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TIL_22 Septimber 2017

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18<br />

Charlie Stemp.<br />

QDOS <strong>2017</strong> PALLADIUM<br />

PANTOMIME DICK WHITTINGTON<br />

Emma Williams and Lukus Alexander<br />

complete the principle casting for the<br />

London Palladium Pantomime this<br />

Christmas playing the role of Alice<br />

Fitzwarren and Eileen the Cat<br />

respectively. They will join Julian Clary,<br />

Elaine Paige, Ashley Banjo and Diversity,<br />

Paul Zerdin, Nigel Havers, Gary Wilmot<br />

and Charlie Stemp as Dick Whittington.<br />

Dick Whittington will run at the<br />

London Palladium for five weeks only<br />

over the festive season from Saturday<br />

9 December to Sunday 14 January.<br />

The show is produced by Nick<br />

Thomas and Michael Harrison for Qdos<br />

Entertainment, the team behind last<br />

year’s twice Olivier-nominated London<br />

Palladium production of Cinderella,<br />

which broke box office records for the<br />

highest grossing week in West End<br />

theatre history.<br />

Elaine Paige<br />

Dick Whittington is written by Alan<br />

McHugh, directed by Michael Harrison,<br />

choreographed by Karen Bruce with<br />

musical supervision and orchestrations<br />

by Gary Hind.<br />

Emma Williams recently completed<br />

an award-winning run as Helen<br />

Walsingham in Half A Sixpence at the<br />

Noël Coward Theatre having also played<br />

the role at Chichester Festival Theatre<br />

alongside Charlie Stemp. She returns to<br />

the Palladium where she made her West<br />

End debut as Truly Scrumptious in the<br />

original cast of Chitty Chitty Bang Bang.<br />

Her other theatre credits include Mrs<br />

Henderson Presents at the Noël Coward<br />

Theatre, Zorro at Garrick Theatre and<br />

Love Story for Chichester Festival<br />

Theatre as well as in the West End.<br />

Emma Williams.<br />

Lukus Alexander’s recent theatre<br />

credits include the UK Tour of The Who’s<br />

Tommy, Dick McWhittington at the<br />

SECC, Glasgow, Dick Whittington at the<br />

Theatre Royal, Plymouth, Guys and<br />

Dolls at Cambridge Arts Theatre and<br />

Doctor Atomic at the London Coliseum.<br />

As the world’s biggest pantomime<br />

producer, over the past 35 years Qdos<br />

Entertainment has established itself as<br />

one of the largest entertainment<br />

companies in Europe. Over the past<br />

three decades the pantomime giant has<br />

staged 684 pantomimes and this season<br />

expects over two million people will see<br />

one of its shows this season.<br />

Box Office telephone 0844 874 0667.<br />

www.DickWhittingtonPalladium.com<br />

KNIVES IN HENS<br />

Donmar Theatre<br />

Award winning South African director<br />

Yaël Farbersteeps David Harrower’s 1995<br />

play (his first) in a potently visceral<br />

atmosphere which often makes for<br />

uncomfortable viewing and begins with<br />

the unnamed Young Woman brutally<br />

plucking the feathers from a slaughtered<br />

hen.<br />

Set in a pre-industrial village, this<br />

atmospheric three-hander reveals her<br />

quest for knowledge and her increasing<br />

alienation from the restrictions of the<br />

rough physical pleasures she shares<br />

with her ploughman husband, Pony<br />

Williams, a man more solicitous of his<br />

mare than the wife whom he treats as<br />

little more than a sexually compliant<br />

workhorse.<br />

Though regarded by some as a modern<br />

classic (and here strikingly designed and<br />

lit by Soutra Gilmour and Tim Lutkin<br />

respectively) the production, with its pared<br />

down, intense language, is certainly not<br />

an easy watch. It’s earthy, sweaty, primal,<br />

with an ominous soundscape and<br />

performances – from Christian Cooke as<br />

the virile, dominating Pony and Judith<br />

Roddy as his intellectually restless<br />

spouse – to match. Matt Ryan is a quieter,<br />

sadder presence as the widowed miller<br />

Gilbert Horn, feared by the villagers for<br />

his supposed powers, but whose learning<br />

and education prove irresistibly seductive<br />

to the Young Woman when she arrives<br />

with sacks of grain for milling and,<br />

through him, discovers the liberating<br />

potency of words.<br />

Louise Kingsley<br />

Judith Roddy<br />

Photo: Marc Brenner<br />

t h i s i s l o n d o n m a g a z i n e • t h i s i s l o n d o n o n l i n e

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