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62 <strong>Year</strong>s Informing International & UK Visitors<br />

Est. 1956 Issue 3080<br />

NEW YEAR ISSUE, <strong>2018</strong><br />

CARLY PAOLI VALENTINE’S CONCERT<br />

Thursday 15th February<br />

Box Office 020 7730 4500<br />

www.cadoganhall.com www.carlypaoli.com


3<br />

CONTENTS<br />

Events 4<br />

<strong>Year</strong> in Focus 2017 at Getty Images<br />

London Model Engineering Exhibition<br />

Kew Orchids Festival <strong>2018</strong><br />

Music 8<br />

Carly Paoli Valentine’s Concert<br />

Royal Holloway in Concert<br />

Sadler’s Wells Sampled<br />

Exhibitions 12<br />

Churchill Season Comes to Parliament<br />

Hayward Gallery Re-Opening<br />

ABBA: Super Troupers The Exhibition<br />

Theatre 16<br />

Pinocchio<br />

The Grinning Man Extends<br />

Small Faces’ All or Nothing Transfers<br />

Welcome to London<br />

Bigger, brighter and bolder, the Lumiere London light festival returns for<br />

a spectacular second year from 18-21 January. More than 50 artworks will<br />

transfom the city into a dazzling nocturnal art exhibition. This world-class<br />

light festival that takes place over four evenings showcases the capital’s<br />

spectacular and iconic architecture and streets through the vision of<br />

leading UK and international artists.<br />

Proprietor Julie Jones<br />

Publishing Consultant Terry Mansfield CBE<br />

Associate Publisher Beth Jones<br />

Editorial Clive Hirschhorn Sue Webster<br />

The biggest festival of light in London to date returns following the success<br />

of the first edition in January 2016, when it attracted an estimated 1.3 million<br />

visits over four nights in London's West End, Mayfair and King’s Cross.<br />

© This is London Magazine Limited<br />

This is London at the Olympic Park<br />

Stour Space, 7 Roach Road,<br />

Fish Island, London E3 2PA<br />

Telephone: 020 7434 1281<br />

www.til.com<br />

www.thisislondonmagazine.com<br />

The <strong>2018</strong> exhibition has an expanded footprint extending north to south,<br />

from King’s Cross, through Fitzrovia, Mayfair, and the West End to<br />

Trafalgar Square, Westminster, Victoria, South Bank and Waterloo.<br />

Whilst every care is taken in the preparation of this<br />

magazine and in the handling of all the material<br />

supplied, neither the Publishers nor their agents<br />

accept responsibility for any damage, errors or<br />

omissions, however these may be caused.<br />

VISITOR INFORMATION<br />

Emergencies 999 Police Ambulance Fire<br />

24 Hour Casualty 020 8746 8000<br />

Dentistry 0808 155 3256<br />

Victim Support 0845 30 30 900<br />

Visit London 020 7234 5833<br />

Heathrow Airport 0844 335 1801<br />

Gatwick Airport 0844 892 0322<br />

Taxis 020 7272 5471<br />

Dry Cleaner 7491 3426 Florist 7831 6776<br />

Optician 7581 6336 Watches 7493 5916<br />

t h i s i s l o n d o n m a g a z i n e • t h i s i s l o n d o n o n l i n e


4<br />

Chris Jackson/Getty Images.<br />

YEAR IN FOCUS 2017 AT GETTY<br />

IMAGES GALLERY<br />

Getty Images Gallery is showing <strong>Year</strong><br />

in Focus 2017, a retrospective exhibition<br />

featuring a stunning curation of images<br />

that captured and defined the global<br />

news agenda and events of the past year.<br />

In 2017, Getty Images’ editorial team<br />

of award-winning photographers<br />

provided coverage 24 hours a day, seven<br />

days a week, from all corners of the<br />

world. They were at the centre of the key<br />

news stories and major events, covering<br />

more than 160,000 news, sport and<br />

entertainment events at home and<br />

abroad. <strong>Year</strong> in Focus 2017 will<br />

showcase the most significant moments<br />

from the past year, as well as archival<br />

anniversaries, portraits and obituaries.<br />

Featured are powerful images that<br />

document some of 2017’s most<br />

important news events, including the<br />

genocide of the Rohingya, Hurricane<br />

Harvey and the devastation of Grenfell<br />

Tower. The exhibition showcases some<br />

of the year’s highest profile<br />

entertainment and sporting events, from<br />

Cannes Film Festival to Wimbledon and<br />

the World Athletics Championships.<br />

As well as images from the past year,<br />

the curation includes archival images of<br />

Princess Diana to mark 20 years since<br />

her death, alongside other anniversaries<br />

such as the Russian Revolution and the<br />

Hindenburg disaster.<br />

Ken Mainardis, Senior Vice President,<br />

Editorial, Getty Images said: ‘2017 gave<br />

us some iconic images – many of them<br />

on display in this exhibition – and I feel,<br />

a tremendous sense of hope for photojournalism<br />

as a key tool of democracy.<br />

Storytelling through photojournalism<br />

continues to be perhaps the one thing<br />

that connects us all globally – that helps<br />

us all to be engaged global citizens.<br />

Capturing moments of tragedy or triumph,<br />

in faraway places or on our doorstep,<br />

photography tells us about our past and<br />

informs our future.’<br />

<strong>Year</strong> in Focus runs until 3 February<br />

and admission is free. A selection of<br />

images will be available for purchase as<br />

fine art prints. Getty Images Gallery is<br />

situated at 46 Eastcastle Street, W1.<br />

ENDANGERED OKAPI BORN AT<br />

ZSL LONDON ZOO<br />

Zookeepers have named the newest<br />

arrival at ZSL London Zoo Meghan, after<br />

Meghan Markle, Prince Harry’s fiancée,<br />

in celebration of this year’s forthcoming<br />

Royal Wedding. The name is particularly<br />

fitting because okapis were<br />

coincidentally first brought to the world’s<br />

attention in 1901 by another Harry, ZSL<br />

fellow Sir Harry Johnstone.<br />

After a 14-month gestation, it was a<br />

relatively speedy birth for first-time mum<br />

Oni, with the youngster emerging in just<br />

over half an hour on 9 December. It<br />

wasn’t long before keepers, watching on<br />

camera from the next room, saw the<br />

newborn rise up to take her first tentative<br />

steps towards mum for a feed. An<br />

important addition to the Zoo family,<br />

Meghan, is already a firm favourite<br />

among visitors.<br />

Founded in 1826, ZSL (Zoological<br />

Society of London) is an international<br />

scientific, conservation and educational<br />

charity whose mission is to promote and<br />

achieve the worldwide conservation of<br />

animals and their habitats.<br />

Further information at www.zsl.org<br />

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6<br />

LONDON MODEL ENGINEERING<br />

EXHIBITION<br />

The London Model Engineering<br />

Exhibition returns to Alexandra Palace<br />

from 19-21 January and is regarded as<br />

one of the leading model shows in the UK<br />

attracting over 14,000 visitors annually.<br />

See the full spectrum of model<br />

engineering at the show from traditional<br />

model engineering, collections of scale<br />

model ships, through to the more<br />

modern gadgets and boys toys including<br />

remote control trucks, boats, aeroplanes<br />

and helicopters. Visitors can travel<br />

between the show’s different zones and<br />

take part in hands-on model building<br />

activities, see fascinating technical<br />

demonstrations, marvel at the working<br />

Meccano displays, watch Tamiya radiocontrolled<br />

trucks tackle a fabulously<br />

detailed obstacle course to flying model<br />

aeroplanes with the BMFA – the familyfriendly<br />

event offers a wide range of<br />

entertaining activities. Over fifty national<br />

and regional modelling clubs and<br />

societies and associations will be<br />

displaying their members’ work each of<br />

which competing to win the prestigious<br />

Society Shield.<br />

Making its show debut is Royal Navy<br />

veteran David Fortey who will officially<br />

unveil his incredible scale model of the<br />

former flagship aircraft carrier HMS Ark<br />

Royal (R09) which has taken him 25<br />

years to build. Working from original<br />

builders plans direct from the MOD,<br />

Legends of Railway – <strong>2018</strong><br />

commemorates 80 years (1938) since<br />

Mallard set a new world speed record for<br />

steam locomotives at 126mph. To<br />

honour the achievement, Gauge One, the<br />

OO Live Steam Club will display an<br />

OO-gauge loco finished in the LNER<br />

Garter Blue livery with valances which<br />

runs on a track.<br />

<strong>2018</strong> also commemorates the 175th<br />

anniversary of the SS Great Britain.<br />

Isambard Kingdom Brunel FRS was<br />

considered one of the most ingenious and<br />

prolific figures in engineering history. His<br />

designs revolutionised public transport<br />

and modern engineering.<br />

The London Model Engineering<br />

Exhibition is a great day out for all the<br />

family whatever the weather. Nearest<br />

underground is Wood Green.<br />

DANIEL WANJIRU TO RACE<br />

THE BIG HALF<br />

The 2017 Virgin Money London<br />

Marathon champion Daniel Wanjiru will<br />

take on British favourites Sir Mo Farah<br />

and Callum Hawkins in a mouthwatering<br />

elite men’s race at The Big Half.<br />

The 25-year-old Kenyan, who claimed<br />

the biggest win of his career at the<br />

London Marathon last April, will return<br />

to the streets of the capital on Sunday<br />

4 March over the half marathon<br />

distance. Wanjiru’s participation adds a<br />

third leading contender to an exciting<br />

Big Clash against Farah, the four-time<br />

Olympic and World Championship<br />

champion on the track and Hawkins,<br />

who was fourth in last summer’s World<br />

Championship marathon in London.<br />

With a half-marathon personal best<br />

(PB) of 59 minutes and 20 seconds set<br />

last year, Wanjiru is the fastest on paper<br />

of the three men. Farah has a PB of<br />

59:32, which is also the British record,<br />

which he set in Lisbon in 2015 while<br />

Hawkins ran a Scottish record of 60:00<br />

in Japan last February.<br />

The Big Half starts by Tower Bridge<br />

and finishes in front of the Cutty Sark in<br />

Greenwich, using many of the same<br />

roads as the first half of the Virgin<br />

Money London Marathon.<br />

The race is part of a one-day festival<br />

centred around the half-marathon<br />

distance which aims to be ‘truly global<br />

and uniquely local’.<br />

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I Musicanti.<br />

ALEXANDRA AND THE RUSSIANS<br />

AT ST JOHN’S SMITH SQUARE<br />

Chamber ensemble I Musicanti<br />

returns to St John’s Smith Square’s<br />

‘Sundays at St John’s’ series on<br />

21 January for the third concert in their<br />

series: Alexandra and the Russians.<br />

I Musicanti is a mixed-instrument<br />

ensemble comprising some of Britain's<br />

most experienced and respected<br />

musicians, chosen by artistic director<br />

Leon Bosch. It is Bosch who is also<br />

responsible for putting together the<br />

programmes for Alexandra and the<br />

Russians, a four-concert series which<br />

features world premieres by Alexandra<br />

Harwood alongside classics of the<br />

Russian chamber music repertoire as<br />

well as less familiar pieces.<br />

Harwood, a descendant of Catherine<br />

the Great, bases each of her new works<br />

in the series on episodes from Russian<br />

folk tales. To Sleep, the work to be<br />

premiered on 21 January, takes the<br />

original Russian version of Snow White<br />

as its source, and focuses on her deep<br />

sleep. It is scored for pairs of violins,<br />

violas and cellos, thereby using the<br />

same line-up as Tchaikovsky’s ‘Souvenir<br />

de Florence’, one of the most celebrated<br />

(and celebratory) string sextets.<br />

A memento of a trip the composer made<br />

to Tuscany, it ends the concert which<br />

begins with Anton Arensky’s second<br />

quartet. Arensky’s tribute to Tchaikovsky<br />

has the unusual instrumentation of<br />

single violin and viola with two cellos.<br />

The series Alexandra and the<br />

Russians concludes on Sunday 3 June.<br />

KEW’S FIRST THAI-INSPIRED<br />

ORCHIDS FESTIVAL<br />

Thailand’s vibrant colours, culture,<br />

and magnificent plant life will be the<br />

centrepiece of Kew Gardens <strong>2018</strong><br />

Orchids Festival in February. Inside the<br />

tropical paradise of the Princess of<br />

Wales Conservatory, visitors to Kew’s<br />

23rd annual Orchids Festival will get a<br />

chance to shake off the winter blues and<br />

get creative through a host of exciting<br />

new events and activities designed to<br />

appeal to all ages.<br />

Colourful floral displays will welcome<br />

visitors as they enter the tropical<br />

glasshouse and wander through a<br />

magnificently colourful Vanda tunnel,<br />

with three arches delicately covered with<br />

hanging orchids. Beautifully handcrafted<br />

floating Thai umbrellas will lead to an<br />

exquisite Bang Pa-In-inspired orchid<br />

palace. A traditional Thai market boat<br />

and rice paddy form an exquisite water<br />

display, representing a typical bucolic<br />

scene, complete with a special Thai cart<br />

on loan from the Royal Thai Embassy in<br />

London.<br />

As well as the stunning visual<br />

displays, visitors will be immersed in<br />

the sounds of Thailand’s everyday hustle<br />

and bustle via four different specially<br />

commissioned soundscapes playing<br />

inside the glasshouse. From the<br />

grinding of ingredients and the sizzling<br />

of spices in a pan, to the tranquil sounds<br />

of an exotic spa and the regal stirrings of<br />

a palace, all aspects of Thailand’s culture<br />

are captured throughout the diverse<br />

soundtracks.<br />

Thailand is home to 1,100 species of<br />

orchid. Botanists have been naming and<br />

describing orchids for more than 250<br />

years and Kew is a world leader in this<br />

field. Last year alone, 600 new species<br />

were discovered worldwide, including<br />

three from Thailand. Many orchids have<br />

important medicinal properties as well<br />

as being revered globally for their<br />

delicate beauty.<br />

The Princess of Wales Conservatory<br />

film room will be transformed into a<br />

versatile Thai themed activity area,<br />

where visitors can take a seat, put their<br />

feet up and learn about the beauty of<br />

orchids, and the important science work<br />

Kew is doing through a specially<br />

commissioned film.<br />

7<br />

t h i s i s l o n d o n m a g a z i n e • t h i s i s l o n d o n o n l i n e


8<br />

CARLY PAOLI TO PERFORM VALENTINE’S CONCERT<br />

The last couple of years have been very exciting for Carly<br />

Paoli. The critically acclaimed, classically trained singer has<br />

been making musical waves, highlighted by the release of her<br />

first album Singing My Dreams on the Abiah Music label.<br />

Next month, on 15 February, she will headline her own<br />

concert with a Valentine’s theme at Cadogan Hall.<br />

Her career could be said to be just<br />

starting but in fact she already has an<br />

impressive list of credits to her name.<br />

Having won scholarships to study at<br />

Tring Park and the Royal Northern<br />

College of Music, she was appointed as<br />

a brand ambassador by Bedat & Co<br />

Geneve, the luxury watch manufacturer,<br />

who were impressed by her style and<br />

poise. This is turn led to an invitation by<br />

renowned producer, composer and<br />

arranger David Foster for her to appear<br />

in a star-studded concert in Calgary for<br />

his charitable Foundation. The link with<br />

Foster has endured as she has also sung<br />

for him in Phoenix Arizona and he in<br />

turn was a special guest in her concert<br />

Music for Mercy in Rome 2016.<br />

However, Foster is not the only<br />

celebrity that she has shared a<br />

performing space with. As mentioned,<br />

her album boasts a duet with the<br />

celebrated tenor, José Carreras.<br />

‘I first met José when he and I sang<br />

at Windsor Castle for HRH Prince<br />

Released in June 2017 her album shot<br />

straight to No 2 in the official Classical<br />

Music charts garnering 5* reviews. It is a<br />

mixture of original and familiar music, all<br />

underpinned by lush, romantic,<br />

Hollywood-inspired scoring. There are<br />

songs by Josh Groban and Brian Byrne,<br />

Jason Robert Brown, a duet with José<br />

Carreras, arrangements by prolific awardwinner<br />

William Ross, a new song with<br />

lyrics by the legendary Don Black and an<br />

amazing adaptation of James Horner’s<br />

theme from Legends of the Fall with lyrics<br />

by Carly herself, who has also written<br />

lyrics for other songs on the album.<br />

David Mellor said of Carly that ‘she<br />

‘effortlessly straddles two countries,<br />

Britain and Italy.’ The Italian connection<br />

is important in the background to this<br />

charming, quietly spoken but assured<br />

young artist. She was born and brought<br />

up in Nottinghamshire but her mother is<br />

Italian and she has a large family living<br />

in Puglia. She spent all her summers<br />

there and as a result is bilingual.<br />

‘I did a lot of singing in Italy; in fact<br />

most of my early experience in<br />

performing came from there as I would<br />

sing in all the local piazzas. Italy, with its<br />

huge love for music is a place where<br />

every town has a open air space where<br />

they hold concerts and in my home<br />

region in the South of Italy I sang in<br />

most of them. However, my desire to<br />

sing came from my love of the MGM<br />

Musicals and Disney films. My mum<br />

bought them all for me and I knew every<br />

word and sang every song and my<br />

fabulous family got used to hearing me<br />

constantly singing.’<br />

t h i s i s l o n d o n m a g a z i n e • t h i s i s l o n d o n o n l i n e


Charles. It was a dream to be on stage<br />

with him as not only did I personally<br />

admire him, but he was also a firm<br />

favourite of my late grandmother. When<br />

we recorded the duet in Barcelona, I had<br />

to pinch myself to think that I was<br />

standing there singing with this amazing<br />

man who, by the way, was an absolute<br />

gentleman and endlessly encouraging.’<br />

Then, there is her connection with<br />

Andrea Bocelli with whom she has<br />

appeared on several occasions. She was<br />

his special guest at the O2 and a concert<br />

of theirs in Florence went out on PBS<br />

television. In 2015, she headlined an<br />

amazing concert at Caracalla in Rome<br />

with guests Carreras and Bocelli. Soon<br />

after that her version of Ave Maria, a<br />

completely new version of the prayer<br />

written by her album producer Romano<br />

Musumarra with lyrics by Grant Black,<br />

was chosen by the Vatican to be the<br />

official song for Pope Francis’ Jubilee<br />

2016. In the same year, a unique event<br />

was staged in the historical Roman<br />

Forum. Entitled ‘Music for Mercy,’ the<br />

concert starred Carly, Bocelli, Elaine<br />

Paige, David Foster and The Tenors and<br />

was broadcast live on RAI Uno and later<br />

by SKY Arts.<br />

Her link with Italy is as strong as ever,<br />

although now the open-air events are on<br />

a much grander scale. On RAI television<br />

she appeared in Assisi for a live charity<br />

telethon and then in Sorrento. She was<br />

recently presented with a Premio<br />

Barocco award in recognition of her<br />

contribution to Italian music and culture<br />

and a Glamour magazine award for her<br />

commitment to children’s charities.<br />

‘From very young, I had dreams of<br />

performing onstage for an audience.<br />

Part of the reason for the choice of title<br />

for my album reflected those childhood<br />

fantasies. The last couple of years have<br />

been so exciting and filled with such<br />

fabulous experiences, incredible<br />

musical colleagues and wonderful<br />

audiences.’<br />

The young singer is an accomplished<br />

artist. In her recent UK tour, she<br />

captivated her audiences with her clear<br />

diction, soaring soprano and emotional<br />

connection to the lyrics. Her album is a<br />

testament to Abiah Music’s commitment<br />

to their artist as she is accompanied by<br />

the London Symphony Orchestra, Arts<br />

Symphonic and Orchestra di Roma and<br />

recorded at Abbey Road Studios and the<br />

Forum Studios in Rome.<br />

Carly will headline The Valentine’s<br />

Special Concert at Cadogan Hall on<br />

15 February, with the Abiah Symphony<br />

Orchestra conducted by Grammy-award<br />

winning composer Steven Mercurio. Her<br />

special guests are Grammy award<br />

winning flautist, Andrea Griminelli who<br />

has won praise for his sensitive playing<br />

and technical prowess, and Italian tenor<br />

Federico Paciotti who mixes rock guitar<br />

with powerful operatic singing. She is<br />

especially thrilled that Tring Park 16 will<br />

join her on stage. The choir was<br />

BBC Songs of Praise Choir of the <strong>Year</strong><br />

in 2016 and finalists in 2017 for Pitch<br />

Battle. Carly Paoli has travelled a long<br />

way throughout her career, but now she<br />

is coming home to London and the<br />

concert will be a night to remember.<br />

For tickets, telephone the box office<br />

on 020 7730 4500 or visit the website at<br />

www.cadoganhall.com<br />

9<br />

t h i s i s l o n d o n m a g a z i n e • t h i s i s l o n d o n o n l i n e


10<br />

MEYER ORIGINALS<br />

TANZTHEATER WUPPERTAL<br />

PINA BAUSCH IN VIKTOR<br />

Viktor, created by the endlessly<br />

inventive Pina Bausch, returns to<br />

Sadler’s Wells from 8-11 February. The<br />

piece, an international co-production<br />

with Teatro Argentino and the City of<br />

Rome, is performed by the legendary<br />

Tanztheater Wuppertal Pina Bausch,.<br />

In 1986, the city of Rome invited Pina<br />

Bausch and her company to make a<br />

piece inspired by the Eternal City. Viktor<br />

turned out to be the first of Pina<br />

Bausch’s epic travelogues, a series<br />

which took her company around the<br />

world for inspiration-gathering<br />

residencies. Living in each city for a<br />

period of time, her renowned company<br />

would then return to Wuppertal to create<br />

a new work inspired by their visit.<br />

Viktor is set to music which spans<br />

centuries and continents: folk music from<br />

Italy, waltzes from Russia and dance<br />

music from the Middle Ages to the 1930s.<br />

Renowned as the inventor of<br />

tanztheater, and widely regarded as one<br />

of the most significant influences in<br />

contemporary dance, Pina Bausch has<br />

inspired generations of audiences and<br />

artists all over the world, nurturing an<br />

ensemble of vivid imagination and grand<br />

scale. Since her death in 2009, the<br />

company has continued present her<br />

choreographic works around the world.<br />

SADLER'S WELLS SAMPLED<br />

Sadler’s Wells starts the new year with<br />

the return of the dance taster festival<br />

Sadler’s Wells Sampled, featuring worldclass<br />

dance and a series of workshops<br />

and foyer activities, on Friday 2 and<br />

Saturday 3 February.<br />

A regular fixture since 2007, Sampled<br />

features a wide variety of dance, from<br />

classical ballet to hip hop, contemporary<br />

and flamenco.<br />

The <strong>2018</strong> festival includes performances<br />

from the finalists of BBC Younger<br />

Dancer 2017, showcasing the best of<br />

young British dance talent.<br />

Former dancer with Ballet Nacional<br />

de España, Jesús Carmona is a pioneer<br />

in flamenco’s evolution and is one of<br />

three international acts in this year’s<br />

festival. His footwork and ballet-infused<br />

moves translate masterfully to the work<br />

he creates for his own company.<br />

Ballet is represented in this year’s<br />

festival by some of the UK’s leading<br />

artists. Firstly, former Principal of The<br />

Royal Ballet, Zenaida Yanowsky who<br />

performs Dying Swan. A solo created<br />

specifically for the great dancer Anna<br />

Pavlova by Mikhail Fokine in 1905, set<br />

to Camille Saint-Saëns's cello solo<br />

Le Cygne from Le Carnaval des Animaux<br />

(The Carnival of the Animals).<br />

Birmingham Royal Ballet, completes<br />

the ballet line-up with a duet from the<br />

company’s work, Kin, created for the<br />

company by former Birmingham Royal<br />

Ballet dancer Alexander Whitley. Kin.<br />

celebrates the raw kinetics of dance, the<br />

virtuosity of ballet technique and the<br />

potential for movement to bring us<br />

together in different ways.<br />

Contemporary dance is showcased in<br />

Sampled by both new and established<br />

companies. Candoco Dance Company,<br />

the renowned contemporary dance<br />

company of disabled and non-disabled<br />

performers present Dedicated to... a new<br />

work for the company by Caroline<br />

Bowditch. The piece reveals the<br />

extraordinary bonds we make throughout<br />

our lives in a touching portrayal of<br />

female strength, support and friendship.<br />

Fascinated with the complexities of<br />

Western physics, astrophysics and<br />

Eastern mysticism, Birmingham and<br />

Barcelona based contemporary dance<br />

company, Humanhood, explore the deep<br />

connections which lie between these<br />

seemingly abstract fields. Commissioned<br />

by The Movement for Sampled, company<br />

founders Rudi Cole and Júlia Robert<br />

Parés present a re-worked extract from<br />

their first full length duet ZERO, which<br />

explores the interconnections and<br />

synchronicity in the universe.<br />

Completing the contemporary dance<br />

line up is NDT2. Founded in 1978,<br />

NDT2 is the second, younger company<br />

of Nederlands Dans Theater, widely<br />

considered to be one of the most<br />

inventive and original dance companies<br />

in Europe. The company has established<br />

a reputation for the astounding<br />

technique and boundless energy.<br />

Award-winning hip hop dance crew<br />

Yeah Yellow are a multidisciplinary dance<br />

group from France and complete this<br />

year’s London line-up. The company<br />

consider themselves a collective of<br />

dancing Jedi Knights showcasing their<br />

creativity, originality and ‘joie de vivre’,<br />

whether hip hop or breaking. Since their<br />

inception they have performed and battled<br />

internationally, representing France with<br />

numerous titles under their belt.<br />

Tickets from the box office telephone<br />

020 7863 8000 or visit the website at<br />

www.sadlerswells.com<br />

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ROYAL HOLLOWAY IN CONCERT<br />

WITH LONDON MOZART PLAYERS<br />

The world-famous Choir of Royal<br />

Holloway, University of London,<br />

in partnership with the London Mozart<br />

Players and the Royal Holloway<br />

Chamber Orchestra, will be performing a<br />

new year spectacular at St John's Smith<br />

Square on 31 January. Royal Holloway<br />

in Concert with the London Mozart<br />

Players will see the ensembles uniting<br />

for a showcase including Beethoven’s<br />

masterpiece 5th Symphony and Vaughan<br />

Williams’ Serenade to Music.<br />

The Choir of Royal Holloway is<br />

considered one of the finest mixed-voice<br />

collegiate choirs in the UK. This rare<br />

opportunity to see them perform<br />

accompanied by the Chamber Orchestra,<br />

which features some of the most<br />

distinguished student musicians in the UK<br />

and the UK’s oldest chamber orchestra,<br />

London Mozart Players, is the perfect night<br />

out for music lovers. The concert will be a<br />

masterclass in choral and orchestral music.<br />

In 1918, the Representation of the<br />

People Act was enacted, reforming the<br />

country’s election system and securing<br />

the vote for some women for the first<br />

time, and most men. Celebrating the<br />

centenary of this landmark law, the<br />

concert programme includes the world<br />

premiere of a new commission from<br />

composer Joanna Marsh, reflecting on<br />

the 1913 Derby, where suffragette and<br />

Royal Holloway alumna Emily Wilding<br />

Davison famously stepped in front of<br />

the king’s horse.<br />

For tickets, telephone 020 7222 1061<br />

or visit www.sjss.org.uk<br />

THE COMPLETE BEETHOVEN PIANO<br />

TRIOS AT ST JAMES’S PICCADILLY<br />

The West End’s newest chamber<br />

music series, based in one of London’s<br />

most beautiful venues, St James’s<br />

Piccadilly, launches next week with a<br />

season of five concerts that present<br />

Beethoven’s complete Piano Trios. These<br />

works represent the pinnacle of chamber<br />

music writing up to that point and the<br />

programmes will highlight the farreaching<br />

influence of these masterpieces<br />

on subsequent composers right up to<br />

the present day.<br />

The launch concert appropriately<br />

showcases Beethoven’s piano trio No.1<br />

and the virtuosic ‘Gassenhauer’ trio.<br />

These are set alongside one of Haydn’s<br />

most influential chamber works, the<br />

popular ‘Gypsy’ trio and the lyrical<br />

Notturno by Schubert, who was so<br />

greatly influenced by the chamber music<br />

of Beethoven. The programme is<br />

completed by the highly evocative<br />

‘The Colour of Blossoms’ by British<br />

composer Cecilia Mcdowall.<br />

Outstanding violinist Rhys Watkins is a<br />

member of the London Symphony<br />

Orchestra and is joined by the prizewinning<br />

international cellist Rowena<br />

Calvert and concert pianist Warren<br />

Mailley-Smith, who became the first<br />

British pianist to perform Chopin’s<br />

complete works from memory in 2016.<br />

The concert will take place on Friday<br />

26 January at 19.30. For tickets,<br />

telephone 0333 666 3366 or visit<br />

www.piccadillychamberconcerts.com<br />

11<br />

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12<br />

CHURCHILL SEASON COMES TO<br />

PARLIAMENT IN EARLY <strong>2018</strong><br />

To coincide with the UK release of the<br />

feature film ‘Darkest Hour’, the Houses of<br />

Parliament is running ‘A Churchill<br />

Season’ of special events which includes<br />

a ‘Churchill Tour Experience’ on Friday<br />

26 January with the chance to meet<br />

Parliamentary Archivists. ‘Churchill’<br />

Guided Tours will run on all Saturdays<br />

between 13 January and 17 February.<br />

'Darkest Hour’ is a British biographical<br />

war drama film directed by Joe Wright.<br />

Starring Gary Oldman as Sir Winston<br />

Churchill the film follows his early days<br />

as Prime Minister and includes shots<br />

from inside the Palace of Westminster.<br />

The ‘Churchill Season’ events will<br />

highlight Churchill’s life and career in the<br />

House of Commons, and give visitors a<br />

unique and fascinating insight into this<br />

key period in our nation’s history.<br />

Welcoming the new events, grandson<br />

of Sir Winston Churchill, Rt Hon<br />

Sir Nicholas Soames MP commented:<br />

‘I’m delighted that Parliament is to<br />

celebrate the life of Sir Winston<br />

Churchill and his 64 years as a<br />

Parliamentary Archives, VGO/5/2<br />

Member of Parliament. These events<br />

coincide with the release of the<br />

remarkable new film on Sir Winston,<br />

Darkest Hour. It is my hope that visitors<br />

will enjoy the chance to learn more of<br />

Sir Winston’s extraordinary<br />

Parliamentary career and his legacy, and<br />

further, will go away with a clearer<br />

understanding of this truly momentous<br />

period in the history of our country.’<br />

The ‘Churchill Tour Experience’ reflect<br />

a parliamentary career that spanned 64<br />

years. In St Stephen’s Hall, you will have<br />

the chance to view facsimiles of original<br />

documents, correspondence and<br />

photographs relating to Churchill’s life<br />

in the House of Commons.<br />

‘Churchill’ Guided Tours on Saturdays<br />

between 13 January and 17 February<br />

last for 90 minutes as a knowledgeable<br />

Blue Badge guide will take you on a fun<br />

and informative tour which has been<br />

adapted to focus on Churchill’s long<br />

career in Parliament. Highlights of the<br />

tour include visits to both the Commons<br />

Chamber and Lords Chamber where<br />

Churchill debated many matters of<br />

national and international interest.<br />

More information on how to book, at<br />

www.parliament.uk/churchill-season-<strong>2018</strong><br />

Samuel Waterhouse at work.<br />

SAMUEL WATERHOUSE – JEWELLER<br />

AND SILVERSMITH<br />

Samuel Waterhouse is a self-taught<br />

jeweller and silversmith who aims to<br />

create contemporary jewellery and<br />

silverware inspired by antiquity. He<br />

began making after being shown a silver<br />

spoon made by his father, who then<br />

taught him the first basic techniques of<br />

silversmithing. Samuel then continued<br />

to teach himself through books, practice<br />

and experimentation.<br />

As he is predominantly self-taught,<br />

Samuel sees his work as largely process<br />

led. He usually begins his work by<br />

creating his own alloy of metal<br />

specifically for a piece that he has in<br />

mind. He prefers working in this way as<br />

he believes that by beginning to make<br />

from this very base level (by alloying<br />

metals and casting ingots, then<br />

gradually becoming more refined in<br />

terms of process, accuracy and skill), it<br />

enables him to observe the<br />

transformation of materials and gain an<br />

insight into its physical character.<br />

You can view and purchase from<br />

Samuel at the next London Desire<br />

Jewellery & Silversmithing Fair being<br />

held from 2-4 March at Kensington<br />

Town Hall.<br />

t h i s i s l o n d o n m a g a z i n e • t h i s i s l o n d o n o n l i n e


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14<br />

HAMLEYS: THE FINEST TOY SHOP<br />

IN THE WORLD<br />

As a boy, William Hamley dreamed of<br />

opening the best toy shop in the world,<br />

and in fact, he did. In 1760, he opened<br />

‘Noah’s Ark’ and filled it with every type<br />

of toy, from rag dolls to tin soldiers. By<br />

the time Queen Victoria came to the<br />

throne in 1837, Hamleys was already a<br />

London landmark.<br />

The shop was so successful that a<br />

new branch was opened on Regent<br />

Street in 1881 and added a further five<br />

floors of toys. Hamleys, filled with<br />

everything from toy theatres, puppets,<br />

pedal cars and miniature railways trains,<br />

had become the largest toy shop in the<br />

world.<br />

Just like everyone else, Hamleys<br />

faced hard times in the 1920s, and was<br />

forced to close in 1931. But the story<br />

has a happy ending. Walter Lines bought<br />

Hamleys and worked hard to bring<br />

customers back. In 1938, his efforts<br />

were rewarded when Queen Mary gave<br />

Hamleys the Royal Warrant.<br />

Even though it was bombed five times<br />

during World War II, Hamleys did not<br />

stop. Wearing tin hats, staff served at the<br />

shop entrance, rushing in to collect the<br />

toys then handing them over at the door.<br />

When she came to the throne, Queen<br />

Elizabeth II showed she still remembered<br />

the toys her grandmother had given her,<br />

and in turn gave Hamleys toys to her<br />

own children. In 1955, she honored<br />

Walter Lines with a second Royal<br />

Warrant as a ‘Toys and Sports Merchant.’<br />

The toys may have changed, but if he<br />

were here today, William Hamley would<br />

recognise the same delighted faces that<br />

he dreamt of in his shop as a boy. Its<br />

famous location at 188-196 Regent<br />

Street has over seven floors of toys and<br />

games that are sure to delight any child.<br />

With over 255 years of experience in<br />

bringing smiles and joy to children,<br />

Hamleys is known and trusted by<br />

families all over the world.<br />

Hamleys Toy Shop is situated midway<br />

along Regent Street. Tthe nearest<br />

underground station is Oxford Circus.<br />

HAYWARD GALLERY RE-OPENING:<br />

ANDREAS GURSKY RETROSPECTIVE<br />

London’s Hayward Gallery will stage<br />

the first major retrospective in a UK<br />

institution of the work of acclaimed<br />

German photographer Andreas Gursky<br />

(Germany, 1955) from 25 January.<br />

Widely regarded as one of the most<br />

significant photographers of our time,<br />

Gursky is known for his large-scale,<br />

often spectacular pictures that portray<br />

emblematic sites and scenes of the<br />

global economy and contemporary life.<br />

The exhibition will feature approximately<br />

60 of the artist’s ground-breaking<br />

photographs, from the 1980s through to<br />

six new works, which continues to push<br />

the boundaries of the medium. Gursky’s<br />

art is driven by an interest, and insight,<br />

into forms of collective existence and<br />

includes depictions of massive manmade<br />

structures and huge gatherings of<br />

people in nightclubs, factories, arenas,<br />

and vast landscapes.<br />

Andreas Gursky marks the beginning<br />

of the Hayward Gallery’s 50th<br />

anniversary year and is the first<br />

exhibition to take place in the Gallery<br />

following its two-year refurbishment,<br />

along with two of Southbank Centre’s<br />

Andreas Gursky: Rhine II, 1999/2015. Inkjet-Print 237.8 x 407.8 x 6.2 cm<br />

© Andreas Gursky/DACS, 2017. Courtesy: Sprüth Magers.<br />

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other venues, the Queen Elizabeth Hall<br />

and Purcell Room. For the first time<br />

since the gallery’s original opening, the<br />

gallery’s pyramid roof lights will allow<br />

natural light into the spaces below.<br />

The exhibition includes some of the<br />

artist’s most well known works including<br />

Paris, Montparnasse (1993), an immense<br />

and iconic photograph showing a<br />

seemingly endless block of flats; and<br />

Rhine II (1999/2015) – pictured – a sleek<br />

digitally-tweaked vision of the river as a<br />

contemporary minimalist symbol.<br />

Kamiokande (2007) featuring the vast<br />

underground water tank within the Kamioka<br />

Nucleon Decay Experiment, Japan; and<br />

May Day IV (2000/2014) depicting<br />

hundreds of revellers at Germany’s longrunning<br />

Mayday techno music festival.<br />

Often employing a bird’s-eye perspective,<br />

these large-format pictures boast an<br />

abundance of precisely captured details,<br />

all of which are uncannily in focus.<br />

Since the late 1980s, Gursky has<br />

depicted a broad spectrum of<br />

contemporary life including sites of<br />

commerce, industry and tourism across<br />

the globe, making pictures that draw<br />

attention to our changing relationship with<br />

the natural world and chronicle the effects<br />

of globalisation on day-to-day life.<br />

From the frenzied stock exchange<br />

seen in Chicago Board of Trade III<br />

(2009) to the vast distribution centre<br />

shown in Amazon (2016), and from the<br />

sea of candy-coloured budget items<br />

featured in of 99 Cent II, Diptych (2001)<br />

to the eerily empty display shelves in<br />

Prada II (1997), his images provide a<br />

sweeping visual record of our age. Over<br />

the past three decades, Gursky has<br />

increasingly made use of computerenabled<br />

post-production techniques to<br />

make photographs whose scale,<br />

precision, composition, and complexity<br />

are unprecedented and have critically<br />

expanded the possibilities of the<br />

medium.<br />

Andreas Gursky is curated by<br />

Hayward Gallery Director, Ralph Rugoff,<br />

in collaboration with the artist.<br />

Torbjorn Calvero © Premium Rockshot.<br />

ABBA: SUPER TROUPERS<br />

Musician, author, actor and BBC Music<br />

presenter Jarvis Cocker is narrator for<br />

ABBA: Super Troupers, the brand new,<br />

immersive exhibition at London’s<br />

Southbank Centre. The exhibition recreates<br />

the extraordinary rise to worldwide fame<br />

and lasting legacy of ABBA (Agnetha<br />

Fältskog, Björn Ulvaeus, Benny Andersson,<br />

and Anni-Frid Lyngstad), set against the<br />

shifting socio-economic and political<br />

conditions of the time.<br />

Transforming a traditional exhibition<br />

experience, immersive guided tours<br />

include an audio narrative voiced by<br />

Jarvis Cocker and written by journalist<br />

and documentary maker Jude Rogers.<br />

White boots worn by Benny Andersson on<br />

ABBA’s European and North America tours in<br />

1977 and 1979, hand-painted to match his outfit.<br />

Audiences are transported on a journey<br />

through previously unseen archive<br />

material including ABBA’s original<br />

costumes, handwritten notes and<br />

sketches, personal photographs, music<br />

and instruments, plus album artwork,<br />

photography and film by notable<br />

collaborators such as film director Lasse<br />

Gold cape from ABBA’s 1977 Australian Tour<br />

designed by Owe Sandstrom. Photo by Mikael<br />

Bodner. Courtesy of ABBA The Museum.<br />

Hallström. Theatrical backdrops recreate<br />

some of the most significant events from<br />

their heyday – including the Brighton<br />

hotel room where ABBA celebrated their<br />

Eurovision win, the Polar music studio<br />

and a 1970s disco – and provide context<br />

to the evolution of their creative process<br />

and their enduring appeal, from the<br />

Mamma Mia! phenomenon to their multimillion<br />

record sales worldwide.<br />

'All rather joyous' **** (The Times);<br />

'A nostalgic treat' **** (Daily Mail);<br />

'Outrageously excellent' (NME).<br />

ABBA: Super Troupers is at<br />

Southbank Centre from 14 December to<br />

29 April. www.southbankcentre.co.uk<br />

15<br />

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16<br />

A scene from Pinocchio, centre Joe Idris-Roberts.<br />

PINOCCHIO National Theatre<br />

Let’s face it, Pinocchio, a wooden boy<br />

made from a magical tree by gentle<br />

Geppetto, an elderly puppet maker who<br />

always longed for a child, arrives on his<br />

work bench as a fully formed, semiobnoxious<br />

teenager.<br />

He is hungry and eats all the food in<br />

the house leaving none for Geppetto. He<br />

promises to spend the day with his father,<br />

but spies other kids through the window<br />

and runs off to play with them instead. He<br />

hears about school and wishes to go, so<br />

Geppetto sells his only winter coat to buy<br />

him an exercise book – but Pinocchio<br />

drops the book in his haste to run away<br />

and join a travelling theatre.<br />

No one told Geppetto parenthood<br />

would be this hard. But in the classic<br />

tale – retold for this beautifully eerie and<br />

organic setting by Dennis Kelly – there<br />

is a Blue Fairy who cautions Pinocchio<br />

about the trials of being the ‘real’ boy he<br />

wants so badly to become.<br />

The story is a fairytale of course and<br />

rich with multiple meanings. This<br />

production features magnificent, gigantic<br />

puppets carried aloft onstage above the<br />

main players, so the Fairy, Geppetto,<br />

Jiminy Cricket and so on are all<br />

mechanical as well as human. It is a<br />

wondrous spectacle. Some roles have<br />

been interestingly modernised since the<br />

Disney version. Jiminy (Audrey Brisson)<br />

is a girl and quite an annoying one at<br />

that – obsessed with cleanliness and a<br />

lot like an older sister to Pinocchio. He<br />

doesn’t like her at all.<br />

David Langham’s villainous and<br />

slightly camp Fox is spot-on. Pinocchio<br />

asks him repeatedly what the thing is<br />

that unites all real human beings. Fox<br />

kinks his tail, swishes his long orange<br />

coat and comes up with answers such as<br />

a longing for fame or desire for pleasure<br />

or money or all three, all the while<br />

selling him to other villains.<br />

Pinocchio’s misadventures become<br />

more gripping as the evening goes on.<br />

Bob Crowley’s sets and costumes are<br />

gorgeous to look at without being<br />

sparkly. They consist of a great many<br />

natural wooden objects, even including<br />

the skeletal representation of the giant<br />

whale, in whose great stomach<br />

Pinocchio is finally reunited with his<br />

shipwrecked father. Then there is the tiny<br />

floating flame which represents the Fairy<br />

and the low-tech broom handle which<br />

grows as Pinocchio’s nose.<br />

The simple things are best. And in the<br />

end, Pinocchio learns that love is what<br />

unites real people. His triumph is to turn<br />

into a real boy made of flesh and blood<br />

who both feels pain, but enjoys a hug<br />

from his Dad. Bravo! Sue Webster<br />

BELLEVILLE<br />

Donmar<br />

Being Americans in Paris proves a<br />

tougher task than anticipated for recently<br />

married couple Abby and Zack in Amy<br />

Herzog’s play which premiered in 2011.<br />

At first, all seems more or less fine in<br />

the casually bohemian flat (realistically<br />

designed by Tom Scutt) they’ve rented in<br />

trendy Belleville so that medic Zack<br />

could take up a research position<br />

working on preventing kids from<br />

contracting AIDS. Abby has given up a<br />

career as an actress back in the States to<br />

come with him, filling her time giving<br />

yoga lessons and waiting obsessively for<br />

transatlantic phone calls from her father<br />

to update her on the progress of her<br />

sister’s pregnancy.<br />

It doesn’t take long, though, before,<br />

bit by bit, the shaky foundations on<br />

which their relationship is based are<br />

revealed – Abby’s trying to wean herself<br />

off the meds she’s been taking since the<br />

death of her mother, Zack is far too fond<br />

of smoking weed, regularly sharing a<br />

bong (or preferably two) with their<br />

Senegalese landlord Alioune (Malachi<br />

Kirby). And Zack hasn’t paid the rent<br />

James Norton and Imogen Poots are<br />

completely credible as the ex-pat couple.<br />

She’s fragile, anxious; he’s both insecure<br />

and controlling. At times it feels almost<br />

intrusive watching their sometimes<br />

tender, sometimes damaging exchanges<br />

in Michael Longhurst’s interval-free<br />

production.<br />

There’s more than a touch of the<br />

melodramatic in the writing, but Herzog<br />

keeps shifting the balance and the<br />

compelling performances maintain the<br />

tension in what proves to be a very<br />

watchable psychological thriller.<br />

Louise Kingsley<br />

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18<br />

All Or Nothing – Chris Simmons & Carol Harrison.<br />

SMALL FACES MUSICAL ‘ALL OR<br />

NOTHING’ WEST END TRANSFER<br />

Following a third, critically acclaimed,<br />

sell-out tour, All Or Nothing – The MOD<br />

Musical – based on the story of the<br />

Small Faces, will play a limited West<br />

End season at the Arts Theatre, from<br />

6 February to 11 March.<br />

Written and directed by the awardwinning<br />

actress Carol Harrison, All Or<br />

Nothing is the story of four charismatic<br />

young kids from East London with humour,<br />

attitude, passion and, above all, talent.<br />

They became the Small Faces and were<br />

rocketed into the big time, only to<br />

discover the path to success is paved with<br />

exploitation, betrayal, and ultimately,<br />

tragedy. The cast at the Arts Theatre is led<br />

by Carol Harrison as Kay Marriott and<br />

Chris Simmons as the older Steve Marriott.<br />

In 1965, a new phenomenon erupted<br />

out of London’s East End. It was the<br />

essence of all that was cool. It was Mod.<br />

All Or Nothing follows the rise and<br />

demise of the Small Faces, the band<br />

who encapsulated all that was Mod – a<br />

unique blend of taste and testosterone,<br />

clothes-obsessed and street-wise – but<br />

most of all, a dedication to rhythm ‘n’<br />

blues. The musical celebrates the unique<br />

sound of this iconic Mod band, with all<br />

the Small Faces’ hits, including Whatcha<br />

Gonna Do About It, Tin Soldier, Lazy<br />

Sunday, Here Comes the Nice, Itchycoo<br />

Park and, of course, All or Nothing.<br />

Photo: Phil Weedon.<br />

Carol Harrison said of the West End<br />

transfer, ‘I am honoured that All Or<br />

Nothing has been embraced by so many<br />

wonderful audiences who have laughed,<br />

danced, wept and sang with us across<br />

the length and breadth of the country.<br />

I am so thrilled that we can now bring<br />

the All or Nothing experience to the<br />

West End. Watch out, ‘cos the Mods<br />

are coming... Or maybe we just never<br />

went away!’<br />

Carol is well known for her role as<br />

Louise Raymond in EastEnders. Her<br />

theatre work includes Michael Rudman’s<br />

production of Arthur Miller’s Death of a<br />

Salesman at the National, Ripen Our<br />

Darknessat the Royal Court, Alan Parker’s<br />

production of Alfie at the Liverpool<br />

Playhouse and Lee Hall’s Cooking with<br />

Elvis at the Lyceum Theatre, Crewe.<br />

Chris Simmons is best known for<br />

playing the role of DC Mickey Webb for<br />

over twelve years in the long running<br />

ITV series The Bill. His theatre credits<br />

include Alan Ayckbourn’s Absent<br />

Friends, Entertaining Strangers,<br />

Lysander in A Midsummer Night’s<br />

Dream, Iago in Othello and Epicoene.<br />

The show is endorsed and supported<br />

by many of those who feature in its<br />

story, including singer P.P. Arnold and<br />

Steve Marriott’s daughter, Mollie<br />

Marriott, who is the show’s vocal coach<br />

and creative consultant.<br />

Box Office telephone 020 7836 8463.<br />

CUBA GOODING JR TO STAR AS<br />

BILLY FLYNN IN CHICAGO<br />

Oscar winner, Cuba Gooding Jr will<br />

be making his British stage debut and<br />

his musical debut this spring as<br />

smooth-talking lawyer Billy Flynn in the<br />

multi award-winning Chicago at the<br />

Phoenix Theatre in London’s West End.<br />

Following a successful UK and<br />

international tour, and after a 5½-year<br />

absence from London, Chicago, the<br />

winner of six Tony Awards, two Olivier<br />

Awards and a Grammy, will begin<br />

performances at the Phoenix Theatre on<br />

Monday 26 March.<br />

Cuba Gooding Jr’s breakthrough role<br />

was as Tre Styles in Boyz n the Hood<br />

(1991), followed by A Few Good Men<br />

(1992), before winning the Academy<br />

Award for Best Supporting Actor in Jerry<br />

Maguire (1996). In 2016, he portrayed<br />

O.J. Simpson in the FX drama series<br />

The People v. O. J. Simpson: American<br />

Crime Story, for which he received a<br />

Primetime Emmy Award nomination for<br />

Outstanding Lead Actor in a Mini-series<br />

or a Movie.<br />

Chicago, which is based on the play<br />

by Maurine Dallas Watkins, has a book<br />

by Fred Ebb and Bob Fosse, music by<br />

John Kander and lyrics by Fred Ebb.<br />

Cuba Gooding Jr as Billy Flynn<br />

in Chicago.<br />

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Photo: Helen Maybanks.<br />

THE GRINNING MAN EXTENDS AT<br />

TRAFALGAR STUDIOS<br />

London’s new smash hit musical,<br />

The Grinning Man, now playing at the<br />

Trafalgar Studios, has a new extended<br />

booking period until 14 April.<br />

This critically acclaimed, awardwinning<br />

production transferred into the<br />

West End in December, following a<br />

hugely successful premiere at Bristol<br />

Old Vic, and has become an instant hit<br />

across the board, with a wealth of critics,<br />

bloggers and audiences raving about<br />

The Grinning Man’s new London<br />

incarnation. The show receives huge<br />

praise and standing ovations at every<br />

single performance, with news of the<br />

riotous audience reaction spreading<br />

sensationally via word of mouth.<br />

As with the Bristol run, the critics<br />

have heaped praise on the show too,<br />

with a wealth of glowing reviews for the<br />

London production. The Times said ‘the<br />

cast are outstanding’, adding that ‘it’s a<br />

triumph’. The Observer hailed it as<br />

‘miraculous’ and the Daily Telegraph<br />

raved about the ‘spectacular puppetry’.<br />

As well as critics and the general<br />

public, celebrities and creative minds have<br />

also heaped praise on the show. Harry<br />

Enfield proclaimed ‘the whole thing is<br />

amazing’, while Hannah Waddingham was<br />

‘overwhelmed’ by the production and Mel<br />

Giedroyc applauded the ‘beautiful score’<br />

which is ‘clever and haunting’, declaring<br />

‘I want to see it again’.<br />

The Grinning Man, directed by Tony<br />

award-winning Tom Morris (War Horse),<br />

features an ‘outstanding’ cast (The<br />

Times), led by Louis Maskell in the title<br />

role of Grinpayne and Sanne den Besten<br />

as Dea, with Julian Bleach as vengeful<br />

clown Barkilphedro. Also starring are<br />

Sean Kingsley, Julie Atherton, Amanda<br />

Wilkin and Mark Anderson.<br />

Based on the classic Victor Hugo<br />

(Les Misérables) novel The Man Who<br />

Laughs, this romantic gothic musical<br />

love story set in a fantastical world with<br />

a dark heart, is brought to life by<br />

Kneehigh writer Carl Grose (Dead Dog<br />

in a Suitcase) and ‘powered by an<br />

outstanding score’ (Sunday Times) by<br />

Tim Phillips and Marc Teitler. The<br />

Grinning Man reunites Tom Morris with<br />

two puppeteers who began their careers<br />

inside Joey and Topthorn in the original<br />

production of War Horse – Finn<br />

Caldwell and Toby Olié – now leading<br />

their own puppetry company Gyre &<br />

Gimble.<br />

The Grinning Man joins several other<br />

recent Bristol Old Vic hit shows<br />

transferring to the London stage,<br />

including Swallows & Amazons at the<br />

Vaudeville, Peter Pan and Jane Eyre at<br />

the National Theatre and Long Day’s<br />

Journey Into Night starring Jeremy Irons<br />

and Lesley Manville at the Wyndham’s.<br />

Box Office: 0844 871 7632 or online<br />

at www.atgtickets.com/trafalgarstudios<br />

TheGrinningManMusical.com<br />

LAST CHANCE TO CATCH LA SOIRÉE<br />

Audiences have just over three weeks<br />

left to catch the irresistible La Soirée and<br />

its brand new family-friendly show,<br />

La Petite Soirée in its newest home at<br />

the Aldwych Theatre. The shows will end<br />

on 3 February.<br />

This latest incarnation of La Soirée’s<br />

infamous dysfunctional family is the<br />

most daring line-up to date and features<br />

multiple new jaw-dropping acts from<br />

across the globe. Putting the Aldwych<br />

Theatre in a spin, La Soirée has<br />

transformed this traditional theatre into<br />

an intimate cabaret club with La Soirée’s<br />

much-loved, in-the-round seating still in<br />

place. So, prepare to be charmed,<br />

astonished and electrified by the very<br />

loveable crème de la crème of the<br />

cabaret world.<br />

This season, for the first time,<br />

La Soirée is also offering La Petite<br />

Soirée, a family-friendly, fun and daring<br />

hour-long show for cabaret fans of all<br />

ages that promises all the spirit of the<br />

Olivier Award winning entertainment but<br />

less of the sauce. La Petite Soirée plays<br />

at 15.00 on Saturdays.<br />

La Soirée and La Petite Soirée are<br />

presented by Brett Haylock, Mark<br />

Rubinstein and Mick Perrin.<br />

19<br />

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20<br />

PLAYS<br />

BEGINNING<br />

Justine Mitchell and Sam Troughton reprise<br />

their critically acclaimed roles as Laura and<br />

Danny, in this season’s smash-hit; a tender and<br />

funny story about the first fragile moments of<br />

risking your heart and taking a chance.<br />

AMBASSADORS THEATRE<br />

West Street, WC2 (020 7395 5405)<br />

JULIUS CAESAR<br />

Caesar returns in triumph to Rome and the<br />

people pour out of their homes to celebrate.<br />

Alarmed by the autocrat’s popularity, the<br />

educated élite conspire to bring him down.<br />

After his assassination, civil war erupts on the<br />

streets of the capital.<br />

BRIDGE THEATRE<br />

One Tower Bridge, SE1 (0843 208 1846)<br />

THE COMEDY ABOUT A BANK ROBBERY<br />

One enormous diamond, eight incompetent<br />

crooks and a snoozing security guard. What<br />

could possibly go right?<br />

CRITERION THEATRE<br />

Piccadilly Circus, (020 7492 0810)<br />

THE PLAY THAT GOES WRONG<br />

A Polytechnic amateur drama group are<br />

putting on a 1920s murder mystery and<br />

everything that can go wrong... does!<br />

DUCHESS THEATRE<br />

Catherine Street, WC2 (0330 333 4810)<br />

MARY STUART<br />

Schiller’s political tragedy takes us behind the<br />

scenes of some of British history’s most<br />

crucial days. Playing both Elizabeth I and<br />

Mary Stuart, Juliet Stevenson and Lia<br />

Williams trade the play’s central roles, decided<br />

at each performance by the toss of a coin.<br />

DUKE OF YORK’S THEATRE<br />

St Martin’s Lane, WC2 (020 7492 1552)<br />

THE WOMAN IN BLACK<br />

An innocent outsider, a suspicious rural<br />

community, a gothic house and a misty marsh<br />

are the ingredients of this Victorian ghost story.<br />

FORTUNE THEATRE<br />

Russell Street, WC2 (0844 871 7626)<br />

THE FERRYMAN<br />

Jez Butterworth’s new major drama won<br />

widespread critical acclaim when it opened at<br />

the Royal Court and was the fastest selling<br />

show in the theatre’s history. Directed by Sam<br />

Mendes.<br />

GIELGUD THEATRE<br />

Shaftesbury Avenue, W1 (0844 482 5130)<br />

The cast of The Ferryman.<br />

THE BIRTHDAY PARTY<br />

Ian Rickson directs a major new revival of<br />

Harold Pinter’s brilliantly mysterious darkcomic<br />

masterpiece, starring Zoe Wanamaker,<br />

Toby Jones and Stephen Mangan.<br />

HAROLD PINTER THEATRE<br />

Panton Street, SW1 (0844 871 7627)<br />

Royal National Theatre<br />

Plays in repertory<br />

OLIVIER THEATRE<br />

AMADEUS<br />

Wolfgang Amadeus Mozart, a rowdy young<br />

prodigy, arrives in Vienna determined to make<br />

a splash. Awestruck by his genius, court<br />

composer Antonio Salieri has the power to<br />

promote his talent or destroy it.<br />

LYTTELTON THEATRE<br />

NETWORK<br />

Hilarious and horrifying by turns, Lee Hall<br />

and director Ivo Van Hove bring Paddy<br />

Chayefsky’s iconic film to the stage for the<br />

first time.<br />

PINOCCHIO<br />

On a quest to be truly alive, Pinocchio leaves<br />

Geppetto’s workshop with Jiminy Cricket in<br />

tow. Their electrifying adventure takes them<br />

from alpine forests to Pleasure Island to the<br />

bottom of the ocean.<br />

DORFMAN THEATRE<br />

JOHN<br />

An uncanny new play by Annie Baker, whose<br />

Pulitzer Prize-winning The Flick had a soldout<br />

run at the National in 2016. James<br />

Macdonald directs.<br />

NATIONAL THEATRE<br />

South Bank, SE1 (020 7452 3000)<br />

Photo: Johan-Persson.<br />

HARRY POTTER AND THE CURSED<br />

CHILD PARTS I & II<br />

A new stage play based on the Harry Potter<br />

franchise written by Jack Thorne, based on<br />

an original story by J.K Rowling.<br />

PALACE THEATRE<br />

Shaftesbury Avenue, W1 (0330 333 4813)<br />

THE EXORCIST<br />

John Pielmeier's stage adaptation of William<br />

Peter Blatty's novel, starring Jenny Seagrove,<br />

Peter Bowles and Adam Garcia.<br />

PHOENIX THEATRE<br />

Charing Cross Road, WC2 (0844 871 7627)<br />

GLENGARRY GLEN ROSS<br />

David Mamet's modern classic is set in an<br />

office of cut-throat Chicago salesmen. Pitched<br />

in competition against each other, they will do<br />

anything to sell the most real estate.<br />

PLAYHOUSE THEATRE<br />

Northumberland Ave, WC2, (0844 871 7631)<br />

THE MOUSETRAP<br />

Agatha Christie’s whodunnit is the longest<br />

running play of its kind in the history of the<br />

British theatre.<br />

ST MARTIN’S THEATRE<br />

West Street, WC2 (0844 499 1515)<br />

LADY WINDERMERE’S FAN<br />

Following Dominic Dromgoole’s engaging<br />

revival of Oscar Wilde’s masterpiece, awardwinning<br />

director Kathy Burke has brought<br />

together a talented comedic cast for her highly<br />

anticipated production<br />

VAUDEVILLE THEATRE<br />

Strand, WC2 (020 7400 1257)<br />

LONG DAY’S JOURNEY INTO NIGHT<br />

Jeremy Irons and Lesley Manville reprise their<br />

roles in Richard Eyre’s acclaimed production<br />

of Eugene O’Neill’s Pulitzer prize-winning<br />

masterpiece<br />

WYNDHAM’S THEATRE<br />

Charing Cross Road, WC2 (0844 482 5120)<br />

t h i s i s l o n d o n m a g a z i n e • t h i s i s l o n d o n o n l i n e


MUSICALS<br />

KINKY BOOTS<br />

Inspired by a true story and based on the<br />

Miramax film, the show tells the story of Charlie<br />

Price who has reluctantly inherited his father's<br />

Northampton shoe factory.<br />

ADELPHI THEATRE<br />

Strand, WC2 (020 3725 7060)<br />

LA SOIREE<br />

The show promises to amaze audiences with its<br />

heady cocktail of cabaret, new burlesque, circus<br />

sideshow and contemporary variety in an<br />

inspirational night of live entertainment.<br />

ALDWYCH THEATRE<br />

Aldwych, WC2 (0845 200 7981)<br />

WICKED<br />

Hit Broadway story of how a clever,<br />

misunderstood girl with emerald green skin<br />

and a girl who is beautiful and popular turn<br />

into the Wicked Witch of the West and Glinda<br />

the Good Witch in the Land of Oz.<br />

APOLLO VICTORIA THEATRE<br />

Wilton Road, SW1 (0844 826 8000)<br />

EVERYBODY’S TALKING ABOUT JAMIE<br />

<strong>New</strong> musical starring John McCrea transfers<br />

to the West End following a sold-out run at<br />

Sheffield's Crucible Theatre.<br />

APOLLO THEATRE<br />

Shaftesbury Avenue, W1 (020 7851 2711)<br />

MA<strong>TIL</strong>DA<br />

Critically acclaimed Royal Shakespeare<br />

Company production of Roald Dahl’s book,<br />

directed by Matthew Warchus.<br />

CAMBRIDGE THEATRE<br />

Earlham Street, WC2 (0844 800 1110)<br />

FROZEN<br />

Frozen explores the interwoven lives of three<br />

strangers as they try to make sense of the<br />

unimaginable. From 9 February.<br />

HAYMARKET THEATRE ROYAL<br />

Haymarkett, SW1 (020 7930 8800)<br />

THE PHANTOM OF THE OPERA<br />

Long running epic romance by Andrew Lloyd<br />

Webber, set behind the scenes of a Paris opera<br />

house where a deformed phantom stalks his prey.<br />

HER MAJESTY’S THEATRE<br />

Haymarket, SW1 (0844 412 2707)<br />

THE LION KING<br />

Disney‘s phenomenally successful animated<br />

film is transformed into a spectacular stage<br />

musical, a superb evening of visual delight.<br />

LYCEUM THEATRE<br />

Wellington Street, WC2 (0844 871 3000)<br />

THRILLER – LIVE<br />

High octane show celebrating the career of the<br />

King of Pop, Michael Jackson. Over two hours<br />

of the non-stop hit songs that marked his<br />

legendary live performances.<br />

LYRIC THEATRE<br />

Shaftesbury Avenue, WC2 (0330 333 4812)<br />

FIVE GUYS NAMED MOE<br />

Director Clarke Peters calls the show a<br />

'revusical’, a 90-minute tribute to the black<br />

song-writer/saxophonist, Louis Jordan.<br />

MARBLE ARCH THEATRE<br />

Marble Arch, W1 (020 7400 1257)<br />

SCHOOL OF ROCK<br />

Andrew Lloyd Webber's new stage musical<br />

with lyrics by Glenn Slater and book by Julian<br />

Fellowes, adapted from the film.<br />

NEW LONDON THEATRE<br />

Drury Lane, WC2 (020 7492 0810)<br />

GIRL FROM THE NORTH COUNTRY<br />

The World Premiere of Conor McPherson's new<br />

play in London, featuring classic songs by Bob<br />

Dylan.<br />

NOEL COWARD THEATRE<br />

St. Martin’s Lane, WC2 (0844 482 5140)<br />

MAMMA MIA!<br />

Hit musical based on the songs of ABBA, set<br />

around the story of a mother and daughter on<br />

the eve of the daughter’s wedding.<br />

NOVELLO THEATRE<br />

Aldwych, WC2 (0844 482 5170)<br />

ANNIE<br />

Revival of the famous musical starring Meera<br />

Syall. A Depression-era rags-to-riches story<br />

featuring the songs It's The Hard-Knock Life,<br />

Easy Street and Tomorrow.<br />

PICCADILLY THEATRE<br />

Denman Street, W1 (0844 871 7630)<br />

ALADDIN<br />

The classic hit film has been brought to thrilling<br />

life on stage by Disney, featuring all the songs<br />

from the Academy Award winning score.<br />

PRINCE EDWARD THEATRE<br />

Old Compton Street, W1 (0844 482 5151)<br />

BOOK OF MORMON<br />

Broadway musical takes shots at everything<br />

from organised religion to consumerism, state<br />

of the economy and the musical theatre genre.<br />

PRINCE OF WALES THEATRE<br />

Coventry Street, W1 (0844 482 5115)<br />

LES MISERABLES<br />

A spectacularly staged version of Victor Hugo’s<br />

epic novel about an escaped convict’s<br />

search for redemption in Revolutionary France.<br />

QUEEN’S THEATRE<br />

Shaftesbury Avenue, WC2 (0844 482 5160)<br />

DREAMGIRLS<br />

West End premiere, starring Marisha Wallace.<br />

Set in the USA during the late 1960s and<br />

early 1970s, it follows a young female singing<br />

trio as they become music superstars.<br />

SAVOY THEATRE<br />

Strand, WC2 (020 7492 0810)<br />

MOTOWN THE MUSICAL<br />

Featuring all the much loved classics from<br />

Diana Ross, Stevie Wonder, and the Jackson 5,<br />

the show tells the story behind the hits.<br />

SHAFTESBURY THEATRE<br />

Shaftesbury Avenue, WC2 (020 7492 0810)<br />

42ND STREET<br />

The song and dance, American dream fable,<br />

where af small town girl, Peggy Sawyer’s rise<br />

from chorus line to Broadway star.<br />

THEATRE ROYAL<br />

Drury Lane, WC2 (020 7492 0810)<br />

THE GRINNING MAN<br />

A new musical adaptation of Victor Hugo's<br />

1869 novel The Laughing Man, about a<br />

travelling sideshow freak whose face has been<br />

carved with a permanent smile.<br />

TRAFALGAR STUDIO<br />

Whitehall, SW1 (0844 871 7632)<br />

HAMILTON<br />

Lin-Manuel Miranda's multi award-winning<br />

musical, based on Ron Chernow's biography<br />

of one of the American 'Founding Fathers'<br />

Alexander Hamilton.<br />

VICTORIA PALACE THEATRE<br />

Victoria Street, SW1 (0844 248 5000)<br />

Ruby Stokes (Annie) and Amber (Sandy)<br />

in Annie at the Piccadilly Theatre.<br />

Photo: Paul Coltas.<br />

21<br />

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22<br />

BURNS NIGHT AT THE<br />

BLOOMSBURY CLUB BAR<br />

Celebrate Burns Night in true Scottish<br />

style on 25 January at The Bloomsbury<br />

Club Bar in honour of the memory of<br />

Scotland's favourite poet, Robert Burns,<br />

with a special Burns Night party. Guests<br />

can expect a night of entertainment with<br />

live music, a unique Talisker Whiskey<br />

cocktail menu and an indulgent selection<br />

of traditional Scottish small plates for a<br />

bonnie night of feasting.<br />

The celebration will see an array of<br />

Burn’s Night favourites including Deep<br />

Fried Mars Bars Bites alongside<br />

Scottish-inspired drinks with a Talisker<br />

Single Malt Scotch Whisky cocktail<br />

menu, including Barrel Aged Bobby<br />

Burns and Barrel Aged Rusty Nail<br />

created by bar manager Brian Calleja.<br />

Other highlights of the cocktail menu are<br />

The Whiskey Sour, Talisker 10 <strong>Year</strong>,<br />

Lemon Juice, Sugar Syrup, Angostura<br />

Bitters, Egg White and Hot Toddy,<br />

Talisker 10 <strong>Year</strong>, Lemon Juice, Sugar<br />

Syrup, Steam, Spice. Those looking for<br />

the ultimate whiskey experience can<br />

enjoy Flight Through Skye, a flight of<br />

three Whiskies, Talisker Skye, Talisker<br />

Storm and Talisker Port Ruighe, priced<br />

at £20, exclusively served with Campbell<br />

& Co Smoked Salmon.<br />

Additionally, The Bloomsbury Club Bar<br />

is offering a menu of Scottish small plates<br />

to enjoy alongside the bespoke drinks<br />

menu. This exclusive menu, created by<br />

Executive Head Chef Byron Moussouris,<br />

will see a variety of Scotland’s culinary<br />

favourites.<br />

Highlights of main menu include<br />

Haggis & Truffle Sausage Rolls, Whisky<br />

Cured Smoked Salmon with Horseradish<br />

Cream and Pickled Cucumber and Neep<br />

& Tatty Croquettes with Whisky Gravy.<br />

For those looking to truly indulge this<br />

Burns Night can enjoy The Bloomsbury<br />

Club Bar’s Deep Fried Mars Bar Bites and<br />

Irn-Bru Sorbet.<br />

The Bloomsbury Club Bar is a<br />

seductive and atmospheric space,<br />

creating the perfect backdrop for an<br />

evening. The bar is split into two areas:<br />

the main bar and the outer terrace bar.<br />

The walls in the main bar area are<br />

adorned with artwork and books<br />

synonymous with the Bloomsbury Set,<br />

with a subtle English colonial influence.<br />

It has a traditional members’ club feel,<br />

allowing guests to relax and enjoy their<br />

evening in style.<br />

SANDERSON PARTNERS WITH<br />

MINDFUL CHEF AND JUICEMAN<br />

The Fitzrovia hotel has teamed up<br />

with nutrition gurus Mindful Chef and<br />

Juiceman to create a feel-good, detox<br />

menu, available in The Restaurant at<br />

Sanderson, as well as in the spa and via<br />

room service. The limited-edition<br />

selection of dishes and drinks will be on<br />

offer from breakfast to dinner, from<br />

8–22 January, providing a vitaminpacked<br />

antidote to festive indulgence.<br />

Each of the dish options boasts<br />

further benefits thanks to Andrew<br />

Cooper, also known as Juiceman.<br />

Andrew has designed a drinks menu of<br />

cold pressed shots and juices, which<br />

have been matched with the food menu<br />

to highlight complementary flavours.<br />

VEGAN OFFERINGS FROM<br />

FRANCESCO MAZZEI<br />

To celebrate Veganuary and the everincreasing<br />

demand for vegan dishes in his<br />

restaurants, the highly-acclaimed Italian<br />

chef, Francesco Mazzei, is offering a<br />

sumptuous vegan chocolate cake across<br />

all three of his London restaurants. The<br />

rich and luxurious cake is made with the<br />

finest chocolate from Agrimontana, and is<br />

served with a chocolate and candied<br />

orange sorbet. Francesco Mazzei’s vegan<br />

chocolate cake will be available<br />

throughout January at Sartoria on Savile<br />

Row, Radici in Islington, and the newlyopened<br />

Fiume at Battersea Power Station.<br />

t h i s i s l o n d o n m a g a z i n e • t h i s i s l o n d o n o n l i n e

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