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to these others – that we open<br />

ourselves up to them, and to the<br />

possibility of being – in some respect –<br />

challenged or even ‘undone’ by our<br />

encounter. Because the social self is<br />

dialogical, and unfolds in a context and<br />

with interlocutors that are not always of<br />

its choosing, the prospect of dialogue<br />

can fill us with fear. As Charles Taylor<br />

has written, ‘we define our identity<br />

always in dialogue with, sometimes in<br />

struggle against, the things our<br />

significant others want to see in us’<br />

(Taylor, Multiculturalism: Examining the<br />

Politics of Recognition (1994), 32-33).<br />

So, alongside this call for dialogue<br />

Anderson’s recent work also called for ‘a<br />

new philosophical imaginary – which<br />

would transform the myths we live by’<br />

(Anderson, ‘Love and Vulnerability’<br />

(unpub.)). In particular, she wished to<br />

transform ‘a patriarchal myth which<br />

projects on to “vulnerability” only<br />

negative affects’, arguing that love and<br />

vulnerability needed to be liberated<br />

‘from the excessive fear and violence<br />

which has been conveyed mythically by<br />

our (western) philosophical imaginary’.<br />

As Anderson reconceived it,<br />

vulnerability was a ‘capability’ that<br />

enhanced life, enabling us to be open to<br />

receive from others in love. As such, it<br />

has redemptive potential for the<br />

discipline of philosophy – and for the<br />

dialogues in which each of us<br />

participate.<br />

Dr Kate Kirkpatrick, FRSA, read<br />

Philosophy and Theology (2002) at<br />

Regent’s Park College, Oxford.<br />

Speaker Vulnerability and Feminist<br />

Collectivity in Philosophy. I never quite<br />

crossed paths with Pamela Sue<br />

Anderson. She returned to Oxford in<br />

2001, the year after I finished my<br />

undergraduate studies. In February<br />

2017, we were both invited to speak at a<br />

British Academy conference in Durham<br />

on 'Vulnerability and The Politics of<br />

Care'. Anderson’s paper was read by a<br />

friend, just weeks before her death. All<br />

of us spoke about vulnerability, but<br />

Anderson’s contribution stood out in<br />

that she addressed our own<br />

vulnerability as speakers. She began by<br />

recounting an occasion, earlier in her<br />

career, when her audience was unable<br />

to receive her as an expert on feminist<br />

philosophy. The story stayed with many<br />

of us because it reflected the painful,<br />

hidden histories of speakers who do not<br />

conform to preconceptions of how a<br />

‘knower’ ought to look, be or think.<br />

These stories, if they are told at all, are<br />

normally the topic of hushed and<br />

anxious conversations, where the<br />

speaker’s close friends and colleagues<br />

express outrage and reassurance.<br />

Anderson, however, put her<br />

vulnerability on display.<br />

Her story was about a talk (also at<br />

Durham) on feminist philosophy. Before<br />

she arrived, the posters announcing the<br />

event had been defaced with the image<br />

of another Pamela Anderson: the<br />

Playboy model and actress who rose to<br />

fame in the 1990s. Anderson’s talk was<br />

particularly well attended – mostly by<br />

male students and philosophers drawn<br />

to it by interest in the other Pamela.<br />

From the outset, Anderson was not<br />

quite believed to be a philosopher<br />

because of her name. However, she was<br />

also accused by a prominent male<br />

philosopher of ‘disappointing’ her<br />

audience because the content of her<br />

epistemology was deemed to lack the<br />

‘particularity, concreteness and<br />

relationality required for women, and<br />

so, for “feminism”’.<br />

How do we respond when an<br />

audience is unable to recognise us as a<br />

'knower'? Sometimes, we are silenced<br />

because the audience refuses to listen.<br />

Sometimes, we pre-emptively silence<br />

ourselves, smothering our own voices<br />

because we risk too much by expressing<br />

those ideas, to that audience, at that<br />

time (see Dotson, ‘Tracking Epistemic<br />

Violence’, Hypatia, 26.2 (2011), 236-57).<br />

Sometimes, we soldier on, knowing that<br />

the audience will find it hard to hear us.<br />

We hope that if we appear invulnerable,<br />

we might be taken seriously. At the<br />

time, trying to appear invulnerable was<br />

Anderson’s reaction to being silenced.<br />

'How do we respond when an<br />

audience is unable to recognise<br />

us as a 'knower'? Sometimes,<br />

we are silenced because the<br />

audience refuses to listen.<br />

Sometimes, we pre-emptively<br />

silence ourselves'.<br />

I didn’t make it to hear Anderson’s paper<br />

in February, exhausted by my own<br />

performance as an invulnerable speaker<br />

and needing to recover some energy<br />

before collecting my young daughter,<br />

but afterwards my colleague and<br />

collaborator, Doerthe Rosenow, insisted<br />

that I read the text: 'You would have<br />

loved it. It resonated so much with<br />

everything we’ve talked about.' About<br />

the incident in Durham, Anderson said<br />

that she came to wonder what she might<br />

have done differently. She realised that<br />

nothing she could have done on her own<br />

could have made her a trustworthy<br />

'knower' to that particular audience.<br />

Women’s attempts to be recognised<br />

25

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