Views
4 months ago

Complexity_in_Museum_Exhibition_Design

Baxandall, M. (1991).

Baxandall, M. (1991). Exhibiting intentions: Some preconditions of the visual display of culturally purposeful objects. In I. Karp & S. D. Lavine (Eds.), Exhibiting cultures: The poetics and politics of museum display (pp. 26–33). Washington: Smithsonian Institution Press. Brett, D. (1996). The construction of heritage. Cork, Ireland: Cork University Press. Cameron, D. F. (2004). The museum, a temple or the forum. In G. Anderson (Ed.), Reinventing the museum: Historical and contemporary perspectives on the paradigm shift (pp. 61–73). Walnut Creek, Calif.: AltaMira Press. Déotte, J. (2004). Rome, the archetypal museum, and the Louvre, the negation of division.” In D. Preziosi & C. Farago (Eds.), Grasping the world: The idea of museum (pp. 51–65). Hants: Ashgate Publishing. Edson, G., & Dean, D. (1996). The handbook for museums. The Heritage. London: Routledge. Ernst, W. (2000). Archi(ve)textures of museology. In S. A. Crane (Ed.), Museums and memory (pp. 17–34). Stanford: Stanford University Press. Falk, J. H. & Dierking, L. D. (2004). The contextual model of learning. In G. Anderson (Ed.), Reinventing the museum: Historical and contemporary perspectives on the paradigm shift (pp. 139–142). Walnut Creek, Calif.: AltaMira Press. Forrester, J. (1994). Mille e tre: Freud and collecting. In J. Elsner & R. Cardinal (Eds.), The cultures of collecting (pp. 224–51). Cambridge, MA: Harvard University Press. Foucault, M. (2004). Text/contexts: Of other spaces. In D. Preziosi & C. Farago (Eds.), Grasping the world: The idea of museum (pp. 371–79). Hants: Ashgate Publishing. Geertz, C. Thick description: Toward an interpretive theory of culture. In The interpretation of cultures: Selected essays (pp. 3–32). New York: Basic Books, 1973. Greenhalgh, P. (1988). Origins and conceptual development. In Ephemeral vistas: The expositions universelles, great exhibitions, and world fairs, 1851-1939 (pp. 3–26). Manchester, UK: Manchester University Press. Hein, H. S. (2000). The museum in transition: A philosophical perspective. Washington: Smithsonian Institution Press. Henning, M. (2007). Legibility and affect: Museum as new media. In S. Macdonald & P. Basu (Eds.), Exhibition experiments (pp. 25–46). MA: Blackwell Publishing. Hooper-Greenhill, E. (2004). Changing values in the art museum: Rethinking communication and learning. In B. M. Carbonell (Ed.), Museum studies: An anthology of contexts (pp. 556–75). Malden, MA: Blackwell Publishing. Hooper-Greenhill, E. (2006). The power of museum pedagogy. In H. H. Genoways (Ed.), Museum philosophy for the twenty-first century (pp. 235–46). Oxford: AltaMira Press. Lavine, S. D. (1991). Museum practices. In I. Karp & S. D. Lavine (Eds.), Exhibiting cultures: The poetics and politics of museum display (pp. 151–58). Washington: Smithsonian Institution Press. Marstine, J. (2006). Introduction. In J. Marstine (Ed.), New museum theory and practice: An introduction (pp. 1–36). Malden, MA; Oxford: Blackwell Publishing. McLean, K. (2004). Museum exhibitions and the dynamics of dialogue. In G. Anderson (Ed.), Reinventing the museum: Historical and contemporary perspectives on the paradigm shift (pp. 193–211). Walnut Creek, Calif.: AltaMira Press. Merriam-Webster, Inc. (2003). Merriam-Webster's collegiate dictionary. Springfield, Mass: Merriam-Webster. Mitchell, T. (2004). Orientalism and the exhibitionary order. In D. Preziosi & C. Farago (Eds.), Grasping the world: The idea of museum (pp. 442–61). Hants: Ashgate Publishing. Potts, A. (2003). Sign. In R. S. Nelson & R. Shiff (Eds.), Critical terms for art history (pp. 20–34). Chicago: The University of Chicago Press.

Preziosi, D. (1998). The art of art history. In D. Preziosi (Ed.), The art of art history: A critical anthology (pp. 507–25). Oxford: Oxford University Press. Preziosi, D. (2006). Philosophy and the ends of the museum. In H. H. Genoways (Ed.), Museum philosophy for the twenty-first century (pp. 69–78). Oxford: AltaMira Press. Vitruvius Pollio, & Morgan, M. H. (1960). Vitruvius: The ten books on architecture. New York: Dover Publications. Weil, S. E. (2002). Museums: Can and do they make a difference? In Making museums matter (pp. 55–74). Washington: Smithsonian Institution Press. Author Biography Napapong Matt Naparat Matt Naparat was born in Bangkok and now lives in Montréal, Canada. With an Industrial Design background, he has pursued his career in exhibition/product/graphic design. He was involved in various national museum exhibition projects namely, Royal Ontario Museum Renaissance Project, New Canadian War Museum and Royal Canadian Mounted Police Heritage Centre. His experience has given him insight into the multi-faceted nature and complexity of today’s interdisciplinary approach to exhibition design. His interest in languages and culture led him to teach in Osaka, Japan. Now completing his master in Design at Carleton University (Ottawa), incorporating a fascination with cultures, he is focusing on the complex dynamic between design, culture, and the system of re-presentation – exhibition. To him, museum exhibition design is a powerful communication medium deserving a thorough investigation for potential applications in other domains of knowledge.

- The Creative Museum -
Running a museum: a practical handbook; 2004 - ICOM Deutschland
Crime Scene Detective Evening - New Zealand Police
Pitt Rivers Museum - University of Oxford
Voices from the Museum.pdf - The MeLa* Project
Peter Cripps towards an elegant solution - ACCA
Being-Social-What-Museums-Need-to-Understand-for-the-Future
Alexander Technique - Ingrid van Schuylenburch
DIVERSITY STANDARDS
STANDARDS
Converting-Family-into-Fans
CMCC Annual Report, 2009-2010 - Canadian Museum of Civilization
the inclusive museum - Edarte
PlanStrat%C3%A9giqueONF2013-2018anglais
- The Creative Museum -
Pink Book
Exhibitions July/August 2012 - Universalmuseum Joanneum
26th-March-Encountering-Corpses