10 months ago

This England

This England is the quarterly magazine for all who love our green and pleasant land and are unashamedly proud of their English roots. Published since 1968 the magazine has now become one of England’s best loved magazines and has a readership of over 115,000 people from around the world. As well as being popular in England it outsells all other British heritage magazines in Canada, Australia, New Zealand, South Africa and is sent to readers in every country of the world. Published in Cheltenham, in the heart of picturesque Gloucestershire, the magazine is edited, printed and despatched direct from England. Subscribe today and celebrate all that is best about England and the English way of life.


‘TURNER’S HOUSE’ (continued) The sitting room where a model of a ship reflects the artist’s maritime interests. Below: “Frosty Morning” which is now exhibited in Tate Britain. briefly relax near his beloved river, occasionally entertain the odd friend to visit when feeling congenial or perhaps even indulge in the odd picnic, a favourite pastime of the painter’s. One of Turner’s familiar companions would be his horse Crop-Ear, the artist’s principal means of transport during the years at Sandycombe Lodge as Crop-Ear pulled a carriage containing “sketching apparatus” as Walter Thornbury’s contemporary biography of the 1860s described it. It is said Crop-Ear was the model for all the horses to be found in Turner’s art, one of the most famous pictures being Frosty Morning which now hangs in Tate Britain. The search for Crop-Ear’s last resting place is now underway locally as it was believed that Turner had his equine companion buried on land that he owned, either at Sandycombe or, more likely, in the meadow now occupied by a public house and a row of terraced houses. Although Turner was one of those fortunate artists who would know acclaim within his own lifetime this doesn’t suggest by any means that he met with universal approval within the art world. “Indistinctness is my forte,” he would say yet some disparaged his technique of using colour and light to convey what could be considered an unusually impressionistic perspective, something that was not yet well-known. “My job is to paint what I see, not what I know,” Turner said, embracing the realms of imagination with a pioneering approach that could be considered an early precursor of Impressionism. His masterful use of light allowed him to take a familiar view and by virtue of his brush transform it into something fresh yet eternal that would cement his reputation as one of the most important landscape painters. Although it’s a moot point whether Sandycombe Lodge witnessed the actual composition of any of Turner’s famous paintings of Richmond it certainly provided both solace and inspiration which in themselves are indispensable for any artist. AMANDA HODGES Photographs: Anne Purkiss © Turner’s House Trust Collection Further Information Sandycombe Lodge, 40 Sandycoombe Road, Twickenham TW1 2LR Tel: 020 88925485 Website: 64 THIS ENGLAND, Winter, 2017

This England’s Annual 2018 Produced by the same editorial team responsible for each quarterly issue of This England, and packed with stunning colour photographs and poems and articles on a wide range of subjects, our new Annual promises to be more popular than ever before. As well as providing regular readers of the magazine with a much-anticipated “fi fth issue”, This England’s Annual is also top of many people’s lists when deciding what to give a friend or relative as a greatvalue, easy-to-purchase gift. From articles about English places and notable people to features about English customs, history and colourful characters, there is something for everyone. And not only that: every item in the 2018 Annual is published for the fi rst time, and because the articles are refreshingly unconcerned with the problems and controversies of today, they never go out of date and can be enjoyed again and again. Just £6.99 to UK Out Now! HIGHLIGHTS Softback, 100 pages. INCLUDE: THE SHIPPING FORECAST: “Viking, Forties, Cromarty, Forth, Tyne, Dogger, Fisher, German Bight…” We tell the story behind this much-loved English institution. RUDYARD KIPLING: His poem “If” was recently voted the nation’s favourite. We look at the life and work of one of England’s greatest writers. FACT OR FICTION?: He has been immortalised in pantomime and is always depicted with a cat. But who was Dick Whittington? A MOST PECULIAR PARK: Dinosaurs lurk in the undergrowth, stone sphinxes guard a fl ight of steps that leads…nowhere. A site in London still evokes the lost glories of the Crystal Palace. THE LANGUAGE OF FLOWERS: Red roses for love, snowdrops for hope, marigolds for despair… for the Victorians, the blooms they gave or received were laden with meaning. EXPLORING ENGLAND’S INNS: From Black Horse and Red Lion to Royal Oak and Cross Keys, the names of our pubs tell tales of history, legend and local industry. There is also a quiz, pages of jokes to make you chuckle, glorious colour photographs depicting England throughout the year, a series of pictures portraying “Old London”, and much, much more. One copy: Code: TEA18 Just £6.99 to UK, overseas £9.25. US $19; Can $20; Aus $21; NZ $24. SPECIAL OFFERS: Two Annuals to one address: Code: TEA82 Just £12 to UK, overseas £16. US $32; Can $34; Aus $36; NZ $41. Annual, Country Calendar and Desk Diary: Code: TCK18 Just £17.95 to UK, overseas £23.95. US $48; Can $51; Aus $53; NZ $61. 0800 074 0188 (FREE from UK landlines) Mon-Fri 8am-6pm, Sat 9am-5pm overseas: +44 1382 575052 This England Publishing Ltd., P.O. Box 814, Haywards Heath, Sussex RH16 9LQ. E-mail: Dollar prices are subject to exchange rate variation if payment is made by debit/credit card. A transaction fee may apply. Save over £5! THIS ENGLAND, Winter, 2017 65

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