BeatRoute Magazine is a monthly arts and entertainment paper based in Western Canada with a predominant focus on music – local, independent or otherwise.
PLANTING NOT PAVING! In this JUNE / JULY /AUGUST combined issue: Farewell interviews with TSO's Peter Oundjian and Stratford Summer Music's John Miller, along with "going places" chats with Luminato's Josephine Ridge, TD Jazz's Josh Grossman and Charm of Finches' Terry Lim. ) Plus a summer's worth of fruitful festival inquiry, in the city and on the road, in a feast of stories and our annual GREEN PAGES summer Directory.
In this issue: The WholeNote's 7th Annual TIFF TIPS guide to festival films with musical clout; soprano Erin Wall in conversation with Art of Song columnist Lydia Perovic, about more than the art of song; a summer's worth of recordings reviewed; Toronto Chamber Choir at 50 (is a few close friends all it takes?); and much more, as the 2018/19 season gets under way.
February 2018 Issue 44 features a review of Walshy Fire's takeover event in Mauritius, albums to look forward to in 2018 and music from Cianna Blaze, Royal Flush & Original Dodger.
CAMA Presents
Orchestra of the Age of Enlightenment
Tuesday, February 13, 2018
The Granada Theatre, Santa Barbara, 8PM
Nicola Benedetti, violin/director
Michael Gurevich, concertmaster/director
ALL-BEETHOVEN PROGRAM:
Ludwig van Beethoven: Symphony No.4 in B-flat Major, Op.60
Beethoven: Violin Concerto in D Major, Op.61
For the past 30 years, the Orchestra of the Age of Enlightenment has shocked, changed and mesmerized the music world by reinventing the orchestra. Working with several principal artists, not just one conductor, and performing repertoire from a variety of eras on period-specific instruments, the London-based ensemble stands for excellence, diversity and exploration. It has become the toast of the European touring circuit with annual performances at London’s most prominent arts centers including the Southbank Centre, BBC Proms and Glyndebourne.
Nicola Benedetti is one of the most sought after violinists of her generation. Her ability to captivate audiences with her innate musicianship and dynamic presence, coupled with her wide appeal as a high profile advocate for classical music, has made her one of the most influential classical artists of today. •
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