14.09.2017 Views

Tennessee Musician - Vol. 67 No. 1

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

TM<br />

President’s message<br />

Jeff Phillips<br />

Greetings! I’m<br />

sure that many of<br />

you are busy working<br />

on your holiday<br />

programs, working<br />

on portfolios,<br />

maybe finishing<br />

marching season,<br />

and busy getting<br />

ready to wrap up<br />

this semester and<br />

plan for another<br />

simultaneously. As<br />

with every year,<br />

especially in education,<br />

change is upon<br />

us! That’s going to be one thing we can always count<br />

on. While we can’t control many of the directives<br />

and initiatives that are required of us, what we CAN<br />

control is our reaction to them and how we CHOOSE<br />

to deal with them. Many of these items shouldn’t be<br />

thought of as things that impede our classroom day to<br />

day teaching, but as ways that we can become better<br />

at our own teaching, organization, and advocacy.<br />

For this issue we will look at the new standards. Before<br />

you begin rolling your eyes and telling me how<br />

you just got familiar with the old standards (and how<br />

you never did figure out how to do the singing/playing<br />

of instruments or that improvisation thing), take a<br />

breath!<br />

To be successful in the classroom, we all have<br />

to have definable goals and a focus of direction for<br />

our instruction. The key component of making these<br />

goals is to have a set of standards for what you expect<br />

to accomplish and how you want to get your students<br />

to the desired level. Whether you take your standards<br />

for curriculum from an older curriculum guide, state<br />

or national standards, or a tried and true set of goals,<br />

you use standards in your classroom (if you don’t,<br />

perhaps we need to talk…)! Our National (and <strong>Tennessee</strong>)<br />

Standards have been in place for some time<br />

now and I think we have all had issues with how to<br />

incorporate so many things into our curriculum. How<br />

do instrumental directors incorporate singing? How<br />

do choral directors incorporate playing of<br />

instruments? What about that improvisation section,<br />

and are we all doing composing and arranging? These<br />

have been the subject of discussion for several years<br />

prior to tying the standards to our classroom teacher<br />

evaluations. <strong>No</strong>w that we have them posted in our<br />

classrooms and are expected to reference these when<br />

we teach, here “they” go and start changing them!<br />

This is where the “new” standards come in. Partly as<br />

an answer to these frustrations we’ve experienced and<br />

as a means to tie what we do in music education to<br />

21 st century skills and college readiness, other teachers<br />

have developed these revisions. This has been a long<br />

process and the “rollout” of the new standards began<br />

last year with opportunities for review from music<br />

teachers at all levels all across the country.<br />

What you’ll find are fewer small standards<br />

and some purposefully broad areas that allow YOU<br />

as a teacher to fit your style of teaching to incorporate<br />

these areas into your lessons and rehearsals. As<br />

we begin to look at these, think of how what you’re<br />

already doing (or have done for years) is already in<br />

line with these areas! Then, how can you utilize these<br />

to better teach your students and assess their performance?<br />

I think you may be pleasantly surprised at<br />

how the areas of “perform, create, and respond” translate<br />

into everyday music education! This is the stuff<br />

WE have been doing all along and now our colleagues<br />

in the school are going to be expected to fit their subjects<br />

into this model. WE have an opportunity to help<br />

them and incorporate MUSIC into all of our subjects<br />

IF we take this challenge and use it to our advantage;<br />

we have a built in advocacy moment just waiting for<br />

us!<br />

Take advantage of the articles and columns in<br />

this issue to spark creativity (or argument!) and let’s<br />

use this as an opportunity to make us better teachers<br />

and our students better musicians. The endless paperwork<br />

and forms, the classroom observations, new<br />

requirements, and everything else we have thrown on<br />

us each year: through all of it, let’s not forget the real<br />

reason that we started doing this “music” stuff in the<br />

first place! In all of those mounds of clerical “stuff”<br />

we teach an incredible art form to our students! YOU<br />

are the most important part of the day for so many<br />

children and YOU are TMEA! - Jeff Phillips<br />

12 www.tnmea.org<br />

TM | <strong>Vol</strong>ume <strong>67</strong> number 1

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!