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Religious Themes and I<br />
This article started out as a<br />
conversation on the way home from<br />
a cinema trip. Last year, Amy Hole<br />
and I took my son Leon and her<br />
boys, Magnus and Isaac, and to<br />
see Batman v Superman: Dawn of Justice.<br />
I was struck by the amount of religious<br />
imagery used in the fi lm and began<br />
discussing it with Amy while driving back.<br />
What follows is a further exploration of the<br />
ideas that began in that brief chat.<br />
It’s not possible to write this article<br />
without revealing key elements of the plot.<br />
If you haven’t seen the fi lm<br />
yet and don’t want to fi nd<br />
out what happens, then<br />
please feel free to stop<br />
reading here.<br />
Director Zack Snyder’s<br />
2016 fi lm carries on from his<br />
2013 release, Man of Steel,<br />
which introduced us to the latest<br />
cinematic incarnation of Superman,<br />
played by Henry Cavil. Batman v<br />
Superman further fl eshes out the world of<br />
Superman and introduces us to the new big<br />
screen versions of other superheroes from<br />
the DC Comics universe – Wonder Woman,<br />
Aquaman, The Flash and Batman.<br />
Snyder is someone who clearly knows<br />
and loves his comics. Here he weaves in<br />
story elements and images from the wellknown<br />
superman storyline The Death of<br />
Superman, and another critics’ favourite,<br />
Batman: The Dark Knight Returns.<br />
As a comics fan myself, these obvious<br />
references jumped out of the screen at me.<br />
But they weren’t the main things that did.<br />
What struck me particularly was the very<br />
strong use of religious imagery throughout<br />
the fi lm in relation to Superman, and to<br />
those around him.<br />
The subject probably has enough<br />
material to fi ll out someone’s postgraduate<br />
thesis. And I’m pretty certain I didn’t spot<br />
all of it. So for the sake of brevity I’ll stick<br />
to the essentials, those being the clear<br />
parallels that are drawn between Superman<br />
and Jesus.<br />
From early on, we see he inspires an<br />
almost messianic following from those<br />
around him. In one scene, Superman is<br />
in Mexico on the Day of the Dead having<br />
just rescued people from a fire. The crowd<br />
surround him, awed by his presence,<br />
many hands reaching out to touch him.<br />
The image of this crowd, their faces a<br />
mixture of adoration and<br />
fear haunts the viewer and<br />
underlines the sense of<br />
worship expressed towards<br />
this incredibly powerful<br />
individual.<br />
As the film progresses we<br />
see challenges to Superman as<br />
people begin to question his right<br />
to wield such power, and his selfappointed<br />
mission to protect (or perhaps<br />
to save?) humanity. Batman in particular<br />
questions whether Superman should be<br />
allowed to decide right from wrong, good<br />
from evil.<br />
Superman is put on trial, ostensibly for<br />
his very existence, and then finds himself<br />
accused of the bloodshed of innocents.<br />
As the film edges towards its conclusion,<br />
Superman must sacrifice his own life to<br />
stop a seemingly unstoppable monster.<br />
The fight between the two is ended with<br />
the use of a spear – Superman impales<br />
the monster with it while he himself is<br />
transpierced by a bone growing from the<br />
monster’s body.<br />
In the aftermath of the battle, Superman’s<br />
body, wrapped in his cloak, is lowered<br />
down, while in the background, wooden<br />
debris has fallen together in such a way as<br />
to make cross-like shapes. Finally his body<br />
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Page 24<br />
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