Volume 23 Issue 3 - November 2017
In this issue: conversations (of one kind or another) galore! Daniela Nardi on taking the reins at "best-kept secret" venue, 918 Bathurst; composer Jeff Ryan on his "Afghanistan" Requiem for a Generation" partnership with war poet, Susan Steele; lutenist Ben Stein on seventeenth century jazz; collaborative pianist Philip Chiu on going solo; Barbara Hannigan on her upcoming Viennese "Second School" recital at Koerner; Tina Pearson on Pauline Oliveros; and as always a whole lot more!
In this issue: conversations (of one kind or another) galore! Daniela Nardi on taking the reins at "best-kept secret" venue, 918 Bathurst; composer Jeff Ryan on his "Afghanistan" Requiem for a Generation" partnership with war poet, Susan Steele; lutenist Ben Stein on seventeenth century jazz; collaborative pianist Philip Chiu on going solo; Barbara Hannigan on her upcoming Viennese "Second School" recital at Koerner; Tina Pearson on Pauline Oliveros; and as always a whole lot more!
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WE ARE ALL MUSIC’S CHILDREN<br />
<strong>November</strong>'s Child<br />
Peter Mahon<br />
MJ BUELL<br />
NEW CONTEST<br />
Who is<br />
December’s<br />
Child?<br />
Toronto-born countertenor Peter Mahon is<br />
both a singer and a conductor. Still a member<br />
of the Tafelmusik Chamber Choir after 36<br />
years, he became the artistic director of the<br />
Tallis Choir of Toronto in 2003 after singing<br />
with them for many years. Mahon conducts<br />
the Vespers Choir at St Michael’s Cathedral,<br />
and for the past 11 years has worked at<br />
St. Michael’s Choir School as a rehearsal<br />
conductor and voice coach. H is currently as<br />
the interim Senior Choir director.<br />
As a singer Mahon has also performed<br />
with La Chapelle de Québec and the Theatre<br />
of Early Music, as a soloist in concerts and<br />
on recordings with Toronto Consort, Studio<br />
de musique ancienne de Montréal, Aradia<br />
Ensemble, Montreal Early Music Festival,<br />
Montreal Chamber Music Festival, Toronto<br />
Chamber Choir and the Grand River Chorus.<br />
Mahon and his wife, soprano Katharine<br />
Pimenoff, have six children: four sopranos,<br />
one tenor and one bass. Four are professional<br />
singers and one is an organist.<br />
Do you remember that childhood photo<br />
being taken? It was probably just before the<br />
high mass at St. Mary Magdalene’s Church.<br />
My parents joined the parish and the choirs<br />
very shortly after coming to Canada in 1948.<br />
My mother was a soprano in the Gallery Choir<br />
and my father was the cantor in the Ritual<br />
Choir. Most Sundays we would find ourselves<br />
following Dr. David Ouchterlony’s beautiful<br />
Bentley as he chauffeured Dr. Willan to SMM.<br />
On one of those Sundays when we arrived at<br />
the same time, someone with a camera asked<br />
us to pose with Dr. Willan.<br />
Your earliest memory of hearing music?<br />
There was never a time when I did not hear<br />
music. Hearing my parents sing every week<br />
in church, it was just a part of our life.<br />
Peter Mahon on tour with<br />
St Michael’ Choir School in Germany.<br />
Peter Mahon lives in Toronto with his<br />
wife, Katharine and toy poodle, Molly.<br />
Away from music he enjoys sports,<br />
both watching (football, hockey and<br />
soccer), and as a participant (cycling,<br />
tennis and golf). He also enjoys<br />
undertaking home renovation projects.<br />
This summer, with major help from<br />
his son Andrew, he replaced all the<br />
hardwood floors in their house.<br />
Your first memory of making music?<br />
Singing in school when the itinerant music<br />
teacher would visit the class once a week for<br />
30 minutes: it was always something that the<br />
whole class enjoyed.<br />
Where did you grow up, and go to school?<br />
I was born in Toronto and grew up with my<br />
four sisters in a small house in Willowdale.<br />
My dad (Albert) was a life insurance salesman<br />
and my mother (Anne) was a full-time homemaker<br />
when we were younger and then a<br />
legal secretary when were old enough to<br />
take care of ourselves. My sisters all took<br />
up instruments in the school orchestra – I<br />
was the only one who sang on a regular<br />
basis and only because Walter MacNutt, the<br />
director of music at St. Thomas’s Church on<br />
Huron St. made a special trip over to St. Mary<br />
Magdalene one Sunday after mass to recruit<br />
me. I was not very interested until he said all<br />
the choristers got paid. Of course my next<br />
question was, “How much?”<br />
Autumn 1979,<br />
Truro, Nova Scotia<br />
Equally comfortable in pants or an elegant gown,<br />
and with a nimble penchant for risky high places,<br />
she’s still sweeter than a nightingale, fun like a<br />
case of (Johann) Strauss champagne, and has<br />
the grit to simultaneously combine a busy<br />
international career with family life. She’s<br />
singing three roles, including two debuts, in the<br />
<strong>2017</strong>/18 Canadian Opera Company season.<br />
Know our Mystery Child’s name? WIN PRIZES!<br />
Send your best guess by <strong>November</strong> 24 to<br />
musicschildren@thewholenote.com<br />
Previous artist profiles and interviews can be<br />
read at thewholenote.com/musicschildren<br />
What would you say to parents hoping<br />
their young children will grow up to love and<br />
make music? Put them into a choir. Private<br />
lessons are great but practising tends to be a<br />
solitary activity. Singing in a choir is a social<br />
activity that can be shared with friends and<br />
this will often make taking private lessons –<br />
and all the practising that goes with it – easier<br />
to take. We never pushed our children into<br />
music but we did insist that they all join the<br />
church choir when they turned six as part of<br />
their education. They were not enthusiastic<br />
but neither was I. Once they started, they<br />
really enjoyed it.<br />
Please read Peter Mahon’s full-length<br />
interview at thewholenote.com<br />
CONGRATULATIONS TO OUR WINNERS!<br />
The Tallis Choir of Toronto celebrates<br />
their 40th anniversary this<br />
season! Lucky MARUTA FREIMUTS<br />
wins a grand three-concert prize<br />
pack: a pair of tickets for “Forty!<br />
Forty! Forty!” (Nov 25); “Lenten<br />
Treasures” (Mar 3); “Milestones”<br />
(May 12); also a copy of the Tallis<br />
Choir’s’ CD<br />
Splendours<br />
of the High<br />
Renaissance<br />
& A Tudor<br />
Pageant.<br />
LISE FERGUSON and GREER ROBERTS<br />
each win a pair of tickets to “Forty!<br />
Forty! Forty!” The choir will be joined<br />
by alumni and friends for music of<br />
Thomas Tallis including the remarkable<br />
40-part Spem in Alium and the work<br />
believed to<br />
have inspired<br />
it, Striggio’s<br />
40-part Ecce<br />
Beatam Lucem.<br />
GAIL MARRIOTT and CLAIRE LERICHE<br />
each win a pair of tickets for Messiah<br />
(Dec 13) with Tafelmusik Baroque Orchestra<br />
and Chamber Choir, and guest<br />
soloists, conducted by Ivars Taurins.<br />
Peter Mahon will be in his usual alto section<br />
spot.<br />
NANCY MARTIN and MARY LOUIS each<br />
win Tafelmusik’s “Sing-Along Messiah”<br />
DVD. Peter Mahon has made numerous<br />
recordings with Tafelmusik, including<br />
this one. Try it at<br />
home with all your<br />
singing friends –<br />
while savouring the<br />
magnificent soloists.<br />
SUZANNE DE GRANDPRE wins a<br />
pair of tickets to “Christmas at<br />
Massey Hall” (Dec 2) presented by<br />
St. Michael’s Choir School, joined<br />
by the Schola Cantorum Orchestra,<br />
members of True North Brass and<br />
a stellar list of special guests. Peter<br />
Mahon conducts the Senior Choir.<br />
thewholenote.com <strong>November</strong> <strong>2017</strong> | 63