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Historie History<br />
The beginning of Studio 49 actually goes back much further than<br />
one might suspect from its founding year, 1949. In 1928 Carl Orff,<br />
who will always remain an inseparable part of the history of our<br />
company, received an African instrum<strong>en</strong>t from a fri<strong>en</strong>d from<br />
Kamerun, a “Kaffir-Piano”. This was built<br />
from a small rectangular box and had<br />
t<strong>en</strong> bars attached to the op<strong>en</strong> side,<br />
tied together with string. Orff had<br />
found a model for his own work. Before<br />
the Second World War, the first instrum<strong>en</strong>ts<br />
built with his fri<strong>en</strong>d and harpsichord<br />
maker Karl Ma<strong>en</strong>dler became<br />
indisp<strong>en</strong>sable for teaching at the<br />
Güntherschule in Munich and for the developm<strong>en</strong>t of Orff's<br />
Schulwerk.<br />
In 1948 the Bavarian Broadcasting Company had aired several<br />
Schulwerk programs and started a deluge of questions about<br />
where to get these “Orff instrum<strong>en</strong>ts”. This is exactly what was<br />
missing, especially since Karl Ma<strong>en</strong>dler had retired from building<br />
instrum<strong>en</strong>ts after the war. One of Orff’s stud<strong>en</strong>ts introduced<br />
Orff to Klaus Becker-Ehmck, a<br />
young stud<strong>en</strong>t, who founded<br />
STUDIO 49 a few months later.<br />
Klaus Becker-Ehmck th<strong>en</strong> built a<br />
lithophone <strong>en</strong>tirely from the<br />
ideas and wishes of Carl Orff, as<br />
well as a cradle-shaped xylophone<br />
for the premier of Carl<br />
Orff’s “Antigone”.<br />
Because of our experi<strong>en</strong>ce making<br />
xylophones and other barred instrum<strong>en</strong>ts,<br />
in 1961 it was possible to establish<br />
a manufacturing departm<strong>en</strong>t for<br />
professional orchestral instrum<strong>en</strong>ts<br />
such as vibraphones, marimbas, concert<br />
xylophones, and concert glock<strong>en</strong>spiels<br />
under the name ROYAL PERCUSSION.<br />
Continuing developm<strong>en</strong>t, skilled craftsmanship,<br />
high quality awar<strong>en</strong>ess, and the<br />
use of modern production technology have always be<strong>en</strong> the foundation<br />
in the production of your instrum<strong>en</strong>t. Many skilled craftsm<strong>en</strong><br />
have be<strong>en</strong> empoyed by our company for many years, and are<br />
dedicated to the quality of our products. It has always be<strong>en</strong> our<br />
aim to build musical instrum<strong>en</strong>ts of lifelong value, with timbre<br />
and workmanship to satisfy the highest musical standards.<br />
Since 1983 STUDIO 49, with markets around the world, has be<strong>en</strong><br />
led in the second g<strong>en</strong>eration by the founder’s son, Bernd Becker-<br />
Ehmck. Close contacts to Orff-Schulwerk associations all over the<br />
world are today – over 65 years after the foundation – an important<br />
compon<strong>en</strong>t for the perman<strong>en</strong>t developm<strong>en</strong>t of our instrum<strong>en</strong>ts.<br />
Founding company<br />
plaque from 1949<br />
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