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Volume 23 Issue 3 - November 2017

In this issue: conversations (of one kind or another) galore! Daniela Nardi on taking the reins at "best-kept secret" venue, 918 Bathurst; composer Jeff Ryan on his "Afghanistan" Requiem for a Generation" partnership with war poet, Susan Steele; lutenist Ben Stein on seventeenth century jazz; collaborative pianist Philip Chiu on going solo; Barbara Hannigan on her upcoming Viennese "Second School" recital at Koerner; Tina Pearson on Pauline Oliveros; and as always a whole lot more!

In this issue: conversations (of one kind or another) galore! Daniela Nardi on taking the reins at "best-kept secret" venue, 918 Bathurst; composer Jeff Ryan on his "Afghanistan" Requiem for a Generation" partnership with war poet, Susan Steele; lutenist Ben Stein on seventeenth century jazz; collaborative pianist Philip Chiu on going solo; Barbara Hannigan on her upcoming Viennese "Second School" recital at Koerner; Tina Pearson on Pauline Oliveros; and as always a whole lot more!

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WE ARE ALL MUSIC’S CHILDREN<br />

<strong>November</strong>'s Child<br />

Peter Mahon<br />

MJ BUELL<br />

NEW CONTEST<br />

Who is<br />

December’s<br />

Child?<br />

Toronto-born countertenor Peter Mahon is<br />

both a singer and a conductor. Still a member<br />

of the Tafelmusik Chamber Choir after 36<br />

years, he became the artistic director of the<br />

Tallis Choir of Toronto in 2003 after singing<br />

with them for many years. Mahon conducts<br />

the Vespers Choir at St Michael’s Cathedral,<br />

and for the past 11 years has worked at<br />

St. Michael’s Choir School as a rehearsal<br />

conductor and voice coach. H is currently as<br />

the interim Senior Choir director.<br />

As a singer Mahon has also performed<br />

with La Chapelle de Québec and the Theatre<br />

of Early Music, as a soloist in concerts and<br />

on recordings with Toronto Consort, Studio<br />

de musique ancienne de Montréal, Aradia<br />

Ensemble, Montreal Early Music Festival,<br />

Montreal Chamber Music Festival, Toronto<br />

Chamber Choir and the Grand River Chorus.<br />

Mahon and his wife, soprano Katharine<br />

Pimenoff, have six children: four sopranos,<br />

one tenor and one bass. Four are professional<br />

singers and one is an organist.<br />

Do you remember that childhood photo<br />

being taken? It was probably just before the<br />

high mass at St. Mary Magdalene’s Church.<br />

My parents joined the parish and the choirs<br />

very shortly after coming to Canada in 1948.<br />

My mother was a soprano in the Gallery Choir<br />

and my father was the cantor in the Ritual<br />

Choir. Most Sundays we would find ourselves<br />

following Dr. David Ouchterlony’s beautiful<br />

Bentley as he chauffeured Dr. Willan to SMM.<br />

On one of those Sundays when we arrived at<br />

the same time, someone with a camera asked<br />

us to pose with Dr. Willan.<br />

Your earliest memory of hearing music?<br />

There was never a time when I did not hear<br />

music. Hearing my parents sing every week<br />

in church, it was just a part of our life.<br />

Peter Mahon on tour with<br />

St Michael’ Choir School in Germany.<br />

Peter Mahon lives in Toronto with his<br />

wife, Katharine and toy poodle, Molly.<br />

Away from music he enjoys sports,<br />

both watching (football, hockey and<br />

soccer), and as a participant (cycling,<br />

tennis and golf). He also enjoys<br />

undertaking home renovation projects.<br />

This summer, with major help from<br />

his son Andrew, he replaced all the<br />

hardwood floors in their house.<br />

Your first memory of making music?<br />

Singing in school when the itinerant music<br />

teacher would visit the class once a week for<br />

30 minutes: it was always something that the<br />

whole class enjoyed.<br />

Where did you grow up, and go to school?<br />

I was born in Toronto and grew up with my<br />

four sisters in a small house in Willowdale.<br />

My dad (Albert) was a life insurance salesman<br />

and my mother (Anne) was a full-time homemaker<br />

when we were younger and then a<br />

legal secretary when were old enough to<br />

take care of ourselves. My sisters all took<br />

up instruments in the school orchestra – I<br />

was the only one who sang on a regular<br />

basis and only because Walter MacNutt, the<br />

director of music at St. Thomas’s Church on<br />

Huron St. made a special trip over to St. Mary<br />

Magdalene one Sunday after mass to recruit<br />

me. I was not very interested until he said all<br />

the choristers got paid. Of course my next<br />

question was, “How much?”<br />

Autumn 1979,<br />

Truro, Nova Scotia<br />

Equally comfortable in pants or an elegant gown,<br />

and with a nimble penchant for risky high places,<br />

she’s still sweeter than a nightingale, fun like a<br />

case of (Johann) Strauss champagne, and has<br />

the grit to simultaneously combine a busy<br />

international career with family life. She’s<br />

singing three roles, including two debuts, in the<br />

<strong>2017</strong>/18 Canadian Opera Company season.<br />

Know our Mystery Child’s name? WIN PRIZES!<br />

Send your best guess by <strong>November</strong> 24 to<br />

musicschildren@thewholenote.com<br />

Previous artist profiles and interviews can be<br />

read at thewholenote.com/musicschildren<br />

What would you say to parents hoping<br />

their young children will grow up to love and<br />

make music? Put them into a choir. Private<br />

lessons are great but practising tends to be a<br />

solitary activity. Singing in a choir is a social<br />

activity that can be shared with friends and<br />

this will often make taking private lessons –<br />

and all the practising that goes with it – easier<br />

to take. We never pushed our children into<br />

music but we did insist that they all join the<br />

church choir when they turned six as part of<br />

their education. They were not enthusiastic<br />

but neither was I. Once they started, they<br />

really enjoyed it.<br />

Please read Peter Mahon’s full-length<br />

interview at thewholenote.com<br />

CONGRATULATIONS TO OUR WINNERS!<br />

The Tallis Choir of Toronto celebrates<br />

their 40th anniversary this<br />

season! Lucky MARUTA FREIMUTS<br />

wins a grand three-concert prize<br />

pack: a pair of tickets for “Forty!<br />

Forty! Forty!” (Nov 25); “Lenten<br />

Treasures” (Mar 3); “Milestones”<br />

(May 12); also a copy of the Tallis<br />

Choir’s’ CD<br />

Splendours<br />

of the High<br />

Renaissance<br />

& A Tudor<br />

Pageant.<br />

LISE FERGUSON and GREER ROBERTS<br />

each win a pair of tickets to “Forty!<br />

Forty! Forty!” The choir will be joined<br />

by alumni and friends for music of<br />

Thomas Tallis including the remarkable<br />

40-part Spem in Alium and the work<br />

believed to<br />

have inspired<br />

it, Striggio’s<br />

40-part Ecce<br />

Beatam Lucem.<br />

GAIL MARRIOTT and CLAIRE LERICHE<br />

each win a pair of tickets for Messiah<br />

(Dec 13) with Tafelmusik Baroque Orchestra<br />

and Chamber Choir, and guest<br />

soloists, conducted by Ivars Taurins.<br />

Peter Mahon will be in his usual alto section<br />

spot.<br />

NANCY MARTIN and MARY LOUIS each<br />

win Tafelmusik’s “Sing-Along Messiah”<br />

DVD. Peter Mahon has made numerous<br />

recordings with Tafelmusik, including<br />

this one. Try it at<br />

home with all your<br />

singing friends –<br />

while savouring the<br />

magnificent soloists.<br />

SUZANNE DE GRANDPRE wins a<br />

pair of tickets to “Christmas at<br />

Massey Hall” (Dec 2) presented by<br />

St. Michael’s Choir School, joined<br />

by the Schola Cantorum Orchestra,<br />

members of True North Brass and<br />

a stellar list of special guests. Peter<br />

Mahon conducts the Senior Choir.<br />

thewholenote.com <strong>November</strong> <strong>2017</strong> | 63

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