Rosner - Requiem, op. 59

ARNOLD ROSNER 

REQUIEM 

for soloists, SATB chorus, and orchestra 

op. 59 (1973) 

i

Arnold Rosner 

Requiem 

Duration: c. 62 min. 

Instrumentationiv 

Instrumentation of Each Movement 

v 

Percussion Detail 

vi 

Texts and translations 

vii 

1. Overture: The Seventh Seal 9 

2. Recitative: Ein Wort, ein Satz 44 

3. Toccata: Musica Satanica 49 

4. Ballade: Les Neiges d’antan 87 

5. Sutra: Enmei Jukku Kannon Gyo 98 

6. Madrigal: To All, to Each 131 

7. Organum Lasciate ogni speranze 135 

8. Prayer: Kaddish 146 

9. Passacaglia: Libera Me 159 

10. “und wieder Dunkel ungeheuer” 202 

Arnold Rosner (1945–2013) 


Copyright © 2017 The Estate of Arnold Rosner. www.arnoldrosnermusic.com 

Music engraved by Jeffrey Grossman in SCORE 4.01 

Book typeset in Adobe InDesign 

ver. 11 January 2018

Instrumentation 

3 Flutes (all doubling Piccolos 3, 2, 1) 

3 Oboes (3rd doubling English Horn) 

3 Bb Clarinets 

3 Bassoons 

4 F Horns 

3–7 C Trumpets* 

3 Trombones 

Tuba 

Timpani 

Percussion (7 players) 

Harp 

Piano 

Celesta 

STTB (or SCtCtB, or STCtB) Soloists** 

SATB Chorus 

Strings 

* Trumpets 1–3 in the orchestra as normal. Trumpets 4 & 6 in balcony to left 

of audience; 5 & 7 in balcony to right. Trumpets 4–7 ad lib., though quite 

desirable. If between three and seven players are available, preference order is 

4, 5, 6, 7. Trumpets parts 1–3 have cue notes in case of absent trumpets 4–7. 

** Strength and clarity are desired rather than lightness, hence tenors are 

preferable. It is also possible to use one countertenor (for first tenor) and 

one tenor (for second). The three male soli in the organa should be in close 

but perceptibly slightly different locations. The tenor solo in movement 2 

should be lower and fuller than those used in the organa of movements 1 & 7, 

although the same singer may be used here and as Tenor II of those numbers. 

Percussion: 

Crash Cymbals, Gong, Bass Drum, Suspended Cymbal, Triangle, Chimes, 

Glockenspiel, Vibraphone, Xylophone, Snare Drum, Tenor Drum 

Percussion Key 

Bass 

Drum 

Gong 

Tenor 

Drum 

Snare 

Drum 

Tenor 

Drum 

Suspended 

Cymbal 

Crash 

Cymbals 

Triangle 

soft stick 

hard stick 

Glockenspiel 

sounds two 

Xylophone 

sounds one 

8vas above Vibraphone Chimes 8va above 

Score in C 

Piccolo, celesta, and xylophone sound one octave higher than written. 

Contrabass sounds one octave lower than written. 

Glockenspiel sounds two octaves higher than written. 

iv

Instrumentation for Each Movement 

Voices optional 

A shaded cell indicates an 

instrument plays in the 

specified movement. 

1. Overture: The Seventh Seal 

2. Recitative: Ein Wort, ein Satz 

3. Toccata: Musica Satanica 

4. Ballade: Les Neiges d’antan 

5. Sutra: Enmei Jukku Kannon Gyo 

6. Madrigal: To All, To Each 

Flute 1 (Piccolo 3) x x x x x x 

Flute 2 (Piccolo 2) x x x x x x 

Flute 3 (Piccolo 1) x x x x x 

Oboe 1 x x x x x x 

Oboe 2 x x x x x x 

Oboe 3 (English Horn) x x x x x x 

Clarinet 1 x x x x x x 

Clarinet 2 x x x x x x 

Clarinet 3 x x x x x 

Bassoon 1 x x x x x x x 

Bassoon 2 x x x x x x x 

Bassoon 3 x x x x x x 

Horn 1 x x x x x x x 

Horn 2 x x x x x x x 

Horn 3 x x x x x x 

Horn 4 x x x x x x 

Trumpet 1 x x x x x x x x 

Trumpet 2 x x x x x x x x 

Trumpet 3 x x x x x x x 

Trumpet 4 x x x 




Trombone 1 x x x x x x x 



Tuba x x x x x 

Timpani x x x x x x 

Percussion 1 x x x x x x x 

Percussion 2 x x x x x x x x 

Percussion 3 x x x x x 


Percussion 5 x x x x x 


Percussion 7 x x x x x x x 

Harp x x x x x x x x 

Piano x x x x x x 

Celesta x x x x x x 

Soprano Solo x x 

Tenor (Countertenor) Solo 1 

x 

Tenor (Countertenor) Solo 2 x x 

Bass Solo x x 

Chorus x x x x 

Violins I and II x x x x x x x 

Viola x x x x x x x x 

Violoncello x x x x x x x x 

Contrabass x x x x x x x x 

7. Organum: Lasciate ogni speranze 

8. Prayer: Kaddish 

9. Passacaglia: Libera Me 

10. “und wieder Dunkel ungeheuer” 

v

Percussion Detail 

This chart indicates the 

instrument doublings 

in each movement; the 

numbers refer to the 

seven percussionists. 







Triangle 5 1 1, 7 4, 5 

Crash Cymbals 1 1 1 1 1 1 1 

1, 2, 

Suspended Cymbal 4 4 4 4 3, 4 4 4 4 

Snare Drum 4 3 3, 4 3 

Tenor Drum 5 2 2, 4 4 

Gong 2 2 2, 5 2 2 2 2 2 

Bass Drum 3 5 5 5 3 

Chimes 6 6 6 6 6 5 

Glockenspiel 7 7 7 6 7 6 

Vibraphone 7 7 7 

Xylophone 7 5 






Perc. 1: Crash Cym. 

Perc. 2: Gong 

Perc. 3: B.D. 

Perc. 4: Susp. Cym., S.D. 

Perc. 5: Tri., T.D. 

Perc. 6: Chimes 

Perc. 7: Glock. 



Perc. 2: Gong 

Perc. 4: Susp. Cym. 


Perc. 7: Vibr. 


Perc. 1: Crash Cym., Tri. 

Perc. 2: T.D., Gong 

Perc. 3: S.D. 


Perc. 5: B.D., Gong 


Perc. 7: Xylo. 



Perc. 2: Gong 




Perc. 1: Crash Cym., Tri., Susp. Cym. 

Perc. 2: Gong, Susp. Cym., T.D. 

Perc. 3: Susp. Cym., S.D. 

Perc. 4: T.D., S.D., Susp. Cym. 

Perc. 5: B.D. 


Perc. 7: Vibr., Glock., Tri. 


[No Percussion] 


Perc 4: Susp. Cym. 



Perc. 2: Gong 




Perc. 2: Gong 

Perc. 3: S.D. 

Perc. 4: Susp. Cym., Tri., T.D. 

Perc. 5: B.D., Xylo., Tri. 




Perc. 2: Gong 

Perc. 3: B.D. 




Perc. 7: Vibr. 

vi

Texts and Translations 


And the lamb came and took the book out of the right hand of him that sat upon the throne. 

And when he had opened the seventh seal, there was silence in heaven about the space of half an hour. 

And I saw the seven angels which stood before God; and to them were given seven trumpets; 

And the seven angels which had the seven trumpets prepared themselves to sound. 

And there were lightenings, voices, and thunderings, and an earthquake, and great hail. 

– Revelation 8 

Dies irae, 

Dies illa. 

– Latin Requiem Mass (Sequence) 

Day of wrath, 

That day. 


Ein Wort, ein Satz—: aus Chiffren steigen 

erkanntes Leben, jäher Sinn, 

die Sonne steht, die Sphären schweigen, 

und alles ballt sich zu ihm hin. 

Ein Wort—ein Glanz, ein Flug, ein Feuer, 

ein Flammenwurf, ein Sternenstrich— 

und wieder Dunkel, ungeheuer, 

im leeren Raum um Welt und Ich. 

– Gottfried Benn, Gedicht (1941) 

A word, a phrase—from ciphers climb 

known life, sudden sense. 

The sun stops, the Spheres no longer chime, 

and all thickens around, dark and dense. 

A word, a gleam, a flight, a spark, 

a blaze, star-strike on the sky— 

and again the enormous dark 

and empty space around world and I. 

 

—trans. James Owens 


Dictes moy où, n’en quel pays, 

Est Flora, la belle Rommaine; 

Archipiada, ne Thaïs, 

Qui fut sa cousine...; 

Echo, parlant quand bruyt on maine 

Dessus rivière ou sus estan, 

Qui beaulté ot trop plus qu’humaine? 

Mais où sont les neiges d’antan! 

Où est la très sage Helloïs, 

Pour qui fut chastré et puis moyne 

Pierre Esbaillart à Saint-Denis? 

Pour son amour ot cest essoyne. 

Semblablement, où est la royne 

Qui commanda que Buridan 

Fust gecté en ung sac en Saine? 


... 

Et Jehanne, la bonne Lorraine, 

Qu’Englois brulèrent à Rouan; 

Où sont elles, Vierge souvraine? 


Prince, n’enquerez de sepmaine 

Où elles sont, ne de cest an, 

Qu’à ce reffrain ne vous remaine: 


– François Villon, Le Testament (1461) 

[text from the Oxford Book of French Verse, 1908] 

Tell me where, in which country 

Is Flora, the beautiful Roman; 

Archipiada [Alcibiades], and Thais 

Who was her ... cousin; 

Echo, speaking when one makes noise 

Over river or on lake, 

Who had a beauty too much more than human? 

Oh, where are the snows of yesteryear! 

Where is the very wise Heloise, 

For whom was castrated, and then [made] a monk, 

Pierre Esbaillart [Abelard] in Saint-Denis? 

For his love he suffered this sentence. 

Similarly, where is the Queen [Marguerite de Bourgogne] 

Who ordered that Buridan 

Be thrown in a sack into the Seine? 


... 

And Joan [of Arc], the good [woman from] Lorraine 

That the English burned in Rouen; 

Where are they, oh sovereign Virgin? 


Prince, do not ask me in the whole week 

Where they are—neither in this whole year, 

Lest I bring you back to this refrain: 


vii


[Ten Verse Kannon Sutra for Prolonging Life] 

Kan Ze On 

Kanzeon: 

Na Mu Butsu 

Veneration to the Buddha 

Yo Butsu U In 

With Buddha I have origin; 

Yo Butsu U En 

With Buddha I have affinity; 

Bup Po So En 

Affinity with Buddha, Dhamma, Sangha; 

Jo Raku Ga Jo 

Eternity, joy, self, and purity. 

Cho Nen Kan Ze On 

Mornings my thoughts are Kanzeon; 

Bo Nen Kan Ze On 

Evenings my thoughts are Kanzeon; 

Nen Nen Ju Shin Ki 

Thought after thought arise in the mind; 

Nen Nen Fu Ri Shin 

Thought after thought are not separate from mind. 

Within those radiances, the natural sound of Truth will reverberate like a thousand thunders. The 

sound will come with a rolling reverberation. Fear not. Flee not. Be not terrified. Know them to be the 

intellectual faculties of thine own light. 

The Lord of Death will place round thy neck a rope and drag thee along; He will cut off thy head, 

extract thy heart, pull out thy intestines, lick up thy brain, drink thy blood and eat thy flesh; But thou 

wilt be incapable of dying. Although thy body be hacked to pieces, it will revive again and again. The 

repeated hacking will cause intense pain and torture. 

– Bardo Thodol, or The Tibetan Book of the Dead 

6. Madrigal: To All, to Each 

Come lovely and soothing death, 

Undulate round the world, serenely arriving, arriving, 

In the day, in the night, to all, to each, 

Sooner or later delicate death. 

— Walt Whitman, When Lilacs Last in the Dooryard Bloom’d (1865) 


Lasciate ogni speranze, 

Abandon all hope, 

voi ch’entrate. 

you who enter here. 

— Dante Alighieri, Divina Commedia [The Divine Comedy] (1320) 


Yis’gadal v’yis’kadash sh’mei rabaw 

b’al’maw di v’raw khir’usei 

v’yam’likh mal’khusei 

b’chayeikhon uv’yomeikhon 

uv’chayei d’khol beis yis’ro’eil 

ba’agawlaw uvis’man kawriv 

v’im’ru: Omein. 

Y’hei sh’mei rabaw m’vawrakh 

l’aolam ul’al’mei al’mayaw 

yis’barakh v’yish’tabach v’yis’po’ar v’yis’romam 

v’yis’nasei v’yis’hadar v’yis’aleh 

v’yis’halal sh’mei d’kud’shaw b’rikh hu 

l’eilaw min kawl bir’khawsaw 

v’shirawsaw toosh’b’chasaw v’nechamawsaw 

da’ameerawn b’awl’maw 

v’imru: Omein. 

Y’hei sh’lawmaw rabaw min sh’mayaw 

v’chayim awleinu v’al kol yis’ro’eil 


Oseh shalom bim’roamov 

hu ya’asei shalom awleinu 

v’al kol Yis’ro’eil 


 

– Jewish Liturgical 

(Aramaic/Hebrew, Ashkenazic pronunciation) 

May His great Name grow exalted and sanctified 

in the world that He created as He willed. 

May He give reign to His kingship 

in your lifetimes and in your days, 

and in the lifetimes of the entire Family of Israel, 

swiftly and soon. 

Now say: Amen. 

May His great Name be blessed 

forever and ever. 

Blessed, praised, glorified, exalted, 

extolled, mighty, upraised, and lauded 

be the Name of the Holy One, blessed is He 

beyond any blessing and song, 

praise and consolation 

that are uttered in the world. 


May there be abundant peace from Heaven 

and life upon us and upon all Israel. 


He who makes peace in His heights, 

may He make peace, 

upon us and upon all Israel. 


9. Passacaglia: Libera me 

Libera me, Domine, de morte aeterna, 

in die illa tremenda: 

Quando coeli movendi sunt et terra, 

Dum veneris judicare saeculum per ignem. 

Tremens factus sum ego, et timeo, 

dum discussio venerit, 

atque ventura ira. 

Dies irae, dies illa, 

calamitatis et miseriae, 

dies magna et amara valde. 

Dum veneris judicare saeculum. 

 

– Latin Requiem Mass 

Deliver me, O Lord, from death eternal, 

on that dreadful day: 

when the heavens and the earth shall quake, 

when thou shalt come to judge the world by fire. 

I am seized by trembling, and I fear 

until the judgement should come, 

and I also dread the coming wrath. 

O that day, day of wrath, 

day of calamity and misery, 

momentous day, and exceedingly bitter, 

when thou shalt come to judge the world. 

 

viii

Score in C 

Piccolos 

1 

2 

3 

2 

Misterioso ( = c. 60) 

to Walter Simmons 


for soloists, SATB chorus, and orchestra 


3 4 5 6 7 

9 

Arnold Rosner 

Opus 59 (1973) 

Oboes 1–3 

Clarinets 1–3 

in B 

Bassoons 1–3 

a3 

Horns 1–4 

in F 

1 

2 

3 

Trumpets 

in C 

4 

5 

6 

7 

Trombones 1–3 

Tuba 

Timpani 

in D, B , D, E 

Percussion 1 

Crash Cym. 

Harp 

Piano 

8 

Celesta 

Misterioso ( = c. 60) 1 solo 

con sord. 

Violin I 

solo 

Violin II 

Viola 

Violoncello 

Contrabass 

solo 

1 solo 

Copyright © 2017 The Estate of Arnold Rosner. arnoldrosnermusic.com

10 

8 

Piccs. 

1 

con tutta forza 

2 

3 

3 3 


3 3 3 3 

3 3 3 3 

3 3 3 3 

3 3 

Obs. 1–3 


Cls. 

in B 

1 

2 


3 


Bsns. 1–3 

Hns. 1–4 

in F 



Tpts. 

in C 

1 

2 

3 

4 


(flutter-tongue) 


5 5 5 5 5 5 5 5 


5 

6 

7 


3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 



sim. 

Tbns. 1–3 

Tuba 

Timp. 



1 

2 

4 

3 

Crash Cym. 

Gong 

Susp. Cym. 

B.D. 

sim. (non trem.) 

Perc. 

5 

Tri. 

6 

7 

Chimes 


Glock. 


glissandi, as fast and as loudly as possible over entire range 

Harp 

sim. 


Celesta 

tutti 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 

tutti 

ROSNER: Requiem — 1. Overture: The Seventh Seal

1 

9 

11 

Piccs. 

2 

3 

3 3 

3 3 3 3 

3 3 3 3 

3 3 3 3 

3 3 

Obs. 1–3 

Cls. 

in B 

1 

2 

3 

Bsns. 1–3 

Hns. 1–4 

in F 

1 

2 

3 

5 5 5 5 5 5 5 5 

Tpts. 

in C 

4 

5 

6 

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 

7 

Tbns. 1–3 

Tuba 

Timp. 

1 

2 

4 

3 

Perc. 5 

6 

7 

Crash Cym. 

Gong 

Susp. Cym. 

B.D. 

Tri. 

Chimes 

Glock. 

(glissandi) 

Harp 

Celesta 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


12 

1 

10 

Piccs. 

2 

3 

3 3 

3 3 3 3 

3 3 3 3 

3 3 3 3 

3 3 

Obs. 1–3 

Cls. 

in B 

1 

2 

3 

Bsns. 1–3 

Hns. 1–4 

in F 

1 

2 

3 

5 5 5 5 5 5 5 5 

Tpts. 

in C 

4 

5 

6 

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 

7 

Tbns. 1–3 

Tuba 

Timp. 

1 

2 

4 

3 

Crash Cym. 

Gong 

Susp. Cym. 

B.D. 

Tri. 

Perc. 5 

6 

7 

Chimes 

Glock. 

(glissandi) 

Harp 

Celesta 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


1 

11 

13 

Piccs. 

2 

3 

3 3 

3 3 3 3 

3 3 3 3 

3 3 3 3 

3 3 

Obs. 1–3 

Cls. 

in B 

1 

2 

3 

Bsns. 1–3 

Hns. 1–4 

in F 

1 

2 

3 

5 5 5 5 5 5 5 5 

Tpts. 

in C 

4 

5 

6 

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 

7 

Tbns. 1–3 

Tuba 

Timp. 

1 

2 

4 

3 

Perc. 5 

6 

7 

Crash Cym. 

Gong 

Susp. Cym. 

B.D. 

Tri. 

Chimes 

Glock. 

(glissandi) 

Harp 

Celesta 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


14 

12 

13 

to Fl. 3 14 15 

1 

Piccs. 

2 

3 

3 3 

3 3 3 3 

3 3 3 3 

3 3 

to Fls. 2 & 1 

Fls. 1–3 

Obs. 1–3 

Cls. 

in B 

1 

2 

3 

Bsns. 1–3 

Hns. 1–4 

in F 

1 

2 

3 

5 5 5 5 5 5 5 5 

Tpts. 

in C 

4 

5 

6 

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 

7 

Tbns. 1–3 

Tuba 

Timp. 

1 

2 

Crash Cym. 

Gong 

Susp. Cym. 

damp 

4 

3 

B.D. 

Tri. 

Perc. 

5 

Chimes 

6 

Glock. 

7 

(glissandi) 

Harp 

Celesta 

div. a 3 

con sord. 

Vln. I 

div. a 3 

con sord. 

Vln. II 

div. a 3 

con sord. 

Vla. 

div. a 3 

con sord. 

Vc. 

div. a 3 

Cb. 


17 18 19 20 21 

22 

23 24 15 

16 

( = c. 120) 

Fl. 3 to Picc. 1 

Fls. 1–3 

Obs. 1–3 

Cls. 

in B 

1 

2 

3 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

3 3 3 3 

3 3 

[a2?] 

Tpts. 1–3 

in C 

3 3 

3 3 

Tbns. 1–3 

a3 

Tuba 

Timp. 

1 

Crash Cym. 

Perc. 

2 

Gong 

3 

B.D. 

Harp 

Celesta 

senza sord. 

( = c. 120) 

div. a 2 

3 

3 

3 

3 

Vln. I 

senza sord. div. a 2 

3 

3 

3 

3 

3 

3 

3 

3 

Vln. II 

senza sord. 

3 

3 

3 

unis. 

3 

Vla. 

senza sord. 

unis. 

Vc. 

arco 

senza sord. 

unis. 

Cb. 


16 

25 26 27 28 

29 30 

Picc. 

Fls. 

Obs. 1–3 

Cls. 1–3 

in B 

1 

1 

2 

possibile 

possibile 

possibile 

possibile 

Bsns. 1–3 

Hns. 

in F 

Tpts. 1–3 

in C 

1 

3 

2 

4 

possibile 

3 3 3 3 3 

3 3 3 3 3 

Tbns. 1–3 

Tuba 

3 

3 

3 

3 

3 

Vln. I 

3 

3 

3 

3 

3 

3 

3 

3 

3 

3 

Vln. II 

3 

3 

3 

3 

3 

Vla. 

Vc. 

Cb. 

31 32 33 34 

Picc. 1 

Fls. 

1 

2 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

8 

Harp 

l.v. 

Celesta 

Vln. I 

Vln. II 

Vla. 

Vc. 

div. a 3 

div. a 3 

div. a 3 

div. a 3 

possibile 

possibile 

possibile 

Cb. 

div. a 3 

possibile 

possibile 


35 36 37 

38 

39 40 

17 

Picc. 

1 

possibile 

Fls. 

1 

2 

possibile 

Obs. 1–3 

possibile 

Cls. 1–3 

in B 

possibile 

Bsns. 1–3 

possibile 

Hns. 

in F 

1 

3 

3 3 

2 

4 

3 3 

Tpts. 1–3 

in C 

3 

3 

Tbns. 1–3 

Tuba 

Perc. 2 

Gong 

Harp 

Celesta 

3 

3 

Vln. I 

Vln. II 

3 

3 

3 

3 

3 

3 

Vla. 

Vc. 

Cb. 


18 

41 42 43 44 45 46 

Picc. 

1 

3 

Fls. 

1 

2 

3 

Obs. 1–3 

3 

Cls. 1–3 

in B 

3 

Bsns. 1–3 

3 

1 

3 

3 3 3 3 3 3 

Hns. 

in F 

2 

4 

a2 

Tpts. 1–3 

in C 

3 3 3 3 3 3 3 

Tbns. 1–3 

(a3) 

1. 

2.3 

3 

Tuba 

3 

Perc. 

1 

Crash Cym. 

Harp 

Celesta 

3 

3 

3 

3 

3 

3 

Vln. I 

3 

3 

3 

3 

3 

3 

3 

3 

3 

3 

3 

3 

Vln. II 

3 

3 

3 

3 

3 

3 

Vla. 

unis. 

Vc. 

unis. 

non div. 

3 

Cb. 

unis. 

3 


Picc. 1 

47 = c. 180 48 49 50 51 52 53 54 55 56 57 

19 

Fls. 

1 

2 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 1–4 

in F 

a4 

(melodia) 

Tpts. 1–3 

in C 

Tbns. 1–3 

Tuba 

= c. 180 

non div. 

Vln. I 

Vln. II 

Vla. 

non div. 

non div. 

Vc. 

Cb. 

58 

59 60 61 62 63 64 65 66 

Picc. 

1 

Fls. 

1 

2 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 1–4 

in F 

Tpts. 1–3 

in C 

Tbns. 1–3 

Tuba 

Perc. 

1 

Crash Cym. 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


20 

70 

67 

68 69 

( = c. 60) 71 72 73 74 75 76 

Picc. 1 

Fls. 

1 

2 

to Piccs. 3 & 2 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 1–4 

in F 

espr. 

Sop. 

And 

the lamb came and took the book out of the right hand of him that sat up on the 

espr. 

Alto 

CHORUS 

Tenor 

And 

the lamb came and took the book out of the right hand of him that sat up on the 

espr. 

8 

And 

the 

lamb came and took the book out of the right hand of him that sat up on the 

espr. 

Bass 

And 

the 

lamb came and took the book out of the right hand of him that sat up on the 

( = c. 60) 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 

77 78 79 80 81 82 83 84 85 

Picc. 1 

Fls. 

1 

2 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 1–4 

in F 

Harp 


throne. And when he had o pened the sev enth seal, there was si lence in heav en a bout the space of half an hour. 

Alto 

CHORUS 

Tenor 


8 


Bass 


Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


Hns. 

in F 

1 

3 

86 ( = c. 120) 

3 

87 

3 

2 3 3 3 3 

4 

88 

3 

89 

3 

90 

91 

Allegro: organum triplum 

92 93 94 

( = c. 190) 

21 

Tpts. 1–3 

in C 

3 3 3 3 

Trombones double soloists. Breaths should be taken 

where convenient but not together for any corresponding 

pair of voice and trombone. 

Tbns. 

Tuba 

1 

2 

3 

, ma meno forte di voce, legato 

, ma meno forte di voce, legato 

Timp. 

hard sticks 

3 3 3 3 

B.D. 

3 

Perc. 

Susp. Cym. 

4 

legato 

Ten. I 

8 

Di 

legato 

SOLO 

Ten. II 

8 

Di 

legato 

Bass 

Di 


CHORUS 

Alto 

Tenor 

8 

Bass 

( = c. 120) 

non div. 


( = c. 190) 

Vln. I 

3 3 3 3 

Vln. II 

non div. 3 3 3 3 

Vla. 

Vc. 

Cb. 

95 96 97 98 99 100 101 102 103 104 105 106 

1 

Tbns. 

2 

3 

Ten. I 

8 

es i rae. Di 

SOLO 

Ten. II 

8 

es i rae. Di 

Bass 

es i rae. Di 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


22 

107 108 109 110 111 112 113 114 115 116 117 118 

Tbns. 

Perc. 

1 

2 

3 

4 

Susp. Cym. 

Ten. I 

8 

es il la. 

SOLO 

Ten. II 

8 

es il la. 

Bass 

es il la. 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 

Piccs. 

119 

1 

2 

120 


a2 121 122 123 124 125 126 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

Tpts. 1–3 

in C 

Tbns. 1–3 

Tuba 

Timp. 

4 

Susp. Cym. 

Perc. 

5 

Tri. 

Harp 

l.v. 

G major 

Celesta 


Vln. I 

Vln. II 

div. a 2 

Vla. 

Vc. 

Cb. 


127 

128 

a3 

129 130 

23 

Piccs. 1–3 

Obs. 1–3 

3 5 

Cls. 1–3 

in B 

3 5 

Bsns. 1–3 

5 5 5 5 5 5 5 5 

Hns. 

in F 

1 

3 

2 

4 

1 

2 

3 

Tpts. 

in C 

4 

5 

6 

7 

Tbns. 

Tuba 

1 

2.3 

5 5 5 5 5 5 5 5 

5 5 5 5 5 5 5 5 

Timp. 

Perc. 2 

Gong 

3 3 3 3 3 

Harp 

5 

5 

5 

D C B 3 3 3 3 3 

E F G A 

5 

5 

5 

3 3 3 

Piano 

5 

5 

5 

5 

5 

3 3 3 

5 

5 

5 

5 

5 

Celesta 

div. a 2 

3 

3 

3 

3 

3 

3 

3 

3 

Vln. I 

3 

3 

3 

3 

3 

3 

3 

3 

Vln. II 

(non trem.) 

div. a 2 

3 

3 

3 

3 

3 

3 

3 

3 

3 

3 

3 

3 

3 

3 

3 

3 

pizz., non div. 

Vla. 

Vc. 

3 3 3 3 3 3 3 3 

5 5 5 5 5 5 5 5 

Cb. 

5 5 5 5 5 5 5 5 


24 

Piccs. 1–3 

131 132 

133 

poch. accel.* 

134 135 136 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

5 5 

Hns. 

in F 

1 

3 

2 

4 

Grace notes begin on the beat. The speed of grace notes does not change during the accelerando. 

1 

** 

2 

** 

3 

Tpts. 

in C 

4 

5 

6 

7 

Tbns. 1–3 

5 5 

Tuba 

5 5 

Timp. 

1 

Crash Cym. 

Gong 

2 

Perc. 

B.D. 

4 

3 

Susp. Cym. 

Harp 

5 

5 

5 

5 

3 3 

Piano 

3 3 

3 

3 

8 loco 

poch. accel.* 

non div. 

Vln. I 

Vln. II 

3 

3 

3 

3 

non div. 

3 

3 

arco 

Vla. 

Vc. 

Cb. 

3 3 

5 5 non div. 

5 5 

pizz. 

* accel. increases over bars 133–149. Entire accel. will triplet the speed. ** Play the bracketed figures in the absence of trumpets 4–7. 


137 

138 

139 140 141 142 143 

144 

poco più accel. 

ancora più accel. 

25 

Piccs. 1–3 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

1 

2 

3 

Tpts. 

in C 

4 

5 

6 

7 

Tbns. 1–3 

Tuba 

Timp. 

1 

Crash Cym. 

2 

3 

B.D. 

Perc. 

4 

Susp. Cym. 

6 

7 

Harp 

Piano 

poco più accel. 

8 8 

ancore più accel. 

Vln. I 

Vln. II 

Vla. 

div. 

Vc. 

Cb. 

arco 

pizz. 

arco 


26 

Piccs. 1–3 

145 (accel.) 

146 147 148 149 

( = c. 190) 

( = c. 95) 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

1 

2 

3 

Tpts. 

in C 

4 

5 

6 

7 

Tbns. 1–3 

Tuba 

Timp. 

1 

Crash Cym. 

3 

B.D. 

Susp. Cym. 

poco cresc. 

Perc. 4 

6 

7 

Harp 

Vln. I 

( = c. 190) 

(accel.) ( = c. 95) 

Vln. II 

Vla. 

Vc. 

div. 

Cb. 


Obs. 1–3 

151 


150 ( = c. 190) 152 153 154 155 156 157 158 159 160 161 162 163 164 165 

27 

1 

Tbns. 

legato, meno 

di voce 

2 

3 

legato, meno 

di voce 

Crash Cym. 

1 

Perc. 

B.D. 

3 

legato 

Ten. I 

8 

Di 

legato 

es i rae. Di es 

SOLO 

Ten. II 

8 

Di 

legato 

%L 


Bass 

Di 


( = c. 190) 

%L 


Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 

Piccs. 

166 167 168 169 170 171 172 173 174 175 176 

1 

2 

177 

178 


a2 179 

Bsns. 1–3 

Tbns. 

1 

2 

3 

4 

Susp. Cym. 

Perc. 

5 

Tri. 

Harp 

l.v. 

G major 

Celesta 

Ten. I 

8 

il 

la. 

SOLO 

Ten. II 

8 

il 

la. 

Bass 

il 

la. 


Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


28 

Piccs. 

180 181 182 183 184 

1 

2 

185 

186 

( = c. 60 ancora) 

187 188 189 

Bsns. 1–3 

Tri. 

Perc. 

5 

Harp 

Celesta 


And I saw the sev en an gels which stood be fore God; and to 

Alto 

CHORUS 

Tenor 


8 


Bass 


( = c. 60 ancora) 

Vln. I 

Vln. II 

Vla. 

con sord., div. a 2 

senza sord. 

Vc. 

Cb. 

190 

191 

192 

193 

194 

sub. 

195 

196 

sub. 

197 

poco 198 

cresc. sempre 


them 

were 

giv 

en 

sev en trum pets; 

And the sev en 

an gels 

sub. 

which had the sev en 

trum pets 

sub. 

pre 

pared 

poco 

them selves 

cresc. sempre 

Alto 

CHORUS 

them were giv en sev en trum pets; And the sev en an gels which had the sev en trum pets pre pared 

sub. 

sub. 

poco 

them selves 

cresc. sempre 

Tenor 

8 

them were giv en sev en trum pets; And the sev en an gels which had the sev en trum pets pre pared 

sub. 

sub. 

poco 

them selves 

cresc. sempre 

Bass 

them were giv en sev en trum pets; And the sev en an 

gels which had the sev en trum 

pets pre pared 

them 

selves 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


29 

199 200 201 

Piccs. 1–3 


Obs. 1–3 


Cls. 1–3 

in B 


Bsns. 1–3 


Hns. 

in F 

1 

3 

2 

4 

ma non 

ma non 

possibile (più forte di archi) 

possibile (più forte di archi) 

stagger breathing (leaving out few or none of accented notes) 

1 



2 



3 

Tpts. 

in C 

4 





5 



6 



7 


Tbns. 1–3 

Tuba 

Susp. Cym. 

4 

Perc. 

Glock. 

sempre 

7 

8 8 


Harp 

D C B 

E F G A 

8 8 


D C B E F G A 


to sound. And 


there 

were 

Alto 

CHORUS 

Tenor 

to sound. And 


there 

were 

8 

to sound. And 


there 

were 

Bass 

to sound. And 

there 

were 

Glissandi up and down at moderate speed on indicated strings. Individual players should not coordinate with one another. 

Use long, sustained bows, pesante, sonore. N.B. Strings must only act coloristically and must not obscure the chorus. 

div. 

sul E 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 

div. 

div. 

div. 

sul A 

, meno forte di coro 

unis., sul D 


sul G 

sul C 


sul G 

sul C 



30 

Piccs. 1–3 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

202 

3 3 

3 3 

3 3 

3 3 3 3 3 3 

3 3 3 3 3 3 

3 3 3 3 3 3 

Hns. 

in F 

1 

3 

2 

4 

1 

2 

3 

Tpts. 

in C 

4 

5 

6 

7 

Tbns. 1–3 

ma non 

possible (più forte di archi) 

Tuba 

Perc. 

1 

7 

ma non 

Crash Cym. 

sempre 

Glock. 

possible (più forte di archi) 

Harp 


Piano 


sempre con pedale 

Celesta 


sempre con pedale 


CHORUS 

Alto 

Tenor 

Bass 

8 

light en ings, 




Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


Piccs. 1–3 

203 

31 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

1 

2 

3 

Tpts. 

in C 

4 

5 

6 

7 

Tbns. 1–3 

Tuba 

Perc. 

1 

7 

Glock. 

Harp 

Piano 

Celesta 


voic es, and 

CHORUS 

Alto 

Tenor 

Bass 

8 

voic es, and 

voic es, and 

voic es, and 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


32 

204 

Piccs. 1–3 

3 3 

3 3 3 3 

3 3 

Obs. 1–3 

3 3 

3 3 3 3 3 3 

Cls. 1–3 

in B 

3 3 

3 3 3 3 

3 3 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

1 

2 

3 

Tpts. 

in C 

4 

5 

6 

7 

Tbns. 1–3 

Tuba 

Perc. 

1 

4 

Crash Cym. 

Susp. Cym. 

7 

Harp 

Piano 

Celesta 


thun der ings, 

CHORUS 

Alto 

Tenor 


8 


Bass 


Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


33 

205 3 3 

Piccs. 1–3 

3 3 

3 3 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

3 3 

3 3 

3 3 

Hns. 

in F 

1 

3 

2 

4 

1 

2 

3 

Tpts. 

in C 

4 

5 

6 

7 

Tbns. 1–3 

Tuba 

Susp. Cym. 

Perc. 

4 

7 

Glock. 

Harp 

8 

Piano 

Celesta 


and 

an 

CHORUS 

Alto 

Tenor 

and 

an 

8 

and 

an 

Bass 

and 

an 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


34 

Piccs. 

Obs. 

Cls. 

in B 

1.2 

3 

1.2 

3 

1.2 

3 

206 

3 3 

3 3 

3 3 

3 3 

3 3 

3 3 

3 3 

3 3 

3 3 

3 3 3 3 

3 3 3 3 

3 3 

3 3 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

1 

2 

3 

Tpts. 

in C 

4 

5 

6 

7 

Tbns. 1–3 

Tuba 

Crash Cym. 

1 

Perc. 

7 

Glock. 

Harp 

8 

Piano 

Celesta 


earth quake, and 

CHORUS 

Alto 

Tenor 


8 


Bass 


Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


35 

207 

1 

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 

Piccs. 

(a2) 

a2 

2 

3 

3 3 

3 3 

3 3 3 3 3 3 3 3 3 3 

3 3 

3 3 

3 3 

Obs. 

1 

2 

3 

3 3 

3 3 

3 3 

3 3 3 3 3 3 3 3 

3 3 

3 3 3 3 

3 3 

3 3 

3 3 

3 3 

Cls. 1–3 

in B 

3 3 3 3 

3 3 

3 3 3 3 

3 3 

3 3 

3 3 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

1 

2 

3 

Tpts. 

in C 

4 

5 

6 

7 

Tbns. 1–3 

Tuba 

Perc. 

1 

7 

Crash Cym. 

Glock. 

8 

Harp 

8 

Piano 

Celesta 

CHORUS 


Alto 

Tenor 

Bass 

great 

great 

8 great 

great 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


36 

Piccs. 1–3 

208 

Winds: Chromatic scales up and down over indicated ranges. 

Scales should be rapid but individual players should not coordinate with one another. 

Woodwinds must act only coloristically and must not obscure horns or strings. 

poco meno 

209 

Obs. 1–3 

poco meno 

Cls. 1–3 

in B 

poco meno 

Bsns. 1–3 

poco meno 

Hns. 

in F 

1 

3 

2 

4 

1 

2 

3 

Tpts. 

in C 

4 

5 

6 

7 

Tbns. 1–3 

Tuba 

1 

3 

Crash Cym. 

Susp. Cym. 

Perc. 

6 

Chimes 

7 

Glock. 

(non trem.) 

8 

Keyboards should not coordinate with one another or with winds 

Harp 

8 

gliss. up and down over whole range of harp 

Piano 

gliss. up and down, hands 2 octaves apart, over whole range of piano 

Celesta 

gliss. up and down, hands 1 octaves apart, over whole range of celesta 

CHORUS 

Vln. I 


Alto 

Tenor 

Bass 

hail. 

hail. 

8 

hail. 

hail. 

unis. 


div. 

Vln. II 

Vla. 

Vc. 

Cb. 


div. 


div. 




37 

210 211 

Piccs. 1–3 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 



1 

2 

3 

Tpts. 

in C 

4 

5 

6 

7 

Tbns. 

1 

2 

3 

Tuba 

Crash Cym. 

Perc. 

1 

2 

4 

3 

Gong 

Susp. Cym. 

B.D. 

Chimes 

(Susp. Cym.) 

6 

Glock. 

7 

Harp 

Piano 

Celesta 

non div. 

Vln. I 

(div.) 

Vln. II 

Vla. 

Vc. 

Cb. 


38 

212 213 

Piccs. 1–3 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

1 

2 

3 

Tpts. 

in C 

4 

5 

6 

7 

Tbns. 

1 

2 

3 

Tuba 

Crash Cym. 

Perc. 

1 

2 

4 

3 

Gong 

Susp. Cym. 

B.D. 

Chimes 

(Susp. Cym.) 

6 

Glock. 

7 

Harp 

Piano 

Celesta 

(ancora non div.) 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


39 

214 215 

Piccs. 1–3 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

1 

2 

3 

Tpts. 

in C 

4 

5 

6 

7 

1 

2 

3 

Tbns. 

1 

2 

3 

Tuba 

Perc. 

1 

2 

4 

3 

6 

7 

Crash Cym. 

Gong 

Susp. Cym. 

B.D. 

Chimes 

Glock. 

Harp 

(stop) 

A C E 

Piano 

Celesta 

div. 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


40 

Piccs. 1–3 

216 stop 

217 

accel. al = * 

218 219 220 221 222 223 224 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

sempre l’istesso tempo, senza accellerando (stagger breathing) marcato 

1 


2 


3 

Tpts. 

in C 

4 

5 

6 

7 





Tbns. 1–3 

Tuba 

Perc. 

1 

2 

4 

3 

6 

Crash Cym. 

Gong 

Susp. Cym. 

B.D. 

Chimes 

7 

Glock. 

(trem.) 

Harp 

Piano 

stop 

Celesta 

(stop) 


accel. al = * 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 

* The accel. at bar 217 involves all forces except the trumpets and must achieve an exact doubling of the speed by bar 225. The trumpets continue their sixteenthnote 

patterns at the same speed through bar 225, at which point the sixteenth-notes are notated as eighth-notes and the ensemble is again coordinated. 


226 227 228 229 230 231 

quasi a tempo ( = c. 120) 

41 

225 

Piccs. 1–3 

Obs. 1–3 



Cls. 1–3 

in B 

Bsns. 1–3 



Hns. 

in F 

1 

3 

2 

4 

a2 

1 

2 

3 

Tpts. 

in C 

4 

5 

6 

7 

Tbns. 1–3 

Tuba 

1 

Perc. 

3 

6 

7 

Chimes 

Glock. 

Harp 

10 10 10 10 10 10 10 

Piano 


Celesta 

quasi a tempo ( = c. 120) 

Vln. I 

non div. 

Vln. II 

Vla. 

Vc. 

(div.) 

(div.) 

Cb. 


42 

Piccs. 1–3 

232 

233 234 235 

236 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

a3 

Hns. 

in F 

1 

3 

2 

4 

1 

martellatissimo 

2 


3 


Tpts. 

in C 

4 


5 


6 


7 

Tbns. 1–3 


a3 

Tuba 

hard sticks (sim.) 

Timp. 

martellatissimo, marcatissimo 


Crash Cym. 

Perc. 

1 

4 

3 

5 

B.D. 


S.D. 

(sim.) 



T.D. (sim.) 

Chimes 



6 

Harp 

10 10 15 

Piano 

Celesta 

unis. 

Vln. I 

Vln. II 

unis. 

non div. 

Vla. 

non div. 

Vc. 

Cb. 


43 

237 238 239 240 241 242 

Piccs. 1–3 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

1 

2 

3 

Tpts. 

in C 

4 

5 

6 

7 

Tbns. 1–3 

Tuba 

Timp. 

B →low F high D→low G , E→high F 

Crash Cym. 

1 

Perc. 

4 

3 

5 

S.D. 

B.D. 

T.D. 

Harp 

Celesta 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


44 


2 3 

4 5 6 7 

Andante quasi senza misura e con poco rubato 

( = c. 53, = c. 106) 

Susp. Cym., soft sticks 

8 

4 

Chimes 

poco 

Percussion 

6 

Vibr., slow vibr. 

dampen 

7 

meno 

di celesta 

Harp 

B C A 

D E F G 

G 

Piano 

Celesta espr. 

poch. poch. 

poco 

Andante quasi senza misura e con poco rubato 

espr. 

poco 

Tenor 

Solo 

8 

Ein 

Wort, 

ein 

Satz—: 

9 10 

11 

Susp. Cym. 12 13 14 

4 

Chimes 

Perc. 6 

Vibr. 

7 

Harp 

7 

B 

E 

l.v. 

C 

Piano 

pesante 

Celesta 

Tenor 

Solo 

8 

aus Chif fren stei gen er 

sost. 

kann tes Le ben, jäh er Sinn, er kann tes Le ben, jäh er 

* 

The tenor solo in movement 2 should be lower and fuller than those used in the organa of movements 

1 & 7, although the same singer may be used here and as Tenor II of those numbers. 

ROSNER: Requiem — 2. Recitative: Ein Wort, ein Satz

15 16 17 18 19 20 Gong 21 

45 

2 

Susp. Cym. 

4 

Perc. 

Chimes 

6 

Vibr. 

7 

sonore 

Harp 

7 

D 

E F 

Piano 

Celesta 

5 

sonore 

sonore 

sost. 

Tenor 

Solo 

8 

Sinn, 

die 

Son ne steht, die Sphä ren schwei gen, und 

22 Gong 

23 24 25 26 27 

2 

Susp. Cym. 

4 

Perc. 

Chimes 

6 

Vibr. 

7 

Harp 

E B A 

Piano 

Celesta 

Tenor 

Solo 

8 

al les ballt sich zu ihm hin. Ein Wort— ein Glanz, ein Flug, ein Feu er, ein 


46 

Timp. 

28 poch. rit 

29 

a tempo 30 31 32 33 

Gong 

2 

Susp. Cym. 

Susp. Cym. 

4 

Perc. 

Chimes 

6 

Vibr. 

7 

Harp 

C F G 

Piano 

Celesta 

poch. rit 

a tempo 

più 

legatissimo 

Tenor 

Solo 

8 

Flam men wurf, 

ein 

Ster nen strich, ein 

Flam men wurf, ein Ster nen strich— und wie der 

38 

34 35 36 37 in D, F (E ), G (F ), F 

39 40 41 

Timp. 

2 

4 

Susp. Cym. 

Gong 

non cresc. 

Perc. 

Chimes 

6 

7 

Vibr. 

quasi 

echo 

Harp 

C B 

E F G A 

D C 

E 

Piano 

poco 

Celesta 

poco 

Tenor 

Solo 

8 

Dun 

kel, un ge heu er, und wie der Dun kel, un ge heu er, in leer en Raum um Welt und Ich, 


47 

42 poch. accel. 

43 44 

un poco più mosso 

45 46 

poch. meno mosso 

(ma ancora più di tempo I) 

Timp. 

Crash Cym. 

1 

Gong 

2 

Susp. Cym. 

Perc. 

4 

Chimes 

6 

Vibr. 

7 

Harp 


D B 

F G 

Piano 


Celesta 

gliss. 


5 

poch. accel. 

un poco più mosso 

poch. meno mosso 

(ma ancora più di tempo I) 


Tenor 

Solo 

8 

und wie der Dun kel, un ge heu er, Dun kel, un ge heu er, im leer 

en Raum um Welt und 


48 

Timp. 

47 

48 

49 

A tempo 50 51 52 

low F→F , 

G →C, 

high F→A 

Crash Cym. 

1 

2 

Gong 

Susp. Cym. 

Perc. 4 

Chimes 

6 

Vibr. 

7 

meno 

di l’arpa 

Harp 

D C A 

Piano 

Celesta 

A tempo 

Tenor 

Solo 

8 

Ich, 

wie 

der Dun kel, un ge heu er. 



49 

Flutes 1–3 

Allegro tempetuoso e sempre pesante 

( = c. 150) 

2 3 4 5 6 7 8 9 

1 

2 

Oboes 

3 


in B 


Horns 

in F 

3 

4 

Trumpets 1–3 

in C 

Trombones 

1 

2 

3 

Tuba 

in D, F , C, A 

hard sticks 

Timpani 

Percussion 

2 

5 

T.D., hard sticks 

B.D., soft sticks 

Harp 

D C B 

E F G A 

Piano 

Violin I 

Allegro tempetuoso e sempre pesante 

( = c. 150) 

col legno 

ord. 

sul G 

Violin II 

col legno 

ord. 

sul G 

Viola 

(ord.) 

(ord., arco) 

div. sempre 

Violoncello 

pizz. 

(pizz.) 

Contrabass 

ROSNER: Requiem — 3. Toccata: Musica Satanica

50 

Fls. 

Obs. 

Bsns. 

Hns. 

in F 

1 

2 

1 

2 

Cls. 1 

in B 2 

1 

2 

1 

3 

2 

4 

10 

11 12 13 14 15 16 17 18 19 

1. a2 a2 

2. 

1. 

a2 

a2 

a2 

a2 

a2 

Tbn. 

3 

Tuba 

regular sticks 

Timp. 

B.D. 

Perc. 

5 

Harp 

ord. 

(non sul G) 

Vln. I 

Vln. II 

Vla. 

ord. 

(non sul G) 

div. 

Vc. 

unis. 

Cb. 

20 21 22 23 

1.2. 

3. 

24 a3 25 1.2. 

3. 

26 27 28 

Fls. 1–3 

più 

Obs. 

1 

2 

più 

3 

Cls. 1.2 

in B 3 

Bsns. 

1.2 

3 

a3 

1.2. 

3. 

più 

1.2. 

3. 

più 

1.2. 

3. 

1.2. 

3. 

Hns. 

in F 

1 

3 

2 

4 

più 

1. 

Tbn. 

3 

più 

Tuba 

3 

più 

S.D. 

Perc. 

5 

B.D. 

Vln. I 

non div. 

più 

Vln. II 

Vla. 

unis. 

più 

unis. 

più 

Vc. 

arco 

Cb. 

più 


Fls. 1–3 

29 

30 31 32 

33 34 35 36 37 38 39 

Fl. 3 to Picc. 1 

51 

Obs. 1–3 

Cls. 

in B 

Bsns. 1–3 

1.2 

3 

1.2. 

3. 

(2.3.) 

Hns. 

in F 

1 

3 

2 

4 

Tbn. 3 

Tuba 

Timp. 

Perc. 3 

S.D. 


Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 

40 41 42 43 44 45 46 47 48 

Picc. 1 

Fls. 

1 

2 

Obs. 1–3 

Cls. 1 

in B 2.3 

1. 

2.3. 

Bsns. 1–3 

Hns. 

in F 

Tbns. 

1 

3 

2 

4 

1 

2 

3 

Tuba 

Timp. 

Perc. 

3 

S.D. 

Vln. I 

sul G 

Vln. II 

sul G 

Vla. 

(div. sempre) 

Vc. 

pizz. 

Cb. 


52 

49 50 51 52 53 54 55 56 57 

Picc. 1 

Fls. 

Obs. 1–3 

1 

2 

1.2. 

3. 

Cls. 1–3 

in B 

1. 

2.3. 

Bsns. 

1 

2.3 

1.2. 

a3 3. 

Hns. 

in F 

1 

3 

2 

4 

1. 

1 

Tpts. 

in C 

2 

3 

solo 

Tbns. 

1 

2 

3 

ossia 8va 

Tuba 

Timp. 

Perc. 

3 

S.D. 

Harp 

Piano 

Vln. I 

ord. 

Vln. II 

ord. 

div. 

div. 

Vla. 

Vc. 

Cb. 


Picc. 

1 

58 59 60 61 62 63 64 65 66 

53 

Fls. 

1 

2 

Obs. 1–3 

1.2. 

3. 

1.2. 

3. 

Cls. 1–3 

in B 

Bsns. 

1.2 

3 

1.2. 

a3 3. 

1.2. 

3. 

Hns. 

in F 

1 

3 

2 

4 

a2 

sul E (gliss. on fundamental E) 

gl. 

gl. 

1 

Tpts. 

in C 

2 

3 

1 

2 

Tbns. 

3 

Tuba 

Timp. 

2 

T.D. 

Perc. 3 

S.D. 

5 

B.D. 

Harp 

Piano 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 

arco 


54 

67 68 69 70 71 72 73 74 75 76 

Picc. 1 

Fls. 

1 

2 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

a2 


1 

Tpts. 

in C 

2 

3 

1 

2 

Tbns. 

3 

Tuba 

Timp. 

Crash Cym. 

1 

2 

T.D. 

Perc. 

3 

S.D. 

5 

B.D. 

Harp 


gl. 

D C B 

E F G A 

Piano 

Vln. I 

meno 

di corni 

unis. 

Vln. II 

Vla. 

unis., non div. 

Vc. 

Cb. 


77 

78 

79 80 81 82 83 84 85 86 

55 

Picc. 1 

Fls. 

1 

2 

a2 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

1. 

Hns. 

in F 

1 

3 

2 

4 

1 

Tpts. 

in C 

2 

3 

1 

2 

a2 

1. 

Tbns. 

ossia 8va 

3 

Tuba 

Timp. 

1 

Crash Cym. 

2 

T.D. 

Perc. 

3 

S.D. 

5 

Gong 

Harp 

F G B D E 

Piano 

Vln. I 

Vln. II 

Vla. 

unis. 

Vc. 

Cb. 


56 

87 88 89 90 91 92 93 94 95 

Picc. 

1 

Fls. 

1 

2 

(a2) 

Obs. 1–3 

1.2. 

3. 

Cls. 1.2 

in B 3 

1. 

2.3. 

Bsns. 

1 

2.3 

Hns. 

in F 

1 

3 

2 

4 

1 

Tpts. 

in C 

2 

3 

Tbns. 

1 

2 

3 

Tuba 

Timp. 

1 

Crash Cym. 

Perc. 

2 

T.D. 

5 

Gong (hard sticks) 

Harp 

(con tutta forza) 

E F G A 

Piano 

Vln. I 

Vln. II 

non div. 

non div. 

Vla. 

Vc. 

Cb. 


96 97 

98 

99 100 101 102 103 104 105 

57 

Picc. 

1 

Fls. 

1 

2 

a2 

1. 

a3 a3 2.3. 

Obs. 1–3 

Cls. 1 

in B 2.3 

Bsns. 1–3 

1. 

2.3. 

1. 

2.3. 

1.2. 

a3 3. 

Hns. 

in F 

1 

3 

2 

4 

a2 

a2 2. 

Tpts. 

in C 

1 

2 

3 

1. a2 a2 

Tbns. 

1 

2 

3 

a2 

Tuba 

Timp. 

1 

Crash Cym. 

Perc. 2 

T.D. 

5 

Gong 

Harp 


D C 

Piano 

Vln. I 

Vln. II 

Vla. 

div. 

unis. 

Vc. 

Cb. 


58 

Picc. 1 

106 107 108 

109 

110 111 112 113 114 115 116 

Fls. 

1 

2 

Obs. 1–3 

1.2. 

3. 

Cls. 1–3 

in B 

Bsns. 1–3 

a3 

Hns. 

in F 

1 

3 

2 

4 

a2 

a2 

Tpts. 

in C 

1 

2 

a2 

1. solo 

3 

1 

2 

Tbns. 

3 

ossia 8va 

Tuba 

Timp. 

1 

Crash Cym. 

Perc. 

2 

T.D. 

5 

Gong 

Harp 

C 

E A 

Piano 

Vln. I 

non div. 

Vln. II 

non div. 

Vla. 

Vc. 

Cb. 


59 

117 118 119 120 121 122 123 124 125 

Picc. 1 

Fls. 

1 

2 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

1.2. 

3. 

Hns. 

in F 

1 

3 

2 

4 

1 

Tpts. 

in C 

2 

2. solo 

3 

Tbns. 

1 

2 

3 

Tuba 

Timp. 

1 

Crash Cym. 

Perc. 2 

T.D. 

5 

Gong 

Harp 

Piano 

Vln. I 

Vln. II 

Vla. 

div. 

unis. 

Vc. 

Cb. 


60 

126 

127 128 129 130 

131 132 133 

Picc. 

1 

a2 

Fls. 

1 

2 

1.2. 

3. 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

1. 

1.2. 2.3. 

1. 3. 

Hns. 

in F 

1 

3 

2 

4 

1 

Tpts. 

in C 

2 

3 

Tbns. 

1 

2 

3 

Tuba 

Timp. 

1 

Crash Cym. 

Perc. 2 

T.D. 

5 

Harp 



gl. 

G 

Piano 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


61 

134 135 136 137 138 139 140 141 

Picc. 

1 

Fls. 

1 

2 

Obs. 1–3 

a3 

(Cl. 1 ossia 8vb) 

Cls. 1–3 

in B 

2.3. 1. 

Bsns. 

1 

2.3 

Hns. 

in F 

1 

3 

2 

4 

1 

Tpts. 

in C 

2 

3 

Tbns. 

1 

2 

3 

(a2) 

Tuba 

Timp. 

1 

Crash Cym. 

Perc. 

2 

T.D. 

5 

Gong 

Harp 

C 

G A 

Piano 

Vln. I 

Vln. II 

non div. 

Vla. 

Vc. 

Cb. 


62 

142 143 

144 

to Flute 3 145 146 

147 

Picc. 

1 

Fls. 

1 

2 

a3 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 

1 

2.3 

1.2. 

3. 

Hns. 

in F 

1 

3 

2 

4 

a2 

a2 

1 

Tpts. 

in C 

2 

3 

Tbns. 

1 

2 

3 

a2 

Tuba 

Timp. 

1 

Perc. 2 

Crash Cym. 

T.D. 

meno 

5 

Gong 

Harp 

Piano 

Vln. I 

col legno 

Vln. II 

col legno 

(ord.) 

Vla. 

Vc. 

pizz. 

Cb. 

pizz. 


63 

148 149 150 151 

Timp. 

Perc. 2 

T.D. 

meno 

Piano 

poco 

Vln. I 

poco 

Vln. II 

poco 

Vla. 

poco 

Vc. 

poco 

Cb. 

poco 

Timp. 

152 

153 

154 155 156 157 158 159 160 

martellato, furioso 

Perc. 

2 

Piano 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


64 

161 162 163 164 165 166 

167 

168 169 

Fls. 1–3 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

1 

3 

Hns. 

in F 

poco 

2 

poco 

Tpts. 1–3 

in C 

1 

2 

Tbns. 

3 

Tuba 

Timp. 

4 

Susp. Cym. 

Perc. 

5 

B.D. 

ord., non div. 

Vln. I 

ord., non div. 

Vln. II 

Vla. 

arco, non div. 

Vc. 

Cb. 


Fls. 1–3 

170 

171 172 173 174 175 176 177 178 

65 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

poco 

poco 

poco 

poco 

Tpts. 1–3 

in C 

Tbns. 

1 

2 

3 

Tuba 

Timp. 

4 

Susp. Cym. 

Perc. 

5 

B.D. 

Harp 

Piano 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


66 

Fls. 1–3 

179 

180 181 182 183 184 185 186 187 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

1 

3 

Hns. 

in F 

2 

4 

2. 

poco 

poco 

Tpts. 1–3 

in C 

1 

2 

Tbns. 

3 

Tuba 

Timp. 

1 

Crash Cym. 

Perc. 

4 

Susp. Cym. 

5 

B.D. 

Harp 

Piano 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


67 

188 Fl. 3 to Picc. 189 190 191 192 193 194 

Picc. 

1 

Fls. 

1 

2 

a2 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

a3 

Hns. 

in F 

1 

3 

2 

4 

Tpts. 

in C 

1 

2 

3 

a2 

Tbns. 

1 

2 

3 

Tuba 

Timp. 

F →F , C→B 


Perc. 3 

S.D. 

Harp 


Piano 

Vln. I 

Vln. II 

Vla. 

pizz. sonore 


arco 

Vc. 

div. 

Cb. 

pizz. sonore 


ROSNER: Requiem — 3. Toccata: Musica Satanica 

(ancora pizz.)

68 

195 196 197 198 199 

Picc. 

1 

Fls. 

1 

2 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

Tpts. 

in C 

1 

2 

3 

1 

2 

Tbns. 

3 

Tuba 

Timp. 

Perc. 3 

S.D. 

Harp 

Piano 

Vln. I 

sim. 

Vln. II 

sim. 

Vla. 

Vc. 

Cb. 


Picc. 1 

200 

201 202 203 204 

69 

Fls. 

1 

2 

Obs. 1–3 

1. 

2.3. 

Cls. 1–3 

in B 

1. 

2.3. 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

Tpts. 

in C 

1 

2 

3 

1 

2 

Tbns. 

3 

Tuba 

Timp. 

3 

S.D. 

Perc. 

7 

Xylo. 

Harp 

Piano 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


70 

Picc. 

1 

205 

206 207 208 209 

Fls. 

1 

2 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

Tpts. 

in C 

1 

2 

3 

Tbns. 

1 

2 

3 

Tuba 

Timp. 

Perc. 

3 

7 

S.D. 

Xylo. 

Harp 

Piano 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


Picc. 

1 

210 

211 212 213 214 

71 

Fls. 

1 

2 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

a3 

Hns. 

in F 

1 

3 

2 

4 

Tpts. 

in C 

1 

2 

3 

1 

2 

Tbns. 

3 

Tuba 

Timp. 

3 

S.D. 

Perc. 

5 

B.D. 

Xylo. 

7 

Harp 

Piano 

Vln. I 

Vln. II 

div. 

Vla. 

Vc. 

Cb. 


72 

215 216 217 218 219 

Picc. 

1 

Fls. 

1 

2 

Fl. 2 to Picc. 1. 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

a2 

Tpts. 

in C 

1 

2 

3 

Tbns. 

1 

2 

3 

Tuba 

Timp. 

3 

S.D. 

5 

B.D. 

Perc. 

Chimes 

6 

Xylo. 

7 

Harp 

D C B 

E F G A 

Piano 


Vln. I 

Vln. II 

Vla. 

Vc. 

unis., pizz. 

Cb. 

arco pizz. arco pizz. arco 


221 222 223 224 

73 

220 

1 

Piccs. 

2 

Fl. 

1 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 1–4 

in F 

a4, soli 


Tpts. 1–3 

in C 

1 

2 

Tbns. 

3 

Tuba 

Timp. 

Crash Cym. 

1 

Perc. 

Chimes 

6 

Harp 


D C B 

E F G A 

Piano 

div. 

Vln. I 

Vln. II 

Vla. 

div. 

(non trem.) 

Vc. 

arco 

non div. 

Cb. 

non trem. 


74 

226 227 228 229 

225 sim. (legato) 

1 

Piccs. 

2 

sim. (legato) 

Fl. 

1 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 1–4 

in F 

Tpts. 1–3 

in C 

Tbns. 

1 

2 

3 

Tuba 

Timp. 

Perc. 

1 

Crash Cym. 

Harp 

Piano 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


230 

231 

232 233 234 

75 

1 

Piccs. 

2 

Fl. 

1 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 1–4 

in F 

1.3. gliss. sul E 

2.4. ord., non gliss. 

Tpts. 1–3 

in C 

1 

2 

Tbns. 

3 

Tuba 

Timp. 

Perc. 1 

Crash Cym. 

Harp 

Piano 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


76 

1 

235 

236 237 238 239 

Piccs. 

2 

Fl. 

1 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 1–4 

in F 

1.3. gliss. sul F 

2.4. ord., non gliss. 

Tpts. 1–3 

in C 

1 

2 

Tbns. 

3 

Tuba 

Timp. 

Perc. 1 

Crash Cym. 

Piano 

Harp 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


1 

240 

241 242 243 244 

77 

Piccs. 

2 

Fl. 1 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 1–4 

in F 

Tpts. 1–3 

in C 

Tbns. 

1 

2 

3 

Tuba 

Timp. 

Perc. 

1 

Crash Cym. 

Harp 

Piano 

Vln. I 

Vln. II 

Vla. 

(div. a 2) 

div. a 2 

unis. 

Vc. 

Cb. 


78 

1 

245 

246 247 248 249 

Piccs. 

2 

Fl. 

1 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 1–4 

in F 

Tpts. 1–3 

in C 

Tbns. 

1 

2 

3 

Tuba 

Timp. 

1 

Crash Cym. 

Perc. 

5 

Gong 

cresc. poco più cresc. ancora più cresc. 

Harp 

D 

G A 

Piano 

div. 

Vln. I 

Vln. II 

div. 

Vla. 

non div. 

Vc. 

Cb. 


250 

251 252 253 254 255 

fltg. 

256 257 258 259 

79 

Picc. 

1 

1. 

Picc. 2 to Fl. 2 

a2 (stagger breathing) 

cresc. poco a poco 

Fls. 

1 

2 

Obs. 1–3 

Cls. 1–3 

in B 

stagger breathing 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

(a2) 

1. solo 

1 

Tpts. 

in C 

2 

3 

a2, soli (stagger breathing) 

Tbns. 

1 

2 

marcato 


soli 

3 

marcato 


soli 

Tuba 

in D, F, B, A 

hard sticks 

marcato 


Timp. 

Crash Cym. 

1 

2 

Perc. 3 

T.D. 

S.D. 

cresc. pochissimo 

5 

6 

Gong 

Chimes 

B.D. (soft sticks) 

trillo poco a poco meno presto 


Harp 


B C E F 

Piano 

unis. 

Vln. I 

Vln. II 

non div. 

non div., sul D, A 

(arco) 

Vla. 

unis. 

Vc. 

Cb. 

pizz. 


80 

Picc. 1 

260 

261 262 263 264 265 266 267 268 269 

cresc. 

Fls. 

1 

2 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

1 

Tpts. 

in C 

2 

3 

Tbns. 

1 

2 

3 

a2 

Tuba 

Timp. 

2 

3 

T.D. 

S.D. 

cresc. pochissimo 

Perc. 

B.D. 

pochissimo 

al quasi 

5 

Chimes 

6 

Harp 

Piano 

Vln. I 

Vln. II 

Vla. 

Vc. 

poco 

Cb. 


Picc. 1 

270 

271 272 273 274 275 276 277 

81 

Fls. 

1 

2 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

poco 

Hns. 

in F 

1 

3 

2 

4 

1 

Tpts. 

in C 

2 

3 

Tbns. 

1 

2 

3 

a2 

Tuba 

Timp. 

T.D. 

2 

Perc. 

3 

5 

S.D. 

B.D. 

poch. 

trillo poco a poco meno presto al 

sempre 

sempre 

Chimes 

cresc. 

6 

Harp 

Piano 

non div. 

Vln. I 

Vln. II 

Vla. 

Vc. 

poco 

Cb. 


82 

278 

279 280 

281 282 283 284 285 

Picc. 1 

cresc. 

Fls. 

1 

2 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

1 

Tpts. 

in C 

2 

3 

Tbns. 

1 

2 

3 

Tuba 

Timp. 

T.D. 

2 

S.D. 

3 

Perc. 

B.D. 

trillo poco a poco meno presto 

5 

Chimes 

cresc. 

6 

Harp 

Piano 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


286 

287 288 289 

290 291 292 293 294 

ord. 

83 

Picc. 

1 

Fls. 

1 

2 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

a3 

1. 

2.3. 

Hns. 

in F 

1 

3 

2 

4 

a2 

(a2) 

Tpts. 

in C 

1 

2 

3 

1 

2 

Tbns. 

3 

Tuba 

Timp. 

Tri. 

1 

3 

S.D. 

Susp. Cym. 

Perc. 

4 

5 

B.D. 

7 

Xylo. 

Harp 

E G 

Piano 

Vln. I 

Vln. II 

Vla. 

non div. 

Vc. 

Cb. 

arco 


84 

Picc. 1 

295 

296 297 

to Fl. 3 298 299 300 301 302 

Fls. 

1 

2 

3 

1 

Obs. 

2 

3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 

in F 

Tpts. 

in C 

1 

3 

2 

4 

1 

2 

3 

a2 

Tbns. 

1 

2 

3 

Tuba 

Timp. 

1 

Tri. 

3 

S.D. 

Susp. Cym. 

Perc. 

4 

5 

B.D. 

Xylo. 

6 

Harp 

Piano 

non div. 

non trem. 

non div. sempre 

Vln. I 

non div. 


Vln. II 

Vla. 

Vc. 



Cb. 


Fls. 1–3 

303 

304 305 306 307 308 309 310 311 312 313 314 

85 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

Tpts. 

in C 

1 

2 

3 

Tbns. 

1 

2 

3 

Tuba 

Timp. 

regular (soft) sticks 

2 

Gong 

Perc. 

3 

4 

S.D. 

Susp. Cym. 

5 

B.D. 

15ma 

Harp 

15ma 

Piano 

Vln. I 

Vln. II 

sul G, D 

Vla. 

sul G, D 

Vc. 

Cb. 


86 

Fls. 1–3 

Obs. 1–3 

Cls. 1–3 

in B 

a3 


a3 


a3 


316 317 318 319 320 321 322 323 324 

Lento, molto pesante ( = c. 40) 

315 

Bsns. 1–3 


Hns. 

in F 

Tpts. 1–3 

in C 

1 

3 

2 

4 

a2 


a2 


a3 


Tbns. 

1 

2 


a2 

3 


Tuba 


Timp. 

gliss. 

3 3 

3 

D→F , F →A , B→D , G→A 

Crash Cym. 

1 

Gong 

2 

S.D. 

3 

Perc. 

Susp. Cym. 

3 3 3 

4 

3 3 

5 

B.D. 

3 

Chimes 

6 

15ma 

Harp 

con tutta 

forza 

Piano 


Lento, molto pesante ( = c. 40) 

Vln. I 


div. a 2 

non div. 

Vln. II 


div. a 2 

non div. 

Vla. 


div. 

non div. 

Vc. 


Cb. 



Flutes 

Oboes 

1 

2 

1 

2 


2 3 

Andante dolcemente ed in modo antico ( = c. 54) 

4 5 

molto 

87 

English Horn 

Clarinet 

in B 

1 

poch. 

poch. 

Bassoon 1 

Horns 

in F 

1 

2 

Trumpets 1 

in C 2 

Timpani 

in F , A, D (C ), A 

4 

Percussion 

6 

arp. before beat 

sim. (sempre poco arp.) 

Harp 

D C B 

E F G A 

E F D 

Celesta 

Soprano 

Solo 

Andante dolcemente ed in modo antico ( 

= c. 54) 

sul tasto, con sord. 

(up-bow louré throughout) 

div. sempre 

Violin I 

Violin II 

sul tasto, con sord., div. 


sim. (all up-bow louré) 

Viola 

Violoncello 





Contrabass 

pizz. 

arco 

pizz. 

ROSNER: Requiem — 4. Ballade: Les Neiges d’antan

88 

Fls. 

1 

2 

6 7 8 

Bsn. 

Perc. 

1 

4 

Susp. Cym. 

melodia 

Harp 

D E F 

Celesta 


Solo 

Vln. I 

unis. 

div. 

Vln. II 

Vla. 

Vc. 

Cb. 

Fls. 

1 

2 

9 

10 11 12 

Perc. 

4 

7 

Glock. 

Susp. Cym. 

Harp 

E G E C F 

Celesta 


Solo 

Dic tes moy où n’en quel pa ys, est Flo ra, la belle Rom mai ne; Ar chi pia da, ne Tha ïs, qui fut sa cou sine 

Vln. I 

Vln. II 

Vla. 

Vc. 

unis. 

unis. 

unis. 

Cb. 


Fls. 

1 

2 

13 14 15 

16 

89 

Hns. 

in F 

Perc. 

1 

2 

4 

7 

Susp. Cym. 

Glock. 

Harp 

D G A C F G F D 

Celesta 

(ad lib.) 


Solo 

Vln. I 

E cho, par lant quand on mai ne des sus ri vière ou sus es 

bruyt 

tan, qui beaul té ot trop plus qu’hu mai ne? Mais 

Vln. II 

Vla. 

div. 

unis. 

Vc. 

Cb. 

Fls. 

1 

2 

Cls. 1 

in B 2 

17 18 19 

1. solo 

melodia 

20 

Bsn. 1 

Perc. 

7 

Harp 

F E A E F 

Celesta 


Solo 

où sont les nei ges d’an tan, où sont les nei ges d’an tan! 

Vln. I 

Vln. II 

Vla. 

Vc. 

senza sord. 

Cb. 


90 

Fls. 

1 

2 

21 

3 

22 23 24 

Cls. 1 

in B 2 

Bsn. 

1 

Timp. 

Harp 

Celesta 


Solo 

Où est la très sa ge Hel lo ïs, 

senza sord. 

ord. (up-bow louré) 

Vln. I 

Vln. II 

Vla. 

Vc. 

senza sord. 

ord. (up-bow louré) 

div. 

senza sord. 

div. ord. (up-bow louré) 

div. 

Cb. 

Fls. 

1 

2 

25 26 27 28 

in F , A , C , A 

Timp. 

Harp 

E F A D C G F A 

poch. 

poch. 


Solo 

Vln. I 

pour 

qui fut chas tré puis moy ne 

3 

Pi er re Es bai llart à Saint Dé nis, à Saint Dé nis? pour son a mour ot cest es soy ne. 

sul tasto 

(ord.) 

Vln. II 

Vla. 

Vc. 

Cb. 

arco 


Fls. 

1 

2 

29 poco rit. a tempo 30 31 

32 

91 

Obs. 

1 

2 

Eng. Hn. 

Cls. 

in B 

1 

2 

Bsn. 1 

Hns. 

in F 

1 

2 

Tpts. 1 

in C 2 

F →G , A→A 

Timp. 

sub. 

Glock. 

Perc. 

7 

Harp 

B G F G D F 

Celesta 


Solo 

Sem 

sub. 

bla ble ment, 

delicato 

où est la royne qui com man da que Bur i dan fust gec té en ung sac en Sai ne? Mais 

poco rit. 

a tempo 

Vln. I 

sul tasto subito 


Vln. II 


Vla. 


Vc. 

pizz. 

Cb. 


92 

Fls. 

1 

2 

33 34 35 36 

Obs. 

1 

2 

Eng. Hn. 

Cls. 1 

in B 2 

Bsn. 

1 

1 

Hns. 

in F 

2 

4 

Tpts. 1 

in C 2 

Timp. 

Glock. 

Perc. 

7 

Harp 

F 

E 

D C B 

G 

Celesta 


Solo 

où sont les nei ges d’an tan, où sont les nei ges d’an tan! 

Vln. I 

Vln. II 

unis., pizz. 

Vla. 

Vc. 

arco 

Cb. 


Fls. 

1 

2 

37 38 39 40 41 

93 

Obs. 

1 

2 

Eng. Hn. 

Cls. 1 

in B 2 

Bsn. 1 

1 

Hns. 

in F 

2 

4 


Solo 

Vln. I 

Vln. II 

Vla. 

Vc. 

non div. 

Cb. 

Fls. 

1 

2 

42 

43 44 

1. 

45 46 

Obs. 

1 

2 

Eng. Hn. 

Cls. 1 

in B 2 

Bsn. 1 

1 

Hns. 

in F 

2 

4 

Tpts. 1 

in C 2 

con sord. 


Solo 

Et 

Vln. I 

Vln. II 

arco, div., ord. 

Vla. 

espr. 

Vc. 

Cb. 


94 

47 48 49 

50 

51 52 

Cl. 

in B 

1 

Bsns. 

1 

2 

(1.) 

poch. 

poch. 

1 

Hns. 

in F 

2 

4 

Tpts. 1 

in C 2 

senza sord. 

Perc. 

1 

2 

Gong 

Crash Cym. 

poch. 

poch.! 


Solo 

Jehan ne, la bonne Lor rai ne, qu’En glois bru lèrent à Rou an. 

div., ord. 

sim. 

Vln. I 

div., ord. 

espr. 

sim. 

Vln. II 

Vla. 

sim. 

espr. 

div., ord. 

sim. 

Vc. 

espr. 

pizz. 

Cb. 

54 55 56 57 

53 

Fls. 

1 

2 

Susp. Cym. 

4 

Perc. 

Glock. 

7 

Harp 

(sim.) 

(B E F ) 

G E C F 

Celesta 


Solo 

Vln. I 

unis. 

Prin ce, n’en que rez de sep mai ne où elles sont, 

Vln. II 

Vla. 

Vc. 

(pizz.) 

Cb. 


58 59 60 

61 

62 

95 

Fls. 

1 

2 

Cl. 

in B 

1 

Bsn. 1 

Hns. 

in F 

1 

2 

Tpts. 1 

in C 2 

Timp. 

Susp. Cym. 

4 

Perc. 

7 

Glock. 

Harp 

D G A C F G F F 

Celesta 


Solo 

ne de cest an, qu’à ce ref frain ne vous re mai ne: mais où sont les nei ges d’an tan, où sont les 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


96 

Fls. 

1 

2 

63 64 65 66 67 

Cl. 

in B 

1 

poco 

Bsn. 

1 

1 

Hns. 

in F 

2 

(senza sord.) 

Tpt. 

in C 

1 

Timp. 

4 

Perc. 

Glock. 

7 

Harp 

E 

E 

Celesta 


Solo 

nei 

ges d’an tan! 

sul tasto 

Vln. I 

Vln. II 

unis., sul tasto 

Vla. 

Vc. 

Cb. 


97 

Fls. 

1 

2 

68 69 70 71 72 73 

Cl. 

in B 

1 

Bsn. 

1 

Hns. 

in F 

1 

2 

Tpt. 

in C 

1 

Timp. 

Harp 

l.v. sempre 

Celesta 


Solo 

Vln. I 

con sord. 

Vln. II 

div., con sord. 

unis., con sord., sul tasto 

div. 

Vla. 

unis., con sord., sul tasto 

Vc. 

Cb. 


98 

Flutes 1–3 


2 3 4 5 6 7 8 9 10 

Allegro non troppo; ostinato e marcato ( = c. 126) 

Oboes 

1 

2 


in B 


Horns 

in F 

1 

3 

2 

4 


in C 


Tuba 

Timpani 

in G , A , C (D ), A 

Percussion 

1 

2 

5 

6 

Gong 

sost. 

Chimes 

Harp 

Piano 

Celesta 

Bass 

Solo 


CHORUS 

Bass 

Tenor 

8 

ben marcato ma senza accente ritmico; sostenuto e pesante 

Kan Ze On Na Mu But su Yo But su U In Yo But su U En Bup Po So En Jo Ra ku Ga Jo Cho Nen Kan Ze On Bo Nen Kan Ze On Nen Nen Ju Shin Ki Nen Nen Fu 

ben marcato ma senza accente ritmico; sostenuto e pesante 

Violin I 

Violin II 

Bass 

Kan Ze On Na Mu But su Yo But su U In Yo But su U En Bup Po So En Jo Ra ku Ga Jo Cho Nen Kan Ze On Bo Nen Kan Ze On Nen Nen Ju Shin Ki Nen Nen Fu 

Allegro non troppo; ostinato e marcato ( = c. 126) 

senza sord. 

sempre glissando lento gliss.lento 

Viola 

Violoncello 

Contrabass 

ROSNER: Requiem — 5. Sutra: Enmei Jukku Kannon Gyo

99 

11 12 13 14 15 16 17 18 19 20 

Timp. 

5 

Perc. 

Chimes 

6 


CHORUS 

Alto 

Tenor 

8 

Ri Shin Kan Ze On Na Mu But su Yo But su U In Yo But su U En Bup Po So En Jo Ra ku Ga Jo Cho Nen Kan Ze On Bo Nen Kan Ze On Nen Nen Ju Shin Ki Nen 

Bass 

Ri Shin Kan Ze On Na Mu But su Yo But su U In Yo But su U En Bup Po So En Jo Ra ku Ga Jo Cho Nen Kan Ze On Bo Nen Kan Ze On Nen Nen Ju Shin Ki Nen 

Vln. I 

con sord., sul tasto 

sul D 

gliss. lento 

gliss. 

Vln. II 

Vla. 

Vc. 

Cb. 

21 22 23 24 25 26 27 28 29 30 31 

Timp. 

5 

Perc. 

Chimes 

6 


CHORUS 

Alto 

Tenor 

8 

Nen Fu Ri Shin Kan Ze On Na Mu But su Yo But su U In Yo But su U En Bup Po So En Jo Ra ku Ga Jo Cho Nen Kan Ze On Bo Nen Kan Ze On Nen Nen Ju Shin Ki Nen Nen Fu 

Bass 

Nen Fu Ri Shin Kan Ze On Na Mu But su Yo But su U In Yo But su U En Bup Po So En Jo Ra ku Ga Jo Cho Nen Kan Ze On Bo Nen Kan Ze On Nen Nen Ju Shin Ki Nen Nen Fu 

Vln. I 

sul E 

Vln. II 

Vla. 

Vc. 

Cb. 


100 

32 33 34 35 36 37 38 39 40 

Fls. 1–3 

1 

Obs. 

2 

Cls. 1–3 

in B 

Bsns. 1–3 

Timp. 

5 

Perc. 

Chimes 

6 

CHORUS 

Tenor 

Bass 

8 

Ri Shin Kan Ze On Na Mu But su Yo But su U In Yo But su U En Bup Po So En Jo Ra ku Ga Jo Cho Nen Kan Ze On Bo Nen Kan Ze On Nen Nen 

Ri Shin Kan Ze On Na Mu But su Yo But su U In Yo But su U En Bup Po So En Jo Ra ku Ga Jo Cho Nen Kan Ze On Bo Nen Kan Ze On Nen Nen 

Vln. I 

ord., senza sord. 

Vln. II 

senza sord. 

Vla. 

Vc. 

Cb. 

41 42 43 44 45 46 47 48 

Fls. 1–3 

1 

Obs. 

poco a poco 

2 

Cls. 1–3 

in B 

poco a poco 

Bsns. 1–3 

Timp. 

Susp. Cym. 

3 

Perc. 

5 

Chimes 

6 


Tenor 

CHORUS 

8 

Ju Shin Ki Nen Nen Fu Ri Shin Kan Ze On Na Mu But su Yo But su U In Yo But su U En Bup Po So En Jo Ra ku Ga Jo Cho Nen Kan 


Bass 

Ju Shin Ki Nen Nen Fu Ri Shin Kan 

Ze On Na Mu But su Yo But su U In Yo But su U En Bup Po So En Jo Ra ku Ga Jo Cho Nen Kan 

Vln. I 

(ancora 

sempre) 

Vln. II 

poco a poco 

Vla. 

poco a poco 

Vc. 

Cb. 


101 

49 50 51 52 53 

54 55 

Fls. 1–3 

poco a poco 

1 

Obs. 

2 

Cls. 1–3 

in B 

poco a poco 

Bsns. 

1.2 

3 

Hns. 

in F 

1 

3 

2 

4 

Tpts. 1–3 

in C 

Tbns. 1–3 

Tuba 

Timp. 

1 

3 

Susp. Cym. 

Perc. 

5 

B.D. 

3 3 3 3 3 3 

6 

Chimes 

Harp 


CHORUS 

Alto 

Tenor 

poco a poco 

8 

Ze On Bo Nen Kan Ze On Nen Nen Ju Shin Ki Nen Nen Fu Ri Shin Kan Ze On Na Mu But su Yo But su U In Yo But su U En Bup Po So En 

poco a poco 

Bass 

Ze On Bo Nen Kan Ze On Nen Nen Ju Shin Ki Nen Nen Fu Ri Shin Kan 

Ze On Na Mu But su Yo But su U In Yo But su U En Bup Po So En 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


102 

Fls. 1–3 

56 57 58 59 60 61 62 

Obs. 

1 

2 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

a2 

Tpts. 1–3 

in C 

Tbns. 1–3 

Tuba 

Timp. 

1 

3 

Perc. 

4 

T.D. 

hard stick 

5 

B.D. 

soft 

stick 

3 3 3 3 3 3 3 

6 

Chimes 

Harp 


CHORUS 

Alto 

Tenor 

8 

Jo Ra ku Ga Jo Cho Nen Kan Ze On Bo Nen Kan Ze On Nen Nen Ju Shin Ki Nen Nen Fu Ri Shin Kan Ze On Na Mu But su Yo But su U In Yo 

Bass 

Jo Ra ku Ga Jo Cho Nen Kan Ze On Bo Nen Kan Ze On Nen Nen Ju Shin Ki Nen Nen Fu Ri Shin Kan Ze On Na Mu But su Yo But su U In Yo 

Vln. I 

Vln. II 

Vla. 

Vc. 

senza sord. 

Cb. 


103 

Fls. 1–3 

63 64 65 

Fl. 3 to Picc. 66 67 68 69 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

Tpts. 1–3 

in C 

Tbns. 1–3 

Tuba 

Timp. 

1 

3 

Perc. 4 

T.D. 

5 

B.D. 

3 3 3 3 3 3 3 

6 

Chimes 

Harp 


CHORUS 

Alto 

Tenor 

8 

But su U En Bup Po So En Jo Ra ku Ga Jo Cho Nen Kan Ze On Bo Nen Kan Ze On Nen Nen Ju Shin Ki Nen Nen Fu Ri Shin Kan Ze On Na 

Bass 

But su U En Bup Po So En Jo Ra ku Ga Jo Cho Nen Kan Ze On Bo Nen Kan Ze On Nen Nen Ju Shin Ki Nen Nen Fu Ri Shin Kan Ze On Na 

Vln. I 

Vln. II 

Vla. 

(arco) 

pizz. 

gliss. 

Vc. 

pizz. 

Cb. 

senza sord., pizz. 


104 

70 71 72 73 74 75 76 

Picc. 

1 

Fls. 

1 

2 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

Tpts. 1–3 

in C 

Tbns. 1–3 

Tuba 

Timp. 

1 

2 

3 

T.D. 

Gong 

Perc. 

5 

B.D. 

3 3 3 3 

6 

Chimes 

sub. 

Vibr., slow vibrato 

7 

Harp 


With in those ra di an ces, the na tu ral 

CHORUS 

Alto 

Tenor 

With in those ra di an ces, the na tu ral 

sub. 

8 

Mu But su Yo But su U In Yo But su U En Bup Po So En Jo Ra ku Ga Jo Cho Nen Kan Ze On Bo Nen Kan Ze On Nen Nen Ju Shin Ki Nen Nen 

sub. 

Bass 

Mu But su Yo But su U In Yo But su U En Bup Po So En Jo Ra ku Ga Jo Cho Nen Kan Ze On Bo Nen Kan Ze On Nen Nen Ju Shin Ki Nen Nen 

Vln. I 

non div. 

Vln. II 

gliss. 

Vla. 

Vc. 

non div. 

div., arco, sul tasto 

Cb. 


105 

77 78 79 80 81 82 83 

Picc. 1 

Fls. 

1 

2 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

Tpts. 1–3 

in C 

Tbns. 1–3 

Tuba 

Timp. 

1 

2 

Gong 

Perc. 

3 

5 

B.D. 

3 3 

6 

Chimes 

7 

Vibr. 

Harp 

3 

3 

3 3 

3 

3 

3 

3 

3 

3 

D C B 

E F G A 

poch. 

3 

E 3 3 

3 

F 

3 

C 

3 


sound of Truth will re ver ber ate like a thou sand thun ders. The sound will come with a 

poch. 

CHORUS 

Alto 

sound of Truth will re ver ber ate like a thou sand thun ders. The sound will come with a 

Tenor 

8 

Fu Ri Shin Kan Ze On Na Mu But su Yo But su U In Yo But su U En Bup Po So En Jo Ra ku Ga Jo Cho Nen Kan Ze On Bo Nen Kan 

Bass 

Fu Ri Shin Kan Ze On Na Mu But su Yo But su U In Yo But su U En Bup Po So En Jo Ra ku Ga Jo Cho Nen Kan Ze On Bo Nen Kan 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


106 

84 85 86 87 88 89 90 

Picc. 1 

Fls. 

1 

2 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

Tpts. 1–3 

in C 

Tbns. 1–3 

Tuba 

Timp. 

1 

2 

Gong 

Perc. 

3 

5 

B.D. 

6 

Chimes 

7 

Vibr. 

Harp 

3 

3 

gliss. 

3 

C E F 

poch. 


roll ing re ver ber a tion. Fear not. Flee not. Be 

poch. 

not ter ri fied. 

CHORUS 

Alto 

Tenor 

roll ing re ver ber a tion. Fear not. Flee not. Be 

not ter ri fied. 

8 

Ze On Nen Nen Ju Shin Ki Nen Nen Fu Ri Shin Kan Ze On Na Mu But su Yo But su U In Yo But su U En Bup Po So En Jo Ra ku Ga Jo Cho 

Bass 

Ze On Nen Nen Ju Shin Ki Nen Nen Fu Ri Shin Kan Ze On Na Mu But su Yo But su U In Yo But su U En Bup Po So En Jo Ra ku Ga Jo Cho 

Vln. I 

Vln. II 

Vla. 

sul G, D 

Vc. 

poch. 

Cb. 


107 

91 92 93 94 95 96 97 

Picc. 1 

Fls. 

1 

2 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

Tpts. 

in C 

1 

2 

Tbns. 1–3 

Tuba 

Timp. 

molto 

1 

2 

Gong 

3 

Perc. 

5 

Chimes 

B.D. 

3 

sub. 

3 

6 

7 

Harp 


Know them to be the in tel lec tu al fac ul ties of thine own light. 

CHORUS 

Alto 

Tenor 

Know them to be the in tel lec tu al fac ul ties of thine own light. 

sempre, non decresc. 

Bass 

8 

Nen Kan Ze On Bo Nen Kan Ze On Nen Nen Ju Shin Ki Nen Nen Fu Ri Shin Kan Ze On Na Mu But su Yo But su U In Yo But su U En Bup Po So 

sempre, non decresc. 

Nen Kan Ze On Bo Nen Kan Ze On Nen Nen Ju Shin Ki Nen Nen Fu Ri Shin Kan 

Ze On Na Mu But su Yo But su U In Yo But su U En Bup Po So 

Vln. I 

non div. 

non cresc. 

Vln. II 

non cresc. 

Vla. 

Vc. 

non cresc. 

Cb. 


108 

Picc. 

1 

98 99 100 101 102 

Fls. 

1 

2 

Obs. 1–3 

Cls. 1–3 

in B 

3 3 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

a2 

a2 

Tpts. 

in C 

1 

2 

3 

4 

6 

3 3 3 

3 3 3 

2. 

1. 

3 

3 

3 3 

5 

7 

3 3 

a3 

Tbns. 1–3 

Tuba 

Timp. 

Crash Cym. 

1 

Gong 

2 

3 

Susp. Cym. 

S.D. 

Perc. 

4 

T.D. 

3 3 

5 

6 

B.D. 

Chimes 

3 3 3 

Harp 

(tutti sop.) 


(light) 

CHORUS 

Alto 

Tenor 

8 

En Jo Ra ku Ga Jo Cho Nen Kan Ze On Bo Nen Kan Ze On Nen Nen Ju Shin Ki Nen Nen Fu Ri Shin 

Bass 

En Jo Ra ku Ga Jo Cho Nen Kan Ze On Bo Nen Kan Ze On Nen Nen Ju Shin Ki Nen Nen Fu Ri Shin 

Vln. I 

non div. 

Vln. II 

arco, non div. 

Vla. 

3 3 3 

non div., sul G, D 

Vc. 

Cb. 

arco 


Picc. 1 

103 104 105 106 

109 

Fls. 

1 

2 

Obs. 1–3 

Cls. 1–3 

in B 

3 3 3 3 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

1 

2 

(a2) 

(a2) 

3 

3 

3 

3 

Tpts. 

in C 

3 

4 

6 

3 

3 3 

3 

3 

3 

3 

3 

3 

3 

3 

5 

7 

3 

3 

3 

Tbns. 1–3 

Tuba 

Timp. 

Crash Cym. 

1 

Gong 

2 

S.D. 

3 

Perc. 

4 

T.D. 

3 3 3 3 

5 

Chimes 

6 

Harp 


Kan Ze On Na Mu But su Yo But su U In Yo But su U En Bup Po So En Jo Ra ku 

CHORUS 

Alto 

Tenor 


8 


Bass 


Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


110 

107 108 109 

Picc. 

1 

Fls. 

1 

2 

Obs. 1–3 

a3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

(a2) 

1 

2 

1. (play in absence of Tpt. 4) 2. (play in absence of Tpt. 5) 

Tpts. 

in C 

3 

4 

5 

Tbns. 1–3 

Tuba 

Timp. 

1 

Crash Cym. 

2 

Perc. 

3 

4 

S.D. 

T.D. 

5 

B.D. 

3 3 3 

6 

Chimes 

Harp 


CHORUS 

Alto 

Tenor 

Bass 

8 

Ga Jo Cho Nen Kan Ze On Bo Nen Kan Ze On Nen Nen Ju 




Vln. I 

Vln. II 

(ord.) 

Vla. 

Vc. 

Cb. 


Picc. 1 

110 111 112 113 

111 

Fls. 

1 

2 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

(a2) 

1 

2 

3 3 3 

Tpts. 

in C 

3 

4 

6 

a2 

3 3 3 

3 

5 

7 

3 

Tbns. 

1 

2 

3 

Tuba 

Timp. 

1 

Susp. Cym. 

2 

3 

Perc. 

4 

T.D. 

5 

6 

B.D. 

Chimes 

3 3 3 3 

Harp 


Shin Ki Nen Nen Fu Ri Shin Kan Ze On Na Mu But su Yo But su U In Yo But su U 

CHORUS 

Alto 

Tenor 


8 


Bass 


(non div.) 

Vln. I 

non div. 

Vln. II 

3 3 3 

Vla. 

Vc. 

Cb. 


112 

Picc. 

1 

114 115 116 117 

Fls. 

1 

2 

Obs. 1–3 

Cls. 1–3 

in B 

3 3 3 3 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

(a2) 

(a2) 

1 

2 

2. 

3 

1. 

3 

3 3 

Tpts. 

in C 

3 

4 

6 

3 

3 3 

3 3 3 

3 

Tbns. 

5 

7 

1 

2 

a2 

3 3 

3 

3 

Tuba 

Timp. 

Crash Cym. 

1 

2 

S.D. 

3 

Perc. 

4 

T.D. 

3 3 3 3 

5 

Chimes 

6 

Harp 


En Bup Po So En Jo Ra ku Ga Jo Cho Nen Kan Ze On Bo Nen Kan Ze On Nen 

CHORUS 

Alto 

Tenor 


8 


Bass 


Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


113 

118 119 120 121 

Picc. 1 

Fls. 

1 

2 

Obs. 1–3 

a3 

Cls. 1–3 

in B 

3 3 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

1 

2 

(a2) 

(a2) 

3 

3 

1. (in absence of Tpt. 4) 

2. (in absence of Tpt. 5) 

Tpts. 

in C 

3 

4 

6 

5 

7 

3 

3 3 

3 

3 

3 

4. 

5. 

Tbns. 

1 

2 

3 

Tuba 

Timp. 

1 

Gong 

2 

Susp. Cym. 

S.D. 

3 

Perc. 

4 

T.D. 

3 3 

5 

B.D. 

3 3 

6 

Chimes 

Harp 


Nen Ju Shin Ki Nen Nen Fu Ri Shin Kan Ze On Na Mu But su Yo But su U In Yo 

CHORUS 

Alto 

Tenor 


8 


Bass 


Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


114 

122 123 124 

Picc. 1 

Fls. 

1 

2 

Obs. 1–3 

Cls. 1–3 

in B 

3 

3 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

1 

2 

(a2) 

(a2) 

(in absence of Tpt. 4) 

(in absence of Tpt. 5) 

a2 

6 

6 

Tpts. 

in C 

3 

4 

6 

4. a2 

6 

6 

5 

7 

a2 

Tbns. 

1 

2 

3 

Tuba 

Timp. 

1 

Susp. Cym. 

2 

S.D. 

3 

Perc. 

4 

T.D. 

5 

6 

B.D. 

3 3 3 

Chimes 

Harp 


But su U En Bup Po So En Jo Ra ku Ga Jo Cho Nen Kan Ze 

CHORUS 

Alto 

Tenor 


8 


Bass 


Vln. I 

Vln. II 

Vla. 

3 

3 

3 

3 

Vc. 

Cb. 


115 

125 126 127 128 

Picc. 1 

Fls. 

1 

2 

3 3 3 

3 

Obs. 1–3 

3 3 3 

3 3 3 

3 

Cls. 1–3 

in B 

Bsns. 1–3 

3 3 3 

3 

Hns. 

in F 

1 

3 

2 

4 

Tpts. 

in C 

1 

2 

3 

4 

6 

5 

7 

soli 

meno forte di trombe 4, 5, 6, 7 


soli 


3 

3 

3 

Tbns. 

1 

2 

3 

3 

3 

Tuba 

3 

Timp. 

Crash Cym. 

1 

S.D. 

3 

Perc. 4 

5 

6 

T.D. 

B.D. 

Chimes 

3 3 3 3 

Harp 


D C B 

E F G A 

Celesta 


On Bo Nen Kan Ze On Nen Nen Ju Shin Ki Nen Nen Fu Ri Shin Kan Ze On Na 

Alto 

CHORUS 

Tenor 


8 


Bass 


Vln. I 

sul D 

Vln. II 

sul D 

non div. 

Vla. 

pizz. 

Vc. 

pizz. 

Cb. 


116 

129 

130 

131 

Picc. 1 

6 

6 

6 

6 

6 

6 

Fls. 

1 

2 

a2 

6 

6 

6 

6 

3 

6 

6 

Obs. 1–3 

Cls. 1–3 

in B 

3 

a3 

3 

6 

6 

6 

6 

3 3 3 

6 

6 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

1 

2 

Tpts. 

in C 

3 

4 

6 

5 

7 

Tbns. 

1 

2 

3 

Tuba 

Timp. 

Crash Cym. 

1 

Susp. Cym. 

2 

S.D. 

3 

Perc. 

5 

B.D. 

3 3 3 

Chimes 

6 

Glock. 

7 

Harp 

Celesta 


Mu But su Yo But su U In Yo But su U En Bup Po So En Jo 

CHORUS 

Alto 

Tenor 


8 


Bass 


Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


132 

133 

134 

117 

Picc. 1 

6 6 

3 6 6 

6 6 

Fls. 

1 

2 

6 6 3 6 6 6 6 

Obs. 1–3 

Cls. 1–3 

in B 

3 3 3 

6 

6 

3 6 

3 

3 

6 

6 

6 

Bsns. 1–3 

3 

Hns. 

in F 

Tpts. 

in C 

1 

3 

2 

4 

1 

2 

3 

4 

6 

3 

3 

Tbns. 

5 

7 

1 

2 

3 

3 

3 

3 

Tuba 

3 

Timp. 

1 

Susp. Cym. 

2 

S.D. 

3 

Perc. 

5 

B.D. 

3 

Chimes 

6 

Glock. 

7 

Harp 

Celesta 


Ra ku Ga Jo Cho Nen Kan Ze On Bo Nen Kan Ze On Nen Nen 

CHORUS 

Alto 

Tenor 


8 


Bass 


Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


118 

135 

136 

(stagger) 

137 138 139 

Picc. 1 

6 6 

(stagger) 

Fls. 

1 

2 

6 6 

(stagger) 

Obs. 1–3 

Cls. 1–3 

in B 

3 

6 

6 

1. 

2.3. 

(non tr.) 

Bsns. 1–3 

3 

Hns. 

in F 

1 

3 

2 

4 

1 

2 

1. 

Tpts. 

in C 

3 

4 

6 

5 

7 

4. 

7. 

Tbns. 1–3 

Tuba 

Timp. 

Perc. 

2 

3 

4 

Susp. Cym. 

S.D. 

B.D. 

6 

7 

Glock. 

Chimes 

Harp 

Celesta 


Ju Shin Ki Nen Nen Fu Ri Shin Kan Ze On Na Mu But su Yo But su U In Yo But su U En Bup Po So 

CHORUS 

Alto 

Tenor 


8 


Bass 


Vln. I 

non div. 

Vln. II 

Vla. 

Vc. 

Cb. 


Picc. 1 

140 

141 142 143 144 145 

119 

Fls. 

1 

2 

Obs. 1–3 

Cls. 

in B 

1 

2.3 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

1 

2 

(1.) 2. 

Tpts. 

in C 

3 

4 

6 

5 

7 

(4.) 6. 

(7.) 5. 

Tbns. 

1 

2 

3 

Tuba 

Timp. 

1 

Tri. 

Perc. 

2 

3 

4 

5 

6 

S.D. 

B.D. 

Chimes 

Celesta 


CHORUS 

Alto 

Tenor 

Bass 

8 

En Jo Ra ku Ga Jo Cho Nen Kan Ze On Bo Nen Kan Ze On Nen Nen Ju Shin Ki Nen Nen Fu Ri Shin Kan Ze On Na Mu 




Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


120 

Picc. 1 

146 

147 148 149 150 151 

Fls. 

1 

2 

Obs. 1–3 

Cls. 

in B 

1 

2.3 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

1 

2 

(2.) 

Tpts. 

in C 

3 

4 

6 

5 

7 

(6.) 4. 

(5.) 7. 

Tbns. 

1 

2 

3 

Tuba 

Timp. 

Perc. 

1 

2 

3 

4 

5 

6 

Tri. 

Susp. Cym. 

S.D. 

B.D. 

Chimes 

Celesta 


CHORUS 

Alto 

Tenor 

Bass 

8 

But su Yo But su U In Yo But su U En Bup Po So En Jo Ra ku Ga Jo Cho Nen Kan Ze On Bo Nen Kan Ze 




Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


Picc. 

1 

152 

153 154 155 156 157 

121 

con tutta 

forza 

Fls. 

1 

2 

con tutta 

forza 

Obs. 1–3 

Cls. 1 

in B 2.3 

Bsns. 1–3 

1. 

2.3 

Hns. 

in F 

Tpts. 

in C 

1 

3 

2 

4 

1 

2 

3 

4 

6 

5 

7 

(4.) 

(5.) 7. 

a2 

a2 


(in absence of Tpts. 4–7) 


con tutta 

forza 

Tbns. 1–3 

Tuba 

Timp. 

1 

2 

Tri. 

Susp. Cym. 

Perc. 

3 

4 

5 

6 

S.D. 

B.D. 

Chimes 

T.D. 

Celesta 


On Nen Nen Ju Shin Ki Nen Nen Fu Ri Shin Kan Ze On Na Mu But su Yo But su U In Yo But su 

CHORUS 

Alto 

Tenor 

8 



Bass 


Vln. I 

Vln. II 

Vla. 

arco 

Vc. 

Cb. 

(ancora pizz.) 


122 

Picc. 

1 

158 

159 160 161 162 

Fls. 

1 

2 

Obs. 

1 

2.3 


Cls. 1.2 

in B 3 

Bsns. 1–3 



Hns. 

in F 

1 

3 

2 

4 



1 

2 

Tpts. 

in C 

Tbns. 

Tuba 

3 

4 

6 

5 

7 

1 

2 

3 




Timp. 


1 

2 

Tri. 

Susp. Cym. 

Gong 

Susp. Cym. 

Perc. 

3 

4 

5 

6 

S.D. 

T.D. 

B.D. 

Chimes 

Piano 

Celesta 


U En Bup Po So En Jo Ra ku Ga Jo Cho Nen Kan Ze On Bo Nen Kan Ze On 

CHORUS 

Alto 

Tenor 

Bass 

8 




Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


Picc. 1 

163 

164 165 166 167 

123 

Fls. 

1 

2 

Obs. 

1 

2.3 

Cls. 1.2 

in B 3 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

1 

2 

Tpts. 

in C 

3 

4 

6 

5 

7 

Tbns. 

1 

2 

3 

Tuba 

6 6 6 6 6 6 

Timp. 

1 

Gong 

2 

S.D. 

3 

Perc. 

4 

T.D. 

Susp. Cym. 

B.D. 

5 

Chimes 

6 

Piano 6 6 6 6 6 6 


Nen Nen Ju Shin Ki Nen Nen Fu Ri Shin 

CHORUS 

Alto 

Tenor 


8 


Bass 


Vln. I 

Vln. II 

Vla. 

Vc. 

non div. 

Cb. 


124 

Hns. 

in F 

169 170 171 172 173 174 175 

168 Recitative: Meno mosso ( = c. 80) 

1 

3 

2 

4 

a2 

176 177 

1 

2 

a2 

meno 

di voce 

Tpts. 

in C 

3 

4 

6 

meno 

di voce 

5 

7 

Tbns. 

1 

2 

meno 

di voce 

3 

meno 

di voce 

Tuba 

meno 

di voce 

low A →B , G→A , D →D , high A →F 

Timp. 

2 

Susp. Cym. 

Perc. 4 

5 

Piano 

Bass 

Solo 

The 

maestoso 

Lord of Death will place round thy neck a rope and drag thee a long; 

Hns. 

in F 

1 

3 

2 

4 

178 

179 180 181 182 183 184 185 186 187 

a2 

a2 

1 

2 

3 

Tpts. 

in C 

4 

6 

5 

7 

Tbns. 

1 

2 

3 

Tuba 

Timp. 

2 

Gong 

Perc. 

4 

Susp. Cym. 

5 

Piano 

Bass 

Solo 

He will cut off thy head, ex tract thy heart, pull out thy in tes tines, 


125 

Hns. 

in F 

188 

(a2) 

189 190 191 192 193 194 195 196 

1 

3 

1 

2 

Tpts. 

in C 

3 

4 

6 

5 

7 

Tbns. 

1 

2 

3 

Tuba 

Timp. 

in A , B , D , F 

F→G 

Crash Cym. 

1 

Gong 

2 

Perc. 

3 

S.D. 

Susp. Cym. 

3 3 

4 

Piano 

Bass 

Solo 

lick up thy brain, drink thy blood and eat thy flesh; 

Hns. 

in F 

1 

3 

2 

4 

197 198 199 200 201 202 203 204 205 206 207 

1 

2 


3 

Tpts. 

in C 

4 

6 



Tbns. 

5 

7 

1 

2 

1. 


3 

Tuba 

Timp. 

A , B , D , G 

gliss. 

D→D 

Crash Cym. 

1 

Perc. 

2 

Gong 

4 

Susp. Cym. 

Piano 

(bottom note A) 

(bottom note D ) 

Bass 

Solo 

But thou wilt be in ca pa ble of dy ing. 

left forearm 

tone cluster 

ROSNER: Requiem — 5. Sutra: Enmei Jukku Kannon Gyo 

8 

8

126 

Hns. 

in F 

1 

3 

2 

4 

1 

2 

3 

208 209 210 211 212 213 214 

215 

a2 216 217 218 219 



Tpts. 

in C 

4 

6 

5 

7 

Tbns. 

1 

2 

3 

Tuba 

Timp. 

in A , B , D , A 

B→G, A→F 

Crash Cym. 

1 

Gong 

Gong 

Perc. 

2 

Susp. Cym. 

Susp. Cym. 

3 

Piano 

(ord.) 

Bass 

Solo 

loco 


Al 

though thy bod y be hacked to piec es, it will re vive a gain and a gain. 

Hns. 

in F 

1 

3 

2 

4 

220 

221 222 223 224 225 

(a2) 

226 

poco 

227 228 229 230 

poch. rit. 

molto 

a2 

molto 

1 


Tpts. 

in C 

2 

3 

4 

6 



5 

7 


Tbns. 

1 

2 

3 

Tuba 

in G , D , E , F 

Timp. 

Crash Cym. 

1 

Gong 

2 

Perc. 

3 

Susp. Cym. 

4 

Piano 

Bass 

Solo 

(senza decresc.!!) 


The re peat ed hack ing will cause in tense pain and tor ture, tor ture. 


Picc. 1 

232 233 

231 Poco più mosso di Tempo I ( = c. 140) 

234 235 236 237 238 

127 

Fls. 

1 

2 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

1 

2 

3 

Tpts. 4 

in C 6 

5 

7 

Tbns. 

1 

2 

3 

Tuba 

Timp. 

Crash Cym. 

1 

Gong 

2 

S.D. 

3 

Perc. 

4 

Susp. Cym. 

5 

Chimes 

6 

Piano 

CHORUS 

Tenor 

Bass 

8 

Kan Ze On Na Mu But su Yo But su U In Yo But su U En Bup Po So En Jo Ra ku Ga Jo Cho Nen Kan Ze On Bo Nen Kan Ze On Nen Nen Ju Shin 

Kan Ze On Na Mu But su Yo But su U In Yo But su U En Bup Po So En Jo Ra ku Ga Jo Cho Nen Kan Ze On Bo Nen Kan Ze On Nen Nen Ju Shin 

Poco più mosso di Tempo I ( = c. 140) 

div. a 3 

Vln. I 

div. a 3 

Vln. II 

div. a 3 

Vla. 

Vc. 

Cb. 


128 

243 244 

239 240 241 242 

Picc. 

1 

Fls. 

1 

2 

Obs. 1–3 

Cls. 1–3 

in B 

1. 

2.3 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

1 

2 

3 

Tpts. 

in C 

4 

6 

5 

7 

Tbns. 

1 

2 

3 

Tuba 

Timp. 

Crash Cym. 

1 

Gong 

2 

S.D. 

3 

Perc. 

4 

Susp. Cym. 

5 

Chimes 

6 

Piano 

CHORUS 

Tenor 

Bass 

8 

Ki Nen Nen Fu Ri Shin Kan Ze On Na Mu But su Yo But su U In Yo But su U En Bup Po So En Jo Ra ku Ga Jo Cho Nen Kan Ze On 

Ki Nen Nen Fu Ri Shin Kan Ze On Na Mu But su Yo But su U In Yo But su U En Bup Po So En Jo Ra ku Ga Jo Cho Nen Kan Ze On 

Vln. I 

Vln. II 

Vla. 

non div. 

Vc. 

Cb. 


245 

246 247 248 249 250 

129 

Picc. 

1 

Fls. 

1 

2 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

1 

2 

3 

Tpts. 4 

in C 6 

5 

7 

Tbns. 

1 

2 

3 

Tuba 

Timp. 

1 

Crash Cym. 

2 

3 

Perc. 4 

S.D. 

Susp. Cym. 

5 

6 

Chimes 

7 

Tri. 

Celesta 

CHORUS 

Tenor 

Bass 

8 

Bo Nen Kan Ze On Nen Nen Ju Shin Ki Nen Nen Fu Ri Shin Kan Ze On Na Mu But su Yo But su U In Yo But su U En Bup Po So En Jo Ra ku Ga 

Bo Nen Kan Ze On Nen Nen Ju Shin Ki Nen Nen Fu Ri Shin Kan Ze On Na Mu But su Yo But su U In Yo But su U En Bup Po So En Jo Ra ku Ga 

unis. 

Vln. I 

unis., non div. 

Vln. II 

unis. 

Vla. 

Vc. 

Cb. 


130 

Picc. 1 

251 

252 253 254 

Fls. 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

1 

2 

a2 

1. 

2.3. 

1.2. 

3. 

1. 

2.3 

Hns. 

in F 

1 

3 

2 

4 

a2 

a2 

1 

2 

Tpts. 

in C 

3 

4 

6 

(in absence of Tpts. 4–7) 

5 

7 

Tbns. 1–3 

Tuba 

Timp. 

non decresc. 

G→D , D →G , E -C , F -E 

1 

Perc. 

2 

3 

4 

5 

T.D. 

S.D. 

Susp. Cym. 

B.D. 

6 

7 

Chimes 

Tri. 

non decresc. 

Celesta 

CHORUS 

Tenor 

Bass 

8 

Jo Cho Nen Kan Ze On Bo Nen Kan Ze On Nen Nen Ju Shin Ki Nen Nen Fu Ri Shin 

Jo Cho Nen Kan Ze On Bo Nen Kan Ze On Nen Nen Ju Shin Ki Nen Nen Fu Ri Shin 

Vln. I 

(non div.) 

Vln. II 

Vla. 

(non div., arco ancora) 

Vc. 

pizz., non div. 

Cb. 


131 

Tranquillo ( = c. 82) 

sempre legato 

2 

6. Madrigal: To All, to Each 

3 

4 

5 

6 


Come 

love 

ly and sooth ing 

death, 

Come love ly 

sooth 

ing death, 

Come love ly, 

sooth ing death, 

sempre legato 

Bass 

CHORUS 

Come 

love ly and sooth ing death, come love ly, sooth ing death, 

sempre legato 

Tenor 

8 

Come 

love ly and sooth ing death, 

Bass 

7 

sub. 

8 

9 

10 

11 

12 


come 

love 

ly, 

sooth ing death, come 

love 

ly, 


come, 

come, 

come, come, come 

sub. 

Alto 

CHORUS 

come 

sub. 

love ly and sooth ing death, come love ly and sooth ing death, come, come, come, come, come 

Tenor 

8 

come 

sempre legato 

sooth ing death, love ly death, come, come, come, come, come 

Bass 

Come 

love ly and sooth ing death, come sooth ing death, come, come, come 

14 

15 

16 

17 

13 

sempre 

teneramente 


love ly, sooth ing 

death, love ly 


come, 

come 


teneramente 

CHORUS 

Alto 

Tenor 

love ly, love ly, sooth ing death, come love ly death, come, come 

teneramente 

8 

love ly, love ly death, come love ly, sooth ing death, 

teneramente 

Bass 

love ly sooth ing death, love ly and sooth ing death, love ly death, come, come 

18 

19 

20 

21 


love ly, sooth ing death, 

come love ly, sooth ing death, 



CHORUS 

Alto 

Tenor 

love ly, sooth ing death, come love ly, sooth ing death, come love ly, sooth ing death, come love ly, sooth ing death, 

8 

love ly, sooth ing death, come love ly, sooth ing death, come love ly, sooth ing death, come love ly, sooth ing death, 

Bass 

love ly, sooth ing death, come love ly, sooth ing death, come, come love ly, sooth ing death, come love ly, sooth ing death, 

ROSNER: Requiem — 6. Madrigal: To All, to Each

132 

22 

23 

24 

25 

26 

sub., sonore 


come, come love ly 

death, 

come love 

ly and sooth ing death, 

love ly and sooth ing 

death, come 

sub., sonore 

CHORUS 

Alto 

Tenor 

come love ly and sooth ing death, sooth ing death, love ly, sooth ing death, come 

sub., sonore 

8 

come love ly and sooth ing death, sooth ing death, and sooth ing death, come 

sub., sonore 

Bass 

love ly, sooth ing death, love ly and sooth ing death, love ly and sooth ing death, 

come 

27 

28 

29 

30 

con anima 

31 


love 

ly, 

sooth 

ing 

death, 

death, 

un du late round the world, se 

con anima 

rene ly ar riv ing, 

Alto 

CHORUS 

Tenor 

love ly, sooth ing death, death, un du late round the world, se rene ly ar riv ing, 

con anima 

8 

love ly, sooth ing death, death, un du late round the world, se rene ly ar riv ing, 

con anima 

Bass 

love ly (and) sooth ing death, death, un 

du late round the world, se rene ly ar riv ing, 

32 

33 

34 

35 

36 




un du late round the world, 



CHORUS 

Alto 

Tenor 

un du late round the world, se rene ly ar riv ing, un du late round the world, un du late round the world, un du late round the world, 

8 


Bass 


37 

38 

39 

poco risoluto 40 


un du late, un du late, 

un du late, 

un du late, un du late round 

the 

world, 

un du late round 

the world, se 

CHORUS 

Alto 

Tenor 

un du late, un du late, un du late, un du late round the world, un du late round the world, se 

8 

un du late, un du late, un du late round the world, un du late round the world, se 

Bass 

un du late round the world, un du late round the world, se 

41 

poch. 

42 

ancora cresc. 

43 

44 


rene ly ar riv 

ing, 

poch. 


ancora cresc. 


un du late 

Alto 

CHORUS 


ing, 

poch. 

un du late round the world, se rene ly ar riv ing, un du late 

ancora cresc. 

Tenor 

8 


ing, 

poch. 

un du late round the world, se rene ly ar riv ing, un du late 

ancora cresc. 

Bass 


ing, 

un 

du late round the world, se rene ly ar riv ing, un du late 


45 

46 

47 

più 

48 

49 

133 


round the world, un du 

late round the 

world, 

un 

più 

du 

late round the 

world, un du 

Alto 

CHORUS 

round the world, un du late round the world, un 

più 

du late round the world, un du 

Tenor 

8 


più 


Bass 

50 


51 

52 53 

54 

55 

sub. 

dolce 


56 

57 

58 


late 

round the 

sub. 

world, a round the 

world, 

un 

du late 

dolce 

se 

rene ly, un 

du 

late, un du 

late 

se rene ly, 

un 

du late, 

un 

du late. 

Alto 

CHORUS 

late 

round the world, a round the world, un du late se rene ly, un du late, un du late se rene ly, un du late, un du late, 

sub. 

dolce 

Tenor 

8 

late 

round the world a round the world, un du late se rene ly, un du late, un du late se rene ly, un du late, un du late, 

sub. 

dolce 

Bass 

late 

round the world, a round the world, un 

du late se rene ly, un du late, un du late se rene ly, un du late, un du late, 

59 

60 

61 

62 

63 

64 


Come love ly and sooth ing 

death, come 


death, come love 

ly and sooth ing death, 

come love ly and 

Alto 

CHORUS 

un du late round the world se rene ly, come love ly and sooth ing death, come love ly, 

Tenor 

8 

un du late, come love ly and sooth ing death, come love ly, sooth ing death, come 

Bass 

65 

un du late round the world, come love ly and sooth ing 

66 

67 

68 

69 

70 

ancora cresc. 

71 

poco allarg. 


sooth ing death, come 

love ly, love ly 

and sooth 

ing 

death, 

love ly 

death, 


ancora cresc. 


Alto 

CHORUS 

sooth ing death, come love ly, sooth ing death, sooth 

ancora cresc. 

ing 

death, 

Tenor 

8 

love ly and sooth ing death, come love ly and sooth ing death, 

come love ly and sooth ing 

ancora cresc. 

Bass 

72 

death, come, come love ly and sooth ing death, come, 

a tempo ma sonore 

73 

74 

75 76 77 78 

cantabile 

come love ly and sooth ing death, 

79 

80 


death, 

come 

love ly and sooth ing death, 

come love ly and sooth ing death, come love ly and sooth ing 

cantabile 

Alto 

CHORUS 

come love ly and sooth ing death, love ly, sooth ing death. 

cantabile 

Tenor 

8 

death, un du late, un du late. Come love ly, sooth ing death. 

cantabile 

Bass 

un du late, un du late. Come love ly, sooth ing death. 


134 

81 

poco rit. 

82 

83 

Andante con moto ( = c. 48) 

84 

85 


death, 

come love ly, 

sooth ing death. 

Se 


ing, ar riv ing, se 





CHORUS 

Alto 

Tenor 

Se rene ly ar riv ing, ar riv ing, se rene ly ar riv ing, ar riv ing, se rene ly ar riv ing, ar riv ing, se 

8 


Bass 


86 

87 

88 

89 


rene ly ar riv ing, ar riv ing, se 

rene ly, se rene ly ar riv ing, se 

rene ly ar riv ing, ar riv ing, ar 

riv ing, se rene ly, se rene 

ly ar 

CHORUS 

Alto 

Tenor 

rene ly ar riv ing, ar riv ing, se rene ly, se rene ly ar riv ing, se rene ly ar riv ing, ar riv ing, ar riv ing, se rene ly, se rene ly ar 

8 


Bass 


90 

91 

92 

93 


riv ing, se rene ly, se rene ly ar 

riv ing, ar riv ing, se 

rene ly ar riv ing, ar riv ing, ar 

riv ing, se rene 

CHORUS 

Alto 

Tenor 

riv ing, se rene ly, se rene ly ar riv ing, ar riv ing, se rene ly ar riv ing, ar riv ing, se rene 

8 


Bass 


94 

95 

96 

97 

poco ritardando 

98 


ly ar riv ing, se 

rene ly ar riv ing, ar riv 

ing, se 

rene ly ar riv ing, ar riv ing, se 

rene ly ar riv ing, ar riv 

ing, ar 

riv 

ing. 

CHORUS 

Alto 

Tenor 

ly ar riv ing, se rene ly ar riv ing, ar riv ing, se rene ly ar riv ing, ar riv ing, se rene ly ar riv ing, ar riv ing, ar riv ing. 

8 


Bass 


Adagio piacevole e radiante ( = 60) 

99 

dolce 

100 

101 

102 

103 

104 

105 

106 


In the day, 

dolce 

in 

the night, 

to 

all, 

to 

each, 

Soon er or lat er 

soon er or lat er 

del 

i cate 

death. 

CHORUS 

Alto 

Tenor 

In the day, in the night, to all, to each, Soon er or lat er soon er or lat er del i cate death. 

dolce 

8 

In the day, in the night, to all, to each, Soon er or lat er soon er or lat er del i cate death. 

dolce 

Bass 

In 

the day, in the night, to all, to each, Soon er or lat er soon er or lat er del i cate death. 



2 3 4 5 6 7 8 9 10 11 12 13 14 

Allegro molto; mobilmente ma demoniaco ( = c. 190) 

135 


Horns 

in F 

1 

2 

3 


in C 


Timpani 

Percussion 4 

sempre legato 

Tenor I 

8 

La 

sempre legato 

scia 

SOLO 

Tenor II 

8 

La 

sempre legato 

scia 

Bass 

La 

scia 

Allegro molto; mobilmente ma demoniaco ( = c. 190) 

1 

Viola 

(sole) 

2 

3 

1 

Violoncello 

(soli) 

2 

3 

Contrabass 

15 

16 17 18 19 

20 21 22 23 

24 25 26 27 

Ten. I 

8 

te 

o 

SOLO 

Ten. II 

8 

te 

o 

Bass 

te 

o 

1 

Vc. 

(soli) 

2 

3 

ROSNER: Requiem — 7. Organum: Lasciate ogni speranze

136 

28 

29 30 31 

32 33 34 35 

36 37 

38 39 40 

Ten. I 

8 

gni 

spe 

ran 

SOLO 

Ten. II 

8 

gni spe ran 

Bass 

gni spe ran 

1 

Vc. 

(soli) 

2 

3 

41 42 43 44 45 46 47 48 49 50 51 52 

1 

Tpts. 

in C 

2 

3 

Susp. Cym. 

Perc. 

4 

Ten. I 

8 

ze, 

SOLO 

Ten. II 

8 

ze, 

Bass 

ze, 

1 

Vc. 

(soli) 

2 

3 

53 54 55 56 57 58 59 60 61 62 63 64 

Tpts. 

in C 

1 

2 

3 

Tbns. 

1 

2 

3 

, meno di voci 


Ten. I 

8 

la scia te 

SOLO 

Ten. II 

8 

la scia te 

Bass 

ROSNER: Requiem — 7. Organum: Lasciate ogni speranze 

la scia te

65 66 67 68 69 70 71 72 73 74 75 

137 

1 

Tbns. 

2 

3 

Ten. I 

8 

o gni spe 

SOLO 

Ten. II 

8 

o gni spe 

Bass 

o gni spe 

76 77 78 79 80 81 82 83 84 85 86 

1 

Tbns. 

2 

3 

Ten. I 

8 

ran 

ze, 

SOLO 

Ten. II 

8 

ran 

ze, 

Bass 

ran 

ze, 

87 88 89 90 91 92 93 94 

95 96 97 

Hns. 

in F 

Tpts. 

in C 

1 

2 

3 

1 

2 

3 


sempre legato 


sempre legato 


sempre legato 

Susp. Cym. 

Perc. 

4 

Ten. I 

8 la 

SOLO 

Ten. II 

8 

la 

Bass 

la 

1 

98 99 100 101 102 103 104 105 106 107 108 109 

Hns. 

in F 

2 

3 

Ten. I 

8 

scia te o gni 

SOLO 

Ten. II 

8 

scia te o gni 

Bass 

scia te o gni 


138 

110 111 112 113 114 115 116 117 118 119 120 121 

1 

Hns. 

in F 

2 

3 

Ten. I 

8 

spe ran ze, 

SOLO 

Ten. II 

8 

spe ran ze, 

Bass 

spe ran ze, 

122 

123 124 125 126 127 128 129 130 131 132 133 134 

Tpts. 

in C 

1 

2 

3 

Susp. Cym. 

Perc. 

4 

Ten. I 

8 

SOLO 

Ten. II 

8 

Bass 

135 

136 137 138 139 140 141 

142 

143 144 

145 

Ten. I 

8 

la 

scia 

te 

SOLO 

Ten. II 

8 

la scia te 

Bass 

la scia te 

1 

sempre legato 

Vla. 

(sole) 

2 

3 

sempre legato 

sempre legato 

146 

147 148 

149 150 151 

152 153 154 

155 

Ten. I 

8 

o 

gni 

spe 

SOLO 

Ten. II 

8 

o gni spe 

Bass 

o gni spe 

1 

Vla. 

(sole) 

2 

3 


156 

157 158 159 160 161 162 163 164 165 

139 

Ten. I 

8 

ran 

ze, 

SOLO 

Ten. II 

8 

ran 

ze, 

Bass 

ran 

ze, 

1 

Vla. 

(sole) 

2 

3 

166 167 168 169 170 

171 

172 173 174 175 176 

Bsns. 

1 

2 

3 

legato 

legato 

Tpts. 

in C 

1 

2 

3 

Susp. Cym. 

Perc. 4 

Ten. I 

8 

la 

SOLO 

Ten. II 

8 

la 

Bass 

la 

177 178 179 180 181 182 183 184 185 186 187 

1 

Bsns. 

2 

3 

Ten. I 

8 

scia te o 

SOLO 

Ten. II 

8 

scia te o 

Bass 

scia te o 


140 

188 189 190 191 192 193 194 195 196 197 198 199 

1 

Bsns. 

2 

3 

Ten. I 

8 

gni spe ran 

SOLO 

Ten. II 

8 

gni spe ran 

Bass 

gni spe ran 

200 201 202 203 204 205 206 207 208 209 210 211 

1 

Bsns. 

2 

3 

Tpts. 

in C 

1 

2 

3 

Susp. Cym. 

Perc. 4 

Ten. I 

8 

ze, 

SOLO 

Ten. II 

8 

ze, 

Bass 

ze, 

212 213 214 215 216 217 218 219 220 221 222 223 

Tpts. 

in C 

1 

2 

3 

Ten. I 

8 

voi 

SOLO 

Ten. II 

8 

voi 

Bass 

voi 

1 

legato 

Vc. 

(soli) 

2 

legato 

3 

legato 


224 

225 226 227 228 

229 230 231 232 233 234 

141 

Ten. I 

8 

che 

SOLO 

Ten. II 

8 

che 

Bass 

che 

1 

Vc. 

(soli) 

2 

3 

235 

236 

237 238 239 240 241 242 

243 244 245 246 

Ten. I 

8 

en 

tra 

SOLO 

Ten. II 

8 

en 

tra 

Bass 

en 

tra 

1 

Vc. 

(soli) 

2 

3 

247 poch. rit. 

248 249 250 251 253 

a tempo 

poch. rit. 

254 255 256 257 

a tempo 

1 

Tpts. 

in C 

2 

3 

1 

Tbns. 

legato, meno 

di voci 

2 

3 

Susp. Cym. 

legato, meno 

di voci 

Perc. 4 

Ten. I 

8 

te, 

voi 

SOLO 

Ten. II 

8 

te, 

voi 

Bass 

te, 

poch. rit. a tempo poch. rit. a tempo 

voi 

1 

Vc. 

(soli) 

2 

3 


142 

258 259 260 261 262 263 264 265 266 267 268 269 

1 

Tbns. 

2 

3 

Ten. I 

8 

che 

SOLO 

Ten. II 

8 

che 

Bass 

che 

270 271 272 273 274 275 276 277 278 279 280 

1 

Tbns. 

2 

3 

Ten. I 

8 

en 

SOLO 

Ten. II 

8 

en 

Bass 

en 

281 

282 283 284 285 286 287 288 

poch. rit. 

289 290 291 

a tempo 

1 

Tbns. 

2 

3 

Ten. I 

8 

tra 

te. 

SOLO 

Ten. II 

8 

tra 

te. 

Bass 

tra 

te. 

292 

293 294 295 296 

poch. rit. 

297 298 299 300 301 302 

a tempo 

1 

Tpts. 

in C 

2 

3 

Susp. Cym. 

Perc. 

4 

Ten. I 

8 

La 

SOLO 

Ten. II 

8 

La 

Bass 

poch. rit. 

a tempo 

La 

1 

Vla. 

(sole) 

2 

pesante 

pesante 

3 

ROSNER: Requiem — 7. Organum: Lasciate ogni speranze 

pesante

303 

304 305 

306 307 308 309 

143 

Ten. I 

8 

scia 

te 

SOLO 

Ten. II 

8 

scia 

te 

Bass 

scia 

te 

1 

Vla. 

(sole) 

2 

3 

310 311 312 313 

314 

sempre 315 

316 

1 

Bsns. 

2 

3 

Ten. I 

8 

o 

gni 

SOLO 

Ten. II 

8 

o 

gni 

Bass 

o 

gni 

sempre 

1 

Vla. 

(sole) 

2 

3 

317 318 319 320 321 322 323 324 325 

1 

Bsns. 

2 

3 

Ten. I 

8 

spe 

ran 

SOLO 

Ten. II 

8 

spe 

Bass 

spe 

1 

Vla. 

(sole) 

2 

3 

1 

Vc. 

(soli) 

2 

3 


144 

326 327 328 329 330 331 332 333 

1 

Bsns. 

2 

3 

1 

Hns. 

in F 

2 

3 

1 

Tbns. 

2 

3 

Perc. 4 

Ten. I 

8 

ze, 

voi 

SOLO 

Ten. II 

8 

ran ze, voi 

Bass 

ran ze, voi 

1 

Vla. 

(sole) 

2 

3 

1 

Vc. 

(soli) 

2 

3 

Cb. 


337 338 339 

145 

334 335 336 

340 341 342 

1 

Bsns. 

2 

3 

1 

Hns. 

in F 

2 

3 

1 

Tbns. 

2 

3 

Susp. Cym. 

Perc. 4 

Ten. I 

8 

che en tra te. 

SOLO 

Ten. II 

8 


Bass 


1 

Vla. 

(sole) 

2 

(sul G, D) 

3 

1 

Vc. 

(soli) 

2 

(sul G, D) 

3 

Cb. 

(tutti) 

(non div.) 


146 

Flutes 

1 

2 


2 3 4 5 6 

Tempo d’un marcia funebre ma teneramente e con espressione ( = 60) 

Oboes 

1 

2 

Clarinets 1 

in B 2 

Bassoon 

1 

Horns 

in F 

1 

3 

2 

1 

Trumpets 

in C 

2 

3 


Tuba 

Timpani 

1 

Percussion 2 

6 

Harp 

D C B 

E F G A 


Solo 

Yis’ ga dal v’ yis’ ka dash sh’ mei ra baw sh’ mei ra baw, 

Tempo d’un marcia funebre ma teneramente e con espressione ( = 60) 

Violin I 

poco 

Violin II 

poco 

Viola 

poco 

Violoncello 

Contrabass 

ROSNER: Requiem — 8. Prayer: Kaddish

Fls. 

1 

2 

7 a2 

8 9 10 11 

147 

Obs. 

1 

2 

a2 

Cls. 

in B 

1 

2 

poco a poco 

Bsns. 

1 

2 

poco a poco 

Hns. 

in F 

1 

2 

poco a poco 

poco a poco 

1 

Tpts. 

in C 

2 

3 

Tbns. 1–3 

Timp. 

Perc. 

2 

Harp 


Solo 

3 

B’ al’ maw di v’ra khir’ u sei v’ yam likh mal’ khu sei, b’ cha yeikh on uv’ yo meikh on 

Vln. I 

Vln. II 

Vla. 

div. 

unis. 

div. 

poco a poco 

poco a poco 

Vc. 

poco a poco 

Cb. 

poco a poco 


148 

Fls. 

1 

2 

12 

13 14 15 

3 

16 

(2.) 

Ob. 

1 

Cls. 1 

in B 2 

Bsns. 

1 

2 

3 

Hns. 

in F 

1 

3 

2 

1 

Tpts. 

in C 

2 

3 

1 

Tbns. 

2 

3 

in D , G , C , E 

D →F, G →B 

Timp. 

Perc. 2 

Harp 

D C 

E major 


Solo 

uv’ cha yei d’ khol bais yis ro’ eil ba’ a gaw law u vis’ man kaw riv 

3 

Vln. I 

3 

Vln. II 

unis. 

Vla. 

Vc. 

div. 

pizz. 

Cb. 


Fls. 

1 

2 

17 18 19 20 21 

149 

Ob. 

1 

Cl. 

in B 

1 

Perc. 2 

Harp 

G C F D 

sempre cresc. poco a poco 


Solo 

v’ im ru: O mein v’ im’ ru: O mein. Y’ hay 

sh’ 

Vln. I 

Vln. II 

poco a poco 

Vla. 

Vc. 

unis. 

poco a poco 

poco a poco 

Cb. 

Fls. 

1 

2 

22 1. 

23 24 25 

Ob. 1 

(1.) 

Cls. 1 

in B 2 

Perc. 2 

Harp 


Solo 

mei ra baw 

3 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 

arco 


150 

26 27 a2 

3 

28 29 

30 

Fls. 

1 

2 

3 

3 

Obs. 

1.2 

3 

a2 

Cls. 

in B 

1 

2 

3 3 

3 

3 

1 

2 

Bsns. 

3 

Hns. 

in F 

1 

3 

2 

4 

pesante 

pesante 

Tpts. 

in C 

1 

2 

3 

Tbns. 1–3 

Tuba 

Timp. 

1 

Perc. 

Gong 

2 

Harp 


Solo 

m’ 

div. 

3 

vaw 

rakh 

3 

(unis.) 

l’a 

div. 

3 

o 

lam 

3 

(unis.) 

3 

u l’ al mei 

div. (unis.) div. 

Vln. I 

div. (unis.) div. 

Vln. II 

div. unis. div. unis. 

div. 

Vla. 

div. unis. div. unis. 

Vc. 

Cb. 


Fls. 

1 

2 

3 

31 

32 33 34 35 

151 

Obs. 

1.2 

3 

3 

1 

2 

Cls. 

in B 

3 

3 

1 

2 

Bsns. 

3 

1 

3 

Hns. 

in F 

2 

4 

1 

Tpts. 

in C 

2 

3 

Tbns. 

1 

2.3 

Tuba 

Timp. 

Crash Cym. 

Perc. 

1 

2 

Gong 

Harp 


Solo 

al’ 

3 

may aw Yis’ ba rakh v’ yish’ ta bach v’ yis’ po’ ar v’ yis’ ro mam v’ 

Vln. I 

(unis.) 

div. 

Vln. II 

Vla. 

Vc. 

Cb. 


152 

Fls. 

1 

2 

3 

36 

37 38 39 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

a2 

a2 

Tpts. 

in C 

1 

2 

3 

Tbns. 1–3 

Tuba 

Timp. 

Crash Cym. 

1 

Perc. 

2 

Gong 

7 

Glock. 

Harp 

più 


Solo 

yis na sei v’ yis’ ha dar v’ 

yis’ a leh v’ yis’ ha lal sh’ - 

Vln. I 

unis. 

Vln. II 

unis. 

Vla. 

unis. 

Vc. 

Cb. 


41 3 3 42 

43 

153 

40 

Fls. 

1 

2 

(2. non tr.) 

3 

3 3 

Obs. 1–3 

Cls. 1–3 

in B 

a3 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

1 

Tpts. 

in C 

2 

3 

1 

2 

Tbns. 

3 

Tuba 

in F, B, C , E 

F→F 

(E→D, B→B ) 

Timp. 

Crash Cym. 

poco 

1 

Gong 

Perc. 2 

6 

Harp 



3 

3 


Solo 

mei 

d’ kud’ (e) shaw. B rikh hu l’ 

ei law min 

kawl bir’ khaw saw v’ shi raw saw toosh’ b’ch aw saw 

Vln. I 

3 3 

non div. 

div. 

poco 

Vln. II 

non div. 

div. 

poco 

Vla. 

poco 

Vc. 

poco 

Cb. 

ROSNER: Requiem — 8. Prayer: Kaddish 

poco

154 

44 45 46 47 48 49 

Ob. 1 

Cls. 1–3 

in B 

(2.) 

Bsns. 1–3 

Hn. 

in F 

2 

Crash Cym. 

Perc. 1 

Harp 

sub. 

F major 


Solo 

Vln. I 

v’ nech a maw saw, da’ am eer awn b’ awl’ maw, con sord. 

v’ im ru: O mein, v’ im ru: O mein. 

sul tasto 

Vln. II 

sub. 

unis., con sord. 

sul tasto 

Vla. 

con sord. 

sul tasto 

Vc. 

div., con sord. 

sul tasto 

ord. (con sord.) 

Cb. 

50 51 52 53 54 

Ob. 1 

Harp 

poco a poco 

A E D 


Solo 

Y’ hei sh’ law maw ra baw min sh’ may aw v’ chay im 

Vln. I 


Vln. II 


poco a poco 

Vla. 

unis. 

poco a poco 

Vc. 

poco a poco 

pizz. 

Cb. 


155 

55 56 57 58 59 

Fls. 

1 

2 

Obs. 

1 

2 

Cls. 1–3 

in B 

Bsns. 

1 

2 

Hns. 

in F 

1 

3 

2 

Perc. 

Glock. 

7 


Solo 

Vln. I 

aw lei 

3 

nu 

3 

3 

v’ al kol yis’ ro’ eil v’ im ru: O mein, 

(non div.) 

3 3 

3 

sub. 

poco 

Vln. II 

Vla. 

sub. 

sub. 

non div. 

Vc. 

sub. 

Cb. 

60 61 62 63 64 65 66 

Fl. 

1 

Obs. 

1 

2 

Cl. 

in B 

1 

Bsns. 

1 

2 

Hn. 

in F 

1 

Perc. 

2 

6 

Glock. 


Solo 

v’ im ru: O mein, v’ im ru: O mein, v’ im ru: O mein. O seh sha lom bim’ ro mov 

Vln. I 

Vln. II 

Vla. 

Vc. 

senza sord. 

arco, div. 

Cb. 

arco, div. 


156 

67 68 69 70 71 

Fl. 1 

Obs. 

1 

2 

Cls. 

in B 

1 

2 

Bsns. 

1 

2 

1 

Hns. 

in F 

2 

4 

1 

Tpts. 

in C 

poco 

2 

3 

in F , B , C , D 

Timp. 

1 

Perc. 

2 

Harp 

espr. 


Solo 

hu 

ya’ a seh sha lom aw lei nu v’ al kol Yis ro’ eil v’ im’ ru: O mein, v’ im ru: O mein, 

Vln. I 

div. 

senza sord. 

Vln. II 

div. 

senza sord. 

div. 

senza sord. 

Vla. 

(div.) 

unis. 

Vc. 

Cb. 

unis. 


72 73 74 75 

76 77 

157 

Fls. 1–3 

dolce 

Obs. 

1 

2 

(1.) 

Cls. 1 

in B 2 

Bsns. 

1 

2 

1 

3 

Hns. 

in F 

2 

4 

1 

Tpts. 

in C 

2 

3 

Timp. 

1 

Perc. 

Gong 

2 

Harp 

dolce 

A major 

G 

molto 


Solo 

v’ im 

ru: O mein: v’ im ru: O mein, 

Vln. I 

Vln. II 

(div. a 2) 

Vla. 

Vc. 

Cb. 


158 

78 79 80 81 82 83 84 

Fls. 1–3 

Obs. 

1 

2 

Cl. 

in B 

1 

Bsn. 

1 

1 

3 

Hns. 

in F 

2 

4 

1 

Tpts. 

in C 

2 

3 

Tbns. 1–3 

Timp. 

1 

Perc. 

2 

Gong 

Harp 

G 


Solo 

O mein, O mein, O mein. 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


9. Passacaglia: Libera me 

159 

Adagio ( = c. 48) 

2 3 4 5 

6 7 8 9 

10 

poch. accel. 

(2.) 

(2. solo) 

Flutes 1–3 

(più 

di trombe) 

espr. 

Oboes 1–3 


in B 

melodia 

Bassoon 1 

Horns 

in F 

1 

3 

2 

4 


in C 

con sord. 

(più 

di flauti) 

senza sord. 

1 

2 

Trombones 

3 

Tuba 

Timpani 

Percussion 4 

Susp. Cym. (hard sticks) 

Harp 

espr. 


in 

di e il la tre men da: Quan do coe 

CHORUS 

Bass 

Tenor 

8 

Bass 

Li be ra me, Do mi ne, de mor te ae ter na, 

Adagio ( = c. 48) poch. accel. 

Violin I 

Violin II 

Viola 

Violoncello 

Contrabass 

div. 

ROSNER: Requiem — 9. Passacaglia: Libera me 

espr. 

pizz. 

espr.

160 

12 

13 14 15 

16 17 

18 

11 

= c. 64 

poch. accel. 

Andante ( = c. 80) 

Fls. 1–3 

a3 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

Tpts. 

in C 

1 

2 

a2 

Tbns. 

1 

2 

2. 

Tuba 

in A, B , C, E 

Timp. 

Harp 


li mo ven di sunt et ter ra: Dum ve ne ris, dum ve ne ris ju di ca re sae cu lum, sae cu lum per i gnem. 

Alto 

CHORUS 

ju di ca re sae cu lum, li be ra me, li be ra me, 

Tenor 

8 

ju di ca re sae cu lum, 

Bass 

ju di ca re sae cu lum per i gnem. 

= c. 64 poch. accel. 

Andante ( = c. 80) 

Vln. I 

appassionata 

Vln. II 

pizz. 

Vla. 

div. 

(sul A, open) 

Vc. 

Cb. 

arco 

ROSNER: Requiem — 9. Passacaglia: Libera me

19 

20 21 

rit. 

1.2. 

3. 

22 23 24 

161 

a tempo poco meno ( = c. 72) 

Fls. 1–3 

3 

Obs. 1–3 

Cls. 1–3 

in B 

1 

2 

6 6 

a2 6 

Bsns. 

3 

6 6 

Hns. 

in F 

1 

3 

2 

4 

a2 

Tpts. 1 

in C 2 

Tbns. 

1 

2 

3 

Tuba 

Timp. 

A→A 

Perc. 

4 

5 

Susp. Cym. 

B.D. 

cresc. non troppo 

Harp 

D C B 

E F G A 

C E G 

A F 


Alto 

CHORUS 

Tenor 

8 

li be ra me, Do mi ne, de mor te ae ter na, 

Bass 

div. 

rit. 

li be ra me, Do mi ne, de mor te ae ter na, 

a tempo poco meno ( = c. 72) 

Vln. I 

3 3 

arco, div. 

3 3 

3 

3 

Vln. II 

3 3 

(div.) 3 3 

Vla. 

Vc. 

3 3 

6 6 

unis. 6 div. 

Cb. 


162 

25 

poch. accel. 

1.2. 

26 27 3. 

Moderato ( = c. 90) 

28 

29 30 

Fls. 1–3 

Obs. 1–3 

Cls. 1–3 

in B 

1 

2 

a2 

Bsns. 

3 

Hns. 

in F 

1 

3 

2 

4 

a2 1. 

2. 

a2 

Tpts. 

in C 

1 

2 

3 

1 

2 

Tbns. 

3 

Tuba 

C→D 

Timp. 

Crash Cym. 

1 

Susp. Cym. 

Perc. 

4 

B.D. 

5 

Harp 


D A A C D 


in di e il la tre men da: Quan do coe li 

Alto 

CHORUS 

mo ven di sunt et ter ra, 

Tenor 

8 

mo ven di sunt et ter ra, 

Bass 

poch. accel. Moderato ( = c. 90) 

non div. 

Vln. I 

Vln. II 

non div. 

div. 

non div. 

Vla. 

Vc. 

unis. 

(non div.) 

Cb. 


31 

poco rit. 

32 

molto rit. 

33 

( = 40) = c. 72 

34 

35 36 37 

a tempo ( = c. 90) 

rit. 

163 

Fls. 1–3 

1. 

2.3. 

Obs. 1–3 

Cls. 1–3 

in B 

1 

2 

a2 

Bsns. 

3 

Hns. 

in F 

1 

3 

2 

4 

a2 

a2 

Tpts. 

in C 

1 

2 

3 

a2 

1 

2 

Tbns. 

3 

Tuba 

Timp. 

D →B , B →G , A →F 

Perc. 

1 

5 

Crash Cym. 

B.D. 

Harp 

cresc. possibile 


ju di ca re sae cu lum per i gnem, ve ne ris ju di ca re sae cu lum, 

CHORUS 

Alto 

Tenor 

ju di ca re sae cu lum per i gnem, ve ne ris ju di ca re sae cu lum, 

8 

ju 

di 

Bass 

poco rit. molto rit. ( = 40) = c. 72 

a tempo ( = c. 90) rit. 

ju 

di 

Vln. I 

appassionata 

Vln. II 

Vla. 

div. 

Vc. 

Cb. 


164 

Piccs. 1–3 

39 

38 ( = c. 60) a tempo ( = c. 90) 

40 41 42 43 

Fls. 1–3 

Obs. 1–3 

1.2. 

3. 

3 

3 

3 

3 

3 

Cls. 1–3 

in B 

Bsns. 

1 

2 

3 

Hns. 

in F 

1 

3 

2 

4 

Tpts. 

in C 

1 

2 

a2 

3 

3 

3 

1 

2 

Tbns. 

3 

Tuba 

Timp. 

in F , G , B , E 

Crash Cym. 

1 

Perc. 

5 

B.D. 

3 

Harp 

C 


3 

3 

3 

3 

Quan do coe 

li mo ven di sunt et ter ra: Dum ve ne ris ju di ca re sae 

cu lum per i gnem, 

Alto 

3 

3 

3 

3 

CHORUS 

Tenor 

Quan do coe 

li mo ven di sunt et ter ra: Dum ve ne ris ju di ca re sae 

cu lum per i gnem. 

8 

ca re sae cu lum per i gnem, ju di ca re sae cu lum per i gnem. 

Bass 

ca re sae cu lum per i gnem, ju di ca re sae cu lum per i gnem. 

( = c. 60) 

a tempo ( = c. 90) 

div. 

3 

unis. 

Vln. I 

3 

3 

3 

Vln. II 

div. 

3 

3 

3 

3 

Vla. 

div. 

3 

3 

3 3 

Vc. 

(non div.) 

Cb. 


44 poch. rit. 

45 46 

47 48 49 

a tempo ( = c. 90) 

accel. 

50 

165 

Piccs. 1–3 

a3 

1.2. 

3. 

a3 

Fls. 1–3 

6 6 6 

(a2) 


Obs. 

1 

2 

3 


a2 


Cls. 

in B 

1 

2 

6 6 


3 

6 6 

a3 

a3 


Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 


a2 

a2 

Tpts. 

in C 

1 

2 


a2 

a3 

3 

1 

2 

a2 


a2 

Tbns. 

con tutta forza (meno di coro) 

3 


Tuba 


G →A 

Timp. 

Crash Cym. 

1 

Gong 

2 

Perc. 

S.D. 

3 

B.D. 

5 

Harp 


A 

G 

C D 



CHORUS 

Alto 

Tenor 

i gnem, i gnem. Tre mens fac tus sum e go, et ti me o dum dis cus si o ve ne rit, 


Tre mens fac tus sum e go, et ti me o dum dis cus si o ve ne rit, 


8 

Tre mens fac tus e go, et ti me 

o dum dis cus si o ve ne rit, at que ven tu ra 

Bass 

Tre mens fac tus e go, et ti me o dum dis cus si o, at que ven tu ra 

poch. rit. 

a tempo ( = c. 90) 

accel. 

non div. 

Vln. I 


(div.) 

Vln. II 

Vla. 


(div.) 

non div. 


Vc. 


Cb. 



166 

51 (a3) 

Allegro moderato ( = c. 120) 

52 53 54 55 56 57 58 

Fls. 1–3 

a3 

Obs. 1–3 

meno 

di viole 

3 

Hns. 1–4 

in F 

Tpts. 1–3 

in C 

(a3) 

Tbns. 

1 

2 

3 

(ossia 8va) 

Tuba 

S.D. 

Perc. 

3 

CHORUS 

Tenor 

Bass 

8 

i ra. Quan do coe li mo ven di sunt et ter ra: 

i ra. Quan do coe li mo ven di sunt et ter ra: 

Allegro moderato ( = c. 120) 

Vln. I 

Vln. II 

unis. 

Vla. 

3 

Vc. 

Cb. 

59 60 61 

62 63 64 65 

Fls. 1–3 


Obs. 1–3 

3 

Cls. 1–3 

in B 

Bsns. 

1 

2 

3 


Hns. 1–4 

in F 

a4 


Tpts. 1–3 

in C 

Tbns. 

1 

2 

3 


a2 

poco a poco 

Tuba 

poco a poco 

poco a poco 

in F , A, B , E 

Timp. 

Crash Cym. 

Perc. 

1 

3 

S.D. 

Vln. I 

Vln. II 

Vla. 

3 

Vc. 

pizz. 

Cb. 

poco a poco 


66 

67 68 69 

a3 

70 

167 

Fls. 1–3 

6 

6 

a3 

Obs. 1–3 

Cls. 1–3 

in B 

1.2. 

3. 

6 6 

a3 

1 

2 

Bsns. 

3 

Hns. 1–4 

in F 

Tpts. 1–3 

in C 

1 

2 

Tbns. 

3 

Tuba 

Timp. 

1 

Crash Cym. 

3 

S.D. 

Perc. 4 

Tri. 

5 

7 

Vln. I 

Vln. II 

div. (arco) 

Vla. 

Vc. 

(arco) 

Cb. 

(pizz.) 


168 

71 

72 

73 

74 75 

Fls. 1–3 

6 

6 

Obs. 1–3 

6 

6 

Cls. 1–3 

in B 

Bsns. 

1 

2 

3 

Hns. 1–4 

in F 

1 

2 

3 

4 

Tpts. 

in C 

5 

6 

7 

Tbns. 

1 

2 

3 

Tuba 

Timp. 

1 

Crash Cym. 

3 

S.D. 

Perc. 4 

Tri. 

5 

Xylophone 

7 

Glock. 


Alto 

CHORUS 

Tenor 

8 

Di es i rae, di es il la, ca la 

Bass 

Di es i rae, di es il la, ca la 

Vln. I 

Vln. II 

Vla. 

unis. 

Vc. 

Cb. 


169 

76 77 78 79 80 81 82 83 

Fls. 1–3 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 

1 

2 

Hns. 1–4 

in F 

1 

brillante 

2 

brillante 

Tpts. 

in C 

3 

4 

brillante 

brillante 

5 

brillante 

6 

brillante 

Tbns. 

7 

1 

2 

3 

brillante 

Tuba 

Timp. 

2 

3 

Gong 

S.D. 

Xylo. 

Perc. 

5 

6 

7 

Chimes 

Glock. 


CHORUS 

Alto 

Tenor 

Bass 

8 

mi ta tis, 

mi ta tis, 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


170 

84 85 86 87 88 89 90 91 92 

Fls. 1–3 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 

1 

2 

Hns. 1–4 

in F 

1 

2 

3 

Tpts. 

in C 

4 

5 

6 

7 

Tbns. 

1 

2 

3 

Tuba 

Timp. 

6 

Perc. 

7 


CHORUS 

Alto 

Tenor 

8 

Bass 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


Fls. 

93 (sim., non trem.) 94 95 

1.2 

3 

171 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 

in F 

1 

2 

1 

2 

3 

Tpts. 

in C 

4 

5 

6 

7 

Timp. 

1 

Crash Cym. 

Perc. 5 

B.D. 

(sim., non trem.) 

6 

Chimes 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 

arco 


172 

96 

ord. (ten.) 

97 98 99 100 101 

Fls. 1–3 

Obs. 1–3 

Cls. 1–3 

in B 

a3 

(meno 

3 

di archi) 

cresc. 

cresc. 

3 

3 

3 3 

3 3 

3 

3 

Bsns. 

1 

2 

3 

cresc. 

cresc. 

Hns. 

in F 

1 

2 

1 

2 

3 

Tpts. 

in C 

4 

5 

6 

7 

Tbns. 1–3 

Tuba 

Timp. 

F →F , A -A , B →A , E→D 

5 

B.D. 

Perc. 

6 

Chimes 

7 


CHORUS 

Alto 

Tenor 

cresc. 

Bass 

8 

di 

es 

cresc. 

i rae, di es il la, 

di 

es 

i rae, di es il la, 

Vln. I 

Vln. II 

serioso 

div. 

3 

cresc. 3 

cresc. 

3 3 

(unis.) 

3 

(div.) 

3 

Vla. 

3 

3 

serioso 

cresc. 

3 3 

3 

3 

Vc. 

cresc. 

Cb. 

cresc. 


102 

a3 

103 

104 

105 106 

107 108 109 

173 

Fls. 1–3 

5 

cresc. 3 

3 

5 

3 3 

Obs. 1–3 

3 

(cresc.) 

Cls. 1–3 

in B 

(cresc.) 

3 3 

Bsns. 1–3 

1 

3 

Hns. 

in F 

2 

4 

Tpt. 

in C 

1 

Crash Cym. 

Perc. 1 


Alto 

CHORUS 

(cresc.) 

Tenor 

8 

ca 

la mi ta tis et mi se ri ae, di 

(cresc.) 

Bass 

ca 

la mi ta tis et mi se ri ae, di 

non div. 

Vln. I 

3 

5 

(cresc.) 

3 3 

5 

(cresc.) 

Vln. II 

(cresc.) 

(cresc.) 

non div. 

Vla. 

3 

5 

3 5 (cresc.) 

3 

(cresc.) 

non div. 

Vc. 

(cresc.) 

(cresc.) 

non div. 

Cb. 

(cresc.) 

(cresc.) 


174 

110 

111 

112 

113 114 

115 

Fls. 1–3 

3 3 3 

3 

3 

3 3 

3 3 3 

Obs. 1–3 

Cls. 1–3 

in B 

3 3 3 

Bsns. 1–3 

3 3 

1 

3 

Hns. 

in F 

2 

4 

Tpts. 1–3 

in C 


Alto 

CHORUS 

Tenor 

(cresc.) 

8 

es 

mag na et a ma ra val de. Dum ve 

(cresc.) 

Bass 

es 

mag na et a ma ra val de. Dum ve 

Vln. I 

3 3 3 3 

3 

3 3 

3 (div.) 

Vln. II 

3 

Vla. 

3 3 3 3 3 3 3 

Vc. 

Cb. 


116 

117 

118 119 

120 

175 

Fls. 1–3 

3 

3 

3 3 

Obs. 1–3 

3 

Cls. 1–3 

in B 

3 

3 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

Tpts. 1–3 

in C 

1.2. 

3 3 3. 

1 

2 

Tbns. 

3 

Tuba 

1 

Crash Cym. 

Perc. 

5 

B.D. 

Harp 


ju 

di 

Alto 

CHORUS 

Tenor 

ju 

di 

8 

ne ris ju di ca re, ju di 

Bass 

ne ris ju di ca re, ju di 

Vln. I 

Vln. II 

(div.) 

3 3 3 3 

più e cresc. sempre 

6 6 

Vla. 

3 3 3 3 

più e cresc. sempre 

6 6 

Vc. 

Cb. 

non div. 


176 

Fls. 1–3 

121 

122 123 


124 

Obs. 1–3 


Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

Tpts. 

in C 

1.2 

3 

1 

2 

Tbns. 

3 

Tuba 

1 

Crash Cym. 

Perc. 

5 

B.D. 

8 

Harp 

G 

D 


ca re sae cu lum. 

Alto 

CHORUS 

Tenor 


8 


Bass 


Vln. I 

6 6 

6 6 


6 6 

Vln. II 


6 6 

Vla. 

6 6 

6 6 


Vc. 


non div. 

Cb. 



Fls. 1–3 

125 Precipitato ( = c. 150) 126 

Flutes to Piccs. 127 128 129 

177 

Obs. 1–3 

a3 


Cls. 1–3 

in B 

a3 


Bsns. 1–3 

1.2. 

3. 

a3 


Hns. 

in F 

1 

3 

2 

4 

a2 

a2 

Tpts. 1–3 

in C 

a3 

(a3) 

1 

2 

a2 

Tbns. 

3 

Tuba 

Timp. 

in F, A , A , D 

1 

Crash Cym. 

Perc. 5 

B.D. 

6 

Chimes 

Precipitato ( = c. 150) 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 

pizz. 

div. 



178 

130 

a3 

131 132 133 

poco accel. 

fltg. 

134 

Piccs. 1–3 


(ord.) 

Obs. 1–3 

Cls. 1–3 

in B 

a3 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

a2 

a2 

a2 


a2 


Tpts. 1–3 

in C 

Tbns. 

1 

2 

a2 

a2 


3 


Tuba 


Timp. 

4 

Susp. Cym. 

Perc. 

5 

B.D. 

Tri. 

poco accel. 

Vln. I 

non div. 

Vln. II 

non div. 

Vla. 

Vc. 

(non trem.) 

Cb. 

unis. 

arco 


( = c. 160) 

135 

136 

137 

138 139 140 

molto allarg. (

180 

141 

Piccs. 1–3 

3 3 

3 3 3 3 

3 3 

3 3 

Obs. 1–3 

3 3 3 3 

3 3 

Cls. 1–3 

in B 

3 3 

3 3 3 3 

3 3 

Bsns. 1–3 

Hns. 

in F 

Tpts. 

in C 

1 

3 

2 

4 

1 

2 

3 

4 

5 

6 

7 

a2 

subito meno forte 









Tbns. 1–3 

Tuba 


Timp. 


Perc. 

1 

2 

Crash Cym. 

Gong 

sempre 

Harp 


Piano 


Celesta 



Do mi ne, de 

CHORUS 

Alto 

Tenor 

Do mi ne, de 

8 

Do mi ne, de 

Bass 

Do mi ne, de 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


Piccs. 1–3 

142 

181 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

1 

2 

3 

Tpts. 

in C 

4 

5 

6 

7 

Tbns. 1–3 

Tuba 

Timp. 

A→B 

Harp 

Piano 

Celesta 


CHORUS 

Alto 

Tenor 

Bass 

8 

mor te ae 

mor te ae 

mor te ae 

mor te ae 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


182 

143 

Piccs. 1–3 

3 3 

3 3 3 3 

3 3 

3 3 

3 3 

Obs. 1–3 

3 3 3 3 

Cls. 1–3 

in B 

3 3 

3 3 3 3 

3 3 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

1 

2 

3 

Tpts. 

in C 

4 

5 

6 

7 

Tbns. 1–3 

Tuba 

Perc. 

1 

4 

Crash Cym. 

Susp. Cym. 

Harp 

Piano 

Celesta 


ter na, in 

CHORUS 

Alto 

Tenor 

ter na, in 

8 

ter na, in 

Bass 

ter na, in 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


183 

144 

Piccs. 1–3 

3 3 

3 3 

3 3 

Obs. 1–3 

3 3 

Cls. 1–3 

in B 

3 3 

3 3 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

1 

2 

3 

Tpts. 

in C 

4 

5 

6 

7 

Tbns. 1–3 

Tuba 

Perc. 4 

Susp. Cym. 

Harp 

Piano 

Celesta 


di 

e 

CHORUS 

Alto 

Tenor 

di 

e 

8 

di 

e 

Bass 

di 

e 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


184 

Piccs. 

1 

2.3 

145 

3 3 

3 3 

3 3 

3 3 3 3 

Obs. 

1.2 

3 

3 3 

3 3 

3 3 

3 3 3 3 

Cls. 

in B 

1.2 

3 

3 3 

3 3 

3 3 

3 3 3 3 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

1 

2 

3 

Tpts. 

in C 

4 

5 

6 

7 

Tbns. 1–3 

Tuba 

Perc. 1 

Crash Cym. 

Harp 

Piano 

Celesta 


il la tre 

CHORUS 

Alto 

Tenor 

il la tre 

8 

il la tre 

Bass 

il la tre 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


146 

147 

185 

Piccs. 1–3 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

1 

2 

3 

Tpts. 

in C 

4 

5 

6 

7 

Tbns. 1–3 

Tuba 

Perc. 

1 

Crash Cym. 

Harp 

8 

D 

8 

Piano 

Celesta 


men 

da: 

CHORUS 

Alto 

Tenor 

men 

da: 

8 

men 

da: 

Bass 

men 

da: 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


186 

Piccs. 1–3 

148 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 


Hns. 

in F 

1 

3 

2 

4 

1 


2 


Tpts. 

in C 

Tbns. 1–3 

3 

4 

5 

6 

7 






Tuba 

Perc. 

1 

7 

Crash Cym. 

Glock. 


Harp 

D 

Piano 

Celesta 

CHORUS 


Alto 

Tenor 

Bass 

8 

Li be ra me, 

Li be ra me, 

Li be ra me, 

Li be ra me, 

Glissandi up and down at . moderate speed on indicated strings. Individual players should not coordinate with one another. 

Use long, sustained bows, pesante, sonore. N.B. Strings must only act coloristically and must not obscure the chorus. 

sul E 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 

sul A 


unis., sul D 


sul G 

sul C 


sul G 

sul C 



Piccs. 1–3 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

149 

3 3 

3 3 

3 3 

3 3 3 3 3 3 

3 3 3 3 3 3 

3 3 3 3 3 3 

187 

Hns. 

in F 

1 

3 

2 

4 

1 

2 

3 

Tpts. 

in C 

4 

5 

6 

7 

Tbns. 1–3 

Tuba 

Crash Cym. 

Perc. 

1 

7 

Glock. 

Harp 

Piano 

Celesta 


Do mi ne, de 

CHORUS 

Alto 

Tenor 

Bass 

8 

Do mi ne, de 

Do mi ne, de 

Do mi ne, de 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


188 

Piccs. 1–3 

150 

Obs. 1–3 

Cls. 1–3 

in B 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4 

1 

2 

3 

Tpts. 

in C 

4 

5 

6 

7 

Tbns. 1–3 

Tuba 

Perc. 

7 

Glock. 

Harp 

Piano 

Celesta 


CHORUS 

Alto 

Tenor 

Bass 

8 

mor te ae 

mor te ae 

mor te ae 

mor te ae 

Vln. I 

Vln. II 

Vla. 

Vc. 

Cb. 


189 

151 

Piccs. 1–3 

3 3 

3 3 3 3 

3 3 

Obs. 1–3 

3 3 

3 3 3 3 3 3 

Cls. 1–3 

in B 

3 3 

3 3 3 3 

3 3 

Bsns. 1–3 

Hns. 

in F 

1 

3 

2 

4

Rosner - Requiem, op. 59

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