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Volume 23 Issue 3 - November 2017

In this issue: conversations (of one kind or another) galore! Daniela Nardi on taking the reins at "best-kept secret" venue, 918 Bathurst; composer Jeff Ryan on his "Afghanistan" Requiem for a Generation" partnership with war poet, Susan Steele; lutenist Ben Stein on seventeenth century jazz; collaborative pianist Philip Chiu on going solo; Barbara Hannigan on her upcoming Viennese "Second School" recital at Koerner; Tina Pearson on Pauline Oliveros; and as always a whole lot more!

In this issue: conversations (of one kind or another) galore! Daniela Nardi on taking the reins at "best-kept secret" venue, 918 Bathurst; composer Jeff Ryan on his "Afghanistan" Requiem for a Generation" partnership with war poet, Susan Steele; lutenist Ben Stein on seventeenth century jazz; collaborative pianist Philip Chiu on going solo; Barbara Hannigan on her upcoming Viennese "Second School" recital at Koerner; Tina Pearson on Pauline Oliveros; and as always a whole lot more!

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FOR OPENERS | DAVID PERLMAN<br />

Rear<br />

View<br />

Mirror:<br />

NINE PRIME<br />

NOVEMBERS<br />

The theme of this month’s opener is, I confess, a bit of a happy accident;<br />

I recently noticed posters announcing the imminent arrival in town<br />

(courtesy Mirvish) of a musical based on a book I like enough that my<br />

curiosity at how the heck someone managed to make it into a stage play is locked<br />

in mortal combat with my fear of coming away feeling that they killed the book.<br />

The book is called The Curious Incident of the Dog in the Night-Time by<br />

Mark Haddon and in it (just one of many insights into the mind of the narrator)<br />

the chapters are numbered not in the usual fashion, but as prime numbers in<br />

sequence: 2, 3, 5, 7, 11, 13, 17,19, <strong>23</strong> and so on. As the book’s narrator explains,<br />

“Prime numbers are what is left when you have taken all the patterns away.<br />

I think prime numbers are like life. They are very logical but you could never<br />

work out the rules, even if you spent all your time thinking about them.”<br />

(One could suggest that music is endless logic sonically infused with emotion,<br />

but that would be the beginning of another essay.)<br />

In any case, this just happens to be the <strong>23</strong>rd <strong>November</strong> since we launched<br />

this publication in September 1995. So here for your amusement are the covers<br />

of our other eight “Prime <strong>November</strong>s.” You can dip into them at your leisure by<br />

going to our website, where under the “About Us” tab you will find complete<br />

flip-through editions of all 218 issues in our history to date.<br />

Depending on the personal memories and musical interests you bring to doing<br />

so, you will find the exercise an inexhaustibly patterned experience.<br />

Next “Prime <strong>November</strong>” won’t be till <strong>Volume</strong> 29 – our 20<strong>23</strong>/24 season – so our<br />

next “Rear View Mirror” will have to use a different excuse for dipping into the<br />

memory pool.<br />

publisher@thewholenote.com<br />

Vol 2: Doug Sanford and East York<br />

Symphony (now Orchestra Toronto);<br />

Vol 3: Joel Quarrington and<br />

Raymond Luedecke;<br />

Vol 5: Robert Aitken;<br />

Vol 7: Penderecki String Quartet;<br />

Vol 11: Jim Montgomery;<br />

Vol 13: Anton Kuerti;<br />

Vol 17: Richard Greenblatt<br />

and Ted Dykstra;<br />

Vol 19: Suzie LeBlanc<br />

Upcoming Dates & Deadlines<br />

Free Event Listings Deadline<br />

Midnight Wednesday <strong>November</strong> 8<br />

Display Ad Reservations Deadline<br />

6pm Wednesday <strong>November</strong> 15<br />

Advertising Materials Due<br />

6pm Friday <strong>November</strong> 17<br />

Classifieds Deadline<br />

10pm Friday <strong>November</strong> 24<br />

Publication Date<br />

Tuesday <strong>November</strong> 28 (online)<br />

Thursday <strong>November</strong> 30 (Print)<br />

<strong>Volume</strong> <strong>23</strong> No 4<br />

“DECEMBER & JANUARY” is a<br />

two month combined edition<br />

covering December 1, <strong>2017</strong> –<br />

January 30, 2018<br />

WholeNote Media Inc. accepts no<br />

responsibility or liability for claims<br />

made for any product or service<br />

reported on or advertised in this<br />

issue.<br />

Printed in Canada<br />

Couto Printing & Publishing<br />

Services<br />

Circulation Statement<br />

October <strong>2017</strong>: 30,000 printed &<br />

distributed<br />

Canadian Publication Product Sales<br />

Agreement 1263846<br />

ISSN 14888-8785 WHOLENOTE<br />

Publications Mail Agreement<br />

#40026682<br />

Return undeliverable Canadian<br />

addresses to:<br />

WholeNote Media Inc.<br />

Centre for Social Innovation<br />

503–720 Bathurst Street<br />

Toronto ON M5S 2R4<br />

COPYRIGHT © <strong>2017</strong> WHOLENOTE MEDIA INC<br />

thewholenote.com<br />

thewholenote.com <strong>November</strong> <strong>2017</strong> | 7

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