The Journal of Australian Ceramics Vol 48 No 3 November 2009
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<strong>Australian</strong> <strong>Ceramics</strong> Directory<br />
8 1 ~ 1 ~ I Q I £ I E I ~ l tl I 1 1 1 I K l k I M I N I Q l f I Q I R I ~ I I I ~ I Y I W I X I Y I I I 0 - 9<br />
<strong>Australian</strong> <strong>Ceramics</strong> Directory<br />
Add Entry<br />
Greg Cregan<br />
Turramurra NSW 2074<br />
l 02 9449 1207<br />
E. wwalker2@blgpond com<br />
WWIN artandarhfact.com.au<br />
I've been making piVsaggar-fired pots for over 25 years. Whilst enrolled in an Art Certificate course (Colour<br />
and Design Major), in my third year I was <strong>of</strong>fered ceramics as applied design. I was hooked. I spent another<br />
three years in <strong>Ceramics</strong> (Cert 1). Moving to the South Coast, I started a workshop. Over the next five years<br />
I supplied gallenes from Sydney to Melbourne. I moved back to Sydney 15 years ago, enrolled at Hornsby<br />
TAFE, finished my certificate and took subsequent studies. I now live in Turramurra and operate a studio!<br />
gallery.<br />
Lene Kuhl Jakobsen<br />
Heidelberg VIC 3084<br />
T: 03 9457 5770<br />
E: studio@lenekj.com<br />
www.lenekj.com<br />
Studio open by apPOintment<br />
This large platter is from my exhibition Edaphic <strong>No</strong>rth at the Pan Gallery in Melbourne in <strong>2009</strong>. <strong>The</strong><br />
exhibition followed on from a residency at the Erik Nyholm Ceramic Studio in Denmark. This studio is<br />
situated in the forests and lakes district and the natural environment was a source <strong>of</strong> jn~p i ratjon , as was the<br />
influence <strong>of</strong> Erik Nyholm's interesting ceramic works. In the exhibition I showed pieces which related to the<br />
four seasons, which are quite distinct in Denmark. I explored a variety <strong>of</strong> clays, glazes and other materials to<br />
express this in my work.<br />
Sophie M ilne<br />
<strong>No</strong>rthcote VIC 3070<br />
T: 041 7 301 390<br />
E: sophiemilne@aapt.net.au<br />
Blog: httpJ/Slxhundreddegrees.blogspot com<br />
A vessel can be a potent, multi-faceted symbol or a simple receptacle. <strong>The</strong> porcelain<br />
vessels I create become the language in which I explore ideas. <strong>The</strong> decision as to<br />
whether they are functional, sculptural, conceptual or purely ornamental is left to the<br />
user or observer and treading the fine line between these perceived fields is a challenge<br />
that fascinates me. Draw ing inspiration from both rural and urban landscapes, my ideas develop through<br />
observations, drawings, photos and repetition <strong>of</strong> the thrown form. Rejecting the superfluous to explore a<br />
harmonious link between design, beauty and timelessness is a constant in my work, as is the desire to create<br />
handmade objects with value beyond fashion and consumerism.<br />
John UI lin9~<br />
Mile End SA 503 1<br />
T: 088354 2361<br />
E: ullinger@lpnmus.comau<br />
<strong>The</strong>se pots are about dynamism. I do this by showing or expressing the movement inherent in their making<br />
on the potters wheel. I want them to be sensual and alive. whiCh, when things are going well, is how the<br />
potting process makes me feel. <strong>The</strong>y are abstract expression s.<br />
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