Global Reggae Charts - Issue #10 / February 2018

GlobalReggaeCharts

Inside you can find the latest reggae album, single, and riddim charts based on votes by radio DJs and music directors from around the world.

issue # 10 | february 2018

feature

Reggae Careers

in the Internet Age

Part I

rising star

Koffee

Santi Palazzo-

Argentina

global reggae charts | issue 10 / feb 2018


global reggae charts | issue 4 / august 2017


editorial

Welcome to a new edition of the Global Reggae Charts!

This month’s edition marks the beginning of an editorial overhaul of the GRC magazine. Right from

the start, we were pretty clear about the fact that we didn’t want to create another reggae publication

focused at fans and listeners. Our media partners, along with many other publishers, are doing

an excellent job at this already. Instead, we wanted to focus on a professional audience - to all the

people who (semi-)professionally work in and with reggae music.

If you have been a regular reader before, you have seen that idea reflected in our feature articles.

Instead of writing regular artist profiles, we opted to look at a larger theme or trend that was reflected

in the work of the the featured artist. But for various reasons - most importantly the short

timespan between having the final voting results, picking a featured artist and the publication of

the magazine - this approach became impractical. Therefore, we decided to change the concept.

Going forward, our lead article will explore a subject in depth. The topics will be music and reggae

industry matters. If you will, we’ll try to tackle the important professional questions of our time.

In case you liked the artist features before, let me assure you: even if you are not working in the

industry yourself, the subjects we plan to cover are highly interesting even for fans. After all, we

are living through a time of constant change, most notably of course the advent of the digital era.

These changes not only affect industry professionals but alter how we all discover and experience

music, how our beloved artists work, and even how the music itself evolves.

To kick things off, we’ll launch a new series this month: Reggae Careers in the Internet Age. In this,

we’ll examine how reggae careers are built in the new music world. To that end, we will look at

the challenges and opportunities that artists are facing in 2018 and try to find some answers and

insights that can help our community to maintain - or raise - its global profile in these fast-paced

times.

This won’t be the only editorial change though. We have more updates in the pipeline and will roll

them out over the next few months. Without giving away too much: this will also include artist-centric

content in a new format. Stay tuned for more!

Until then, we are very interested in your feedback and ideas, which you can send to us at

info@globalreggaecharts.com. Also, we are very open for additional contributors. In case you are

interested in the professional side of reggae (and music more broadly) and fond of writing or creating

content, please get in touch as well!

Cheers

Thomas

Thomas Euler is founder of the German reggae & dancehall blogazine whagwaan-magazine.de

1

global reggae charts | issue 10 / feb 2018


Album single Charts | top 20

Period

Ending 31/01/2018

Contributing voters: 57

europe

# LM 2M PK Mo Artist Single Label

1 1 1 1 6 Alborosie Living Dread Baco

↑ 2 8 4 2 5 Black Uhuru Jah Guide feat. Bugle Ajang Music

↑ 3 10 - 3 2 Koffee Burning Upsetta

4 4 6 1 8 Kabaka Pyramid Can‘t Breathe Ghetto Youths International

5 5 18 5 3 Chezidek Jah Jah Bless feat. Capleton Chezi Berry

6 - 8 6 2 Lila Iké Gotti Gotti In.Digg.Nation

7 3 2 2 5 Protoje Truths & Rights feat. Mortimer Mr Bongo

8 6 5 5 3 Randy Valentine Vigilant Royal Order

9 2 9 2 3 Jah9 Feel Good VP

+ 10 - - 10 1 Koffee Raggamuffin Frankie Music

↑ 11 20 20 11 4 New Kingston Come from Far Easy Star

12 7 3 2 9 Chronixx Skanking Sweet Virgin

13 9 17 9 3 Damian Marley The Struggle Discontinues Universal

14 - 10 10 3 Macka B Wha Me Eat (Remix) Greensleeves

+ 15 - - 15 1 Joe Pilgrim & The Ligerians Migrants Soul Nurse

16 11 - 8 4 Micah Shemaiah Keep On Keeping On Irie Ites Music

17 16 - 16 2 Chronixx Big Bad Sound feat. Chronicle Virgin

18 17 - 17 3 Royal Sounds Message Music Sugar Shack

+ 19 - - 19 1 Stick Figure Easy Runaway Ruffwood

20 13 - 13 2 Jahmiel U Me Luv Dunwell

Lila Iké Stick Figure

Joe Pilgrim & The Ligerians

Koffee Jah9

# = this month’s position on the chart LM = last month’s position on the chart 2M = position two months ago

PK = peak position MO = months on the chart ↑= signifies upward movement + = new entry

global reggae charts | issue 10 / feb 2018 2


Album Charts | top 20

Period

Ending 31/01/2018

Contributing voters: 44

europe

# LM 2M PK Mo Artist Album Label

↑ 1 4 7 1 3 Randy Valentine New Narrative Royal Order

2 1 1 1 4 Jesse Royal Lily of da Valley Easy Star

↑ 3 5 - 3 2 Exco Levi Narrative Silly Walks

4 3 5 2 7 Damian Marley Stony Hill Republic

↑ 5 8 3 1 7 Chronixx Chronology Chronixx Music

6 2 2 2 4 Havana meets Kingston Havana meets Kingston Baco

+ 7 - - 7 1 Sly & Robbie and Dubmatix Overdubbed Echo Beach

8 6 4 1 7 Samory I Black Gold Rorystonelove / Black Dub

9 7 6 6 4 Macka B Health Is Wealth Greensleeves

10 10 9 9 3 Ken Boothe Inna de Yard Wagram / Chapter Two

11 9 16 9 4 New Kingston A Kingston Story: Come from Far Easy Star

12 11 8 4 5

Lee „Scratch“ Perry with

Subatomic Sound System

Super Ape Returns to Conquer

Echo Beach

↑13 16 10 6 5 EarthKry Survival EarthKry

+ 14 - - 14 1 Mo‘Kalamity with Sly & Robbie One Love Vibration Sofia-Thea

15 12 - 12 2 Alborosie Soul Pirate - Acoustic Geejam

↑16 17 11 11 3 Chezidek Irie Day Chezi Berry

+ 17 - - 17 1 Royal Sounds Burning Inspiration Sugar Shack

+ 18 - - 18 1 Hollie Cook Vessel of Love Merge

19 15 - 15 2 The Green Marching Orders Easy Star

+ 20 - - 20 1 Iba Mahr Get Up and Show Oneness

Hollie Cook Sly & Robbie and Dubmatix Junior Natural

Ken Boothe

Iba Mahr

# = this month’s position on the chart LM = last month’s position on the chart 2M = position two months ago

PK = peak position MO = months on the chart ↑= signifies upward movement + = new entry

3

global reggae charts | issue 10 / feb 2018


Reggae Careers

in the Internet Age

Part I: A New Playground

Text: Thomas Euler // whagwaan-magazine.de

The internet has fundamentally changed music. In

2018, that’s hardly a provocative statement. Distribution

has gone digital. First, MP3s changed everything,

and now we are witnessing the transition from

files to streaming. Marketing has gone digital. Social

Media is now the main way for artists to reach their

fans. And discovery - the way people look for or

stumble across new artists and songs - has also gone

digital. New songs appear in our feeds, are recommended

by curators or introduced to the streaming

services playlists. By and large, the world of music

has become a digital playground.

Along with the changes in the industry, another thing

has fundamentally changed: careers. Before the

internet, the major objective for any aspiring artist

was to convince some institutional gatekeepers. For

most, that used to be a steady grind. You played gigs

at the local youth center and, from time to time, you

landed a slot in some line-up of an event in the next

town. You scrounged up some money to afford some

time at the local studio. You recorded a few songs

which you put on a demo tape. You sent your demo

to some labels and bookers in further-away towns.

You played small gigs in a radius of, maybe, a few

hundred miles. If you got lucky, someone actually

picked up your demo, gave it a shot, amd some

small label handed you a contract and an advance.

This allowed you to record at a better studio. Maybe

something even got published. If no label responded,

you took the money that you earned by playing gigs

and paid for a better studio yourself. You produced a

higher-quality demo and sent it to more labels.

This process basically repeated until someone more

or less important in the industry “discovered” you

and gave you an opportunity to reach a broader audience.

Because, back then, the world of music was

full of gatekeepers: label A&Rs, radio programmers,

TV editors, bookers, and the like. In the age of mass

media, those were the ones controlling the platforms

which artists relied upon if they wanted to reach a

broader-than-local audience. Unless you got really lucky

and instantly won some pop label’s casting, you

usually had a fair amount of experience under your

belt before you got discovered. While you weren’t

dealing with the industry’s big players, you at least

cut your teeth.

Sure enough, this has entirely changed today. From

music production - nowadays comfortably done from

within your bedroom in the DAW of your choice - to

even shooting a music video: never has production

been as affordable and accessible for everyone as it

is now in the digital age. But production is only one

side of the equation; and, arguably, the less important

one. The real game changer is distribution. All

it takes today to release a piece of music is a digital

file, an internet connection, and an account on

YouTube or SoundCloud. Once it’s online, almost half

the world’s population, namely its 3.58 billion global

internet users, can access it. No approval by any

institutional gatekeeper required.

Of course, most music on the web never actually

reaches even a ten-thousandth of that potential audience.

These days, content is ubiquitous and human

attention scarce. But make no mistake. The sheer

possibility of a song turning into a viral sensation or

of an unsigned artist getting a significant hype on social

media is a fundamental change in music’s inner

workings. The gatekeepers of old were often - and in

many cases rightfully - blamed for not taking risks

and only featuring consensus, mainstream-compatible

artists. Today, their influence has dwindled.

They have been replaced by a combination of crowd

global reggae charts | issue 10 / feb 2018 4


global reggae charts

feature

intelligence, network effects, curators, influencers,

algorithms. While there are also some new gatekeepers,

say the playlist curators of the big streaming

services, even they stopped relying primarily on their

personal taste. Instead, they use all the available data

and tools to discover new talent and make listing

decisions.

That shift is reflected in the music itself as well as in

the industry. Arguably, today’s pop music draws from

an ever-increasing number of influences and has,

thus, become more varied and experimental than

ever before. And many music genres and scenes,

including reggae, have built out their own, self-sustaining

digital infrastructure which connects artists

and fans from across the globe. As long as enough

people care about the music, the scene can exist,

even if it is largely ignored by popular culture and its

media outlets.

This new ecosystem has created many new opportunities

and challenges for upcoming artists. The way

to approach a career in 2018 is fundamentally different

from what would have been considered a sound

approach even as recently as 2003. There are many

fascinating questions that artists and their teams

have to answer today. For instance: you can easily

release your very first recordings - but at what stage

is it advisable? Staying unsigned is now an option

that can put you well into a stardom trajectory - so,

does it still take a label at all? How do you react to a

sudden buzz that catches you by surprise? After all,

the way you deal with it can be the difference between

a long, successful career and one-hit wonder

status. Is it still an option to be “just” a musician or

do you need to be a personality that is constantly

engaging with your fanbase?

These are some of the questions that I’ll be trying to

answer during the course of this series. In order to

get there, I’ll be interviewing various artists and people

who work in the industry. And while the issues

and questions raised in here go well beyond reggae,

I’ll take any general insights and apply them to the

reggae cosmos. After all, the reggaeverse is a very

particular subject with its unique challenges, structure

and rules. Simply said: what works in pop or hip

hop doesn’t necessarily work in reggae.

If you have any input or questions that you find

worthy of consideration, if you know some interesting

cases or people I should talk to, or if you have

any kind of feedback: just drop me a line at

thomas.euler@whagwaan-magazine.de.

Album Riddim Charts | top 5

Period

Ending 31/01/2018

Contributing voters: 21

europe

# LM PK Mo Riddim Label

+ 1 - 1 1 Nice & Easy Riddim Oneness

+ 2 - 2 1 Civil Rights Riddim Giddimani

3 3 3 2 Gratitude Riddim Irievibrations

+ 4 - 4 1 Episodes Riddim Yellow Moon

Body & Soul Riddim

Nice & Easy Riddim

Gratitude Riddim

5 2 2 2 Ouji Riddim Upsetta

5

global reggae charts | issue 10 / feb 2018


WEB

RADIO

ARGENTINA

global reggae charts

featured voter

INTERVIEW

This month we talked to Santi Palazzo, who is a key

figure on the Argentinian reggae radio scene.

Global Reggae Charts: Can you please introduce

yourself and your radio show!

Santi Palazzo: I‘m Santi Palazzo: director of La De

Dios Radio Station, host of Funky Kingston at Radio

Cantilo, La De Dios show, Ldd Sound presenta Global

Reggae Charts, and the live stream of Rototom Sunsplash.

I also work as editor and engineer for Rototom

Radio and Ldd Sound.

GRC: How would you describe the reggae scene in

Argentina, and how is reggae going on the radio

over there?

SP: Argentina has a great artistic reggae community

– until today, a couple of bands have been active for

more than 30 years, like Los Cafres, La Zimbabwe,

Pericos; and numerous bands have overcome two

decades of their career (Nonpalidece, Riddim, Resistencia,

Dancing Mood, Satélite Kingston, and more).

It is also fair to say that the reggae music market is

in a dark moment. There are very few mainstream

spaces for artists of the genre and much economic

difficulty to receive the Jamaican stars and legends.

GRC: How did you get into radio and what was your

motivation?

SP: I think as a radio animal – since 1990 I have worked

for radio broadcast, classical music, rock, tango,

and news programs. Since the beginning of 2000, I

began to promote the desire to unite the two passions:

Jamaican music and radio.

GRC: What spectrum of music do you play in your

show and which artists have you found most inspiring

lately?

SP: I play in an eclectic way, from original 60s ska

and rocksteady Jamaican sounds to the hardest dancehall

and new roots from today. Both at La De Dios

and at Funky Kingston we give great importance to

local bands, inviting them to play live. One on each

emission.

short FACTS

Station: La De Dios Radio - Radio Cantilo -

Rototom Radio

Location: Buenos Aires - La Plata - Benicassim

Show: La De Dios - Funky Kingston - Rototom

Sunsplash Radio

Host: Santi Palazzo

On air: La De Dios show: Friday 10 PM - Funky

Kingston: Wednesday 10 PM - Ldd Sound

presenta Global Reggae Charts: Sunday 3 PM (GMT-3)

http://www.ladedios.com.ar/

https://rototomsunsplash.com/radio-rototom-on-air

http://radiocantilo.com/radio-cantilo/

https://www.mixcloud.com/ladedios/

global reggae charts | issue 10 / feb 2018 6


ON Air

global reggae charts

radio shows

Argentina

Estación La De Dios

LDD SOUNDS PRESENTS

GLOBAL REGGAE CHARTS

with Santi Palazzo

Sundays 3:00 pm ART

Argentina

Radio Cantilo

FUNKY KINGSTON

with Georgia and Santi

Wednesdays 10:00 pm ART

Canada

Radio Regent

ItaL rOOts RaDio

with Sweet T & MAdCast-Fuji

Tuesdays - 3:00 pm EST

Canada

Rootz Reggae Radio

NEW MUSIC - TDIF

with DJ Klient

Fridays - 6:00 pm

Costa Rica

Urbano 106

DI DOCTA SHOW

with Docta Rythm Selecta

3. Tuesday - 8:00 pm CST

Germany

Antenne Münster

COOL & DEADLY

with Roots Operator Wolle

4. Saturday - 8:00 pm

Germany

Radio Regentrude

GLOBAL REGGAE CHARTS

with Brigitte Reinert

Last Friday - 8:00 pm CET

Indonesia

Bpost Radio

REGGAE TOP SINGLE CHART 20

with Harry Ramadhan

Mondays - 9:00 pm WITA

Israel

Radio Kol Hanegev 106.4 FM

BA BA REGGAE

with Asaf “Baba G“ Nahmias

Mondays - 8:00 pm IST

Italy

Radio Popolare Network

REGGAE RADIO STATION

with Vitowar

Last Sunday - 11:45 pm CET

Italy

Atom Radio

GLOBAL REGGAE CHARTS

Sundays 5:00 pm CET

Norway

Radio Nova

OSLO REGGAE SHOW

with Dominic Reuben & Selecta Harmony

Last Tuesday 9:30 pm CET

UK

1BTN

Venum Sound Show

with DJ Kris Snakes aka Venum Sound

2. Sunday 2:00 pm GMT

UK

99.8FM KCC Live

Elements of Reggae

with MJRuckus

3. Tuesday - 10:00 pm GMT

UK

Black Country Radio

RIDDIM SESSIONS

with Kevin Moore

Fridays - 1:00 am GMT

UK

Radio St. Austell Bay 105.6 FM

A-Z OF REGGAE

with Mark Norman

Last Sunday - 4:00 pm GMT

UK

Vibes FM

REGGAEMYLITIS

with Sarah C

Last Wednesday - 6:00 pm GMT

UK

World A Reggae

IRIE JAMMS SHOW

DJ 745

On Demand

Venezuela

Radio Nacional de Venezuela

DESDE EL GHETTO

with George Dread

2. & 4. Saturday - 11:00 am VET

GRC on

your

station?

You‘d like to become a

media partner and present

the Global Reggae Charts

on your radio station?

Link us!

7

global reggae charts | issue 10 / feb 2018


Koffee

Born Mikayla Simpson on February 16, 2000, Koffee’s mission is to preserve Jamaica’s

roots and culture in music and to empower the youth of her generation through her

musical journey across the world.

“I want to make a better world for the generation that‘s coming up, to promote love and

peace, and even though I’m young, I feel that the Creator has blessed me with talent

and wisdom to get the job done.” – Koffee.

Koffee has released two singles so far – both made it on this month’s Top 10 single

charts. Reason enough to give her a feature spot in the magazine.

global reggae charts | issue 10 / feb 2018 8


9

global reggae charts | issue 10 / feb 2018


global

voters

Argentina

La De Dios

Music Director

Santi Palazzo

La De Dios

Brownie

Martin Quispe

PelaGatos iRadio

Official Selector

Matías Calvo

PelaGatos iRadio

Host

Maiti Ruts

Australia

2BOB Radio

Roots’n’Reggae Show

Bobbie Philp

89.7FM

Ital Galore

Ian Pillar

PBS FM

Babylon Burning

Jesse I

Radio Fremantle

I&I Sounds

Corby Howell

Belgium

Radio Centraal

Back 2 Bass

Tim Ianna & Kenneth Oyen

Bulgaria

Radio Bumerang 99.00 FM

Music Director

Canada

CFRU 93.3 FM

The Crooked Beat

Nicky Dread

CIUT 89.5 FM

Bassment Sessions

Dubmatix

Radio Regent

ItaL rOOts RaDio

Sweet T

Radio Regent

ItaL rOOts RaDio

MAdCast Fuji

Rootz Reggae Radio

Riddim UP - Fridays

Tonie Smith

Czech Republic

Radio 1

Reggae Klub

DJ Kaya

Columbia

UPTC Radio 104.1 FM

Legado Africano

Charli Urrego

Radio Urbano 105.9FM

Di Docta Show

Marco Villalobos

Croatia

Reggae.hr

Editor

Ivana Toli

Denmark

Station Amager

Reggae Moods

Finland

Bassoradio

Blaka Blaka Show

Selecta Andor

France

La Grosse Radio

Reggae Program Director

Simon Chamfroy

Party Time Radio

Party Time Radio Show

Cheeka

Radio Mille Pattes

Zion High Station

Fillot Jerome

World A Reggae

Editor

Fred Reggaelover

Germany

Antenne Münster 95.4

Cool & Deadly

Wolfgang Hickmann

ByteFM

Forward The Bass

Karsten Frehe

global reggae charts

voters

Radio Leinehertz 106.5

Wha Gwaan – Reggae & Dancehall

Thorben Noß

Radio Regentrude

Music Director

Brigitte Reinert

Radio Top 40

Host

Marius Finger (DJ Marious)

Radio Z 95.8

Rastashock

Philipp Kause

Radio Z 95.8

Rastashock

Crystal van de Rastashock

Reggaeville

CEO

Julian Schmidt

Reggaeville

Author

Gardy Stein

Visador-Radio

ReggaeRoundUp

Karsten Zick

Greece

Radio Xanthi One

Music Director

Nick Giannakopoulos

ReggaeYard

Editor

Israel

Kol Hanegev 106.4 FM

Ba Ba Reggae

Asaf Nahmias

Italy

Atom Radio

Host

Giuseppe Bellobuono

Jammonite Radio

Reggae New Releases

Marco Fregnan

Radio Magenta FM 92.2

Reggae Corner

Teo Riccardi

Radio Popolare Network

Reggae Radio Station

Vitowar Fiorentino

global reggae charts | issue 10 / feb 2018 10


Radio Popolare Verona

Exodus

Marco Serafin

Radio Web-Base

Reggae Music

Louis Knight

Netherlands

Impact AM

Music Director

Henk van Ulden

NPO FunX

Music Director

Eric van Holland

RTV-Arnhem

Sound Armada Radio

Wilfman Sound Armada

World A Reggae

CEO

Danny Creatah

Norway

Radio Harstad

Editor

Tommy Vandalsvik

Radio Nova

Oslo Reggae Show

Dominic Reuben

Poland

Polish National Radio

Polskie Radio Czwórka

Strefa Dread

Mirosław “Maken” Dzieciołowski

Radio Kampus

Dancehall Masak-Rah

Pawel Szawczukiewicz

Radio Oko

Reggae Jazda

Pawel Ustaszewski

global reggae charts

voters

Romania

Do The Reggae Romania

Editor

Nedelcu Sebastian

Russia

Daily Vibes

Editor

Vladimir Zavialov

South Africa

MzansiReggae

Editor

Lee Phiri

Spain

Arco FM

La Concha Reggae Radio

Host

Switzerland

Jam On Radio

Music Director

Raphael Häfliger

11

global reggae charts | issue 10 / feb 2018


United Kingdom

107.8 Black Diamond FM

The Reggae Attic

Addie Thomson

1BTN

Venum Sound Show

Kris Lewis

Pauzeradio

Unique Reggae Mix Show

Gav Pauze

Radio St Austell Bay

A-Z of Reggae

Mark Norman

Reggae Roots Review

Editor

Toby Whittacker-Cook

Swindon 105.5

Andy V’s Random Reggae Show

Andy Vater

Vibes FM

Superjam

Ernie Harriott

Vibes FM

Reggaemylitis

Sarah C

World A Reggae

Irie Jamms Show

DJ 745

USA

Caribbean Dance Radio

Owner

DJ PhG

California

Reggae Music Forward

Host

Tomas Palermo

Reggaeville et al.

Author

Brad Metzger

Colorado

Island Stage Magazine

CEO

Susan Underwood

KDUR FM

Heart Beat of Zion

Rasta Stevie

KGNU

Reggae Bloodlines / Dub Palace /

Reggae Transfusion

Blood Preshah

KGNU

Dub Palace / Reggae Transfusion

The Groove Thief

Florida

Reggae King Radio

Reggae Rhapsody

Keith Rowe

Georgia

WRFG 89.3 FM

Rockers International

Lisimba Hazell

Illinois

The TikiPod

Program Director

Eric Przybylski

Massachusetts

WZBC Boston College Radio 90.3FM

Raggamuffin International

Robin Walther

global reggae charts

voters

New Jersey

WBZC 88.9 FM

Sounds of the Caribbean

Selecta Jerry

Oregon

KPOV 88.9 FM

The Coop / High Desert Co-op

Tristan Reisfar

Tennessee

90.3 The Rock Volunteer Radio WUTK

Simmer Down

Mason Mulkey

Texas

KAZI 88.7 FM

Reggae Evolution

RJ Johnson

Vermont

WVEW-LPFM

One Drop Reggae Radio

David Longsmith

Virginia

Caribbean Radio Show

Reggae Wednesdayz

Hopeton Brown

Washington

KBCS

The Reggae Party

Rankin Mark Patterson

Wisconsin

WORT 89.9 FM

Tropical Riddims

Tropical Riddims Sound System

DJ -F.R.P.

Venezuela

Radio Nacional de Venezuela

Desde El Ghetto / Raices y Cultura

George Dread

Become

a voter!

ALL RADIO DJS AND

MUSIC DIRECTORS

ARE INVITED TO REGISTER:

GLOBALREGGAECHARTS.COM

global reggae charts | issue 10 / feb 2018

12


media partners

Imprint

Publisher:

Boomrush Productions

Tondernstr. 14

26127 Oldenburg

Germany

Editor-in-Chief:

Felix Rühling

info@globalreggaecharts.com

Editor:

Anderson Muth

thegroovethief.com

Author:

Thomas Euler

whagwaan-magazine.de

Art Director:

Solvey Schönknecht

Advertising:

Felix Rühling

info@globalreggaecharts.com

Website:

https://globalreggaecharts.com

© Boomrush Productions 2018

All rights reserved. Reproduction in part or

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global reggae charts | issue 10 / feb 2018


global reggae charts | issue 10 / feb 2018

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