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18<br />
Charlie Stemp.<br />
QDOS <strong>2017</strong> PALLADIUM<br />
PANTOMIME DICK WHITTINGTON<br />
Emma Williams and Lukus Alexander<br />
complete the principle casting for the<br />
London Palladium Pantomime this<br />
Christmas playing the role of Alice<br />
Fitzwarren and Eileen the Cat<br />
respectively. They will join Julian Clary,<br />
Elaine Paige, Ashley Banjo and Diversity,<br />
Paul Zerdin, Nigel Havers, Gary Wilmot<br />
and Charlie Stemp as Dick Whittington.<br />
Dick Whittington will run at the<br />
London Palladium for five weeks only<br />
over the festive season from Saturday<br />
9 December to Sunday 14 January.<br />
The show is produced by Nick<br />
Thomas and Michael Harrison for Qdos<br />
Entertainment, the team behind last<br />
year’s twice Olivier-nominated London<br />
Palladium production of Cinderella,<br />
which broke box office records for the<br />
highest grossing week in West End<br />
theatre history.<br />
Elaine Paige<br />
Dick Whittington is written by Alan<br />
McHugh, directed by Michael Harrison,<br />
choreographed by Karen Bruce with<br />
musical supervision and orchestrations<br />
by Gary Hind.<br />
Emma Williams recently completed<br />
an award-winning run as Helen<br />
Walsingham in Half A Sixpence at the<br />
Noël Coward Theatre having also played<br />
the role at Chichester Festival Theatre<br />
alongside Charlie Stemp. She returns to<br />
the Palladium where she made her West<br />
End debut as Truly Scrumptious in the<br />
original cast of Chitty Chitty Bang Bang.<br />
Her other theatre credits include Mrs<br />
Henderson Presents at the Noël Coward<br />
Theatre, Zorro at Garrick Theatre and<br />
Love Story for Chichester Festival<br />
Theatre as well as in the West End.<br />
Emma Williams.<br />
Lukus Alexander’s recent theatre<br />
credits include the UK Tour of The Who’s<br />
Tommy, Dick McWhittington at the<br />
SECC, Glasgow, Dick Whittington at the<br />
Theatre Royal, Plymouth, Guys and<br />
Dolls at Cambridge Arts Theatre and<br />
Doctor Atomic at the London Coliseum.<br />
As the world’s biggest pantomime<br />
producer, over the past 35 years Qdos<br />
Entertainment has established itself as<br />
one of the largest entertainment<br />
companies in Europe. Over the past<br />
three decades the pantomime giant has<br />
staged 684 pantomimes and this season<br />
expects over two million people will see<br />
one of its shows this season.<br />
Box Office telephone 0844 874 0667.<br />
www.DickWhittingtonPalladium.com<br />
KNIVES IN HENS<br />
Donmar Theatre<br />
Award winning South African director<br />
Yaël Farbersteeps David Harrower’s 1995<br />
play (his first) in a potently visceral<br />
atmosphere which often makes for<br />
uncomfortable viewing and begins with<br />
the unnamed Young Woman brutally<br />
plucking the feathers from a slaughtered<br />
hen.<br />
Set in a pre-industrial village, this<br />
atmospheric three-hander reveals her<br />
quest for knowledge and her increasing<br />
alienation from the restrictions of the<br />
rough physical pleasures she shares<br />
with her ploughman husband, Pony<br />
Williams, a man more solicitous of his<br />
mare than the wife whom he treats as<br />
little more than a sexually compliant<br />
workhorse.<br />
Though regarded by some as a modern<br />
classic (and here strikingly designed and<br />
lit by Soutra Gilmour and Tim Lutkin<br />
respectively) the production, with its pared<br />
down, intense language, is certainly not<br />
an easy watch. It’s earthy, sweaty, primal,<br />
with an ominous soundscape and<br />
performances – from Christian Cooke as<br />
the virile, dominating Pony and Judith<br />
Roddy as his intellectually restless<br />
spouse – to match. Matt Ryan is a quieter,<br />
sadder presence as the widowed miller<br />
Gilbert Horn, feared by the villagers for<br />
his supposed powers, but whose learning<br />
and education prove irresistibly seductive<br />
to the Young Woman when she arrives<br />
with sacks of grain for milling and,<br />
through him, discovers the liberating<br />
potency of words.<br />
Louise Kingsley<br />
Judith Roddy<br />
Photo: Marc Brenner<br />
t h i s i s l o n d o n m a g a z i n e • t h i s i s l o n d o n o n l i n e