The Journal of Australian Ceramics Vol 48 No 3 November 2009

Australian Ceramics Directory
8 1 ~ 1 ~ I Q I £ I E I ~ l tl I 1 1 1 I K l k I M I N I Q l f I Q I R I ~ I I I ~ I Y I W I X I Y I I I 0 - 9
Australian Ceramics Directory
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Greg Cregan
Turramurra NSW 2074
l 02 9449 1207
E. wwalker2@blgpond com
WWIN artandarhfact.com.au
I've been making piVsaggar-fired pots for over 25 years. Whilst enrolled in an Art Certificate course (Colour
and Design Major), in my third year I was offered ceramics as applied design. I was hooked. I spent another
three years in Ceramics (Cert 1). Moving to the South Coast, I started a workshop. Over the next five years
I supplied gallenes from Sydney to Melbourne. I moved back to Sydney 15 years ago, enrolled at Hornsby
TAFE, finished my certificate and took subsequent studies. I now live in Turramurra and operate a studio!
gallery.
Lene Kuhl Jakobsen
Heidelberg VIC 3084
T: 03 9457 5770
E: studio@lenekj.com
www.lenekj.com
Studio open by apPOintment
This large platter is from my exhibition Edaphic North at the Pan Gallery in Melbourne in 2009. The
exhibition followed on from a residency at the Erik Nyholm Ceramic Studio in Denmark. This studio is
situated in the forests and lakes district and the natural environment was a source of jn~p i ratjon , as was the
influence of Erik Nyholm's interesting ceramic works. In the exhibition I showed pieces which related to the
four seasons, which are quite distinct in Denmark. I explored a variety of clays, glazes and other materials to
express this in my work.
Sophie M ilne
Northcote VIC 3070
T: 041 7 301 390
E: sophiemilne@aapt.net.au
Blog: httpJ/Slxhundreddegrees.blogspot com
A vessel can be a potent, multi-faceted symbol or a simple receptacle. The porcelain
vessels I create become the language in which I explore ideas. The decision as to
whether they are functional, sculptural, conceptual or purely ornamental is left to the
user or observer and treading the fine line between these perceived fields is a challenge
that fascinates me. Draw ing inspiration from both rural and urban landscapes, my ideas develop through
observations, drawings, photos and repetition of the thrown form. Rejecting the superfluous to explore a
harmonious link between design, beauty and timelessness is a constant in my work, as is the desire to create
handmade objects with value beyond fashion and consumerism.
John UI lin9~
Mile End SA 503 1
T: 088354 2361
E: ullinger@lpnmus.comau
These pots are about dynamism. I do this by showing or expressing the movement inherent in their making
on the potters wheel. I want them to be sensual and alive. whiCh, when things are going well, is how the
potting process makes me feel. They are abstract expression s.
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