MMoCA Newsletter, Winter 2018
Overview of current exhibitions (Jaume Plensa, BIG, Jose Carlos Teixeira, and Art/Word/Image), upcoming exhibitions (Irene Grau), and new acquisitions (Bruce Conner). Listing of events, donors, members, and educational programs.
Overview of current exhibitions (Jaume Plensa, BIG, Jose Carlos Teixeira, and Art/Word/Image), upcoming exhibitions (Irene Grau), and new acquisitions (Bruce Conner). Listing of events, donors, members, and educational programs.
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winter <strong>2018</strong>
EXHIBITIONS<br />
JAUME PLENSA: TALKING CONTINENTS<br />
State Street Gallery • Dec 2, 2017–Apr 15, <strong>2018</strong><br />
Internationally celebrated artist Jaume Plensa is known for<br />
his poetic approach to sculpture. He produces works of<br />
art that evoke silence and inward reflection, engaging in a<br />
creative practice informed by his deep interest in the physical<br />
manifestation of spiritual energy. On view in the museum’s<br />
State Street Gallery December 2, 2017–April 15, <strong>2018</strong>, Jaume<br />
Plensa: Talking Continents is an enveloping installation of<br />
suspended steel forms that transcend their own physical<br />
weight and volume, and instead convey lightness, translucence,<br />
and fluidity. In keeping with the artist’s concept of<br />
sculpture as the spiritualization of matter, this floating body<br />
of work transforms the gallery into a space for contemplation.<br />
Plensa uses the human figure as a universal symbol, as<br />
a way to break through cultural barriers that separate and<br />
divide. For instance, the two monolithic towers central to<br />
his famous public artwork Crown Fountain (2004), located<br />
in Chicago’s Millennium Park, function as video screens for<br />
moving-image portraits of 1,000 Chicago residents. Rotating<br />
every few minutes, the portraits illustrate the diversity of the<br />
city while also reflecting on our fundamental commonalities<br />
as expressed through the body.<br />
In addition to his interest in the human figure, Plensa<br />
finds inspiration in language, and often includes literary<br />
phrases, words, or simply letters in his works of art. Like generations<br />
of artists before him, Plensa’s use of text calls attention<br />
to language as a system of shapes that has the power<br />
to mediate—or confuse—our understanding of the world.<br />
The nineteen sculptural elements that comprise Talking<br />
Continents are made entirely from die-cut steel letters from<br />
eight different alphabets. Refusing to come together as words,<br />
the letters instead exist as abstract symbols which coalesce<br />
as a dreamy archipelago of cloud-like forms. As such, the<br />
installation suggests a breakdown in communication, or a<br />
dissolution of meaning, while at the same time embodying<br />
the very components needed to construct words and create<br />
meaning—the building blocks for cultural understanding.<br />
Talking Continents thus brings us into a space of potential.<br />
For Plensa, his multilingual sculptures represent islands<br />
or countries; their alphabetic diversity operating as a metaphor<br />
for our multicultural world. With human figures seated<br />
atop five of the largest orbs, Talking Continents offers a<br />
poetic vision of the most populated continents in conversation<br />
with each other. A firm believer that art has the capacity<br />
to transform our lives, Plensa asks us to consider the ways in<br />
which we are linked together as a collective humanity, and<br />
how global interconnectedness and communication can be<br />
a path to universal tolerance and acceptance.<br />
Jaume Plensa was born in Barcelona, Spain, where he<br />
currently lives and works. In addition to numerous international<br />
solo exhibitions, the artist has large-scale works<br />
installed in public spaces and sculpture gardens worldwide,<br />
from Chicago’s Millennium Park to Japan’s Ogijima Island.<br />
Plensa is represented by Galerie Lelong & Co., New York and<br />
Paris; and the Richard Gray Gallery, Chicago.<br />
Generous funding for Jaume Plensa: Talking Continents<br />
has been provided by the David and Paula Kraemer Fund;<br />
Ellen Rosner and Paul J. Reckwerdt; Mary Ellyn and Joe<br />
Sensenbrenner; Peggy and Tom Pyle; Gina and Michael<br />
Carter; National Guardian Life Insurance; Lynda and<br />
Charles Clark; Dynee and Barney Sheafor; Sara Guyer and<br />
Scott Straus; Karen and Craig Christianson; RSM; Wisconsin<br />
Public Radio; a grant from the Wisconsin Arts Board<br />
with funds from the State of Wisconsin and the National<br />
Endowment for the Arts; and <strong>MMoCA</strong> Volunteers.<br />
2
ART/WORD/IMAGE<br />
Henry Street Gallery • Dec 2, 2017–May 20, <strong>2018</strong><br />
In the Henry Street Gallery, images and words collide, intersect,<br />
and overlap in Art/Word/Image. Drawn from the permanent<br />
collection, this exhibition highlights the increased<br />
engagement with language in the visual arts of the twentieth<br />
century. When artists place words and images on the same<br />
pictorial surface it reinforces how these two systems of communication<br />
differ in their modes of signifying and the ways<br />
in which we comprehend a work of art.<br />
In 1912, when Pablo Picasso and Georges Braque introduced<br />
newspaper clippings into their already flattened and<br />
fragmented images, they further removed any allusion to<br />
three-dimensional space. This nontraditional technique liberated<br />
painting from its formal properties. Art was no longer<br />
required to closely resemble the physical world and instead<br />
could focus on the artist’s ideas, however abstract. What followed<br />
was a radical shift in the production of art where artists<br />
refused to be constrained by art historical precedents. The<br />
Dada and Surrealist avant-gardes used typographic elements<br />
and wordplay to reflect their own social and political ambitions,<br />
which included the campaign against artistic tradition.<br />
Words were no longer beholden to grammatical conventions<br />
or confined to the printed page. Artists revealed the<br />
dubious nature of words, as exemplified in René Magritte’s<br />
1929 painting The Treachery of Images where the phrase<br />
“Ceci n’est pas une pipe” (This is not a pipe) floats beneath<br />
an image of a tobacco pipe. The rendering of the linguistic<br />
and visual sign as arbitrary required the viewer to scrutinize<br />
what they observed and address their underlying assumptions<br />
regarding the authority of the written word.<br />
The inclusion of text in works of art was soon amplified<br />
by advancements in photography and film—and further complicated<br />
by social and political unrest after World War II. Art/<br />
Word/Image focuses on art made after 1960, as language<br />
was being harnessed by Conceptual artists in place of brush<br />
on canvas and Pop artists were reclaiming the false imagery<br />
found in advertising. In Bruce Nauman’s lithograph and<br />
screenprint Clear Vision (1973), he uses wordplay to provoke<br />
the viewer. The title of the work is printed backwards and the<br />
words are obscured by areas of heavy black ink making it difficult<br />
to read. Despite the obvious joke of making the words<br />
“clear vision” quite unclear, Nauman also seems to remark on<br />
the common phrase of “having a clear vision.” Just how can a<br />
vision be clear, and thus seemingly accurate, if one is looking<br />
into the unknown of the future?<br />
Many of the artists in Art/Word/Image, including<br />
Robert Cottingham, Jenny Holzer, Jim Nutt, Ed Ruscha,<br />
and Carolee Schneemann juxtapose the word with art in<br />
various formats: as narrative, found object, signifier, social<br />
and political commentary, and in jest. These works welcome<br />
interpretation and introspection as we reflect on the numerous<br />
messages and images we encounter in the context of our<br />
everyday lives.<br />
Exhibitions in the Henry Street Gallery are generously<br />
funded through an endowment established by the Pleasant<br />
T. Rowland Foundation.<br />
COVER AND OPPOSITE: Jaume Plensa, Talking Continents, 2013. Stainless steel, 19 components, dimensions variable. © Jaume Plensa. Courtesy<br />
Galerie Lelong & Co. ABOVE: Bruce Nauman, Clear Vision, 1973. Lithograph and screenprint on paper, 33 1/2 x 46 in. Collection of the Madison<br />
Museum of Contemporary Art. Purchase, through National Endowment for the Arts grant with matching funds from The Art League of the Madison<br />
Art Center. © 2017 Bruce Nauman / Artists Rights Society (ARS), New York.<br />
3
EXHIBITIONS<br />
JOSÉ CARLOS TEIXEIRA: ON EXILE<br />
Imprint Gallery • Jan 13–Mar 4 and Mar 9–May 20<br />
Currently based in Wisconsin, Portuguese multimedia artist<br />
José Carlos Teixeira is intimately familiar with the<br />
complexities of immigration—from confronting feelings of<br />
displacement to undertaking the challenges of learning a new<br />
culture. In his artwork, Teixeira creates video installations<br />
that investigate larger notions of belonging and exile. José<br />
Carlos Teixeira: ON EXILE is a two-part exhibition featuring<br />
video essays the artist produced between 2016 and 2017.<br />
As with his previous projects, Teixeira explores the concept<br />
of Otherness in the two films that comprise ON EXILE.<br />
Derived from psychoanalytical, anthropological, and postcolonial<br />
theories, Othering refers to a process whereby societies<br />
establish majority and minority identities, or social categories,<br />
as binary opposites. An individual or group is subsequently<br />
deemed “not one of us,” which in some cases results in the<br />
devaluation, dehumanization, or even persecution of people<br />
classified as Other. Teixeira, however, reverses the human<br />
tendency to demonize those who seem different or unfamiliar<br />
by giving voice to members of stigmatized communities: individuals<br />
with mental illness in his film ON EXILE: Fragments<br />
in search of meaning (2016, on view January 13–March 4),<br />
and Muslim refugees living the United States in ON EXILE:<br />
Elsewhere within here (2017, on view March 9–May 20).<br />
Teixeira’s work teeters between documentary cinema and<br />
video art. His approach to art relies on group participation,<br />
extensive interviews, and collaborative performance. The<br />
artist’s interview process operates as both an exchange of<br />
experiences and an art form. Focusing on the voices and firsthand<br />
stories of his subjects, Teixeira opens up a psychological<br />
space for intimate narratives to unfold, and a cinematic space<br />
for shared creation and authorship.<br />
<strong>MMoCA</strong> OPENING<br />
FRIDAY, MAR 9 • 6–9 PM<br />
4<br />
BIG<br />
Main Galleries • Nov 4, 2017–May 6, <strong>2018</strong><br />
BIG presents over thirty large-scale artworks from <strong>MMoCA</strong>’s permanent<br />
collection, including works by Sam Gilliam, Ellsworth<br />
Kelly, Robert Rauschenberg, and Jennifer Steinkamp. More than other<br />
formal elements in the visual arts, scale demonstrates the capacity<br />
of the artwork to respond to a specific location and call into play the<br />
role of the viewer. Above all, the works of art in this exhibition have<br />
the ability to astonish.<br />
Generous funding for BIG has been provided by Nancy Mohs;<br />
JoAnne Robbins and David Falk; the Theda and Tamblin Clark Smith<br />
Family Foundation; Cathie and Jim Burgess; Hooper Corporation and<br />
General Heating & Air Conditioning; J.H. Findorff & Son Inc.; Nancy Doll and Michael Bernhard; Dane Arts; Bell Laboratories;<br />
Karen and Craig Christianson; a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National<br />
Endowment for the Arts; and <strong>MMoCA</strong> Volunteers.
EXHIBITIONS & NEWS<br />
IRENE GRAU<br />
State Street Gallery • May 5–Aug 5<br />
Irene Grau is a Spanish conceptual artist who challenges<br />
the boundaries of painting, the perception of color, and the<br />
limits of space. Taking the act of painting beyond the studio<br />
and off the canvas, she enters into the landscape to discover<br />
moments when the power of pure color alters our awareness<br />
of the world around us. In a solo exhibition on view in<br />
<strong>MMoCA</strong>’s State Street Gallery from May 5 through August 5,<br />
<strong>2018</strong>, Grau will present a new body of work she began last<br />
summer during her five-week artist residency in Madison.<br />
Grau’s work is grounded in the history of plein air painting,<br />
an in-situ practice of landscape painting based on direct<br />
observation that was initiated by artists such as Claude<br />
Monet, Pierre-Auguste Renoir, and Camille Pissarro in the<br />
latter half of the nineteenth century. These Impressionist<br />
leaders ushered in future experimentations in modernist artmaking,<br />
including the most simplified expression of formal<br />
abstraction: the painted monochrome.<br />
Playing with the concept and process of plein air painting,<br />
Grau traversed the landscape not to recreate specific<br />
scenes on canvas, but to identify existing instances of monochromatic<br />
abstraction. She discovered a vernacular form of<br />
mark-making in the vibrant, color-coded lines and shapes<br />
spray-painted across the streets and sidewalks by utility<br />
workers. Appearing random and cryptic to the untrained<br />
eye, this sanctioned graffiti points to the subterranean infrastructure<br />
that powers our city. By reframing the overlooked<br />
details within our everyday surroundings, Grau transforms a<br />
standardized mode of communication used by public works<br />
departments across the country into a series of monochrome<br />
paintings—plein air paintings not of landscape, but in it.<br />
<strong>MMoCA</strong> OPENING<br />
FRIDAY, MAY 4 • 6–9 PM<br />
NEW ACQUISITIONS<br />
Works on Paper<br />
by Bruce Conner<br />
Thanks to a donation from the Conner Family Trust, <strong>MMoCA</strong> received<br />
a gift of 21 offset lithographs produced by American artist Bruce<br />
Conner (1933–2008). Originally a Midwesterner, Conner moved to San<br />
Francisco in 1957 at the beginning of his artistic career. He remained<br />
there, except for a year-long trip to Mexico in 1963 to find himself<br />
(aided by a variety of psychedelic mushrooms). He became one of the<br />
most prolific postwar artists. His career spanned nearly 50 years and<br />
he worked in almost every medium from painting, sculpture, drawing,<br />
collage, photography, printmaking, to film—often hybridizing them into<br />
unique configurations.<br />
The impetus for the suite of lithographs gifted to <strong>MMoCA</strong> was to<br />
preserve and perfect a set of felt-tip ink drawings Conner made from<br />
1964 to 1969. To make one of the drawings, Conner would sit for hours<br />
without lifting his pen off the sheet of paper—only stopping when his<br />
pen would run out of ink. The resulting image is a labyrinth of lines that<br />
resemble topographical maps or microscopic organisms in a petri dish.<br />
While the process of making the works was meditative for the artist, he<br />
was also consumed by the desire to create images of high contrast such<br />
that the viewer’s eye would oscillate between detail and whole, creating<br />
a sense of motion. As felt-tip pens were relatively new to the market at the time, Conner wasn’t aware that the ink on the paper<br />
had a tendency to brown over time, leaving his once high contrast drawings muddy and faded.<br />
In 1970, Conner selected Kaiser Graphics in California to begin the process of recovering and improving upon his faded ink<br />
drawings. While he originally sought to improve the varied tonality present in the drawings, he also altered existing lines and<br />
changed the orientation and size of the prints, producing a new set of images that are closer to his original concept. The result is<br />
an intimate set of prints that invite the viewer in to reflect on the artist’s obsession with precision and ultimately, preservation.<br />
OPPOSITE: José Carlos Teixeira. ON EXILE: Elsewhere within here (video still), 2017. Single-channel video with sound, 70 minutes. Courtesy of the<br />
artist. • Ed Paschke, Suture, 1985. Oil on canvas, 42 x 80 inches. Collection of the Madison Museum of Contemporary Art, The Bill McClain Collection<br />
of Chicago Imagism. ABOVE: Irene Grau, preliminary documentation image taken during artist residency, summer 2017. • Bruce Conner, #209, 1970.<br />
Offset lithograph, 11 1/8 x 7 1/2 inches. Collection of the Madison Museum of Contemporary Art. Gift of the Conner Family Trust, San Francisco.<br />
© 2017 Conner Family Trust, San Francisco / Artists Rights Society (ARS), New York.<br />
5
TALKS, TOURS, & POETRY<br />
6<br />
FRIDAY, FEB 2, 6:30–7 PM<br />
GALLERY TALK: ART/WORD/IMAGE<br />
The interplay of words and images has a long tradition in<br />
the history of art. Fred Stonehouse will discuss a selection<br />
of works in Art/Word/Image, including his painting, Kilroy-<br />
Coq-à-l’Âne, (1999), in which imagery and text each play a<br />
role in conveying meaning.<br />
Fred Stonehouse is an artist and professor in the<br />
UW-Madison Art Department where he teaches advanced<br />
drawing and painting.<br />
FRIDAY, FEB 9, 6:30–7 PM<br />
GALLERY TALK: MATERIALITY<br />
AND DISEQUILIBRIUM<br />
Highlighting works in BIG, Derrick Buisch will discuss how<br />
scale, form, material properties, and composition combine<br />
to create a sense of instability in the viewer.<br />
Derrick Buisch is an artist and professor in the UW-Madison<br />
Art Department where he teaches painting and color theory.<br />
FRIDAY, FEB 16, 6:30–7 PM<br />
GALLERY TALK:<br />
LANGUAGE, PERCEPTION,<br />
AND THE VISUAL ARTS<br />
What is the role of language in making us human? Can language<br />
literally change what we see? Using Jaume Plensa:<br />
Talking Continents as a point of departure, professor Gary<br />
Lupyan will discuss language and its relevance to art and<br />
aesthetics, as well as how different languages may lead their<br />
speakers to view art in different ways.<br />
Gary Lupyan is associate professor in the UW-Madison<br />
Department of Psychology and director of the Lupyan Lab,<br />
which investigates topics related to language and its effects<br />
on human cognition.<br />
Generous funding for <strong>MMoCA</strong><br />
gallery talks is provided by<br />
Bell Laboratories.<br />
FRIDAY, FEB 16, 7:15–8 PM<br />
MONSTERS + <strong>MMoCA</strong><br />
Monsters of Poetry is a contemporary poetry and fiction<br />
reading series that began in 2009 to bring new literary<br />
voices to Madison. Monsters + <strong>MMoCA</strong> brings the group<br />
together at the museum for a reading of original works<br />
inspired by Jaume Plensa’s use of language as a pictorial and<br />
conceptual device. Participating writers are Derrick Austin,<br />
Kara Candito, Adam Fell, Matthew Guenette, Dantiel Moniz,<br />
Marcela Fuentes, and Nick Demske.<br />
Monsters + <strong>MMoCA</strong> is organized by the museum’s education<br />
department in partnership with Adam Fell. Fell teaches<br />
in the English Department at Edgewood College and is a<br />
founding member and co-curator of Monsters of Poetry.<br />
THURSDAY, FEB 22, 1–1:30 PM<br />
GALLERY TALK: FORM AND<br />
PROCESS IN TALKING CONTINENTS<br />
Gail Simpson will discuss Jaume Plensa’s use of opacity and<br />
transparency, how he materializes language, and the influence<br />
of technology on his artistic process.<br />
Gail Simpson is a sculptor and public artist who maintains<br />
an individual studio practice and works as part of<br />
Actual Size Artworks, a collaboration with Aris Georgiades.<br />
Simpson is a professor in the UW-Madison Art Department<br />
where she teaches sculpture and foundations courses.<br />
FRIDAY, MAR 9, 6:30–7:15 PM<br />
ARTIST TALK:<br />
JOSÉ CARLOS TEIXEIRA<br />
Interdisciplinary artist José Carlos Teixeira will discuss his<br />
work, including ON EXILE: Elsewhere within here (2017), a<br />
recent experimental documentary film on view in the Imprint<br />
Gallery that explores identity, migration, and displacement<br />
through first-person interviews with Muslim refugees. In<br />
addition to his artistic practice, Teixeira is an assistant professor<br />
in the UW-Madison Art Department.<br />
This talk is part of an <strong>MMoCA</strong> Opening and is free for members<br />
and $10 for non-members. Seating in <strong>MMoCA</strong>’s lecture<br />
hall is limited.
THURSDAY, MAR 22, 1–1:45 PM<br />
GALLERY TALK: BIGness<br />
Curator of the permanent collection Mel Becker Solomon is<br />
joined by curator emeritus Richard H. Axsom for an exploration<br />
of scale in the visual arts and its effects on emotion,<br />
perception, and sensation. The talk will highlight a selection<br />
of works in BIG.<br />
SATURDAY, APR 7, 7–8 PM<br />
SAM GILLIAM AND WILLIAM WEEGE<br />
IN CONVERSATION<br />
Stephen Fleischman Lectureship<br />
Sam Gilliam and William Weege will discuss their longstanding<br />
friendship and 45-year creative collaboration that,<br />
among other advances, generated pioneering approaches to<br />
printmaking.<br />
Sam Gilliam is internationally renowned for his innovations<br />
in color-field painting, which led the way toward a new<br />
vocabulary for abstract painting. William Weege is professor<br />
emeritus of the UW-Madison Art Department, and founding<br />
artistic director of Tandem Press, whose approach to printmaking<br />
allowed the artists he worked with to break new<br />
ground. Weege is also celebrated as an artist in his own right<br />
for his work in a variety of print media and handmade paper.<br />
The talk is held on the occasion of the third Stephen<br />
Fleischman Lectureship, which honors the 25th anniversary<br />
of Stephen Fleischman’s tenure as the director of <strong>MMoCA</strong>.<br />
Advance reservations are required; available at mmoca.org.<br />
FRIDAY, MAY 4, 6:30–7:15 PM<br />
ARTIST TALK: IRENE GRAU<br />
Irene Grau will discuss a new body of work she began during<br />
her five-week artist residency in Madison in the summer of<br />
2017. Her plein air paintings draw attention to little-noticed<br />
aspects of the city’s environment and identify instances of<br />
monochromatic abstraction in everyday scenes. Grau describes<br />
her artistic interventions as “going out in search of painting<br />
with a camera and a pair of hiking boots on.”<br />
This talk is held in conjunction with Gallery Night; admission<br />
is free. Seating in <strong>MMoCA</strong>’s lecture hall is limited.<br />
DROP-IN TOURS<br />
Saturdays, Feb 10, Mar 10, and Apr 14 • 1–1:30 pm<br />
Drop by for lively and informal<br />
discussions of current exhibitions.<br />
Expertly led by docents, these<br />
free, 30-minute guided tours consider<br />
artists’ creative decisions and provide<br />
insight into their methods, ideas, and<br />
influences. Meet in the museum lobby.<br />
FEBRUARY 10:<br />
ART/WORD/IMAGE<br />
MARCH 10:<br />
JAUME PLENSA:<br />
TALKING CONTINENTS<br />
APRIL 14:<br />
BIG<br />
OPPOSITE PAGE: Gallery talk at <strong>MMoCA</strong> photo © Maurice Thaler. ABOVE: Sam Gilliam, Carousel, 1970. Acrylic on canvas, 10 x 75 feet. Collection<br />
of the Madison Museum of Contemporary Art. Purchase through funds from the Brittingham Foundation and an anonymous donor. Exhibition<br />
installation photo © <strong>MMoCA</strong>. • Ray Yoshida, AAIEEE!, 1996. Collage on paper, 14 x 22 inches. Collection of the Madison Museum of Contemporary<br />
Art. The Bill McClain Collection of Chicago Imagism. © Raymond K. Yoshida Living Trust.<br />
7
FAMILY RESOURCES<br />
KIDS’ ART<br />
ADVENTURES<br />
Families are invited to make art together<br />
in <strong>MMoCA</strong>’s classroom. First enjoy a lively<br />
discussion in the galleries, then experiment<br />
with what you have learned. Children aged<br />
six to ten with an adult are welcome. Kids’<br />
Art Adventures are free and begin at 1 pm.<br />
Come 15 minutes early to sign up.<br />
Kids’ Art Adventures are generously sponsored<br />
by National Guardian Life Insurance.<br />
SUNDAY, FEB 11, 1–2:30 PM<br />
Experience the sensation of scale—whether<br />
large or small—in BIG, an exhibition that<br />
focuses on the effects of scale on our perceptions.<br />
Then combine your imagination<br />
with your building skills to create a fanciful<br />
sculpture inspired by the Clayton Brothers’<br />
Tim House and Roger Brown’s Skyscraper<br />
with Pyramid.<br />
SUNDAY, MAR 11, 1–2:30 PM<br />
Can a word be an image? How do words enhance pictures?<br />
Explore Art/Word/Image to see how artists have combined<br />
words and images to make works of art that celebrate the<br />
power of language. Afterward, make a mixed-media book<br />
that incorporates words in fun and visually interesting ways.<br />
SUNDAY, APR 8, 1–2:30 PM<br />
Examine the intricacies of light, language, and form in<br />
Jaume Plensa’s Talking Continents. The artist’s vision of<br />
human understanding and connection comes to life in his<br />
large illuminated sculptures, which combine the human<br />
form with characters from eight languages. In the workshop,<br />
create a unique lantern that allows your vision to shine.<br />
<strong>MMoCA</strong>kids ARTPACK<br />
Stop by the museum’s lobby welcome desk and ask for the<br />
<strong>MMoCA</strong>kids ArtPack, the museum’s hands-on discovery<br />
kit for exploring art. The ArtPack contains a variety of fun,<br />
easy-to-use, free-choice activities, including on Jennifer<br />
Steinkamp’s video animation, Rapunzel 9.<br />
<strong>MMoCA</strong>teens AND<br />
<strong>MMoCA</strong>kids ART GUIDES<br />
Designed for use anywhere in the museum, the <strong>MMoCA</strong>teens<br />
and <strong>MMoCA</strong>kids art guides provides young visitors with<br />
multiple ways to investigate current exhibitions.<br />
LEARNING CENTERS<br />
<strong>MMoCA</strong>’s Learning Centers offer families a variety of fun<br />
and engaging resources for exploring <strong>MMoCA</strong>’s exhibitions.<br />
A range of kid-friendly activities promote imaginative play<br />
inspired by works of art. Learning Centers are available for<br />
exhibitions in the Henry Street Gallery and main galleries.<br />
<strong>MMoCA</strong>’s free family resources are<br />
generously funded by the Nimick<br />
Forbesway Foundation.<br />
8<br />
ABOVE: Kids’ Art Adventures. Photography by Chelsea Weis. • Rob and Christian Clayton, Tim House (in Green Pastures) from the series Green<br />
Pastures, 2001. Mixed media on wood panel with sound, 129 1/4 x 60 1/4 x 71 1/2 inches. Collection of the Madison Museum of Contemporary Art.<br />
Gift of Howard and Judith Tullman. OPPOSITE: Gallery Night. Photography by Tom Klingele.
EVENTS<br />
<strong>MMoCA</strong> OPENINGS<br />
Save the date for upcoming <strong>MMoCA</strong> Opening celebrations,<br />
featuring music, hors d’oeuvres from Fresco, a cash bar,<br />
and engaging visual art programming. The evenings are<br />
always free for <strong>MMoCA</strong> members / $10 for non-members.<br />
<strong>MMoCA</strong> Openings are sponsored by Newcomb Construction<br />
Company and The Alexander Company with additional support<br />
from Fresco, and media support from Isthmus.<br />
FRIDAY, MAR 9 • 6–9 PM<br />
Enjoy the work of visual and video artist José Carlos Teixeira<br />
on the opening night of his Imprint Gallery exhibition, ON<br />
EXILE. Teixeira’s work explores notions of belonging and<br />
exile. Beginning at 6 pm, guests may view ON EXILE; BIG<br />
in the main galleries; Art/Word/Image in the Henry Street<br />
Gallery; and Jaume Plensa: Talking Continents in the State<br />
Street Gallery. At 6:30 pm, Teixeira will give a lecture about<br />
the evolution of his work. Following the talk, guests will<br />
enjoy hors d’oeuvres from Fresco and French swing and<br />
Hawaiian music from Mal-O-Dua in the lobby.<br />
FRIDAY, MAY 4 • 6–9 PM<br />
The first Friday in May will offer a wide array of art-related<br />
experiences at <strong>MMoCA</strong>, in addition to a multitude of Gallery<br />
Night festivities at more than 50 venues city-wide. Join us at<br />
<strong>MMoCA</strong> from 5–9 pm to celebrate the opening of Spanish<br />
artist Irene Grau’s first solo museum exhibition in the United<br />
States. This <strong>MMoCA</strong> Opening includes a talk by the artist,<br />
who will discuss her aesthetic and conceptual approach to<br />
contemporary painting. Along with live music and passed<br />
hors d’oeuvres from Fresco, the evening features the unveiling<br />
of <strong>MMoCA</strong>’s first official beer. Starting at 8 pm, museum<br />
guests will have the opportunity to celebrate the limited<br />
release of the specialty craft beer resulting from <strong>MMoCA</strong>’s<br />
collaboration with Octopi Brewing, Art & Sons, and artist<br />
Meg Mitchell, whose installation in the rooftop sculpture<br />
garden served as the inspiration for this unique partnership.<br />
GALLERY NIGHT<br />
FRIDAY, MAY 4 • 5–9 PM<br />
Mark your calendar for May 4, as dozens of venues open<br />
their doors for spring’s biggest celebration of the arts.<br />
Tour Madison’s vibrant arts scene—popping up in neighborhoods<br />
throughout Madison from 5 to 9 pm.<br />
Gallery Night has been lighting up the night in Madison for<br />
30 years, offering an opportunity to enjoy a wide variety of<br />
visual art offerings throughout the city. Galleries, artist studios,<br />
non-profit organizations, and other local businesses<br />
showcase original artwork and host special exhibitions, demonstrations,<br />
and receptions during this semi-annual event.<br />
Be sure to share your Gallery Night photos and reviews on<br />
social media using #MADGalleryNight.<br />
Gallery Night is sponsored by The Roman Candle Pizzeria<br />
with media support from Isthmus.<br />
ART VELO<br />
THURSDAY, FEB 1 • 5–8 PM<br />
On Thursday evening, February 1, <strong>2018</strong>, <strong>MMoCA</strong>’s<br />
soaring glass lobby will be transformed for the annual<br />
indoor cycling experience and fundraiser for <strong>MMoCA</strong>—Art<br />
Velo. Participants will shake off the winter cold and get<br />
spinning in cycling sessions led by Cyc Fitness. This high<br />
energy event features dramatic lighting, dance music favorites,<br />
and delicious fare. Individuals and businesses in the<br />
community sponsor each bike to support <strong>MMoCA</strong>’s free<br />
exhibitions and programming. Contact Annik Dupaty at<br />
annik@mmoca.org/608.257.0158 x229 for more information<br />
about riding or sponsoring a bike.<br />
9
EVENTS & GIVING<br />
CHROMA<br />
FRIDAY, APR 27, <strong>2018</strong><br />
Saturated with experiences, vivid with color, Chroma is a<br />
new event taking place. On April 27, <strong>2018</strong>, explore color<br />
throughout the museum’s iconic spaces.<br />
Party guests will enjoy artist- and designer-created color-rich<br />
environments, and hands-on group art projects on each level<br />
of the museum. Chroma celebrates color: how it feels, its<br />
intensity and beauty, and the way we use it in our lives. We<br />
choose hues and shades to decorate and express ourselves.<br />
Creative professionals work with color to create moods<br />
and responses. Artists access the spectrum to convey their<br />
vision. This vibrant event will be immersive and fun, unlike<br />
any other.<br />
PLANNED GIVING<br />
Now is the right time<br />
to plan your legacy.<br />
Join the <strong>MMoCA</strong> Circle and leave a legacy for the future.<br />
The <strong>MMoCA</strong> Circle recognizes and honors individuals who<br />
have established a planned gift for the museum. Gifts can be<br />
designated to support a favorite program or add funds to the<br />
museum’s endowment, providing free admission to <strong>MMoCA</strong><br />
audiences for generations to come.<br />
A fundraiser for <strong>MMoCA</strong>, Chroma admission includes an<br />
array of sweets and savories, DJs and dancing in different<br />
museum spaces, and a myriad of performances and art activities.<br />
Assemble your crew and get your tickets, on sale starting<br />
February 1. Plan an ensemble in your favorite spectral color<br />
(red, orange, yellow, green, blue, indigo, or violet) to be considered<br />
for a special prize.<br />
#mmocachroma<br />
STAY IN TOUCH<br />
sign up for weekly emails at<br />
mmoca.org/mmoca-notes<br />
<strong>MMoCA</strong> Circle members are welcomed as special guests at<br />
museum events and are recognized<br />
on the donor wall<br />
outside the main galleries.<br />
If you’d like more information<br />
about the <strong>MMoCA</strong><br />
Circle, and making a legacy<br />
gift to the museum,<br />
contact Kaitlin Kropp at<br />
kaitlin@mmoca.org or<br />
608.257.0158 x224.<br />
Photography by Sharon Vanorny<br />
10
MEMBERSHIP & GIVING<br />
<strong>MMoCA</strong>’S BUSINESS COUNCIL<br />
<strong>MMoCA</strong>’s corporate members – known as the <strong>MMoCA</strong> Business Council – support a vibrant community by contributing to<br />
museum exhibitions, education programs, and ongoing operations. Thanks to these important contributions, <strong>MMoCA</strong> can<br />
offer compelling, thought-provoking programming. Through their gifts, Business Council members become known as generous<br />
and engaged community leaders. For information on corporate membership and its many benefits, contact Kaitlin Kropp<br />
at kaitlin@mmoca.org or 608.257.0158 x224. <strong>MMoCA</strong> thanks the following businesses and organizations for their support:<br />
BENEFACTORS ($10,000+)<br />
Ajenda Interactive Media<br />
The Alexander Company<br />
Art & Sons<br />
Bell Laboratories, Inc.<br />
BioSentinel INC<br />
BMO Private Bank<br />
Eugenie Mayer Bolz<br />
Family Foundation<br />
Flad Architects<br />
Future Foam<br />
Hiebing<br />
J.H. Findorff & Son, Inc.<br />
Madison Community Foundation<br />
Madison Magazine<br />
Madison Print Club<br />
<strong>MMoCA</strong> Volunteers<br />
National Guardian Life Insurance<br />
Newcomb Construction Company<br />
Nimick Forbesway Foundation<br />
Pleasant T. Rowland Foundation<br />
Steinhauer Charitable Trust<br />
W. Jerome Frautschi Foundation<br />
Wisconsin Arts Board<br />
Wisconsin Public Radio<br />
SPONSORS ($5,000-9,999)<br />
American Family Insurance<br />
American Transmission Company<br />
Brava Magazine<br />
The Century House<br />
CUNA Mutual Foundation<br />
Custer Financial Services<br />
CYC Fitness<br />
Dane Arts<br />
Evjue Foundation Inc., the charitable<br />
arm of The Capital Times<br />
Frank Liquor Co. Group<br />
Great Dane Pub & Brewing Co.<br />
Habush Habush and Rottier S.C.<br />
Ho-Chunk Gaming Madison<br />
Hooper Corporation/General Heating<br />
& Air Conditioning<br />
Isthmus<br />
maiahaus<br />
MG&E Foundation<br />
Midwest Family Broadcasting<br />
MINI of Madison<br />
Octopi Brewing<br />
Pepsi of Madison<br />
Potter Lawson<br />
Promega Corporation<br />
Supranet Communications Inc.<br />
Theda and Tamblin Clark Smith<br />
Family Foundation<br />
Venture Investors, LLC<br />
Webcrafters-Frautschi<br />
Foundation, Inc.<br />
Wildwood Productions<br />
WISC-TV Channel 3<br />
WKOW-TV Channel 27<br />
Zendesk Inc.<br />
LEADERS ($2,500-4,999)<br />
Access Information Management<br />
Adams Outdoor Advertising<br />
Artful Home<br />
Associated Bank<br />
Capital Newspapers<br />
Cummings Christensen<br />
Family Foundation<br />
Design Concepts<br />
DoubleTree by Hilton Madison<br />
Food Fight Restaurant Group<br />
Ganser Company<br />
Johnson Bank<br />
Milwaukee Valve Company<br />
Perkins Coie LLP<br />
Physicans Plus Insurance Corporation<br />
Roman Candle Pizzeria<br />
RSM<br />
Staff Electric Company, Inc.<br />
Summit Credit Union<br />
TDS Telecom<br />
The Terry Family Foundation<br />
Think Ink and Design<br />
US Bank<br />
Waunakee Remodeling<br />
Wisconsin Lottery<br />
Yelp Madison<br />
PARTNERS ($1,000-2,499)<br />
AC Hotel<br />
Best Western Premiere – Park Hotel<br />
The Capital Times Kids Fund<br />
Celebrations Entertainment<br />
Colony Brands, Inc.<br />
DeWitt Ross & Stevens S.C.<br />
Econoprint<br />
First Business Bank of Madison<br />
Foley & Lardner<br />
Full Compass<br />
Godfrey & Kahn, S.C.<br />
Greater Madison Convention &<br />
Visitors Bureau<br />
Hovde Properties, LLC<br />
Images Plus<br />
J.F. Ahern Co.<br />
Knothe & Bruce Architects, LLC<br />
Knox Family Foundation<br />
Lycon Inc.<br />
M3 Insurance Solutions<br />
Madison Arts Commission<br />
Oakbrook Corporation<br />
Phillips Distribution Corp.<br />
Potter Lawson<br />
RBC Wealth Management<br />
Smith & Gesteland LLP<br />
Stafford Rosenbaum LLP<br />
The Rock Agency<br />
Total Administrative Services<br />
Corporation<br />
WIPFLi CPAs and Consultants<br />
Wisconsin Chamber Orchestra<br />
Woodman’s Markets<br />
DONORS ($500-999)<br />
Access Wisconsin<br />
Artist & Craftsman Supply<br />
Bicycle Federation of Wisconsin<br />
Nordic Consulting Partners, Inc.<br />
Pro Physical Therapy<br />
Shulfer Architects<br />
Sonic Foundry<br />
Stoddard’s Meat Market & Catering<br />
SUPPORTERS ($250-499)<br />
adroable.io<br />
Amanti Art<br />
Ameriprise Financial Services |<br />
Eventus Wealth Advisors<br />
Anthology LLC<br />
Atmosphere Commercial Interiors<br />
Dines, Inc.<br />
DRS Paving<br />
Greater Madison<br />
Chamber of Commerce<br />
Hampton Inn & Suites -<br />
Madison Downtown<br />
Mirror 34 Productions<br />
Piano Fondue<br />
Plantes Company<br />
Russell Arts Law<br />
SunMoon Arts<br />
Ueda Photography<br />
Underground Food Collective<br />
Vierbicher<br />
SPECIAL<br />
PROJECT<br />
UNDERWRITERS<br />
Brand strategy and design support,<br />
including the development<br />
of <strong>MMoCA</strong>’s new brandmark and<br />
upcoming new website, is contributed<br />
by Hiebing.<br />
A major gift from the Nimick<br />
Forbesway Foundation supports the<br />
museum’s education programs.<br />
ArtZone, <strong>MMoCA</strong>’s afterschool workshop<br />
program offered in partnership<br />
with Madison community centers, is<br />
supported by by Zendesk Neighbor<br />
Foundation, U.S. Bank Foundation,<br />
the Capital Times Kids Fund, and the<br />
Madison Arts Commission.<br />
Internet service is provided by<br />
Supranet Communications. Design<br />
and technical guidance for <strong>MMoCA</strong>’s<br />
website is donated by Ajenda<br />
Interactive Media.<br />
11
MEMBERSHIP & GIVING<br />
<strong>MMoCA</strong> BOARD<br />
OF TRUSTEES<br />
OFFICERS<br />
Rick Phelps, President<br />
Joe Alexander, Vice-President<br />
Jason Knutson, Vice-President<br />
Leslie Smith III, Vice-President<br />
Charlotte Cummins, Secretary<br />
John Sylla, Treasurer<br />
OTHER TRUSTEES<br />
Marian Bolz, Life Trustee<br />
Bryan Chan<br />
Karen Christianson<br />
Vikki Enright<br />
Jim Escalante<br />
Dave Franchino<br />
Sara Guyer<br />
Cedric Johnson<br />
Valerie Kazamias,<br />
Chair, The Langer Society<br />
Elizabeth Kirchstein<br />
Oscar Mireles<br />
Bret Newcomb<br />
Dave Orr<br />
Amy Paulios<br />
Margaret Pyle<br />
JoAnne Robbins<br />
John Ronzia<br />
Dynee Sheafor<br />
John Sims<br />
Sylvia Vaccaro<br />
Marc Vitale<br />
NEW LANGER<br />
SOCIETY MEMBERS:<br />
THROUGH NOV 30<br />
Janet Ady and Linda Leuzke<br />
Dalia and Moses Altsech<br />
Jennifer Bastian and Ryan Minard<br />
Jeff and Elizabeth Bauer<br />
Maggie Breitzmann and Sam Little<br />
Sophie Carr and Jorie Walters<br />
Bill and Mary Checovich<br />
Rachel Felber and Evan Glanzer<br />
Elizabeth Fuller and Jeff Luker<br />
Karina Galvan and James Worker<br />
Joan Grosse and Marysue Rindy<br />
Bonny Kneedler and Andrew Lee<br />
Kelly McGinn<br />
and Matthew Vande Hei<br />
Laura Muzi and Matt Felker<br />
Dan and Maureen Norman<br />
Caroline O’Mahar and Kyle Jenkins<br />
David and Ann Orr<br />
Lisa Pincus<br />
Anne Piper and Grafton Robinson<br />
Chelsea Price and Brandon Lahee<br />
Bridget and Patrick Rentmeester<br />
Carrie and John Scherpelz<br />
Jenay Shook and Colin Thomson<br />
Anna Vembu and Sam Julian<br />
Amanda and Noah Weibel<br />
Regina Whitemarsh<br />
and Mike Epley<br />
NEW REGULAR MEMBERS: THROUGH NOV 30<br />
Nadeem Afghan and Heidi Simmet-Afghan, Patricia Anderson, Jason Bank, Trudy Barash,<br />
Bonnie Beavan and David Bluemke, Susan Benjamin, Marc Bilsky and Judith Tolkov,<br />
Brigitte Boucher, Rebecca Breda and Tim Zander, Kathleen Brumder, Kimberly Buchanan,<br />
Melanie and Frank Cain, David Cancian and Iris Hoxha, Melinda and Phillip Certain,<br />
Priya and Brian Chan, Aishwariya Chandrasekar, Ashley Collins and Sam Lemley, Denis and<br />
Michelle Dale, Michele and Jim Dangelo, Courtney Deisch, Katelyn Ditzler, Heidi and Bill Dorr,<br />
Betsy Draine, Jim and Mary Escalante, Donna Farrer, Marisha Florissant and Josh Pelnar,<br />
Ann Foley, Deborah Foster, Karl Gartung and Anne Kingsbury, Simone Glinberg,<br />
Christal Gordon, Terrie Goren, Lori Grapentine and John Benton, Kendra Greendeer, Jane<br />
Hall, Mary Horowitz, Ann Hoyt, Anna Huttenlocher and Andrew Bent, Joseph Iscaro,<br />
Cary James, Emily and William Keelty, Joan Kerlow and Michael Briggs, David Ketchum,<br />
Muhammad Khalifa, Lars Koch and Sarah Duege, Susan Kuczynski, Siha Lee,<br />
Aaron Loudenslager, Robert McClean and Elizabeth Tiefenthaler, Steff and Jamie McCloskey,<br />
Ron Meerhoff and Michael Rhodes, Laura and Randy Meffert, Bridget Meyer and<br />
Nicholas Rabbitt, Marese Moynihan, Marcia Mueller and Charles Prorok, Alexandru and<br />
Simona Musat, Alice Nelson, Amy Norlin, Melissa Ozel, Linda Pawson, Joshua Peters and<br />
Ciara Wade, Wendy Phifer, Robert Pozner, Luis Sanchez and Harriet Fleming, Catherine<br />
Sbeglia, Carin Scholtz, Jean Shaw, Emily and Dirk Shimpach, Elizabeth Skora, Wesley Smith,<br />
Patricia Soderholm, Jonathan Solari, Carol Spiegel, Michelle and James Stellner,<br />
Lucy Thompson, Sonja Thomsen, Michael Trakman and Angela Liautaud,<br />
Juanita Trujillo, Collin Tuttle and Judit Tuttle, Tony Vincent, Sophie Wagner-Marx,<br />
Judith Ward, Ruth and Roger Westmont, Martha White and Cora White, Janice Williams and<br />
Joyce Zabel, Timothy Yu and Robin Valenza, Matthew Ziehr, Chris and Kathleen Ziemba<br />
PRIVATE EVENTS<br />
With gorgeous spaces such as the lobby and rooftop sculpture garden, as well<br />
as an elegant and high-tech lecture hall, <strong>MMoCA</strong> is the perfect place to host<br />
your next event. Langer Society members, Business Council members, and nonprofit<br />
groups receive discounted rates. For information, please contact Bob Sylvester at<br />
bob@mmoca.org or 608.257.0158 x251.<br />
12<br />
ABOVE: Wedding photo. © Sharon Vanorny. OPPOSITE: José Carlos Teixeira. ON EXILE, elsewhere within here (video still), 2017. Singlechannel<br />
video with sound, 70 minutes. Courtesy of the artist.
CALENDAR OF EVENTS<br />
FEBRUARY<br />
M T W T F S S<br />
1 2 3 4<br />
5 6 7 8 9 10 11<br />
12 13 14 15 16 17 18<br />
19 20 21 22 23 24 25<br />
26 27 28<br />
MARCH<br />
M T W T F S S<br />
1 2 3 4<br />
5 6 7 8 9 10 11<br />
12 13 14 15 16 17 18<br />
19 20 21 22 23 24 25<br />
26 27 28 29 30 31<br />
APRIL<br />
M T W T F S S<br />
1<br />
2 3 4 5 6 7 8<br />
9 10 11 12 13 14 15<br />
16 17 18 19 20 21 22<br />
23 24 25 26 27 28 29<br />
30<br />
MAY<br />
M T W T F S S<br />
1 2 3 4 5 6<br />
7 8 9 10 11 12 13<br />
14 15 16 17 18 19 20<br />
21 22 23 24 25 26 27<br />
28 29 30 31<br />
FEBRUARY<br />
1 5–8 pm Art Velo<br />
2 6:30–7 pm Gallery Talk: Art/Word/Image<br />
9 6:30–7 pm Gallery Talk: BIG<br />
10 1–1:30 pm Drop-in Tour: Art/Word/Image<br />
11 1–2:30 pm Kids’ Art Adventures: BIG<br />
16 6:30–7 pm<br />
MARCH<br />
9 6–9 pm<br />
6:30–7:15 pm<br />
<strong>MMoCA</strong> Opening:<br />
José Carlos Teixeira: ON EXILE<br />
Artist Talk: José Carlos Teixeira<br />
10 1–1:30 pm Drop-in Tour:<br />
Jaume Plensa: Talking Continents<br />
11 1–2:30 pm Kids’ Art Adventures:<br />
Art/Word/Image<br />
22 1–1:45 pm Gallery Talk: BIG<br />
APRIL<br />
7:15–8 pm<br />
7 7–8 pm Sam Gilliam and William Weege<br />
Stephen Fleischman<br />
Lectureship Series<br />
8 1–2:30 pm Kids’ Art Adventures:<br />
Jaume Plensa: Talking Continents<br />
14 1–1:30 pm Drop-in Tour: BIG<br />
27 8 pm–12 am Chroma<br />
Gallery Talk:<br />
Jaume Plensa: Talking Continents<br />
Monsters+<strong>MMoCA</strong><br />
22 1–1:30 pm Gallery Talk:<br />
Jaume Plensa: Talking Continents<br />
MAY<br />
4 5–9 pm<br />
6–9 pm<br />
6:30–7:15 pm<br />
8 pm<br />
Gallery Night<br />
<strong>MMoCA</strong> Opening: Irene Grau<br />
Artist Talk: Irene Grau<br />
Beer launch with Octopi Brewing<br />
13
ABOUT<br />
Enjoy wintery views of Madison’s<br />
beautiful downtown cityscape at Fresco,<br />
<strong>MMoCA</strong>’s sleek rooftop restaurant.<br />
With floor to ceiling windows looking<br />
out to the museum’s sculpture garden,<br />
and the Capitol dome glowing in the distance,<br />
snow can fall and temperatures<br />
can drop while you sit in comfort and<br />
dine on a delicious, European-inspired<br />
meal.<br />
Imagine sharing this experience<br />
with 99 friends and family for a festive<br />
party! Already a favorite spot among<br />
theater enthusiasts and symphony<br />
goers for a pre-show dinner, Fresco<br />
is also the perfect location for special<br />
events. The restaurant can host up to<br />
100 guests for a cocktail-style party, or<br />
60 guests for a seated event. If you are<br />
interested in booking Fresco for a buyout<br />
occasion of any kind, mention this<br />
article and receive $150 off your food<br />
and beverage minimum when you book<br />
by March 15.<br />
ABOUT THE MUSEUM The Madison Museum of Contemporary Art is<br />
an independent, nonprofit organization presenting exhibitions by local, regional,<br />
national, and international artists. A permanent collection of more than 5,500<br />
works of art is maintained and enlarged through gifts and purchases. The museum’s<br />
education department presents programs to increase public understanding<br />
and appreciation of modern and contemporary art.<br />
HOURS<br />
MEMBERS<br />
MAKE IT<br />
POSSIBLE.<br />
Support from members of<br />
the Madison Museum of<br />
Contemporary Art ensures<br />
that outstanding exhibitions<br />
and educational programs<br />
remain free for all.<br />
THANK YOU!<br />
Galleries Store Fresco<br />
Monday Closed 12–5 pm* Closed<br />
Tue–Thur 12–5 pm 11 am–5 pm 5–9 pm<br />
Friday 12–8 pm 11 am–8 pm 5–10 pm<br />
Saturday 10 am–8 pm 10 am–8 pm 5–10 pm<br />
Sunday 12–5 pm 12–5 pm 5–9 pm<br />
* Closed Mondays in January<br />
Our <strong>2018</strong> catering menus were<br />
released on January 1, and will feature<br />
exciting new entrees inspired by Chef<br />
Giovanni’s eclectic command of worldly<br />
cuisines. Chef Giovanni is a master chef<br />
in all aspects of his life: he delights<br />
in providing delicious fare to Fresco<br />
patrons as much as he enjoys cooking<br />
at home for his wife and young son. For<br />
more information about booking your<br />
private event, please email Amanda<br />
Schnoll, Fresco Event Coordinator, at<br />
aschnoll@foodfightinc.com.<br />
<strong>MMoCA</strong> MEMBERS<br />
Receive a 10% discount at<br />
Fresco and all Food Fight <br />
restaurants.<br />
Join today at<br />
mmoca.org<br />
ACCESSIBILITY Exhibitions, lectures, tours, and special events at<br />
<strong>MMoCA</strong> are accessible to people with disabilities. Please contact the museum<br />
at 608.257.0158 regarding accommodations for persons with limited mobility,<br />
sight, or hearing. Relay Service is available by dialing AT&T @ 711.<br />
MEMBERSHIP <strong>MMoCA</strong> members enjoy many privileges, including free<br />
admission to <strong>MMoCA</strong> Openings and films; discounts at the Museum Store, at<br />
Fresco and other Food Fight restaurants; invitations to special member events<br />
and previews; opportunities to meet artists; a subscription to <strong>MMoCA</strong>’s newsletter;<br />
and tax deductions for contributions.<br />
VOLUNTEERING Enthusiastic volunteers are vital to <strong>MMoCA</strong>’s success.<br />
Visit mmoca.ivolunteer.com for current volunteer opportunities.<br />
CHANGE OF ADDRESS Please notify the office of address<br />
changes so that your mailings are not interrupted. Contact Kaitlin Kropp at<br />
kaitlin@mmoca.org or 608.257.0158 x224.<br />
JOIN OUR EMAIL LIST <strong>MMoCA</strong> Notes, the museum’s weekly email<br />
newsletter, will keep you informed about upcoming events, exhibitions, and<br />
museum store specials. Sign up online at mmoca.org.<br />
CONTACT THE MUSEUM<br />
608.257.0158 • info@mmoca.org • www.mmoca.org<br />
© Madison Museum of Contemporary Art. Artworks © the artist unless otherwise noted. Artworks<br />
may not be reproduced without permission of the copyright holder.<br />
14<br />
THIS PAGE: <strong>MMoCA</strong> at night. Photography by Nicholas Sadowski. • Dinner at Fresco.<br />
Photography by Chris Hayes. OPPOSITE: <strong>MMoCA</strong> Art & Gift Fair. Photo © <strong>MMoCA</strong> (left).<br />
Photography by Amit Israeli (top and bottom right). • Arts Ball. Photography by Larry Chua.
EVENT PHOTOS<br />
<strong>MMoCA</strong> ART & GIFT FAIR, NOV 18 & 19<br />
ARTS BALL, NOV 11<br />
15
227 State Street • Madison, WI 53703<br />
Nonprofit Org.<br />
U.S. Postage<br />
PAID<br />
Madison, Wisconsin<br />
Permit No. 1143<br />
HAPPY NEW YEAR!<br />
FEBRUARY 1–14 Our annual Valentine’s Day Jewelry Sale is quickly<br />
approaching! 15% off all regularly priced jewelry. Langer Society members<br />
may take 25% off the retail price.<br />
MARCH 1–14 Puzzle and Toy Sale: 15% off all regularly priced toys.<br />
Langer Society members may take 25% off the retail price.<br />
APRIL 1–14 Wearable Sale: 15% off all regularly priced purses, scarves,<br />
hats, and gloves. Langer Society members may take 25% off the retail price.<br />
NEW Vegan wallets, purses, and backpacks by Espe of Canada.<br />
Oropopo leather jewelry by Karole Mazeika of New Mexico features<br />
a modern and geometric look that’s easy to wear.<br />
DON’T FORGET MOM ON MOTHER’S DAY! This is the perfect time to<br />
take advantage of our wearable discount. Gift wrap and shipping are available<br />
upon request.<br />
Every purchase supports <strong>MMoCA</strong>’s free exhibitions and education programs.<br />
Local and regional artists are always featured in our award-winning store.<br />
MUSEUM STORE HOURS<br />
Sun–Mon: 12–5 pm<br />
Tue–Thur: 11 am–5 pm<br />
Fri: 11 am–8 pm<br />
Sat: 10 am–8 pm<br />
CLOSED ALL MONDAYS IN JANUARY<br />
Necklace by Ayala Bar