Rosner - The Parable of the Law, op. 97
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ARNOLD ROSNER<br />
THE PARABLE<br />
OF THE LAW<br />
for baritone and orchestra<br />
<strong>op</strong>. <strong>97</strong> (1994)<br />
text by Franz Kafka, from <strong>The</strong> Trial
Arnold <strong>Rosner</strong><br />
<strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong><br />
Arnold <strong>Rosner</strong> (1945–2013)<br />
<strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong><br />
C<strong>op</strong>yright © 2016 <strong>The</strong> Estate <strong>of</strong> Arnold <strong>Rosner</strong>. www.arnoldrosnermusic.com<br />
Music engraved by Jeffrey Grossman in SCORE 4.01<br />
Book typeset in Adobe InDesign<br />
ver. 6 November 2017
Score in C<br />
Contrabass sounds one octave lower than written.<br />
Glockenspiel sounds two octaves higher than written.<br />
Instrumentation<br />
2 Flutes<br />
2 Oboes<br />
English Horn<br />
2 Bb Clarinets<br />
Bb Bass Clarinet<br />
2 Bassoons<br />
Contrabassoon<br />
4 F Horns<br />
3 C Trumpets<br />
3 Trombones<br />
Tuba<br />
Timpani<br />
Percussion (2 players)<br />
Harp<br />
Solo Baritone Voice<br />
Strings<br />
Duration: c. 21 min.<br />
Premiere: 1994; Elliot Palay, baritone; JCC Orchestra <strong>of</strong> San Diego; David Amos, conductor<br />
Percussion Key<br />
Tamtam<br />
Bass<br />
Drum<br />
Tenor<br />
Drum<br />
Suspended<br />
Cymbal<br />
Glockenspiel<br />
sounds two<br />
8vas above<br />
Percussion 1: Glockenspiel, Tenor Drum, Bass Drum<br />
Percussion 2: Suspended Cymbal, Tamtam, Bass Drum
Before <strong>the</strong> <strong>Law</strong> <strong>the</strong>re stands a doorkeeper. To this doorkeeper <strong>the</strong>re comes<br />
a man from <strong>the</strong> country who begs for admittance unto <strong>the</strong> <strong>Law</strong>. But <strong>the</strong>n <strong>the</strong><br />
doorkeeper says that he cannot admit <strong>the</strong> man at <strong>the</strong> present time. <strong>The</strong> man, on<br />
reflection asks if he will be allowed, <strong>the</strong>n, to enter later on. “It is possible,” says<br />
<strong>the</strong> doorkeeper, “but not at <strong>the</strong> present time.” Since <strong>the</strong> door leading into <strong>the</strong><br />
<strong>Law</strong> stands <strong>op</strong>en as usual and <strong>the</strong> doorkeeper steps to one side <strong>the</strong> man bends<br />
down to look; <strong>the</strong> man bends down to peer into <strong>the</strong> entrance and when <strong>the</strong><br />
doorkeeper sees that he laughs and says: “If you’re so strongly tempted, just try<br />
to get inside without permission. But note that I am powerful. And I am only<br />
<strong>the</strong> lowliest doorkeeper! From hall to hall, keepers stand at every door, one more<br />
powerful than <strong>the</strong> o<strong>the</strong>r. And <strong>the</strong> sight <strong>of</strong> <strong>the</strong> third man is already more than<br />
even I can stand.” <strong>The</strong>se are difficulties which <strong>the</strong> man from <strong>the</strong> country has<br />
not expected to meet. <strong>The</strong> <strong>Law</strong> he thinks should be accessible to any man and<br />
at all times, but when he looks more closely at <strong>the</strong> doorkeeper he decides that<br />
he had better wait until he gets permission to enter. <strong>The</strong> doorkeeper gives him<br />
a stool and lets him sit down at <strong>the</strong> side <strong>of</strong> <strong>the</strong> door. <strong>The</strong>re he sits waiting for<br />
days and years. He makes many attempts to be allowed to enter and wearies <strong>the</strong><br />
doorkeeper with his importunity. <strong>The</strong> doorkeeper <strong>of</strong>ten engages him in brief<br />
conversation asking him about his home and o<strong>the</strong>r matters but <strong>the</strong>se questions<br />
are put quite impersonally as great men put questions, and <strong>the</strong>y always conclude<br />
with <strong>the</strong> statement that <strong>the</strong> man cannot be allowed to enter yet. <strong>The</strong> man, who<br />
has equipped himself with many things for his journey, parts with everything<br />
he has, however valuable, in <strong>the</strong> h<strong>op</strong>e <strong>of</strong> bribing <strong>the</strong> doorkeeper. <strong>The</strong> doorkeeper<br />
accepts it all, saying, however, as he takes each gift, “I take this only to keep you<br />
from feeling that you’ve left something undone.” During all <strong>the</strong>se long years <strong>the</strong><br />
man watches <strong>the</strong> doorkeeper almost incessantly. He forgets about all <strong>the</strong> o<strong>the</strong>r<br />
doorkeepers and this one seems to him <strong>the</strong> only barrier between himself and<br />
<strong>the</strong> <strong>Law</strong>. In <strong>the</strong> first years he curses his evil fate aloud; later, as he grows older<br />
and as he grows childish, he only mutters to himself. Finally his eyes grow dim,<br />
and he does not know whe<strong>the</strong>r <strong>the</strong> world is really darkening around him or<br />
whe<strong>the</strong>r his eyes are only deceiving him. But in <strong>the</strong> darkness he can now perceive<br />
a radiance streaming inextinguishably out from <strong>the</strong> door <strong>of</strong> <strong>the</strong> <strong>Law</strong>. Now<br />
his life is drawing to a close. Before he dies, all that he has experienced during<br />
<strong>the</strong> whole time <strong>of</strong> his sojourn condenses into one question which he has never<br />
yet put to <strong>the</strong> doorkeeper. He beckons <strong>the</strong> doorkeeper, since he can no longer<br />
raise his stiffening body. <strong>The</strong> doorkeeper has to bend down so as to hear him,<br />
for <strong>the</strong> difference in size between <strong>the</strong>m has increased very much to <strong>the</strong> man’s<br />
disadvantage. “What do you want to know now?” asks <strong>the</strong> doorkeeper. “You are<br />
insatiable.” “Everyone strives to attain <strong>the</strong> <strong>Law</strong>,” answers <strong>the</strong> man. “How does<br />
it come about <strong>the</strong>n that in all <strong>the</strong>se years no one has come, no one has come<br />
seeking admittance but me?” <strong>The</strong> doorkeeper perceives that <strong>the</strong> man is nearing<br />
his end and that his hearing is failing, and so he bellows in his ear: “No one but<br />
you could gain admittance through this door, since this door was intended for<br />
you, and only for you. I am now going to shut it.”<br />
—Franz Kafka, from <strong>The</strong> Trial (1915)<br />
<br />
(translator unknown)
Score in C<br />
Franz Kafka<br />
1<br />
Flutes<br />
2<br />
Adagio ( = c. 63)<br />
<strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong><br />
for baritone and orchestra<br />
2<br />
3<br />
3 4 5<br />
5<br />
Arnold <strong>Rosner</strong><br />
Opus <strong>97</strong> (1994)<br />
Oboes<br />
1<br />
2<br />
English Horn<br />
Clarinets<br />
in B<br />
Bass Clarinet<br />
in B<br />
Bassoons<br />
1<br />
2<br />
1<br />
2<br />
a2<br />
3<br />
Contrabassoon<br />
1<br />
Horns 3<br />
in F 2<br />
4<br />
3<br />
Trumpets 1–3<br />
in C<br />
Trombones<br />
1<br />
2<br />
con sord.<br />
senza sord.<br />
3<br />
Tuba<br />
in G, B , C, F<br />
Timpani<br />
Bass Drum<br />
1<br />
Percussion<br />
2<br />
Harp<br />
Baritone<br />
Adagio ( = c. 63)<br />
Violin I<br />
Violin II<br />
3<br />
3<br />
Viola<br />
3<br />
Violoncello<br />
3<br />
Contrabass<br />
3<br />
C<strong>op</strong>yright © 2017 <strong>The</strong> Estate <strong>of</strong> Arnold <strong>Rosner</strong>. www.arnoldrosnermusic.com
6<br />
Fls.<br />
Obs.<br />
1<br />
2<br />
1<br />
2<br />
6<br />
3<br />
7 8 9 10 11 12<br />
Eng. Hn.<br />
Cl.<br />
in B<br />
Bass Cl.<br />
in B<br />
1<br />
solo, melodia!<br />
Bsns.<br />
1<br />
2<br />
3<br />
Cbsn.<br />
3<br />
Hns.<br />
in F<br />
1<br />
2<br />
4<br />
Tpts. 1–3<br />
in C<br />
Tbns. 1–3<br />
Tuba<br />
Timp.<br />
(B.D.)<br />
Perc. 1<br />
Bar.<br />
Vln. I<br />
3<br />
Vln. II<br />
3<br />
Vla.<br />
3<br />
div.<br />
unis.<br />
Vc.<br />
Cb.<br />
3<br />
3<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
7<br />
Fls.<br />
1<br />
2<br />
13 14 15 16 17<br />
Obs.<br />
1<br />
2<br />
Eng. Hn.<br />
Cl.<br />
in B<br />
1<br />
3<br />
3<br />
3<br />
3 3<br />
3<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
Tpts. 1–3<br />
in C<br />
Tbns. 1–3<br />
Tuba<br />
G→F<br />
Timp.<br />
Bar.<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
pizz.<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
8<br />
Fls.<br />
Obs.<br />
1<br />
2<br />
1<br />
2<br />
18 19 20 21 22 23<br />
Eng. Hn.<br />
Cl.<br />
in B<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
1<br />
2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
Tpts. 1–3<br />
in C<br />
Tbns. 1–3<br />
Tuba<br />
B →C, C→E<br />
Timp.<br />
Harp<br />
D C B<br />
E F G A<br />
Bar.<br />
Be fore <strong>the</strong> <strong>Law</strong><br />
Vln. I<br />
Vln. II<br />
Vla.<br />
3 3<br />
3<br />
3<br />
melodia<br />
3<br />
3 3<br />
Vc.<br />
Cb.<br />
(pizz.)<br />
arco<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
9<br />
Fls.<br />
1<br />
2<br />
24 25 26 27<br />
Obs.<br />
1<br />
2<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
Tpts. 1–3<br />
in C<br />
Tbns. 1–3<br />
Tuba<br />
Timp.<br />
Bar.<br />
3<br />
3<br />
<strong>the</strong>re stands a door keep er. To this door keep er<br />
3<br />
3<br />
<strong>the</strong>re comes a man from <strong>the</strong> coun try who begs<br />
Vln. I<br />
3<br />
3 3<br />
3<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
10<br />
Fls.<br />
Obs.<br />
1<br />
2<br />
1<br />
2<br />
28 29 30 31 32 33<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
Cbsn.<br />
Hns.<br />
in F<br />
Tpt.<br />
in C<br />
1<br />
3<br />
2<br />
4<br />
1<br />
melodia<br />
3<br />
sub. 3<br />
3<br />
Tbns. 1–3<br />
Tuba<br />
in E, G, F, E<br />
Timp.<br />
Harp<br />
E<br />
3<br />
3<br />
Bar.<br />
for ad mit tance un to <strong>the</strong> <strong>Law</strong>.<br />
3<br />
Vln. I<br />
3<br />
sub.<br />
Vln. II<br />
sub.<br />
Vla.<br />
sub.<br />
Vc.<br />
sub.<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
11<br />
Fls.<br />
1<br />
2<br />
34 35 36 37 38 39<br />
Ob. 1<br />
3<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
a2<br />
3<br />
3<br />
Tpt.<br />
in C<br />
1<br />
3 3<br />
3<br />
Tbns.<br />
Tuba<br />
1<br />
2<br />
3<br />
serioso<br />
serioso<br />
serioso<br />
E→F , G→A<br />
Timp.<br />
Harp<br />
E<br />
B<br />
Bar.<br />
%L<br />
But <strong>the</strong>n <strong>the</strong> door keep er<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
12<br />
Fls.<br />
Ob.<br />
1<br />
2<br />
1<br />
40 41 42 43 44<br />
Eng. Hn.<br />
3<br />
3 3<br />
Cls.<br />
in B<br />
1<br />
2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
a2<br />
Cbsn.<br />
1<br />
Hns. 3<br />
in F 2<br />
4<br />
Tpt.<br />
in C<br />
1<br />
1<br />
Tbns.<br />
2<br />
3<br />
Tuba<br />
F →A<br />
Timp.<br />
(B.D.)<br />
Perc.<br />
1<br />
Harp<br />
E<br />
3<br />
Bar.<br />
says that he can not<br />
ad mit <strong>the</strong> man at <strong>the</strong> pres ent time. <strong>The</strong><br />
div.<br />
Vln. I<br />
Vln. II<br />
3<br />
3<br />
3 3<br />
div.<br />
Vla.<br />
div.<br />
Vc.<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
13<br />
45 46 47 48 49<br />
Fl. 1<br />
Obs.<br />
1<br />
2<br />
Eng. Hn.<br />
Cls.<br />
in B<br />
1<br />
2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
Tpts. 1–3<br />
in C<br />
Tbns. 1–3<br />
Tuba<br />
Timp.<br />
Harp<br />
Bar.<br />
3<br />
3<br />
3<br />
3<br />
man,<br />
on<br />
re flec tion, on<br />
re<br />
flec tion, asks if he will be al lowed, <strong>the</strong>n, to en ter la ter on.<br />
unis.<br />
con sord.<br />
Vln. I<br />
Vln. II<br />
con sord.<br />
Vla.<br />
unis.<br />
con sord.<br />
Vc.<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
14<br />
50 51 52 53 54<br />
Fl.<br />
1<br />
Obs.<br />
1<br />
2<br />
Eng. Hn.<br />
Cls.<br />
in B<br />
1<br />
2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
3<br />
3<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
Tpts. 1–3<br />
in C<br />
con sord.<br />
Tbns. 1–3<br />
Tuba<br />
con sord.<br />
A →B , A →B<br />
Timp.<br />
Harp<br />
l.v.<br />
A<br />
Bar.<br />
3<br />
“It is pos si ble,” says <strong>the</strong> door keep er, “but not<br />
3<br />
at <strong>the</strong> pres ent<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
unis. 3<br />
3<br />
Cb.<br />
pizz.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
15<br />
55<br />
56 57 58<br />
59 60<br />
Fl.<br />
Obs.<br />
1<br />
1<br />
2<br />
3 3<br />
Eng. Hn.<br />
Cls.<br />
in B<br />
1<br />
2<br />
3<br />
Bass Cl.<br />
in B<br />
1<br />
Bsns.<br />
sub.<br />
2<br />
sub.<br />
Cbsn.<br />
1<br />
Hns. 3<br />
in F 2<br />
4<br />
Tpts. 1–3<br />
in C<br />
con sord.<br />
Tbns. 1–3<br />
Tuba<br />
(con sord.)<br />
Timp.<br />
Susp. Cym., s<strong>of</strong>t sticks<br />
Perc. 2<br />
Harp<br />
gl.<br />
Bar.<br />
Vln. I<br />
sub.<br />
time."<br />
senza sord.<br />
pizz.<br />
Since <strong>the</strong> door<br />
lead ing in to <strong>the</strong> <strong>Law</strong><br />
3<br />
Vln. II<br />
senza sord.<br />
pizz.<br />
Vla.<br />
senza sord.<br />
pizz.<br />
arco<br />
Vc.<br />
Cb.<br />
sub.<br />
(pizz.)<br />
arco<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
16<br />
61<br />
62 63 64 65<br />
Fl.<br />
1<br />
Obs.<br />
1<br />
2<br />
Eng. Hn.<br />
Cl.<br />
in B<br />
1<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
2<br />
4<br />
Tpts. 1–3<br />
in C<br />
Tbns. 1–3<br />
Tuba<br />
Timp.<br />
Harp<br />
Bar.<br />
stands o pen as u su al, and <strong>the</strong> door keep er<br />
arco<br />
Vln. I<br />
Vln. II<br />
arco<br />
Vla.<br />
Vc.<br />
pizz.<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
17<br />
Fl.<br />
1<br />
66<br />
Più mosso ( = c. 84)<br />
67<br />
68 69<br />
Obs.<br />
1<br />
2<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
1. 2.<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
a2<br />
Tpts.<br />
in C<br />
1<br />
2<br />
3<br />
senza sord.<br />
senza sord.<br />
senza sord.<br />
Tbns.<br />
1<br />
2<br />
senza sord.<br />
3<br />
Tuba<br />
senza sord.<br />
Timp.<br />
(Susp. Cym.)<br />
Perc.<br />
2<br />
Bar.<br />
steps to one side, <strong>the</strong> man bends down to look; <strong>the</strong> man bends down to peer in to <strong>the</strong> en trance, and when <strong>the</strong> door<br />
Più mosso ( = c. 84)<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
arco<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
18<br />
Fls.<br />
Obs.<br />
1<br />
2<br />
1<br />
2<br />
70 71 72 73<br />
Eng. Hn.<br />
Cls.<br />
in B<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
1<br />
2<br />
(2.) 1.<br />
Cbsn.<br />
Hns.<br />
in F<br />
Tpts.<br />
in C<br />
1<br />
3<br />
2<br />
4<br />
1<br />
2<br />
3<br />
(a2)<br />
1<br />
Tbns. 2<br />
3<br />
senza sord.<br />
Tuba<br />
Timp.<br />
Perc. 2<br />
(Susp. Cym.)<br />
Bar.<br />
keep er sees that he laughs and says: “If you’re so strong ly tempt ed, just try to get in side with out per mis sion. But<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
19<br />
74 75 76<br />
Fls.<br />
1<br />
2<br />
3<br />
3<br />
Obs.<br />
1<br />
2<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
3<br />
3<br />
Bass Cl.<br />
in B<br />
3<br />
3<br />
3 3<br />
Bsns.<br />
1<br />
2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
a2<br />
a2<br />
Tpts. 1–3<br />
in C<br />
Tbns. 1–3<br />
Tuba<br />
B →G, B →C<br />
Timp.<br />
Bar.<br />
note that I am pow er ful.<br />
Vln. I<br />
3<br />
3<br />
Vln. II<br />
3 3<br />
3<br />
3<br />
3 3<br />
Vla.<br />
Vc.<br />
3<br />
3 3<br />
3<br />
pizz.<br />
arco<br />
Cb.<br />
3<br />
3<br />
3<br />
3<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
20<br />
Fls.<br />
Obs.<br />
1<br />
2<br />
1<br />
2<br />
77<br />
78 79 80<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
Cbsn.<br />
1<br />
2<br />
3<br />
3<br />
3<br />
3<br />
Hns.<br />
in F<br />
Tpts.<br />
in C<br />
1<br />
3<br />
2<br />
4<br />
1<br />
2<br />
3<br />
Tbns.<br />
1<br />
2<br />
3<br />
Tuba<br />
Timp.<br />
(B.D.)<br />
Perc.<br />
1<br />
Bar.<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
3<br />
3<br />
3<br />
3<br />
3<br />
3<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
21<br />
Fls.<br />
1<br />
2<br />
81 82 83 84<br />
a2<br />
1<br />
Obs.<br />
2<br />
Eng. Hn.<br />
3<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
(a2)<br />
(a2)<br />
3<br />
3<br />
3<br />
3<br />
Tpts. 1–3<br />
in C<br />
Tbns.<br />
1<br />
2<br />
3<br />
Tuba<br />
Timp.<br />
(B.D.)<br />
1<br />
Perc.<br />
(Susp. Cym.)<br />
2<br />
Bar.<br />
And I am on ly <strong>the</strong> low li est<br />
Vln. I<br />
Vln. II<br />
3<br />
3<br />
Vla.<br />
Vc.<br />
3<br />
Cb.<br />
3<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
22<br />
Fls.<br />
1<br />
2<br />
85<br />
Più mosso ( = c. 112)<br />
86 87<br />
88<br />
Obs.<br />
1<br />
2<br />
Eng. Hn.<br />
Cls.<br />
in B<br />
1<br />
2<br />
a2<br />
3 3 3 3 3<br />
Bass Cl.<br />
in B<br />
a2 3<br />
3<br />
Bsns.<br />
1<br />
2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
3<br />
3<br />
3 3 3<br />
3<br />
3<br />
3 a2 3<br />
3<br />
a2<br />
Tpts. 1–3<br />
in C<br />
Tbns. 1–3<br />
Tuba<br />
3 3 3 3 3<br />
G→B, C →D<br />
Timp.<br />
Tenor Drum, wood sticks<br />
Perc. 1<br />
Bar.<br />
door keep er! From hall to<br />
Più mosso ( = c. 112)<br />
Vln. I<br />
Vln. II<br />
3 3 3 3 3<br />
3<br />
Vla.<br />
Vc.<br />
Cb.<br />
3 3 3<br />
3 3<br />
3<br />
3<br />
pizz. (pizz.) arco<br />
3<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
23<br />
89<br />
3 90 91 92 93<br />
a2<br />
Fls.<br />
1<br />
2<br />
1<br />
Obs.<br />
2<br />
Eng. Hn.<br />
3<br />
3<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
(a2)<br />
3<br />
(a2)<br />
3<br />
solo<br />
Tpts.<br />
in C<br />
1<br />
2<br />
3<br />
3<br />
Tbns.<br />
1<br />
2<br />
3<br />
Tuba<br />
Timp.<br />
1<br />
(T.D.)<br />
Perc.<br />
2<br />
(Susp. Cym.)<br />
Bar.<br />
3<br />
3<br />
hall, keep ers stand at ev<br />
e ry door, one more pow er ful than <strong>the</strong> oth er.<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
3<br />
pizz.<br />
arco<br />
div.<br />
Vc.<br />
pizz.<br />
arco<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
24<br />
Fls.<br />
1<br />
2<br />
94<br />
(a2)<br />
95<br />
96 <strong>97</strong> 98 99<br />
Obs.<br />
1<br />
2<br />
a2<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
a2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
a2 3<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
a2<br />
Tpts.<br />
in C<br />
1<br />
2<br />
3<br />
a2<br />
Tbns. 1–3<br />
Tuba<br />
B→A<br />
Timp.<br />
(T.D.)<br />
1<br />
Perc.<br />
(Susp. Cym.)<br />
2<br />
Bar.<br />
And <strong>the</strong> sight <strong>of</strong> <strong>the</strong> third man is al read y more than e ven<br />
Vln. I<br />
Vln. II<br />
3 3<br />
3 3<br />
Vla.<br />
Vc.<br />
3<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
25<br />
Fls.<br />
1<br />
2<br />
100 101<br />
frull.<br />
102 103 104 105 106 107<br />
1<br />
Obs.<br />
2<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
Tpts.<br />
in C<br />
1<br />
2<br />
3<br />
Tbns. 1–3<br />
Tuba<br />
in F, B, C, D<br />
Timp.<br />
Perc.<br />
2<br />
(Susp. Cym.)<br />
Bar.<br />
I<br />
can stand.”<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
pizz.<br />
arco<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
26<br />
Fls.<br />
Obs.<br />
1<br />
2<br />
1<br />
2<br />
108 Lento ( = c. 112, = c. 56) 109 110 sempre<br />
Eng. Hn.<br />
Cls.<br />
in B<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
1<br />
2<br />
Cbsn.<br />
Hns.<br />
in F<br />
Tpt.<br />
in C<br />
1<br />
3<br />
2<br />
4<br />
1<br />
melodia<br />
Tbns. 1–3<br />
Tuba<br />
Timp.<br />
Harp<br />
3 3 3<br />
3<br />
3 3 3<br />
3<br />
C<br />
E G A<br />
Bar.<br />
Lento ( = c. 112, = c. 56)<br />
div., sul tasto<br />
unis., ord.<br />
melodia<br />
sempre<br />
Vln. I<br />
div., sul tasto<br />
Vln. II<br />
Vla.<br />
div.<br />
unis.<br />
Vc.<br />
melodia<br />
div.<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
27<br />
Fls.<br />
1<br />
2<br />
111 112 113 114 115<br />
Obs.<br />
1<br />
2<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
Tpt.<br />
1<br />
in C<br />
Tbns. 1–3<br />
1.3.<br />
2.<br />
Tuba<br />
Timp.<br />
Bar.<br />
<strong>The</strong>se are dif fi cul ties which <strong>the</strong> man from <strong>the</strong> coun try has not ex pect ed to<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
28<br />
Fls.<br />
1<br />
2<br />
116 117 118 119 120 121<br />
Obs.<br />
1<br />
2<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
2.<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
Tpts. 1–3<br />
in C<br />
Tbns. 1–3<br />
Tuba<br />
Timp.<br />
Bar.<br />
meet. <strong>The</strong> <strong>Law</strong>, he thinks, should be ac ces si ble to an y man and at all times,<br />
div.<br />
con sord., sul tasto<br />
Vln. I<br />
Vln. II<br />
con sord., ord.<br />
div., sul tasto<br />
Vla.<br />
con sord.<br />
div., sul tasto<br />
Vc.<br />
div.<br />
con sord., sul tasto<br />
senza sord.<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
Fls.<br />
1<br />
2<br />
122<br />
123 124 125 126 127<br />
29<br />
Obs.<br />
1<br />
2<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsn. 2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
Tpts. 1–3<br />
in C<br />
Tbns. 1–3<br />
Tuba<br />
Timp.<br />
3<br />
Bar.<br />
but when he looks more close ly at <strong>the</strong> door keep er, he de cides that<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
unis., ord.<br />
3<br />
3<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
30<br />
132<br />
128 129 130 131<br />
1<br />
Fls.<br />
2<br />
Ob. 1<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsn. 2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
Tpts. 1–3<br />
in C<br />
Tbns. 1–3<br />
Tuba<br />
Timp.<br />
3<br />
Bar.<br />
he had bet ter wait un til he gets per mis sion to en ter. <strong>The</strong> door keep er gives him a stool<br />
unis., senza sord., ord.<br />
Vln. I<br />
unis., senza sord., ord.<br />
Vln. II<br />
unis., senza sord., ord.<br />
Vla.<br />
unis., senza sord., ord.<br />
Vc.<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
31<br />
Fls.<br />
1<br />
2<br />
133<br />
134<br />
1.<br />
135 136<br />
Obs.<br />
1<br />
2<br />
1.<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
3 1.<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
2.<br />
Cbsn.<br />
1<br />
Hns. 3<br />
in F 2<br />
4<br />
con sord.<br />
Tpts.<br />
in C<br />
1<br />
2<br />
3<br />
con sord.<br />
Tbns. 1–3<br />
Tuba<br />
Timp.<br />
Harp<br />
Bar.<br />
Vln. I<br />
and lets him sit down at <strong>the</strong> side <strong>of</strong> <strong>the</strong> door. <strong>The</strong>re he sits<br />
3<br />
3<br />
B C D<br />
E F G A<br />
3<br />
Vln. II<br />
3<br />
Vla.<br />
div.<br />
Vc.<br />
pizz.<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
32<br />
Fls.<br />
Obs.<br />
1<br />
2<br />
1<br />
2<br />
137<br />
138<br />
sub.<br />
sub.<br />
139 140 141<br />
a2<br />
3 3<br />
3<br />
Eng. Hn.<br />
3 3<br />
sub.<br />
Cls.<br />
in B<br />
1<br />
2<br />
sub.<br />
3 3<br />
Bass Cl.<br />
in B<br />
sub.<br />
3 3<br />
Bsns.<br />
1<br />
2<br />
sub.<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
a2<br />
3<br />
Tpts. 1–3<br />
in C<br />
Tbns. 1–3<br />
Tuba<br />
Timp.<br />
Harp<br />
B<br />
B<br />
Bar.<br />
sub.<br />
3<br />
3<br />
3<br />
wait ing, wait ing for<br />
days<br />
and years,<br />
days<br />
and years. He makes ma ny at tempts<br />
Vln. I<br />
sub.<br />
Vln. II<br />
sub.<br />
3<br />
3 3 3 3<br />
Vla.<br />
sub.<br />
Vc.<br />
(pizz.)<br />
sub.<br />
3<br />
3<br />
Cb.<br />
sub.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
33<br />
142<br />
143 144 145 146<br />
Fls.<br />
1<br />
2<br />
Obs.<br />
1<br />
2<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
a2<br />
3<br />
3<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
Tpts. 1–3<br />
in C<br />
Tbns. 1–3<br />
Tuba<br />
B→A<br />
Timp.<br />
Harp<br />
Bar.<br />
3<br />
3<br />
3<br />
to be al lowed to en<br />
ter<br />
and wea ries <strong>the</strong> door keep er with his im por tu ni<br />
ty.<br />
div.<br />
Vln. I<br />
div.<br />
Vln. II<br />
div.<br />
Vla.<br />
3<br />
div.<br />
Vc.<br />
Cb.<br />
(pizz.)<br />
arco<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
34<br />
147 148 149 150 151<br />
Quasi allegretto ( = c. 112)<br />
Fl.<br />
1<br />
Ob.<br />
1<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
a2<br />
Cbsn.<br />
1<br />
Hns. 3<br />
in F 2<br />
4<br />
senza sord.<br />
Tpts.<br />
in C<br />
1<br />
2<br />
3<br />
senza sord.<br />
Tbns. 1–3<br />
Tuba<br />
Timp.<br />
agitato<br />
ossia<br />
etc.<br />
Harp<br />
B C D G G G G<br />
E F G A<br />
Bar.<br />
Quasi allegretto ( = c. 112)<br />
(stagger bowing)<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
(stagger bowing)<br />
(stagger bowing)<br />
Vc.<br />
(stagger bowing)<br />
Cb.<br />
(stagger bowing)<br />
pizz.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
152<br />
153 154 155 156<br />
35<br />
Fl.<br />
1<br />
Ob. 1<br />
Eng. Hn.<br />
Cls.<br />
in B<br />
1<br />
2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
(a2)<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
Tpts.<br />
in C<br />
1<br />
2<br />
3<br />
Tbns. 1–3<br />
Tuba<br />
Timp.<br />
Harp<br />
G G G G G G G<br />
Bar.<br />
un poco parlando<br />
3<br />
3<br />
<strong>The</strong><br />
door keep er <strong>of</strong> ten<br />
en<br />
ga ges him in brief con ver<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
melodia!<br />
Vc.<br />
solo<br />
gli<br />
altri<br />
3 3<br />
Cb.<br />
(pizz.)<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
36<br />
157<br />
158 159 160 161<br />
Fl.<br />
1<br />
Ob.<br />
1<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
(a2)<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
Tpts.<br />
in C<br />
1<br />
2<br />
3<br />
Tbns. 1–3<br />
Tuba<br />
Timp.<br />
Harp<br />
G G G G G G G G<br />
Bar.<br />
sa tion, ask ing him a bout his home and o <strong>the</strong>r mat ters,<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
solo<br />
gli<br />
altri<br />
(pizz.)<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
37<br />
162<br />
163 164 165 166<br />
Fl. 1<br />
Ob. 1<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
Cbsn.<br />
1<br />
Hns. 3<br />
in F<br />
2<br />
4<br />
Tpts.<br />
in C<br />
1<br />
2<br />
3<br />
Tbns. 1–3<br />
Tuba<br />
F→G<br />
Timp.<br />
ossia<br />
etc.<br />
Harp<br />
Bar.<br />
E D D D D<br />
G<br />
but <strong>the</strong>se ques tions are put quite im per son al ly, as great men put<br />
3<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
solo<br />
gli<br />
altri<br />
(pizz.)<br />
3 3<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
38<br />
167 168 169 170 171 172<br />
Fl.<br />
1<br />
Ob. 1<br />
Eng. Hn.<br />
Cls.<br />
in B<br />
1<br />
2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
Tpts.<br />
in C<br />
1<br />
2<br />
3<br />
Tbns. 1–3<br />
Tuba<br />
Timp.<br />
Harp<br />
D D D<br />
Bar.<br />
ques tions, and <strong>the</strong>y al ways con clude with <strong>the</strong> state ment that <strong>the</strong> man can not be al<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
solo<br />
gli<br />
altri<br />
(pizz.)<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
173<br />
174 175 176 177 178 179<br />
39<br />
Fl.<br />
1<br />
Obs.<br />
1<br />
2<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
a2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
2<br />
4<br />
Tpts. 1–3<br />
in C<br />
con sord.<br />
Tbns. 1–3<br />
Tuba<br />
Timp.<br />
Bar.<br />
lowed to en ter yet.<br />
3<br />
Vln. I<br />
Vln. II<br />
unis.<br />
(unis.)<br />
Vla.<br />
Vc.<br />
solo<br />
gli<br />
altri<br />
(pizz.)<br />
3<br />
div. (pizz.)<br />
unis.<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
40<br />
181<br />
Fls.<br />
1<br />
2<br />
180<br />
Meno mosso 182<br />
( = c. 84)<br />
poch. rit.<br />
183<br />
184 185 186<br />
a tempo ( = c. 84)<br />
poch. accel.<br />
Obs.<br />
1<br />
2<br />
Eng. Hn.<br />
Cls.<br />
in B<br />
1<br />
2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
(a2) 3<br />
Cbsn.<br />
1<br />
3<br />
Hns.<br />
in F<br />
2<br />
4<br />
Tpts. 1–3<br />
in C<br />
Tbns. 1–3<br />
Tuba<br />
A→B<br />
Timp.<br />
Harp<br />
D C B<br />
E F G A<br />
cantabile<br />
Bar.<br />
<strong>The</strong><br />
man,<br />
Meno mosso<br />
( = c. 84)<br />
poch. rit. a tempo ( = c. 84)<br />
unis.<br />
poch. accel.<br />
Vln. I<br />
div.<br />
Vln. II<br />
Vla.<br />
tutti<br />
Vc.<br />
arco<br />
pizz.<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
Fls.<br />
Obs.<br />
1<br />
2<br />
1<br />
2<br />
188 189 190 191 192<br />
187 (accel.) al = c. 96<br />
41<br />
Eng. Hn.<br />
Cls.<br />
in B<br />
1<br />
2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
(a2)<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
2<br />
3<br />
4<br />
a2 (1.2.)<br />
Tpts. 1–3<br />
in C<br />
Tbns. 1–3<br />
poco<br />
Tuba<br />
Timp.<br />
Harp<br />
C<br />
D<br />
G<br />
Bar.<br />
who has e quipped him self with ma ny things for his jour ney,<br />
(accel.) al = c. 96<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
div.<br />
unis.<br />
unis.<br />
div.<br />
Vc.<br />
div.<br />
unis.<br />
Cb.<br />
(pizz.)<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
42<br />
Fls.<br />
Obs.<br />
1<br />
2<br />
1<br />
2<br />
193 194 195 196 1<strong>97</strong> 198 199<br />
Eng. Hn.<br />
Cls.<br />
in B<br />
1<br />
2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
(a2)<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
2<br />
3<br />
4<br />
(a2)<br />
a2 (3.4.)<br />
Tpts. 1–3<br />
in C<br />
Tbns. 1–3<br />
Tuba<br />
C→D<br />
Timp.<br />
poco<br />
Harp<br />
G<br />
B E A<br />
F<br />
Bar.<br />
parts with ev ’ry thing he has, how ev er val ua ble, in <strong>the</strong> h<strong>op</strong>e <strong>of</strong><br />
Vln. I<br />
espr.<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
(pizz.)<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
43<br />
200<br />
201 202 203 204 205<br />
Fls.<br />
1<br />
2<br />
Obs.<br />
1<br />
2<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
(a2)<br />
a2<br />
a2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
2<br />
3<br />
4<br />
(a2)<br />
Tpts. 1–3<br />
in C<br />
con sord.<br />
Tbns. 1–3<br />
Tuba<br />
G→F , B→A<br />
Timp.<br />
Harp<br />
D<br />
C F A D G<br />
G<br />
Bar.<br />
brib ing <strong>the</strong> door keep er. <strong>The</strong> door keep er ac cepts it all,<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
(pizz.)<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
44<br />
206<br />
207 208 209 210 211 212<br />
Fls.<br />
1<br />
2<br />
Obs.<br />
1<br />
2<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
(a2)<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
2<br />
3<br />
4<br />
Tpts. 1–3<br />
in C<br />
(a2)<br />
(a2)<br />
senza sord.<br />
senza sord.<br />
Tbns. 1–3<br />
sempre<br />
Tuba<br />
Timp.<br />
Harp secco secco<br />
poco<br />
B C D<br />
E F G A<br />
Bar.<br />
say ing, how ev er, as<br />
he takes each gift, “I take this<br />
div.<br />
Vln. I<br />
Vln. II<br />
unis.<br />
espr.<br />
Vla.<br />
Vc.<br />
Cb.<br />
(pizz.)<br />
arco<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
45<br />
Fls.<br />
1<br />
2<br />
213<br />
214 215 216 217 218<br />
a2<br />
219<br />
Obs.<br />
1<br />
2<br />
Eng. Hn.<br />
Cls.<br />
in B<br />
1<br />
2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
a2 (2.4.)<br />
a2 (1.3.)<br />
con sord.<br />
Tpts. 1–3<br />
in C<br />
Tbns. 1–3<br />
Tuba<br />
Timp.<br />
Harp<br />
secco<br />
gl.<br />
G<br />
B<br />
F<br />
C<br />
Bar.<br />
on ly to keep you from feel ing that you’ve left some thing un done.”<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
pizz.<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
46<br />
Fls.<br />
1<br />
2<br />
220<br />
221 222 223 224 225 226<br />
a2<br />
Obs.<br />
1<br />
2<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
a2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
a2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
3. 1. 3.<br />
Tpts. 1–3<br />
in C<br />
Tbns. 1–3<br />
Tuba<br />
Timp.<br />
in A , B , D , E<br />
Harp<br />
B C E<br />
F<br />
Bar.<br />
Dur ing all <strong>the</strong>se long years <strong>the</strong> man watch es <strong>the</strong> door keep er al most in<br />
Vln. I<br />
unis.<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
(pizz.)<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
Fls.<br />
1<br />
2<br />
227<br />
228 229 230 231<br />
poch rit.<br />
232<br />
Poco misterioso<br />
( = c. 60)<br />
233<br />
234<br />
47<br />
Obs.<br />
1<br />
2<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
Tpts. 1–3<br />
in C<br />
Tbns. 1–3<br />
Tuba<br />
Timp.<br />
Harp<br />
Bar.<br />
Vln. I<br />
ces sant ly. He for gets a bout all <strong>the</strong> oth er door keep ers,<br />
poch rit.<br />
Poco misterioso<br />
( = c. 60)<br />
1 solo, sul tasto<br />
Vln. II<br />
1 solo, sul tasto<br />
Vla.<br />
1 sola, sul tasto<br />
Vc.<br />
Cb.<br />
(pizz.)<br />
arco<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
48<br />
Fls.<br />
1<br />
2<br />
235 236 237 238 239 240 241<br />
Obs.<br />
1<br />
2<br />
Eng. Hn.<br />
Cl.<br />
in B<br />
1<br />
Bass Cl.<br />
in B<br />
Bsn. 2<br />
Cbsn.<br />
Hns.<br />
in F<br />
Tpt.<br />
in C<br />
1<br />
3<br />
2<br />
4<br />
1<br />
senza sord.<br />
Tbns. 1–3<br />
Tuba<br />
Timp.<br />
poco agitato, parlando<br />
Bar.<br />
and<br />
this one seems to him <strong>the</strong> on ly bar ri er be tween him self and <strong>the</strong><br />
Vln. I<br />
solo<br />
Vln. II<br />
solo<br />
Vla.<br />
sola<br />
div. a 2<br />
Vc.<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
242<br />
243 244 245 246 247 248 249 250<br />
49<br />
Fl.<br />
1<br />
Ob. 1<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
Tpts. 1–3<br />
in C<br />
Tbns. 1–3<br />
Tuba<br />
Timp.<br />
Bar.<br />
agitato<br />
3<br />
<strong>Law</strong>.<br />
In <strong>the</strong> first years he<br />
curs es his e vil fate a loud;<br />
Vln. I<br />
solo<br />
Vln. II<br />
solo<br />
Vla.<br />
sola<br />
Vc.<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
50<br />
251 252 253 254 255 256 257 258<br />
Fls.<br />
1<br />
2<br />
Obs.<br />
1<br />
2<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
Tpts. 1–3<br />
in C<br />
Tbns. 1–3<br />
Tuba<br />
Timp.<br />
Glockenspiel<br />
Perc.<br />
1<br />
Bar.<br />
lat er, as he grows old er and as he grows child ish,<br />
tutti, ord.<br />
1 solo<br />
sul tasto<br />
Vln. I<br />
Vln. II<br />
solo<br />
Vla.<br />
sola<br />
1 solo<br />
sul tasto<br />
Vc.<br />
solo<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
259 260 261<br />
262 263 264 265<br />
51<br />
1<br />
Fls.<br />
2<br />
Obs.<br />
1<br />
2<br />
Eng. Hn.<br />
Cls.<br />
in B<br />
1<br />
2<br />
Bass Cl.<br />
in B<br />
Bsn.<br />
2<br />
Cbsn.<br />
Hns. 1–4<br />
in F<br />
Tpts. 1–3<br />
in C<br />
senza sord.<br />
Tbns. 1–3<br />
Tuba<br />
Timp.<br />
1<br />
(Glock.)<br />
Perc.<br />
2<br />
(Susp. Cym.)<br />
8<br />
Harp<br />
gl.<br />
B C D<br />
E F G A<br />
Bar.<br />
he on ly mut ters to him self.<br />
2 soli (sul tasto)<br />
Vln. I<br />
solo<br />
Vln. II<br />
solo<br />
2 sole (sul tasto)<br />
2 soli (sul tasto)<br />
Vla.<br />
sola<br />
Vc.<br />
solo<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
52<br />
266<br />
267 268 269 270 271 272 273<br />
Fls.<br />
Obs.<br />
1<br />
2<br />
1<br />
2<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
sost.<br />
sost.<br />
Tpts. 1–3<br />
in C<br />
sost.<br />
Tbns. 1–3<br />
sost.<br />
Tuba<br />
sost.<br />
Timp.<br />
(Susp. Cym.)<br />
Perc. 2<br />
Harp<br />
gl.<br />
B C D<br />
E F G A<br />
Bar.<br />
Vln. I<br />
tutti, ord.<br />
Vln. II<br />
Vla.<br />
tutte, ord.<br />
tutti, ord.<br />
Vc.<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
53<br />
274 275 276 277 278 279<br />
1<br />
Fls.<br />
2<br />
Obs.<br />
1<br />
2<br />
a2<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
a2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
a2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
Tpts. 1–3<br />
in C<br />
Tbns. 1–3<br />
Tuba<br />
A →F, D→D<br />
Timp.<br />
Perc. 1<br />
(Glock.)<br />
Bar.<br />
3<br />
3<br />
Fi nal ly his eyes grow dim, and he does not know wheth er <strong>the</strong> world is<br />
Vln. I<br />
tutti, ord.<br />
Vln. II<br />
Vla.<br />
Vc.<br />
3 3<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
54<br />
280 281 282 283 284<br />
1<br />
Fls.<br />
2<br />
Obs.<br />
1<br />
2<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
a2<br />
3<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
Tpts. 1–3<br />
in C<br />
Tbns. 1–3<br />
Tuba<br />
Timp.<br />
Perc. 1<br />
(Glock.)<br />
Harp<br />
Bar.<br />
3<br />
real ly dark en ing a round him or wheth er his eyes are on ly de ceiv ing him.<br />
3<br />
3<br />
B C D<br />
E F G A<br />
Vln. I<br />
3<br />
Vln. II<br />
Vla.<br />
Vc.<br />
3<br />
3<br />
3<br />
pizz.<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
55<br />
Fls.<br />
1<br />
2<br />
285 (a2)<br />
286 287 288<br />
3 3 3 3 3<br />
Obs.<br />
1<br />
2<br />
Eng. Hn.<br />
3<br />
Cls. 1<br />
in B 2<br />
a2<br />
a2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
Cbsn.<br />
Hns.<br />
in F<br />
Tpts.<br />
in C<br />
1<br />
3<br />
2<br />
4<br />
1<br />
2<br />
3<br />
a2<br />
Tbns.<br />
1<br />
2<br />
3<br />
Tuba<br />
Timp.<br />
D →D<br />
(Glock.)<br />
3<br />
1<br />
Perc.<br />
3 3<br />
Susp. Cym.<br />
2<br />
Harp<br />
C A G<br />
3<br />
Bar.<br />
But<br />
in<br />
<strong>the</strong> dark ness<br />
Vln. I<br />
3 3 3 3<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
(pizz.)<br />
arco<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
56<br />
Fls.<br />
1<br />
2<br />
289<br />
3<br />
frull.<br />
ord.<br />
non tr.<br />
3 3<br />
290<br />
a2<br />
3 3<br />
291<br />
Obs.<br />
1<br />
2<br />
3<br />
Eng. Hn.<br />
3<br />
3<br />
Cls.<br />
in B<br />
1<br />
2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
(a2)<br />
Tpts. 1–3<br />
in C<br />
Tbns.<br />
1<br />
2<br />
3<br />
Tuba<br />
Timp.<br />
Perc.<br />
1<br />
(Glock.) 3 3<br />
3<br />
Harp<br />
Bar.<br />
B D F C G D E<br />
3<br />
3 3<br />
3 3<br />
he can now per ceive a ra di ance stream ing in ex tin guish a bly out from <strong>the</strong> door <strong>of</strong> <strong>the</strong> <strong>Law</strong>.<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
pizz.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
292<br />
293 294 295 296<br />
57<br />
Fls.<br />
1<br />
2<br />
Obs.<br />
1<br />
2<br />
a2<br />
3 3<br />
3<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
Tpts. 1–3<br />
in C<br />
Tbns.<br />
1<br />
2<br />
3<br />
Tuba<br />
Timp.<br />
Bar.<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
arco<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
58<br />
2<strong>97</strong> 298 299 300<br />
301<br />
Fl.<br />
1<br />
3 3 3<br />
3 3 3<br />
Ob. 1<br />
3 3<br />
3<br />
3 3<br />
3<br />
Eng. Hn.<br />
Cl.<br />
in B<br />
1<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
Tpts. 1–3<br />
in C<br />
Tbns.<br />
1<br />
2<br />
3<br />
Tuba<br />
in G , B , C , E<br />
Timp.<br />
Bar.<br />
Now his life is draw ing to a close.<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
pizz.<br />
Vc.<br />
pizz.<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
59<br />
Fls.<br />
1<br />
2<br />
302 303 304 305 306 a2 307<br />
(1.)<br />
Obs.<br />
1<br />
2<br />
a2<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
(1.) a2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
Tpts. 1–3<br />
in C<br />
Tbns. 1–3<br />
Tuba<br />
Timp.<br />
Perc. 1<br />
(Glock.)<br />
3<br />
Bar.<br />
Be fore he dies, all that he has ex pe ri enced dur ing <strong>the</strong> whole time <strong>of</strong> his so journ con dens es<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
arco<br />
div.<br />
Cb.<br />
(pizz.)<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
60<br />
309 (non tr.) 310 311 312 313 314<br />
308<br />
Fls.<br />
1<br />
2<br />
Obs.<br />
1<br />
2<br />
(a2)<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
(a2)<br />
Bass Cl.<br />
in B<br />
Bsn.<br />
2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
a2<br />
a2<br />
Tpts. 1–3<br />
in C<br />
Tbns. 1–3<br />
Tuba<br />
Timp.<br />
Perc.<br />
1<br />
(Glock.)<br />
Harp<br />
secco<br />
C<br />
Bar.<br />
Vln. I<br />
3<br />
in to one ques tion which he has nev er yet put to <strong>the</strong> door keep er.<br />
div.<br />
Vln. II<br />
div.<br />
div.<br />
Vla.<br />
Vc.<br />
Cb.<br />
(pizz.)<br />
arco<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
316 317 318<br />
315 Più mosso ( = c. 84)<br />
61<br />
Fls.<br />
1<br />
2<br />
Obs.<br />
1<br />
2<br />
Eng. Hn.<br />
Cl.<br />
in B<br />
1<br />
3 3 3 3<br />
3 3 3<br />
Bass Cl.<br />
in B<br />
agitato<br />
1<br />
Bsns.<br />
2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
Tpts. 1–3<br />
in C<br />
con sord.<br />
Tbns. 1–3<br />
Tuba<br />
con sord.<br />
Timp.<br />
Bar.<br />
Più mosso ( = c. 84)<br />
Vln. I<br />
3 3 3<br />
agitato<br />
Vln. II<br />
unis.<br />
3 3 3 3<br />
Vla.<br />
unis.<br />
agitato<br />
Vc.<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
62<br />
Fls.<br />
Obs.<br />
Eng. Hn.<br />
1<br />
2<br />
1<br />
2<br />
319 320 321<br />
3<br />
agitato<br />
3<br />
Cl.<br />
in B<br />
1<br />
3 3 3<br />
3 3 3<br />
agitato<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
Tpts. 1–3<br />
in C<br />
1.<br />
3<br />
Tbns. 1–3<br />
Tuba<br />
Timp.<br />
in E , G , C , D<br />
B.D.<br />
Perc.<br />
2<br />
Bar.<br />
Vln. I<br />
3<br />
3<br />
3 3 3 3 3 3<br />
Vln. II<br />
3 3 3<br />
agitato<br />
Vla.<br />
3<br />
Vc.<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
63<br />
322 323<br />
324<br />
sempre<br />
Fls.<br />
1<br />
2<br />
3<br />
3 3<br />
3 3<br />
3<br />
3 3<br />
Obs.<br />
1<br />
2<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
a2<br />
3 3 3 3 3 3 3 3 3 3<br />
3 3<br />
3 3 3<br />
Tpts. 1–3<br />
in C<br />
Tbns. 1–3<br />
Tuba<br />
Timp.<br />
Perc. 2<br />
(B.D.)<br />
Bar.<br />
sempre<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
64<br />
325<br />
326 327 328<br />
Fls.<br />
Obs.<br />
1<br />
2<br />
1<br />
2<br />
3 3<br />
3<br />
a2<br />
3 3<br />
3 3<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
3<br />
3<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
Tpts. 1–3<br />
in C<br />
Tbns. 1–3<br />
3 3 3<br />
Tuba<br />
C →B<br />
Timp.<br />
Perc.<br />
1<br />
2<br />
T.D.<br />
3<br />
(B.D.)<br />
Bar.<br />
3<br />
He beck ons <strong>the</strong> door keep er, since he can no long er<br />
Vln. I<br />
Vln. II<br />
3<br />
Vla.<br />
Vc.<br />
3 3<br />
3<br />
3 3<br />
3 3<br />
Cb.<br />
3<br />
3<br />
3<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
Fls.<br />
1<br />
2<br />
329 330<br />
a2<br />
3<br />
331 332<br />
65<br />
Obs.<br />
1<br />
2<br />
(a2)<br />
3<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
3 3 a2 3 3<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
a2<br />
(a2)<br />
Tpts. 1–3<br />
in C<br />
Tbns. 1–3<br />
Tuba<br />
G→F , B →B<br />
Timp.<br />
(T.D.)<br />
Perc.<br />
1<br />
3 3 3<br />
3<br />
Bar.<br />
raise<br />
his stiff en ing bod y.<br />
Vln. I<br />
3<br />
Vln. II<br />
3<br />
3<br />
3 3<br />
Vla.<br />
Vc.<br />
3 3<br />
3 3<br />
Cb.<br />
pizz.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
66<br />
Fls.<br />
1<br />
2<br />
333 (a2)<br />
334 335<br />
3 3<br />
336<br />
3<br />
Obs.<br />
1<br />
2<br />
3<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1 3<br />
3<br />
2<br />
4<br />
Tpts.<br />
in C<br />
1<br />
2<br />
3<br />
3 3 3<br />
senza sord.<br />
Tbns.<br />
1<br />
2<br />
3<br />
3<br />
senza sord. 3. 3<br />
senza sord. 3<br />
Tuba<br />
Timp.<br />
(T.D.)<br />
1<br />
Perc.<br />
3 3 3 Susp. Cym.<br />
3<br />
2<br />
Harp<br />
Bar.<br />
3<br />
3<br />
B C D<br />
E F G A<br />
<strong>The</strong> door keep er has to bend down so as to hear him,<br />
div.<br />
3<br />
Vln. I<br />
3 3<br />
div. 3<br />
Vln. II<br />
Vla.<br />
3<br />
3<br />
div.<br />
div.<br />
Vc.<br />
Cb.<br />
(pizz.)<br />
arco<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
337<br />
3<br />
338 339<br />
3<br />
340<br />
67<br />
Fls.<br />
1<br />
2<br />
1<br />
Obs.<br />
2<br />
Eng. Hn.<br />
3 3<br />
Cls. 1<br />
in B 2<br />
3 3 3 3<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
a2 (stagger breathing)<br />
Cbsn.<br />
Hns.<br />
in F<br />
1 3<br />
3<br />
2<br />
4<br />
3 1.<br />
Tpts. 1–3<br />
in C<br />
Tbns.<br />
1<br />
2<br />
3<br />
Tuba<br />
Timp.<br />
(T.D.)<br />
Perc.<br />
1<br />
3 3<br />
Harp<br />
Bar.<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
3<br />
for <strong>the</strong> dif f’rence in<br />
unis.<br />
3 3<br />
3<br />
3 3 3 3 3<br />
unis.<br />
unis.<br />
Vc.<br />
Cb.<br />
unis.<br />
pizz.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
68<br />
Fls.<br />
1<br />
2<br />
341 342 343 344<br />
Obs.<br />
1<br />
2<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
(a2)<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
2<br />
4<br />
Tpts. 1–3<br />
in C<br />
1<br />
Tbns.<br />
2<br />
3<br />
Tuba<br />
in A , B , E , D<br />
Timp.<br />
Bar.<br />
size be tween <strong>the</strong>m has in creased ve ry much to <strong>the</strong> man’s dis ad van tage.<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
(pizz.)<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
346<br />
69<br />
Fls.<br />
Obs.<br />
Eng. Hn.<br />
1<br />
2<br />
1<br />
2<br />
345<br />
(1.) 347 348 349 350<br />
(1.)<br />
Cls. 1<br />
in B 2<br />
a2<br />
(1.)<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
1.<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
Tpts. 1–3<br />
in C<br />
1<br />
Tbns.<br />
2<br />
3<br />
Tuba<br />
Timp.<br />
T.D.<br />
Perc.<br />
1<br />
2<br />
(Susp. Cym.)<br />
non l.v.<br />
Bar.<br />
“What do you want to know now?” asks <strong>the</strong> door keep er. “You are in sa tia ble.”<br />
(stagger bowing)<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
arco<br />
(stagger bowing)<br />
(stagger bowing)<br />
(stagger bowing)<br />
(stagger bowing)<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
70<br />
Fls.<br />
1<br />
2<br />
351 352 353<br />
Obs.<br />
1<br />
2<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
a2 1. 2.<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
Tpts. 1–3<br />
in C<br />
Tbns.<br />
1<br />
2<br />
3<br />
Tuba<br />
B →D , D→E<br />
Timp.<br />
Bar.<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
71<br />
Fls.<br />
1<br />
2<br />
354 a2<br />
355 356 357<br />
Obs.<br />
1<br />
2<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
a2 1. 2. a2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
a2<br />
Tpts. 1–3<br />
in C<br />
Tbns.<br />
1<br />
2<br />
3<br />
Tuba<br />
Timp.<br />
Bar.<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
72<br />
Fls.<br />
1<br />
2<br />
358 359 360 361<br />
Obs.<br />
1<br />
2<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
1. 2.<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
(a2)<br />
Tpts. 1–3<br />
in C<br />
Tbns.<br />
1<br />
2<br />
3<br />
Tuba<br />
Timp.<br />
Bar.<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
Fls.<br />
Obs.<br />
Eng. Hn.<br />
1<br />
2<br />
1<br />
2<br />
362<br />
363 364 365 366 367 73<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
a2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
(a2)<br />
Tpts.<br />
in C<br />
1<br />
2<br />
3<br />
Tbns.<br />
1<br />
2<br />
3<br />
Tuba<br />
Timp.<br />
Perc.<br />
1<br />
2<br />
B.D.<br />
(Susp. Cym.)<br />
Bar.<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
pizz.<br />
arco<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
74<br />
Fls.<br />
1<br />
2<br />
368 369 370 371 372<br />
Obs.<br />
1<br />
2<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
(a2)<br />
Tpts.<br />
in C<br />
Tbns.<br />
1<br />
2<br />
3<br />
1<br />
2<br />
3<br />
Tuba<br />
Timp.<br />
Perc. 1<br />
(B.D.)<br />
Harp<br />
Bar.<br />
B C D<br />
E F G A<br />
F<br />
3<br />
“Ev e ry one strives to at<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
75<br />
Fls.<br />
1<br />
2<br />
373 374 375 376<br />
Obs.<br />
1<br />
2<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
(a2)<br />
Tpts.<br />
in C<br />
Tbns.<br />
1<br />
2<br />
3<br />
1<br />
2<br />
3<br />
a2<br />
Tuba<br />
Timp.<br />
Perc.<br />
1<br />
(B.D.)<br />
Harp<br />
G<br />
Bar.<br />
3<br />
tain <strong>the</strong> <strong>Law</strong>,” an swers <strong>the</strong> man. “How does it come a bout <strong>the</strong>n<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
76<br />
Fls.<br />
Obs.<br />
1<br />
2<br />
1<br />
2<br />
377 378 379<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
3<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
a2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
(a2)<br />
Tpts.<br />
in C<br />
1<br />
2<br />
3<br />
Tbns. 1–3<br />
Tuba<br />
Timp.<br />
Harp<br />
3<br />
Bar.<br />
that in all<br />
<strong>the</strong>se years no one has come,<br />
div.<br />
Vln. I<br />
3<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
Fls.<br />
1<br />
2<br />
380 381 382<br />
383<br />
77<br />
Obs.<br />
1<br />
2<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
1. 2. a2<br />
Cbsn.<br />
1<br />
3<br />
a2<br />
Hns.<br />
in F<br />
a2<br />
2<br />
4<br />
Tpts. 1–3<br />
in C<br />
Tbns. 1–3<br />
Tuba<br />
3 3 3 3<br />
Timp.<br />
Perc.<br />
2<br />
(Susp. Cym.)<br />
l.v.<br />
cresc. possibile<br />
Bar.<br />
no one has come seek ing ad mit tance but me?”<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
78<br />
Fls.<br />
1<br />
2<br />
Più mosso ( = c. 112)<br />
3<br />
3<br />
384<br />
3 3<br />
385 386<br />
387<br />
a2<br />
3 3 3<br />
3<br />
1<br />
Obs.<br />
2<br />
Eng. Hn.<br />
3<br />
3<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
3 3 3<br />
3 3 3<br />
Cbsn.<br />
3<br />
3<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
Tpts. 1–3<br />
in C<br />
(a2)<br />
(a2)<br />
gl.<br />
gl.<br />
gl.<br />
gl.<br />
3<br />
3<br />
Tbns. 1–3<br />
Tuba<br />
3<br />
3 3<br />
3<br />
Timp.<br />
T.D.<br />
Perc.<br />
1<br />
Bar.<br />
unis.<br />
Più mosso ( = c. 112)<br />
3 3 3<br />
3 3<br />
Vln. I<br />
3 3<br />
3<br />
Vln. II<br />
Vla.<br />
Vc.<br />
pizz.<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
Fls.<br />
1<br />
2<br />
(a2)<br />
388<br />
389 390 391 392<br />
79<br />
Obs.<br />
1<br />
2<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
brillante<br />
quasi campane<br />
brillante<br />
quasi campane<br />
Tpts. 1–3<br />
in C<br />
brillante<br />
quasi campane<br />
Tbns. 1–3<br />
Tuba<br />
Timp.<br />
Perc.<br />
1<br />
(T.D.)<br />
Bar.<br />
<strong>The</strong> door keep er per ceives that <strong>the</strong> man is near ing his end<br />
3<br />
and that his<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
3<br />
Vc.<br />
Cb.<br />
3 3<br />
(pizz.) arco pizz. arco pizz.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
80<br />
Fls.<br />
1<br />
2<br />
393<br />
394 395 396 3<strong>97</strong> 398 399<br />
Obs.<br />
1<br />
2<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
Tpts. 1–3<br />
in C<br />
a3<br />
Tbns. 1–3<br />
Tuba<br />
in G, C, D<br />
Timp.<br />
1<br />
(T.D.)<br />
Perc.<br />
2<br />
(Susp. Cym.)<br />
Bar.<br />
hear ing is fail ing, and so he bel lows in his ear:<br />
Vln. I<br />
Vln. II<br />
sempre<br />
sempre<br />
Vla.<br />
Vc.<br />
Cb.<br />
(pizz.)<br />
arco<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
81<br />
400 Lento ( = c. 56) 401 402 403 a2 3 3 3<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
3<br />
3<br />
3<br />
3 3<br />
3<br />
3<br />
3<br />
3<br />
3<br />
3<br />
3<br />
Timp.<br />
sempre<br />
Bar.<br />
Lento ( = c. 56)<br />
“No one but you could gain ad mit tance through this door, since<br />
stagger bowing, rest as required<br />
Vln. I<br />
stagger bowing, rest as required<br />
Vln. II<br />
stagger bowing, rest as required<br />
Vla.<br />
sempre<br />
stagger bowing, rest as required<br />
Vc.<br />
stagger bowing, rest as required<br />
Cb.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
404 405 (a2)<br />
3 3 3 406 3 3 407<br />
3<br />
3 3<br />
3 3<br />
3<br />
3<br />
3<br />
3<br />
3<br />
Timp.<br />
Bar.<br />
this door was in ten ded for you,<br />
3<br />
3<br />
and on ly for you. I am now<br />
3<br />
go ing to<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
82<br />
408 409 410<br />
411 412<br />
Fls.<br />
1<br />
2<br />
Obs.<br />
1<br />
2<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
a2<br />
a2<br />
molto<br />
molto<br />
a2<br />
Tpts. 1.3<br />
in C 2<br />
Tbns. 1–3<br />
Tuba<br />
Timp.<br />
Perc.<br />
1<br />
2<br />
(T.D.)<br />
Tam-tam, chime mallet<br />
l.v. sempre<br />
Harp<br />
gl.<br />
B C D E F G A C<br />
E F G A<br />
Bar.<br />
shut it.”<br />
Vln. I<br />
Vln. II<br />
div.<br />
con sord. poco a poco<br />
Vla.<br />
Vc.<br />
div.<br />
div.<br />
unis.<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
83<br />
Fls.<br />
1<br />
2<br />
413<br />
414 415 416 417 418<br />
Obs.<br />
1<br />
2<br />
Eng. Hn.<br />
Cls. 1<br />
in B 2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
2.<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
Tpts. 1–3<br />
in C<br />
1<br />
con sord.<br />
3<br />
Tbns.<br />
2<br />
con sord. 3<br />
3<br />
con sord.<br />
Tuba<br />
con sord.<br />
Timp.<br />
Harp<br />
F<br />
con sord.<br />
G<br />
Vln. I<br />
Vln. II<br />
unis.<br />
tutti sord.<br />
Vla.<br />
Vc.<br />
unis.<br />
pesante<br />
Cb.<br />
pesante<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
84<br />
Fls.<br />
1<br />
2<br />
419 420 421 422 423 424<br />
Obs.<br />
1<br />
2<br />
espr.<br />
Eng. Hn.<br />
Cls.<br />
in B<br />
1<br />
2<br />
Bass Cl.<br />
in B<br />
Bsns.<br />
1<br />
2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
2<br />
4<br />
melodia<br />
espr.<br />
Tpts. 1–3<br />
in C<br />
Tbns. 1–3<br />
Tuba<br />
Timp.<br />
Harp<br />
Vln. I<br />
Vln. II<br />
senza sord.<br />
senza sord.<br />
espr.<br />
Vla.<br />
Vc.<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>
Fls.<br />
Obs.<br />
1<br />
2<br />
1<br />
2<br />
425<br />
(1.)<br />
426 427 428 429<br />
85<br />
Eng. Hn.<br />
Cl.<br />
in B<br />
Bass Cl.<br />
in B<br />
1<br />
Bsns.<br />
1<br />
2<br />
Cbsn.<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
Tpts. 1–3<br />
in C<br />
a2<br />
a2<br />
(con sord.)<br />
con sord.<br />
Tbns. 1–3<br />
Tuba<br />
(con sord.)<br />
Timp.<br />
Perc. 1<br />
B.D.<br />
Harp<br />
Vln. I<br />
pizz.<br />
Vln. II<br />
pizz.<br />
Vla.<br />
pizz.<br />
Vc.<br />
pizz.<br />
Cb.<br />
ROSNER: <strong>The</strong> <strong>Parable</strong> <strong>of</strong> <strong>the</strong> <strong>Law</strong>