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ANNIVERSAY ISSUE 0717 ver2A

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ACTORS WORKSHOP<br />

Why Theatrically Trained Actors<br />

Stumble When They Audition<br />

For Film Roles<br />

Twenty-two year old Darla Dimmore is taking an acting<br />

class at Elephant Butte Dam College, along with other<br />

courses. Her main goal in life is to be an outstanding professional<br />

film actor. Professor Nedmond Zamp, her<br />

instructor and theater director at the college, has his class<br />

working on a play entitled Circumbendibus. It is a story<br />

about fratricide because of love. Darla learns that even<br />

using high-tech concealed microphones, the cast must<br />

speak louder than normal for the benefit of the audience.<br />

The dialogue in the script is rarely altered.The actors are<br />

strictly limited to the perimeters of the stage area. Each<br />

cast member must follow rigid placement markings to prevent<br />

one actor from interfering or blocking another’s performance.<br />

Exaggerated movements are necessary to assist<br />

the audience in clearly understanding what is happening in<br />

each scene. In most cases, character adjustments or dialogue<br />

changes cannot be made.There are no camera<br />

angles, just the stage front, and certainly no close-ups.<br />

Stage mobility is limited and strictly controlled.The lighting<br />

is normally fixed.The props, scenery, and backdrops are<br />

usually exaggerated, not realistic, and have limited flexibility.<br />

In addition to all this, a theater director and his goals<br />

and motives are, for the most part, very different from<br />

those of a film director. Darla clearly realizes now that<br />

though theater acting may be a well-respected form of<br />

acting and a distant relative of film acting, it is definitely not<br />

film acting. Darla is perplexed and now must search elsewhere<br />

if she is to succeed in the world of film acting.<br />

(Page 20, of Everybody is An Actor)<br />

Today there are several methods being used to train<br />

individuals to become future or better actors.<br />

Unfortunately they were designed primarily for theater<br />

acting and are actually quite old.That is why many who<br />

want to become good or possibly great film actors fail at<br />

auditions or never become successful at this unique craft.<br />

Darla Dimmore is just one example of thousands who<br />

are searching for a better way to learn.That way is the<br />

Psychophantic System of film acting! This system is<br />

based on psychological principles.There is nothing else<br />

like it in the whole world! In my workshops and in my<br />

book, Everybody is an Actor, one who wants to<br />

truly be a skillful film artist, learns how to win an audition.<br />

•What is being revealed about the character?<br />

•How do you feel about him or her?<br />

•How will you deal with the part and seal the role<br />

and make it real!<br />

10<br />

I clearly instruct how to give the portrayal genuine<br />

appeal and zeal. It is also important to know after a<br />

performance how to heal yourself. It is imperative that a<br />

professional film actor know the jargon used in this industry<br />

and be able to radiate positive energy when working<br />

with all who are involved in a TV or motion picture production.This<br />

is what I offer to all my students and seasoned<br />

film actors who want to reach a higher level of success. In<br />

addition to all this, I present and explain many other extraordinary<br />

ways to be truly outstanding as a film actor. Methods<br />

and theater thespians cannot make this offer or guarantee.<br />

In future articles I will explain how to overcome stage<br />

fright and each one of my psychophantic sensors.<br />

ABOUT DR. RICHARD R. REICHEL<br />

Dr. Reichel has a long and varied experience in the<br />

film and TV industries, from actor and director to<br />

casting and cameraman. He holds multiple degrees,<br />

including one in film production and a doctorate in<br />

counseling psychology. Reichel, the author of<br />

“Everybody is an Actor”, was the first to produce a TV<br />

program about Asian cultures in America, and the<br />

first to present a TV show about all aspects of<br />

organic living. He is credited with persuading film star<br />

Jackie Chan to come to the U.S. to make movies.<br />

He created an innovative and comprehensive acting<br />

system that immerses participants in the culture of<br />

film production while helping them actually become<br />

the character with impressive time efficiency. His<br />

system is also excellent for those who would like<br />

to have superior confidence and be more dynamic<br />

and assertive at work, social situations, school, or<br />

even at home.<br />

Dr. is the lone crusader for the restoration of the<br />

United States film and television industry and a positive<br />

form of training film actors! He has been a guest on<br />

countless talk shows across the nation. Find him on<br />

Facebook,Youtube, and other internet links.You can<br />

contact him through E-Mail at:<br />

everybodyisanactor@gmail.com<br />

hollywoodeastinternational@gmail.com<br />

rescuetheusafilmtvbiz@gmail.com

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