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Tropicana Magazine Nov-Dec 2017 #115: Lessons in Resilience

Season's greetings to one and all, this issue brings the heart back home with the Classics. Doyenne of Insurance Winnie Tay shares her life lessons and try some gift wrapping tips in our Dark & Decadent section. Joyeux Noelle~!

Season's greetings to one and all, this issue brings the heart back home with the Classics. Doyenne of Insurance Winnie Tay shares her life lessons and try some gift wrapping tips in our Dark & Decadent section. Joyeux Noelle~!

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GAME CHANGER<br />

GODFATHER<br />

AL THE PACINOLOOKS<br />

BACK<br />

ON<br />

Celebrated Hollywood A-lister, Al Pac<strong>in</strong>o<br />

recalls the days that led to him play<strong>in</strong>g the<br />

iconic c<strong>in</strong>ematic role of Michael Corleone, a<br />

role that made him a credible actor - one to be<br />

reckoned with.<br />

FABIAN WANTAL / THE INTERVIEW PEOPLE<br />

Celebrat<strong>in</strong>g 45 years s<strong>in</strong>ce the release of the<br />

movie The Godfather, the first two movies<br />

were shown <strong>in</strong> a marathon of seven hours<br />

(thanks to the Tribeca film Festival and<br />

the Robert De Niro organisation). Al Pac<strong>in</strong>o sat down<br />

under the Marlon Brando portrait, at the Radio City<br />

Music Hall <strong>in</strong> New York, to rem<strong>in</strong>isce over the most<br />

memorable moments <strong>in</strong> a movie that changed his life<br />

and movie history, forever.<br />

COULD WE START FROM THE BEGINNING OF THE<br />

BEGINNING? DO YOU REMEMBER THE FIRST TIME<br />

YOU MET THE GODFATHER DIRECTOR FRANCIS<br />

FORD COPPOLA?<br />

That is such a long story, but it starts with Francis<br />

(Ford Coppola) and me <strong>in</strong> San Francisco gett<strong>in</strong>g to<br />

know each other because he wanted me to play another<br />

role. I was sitt<strong>in</strong>g around a pool table with Steven<br />

Spielberg and George Lucas; they were all kids. They<br />

had never done a movie. Anyway, Francis didn’t want<br />

me for the actual movie. He had written a beautiful<br />

movie. You know Francis wrote ‘Patton’. He’s a great<br />

director and a great writer and it was a great script. It<br />

was almost abstract, almost a surreal movie about a<br />

professor who falls <strong>in</strong> love with one of his students. It<br />

was beautifully written.<br />

WHAT HAPPENED WITH THAT MOVIE?<br />

They turned us down. They turned me down. Francis<br />

never did it. I went away and I said bye.<br />

109 NOVEMBER/DECEMBER <strong>2017</strong> | TM

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