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HOME AWAY FROM HOME

Each year thousands of people make the pilgrimage to Antiques Week in New Hampshire. For many, it’s like a home away from home—the collective shows are a huge house, with diverse dealers occupying different rooms—each inviting you in to explore, learn and take away a little bit (or a lot) of their home to yours. “Home Away From Home” is a collection of Folk Art & Americana assembled for exhibition and sale at Antiques In Manchester: The Collector's Fair, August 9-10, 2017. Additional information: stevenspowers.com

Each year thousands of people make the pilgrimage to Antiques Week in New Hampshire. For many, it’s like a home away from home—the collective shows are a huge house, with diverse dealers occupying different rooms—each inviting you in to explore, learn and take away a little bit (or a lot) of their home to yours.

“Home Away From Home” is a collection of Folk Art & Americana assembled for exhibition and sale at Antiques In Manchester: The Collector's Fair, August 9-10, 2017. Additional information: stevenspowers.com

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ANTIQUES IN MANCHESTER • ST ANSELM COLLEGE • AUGUST 9-10


S T E V E N S . P O W E R S<br />

Each year thousands of people make the pilgrimage to<br />

Antiques Week in New Hampshire. For many, it’s like a<br />

home away from home—the collective shows are a huge<br />

house, with diverse dealers occupying different rooms—<br />

each inviting you in to explore, learn and take away a little<br />

bit (or a lot) of their home to yours.<br />

“Home Away From Home” is a collection of Folk Art &<br />

Americana assembled for exhibition and sale at Antiques<br />

In Manchester: The Collector's Fair, August 9-10, 2017.<br />

Where: Sullivan Arena | St. Anselm College<br />

100 St. Anselm Dr, Manchester, NH 03102<br />

Additional show information: stevenspowers.com<br />

W O R K S O F<br />

A R T<br />

& a m e r i c a n a<br />

360 Court Street #28, Brooklyn, NY 11231 | 718.625.1715 or 917.518.0809 | stevenspowers.com | member: ADA


Detail of A Trade Sign for J.W. Hopkinson<br />

Circa: 1925-1930<br />

Size: 12 1/4" (h) - 15 1/2" (l)<br />

See page 35 for more information.


Iconic Iron Indian<br />

Miniature weathervane<br />

Circa: 1800<br />

Size: 12" (h) x 9" (w) x 1/8" (d)<br />

This striking object leaves an indelible imprint on your minds’ eye—it is<br />

powerful and mysterious.<br />

This small chiseled and forged flat iron figure depicts a silhouetted<br />

American Indian with calumet (pipe), hair roach and pony-tail, and wearing<br />

a breechcloth with genitals exposed.<br />

Historically the image of the American Indian in art was often romanticized<br />

as the exotic or demonized as the savage “other,” through overly<br />

generalized depictions based on broad stereotypes. Though some<br />

illustrations show women with exposed breasts and men with buttocks<br />

peeking through their breechcloth, sculpture of this nature is hitherto<br />

unknown.<br />

Provenance: Marvill Collection.<br />

Illustrated and discussed: American Vernacular, 2002, p. 1 (title page)<br />

and p. 149.


Folk Art Carved Coal Lion<br />

Circa: 1860-1880<br />

Size: 10 1/2" (l) x 6 1/4" (h)<br />

Provenance: Peter Brams; Barbara Johnson<br />

A large and exceptional recumbent lion<br />

carved out of the solid of anthracite coal.<br />

Such carvings are rare.


Five Folk Art House Portraits<br />

Pastel, graphite, crayon and watercolor on paper<br />

Circa: 1892-1913<br />

Sizes vary from: 7 3/8" x 9 5/8" - 10 1/4" x 13 1/2"<br />

These five house portraits by the same hand were collected over a<br />

couple decades. It is speculated that they originate from Sullivan<br />

County, Indiana. They range in date from 1892-1913.


Stoneware Bust of an African American Man<br />

Chicago, IL<br />

Circa: 1885-1890<br />

Size: 5 3/4" H<br />

African-American bust marked, "WM. M. DEE ESQ. 164 E. Adams St.<br />

Chicago, IL." William M. Dee was a manufacturer in sewer pipe and fire<br />

brick who’s offices were at the above address from 1885-1890.<br />

The whole in a brown glaze with kaolin details and stamped several times<br />

on the front and back.<br />

Provenance: Michael and Julie Hall Collection of American Folk and Isolate<br />

Art; Peter Brams Collection.<br />

Illustrated and discussed: American Primitive, 1988, p. 85.


Early American Folk Art Portrait of a Woman<br />

Anonymous<br />

Circa: 1830<br />

Size: 26 1/4" (w) x 36 1/4" (h)<br />

Provenance: David Schorsch; Marvill Collection.<br />

A compelling American Folk Art portrait of a<br />

young woman with her right hand over one<br />

breast and her left hand holding a closed fan and<br />

a crumpled handkerchief. Though the meaning<br />

of the staging is unknown, it likely has a<br />

symbolic message.


Folk Art Etched Easter Egg<br />

Dated: April 17, 1854<br />

Size: 2 3/8" (oah)<br />

A charming survivor (with dried yolk<br />

still within). The dyed egg is scratch<br />

carved with a bird on a tree with a<br />

complex star at the apex. It is signed<br />

“E. Witmer” and tells us a little<br />

something about the weather, “It is<br />

snowing to-day | April th 17 1854.”


"The Sacred Family”<br />

Buffalo, New York<br />

Italian-American<br />

Circa: 1930<br />

16” x 13”<br />

Provenance: Tim Hill,<br />

David Wheatcroft, Peter Brams


Oblivious To Danger<br />

Oil on canvas<br />

Circa: 1930<br />

Size: 31 1/2" (w) x 29 1/2" (h)<br />

Amusing allegorical folk art painting of a man fishing<br />

on a river or lake with a bear coming up behind him, a<br />

thunder storm with sharp lightning, a fish out of the<br />

creel, a 'No Trespassing / Private Property' sign, a spilt<br />

bottle, and a sinking boat...but there is a rainbow on<br />

the horizon! I am not a fisherman, but I guess the<br />

message here is, "I'd Rather Be Fishing."<br />

Provenance: Patty Gagarin, Private New York<br />

Collection; Private California Collection.


Rare Folk Art Carved Civil War Veteran Stool<br />

Dated: 1887<br />

Size: 26 3/4"(h) x 14 1/2" (d)<br />

I have had several great Civil War / GAR<br />

Folk Art carved pipes, but have never seen<br />

anything on this scale.<br />

In the form of an hourglass, the entire<br />

surface is carved from a 40lb. timber. The<br />

lower half in high relief with large stars,<br />

crossed rifles, cannons, swords, and the<br />

medal of the Grand Army of The Republic<br />

including a flag and an eagle.<br />

The upper half has a repeating star and<br />

sunburst pattern.


Folk Art Carved Civil War Maple Burl Cup<br />

Lookout Mountain<br />

Circa: 1860-1880<br />

3 3/4" (oaw) x 3" (h)<br />

Provenance: Private, Peter Brams, Private<br />

Illustrated and discussed: North American Burl Treen,<br />

2005, p. 91, pl. 5/9.1<br />

Only one of these I have seen. In the manner of Civil<br />

War carved pipes, this hewn burl cup bears the name<br />

of James Hammond of the Ohio Volunteer Infantry,<br />

3rd Division, Company D.


Three Maine House Portraits by George E. Morgan (1870-1969)<br />

Metcalf House: Hallowell<br />

Oil on canvas board<br />

Circa: 1962/1963<br />

Size: 9" x 12"<br />

Signed and inscribed on verso: “The old<br />

Metcalf house in Hallowell Built during<br />

Washington’s first administration - for Mrs.<br />

Wadwill [sic] Hallowell.” George E. Morgan<br />

age 92.<br />

In 1792 Joseph Metcalf built the above house.<br />

He was a furniture maker and planes bearing<br />

his name are known.<br />

White House<br />

Oil on canvas board<br />

Circa: 1962/1963<br />

Size: 9" x 12"<br />

Randolph Methodist Church<br />

Oil on canvas board<br />

Circa: 1962/1963<br />

Size: 8" x 12"<br />

Signed and inscribed on<br />

verso: “Randolph Methodist<br />

Church Windsor St. Burnt<br />

1961 [the church was built<br />

1847] painted by George E.<br />

Morgan 44 Windsor St.”<br />

Signed and inscribed on verso: George E.<br />

Morgan age 92 - for Mrs. Wadwill [sic]<br />

Hallowell<br />

Provenance: Anne K. Wardwell; Mr. & Mrs. Sumner and Helen Johnston; Joe Wetherell;<br />

Raymond Saroff and Howard Rose; Peter Brams<br />

Exhibitions: The Playhouse, Boothbay, ME 1963; Farnsworth Art Museum, Rockland, ME,<br />

July 16 - October 11, 1998; The Center for Intuitive and Outsider Art, Chicago, IL,<br />

February 5 - April 10,1999


Lead Head<br />

Lead pipe<br />

Circa: 1900<br />

Size: 10" (h) x 8 1/4" (d)<br />

An unusual portrait sculpted out<br />

of a large lead water pipe. The<br />

whole has a remarkable gun-metal<br />

like color and patina. Traces of<br />

paint remain on the forehead and<br />

hair.


Large Hessian Whirligig<br />

Circa: 1840<br />

Size: 32" (h) x 12 1/2" (w)<br />

A most remarkable Folk Art<br />

object made more beautiful<br />

and complex by Mother<br />

Nature herself. A small lead<br />

buckshot pellet is embedded<br />

on his right side (proper).<br />

Found on a farm between Port<br />

Henry and Crown Point, NY.<br />

Illustrated and discussed:<br />

American Primitive, 1986, p.<br />

126, fig. 169.<br />

Provenance: Mr & Mrs Frank<br />

Moran Auction, November 15,<br />

1974; Marvill Collection.


Folk Art Carved Coal Portrait of Abraham Lincoln<br />

Circa: 1860-1880<br />

Size: 8 3/4" (w) x 7" (h)<br />

A large an unusual portrait of Abraham Lincoln<br />

carved from anthracite coal.<br />

Illustrated and discussed: American Primitive,<br />

1988, p. 95, fig. 126.


Two Folk Art Trade Signs for J.W. Hopkinson<br />

Winthrop, ME<br />

Oil on canvas on metal substrates<br />

Circa: 1925-1930<br />

Size: 12 1/4" (h) - 15 1/2" (l)


These two signs presumably painted by Hopkinson<br />

himself were advertisements that hung over the<br />

windows of his truck.<br />

One shows him working a floor sander in a room<br />

(which is rendered in an exaggerated perspective)<br />

and the other shows a brightly painted house on a<br />

lake.


End of Day Black Glass Whimsy - Hand Holding Bottle<br />

Circa: 1910-20<br />

Size: 11 1/2"<br />

Sand cast black glass (with grains still embedded) of<br />

hand holding a glass bottle. It might be a take off of<br />

the early Whistle Soda advertisements.<br />

On a custom base.


Woolwork Picture of Menands, NY<br />

Wool over perforated board<br />

Circa: 1905<br />

Size: 26 1/2" (h) x 39" (l)<br />

This unique large scale woolwork<br />

resembles folk art paintings of<br />

the period. A large Victorian<br />

home is wrought along a brick<br />

wall with an iron gate. A mill,<br />

lake with over-sized swans, train<br />

tracks and a tunnel, as well as a<br />

farm and “The Cathedral of All<br />

Saints,” are also depicted.<br />

Many of the buildings are<br />

finished with windows that have<br />

crushed colored glass.


Large Folk Art Carved and Painted Rhinoceros<br />

Fred Alten (1872-1945)<br />

Michigan<br />

Circa: 1910-20<br />

17" (oal)<br />

Provenance: Peter Brams; Barbara Johnson<br />

An exceptional example of a large Fred Alten animal.<br />

Fred Alten was a machinist in Wyandotte, Michigan<br />

and carved animals based on illustrations in Jonson’s<br />

Book of Nature. A garage full of his works was found<br />

thirty years after his death.


Eastern Woodlands Ash Burl Effigy Ladle<br />

Circa: 1820-1840<br />

Size: 10 1/4" (oal) x 5 1/4" (w)<br />

Provenance: George Abraham, Herbert Wellington<br />

Collection, Private<br />

Illustrated and discussed: Pleasing The Spirits, 1982, p.<br />

352, fig. 433, left.<br />

Likely depicting an abstracted Underwater<br />

Panther, the whole is masterfully hewn with a<br />

sophisticated underlying geometry.


The Three Trees<br />

Jacob Semiatin (1915-2003)<br />

Circa: 1940-1950<br />

Size: 26" (w) x 19" (h)<br />

Jacob Semiatin, a Hungarian Jew born in<br />

Ireland immigrated to Brooklyn, NY in 1920.<br />

Semiatin was a member of the Brooklyn<br />

Society of Artists and exhibited at The<br />

Brooklyn Museum in the 1940’s. After WWII,<br />

he move towards abstraction and developed a<br />

friendship with James Johnson Sweeney of<br />

the Guggenheim Museum.<br />

Semiatin's first one-man show was at the<br />

Contemporary Arts Gallery in New York,<br />

(notable as the gallery that introduced Mark<br />

Rothko).<br />

Semiatin’s work is in many collections<br />

including: The Houston Museum of Modern<br />

Art; The Jewish Museum, Dublin, Ireland;<br />

Mr. Ted Turner; and the William Clinton<br />

Library.


Folk Art Pipe with Two Men Around The Bowl<br />

Circa: 1860-1880<br />

Size: 3 1/2" (w) x 3" (h)<br />

Provenance: Tim Hill, Peter Brams, Private<br />

With a great original, crazed paint surface.


Early Folk Art Doll<br />

Circa: 1820-40<br />

Size: 12" (h)<br />

A rare and early intact Folk Art doll.


Steven Powers (1968 -)<br />

Moosehead Mountains & Marsh<br />

Oil on panel<br />

2017<br />

Size: 11" (h) x 14" (w)


Steven Powers (1968 -)<br />

Big Sky & Flat Lands<br />

Oil on panel<br />

2017<br />

Size: 9" (h) x 12" (w)


S T E V E N S . P O W E R S<br />

H O M E<br />

H O M E<br />

W O R K S O F<br />

A R T<br />

& a m e r i c a n a<br />

360 Court Street #28, Brooklyn, NY 11231 | 718.625.1715 or 917.518.0809 | stevenspowers.com | member: ADA

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