A R T<br />
& a m e r i c a n a<br />
360 Court Street #28, Brooklyn, NY 11231 | 718.625.1715 or 917.518.0809 | stevenspowers.com | member: ADA
Detail of A Trade Sign for J.W. Hopkinson<br />
Circa: 1925-1930<br />
Size: 12 1/4" (h) - 15 1/2" (l)<br />
See page 35 for more information.
Iconic Iron Indian<br />
Miniature weathervane<br />
Circa: 1800<br />
Size: 12" (h) x 9" (w) x 1/8" (d)<br />
This striking object leaves an indelible imprint on your minds’ eye—it is<br />
powerful and mysterious.<br />
This small chiseled and forged flat iron figure depicts a silhouetted<br />
American Indian with calumet (pipe), hair roach and pony-tail, and wearing<br />
a breechcloth with genitals exposed.<br />
Historically the image of the American Indian in art was often romanticized<br />
as the exotic or demonized as the savage “other,” through overly<br />
generalized depictions based on broad stereotypes. Though some<br />
illustrations show women with exposed breasts and men with buttocks<br />
peeking through their breechcloth, sculpture of this nature is hitherto<br />
unknown.<br />
Provenance: Marvill Collection.<br />
Illustrated and discussed: American Vernacular, 2002, p. 1 (title page)<br />
and p. 149.
Folk Art Carved Coal Lion<br />
Circa: 1860-1880<br />
Size: 10 1/2" (l) x 6 1/4" (h)<br />
Provenance: Peter Brams; Barbara Johnson<br />
A large and exceptional recumbent lion<br />
carved out of the solid of anthracite coal.<br />
Such carvings are rare.
Five Folk Art House Portraits<br />
Pastel, graphite, crayon and watercolor on paper<br />
Circa: 1892-1913<br />
Sizes vary from: 7 3/8" x 9 5/8" - 10 1/4" x 13 1/2"<br />
These five house portraits by the same hand were collected over a<br />
couple decades. It is speculated that they originate from Sullivan<br />
County, Indiana. They range in date from 1892-1913.
Stoneware Bust of an African American Man<br />
Chicago, IL<br />
Circa: 1885-1890<br />
Size: 5 3/4" H<br />
African-American bust marked, "WM. M. DEE ESQ. 164 E. Adams St.<br />
Chicago, IL." William M. Dee was a manufacturer in sewer pipe and fire<br />
brick who’s offices were at the above address from 1885-1890.<br />
The whole in a brown glaze with kaolin details and stamped several times<br />
on the front and back.<br />
Provenance: Michael and Julie Hall Collection of American Folk and Isolate<br />
Art; Peter Brams Collection.<br />
Illustrated and discussed: American Primitive, 1988, p. 85.
Early American Folk Art Portrait of a Woman<br />
Anonymous<br />
Circa: 1830<br />
Size: 26 1/4" (w) x 36 1/4" (h)<br />
Provenance: David Schorsch; Marvill Collection.<br />
A compelling American Folk Art portrait of a<br />
young woman with her right hand over one<br />
breast and her left hand holding a closed fan and<br />
a crumpled handkerchief. Though the meaning<br />
of the staging is unknown, it likely has a<br />
symbolic message.
Folk Art Etched Easter Egg<br />
Dated: April 17, 1854<br />
Size: 2 3/8" (oah)<br />
A charming survivor (with dried yolk<br />
still within). The dyed egg is scratch<br />
carved with a bird on a tree with a<br />
complex star at the apex. It is signed<br />
“E. Witmer” and tells us a little<br />
something about the weather, “It is<br />
snowing to-day | April th 17 1854.”
"The Sacred Family”<br />
Buffalo, New York<br />
Italian-American<br />
Circa: 1930<br />
16” x 13”<br />
Provenance: Tim Hill,<br />
David Wheatcroft, Peter Brams
Oblivious To Danger<br />
Oil on canvas<br />
Circa: 1930<br />
Size: 31 1/2" (w) x 29 1/2" (h)<br />
Amusing allegorical folk art painting of a man fishing<br />
on a river or lake with a bear coming up behind him, a<br />
thunder storm with sharp lightning, a fish out of the<br />
creel, a 'No Trespassing / Private Property' sign, a spilt<br />
bottle, and a sinking boat...but there is a rainbow on<br />
the horizon! I am not a fisherman, but I guess the<br />
message here is, "I'd Rather Be Fishing."<br />
Provenance: Patty Gagarin, Private New York<br />
Collection; Private California Collection.
Rare Folk Art Carved Civil War Veteran Stool<br />
Dated: 1887<br />
Size: 26 3/4"(h) x 14 1/2" (d)<br />
I have had several great Civil War / GAR<br />
Folk Art carved pipes, but have never seen<br />
anything on this scale.<br />
In the form of an hourglass, the entire<br />
surface is carved from a 40lb. timber. The<br />
lower half in high relief with large stars,<br />
crossed rifles, cannons, swords, and the<br />
medal of the Grand Army of The Republic<br />
including a flag and an eagle.<br />
The upper half has a repeating star and<br />
sunburst pattern.
Folk Art Carved Civil War Maple Burl Cup<br />
Lookout Mountain<br />
Circa: 1860-1880<br />
3 3/4" (oaw) x 3" (h)<br />
Provenance: Private, Peter Brams, Private<br />
Illustrated and discussed: North American Burl Treen,<br />
2005, p. 91, pl. 5/9.1<br />
Only one of these I have seen. In the manner of Civil<br />
War carved pipes, this hewn burl cup bears the name<br />
of James Hammond of the Ohio Volunteer Infantry,<br />
3rd Division, Company D.
Three Maine House Portraits by George E. Morgan (1870-1969)<br />
Metcalf House: Hallowell<br />
Oil on canvas board<br />
Circa: 1962/1963<br />
Size: 9" x 12"<br />
Signed and inscribed on verso: “The old<br />
Metcalf house in Hallowell Built during<br />
Washington’s first administration - for Mrs.<br />
Wadwill [sic] Hallowell.” George E. Morgan<br />
age 92.<br />
In 1792 Joseph Metcalf built the above house.<br />
He was a furniture maker and planes bearing<br />
his name are known.<br />
White House<br />
Oil on canvas board<br />
Circa: 1962/1963<br />
Size: 9" x 12"<br />
Randolph Methodist Church<br />
Oil on canvas board<br />
Circa: 1962/1963<br />
Size: 8" x 12"<br />
Signed and inscribed on<br />
verso: “Randolph Methodist<br />
Church Windsor St. Burnt<br />
1961 [the church was built<br />
1847] painted by George E.<br />
Morgan 44 Windsor St.”<br />
Signed and inscribed on verso: George E.<br />
Morgan age 92 - for Mrs. Wadwill [sic]<br />
Hallowell<br />
Provenance: Anne K. Wardwell; Mr. & Mrs. Sumner and Helen Johnston; Joe Wetherell;<br />
Raymond Saroff and Howard Rose; Peter Brams<br />
Exhibitions: The Playhouse, Boothbay, ME 1963; Farnsworth Art Museum, Rockland, ME,<br />
July 16 - October 11, 1998; The Center for Intuitive and Outsider Art, Chicago, IL,<br />
February 5 - April 10,1999
Lead Head<br />
Lead pipe<br />
Circa: 1900<br />
Size: 10" (h) x 8 1/4" (d)<br />
An unusual portrait sculpted out<br />
of a large lead water pipe. The<br />
whole has a remarkable gun-metal<br />
like color and patina. Traces of<br />
paint remain on the forehead and<br />
hair.
Large Hessian Whirligig<br />
Circa: 1840<br />
Size: 32" (h) x 12 1/2" (w)<br />
A most remarkable Folk Art<br />
object made more beautiful<br />
and complex by Mother<br />
Nature herself. A small lead<br />
buckshot pellet is embedded<br />
on his right side (proper).<br />
Found on a farm between Port<br />
Henry and Crown Point, NY.<br />
Illustrated and discussed:<br />
American Primitive, 1986, p.<br />
126, fig. 169.<br />
Provenance: Mr & Mrs Frank<br />
Moran Auction, November 15,<br />
1974; Marvill Collection.
Folk Art Carved Coal Portrait of Abraham Lincoln<br />
Circa: 1860-1880<br />
Size: 8 3/4" (w) x 7" (h)<br />
A large an unusual portrait of Abraham Lincoln<br />
carved from anthracite coal.<br />
Illustrated and discussed: American Primitive,<br />
1988, p. 95, fig. 126.
Two Folk Art Trade Signs for J.W. Hopkinson<br />
Winthrop, ME<br />
Oil on canvas on metal substrates<br />
Circa: 1925-1930<br />
Size: 12 1/4" (h) - 15 1/2" (l)
These two signs presumably painted by Hopkinson<br />
himself were advertisements that hung over the<br />
windows of his truck.<br />
One shows him working a floor sander in a room<br />
(which is rendered in an exaggerated perspective)<br />
and the other shows a brightly painted house on a<br />
lake.
End of Day Black Glass Whimsy - Hand Holding Bottle<br />
Circa: 1910-20<br />
Size: 11 1/2"<br />
Sand cast black glass (with grains still embedded) of<br />
hand holding a glass bottle. It might be a take off of<br />
the early Whistle Soda advertisements.<br />
On a custom base.
Woolwork Picture of Menands, NY<br />
Wool over perforated board<br />
Circa: 1905<br />
Size: 26 1/2" (h) x 39" (l)<br />
This unique large scale woolwork<br />
resembles folk art paintings of<br />
the period. A large Victorian<br />
home is wrought along a brick<br />
wall with an iron gate. A mill,<br />
lake with over-sized swans, train<br />
tracks and a tunnel, as well as a<br />
farm and “The Cathedral of All<br />
Saints,” are also depicted.<br />
Many of the buildings are<br />
finished with windows that have<br />
crushed colored glass.
Large Folk Art Carved and Painted Rhinoceros<br />
Fred Alten (1872-1945)<br />
Michigan<br />
Circa: 1910-20<br />
17" (oal)<br />
Provenance: Peter Brams; Barbara Johnson<br />
An exceptional example of a large Fred Alten animal.<br />
Fred Alten was a machinist in Wyandotte, Michigan<br />
and carved animals based on illustrations in Jonson’s<br />
Book of Nature. A garage full of his works was found<br />
thirty years after his death.
Eastern Woodlands Ash Burl Effigy Ladle<br />
Circa: 1820-1840<br />
Size: 10 1/4" (oal) x 5 1/4" (w)<br />
Provenance: George Abraham, Herbert Wellington<br />
Collection, Private<br />
Illustrated and discussed: Pleasing The Spirits, 1982, p.<br />
352, fig. 433, left.<br />
Likely depicting an abstracted Underwater<br />
Panther, the whole is masterfully hewn with a<br />
sophisticated underlying geometry.
The Three Trees<br />
Jacob Semiatin (1915-2003)<br />
Circa: 1940-1950<br />
Size: 26" (w) x 19" (h)<br />
Jacob Semiatin, a Hungarian Jew born in<br />
Ireland immigrated to Brooklyn, NY in 1920.<br />
Semiatin was a member of the Brooklyn<br />
Society of Artists and exhibited at The<br />
Brooklyn Museum in the 1940’s. After WWII,<br />
he move towards abstraction and developed a<br />
friendship with James Johnson Sweeney of<br />
the Guggenheim Museum.<br />
Semiatin's first one-man show was at the<br />
Contemporary Arts Gallery in New York,<br />
(notable as the gallery that introduced Mark<br />
Rothko).<br />
Semiatin’s work is in many collections<br />
including: The Houston Museum of Modern<br />
Art; The Jewish Museum, Dublin, Ireland;<br />
Mr. Ted Turner; and the William Clinton<br />
Library.
Folk Art Pipe with Two Men Around The Bowl<br />
Circa: 1860-1880<br />
Size: 3 1/2" (w) x 3" (h)<br />
Provenance: Tim Hill, Peter Brams, Private<br />
With a great original, crazed paint surface.
Early Folk Art Doll<br />
Circa: 1820-40<br />
Size: 12" (h)<br />
A rare and early intact Folk Art doll.
Steven Powers (1968 -)<br />
Moosehead Mountains & Marsh<br />
Oil on panel<br />
2017<br />
Size: 11" (h) x 14" (w)
Steven Powers (1968 -)<br />
Big Sky & Flat Lands<br />
Oil on panel<br />
2017<br />
Size: 9" (h) x 12" (w)
S T E V E N S . P O W E R S<br />
H O M E<br />
H O M E<br />
W O R K S O F<br />
A R T<br />
& a m e r i c a n a<br />
360 Court Street #28, Brooklyn, NY 11231 | 718.625.1715 or 917.518.0809 | stevenspowers.com | member: ADA