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Electronics-World-1959-05

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www.americanradiohistory.com<br />

Argos Model DSE -1<br />

KLH Model Six<br />

Stephens' "Stereodot"<br />

Frazier " Stereorama II"<br />

bass that is supposed to be there, so<br />

stereo should have just plain, good<br />

bass.<br />

Some of the earlier small bass units<br />

relied on harmonic generation to give<br />

a "false bass" -like the car radio bass,<br />

but more modern approaches have resulted<br />

in units that do give real bass<br />

from much smaller units than hitherto<br />

was believed possible. Some manufacturers<br />

claim that trying to get big<br />

bass from small speakers is defying<br />

"the laws of physics." I think it would<br />

be more accurate to say that some designs<br />

have found some "loopholes" in<br />

these "laws."<br />

But do satisfy yourself that the unit<br />

you buy does give genuine, clean bass<br />

that is adequate for the room in which<br />

you will play it and working from the<br />

amplifier you will use.<br />

Two Identical Units<br />

So much for the "system" approaches,<br />

some of which come pretty<br />

much "ready- made" while others give<br />

plenty of scope for experimentation.<br />

But another approach that offers wide<br />

appeal for two reasons is of the two -<br />

identical -unit variety.<br />

This may come either as separate<br />

loudspeakers which connect to an<br />

I<br />

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REO<br />

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Es>i?:i:l<br />

IA,<br />

CONSOLE<br />

IyREE"{nl I<br />

STEREO<br />

STEREO<br />

CONf0.1<br />

NTENNA,<br />

So<br />

TE REO<br />

m<br />

a<br />

Fig. 9. Arrangements used In Columbia consoles:<br />

(A) and (B) use 2 full -range speakers;<br />

(C) combines lows in central woofer<br />

and mid -range and highs to external units.<br />

Fig. 10. Basic arrangement used in Ranger -<br />

Lansing "Paragon and "Metregon" units.<br />

I I<br />

ANU W MIOOLE CONNECTS sT<br />

THANT0S CWC "T TO IOTw Mhe[RS<br />

CORNER HORNS FOR LEFT ND RIGHT<br />

Fig. 11. Klipsch's recommended setup, with<br />

2 corner horns and "phantomed" center unit.<br />

Fig. 12. Method of getting good horizontal<br />

distribution and avoiding unnecessary vertical<br />

spread with extended -range units.<br />

44<br />

RADIATION COMIWES IN<br />

HORIZONTAL PLANE<br />

RUT CANCELS M uR<br />

AND DOWN DIRECTIONS<br />

10A5NE0 ARROWS,<br />

MAKER<br />

Columbia<br />

Electro -Voice<br />

Jensen<br />

Klipsch<br />

Stephens<br />

University<br />

MODEL<br />

360,626,637<br />

Stereon<br />

Stereo Director<br />

Heresy<br />

Stereodot<br />

Stereoflex<br />

BRIEF DESCRIPTION<br />

Central unit for mixed lows, part of console;<br />

small side units for stereo highs, above 250<br />

cps; jack arrangement, see text.<br />

Add -on unit consisting of mid -range and<br />

tweeter speakers working above 300 cps. Bass<br />

in both channels handled by low- frequency<br />

speaker system.<br />

Ducted -port enclosure for woofer. Mid -range<br />

and tweeter units are swivel- mounted to permit<br />

varying of directivity.<br />

Corner horns with sealed back enclosure for<br />

center fill, phantom- connected to amplifiers.<br />

Central unit for mixed lows and controlled<br />

mixture of highs for center fill; small side<br />

units for stereo effect, above about 400 cps.<br />

Add -on unit consisting of mid -range and<br />

tweeter speakers working above 150 cps. Bass<br />

in both channels handled by dual voice -<br />

coil woofer.<br />

Table 2. Here are some of the special stereo systems with brief descriptions.<br />

conduct some careful listening tests of<br />

your own.<br />

Stereo Bass<br />

In going over different systems -or<br />

for that matter, individual speakers too<br />

-you will find a further area of conflict<br />

lies in the kind of unit used to<br />

provide bass response. Paul Klipsch<br />

won't hear of anything but a corner<br />

horn, except for the center fill. Other<br />

manufacturers maintain - as almost<br />

anyone would have until a year or so<br />

ago -that a speaker must be big to get<br />

good bass. Edgar Villchur (of Acoustic<br />

Research) says that there is merit<br />

in a low- efficiency and small bass system.<br />

So what kind of bass is good for<br />

stereo? As was explained in Part 1,<br />

pure bass is not materially stereophonic<br />

in any ordinary sized living<br />

room. But music is deficient without<br />

equipment cabinet or with the equipment<br />

included in one ensemble with a<br />

companion speaker to match. In<br />

achieving stereo, both offer similar<br />

prospects. Also some systems come as<br />

a matching set of three which can<br />

stand close together thus simulating<br />

the one -piece system or be spaced farther<br />

out if this is found necessary in a<br />

particular listening room.<br />

Directivity<br />

But we now get into another difference<br />

over which to choose: directional<br />

or diffuse radiating (omnidirectional)<br />

type loudspeakers? On this score most<br />

speaker manufacturers belong to one<br />

school or the other.<br />

The omnidirectional school uses diffuse<br />

radiators so that sound exclusively<br />

from one unit will be identified with it<br />

-wherever you are in the room. Cor-<br />

(Continued on page 126)<br />

ELECTRONICS WORLD

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