Southern View: August 02, 2016
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4<br />
Tuesday <strong>August</strong> 2 <strong>2016</strong><br />
Your Local <strong>View</strong>s<br />
SOUTHERN VIEW<br />
Keep hope alive<br />
ews<br />
Silvia Purdie<br />
Cashmere<br />
Presbyterian<br />
Church minister<br />
writes about<br />
young people<br />
and hope for the<br />
future<br />
MY 16-YEAR-OLD is at Cashmere<br />
High School. When I told him about<br />
the topic for an upcoming conference,<br />
ashion<br />
here’s what he had to say:<br />
“Lots of teenagers don’t give a rat’s<br />
ass about stuff that doesn’t affect them<br />
personally. Lots of teenagers feel that<br />
they can’t do anything about the world,<br />
and that it is not worth trying. It is<br />
scary to even think about the future,<br />
and it’s not easy to talk about.”<br />
The topic for The Cashmere Conference<br />
is ‘What does the future hold?’<br />
Gardening<br />
I wonder how you might answer<br />
this question. Do you agree with my<br />
16-year-old, that it’s scary to even try to<br />
imagine our future?<br />
What does the future hold . . . for<br />
the world? for us personally? for<br />
our community here in the south of<br />
Christchurch?<br />
Sure, stuff happens (as Christchurch<br />
people well know!) that few could pre-<br />
otoring<br />
dict, but there is much that we do know<br />
about our future.<br />
We know that climate change will<br />
force many species into extinction, and<br />
bring more storms and droughts. We<br />
know that our use of digital media and<br />
images mean that photos are becoming<br />
more important than text, and<br />
that people will relate to each other in<br />
different ways. We know that improvements<br />
in medicine, combined with the<br />
‘baby boom bump’ will mean more<br />
older people in our city.<br />
But we also know that the human<br />
brain and body is much the same as it<br />
was many thousands of years ago; we<br />
still need love, we still react instinctively<br />
in fear and anger, we still need<br />
to belong, we still hunger for truth and<br />
purpose bigger than ourselves.<br />
Cashmere Presbyterian Church<br />
is hosting this public forum on<br />
September 10 to discuss these issues<br />
and many more.<br />
It is my challenge to our teenagers,<br />
and to the rest of you adults, to grapple<br />
with the changes that are affecting<br />
our lives and our world, and to search<br />
together for hope for the future.<br />
Hope is a rare thing these days, but<br />
without it why indeed would anyone<br />
“give a rat’s ass” about anything?<br />
Spreydon resident<br />
Michael J Brathwaite<br />
responds to a recent<br />
column by Graham<br />
Townsend about a lack<br />
of critical thinking on<br />
topics such as climate<br />
change<br />
I find articles like Graham<br />
Townsend’s Critical thinking<br />
shortage (SoapBox, July 19)<br />
intensely irritating.<br />
While we are currently<br />
experiencing global warming,<br />
I have seen nothing<br />
to convince me it is not a<br />
natural process or that we<br />
are causing it.<br />
It has happened before<br />
and will happen again, but I<br />
imagine this is the first time<br />
• By Mark Thomas – Fire Risk<br />
Management Officer<br />
THERE HAVE been a<br />
number of quite serious fires<br />
in the city this week. And<br />
this column is being written,<br />
hurriedly, before I head off<br />
to one of them.<br />
The deliberate fire set<br />
in the empty building on<br />
Hereford St last Friday was<br />
another example of our firefighters<br />
being put in danger<br />
people have used it to make<br />
money – by the imposition<br />
of fines on individuals and<br />
countries, and by scientists<br />
who want to keep the gravy<br />
train of research grants<br />
going.<br />
If scientists are objective,<br />
why does any scientist who<br />
questions the prevailing<br />
“wisdom” get treated as a<br />
by the reckless and criminal<br />
actions of some idiot.<br />
The fire was on an upper<br />
floor and the only way to get<br />
to it was from inside.<br />
This meant climbing stairwells<br />
with charged fire hoses<br />
in a building with structural<br />
safety issues that was already<br />
compromised by earthquake<br />
damage even before the fire<br />
damage occurred.<br />
Last Saturday, we had<br />
an incident where a young<br />
pariah by the rest?<br />
Scientists are as petty and<br />
self-serving as everyone else.<br />
They start with a hypothesis<br />
supporting what the people<br />
awarding their research<br />
grants want to hear, and look<br />
for evidence supporting it.<br />
Twenty years ago it was<br />
global cooling, and now it’s<br />
global warming.<br />
Spate of fires keep firefighters busy<br />
woman was burnt trying to<br />
encourage a fire in a drum<br />
at a property in Hoon Hay<br />
that was dying down by<br />
throwing petrol on to it.<br />
These type of incidents are<br />
actually not all that rare.<br />
Even in winter, petrol<br />
products freed into the air<br />
invisibly vaporise, leaving<br />
a surrounding mixture of<br />
highly-flammable gas that<br />
is many times larger than a<br />
pool or splash of fuel.<br />
Out<br />
asty<br />
Of Hand<br />
Bites<br />
Ben Reid’s primary interest for his printmaking is NZ’s<br />
environment and the impact of humans on our precious land.<br />
His work often depicts tales of loss of habitat, extinction of<br />
species and introduced and exotic predators.<br />
The print work produced in <strong>2016</strong> is a continuation of themes<br />
of NZ’s preservation. Narratives within each work consider<br />
isolation, regret, time passing, acknowledgement of our history,<br />
where we live and what NZ is, and what it means to us, also<br />
about hope and optimism, and accepting and learning from our<br />
mistakes, past and present.<br />
As told by Warren Feeney, “Reid’s delicate, elegantly structured<br />
and at times gently humorous prints are here to remind us of<br />
what is at stake: the unselfconscious grace and beauty of New<br />
Zealand’s indigenous birds and the way they enrich our world”.<br />
oney<br />
Marahau wood carving artist Tim Wraight describes works for<br />
this exhibition come from 2 streams.<br />
“Firstly there are 2 carved cubes of Totara wood in which I<br />
explore the laying of pattern onto a strong form, with a<br />
whimsical approach combining dancing figures and a quite<br />
formal pattern.<br />
The other group of works; old hand tools refashioned for<br />
‘ritual’ purposes, with new carved handles and decorations of<br />
feathers, fibre and found objects, give reference and reverence<br />
to rural traditions and pre mass production industry, and the<br />
people who powered these tools with their physical selves. As<br />
a hand tool user I am aware of the intimate relationship with<br />
the material that the user obtains and indeed needs in order<br />
to succeed in their work. Sound, sight, touch, force and a feel<br />
for the interaction between material and tool all come into play.<br />
I am drawn to the beauty of hand forged steel, and learnt from<br />
my grandfather how to use and maintain these simple but<br />
efficient objects.”<br />
Ben Reid’s ‘Ruffled Feathers’<br />
Tim Wraight’s ‘Carpenter’s Tools’<br />
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polish, suaveness, urbanity,<br />
chic, finesse, taste, class,<br />
comfort, luxury, affluence,<br />
wealth, opulence, lavishness.<br />
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