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29<br />
199 200 201<br />
Piccs. 1–3<br />
con tutta forza<br />
Obs. 1–3<br />
con tutta forza<br />
Cls. 1–3<br />
in B<br />
con tutta forza<br />
Bsns. 1–3<br />
con tutta forza<br />
Hns.<br />
in F<br />
1<br />
3<br />
2<br />
4<br />
ma non<br />
ma non<br />
possibile (più forte di archi)<br />
possibile (più forte di archi)<br />
stagger breathing (leaving out few or none of accented notes)<br />
1<br />
con tutta forza<br />
stagger breathing (leaving out few or none of accented notes)<br />
2<br />
con tutta forza<br />
stagger breathing (leaving out few or none of accented notes)<br />
3<br />
Tpts.<br />
in C<br />
4<br />
con tutta forza<br />
stagger breathing (leaving out few or none of accented notes)<br />
con tutta forza<br />
stagger breathing (leaving out few or none of accented notes)<br />
5<br />
con tutta forza<br />
stagger breathing (leaving out few or none of accented notes)<br />
6<br />
con tutta forza<br />
stagger breathing (leaving out few or none of accented notes)<br />
7<br />
con tutta forza<br />
Tbns. 1–3<br />
Tuba<br />
Susp. Cym.<br />
4<br />
Perc.<br />
Glock.<br />
sempre<br />
7<br />
8 8<br />
con tutta forza<br />
Harp<br />
D C B<br />
E F G A<br />
8 8<br />
con tutta forza<br />
D C B E F G A<br />
S<strong>op</strong>.<br />
to sound. And<br />
con tutta forza<br />
there<br />
were<br />
Alto<br />
CHORUS<br />
Tenor<br />
to sound. And<br />
con tutta forza<br />
there<br />
were<br />
8<br />
to sound. And<br />
con tutta forza<br />
there<br />
were<br />
Bass<br />
to sound. And<br />
there<br />
were<br />
Glissandi up and down at moderate speed on indicated strings. Individual players should not coordinate with one another.<br />
Use long, sustained bows, pesante, sonore. N.B. Strings must only act coloristically and must not obscure the chorus.<br />
div.<br />
sul E<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
div.<br />
div.<br />
div.<br />
sul A<br />
, meno forte di coro<br />
unis., sul D<br />
, meno forte di coro<br />
sul G<br />
sul C<br />
, meno forte di coro<br />
sul G<br />
sul C<br />
, meno forte di coro<br />
ROSNER: <strong>Requiem</strong> — 1. Overture: The Seventh Seal
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