BE2017en
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
MOTIVATION<br />
‘The times change, and we change with<br />
them.’ When and why does a manufacturer<br />
take the step of approaching an external<br />
designer? Some do so right from the outset,<br />
whilst others only take the plunge at a particular<br />
point in their existence.<br />
Let us start with the latter scenario. This is<br />
prompted by a company wishing or needing<br />
to broaden its horizons. When it began working<br />
with freelance designers ten years ago, this<br />
was what motivated Joli. “You run the company<br />
in accordance with a certain pattern of thinking.<br />
You keep going down the same old road. As an<br />
insider, there’s always a danger of tunnel vision.<br />
An outsider can look at things unimpeded, from<br />
different angles. A good example is the way in<br />
which Tom de Vrieze made us aware of the ellipse<br />
shape. We were accustomed to thinking<br />
only in terms of rectangular tables. But now the<br />
Elyps is our most popular model.”<br />
At large family concerns such as Mecam,<br />
Mintjens and Recor Group, the situation is a little<br />
different. Their aim is to broaden their customer<br />
base, in addition to their core business.<br />
To strengthen their businesses’ position in the<br />
market by reaching out to new target groups for<br />
the future. This future is a design brand, which<br />
functions as an autonomous entity within the<br />
group.<br />
For Moome and Indera (Mecam), MMood (Mintjens)<br />
and Recor Home (Recor) alike, there was<br />
not a shred of doubt. “A new design vision requires<br />
external designers, as this is an entirely<br />
different ballgame for the company and its designers.”<br />
JOLI – LAYERS<br />
DESIGN: SYLVAIN WILLENZ<br />
‘Layers’ owes its name to its successful concept:<br />
lighting, tables, chairs and cupboards<br />
that can be customised ‘layer upon layer’.<br />
Each layer reveals how refined and ingenious<br />
the design is. A symbiosis of high-tech shapes<br />
and materials. Vertical volumes (legs, backrest)<br />
are reminiscent of a leaf on a tree, with a<br />
subtle fold line culminating in a rounded top.<br />
The layered structure has even been extended<br />
into an innovative sheet material. ‘Wood<br />
on Glass’ consists of a layer of oak veneer<br />
above a layer of tempered glass. This creates<br />
a wafer-thin, lightweight and extremely stable<br />
tabletop – with a phenomenal span and<br />
unlimited shaping options. Layers is thereby<br />
elevated to the very highest level.<br />
4