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OUP Women Composers Choral Catalogue

This catalogue draws together a complete list of choral titles by women composers published by Oxford University Press. The works encompass a wide variety of styles, subjects and voicings. You will find works by living composers including Sarah Quartel, Cecilia McDowall, Libby Larsen, Becky McGlade, Elaine Hagenberg and more, as well as historical composers including Rebecca Clarke, Grace Williams and Phyllis Tate.

This catalogue draws together a complete list of choral titles by women composers published by Oxford University Press. The works encompass a wide variety of styles, subjects and voicings. You will find works by living composers including Sarah Quartel, Cecilia McDowall, Libby Larsen, Becky McGlade, Elaine Hagenberg and more, as well as historical composers including Rebecca Clarke, Grace Williams and Phyllis Tate.

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<strong>Women</strong> <strong>Composers</strong><br />

<strong>Choral</strong> <strong>Catalogue</strong>


Contents<br />

4.........Breath of Song<br />

<strong>Women</strong> <strong>Composers</strong> <strong>Choral</strong> <strong>Catalogue</strong><br />

This catalogue draws together a complete list of choral titles by women composers published<br />

by Oxford University Press. The works encompass a wide variety of styles, subjects and voicings.<br />

You will find works by living composers including Sarah Quartel, Cecilia McDowall, Libby Larsen,<br />

Becky McGlade, Elaine Hagenberg and more, as well as historical composers including Rebecca<br />

Clarke, Grace Williams and Phyllis Tate.<br />

Within each composer section, the complete list of works are sorted A -Z, with a colour key<br />

defining if the piece is secular, sacred or Christmas. Larger choral works are highlighted with a<br />

pale blue shading.<br />

If you would like to find out more information about any of the composers or pieces featured in<br />

this catalogue, please get in touch.<br />

<strong>Catalogue</strong> Guide:<br />

<strong>Choral</strong> Octavo Secular<br />

<strong>Choral</strong> Octavo Sacred<br />

<strong>Choral</strong> Octavo Christmas<br />

Spirituals<br />

<strong>Choral</strong> Works Secular<br />

<strong>Choral</strong> Works Sacred<br />

<strong>Choral</strong> Works Christmas<br />

† - Title made available individually from an anthology in digital format only.<br />

6.........Kerry Andrew<br />

7.........Carol Barnett<br />

7.........Barbara Bell<br />

7.........Valerie Capers<br />

7.........Rebecca Clarke<br />

9.........Valerie Showers Crescenz<br />

10.......Sarah Dacey<br />

10.......Eleanor Daley<br />

12.......Reena Esmail<br />

13.......Jeanette Gallant<br />

13.......Malin Gavelin<br />

13.......Nina Gilbert<br />

14.......Elaine Hagenberg<br />

15.......Laura Hawley<br />

15.......Imogen Holst<br />

17.......Libby Larsen<br />

22.......Jenny Mahler<br />

22.......Cecilia McDowall<br />

32.......Becky McGlade<br />

34.......Jenny McLeod<br />

34.......Selga Mence<br />

34.......Dorothy Papadakos<br />

34.......Nina Perry<br />

35.......Elizabeth Poston<br />

35.......Rosephanye Powell<br />

36.......Sarah Quartel<br />

43......Andrea Ramsey<br />

43......Earlene Rentz<br />

44......Annabel Rooney<br />

44......Debra Scroggins<br />

45......Martha Shaffer<br />

45......Joan Szymko<br />

46......Hilary Tann<br />

47......Phyllis Tate<br />

52......Ellen Gilson Voth<br />

52......Judith Watson<br />

52......Nancy Wertsch<br />

53......Grace Williams<br />

2


INDIVIDUAL LEAFLETS<br />

Breath of Song<br />

10 works by women composers for<br />

unaccompanied SATB choir<br />

Compiled and edited by<br />

SARAH QUARTEL<br />

Wake, Love, Wake!<br />

Joan Szymko<br />

Vocal score - 9780193540798<br />

Digital - 9780193540804<br />

My beloved spake<br />

Becky McGlade<br />

Vocal score - 9780193540590<br />

Digital - 9780193540736<br />

God be with us<br />

Cecilia McDowall<br />

Vocal score - 9780193543904<br />

Digital - 9780193543928<br />

TaReKiTa<br />

Reena Esmail<br />

Vocal score - 9780193540750<br />

Digital - 9780193540774<br />

Breath of Song<br />

Breath of Song brings together ten dynamic and<br />

exciting original works by contemporary women<br />

composers. The collection features an eclectic mix of<br />

styles and colours, specially selected with modern<br />

concert programming in mind — from settings of<br />

hymn-like simplicity and a rich choral sound to works<br />

featuring theatrical body percussion and a fresh closeharmony<br />

style. Secular and sacred texts from across<br />

the centuries are given fresh life, and new words and<br />

sounds are introduced to the repertoire, including<br />

the onomatopoeic echoes of Hindustani classical<br />

instruments in Esmail’s ‘TaReKiTa’ and the whistling of<br />

the wind and birds in Hawley’s ‘The Arrow and the Song’.<br />

The Arrow and the Song<br />

Laura Hawley<br />

Vocal score - 9780193546769<br />

Digital - 9780193546776<br />

The Birds’ Lullaby<br />

Sarah Quartel<br />

Vocal score - 9780193543690<br />

Digital - 9780193543713<br />

Love Letter<br />

Sarah Dacey<br />

Vocal score - 9780193543881<br />

Digital - 9780193543898<br />

Snow is Silent<br />

Jenny Mahler<br />

Vocal score - 9780193544062<br />

Digital - 9780193544079<br />

CONTENTS:<br />

SARAH QUARTEL<br />

• Wake, Love, Wake! (Joan Szymko)<br />

• My beloved spake (Becky McGlade)<br />

• God be with us (Cecilia McDowall)<br />

• TaReKiTa (Reena Esmail)<br />

• The Arrow and the Song (Laura Hawley)<br />

• The Birds’ Lullaby (Sarah Quartel)<br />

• Love Letter (Sarah Dacey)<br />

• Snow is Silent (Jenny Mahler)<br />

• O ye who taste that Love is sweet (Eleanor Daley)<br />

• Round me falls the night (Annabel Rooney)<br />

O ye who taste that Love is sweet<br />

Eleanor Daley<br />

Vocal score -9780193541030<br />

Digital - 9780193543614<br />

Round me falls the night<br />

Annabel Rooney<br />

Vocal score -9780193544123<br />

Digital - 9780193544130<br />

4<br />

5


<strong>Choral</strong> Octavo Secular <strong>Choral</strong> Octavo Sacred <strong>Choral</strong> Octavo Christmas<br />

<strong>Choral</strong> Works Secular <strong>Choral</strong> Works Sacred <strong>Choral</strong> Works Christmas<br />

Kerry Andrew<br />

- Kerry Andrew -<br />

b. 1978<br />

Kerry Andrew is a composer, performer and author<br />

and the winner of four British Composer Awards.<br />

With a PhD in composition from the University of<br />

York, Kerry specialises in experimental vocal and<br />

choral music, music-theatre and community music,<br />

and as a performer, sings with the award-winning<br />

Juice Vocal Ensemble and with her alt-folk band You<br />

Are Wolf.<br />

The Contest of the Ivy and the<br />

Holly<br />

SATB unaccompanied<br />

Digital † 9780193544734<br />

Originally published in The Ivy and the Holly, Andrew’s<br />

polymetric setting of this traditional text is evocative<br />

and energetic, with sustained vocalizations and creative<br />

melodies that bounce around the voices.<br />

4 minutes<br />

The earth hath voice<br />

SATB (with soprano semi-chorus), piano, &<br />

optional percussion (bass drum, tam-tam/gong, &<br />

3 tom-toms)<br />

Vocal score 9780193379633<br />

This is a colourful and dramatic celebration of nature<br />

and its powerful and hypnotizing sounds. The listener is<br />

taken on a captivating journey through the natural world,<br />

via ‘tongues of thunders’, the ‘singing sea’, and ‘trumpetthroated<br />

winds’. Clustered harmonies, cross-rhythms,<br />

and vocal effects are combined with bell-like passages<br />

and rippling figurations in the piano, and the optional<br />

percussion part adds further rhythmic and dynamic<br />

interest. The semi-chorus part can be sung by one or more<br />

sopranos or a children’s choir.<br />

5 minutes<br />

- Carol Barnett -<br />

Angelus ad virginem<br />

SATB unaccompanied and opt. tambourine<br />

Vocal score 9780193393073<br />

This is a spirited arrangement of the popular fourteenthcentury<br />

carol for mixed voices, with an optional part for<br />

tambourine in the final verse. The familiar melody weaves<br />

between the vocal parts, and the piece is characterized<br />

by medieval harmonies and a rocking thirds motif. An<br />

English singing translation is presented alongside the<br />

original Latin, allowing choirs to perform the carol in either<br />

language.<br />

3 minutes<br />

- Barbara Bell -<br />

La Berceuse (French Lullaby)<br />

arr. Rutter<br />

SATB and piano or chamber orchestra<br />

Vocal score 9780193413870<br />

- Rebecca Clarke -<br />

1886 - 1979<br />

Rebecca Clarke was a self-styled ‘viola player and<br />

composer’. She studied composition with Sir Charles<br />

Stanford and her compositional output contains<br />

over 100 works (including juvenilia). Although<br />

most of her compositions are for the chamber<br />

instruments she had professional experience with,<br />

her mature songs are perhaps her finest body of<br />

work and they are widely performed and recorded.<br />

Barnett - Clarke<br />

Adam and the Mother<br />

SSATB (optional Soprano solo) unaccompanied<br />

Vocal score 9780193365674<br />

Combining a number of early lullaby texts in one setting,<br />

Adam and the Mother is a haunting carol recalling the fall<br />

of Adam. It combines irregular melodic lines with lilting<br />

ostinato passages and will appeal to experienced choirs<br />

looking for a unique addition to the Christmas repertory.<br />

4 minutes<br />

Charm<br />

SSAA unaccompanied<br />

Vocal score 9780193527560<br />

Digital 9780193544741<br />

Setting the modernized words of an Anglo-Saxon metrical<br />

charm, this thrilling piece is unusual, dramatic, and<br />

beguiling. Featuring a whispered list of potion ingredients<br />

for the intro and outro, it also includes whistling, modal<br />

touches, and some very funky riffs—to be performed with<br />

freedom, energy, and imagination!<br />

2.5 minutes<br />

Hevene Quene<br />

SATB unaccompanied<br />

Vocal score 9780193355606<br />

Digital 9780193550506<br />

The composer has combined a single line of Latin, ‘O virgo<br />

splendens’, with an earthy, late 13th-century Marian text<br />

in Middle English to create a work which reflects both<br />

the divine and the human qualities of the Virgin Mary.<br />

Beginning and ending with plainchant-style passages,<br />

Hevene Quene is by turns restrained, sparkling, pensive, and<br />

pleading. Suitable for the Feast of the Blessed Virgin Mary<br />

and for concert use, this is an approachable and rewarding<br />

anthem.<br />

5 minutes<br />

O lux beata Trinitas<br />

SATB unaccompanied<br />

Vocal score 9780193359055<br />

This luminescent setting of ‘O lux beata Trinitas’ (ascribed to<br />

St Ambrose) uses a variety of textures and vocal techniques<br />

to reflect the joy expressed in the text - from simple<br />

homophony to improvisatory techniques and free metre.<br />

Digital 9780193536357<br />

Hire conductor’s score and parts 9780193512047<br />

This charming carol, composed in 1975 by Barbara Bell,<br />

was discovered by John Rutter, who enlisted the help of<br />

John Suchet and Classic FM to track down the composer.<br />

Haunting in character, but with a delightful French waltz<br />

feel and a sweeping piano part, La Berceuse has been<br />

recorded by Voces8 on the Decca label.<br />

4 minutes<br />

- Valerie Capers -<br />

It Came upon the Midnight<br />

Clear<br />

Tenor Solo and SATB unaccompanied<br />

Vocal score 9780193864573<br />

Available from Banks Music Publishing<br />

Ave Maria<br />

SSA unaccompanied<br />

Vocal Score 9780193860803<br />

Digital 9780193560116<br />

This exquisite setting for SSA unaccompanied voices of a<br />

well-known Marian motet (in Latin) was the first of Rebecca<br />

Clarke’s choral works ever to be published.<br />

2 minutes<br />

Chorus from Shelley's 'Hellas'<br />

SSSAA unaccompanied<br />

Vocal Score 9780193861909<br />

Digital 9780193560109<br />

Although quite short, this is one of Clarke's boldest and,<br />

in some respects, most ambitious compositions. It sets<br />

Shelley's magnificent ode to the Evening Star.<br />

5.5 minutes<br />

5 minutes<br />

6<br />

7


<strong>Choral</strong> Octavo Secular <strong>Choral</strong> Octavo Sacred <strong>Choral</strong> Octavo Christmas<br />

<strong>Choral</strong> Works Secular <strong>Choral</strong> Works Sacred <strong>Choral</strong> Works Christmas<br />

Rebecca Clarke<br />

Come, oh come, my life's delight<br />

SATB unaccompanied<br />

Vocal Score 9780193866607<br />

Digital 9780193560147<br />

This is a lilting take on the Elizabethan lute-song full of<br />

smooth Stanford-like nineteenth-century harmonies,<br />

exquisitely tempered with modal effects.<br />

2 minutes<br />

He That Dwelleth in the Secret<br />

Place of the Most High<br />

SSAATTBB unaccompanied, SAATB soloists<br />

Vocal Score 9780193866614<br />

Digital 9780193560079<br />

He That Dwelleth evokes Holst and Vaughan Williams in<br />

their more visionary modes. This is especially true of the<br />

opening and closing passages with their gently bi-tonal<br />

effect that surrounds the highly varied and often quite<br />

passionate inner verses. The harmonies are bracing and the<br />

work is technically demanding.<br />

7 minutes<br />

A Lover's Dirge<br />

SATB unaccompanied<br />

Vocal Score 9780193866652<br />

Digital 9780193560086<br />

Taken at a slow processional tempo this work has a<br />

predominantly canonic texture. The syncopated passages<br />

are at once sombre and sensual, and the balancing<br />

homophonic phrases achieve real power. A short, fairly<br />

easy piece that establishes a compelling mood, it is<br />

suitable for school and adult choirs.<br />

2.5 minutes<br />

Music, when soft voices die<br />

SATB unaccompanied<br />

Vocal Score 9780193866669<br />

Digital 9780193560185<br />

Music, when soft voices die combines aspects of nineteenthcentury<br />

English pastoral style with some of the tonal<br />

adventurousness of Vaughan Williams's Shakespeare<br />

settings. This is an exceptionally beautiful setting of this<br />

familiar text.<br />

3.5 minutes<br />

My spirit like a charmed bark doth<br />

float<br />

SATB unaccompanied<br />

Vocal Score 9780193866676<br />

Digital 9780193560130<br />

This is one of Clarke's many pieces on love. It combines<br />

the English modality of earlier times with foretastes of the<br />

adventurous chromaticism of her later work. It is a lovely<br />

piece, enjoyable to sing, and creates a compelling mood.<br />

2.5 minutes<br />

Now fie on love<br />

TTBarB unaccompanied<br />

Vocal Score 9780193866621<br />

Digital 9780193560093<br />

Now fie on love is a rollicking glee with all the usual<br />

imitative points and a somewhat unusual allotment of<br />

brawny sarcasm. It makes an effective encore.<br />

1.5 minutes<br />

Philomela<br />

SATB unaccompanied<br />

Vocal Score 9780193866638<br />

Digital 9780193560161<br />

This is an appropriately aching setting of Sir Philip Sidney's<br />

poem of unending desire and longing. There are gorgeous<br />

chromatics and enharmonics and a masterful use of a<br />

triplet pattern which becomes the restless hunger driving<br />

the poem.<br />

5.5 minutes<br />

There is no rose<br />

Solo baritone & ATBarB unaccompanied<br />

Vocal Score 9780193866645<br />

Digital 9780193560154<br />

The setting is full of gentle hemiola and canonic effects,<br />

and makes much use of parallel sixths and thirds.<br />

3 minutes<br />

Weep you no more, sad fountains<br />

SATB unaccompanied<br />

Vocal Score 9780193866683<br />

Digital 9780193560178<br />

‘Weep you no more, sad fountains’ is a modern take on<br />

the Elizabethan lute-song, integrating the characteristic<br />

alternations of minor and major, fondness for crossrelations,<br />

and vivid word-painting. The synthesis is<br />

remarkably compelling.<br />

2.5 minutes<br />

When cats run home and light is<br />

come<br />

SATB unaccompanied<br />

Vocal Score 9780193866690<br />

Digital 9780193560123<br />

This work sets text by Tennyson and seems suitable to<br />

the type of picturesque Victorian part-song that Clarke<br />

emulated.<br />

2 minutes<br />

Christmas in Saint Petersburg<br />

SSAATTBB unaccompanied<br />

Vocal score 9780193868724<br />

2.5 minutes<br />

Crossing the Bar w<br />

SATB<br />

Vocal score 9780193868670<br />

Available from Banks Music Publications<br />

Just as he said<br />

SATB<br />

Vocal score 9780193858640<br />

Available from Banks Music Publications<br />

Loveliest of trees<br />

SATB and piano<br />

Vocal score 9780193869936<br />

A. E. Housman’s secular text ‘Loveliest of trees’ is a reflection<br />

of the beauty of nature from the perspective of a young<br />

person. The charming setting in 3/4 features gentle and<br />

sturdy arpeggios in the left hand of the piano balanced<br />

with accessible choral lines, which rock back and forth<br />

through modal and nostalgic harmonies.<br />

1.5 minutes<br />

Night of Dreams<br />

SATB<br />

- Valerie Showers Crescenz -<br />

Vocal score 9780193856653<br />

Available from Banks Music Publications<br />

Where Go the Boats?<br />

SA and piano<br />

Vocal score 9780193869943<br />

This wonderful poem by Robert Louis Stevenson explores<br />

the tender and inquisitive nature of the youthful mind.<br />

As a child casts his own miniature boat along the river, he<br />

wonders where it will end up, and where other children’s<br />

boats go. The melody rings of a children’s lullaby and the<br />

watery accompaniment flows along, just like the river<br />

depicted in the poem, which “flows along forever with<br />

trees on either hand.”<br />

Clarke - Crescenz<br />

2.5 minutes<br />

8<br />

9


<strong>Choral</strong> Octavo Secular <strong>Choral</strong> Octavo Sacred <strong>Choral</strong> Octavo Christmas<br />

<strong>Choral</strong> Works Secular <strong>Choral</strong> Works Sacred <strong>Choral</strong> Works Christmas<br />

Dacey - Daley<br />

Love Letter<br />

SATB unaccompanied<br />

- Sarah Dacey -<br />

Vocal score 9780193543881<br />

Digital 9780193543898<br />

Settings words from part of a letter by Edna St Vincent<br />

Millay to her lover Arthur Davison Ficke, this is a gentle,<br />

charming piece that celebrates our freedom to love. Also<br />

published in Breath of Song.<br />

3 minutes<br />

Angels visit when we sing<br />

SATB (with divisions) unaccompanied<br />

Vocal score 9780193869646<br />

This beautiful canticle sets a text by the distinguished<br />

American hymn-writer Thomas Troeger. Suitable for Easter<br />

and throughout the year.<br />

3 minutes<br />

Ave maris stella<br />

SATB unaccompanied<br />

Vocal score 9780193869585<br />

Suitable for the seasons of Advent and Christmas or for<br />

any Marian feast, this anthem takes as its starting point<br />

a reflective and compelling tune from Piae Cantiones, a<br />

sacred collection from 1582. Daley successfully creates<br />

a fresh new sound, however, by using contemporary<br />

harmonies.<br />

3.5 minutes<br />

- Eleanor Daley -<br />

b. 1955<br />

Born and raised in Parry Sound, Ontario, Canada,<br />

Eleanor Daley received her Bachelor of Music Degree<br />

in Organ Performance from Queen’s University in<br />

Kingston, Ontario, and holds diplomas in piano<br />

and organ from the Royal Conservatory of Music,<br />

Toronto and Trinity College, England. She has been<br />

the Director of Music at Fairlawn Avenue United<br />

Church in Toronto, Ontario since 1982.<br />

A prolific composer, Eleanor has a remarkable gift<br />

for melody. Her works are most notable for their<br />

sensitive interweaving of text and music.<br />

Christ hath a garden<br />

SATB unaccompanied<br />

Vocal score 9780193505209<br />

Set to an allegorical and evocative text by Robert<br />

Bridges, this gentle anthem is characterised by a simple,<br />

fluid melody which imparts a quiet sense of wonder.<br />

An instantly accessible and memorable setting, it is<br />

appropriate for many occasions.<br />

3 minutes<br />

Christ the Lord is ris’n today<br />

SATB and organ or brass quartet and timpani<br />

Vocal score 9780193804753<br />

Hire score & parts 9780193371194<br />

This Wesley text is set in a majestic and declamatory, just<br />

as one would expect from an Easter fanfare, with a hint<br />

of modal harmony, resulting in a strong and accessible<br />

Eastertide anthem.<br />

2.5 minutes<br />

Direct us, Lord through<br />

darkness<br />

SATB with divisions and organ<br />

Vocal score 9780193869639<br />

With text by American hymn-writer Thomas Troeger, this<br />

canticle includes an a cappella verse for textural contrast<br />

and a soprano descant brings the work to a powerful finish.<br />

2.5 minutes<br />

The hidden stream that feeds<br />

SATB (with divisions) unaccompanied<br />

Vocal score 9780193869554<br />

This canticle sets a text by the distinguished American<br />

hymn-writer Thomas Troeger. It is an accessible work<br />

whose opening bars suggest the gentle undulation of a<br />

stream. The exquisite tune receives varied treatment in<br />

each verse.<br />

3 minutes<br />

Hymn to God<br />

SATB unaccompanied<br />

Vocal score 9780193869547<br />

This lush setting of a text by John Donne is particularly<br />

appropriate during Lent but is also suitable for general use.<br />

4 minutes<br />

The Lake Isle of Innisfree<br />

SSA and piano<br />

Vocal score 9780193426528<br />

Digital 9780193537408<br />

A simple, delightful setting of a Yeats poem which<br />

embraces nature’s beauty and the secret joy of solitude.<br />

3 minutes<br />

Let all the world in ev’ry corner<br />

sing<br />

SATB and piano or organ<br />

Vocal score 9780193804739<br />

Eleanor Daley sets well-loved texts by George Herbert<br />

in this suite of three pieces. They may be performed<br />

separately as part of a church service, or together for an<br />

impressive concert piece. This suite is particularly suitable<br />

for Easter and Trinity Sunday.<br />

1.5 minutes<br />

Love Never Ends<br />

SATB unaccompanied and Solo or semi-chorus<br />

Vocal score 9780193805071<br />

The text from Corinthians, ‘Love is patient, Love is kind’<br />

set as a descant above a repeated, polyphonic, and<br />

homophonic SATB chant of the Latin text Ubi caritas et<br />

amor Deus ibi est.<br />

3 minutes<br />

Make our church one joyful choir<br />

SATB (with divisions) unaccompanied<br />

Vocal score 9780193869653<br />

This canticle sets a text by the distinguished American<br />

hymn-writer Thomas Troeger. It enlivens Troeger’s already<br />

joyful text with an exciting 7/8 rhythm and a thrilling<br />

soprano descant.<br />

2 minutes<br />

My soul is exceeding sorrowful<br />

SATB unaccompanied<br />

Vocal score 9780193505216<br />

This highly effective setting of the Tenebrae Responsories<br />

powerfully captures the sense of anguish and tension<br />

inherent in the text. Emotive chromatic harmonies and<br />

brief passages of strong unison writing combine to create a<br />

poignantly expressive Lenten anthem.<br />

3 minutes<br />

Eleanor Daley<br />

10<br />

11


<strong>Choral</strong> Octavo Secular <strong>Choral</strong> Octavo Sacred <strong>Choral</strong> Octavo Christmas<br />

<strong>Choral</strong> Works Secular <strong>Choral</strong> Works Sacred <strong>Choral</strong> Works Christmas<br />

Daley - Esmail<br />

O come, let us sing unto the Lord<br />

SATB & organ<br />

Vocal score 9780193869578<br />

This is an exuberant setting of Psalm 95. A memorable<br />

rhythmic pattern is established by the organ toccata<br />

as it alternates between 4/4 and 7/8 for the outer<br />

sections of the anthem. The inner section offers a more<br />

straightforward setting of the text ending in D major, softer<br />

and a cappella.<br />

3.5 minutes<br />

O ye who taste that Love is sweet<br />

SATB unaccompanied<br />

Vocal score 9780193541030<br />

Digital 9780193543614<br />

This is a warm and tender piece setting the last three<br />

verses of Christina Rossetti’s ‘What good shall my life do<br />

me?’, which encourages leading a life of love as an example<br />

for others.<br />

3 minutes<br />

Upon Your Heart<br />

SATB unaccompanied and soli or semi-chorus<br />

Vocal score 9780193426511<br />

Digital 9780193537392<br />

This is a straightforward and effective anthem set to a<br />

well-known text from the Song of Solomon, reinforcing the<br />

message of love’s power to bind people together.<br />

3 minutes<br />

Veni Creator Spiritus<br />

SATB unaccompanied<br />

Vocal score 9780193869561<br />

This gentle, calm anthem fills a need in the repertoire for<br />

Pentecost. It begins with a statement of the traditional<br />

chant tune accompanied by a homophonic ostinato in the<br />

upper voices. The original hymn then sounds in the inner<br />

voices, and the work concludes with a restatement of the<br />

opening motifs.<br />

2 minutes<br />

Indian-American composer Reena Esmail works<br />

between the worlds of Indian and Western classical<br />

music, and brings communities together through<br />

the creation of equitable musical spaces.<br />

Esmail is the Los Angeles Master <strong>Choral</strong>e’s 2020-<br />

2023 Swan Family Artist in Residence, and Seattle<br />

Symphony’s 2020-21 Composer-in-Residence.<br />

Previously, she was named a 2019 United States<br />

Artist Fellow in Music, and the 2019 Grand Prize<br />

Winner of the S & R Foundation’s Washington Award.<br />

TaReKiTa<br />

- Reena Esmail -<br />

b. 1983<br />

SATB or SSAA or TTBB unaccompanied<br />

SATB vocal score 9780193540750<br />

SATB Digital 9780193540774<br />

SSAA vocal score 9780193552173<br />

SSAA Digital 9780193552180<br />

TTBB vocal score 9780193560833<br />

TTBB Digital 9780193560956<br />

TaReKiTa is a refreshing concert piece that effortlessly<br />

blends the Indian and Western classical styles. The<br />

composer’s scats are combined with a fast triple metre,<br />

vocal slides, and captivating melodies built on the Jog<br />

raga. Also published in Breath of Song.<br />

2 minutes<br />

- Jeanette Gallant -<br />

Marie Madeleine<br />

SATB or SSAA body percussion, & spoons<br />

SATB vocal score 9780193543775<br />

SATB Digital 9780193543782<br />

SSAA vocal score 9780193543751<br />

SSAA Digital 9780193543768<br />

Gallant’s take on this Acadian folksong is lively and<br />

engaging, featuring the quintessential elements of the<br />

tradition: podorythmie (seated foot-tapping), diddlage<br />

(mouth music), and the spoons. With playful vocal slides<br />

and energetic rhythmic motifs, this arrangement offers a<br />

modern twist on this well-loved melody from the French-<br />

Canadian oral tradition.<br />

3.5 minutes<br />

Håll mig kvar/Hold me fast<br />

arr. Nilson<br />

SAATBB unaccompanied<br />

Vocal score 9780193394278<br />

Digital 9780193536159<br />

The signature tune for the award-winning Swedish<br />

a cappella group Vocado, this poignant love song is<br />

characterized by mixed messages: the lover wants to leave,<br />

but can’t quite bring himself to walk out the door.<br />

4.5 minutes<br />

I got a robe<br />

SATB unaccompanied<br />

- Malin Gavelin -<br />

- Nina Gilbert -<br />

Vocal score 9780193860940<br />

Available from Banks Music Publications<br />

2 minutes<br />

Irish Carol<br />

SATB<br />

Vocal score 9780193858732<br />

Available from Banks Music Publications<br />

3 minutes<br />

Pandangguhan (Dancing the<br />

Pandanggo)<br />

TTBB unaccompanied<br />

Vocal score 9780193867369<br />

Tagalog is the major language of the Philippines, related to<br />

the Indonesian language.<br />

Gallant - Gilbert<br />

3.5 minutes<br />

12<br />

13


<strong>Choral</strong> Octavo Secular <strong>Choral</strong> Octavo Sacred <strong>Choral</strong> Octavo Christmas<br />

<strong>Choral</strong> Works Secular <strong>Choral</strong> Works Sacred <strong>Choral</strong> Works Christmas<br />

Elaine Hagenberg<br />

- Elaine Hagenberg -<br />

Elaine Hagenberg’s music “soars with eloquence<br />

and ingenuity” (ACDA <strong>Choral</strong> Journal). Her awardwinning<br />

compositions are performed worldwide<br />

and frequently featured at American <strong>Choral</strong><br />

Directors Association conferences, All-State festivals,<br />

Carnegie Hall, and other distinguished international<br />

concert halls from Australia to South America and<br />

throughout Europe.<br />

In addition to composing full-time, Elaine actively<br />

engages in bringing her music to life as the guest<br />

artist and featured clinician for professional<br />

conferences and festivals both in the U.S. and<br />

abroad as a composer, conductor, and accompanist<br />

of her work.<br />

My Companion<br />

SATB (with divisions) unaccompanied<br />

Vocal score 9780193527515<br />

Digital 9780193531512<br />

This is a tender setting of a text by American poet Edith<br />

Franklin Wyatt that speaks of companionship and the joys<br />

of sharing it as we travel along the road of life. Hagenberg<br />

employs her characteristically rich harmonic language to<br />

create a piece with great depth and immediacy.<br />

5 minutes<br />

The Arrow and the Song<br />

Alto solo & SSATB or SSSAAA unaccompanied<br />

SATB Vocal score 9780193546769<br />

SATB Digital 9780193546776<br />

SSSAAA vocal score 9780193550889<br />

SSSAAA Digital 9780193550896<br />

This imaginative setting of Henry Wadsworth Longfellow’s<br />

poem encourages the use of evocative bird and wind<br />

noises to capture the text’s natural imagery. In a fresh, a<br />

cappella style, Hawley’s charismatic melodies soar through<br />

the vibrant texture, and offer plenty of opportunities for<br />

soloists. Also published in Breath of Song.<br />

4 minutes<br />

- Laura Hawley -<br />

- Imogen Holst -<br />

All under the leaves<br />

(The Seven Virgins)<br />

SSA unaccompanied<br />

Vocal score 9780193403727<br />

Available from Banks Music Publications<br />

Cheerfull Ayres or Ballads<br />

SSA unaccompanied<br />

Vocal score 9780193511767<br />

Available from Banks Music Publications<br />

Cherry, holly, and ivy<br />

SATB unaccompanied<br />

Vocal score 9780193511750<br />

Vocal score available from Banks Music Publications<br />

Greensleeves<br />

SSA unaccompanied<br />

Vocal score 9780193403925<br />

Available from Banks Music Publications<br />

Hawley - Holst<br />

I must live all alone<br />

SSA unaccompanied<br />

A Farewell<br />

SATB (with divisions) unaccompanied<br />

Vocal score 9780193394858<br />

Available from Banks Music Publications<br />

Vocal score 9780193522664<br />

Digital 9780193537897<br />

Based on Frances Anne Kemble’s poem ‘An Entreaty’, this<br />

enchanting piece describes the experience of leaving a<br />

beloved time and place. Lush, expressive harmonies and<br />

lyrical melodies create a touching musical manifestation of<br />

Kemble’s poignant words.<br />

4 minutes<br />

The Music of Stillness<br />

SATB (with divisions) and piano<br />

Vocal score 9780193517929<br />

Digital 9780193537422<br />

The Music of Stillness is a beautiful and emotive setting of<br />

Sara Teasdale’s poem ‘There Will Be Rest’. Sonorously scored<br />

choral phrases conjure up images of ‘stars shining, rooftops<br />

covered with snow, crystal peace...finding the music of<br />

stillness’.<br />

In heaven it is always Autumn<br />

SSSAA unaccompanied<br />

Vocal score 9780193413528<br />

Available from Banks Music Publications<br />

Six Traditional Carols (First Set)<br />

SSA unaccompanied<br />

Vocal score 9780193532038<br />

These short, simple settings are suitable for choirs<br />

beginning to sing in parts. Each part is easy enough to be<br />

learnt by rote if necessary, and each setting is short enough<br />

for choirs to learn by heart.<br />

Available from Banks Music Publications<br />

3.5 minutes<br />

14<br />

15


<strong>Choral</strong> Octavo Secular <strong>Choral</strong> Octavo Sacred <strong>Choral</strong> Octavo Christmas<br />

<strong>Choral</strong> Works Secular <strong>Choral</strong> Works Sacred <strong>Choral</strong> Works Christmas<br />

Imogen Holst<br />

Six Traditional Carols (Second Set)<br />

SSA unaccompanied<br />

Vocal score 9780195366419<br />

These short, simple settings are suitable for choirs<br />

beginning to sing in parts. Each part is easy enough to be<br />

learnt by rote if necessary, and each setting is short enough<br />

for choirs to learn by heart.<br />

Contents:<br />

O little town<br />

In dulci jubilo<br />

God rest you merry<br />

This Endris night<br />

Lord Jesus hath a garden<br />

Joseph dearest<br />

Six Traditional Carols (Third Set)<br />

SSA or SSAA unaccompanied<br />

Vocal score 9780193532052<br />

These short, simple settings are suitable for choirs<br />

beginning to sing in parts. Each part is easy enough to be<br />

learnt by rote if necessary, and each setting is short enough<br />

for choirs to learn by heart.<br />

Available from Banks Music Publications<br />

Six Traditional Carols (Fourth Set)<br />

SSA or SSSA unaccompanied<br />

Vocal score 9780193532069<br />

These short, simple settings are suitable for choirs<br />

beginning to sing in parts. Each part is easy enough to be<br />

learnt by rote if necessary, and each setting is short enough<br />

for choirs to learn by heart.<br />

Available from Banks Music Publications<br />

The Sun’s Journey<br />

Cantata for women’s voices and chamber orchestra<br />

or piano<br />

Hire conductor’s, vocal scores & parts 9780193369238<br />

25 minutes<br />

The Twelve Kindly Months<br />

SSA unaccompanied<br />

Vocal score 9780193511743<br />

Available from Banks Music Publications<br />

Welcome Joy and Welcome<br />

Sorrow<br />

SSA and harp or piano<br />

Hire vocal, conductor’s scores and parts 9780193369054<br />

Six songs for SSA chorus, and harp or piano to words by<br />

John Keats .<br />

12 minutes<br />

A Simple Gloria<br />

SATB unaccompanied<br />

- Libby Larsen -<br />

b. 1950<br />

Libby Larsen is one of America’s most prolific and<br />

most performed living composers. She has created a<br />

catalogue of over 200 works spanning virtually every<br />

genre from intimate vocal and chamber music to<br />

massive orchestral and choral scores. Her music has<br />

been praised for its dynamic, deeply inspired, and<br />

vigorous contemporary American spirit.<br />

In April 2003, the Library of Congress announced<br />

Libby Larsen’s appointment as the first holder<br />

of the Harissios Papamarkou Chair in Education<br />

and Technology in the John W. Kluge Center. She<br />

has received numerous awards and accolades,<br />

including a 1994 Grammy, and has held residencies<br />

with the California Institute of the Arts, the Arnold<br />

Schoenberg Institute, the Charlotte Symphony, and<br />

the Colorado Symphony. Larsen’s many commissions<br />

and recordings are a testament to her fruitful<br />

collaborations with a long list of world-renowned<br />

artists, including The King’s Singers, Benita Valente,<br />

and Frederica von Stade, among others. Her works<br />

are widely recorded on such labels as Angel/EMI,<br />

Nonesuch, Decca, and Koch International.<br />

Libby Larsen is a vigorous and articulate champion<br />

of the music and musicians of our time. Recognized<br />

as a leader in the generation of millennium thinkers,<br />

Libby Larsen’s music and ideas have refreshed the<br />

concert music tradition and the composer’s role in it.<br />

Vocal score 9780193404809<br />

Digital 9780193531192<br />

At April<br />

SATB and piano<br />

Digital † 9780193546677<br />

From the collection Love Songs, ‘At April’ sets a text by<br />

American activist Angelina Weld Grimké. Scored for SATB<br />

and piano, and featuring a driving accompaniment, this<br />

piece is a wild dance of spring, youth, and freedom.<br />

2.5 minutes<br />

The Ballerina and the Clown<br />

SAA and harp<br />

Vocal score 9780193866737<br />

Seven songs for children’s chorus (SAA) and harp to texts<br />

by Sally M. Gall. The Ballerina and the Clown develops a<br />

completely new story inspired by some of Hans Christian<br />

Andersen’s charming papercuts.<br />

17 minutes<br />

Canticle of Mary<br />

SSA and piano duet or chamber orchestra<br />

Vocal score 9780193859852<br />

Hire conductor’s score and parts 9780193859869<br />

An unusually joyous setting in which straightforward vocal<br />

lines portray Mary’s humility, and the accompaniment<br />

expresses exuberance and freedom of spirit. This is a<br />

strikingly original setting of the Canticle for concert rather<br />

than liturgical use.<br />

9 minutes<br />

Clinging<br />

SATB & piano<br />

Digital † 9780193546684<br />

From the collection Love Songs, ‘Clinging’ explores a<br />

woman’s experiences of losing love, both past and present.<br />

Scored for SATB and piano, its use of discords creates a<br />

sense of poignancy while the overall slow tempo conveys<br />

an atmosphere which is regretful yet resolved.<br />

4 minutes<br />

Day Song<br />

SSA unaccompanied<br />

Vocal score 9780193862418<br />

An exuberant song of rejoicing at the dawn, with a catchy,<br />

toe-tapping refrain of ‘Cry jubilee’.<br />

3 minutes<br />

Libby Larsen<br />

Originally published in the anthology, An American<br />

Christmas, this is a serene setting of a macaronic text by<br />

M. K. Dean describing the song the angels sang for the<br />

birth of the Christ-child.<br />

4 minutes<br />

16<br />

17


<strong>Choral</strong> Octavo Secular <strong>Choral</strong> Octavo Sacred <strong>Choral</strong> Octavo Christmas<br />

<strong>Choral</strong> Works Secular <strong>Choral</strong> Works Sacred <strong>Choral</strong> Works Christmas<br />

Libby Larsen<br />

Dear Love<br />

SATB unaccompanied<br />

Digital † 9780193546707<br />

From the collection Love Songs, ‘Dear Love’ sets a<br />

text by American writer Willa Cather. Scored for SATB<br />

unaccompanied, this meditation on the universality of love<br />

features rich, lucid harmonies and creates a hauntingly<br />

wistful atmosphere.<br />

3.5 minutes<br />

Dirty No Gooder Blues<br />

SATB and piano<br />

Digital † 9780193546745<br />

From the collection Love Songs, ‘Dirty No Gooder Blues’<br />

is a raucous composition which pays homage to worldrenowned<br />

blues singer and lyricist Bessie Smith. Scored for<br />

SATB and piano, it features Smith’s lyrics alongside bluesinfluenced<br />

rhythms and harmonies.<br />

4 minutes<br />

Eine kleine Snailmusik<br />

Treble voices or SSA and double bass<br />

Vocal score 9780193864351<br />

Larsen’s fun setting of a sweetly humorous text by May<br />

Sarton will provide enjoyable and rewarding learning for<br />

school or amateur choirs. The contrabass part would also<br />

be suitable for the younger pupil.<br />

3 minutes<br />

Eleanor Roosevelt<br />

Speaker, mezzo-soprano solo, SATB Chorus<br />

(playing percussion), and ensemble<br />

Hire conductor’s score and parts 9780193860384<br />

Hire vocal scores 9780193371231<br />

A dramatic cantata, based on the life of Eleanor Roosevelt,<br />

which is vibrant, varied, and in the end deeply moving. This<br />

is a striking programming choice for a dedicated chorus and<br />

an accomplished speaker. Text by Sally M. Gall.<br />

Vocal score available on sale from Banks Music Publications<br />

35 minutes<br />

Eternal Ruler of the ceaseless<br />

round<br />

SATB, organ, and opt. congregation<br />

Vocal score 9780193404809<br />

Commissioned for the American Guild of Organists 2014<br />

National Convention in Boston, Eternal Ruler of the ceaseless<br />

round is a joyful and exuberant setting of the well-known<br />

hymn by John Chadwick.<br />

Fanfare and Alleluia<br />

SATB, 2 trumpets, 2 trombones, handbells, chimes,<br />

organ<br />

Vocal score 9780193860414<br />

Available from Banks Music Publications<br />

2 minutes<br />

Flee we to our Lord<br />

SATB unaccompanied<br />

Vocal score 9780193869349<br />

This is a lovely, hushed and meditative hymn that is simple<br />

and eloquent. The brevity and expressive beauty of this<br />

piece can be equally used in both sacred and secular<br />

settings.<br />

4 minutes<br />

God so loved the world<br />

SATB unaccompanied<br />

Vocal score 9780193856646<br />

This is a moving arrangement of the familiar passage from<br />

the Book of John. Larsen takes an original melody and<br />

arranges beautiful harmonies underneath with delicate<br />

suspensions.<br />

3 minutes<br />

i am a little church<br />

SATB and organ<br />

Vocal score 9780193868885<br />

This ravishing setting of a heartfelt and emotional poem by<br />

e. e. cummings captures a sense of the ineffable place of<br />

faith in existence that transcends mere worship, doctrine,<br />

even humankind itself. The musical setting is mostly<br />

consonant, bittersweet, and well-attuned to the emotional<br />

content of the words.<br />

4 minutes<br />

I find my feet have further goals<br />

SATB unaccompanied<br />

Vocal score 9780193861527<br />

The music, superficially simple with a gently rocking<br />

rhythm framing a declamation of the text, allows the words<br />

to speak for themselves whilst simultaneously enhancing<br />

their expressive power.<br />

3 minutes<br />

I It Am: The Shewings of Julian of<br />

Norwich<br />

Soprano, countertenor, baritone soli, SSAATTBB<br />

chorus, and orchestra<br />

Hire conductor’s score and parts 9780193866768<br />

Hire vocal scores 9780193866775<br />

A cantata, in five movements, is an exposition of human<br />

experience revealed to us through the writings of Julian of<br />

Norwich and her European contemporaries. Focussing on<br />

a theme of unity (one is all = all is one), Larsen researched<br />

periods of history where cultures coexisted in a civilisation<br />

of respect and admiration leading her to the Andulusian<br />

and European culture of the period around 750- 1492, and<br />

the teaching that within each person is dark and light, and<br />

through experiences, as humans we ultimately love.<br />

17 minutes<br />

I just lightning<br />

SSAA and percussion<br />

Vocal score 9780193860445<br />

Percussion part 9780193860452<br />

A riveting setting for women’s voices and percussion of<br />

a Mexican Indian chant evoking the Divine Spirit and<br />

praying for healing and spiritual strength. Full of Larsen’s<br />

characteristic atmospheric effects and vivid word-painting,<br />

the text and music celebrate the significance of women in<br />

the quest for spiritual enlightenment.<br />

Percussion part available from Banks Music Publications<br />

7 minutes<br />

I will sing and raise a psalm<br />

SATB and organ<br />

Vocal score 9780193860438<br />

I will sing and raise a psalm has a text from St Francis of<br />

Assisi and works well as a concert piece or as an anthem.<br />

The music is rewarding for organist and choir alike. The<br />

conclusion, with its evocative radiance, is especially<br />

attractive.<br />

4 minutes<br />

If I Could Stop One Heart<br />

From Breaking<br />

SSA chorus and chamber orchestra<br />

Conductor’s score and parts on hire 9780193865907<br />

Originally the last movement of Today, this spring, the<br />

work reflects the infinite joyous spirit of two women who<br />

succumbed to breast cancer and their courageous example<br />

of peacefulness in the face of adversity. Also published in<br />

Flexible <strong>Choral</strong> Songs.<br />

3 minutes<br />

Invitation to Music<br />

SATB and piano/string quartet/orchestra<br />

Vocal score 9780193860704<br />

Conductor’s score and parts on hire 9780193860711<br />

A haunting depiction of the “magic made by melody . . .<br />

Held in the arms of rhythm and of sleep”, from a poem by<br />

Elizabeth Bishop.<br />

5 minutes<br />

Is God, our endless day<br />

SATB unaccompanied<br />

Vocal score 9780193864092<br />

This is an affirmation of faith through music, which Larsen<br />

describes as ‘perhaps the strongest means we have to<br />

recall the moment of God’s touch’.<br />

3 minutes<br />

Jack’s Valentine<br />

SSAA unaccompanied<br />

Vocal score 9780193865952<br />

This piece is the brash inside echo of what so many of us<br />

stumble to put into words in the outside world. Aldeen<br />

Humphreys’ poem is a tribute to Jack Kerouac and is a little<br />

packet of courage for shy lovers.<br />

1.5 minutes<br />

Looking at each other<br />

SATB & piano<br />

Digital † 9780193546691<br />

From the collection Love Songs, ‘Looking at each other’ sets<br />

a text by renowned poet Muriel Rukeyser. Scored for SATB<br />

and piano, this piece uses paired voices and parallel thirds<br />

to explore the image of two people long acquainted and<br />

attracted to each other. Recurring motifs and clipped piano<br />

phrases enhance the atmosphere of tension.<br />

3 minutes<br />

Lord, before this fleeting season<br />

SATB unaccompanied<br />

Vocal score 9780193864085<br />

3 minutes<br />

Libby Larsen<br />

4.5 minutes<br />

18<br />

19


<strong>Choral</strong> Octavo Secular <strong>Choral</strong> Octavo Sacred <strong>Choral</strong> Octavo Christmas<br />

<strong>Choral</strong> Works Secular <strong>Choral</strong> Works Sacred <strong>Choral</strong> Works Christmas<br />

Libby Larsen<br />

Love Songs<br />

SATB and piano<br />

Vocal score 9780193861336<br />

Five songs for SATB chorus and piano on texts by<br />

twentieth-century women poets. Each has a unique<br />

perspective on love, ranging from reflections on loss, to the<br />

delights of everyday familiarity, and the thrill of spring and<br />

new passions.<br />

Contents:<br />

Looking at each other (Muriel Rukeyser)<br />

Clinging (Jeanne Shepard)<br />

Dirty No Gooder Blues (Bessie Smith)<br />

Dear Love (Willa Cather)<br />

At April (Angelina Weld Grimke)<br />

18 minutes<br />

May Sky<br />

SSAATTBB unaccompanied<br />

Vocal score 9780193866225<br />

Commissioned for the 2002 World <strong>Choral</strong> Symposium, ‘May<br />

Sky’ is based on haiku written by Japanese and Japanese-<br />

American detainees in camps in the American West.<br />

6 minutes<br />

Natus est Emmanuel<br />

SSAA unaccompanied<br />

Vocal score 9780193865730<br />

This works sets an anonymous text from Piae Cantiones<br />

(1562), with a poetic translation by Philip Freeman.<br />

3.5 minutes<br />

The Nothing That Is<br />

Baritone solo, SATB choir, 3 speakers, and chamber<br />

ensemble<br />

Hire conductor’s, vocal score and parts 9780193370128<br />

A contemplation of faith in supreme being through faith<br />

in numbers, in particular the mystical number zero. With<br />

excerpts from Apollo 13 flight transcript, Psalms 90, 13,<br />

and 131, Ptolemy, John Donne, Charles Pierce, and John F.<br />

Kennedy, adapted by Larsen.<br />

36 minutes<br />

Psalm 121<br />

SSSAAA unaccompanied<br />

Vocal score 9780193863644<br />

A setting of the familiar psalm text with interpolations from<br />

nature writings by the American naturalist John Muir and<br />

by Patricia Hennings.<br />

9 minutes<br />

Reasons for Loving the<br />

Harmonica<br />

SATB and piano<br />

Vocal score 9780193866218<br />

This short, light-hearted setting of a Julie Kane text is<br />

suitable for school or youth choirs, its homophonic texture<br />

and fun words making it easy to learn.<br />

4 minutes<br />

Ring the bells<br />

SSA and piano<br />

Vocal score 9780193861534<br />

A sparkling, joyous, celebratory piece for upper voices,<br />

suitable for a wide variety of secular and sacred occasions.<br />

Originally written for a school choir, it is equally effective<br />

with adult singers.<br />

2 minutes<br />

A Salute to Louis Armstrong<br />

SATB and piano<br />

Vocal score 9780193862289<br />

Digital 9780193541016<br />

This salute to the spirit of Louis Armstrong breathtakingly<br />

incorporates ‘Basin Street Blues’, ‘Lady be good’, ‘Tiger Rag’,<br />

‘When the saints go marching in’, and more surprisingly<br />

excerpts from ‘Clair de Lune’ and from Brahms’ A flat major<br />

Piano Serenade. It is in one movement, which may be<br />

performed on its own, taken from the choral suite Seven<br />

Ghosts.<br />

3 minutes<br />

Seven Ghosts<br />

Soprano solo, SATB chorus, and brass ensemble<br />

Vocal score 9780193860087<br />

Hire conductor’s score and parts 9780193860094<br />

A brilliant choral celebration of seven American legends<br />

(Phillis Wheatley, George Washington, Jenny Lind, Harriet<br />

Beecher Stowe, Clyde William Thornbaugh, Charles<br />

Lindbergh, Louis Armstrong). Energetic and appealing,<br />

the music culminates in a wordless finale which celebrates<br />

Louis Armstrong and the jazz clubs of the 1930s by mixing<br />

up six familiar classics.<br />

25 minutes<br />

So Blessedly it Sprung<br />

SATB and piano or oboe, viola, and harp<br />

Vocal score 9780193861299<br />

Score and parts 9780193861954<br />

This is a setting of two twelfth-century poems where the<br />

choral parts flow in a chant-like way, interrupted by ecstatic<br />

bursts, sometimes of purely instrumental colour. Both the<br />

singer and the audience will be swept up in the ecstasy of<br />

the birth and the peacefulness of renewal.<br />

8 minutes<br />

Song - Dances to the Light<br />

Narrator, children’s chorus, full orchestra, and Orff<br />

instruments<br />

Chorus part (including speaker) 9780193859951<br />

Hire conductor’s score and parts 9780193859975<br />

Hire Orff instrumental parts 9780193859968<br />

Hire vocal scores 9780193859944<br />

A setting of specially-written texts by children, the subject<br />

matter is the sun, the moon, and the stars. The songs are<br />

linked by spoken narration, resulting in a rich and vivid<br />

tapestry.<br />

19 minutes<br />

Sweet and Sour Nursery Rhymes<br />

SATB and french horn<br />

Vocal score 9780193862760<br />

French horn part 9780193862777<br />

Using as its basis two traditional nursery rhymes and an<br />

achingly nostalgic poem by Eugene Field, Larsen deftly<br />

captures the essence of childhood in her clever setting<br />

of the three texts whilst offering her own, more adult,<br />

interpretations to the moral of each.<br />

9 minutes<br />

Today, this spring<br />

SSAA and piano<br />

Vocal score 9780193860407<br />

This set of three pieces for treble voices and piano was<br />

commissioned by David L. Cooper and Thomas Scott in<br />

remembrance of David’s wife and Tom’s sister, both of<br />

whom succumbed to breast cancer.<br />

8 minutes<br />

Western Songs 1: Buffalo Gals<br />

SATB unaccompanied<br />

Vocal score 9780193869387<br />

The arrangements by turn spin contrapuntal and<br />

antiphonal textures then relax into meltingly beautiful<br />

chords, while glissandi and yipping vocal slides evoke the<br />

sounds of the barn dance and the cattle drive.<br />

3 minutes<br />

Western Songs 2: Green grow the<br />

lilacs<br />

SATB unaccompanied<br />

Vocal score 9780193869400<br />

3.5 minutes<br />

Western Songs 3: The Ol’ Chisholm<br />

Trail<br />

SATB unaccompanied<br />

Vocal score 9780193869424<br />

9 minutes<br />

The Witches Trio<br />

SSAA unaccompanied<br />

Vocal score 9780193863958<br />

Larsen’s take on the famous witches’ incantation, ‘Double,<br />

double, toil and trouble,’ from Shakespeare’s Macbeth is<br />

filled with lurid word-painting and rhythmic tricks.<br />

4.5 minutes<br />

The Womanly Song of God<br />

SSSSAAAA unaccompanied<br />

Vocal score 9780193867550<br />

The choir acts both as a singing group and as a drumming<br />

group, spinning sung rhythmic patterns into a buoyant<br />

accompaniment to the sung text. As the piece progresses,<br />

foot-stomping and hand-clapping is added to make a<br />

vibrant song-dance.<br />

7 minutes<br />

A Young Nun, Singing<br />

SSA unaccompanied<br />

Vocal score 9780193868557<br />

A Young Nun, Singing, is a collection of four poems<br />

arranged to tell the story of a young woman, chafing at her<br />

parents’ plans for her, faced with the prospects of marriage<br />

or a life of seclusion.<br />

7 minutes<br />

Libby Larsen<br />

20<br />

21


<strong>Choral</strong> Octavo Secular <strong>Choral</strong> Octavo Sacred <strong>Choral</strong> Octavo Christmas<br />

<strong>Choral</strong> Works Secular <strong>Choral</strong> Works Sacred <strong>Choral</strong> Works Christmas<br />

Mahler - McDowall<br />

Snow is Silent<br />

SATB, body percussion & congas<br />

Vocal score 9780193544062<br />

Digital 9780193544079<br />

An energetic piece setting a text full of natural imagery.<br />

Mahler’s catchy melodies are combined with speech,<br />

body percussion, and congas to imitate the contrasting<br />

characteristics of rain. Dramatic and expressive - this is<br />

the perfect performance piece to get stuck into! Also<br />

published in Breath of Song.<br />

2.5 minutes<br />

- Jenny Mahler -<br />

Cecilia McDowall has a distinctive style which<br />

speaks directly to listeners, instrumentalists and<br />

singers alike. Her most characteristic works fuse<br />

fluent melodic lines with occasional dissonant<br />

harmonies and rhythmic exuberance. Her<br />

music has been commissioned and performed<br />

by leading choirs (including the BBC Singers,<br />

Kansas City <strong>Choral</strong>e, and the Choir of King’s<br />

College, Cambridge), ensembles, and at festivals<br />

worldwide.<br />

McDowall has won many awards and been shortlisted<br />

eight times for the British Composer Awards.<br />

In 2014 she won in the <strong>Choral</strong> category for her<br />

haunting work, Night Flight.<br />

McDowall’s works are regularly broadcast on BBC<br />

Radio and readily available on CD. Recent releases,<br />

which include her work, are The Sixteen’s ‘Song<br />

of the Nativity’ (Coro), St John’s College Choir,<br />

Cambridge’s, ‘Christmas with St John’s’ (Hyperion)<br />

and Trinity College Choir Cambridge’s ‘Cecilia<br />

McDowall: Sacred <strong>Choral</strong> Music (Hyperion).<br />

Adoro te devote<br />

SSATB unaccompanied<br />

Vocal score 9780193408272<br />

Setting part of a Eucharistic hymn text by Thomas<br />

Aquinas, this piece is flowing and expressive. It features<br />

homophonic sections, melismatic lines, and optional<br />

soaring soprano solos. Adoro te devote is dedicated to the<br />

memory of the victims of the Nepalese Earthquake in 2015.<br />

4 minutes<br />

- Cecilia McDowall -<br />

b. 1951<br />

Advent Moon<br />

SATB, organ, and opt. handbells<br />

Vocal score 9780193403406<br />

Through luminous choral harmonies, images of a winter<br />

night, and echoes of scripture, Advent Moon evokes deep<br />

human longing as well as the promise of the coming of<br />

light. The delicate organ accompaniment and optional<br />

handbells underscore both the haunting opening and the<br />

radiant conclusion of this piece.<br />

4 minutes<br />

Alma Redemptoris Mater<br />

SSATBB unaccompanied<br />

Vocal score 9780193378339<br />

This is a beautiful six-part unaccompanied Marian motet<br />

written for the Marian Consort. The work combines<br />

reminiscences of Renaissance settings of this text with<br />

McDowall’s distinctive contemporary voice.<br />

4.5 minutes<br />

Annunciation<br />

SATB (with divisions) unaccompanied<br />

Vocal score 9780193519770<br />

Digital 9780193537866<br />

Annunciation is an expressive and expansive Advent<br />

carol based on words from John Donne’s Holy Sonnets.<br />

McDowall creates a captivating atmosphere as the voices<br />

explore a soundworld that is mystical, reflective, and<br />

bright. The sensitive part-writing and accessible vocal lines<br />

will enable choirs of all types to profess the carol’s message<br />

of ‘salvation to all’.<br />

4 minutes<br />

As Each Leaf Dances<br />

Soprano solo, SSATB, and organ<br />

Vocal score 9780193517868<br />

As Each Leaf Dances is a setting of a powerful text by Kevin<br />

Crossley-Holland about the cruelty of child abuse being<br />

overcome by love and kindness. Reflecting this, the first<br />

section features a relentless organ part, jagged vocal lines,<br />

and dissonant harmonies, before giving way to a jaunty,<br />

dancing, and uplifting second section.<br />

6 minutes<br />

Ash Wednesday<br />

SATB and organ<br />

Vocal score 9780193524200<br />

Digital 9780193538528<br />

Ash Wednesday sets typically fervent verses by Christina<br />

Rossetti. The vocal lines are mostly simple and affecting,<br />

with some highly individual harmonies, while the organ<br />

part is by turns expressive and showy.<br />

Aurea luce<br />

SATB (with divisions) and organ<br />

Vocal score 9780193378063<br />

Commissioned and first performed by the choir of<br />

Liverpool Cathedral, this anthem is ideal for use during<br />

the Feast of Saints Peter and Paul. The choral lines move<br />

between sonorous homophonic writing and vibrant<br />

imitative passages, and are underpinned by a repeated<br />

quaver motif in the organ, combining a sense of joy with<br />

moments of reflection.<br />

4.5 minutes<br />

Ave Maria<br />

SSA unaccompanied<br />

Vocal score 9780193355569<br />

Digital 9780193535770<br />

This is the second and most intimate of the composer’s<br />

Three Latin Motets. Scored for upper voices, this gentle<br />

supplication to the Virgin is built on a plainchant opening,<br />

and contains expressive dissonances and suspensions in a<br />

setting of great purity and directness.<br />

2 minutes<br />

Ave maris stella<br />

SATB and string orchestra or keyboard<br />

Vocal score 9780193359499<br />

Hire conductor’s score and parts 9780193362277<br />

Vocal score on hire 9780193376748<br />

This beautiful and moving piece in seven sections<br />

combines text from the Ave maris stella antiphon and<br />

Psalms 26 and 106. Starting and finishing in a mood of<br />

peace and certainty, the work is structured around a<br />

turbulent middle section anticipating the gathering storm.<br />

12 minutes<br />

Ave Regina<br />

SSATB unaccompanied<br />

Vocal score 9780193355576<br />

The first of Three Latin Motets, ‘Ave Regina’ is a gentle and<br />

lyrical setting of the text ‘Hail, Queen of the Heavens’.<br />

The calm and memorable opening phrase is hinted at in<br />

passages of more intensity, and its partial statement at the<br />

end leaves it lingering after the voices have faded away.<br />

2 minutes<br />

Cecilia McDowall<br />

5 minutes<br />

22<br />

23


<strong>Choral</strong> Octavo Secular <strong>Choral</strong> Octavo Sacred <strong>Choral</strong> Octavo Christmas<br />

<strong>Choral</strong> Works Secular <strong>Choral</strong> Works Sacred <strong>Choral</strong> Works Christmas<br />

Cecilia McDowall<br />

Be not afeard<br />

SSATB unaccompanied<br />

Vocal score 9780193525627<br />

Digital 9780193538665<br />

An atmospheric and expressive setting of Caliban’s dream<br />

from Shakespeare’s The Tempest, this piece transports<br />

the listener to a dream-like place. McDowall effectively<br />

employs melismas and ornaments to create a sense<br />

of the other-worldly, and her rich harmonies perfectly<br />

characterize the reverie the protagonist describes.<br />

3 minutes<br />

Before the paling of the stars<br />

SATB and organ<br />

Vocal score 9780193396951<br />

This tender carol sets an affecting text by Christina Rossetti<br />

that tells the story of Jesus’s birth. In classic McDowall<br />

style, the setting explores a variety of choral textures and<br />

is interspersed with unexpected harmonies, creating a<br />

range of musical colours. The organ part provides a gentle,<br />

supportive accompaniment.<br />

4 minutes<br />

Bless to me this day<br />

SSA or SATB and piano or organ<br />

SSA Vocal score 9780193386211<br />

SSA Digital 9780193535879<br />

SATB Digital † 9780193545434<br />

Bless to me this day is a tranquil setting of ‘The Journey<br />

Prayer’ from the Celtic compendium Carmina Gadelica.<br />

The sense of prescient optimism is captured in the flowing<br />

piano part, while the simplicity of the vocal lines enables<br />

the text to be imparted with warmth and sincerity.<br />

4 minutes<br />

Brightest Star<br />

SSATB unaccompanied<br />

Vocal score 9780193532113<br />

Digital 9780193539617<br />

Written to commemorate the centenary of the foundation<br />

of the International Federation of the Red Cross and Red<br />

Crescent Societies, Brightest Star sets a powerful text by<br />

Seán Street. The poem describes the call for assistance<br />

made by the occupied Channel Islands in 1944 and the<br />

response of the Red Cross ship, the Vega, which came to<br />

their aid, drawing parallels between this story and the light<br />

and hope of the seasons of Christmas and Epiphany.<br />

4 minutes<br />

Candlemas<br />

SSATB and organ<br />

Vocal score 9780193396982<br />

McDowall’s Candlemas is a celebratory and powerful piece.<br />

Making use of choral divisions and suspensions, and a<br />

dynamic organ part, this setting of Denise Levertov’s text is<br />

reverent, yet joyous, and is ideal for a liturgical setting.<br />

5 minutes<br />

Cecilia, Busy Like a Bee<br />

Soprano solo and SSATB unaccompanied<br />

Vocal score 9780193413757<br />

Cecilia, Busy Like a Bee is a reflective and reverential setting<br />

of a text adapted from the Divine Office for St Cecilia’s Day.<br />

The influence of plainchant is particularly apparent in the<br />

soprano solo, and McDowall intersperses effective imitative<br />

passages amidst homophonic writing with rich harmonies.<br />

5.5 minutes<br />

Celestial Fire<br />

SSATB and organ<br />

Vocal score 9780193396999<br />

The hymn ‘Come, Holy Ghost’ lies at the heart of Celestial<br />

Fire. Here, McDowall has woven the exquisite poetry of<br />

Denise Levertov into this expressive and uplifting piece.<br />

At times quietly meditative, Celestial Fire unfolds to a most<br />

joyous, affirmative conclusion.<br />

4 minutes<br />

Christ is the morning star<br />

SATB and organ<br />

Vocal score 9780193408289<br />

This lively setting of the Venerable Bede’s Christ is the<br />

morning star contains rich harmonies, compelling<br />

modulations, and a flowing organ accompaniment. It is<br />

perfect for services and concerts throughout Advent.<br />

3.5 minutes<br />

Christus Natus Est<br />

Soprano solo, SATB, children’s choir, and piano/<br />

organ/chamber orchestra/brass<br />

Vocal score 9780193358935<br />

Hire score and parts - brass quintet 9780193359178<br />

Hire score and parts - chamber version 9780193359185<br />

Hire vocal scores 9780193376755<br />

This Christmas cantata presents a sequence of five carols.<br />

McDowall gives the familiar melodies a colourful, new<br />

harmonic treatment, and the arrangements range in<br />

atmosphere from tenderness to joyful exaltation.<br />

Personent Hodie • Entre le boeuf • Gaudete • Infant holy,<br />

infant lowly • Angelus ad virginem<br />

15 minutes<br />

Come Home, Little Sister<br />

SSAA and piano<br />

Vocal score 9780193518216<br />

Digital 9780193537453<br />

This spring-like poem, by poet Kevin Crossley-Holland, is<br />

an affectionate salutation to a newborn babe. The poet<br />

tells that the parents couldn’t decide on a name for their<br />

baby, and that they will welcome her into the garden of the<br />

world and wait for her to ‘declare’ herself. After a hushed<br />

introduction of welcomes, the voices burst into a dancelike<br />

song in celebration of the new arrival’s homecoming.<br />

5.5 minutes<br />

Cradle Song<br />

SA and piano<br />

Digital † 9780193545762<br />

This exquisite lullaby setting of a William Blake text is taken<br />

from the collection For Him all Stars.<br />

2 minutes<br />

Da Vinci Requiem<br />

Soprano solo, baritone solo, SATB, and orchestra<br />

Vocal score 9780193519022<br />

Hire conductor’s score and parts 9780193528697<br />

Hire vocal scores 9780193530195<br />

This significant seven-movement work from Cecilia<br />

McDowall presents an imaginative pairing of extracts<br />

from The Notebooks of Leonardo da Vinci with texts from<br />

the Latin Missa pro defunctis. Da Vinci’s reflective and<br />

penetrating insights into the nature of mortality and all<br />

that it encompasses cast new light on the familiar Requiem<br />

texts, and McDowall employs her orchestral forces to create<br />

a rich, atmospheric backdrop to the profound narrative<br />

presented by the chorus and soprano and baritone soloists.<br />

Dark, sonorous writing precedes an energetic ‘Sanctus’,<br />

and the closing bars of the luminous ‘Lux aeterna’ create a<br />

powerful allusion to da Vinci’s concept of ‘The Perspective<br />

of Disappearance’.<br />

35 minutes<br />

De Profundis (Night Raid)<br />

SSATB and organ<br />

Vocal score 9780193522954<br />

Digital 9780193538375<br />

This atmospheric anthem commemorates the First World<br />

War. It sets a stark English text by Dr Joseph Spence<br />

alongside Latin text from Psalm 130, with the words ‘In<br />

memoriam’ added. The lower parts sing Spence’s English<br />

text, conveying the relentless hardship of life in the<br />

trenches with declamatory and constantly developing<br />

vocal lines. The sopranos, meanwhile, repeat the Latin<br />

words from Psalm 130, providing a striking contrast in their<br />

constancy and otherworldliness.<br />

5.5 minutes<br />

Deus, portus pacis<br />

SSATB unaccompanied<br />

Vocal score 9780193368347<br />

This anthem sets a medieval English poem to<br />

contemplative music with all the hallmarks of McDowall’s<br />

style: expressive melismas, well-placed astringent<br />

harmonies, and a strong modal feel.<br />

5.5 minutes<br />

Drink the Sky<br />

SA, piano, and percussion<br />

Vocal score 9780193393516<br />

Digital 9780193536135<br />

This is an uplifting setting of a text by Christie Dickason<br />

that characterizes the sky in an imaginative way. The<br />

melodies are underpinned by a dynamic piano part, often<br />

featuring rippling quavers, with characterful interjections<br />

from the glockenspiel and suspended cymbal.<br />

4.5 minutes<br />

Easter Light<br />

SATB and organ<br />

Vocal score 9780193415713<br />

Digital 9780193537095<br />

With a newly written text by Angier Brock, this compelling<br />

anthem is a welcome addition to the traditional Easter<br />

repertoire. Easter Light explores a variety of styles and<br />

colours, from organ solos suggestive of the song of the<br />

Eastern meadowlark to a meditative section in the manner<br />

of plainchant.<br />

4.5 minutes<br />

Everyday Wonders: The Girl from<br />

Aleppo<br />

SSAA or upper voices and SATB, solo violin, and<br />

piano<br />

Upper voices and SATB vocal score 9780193522589<br />

SSAA vocal score 9780193533868<br />

Violin part 9780193524842<br />

Everyday Wonders: The Girl from Aleppo tells the<br />

extraordinary story of Nujeen Mustafa, a Kurdish teenager<br />

with cerebral palsy forced by war to flee her home and<br />

embark on an arduous journey to Europe with her sister.<br />

In this five-movement cantata Nujeen’s story—recounted<br />

in her biography ‘The Girl from Aleppo’ (co-authored by<br />

Christina Lamb)—is retold by Kevin Crossley-Holland and<br />

richly scored by Cecilia McDowall. A wealth of musical<br />

effects are employed to capture the narrative, including<br />

chorales, rhythmic spoken sections, body percussion, and<br />

a solo violin part infused with Middle Eastern flavours. The<br />

prevailing mood of Nujeen’s story is embodied by the final<br />

line of a chorale that bookends this unique concert work:<br />

‘singing the song of life itself.’<br />

18 minutes<br />

Cecilia McDowall<br />

24<br />

25


<strong>Choral</strong> Octavo Secular <strong>Choral</strong> Octavo Sacred <strong>Choral</strong> Octavo Christmas<br />

<strong>Choral</strong> Works Secular <strong>Choral</strong> Works Sacred <strong>Choral</strong> Works Christmas<br />

Cecilia McDowall<br />

A Fancy of Folksongs<br />

SATB and harp or piano<br />

Vocal score 9780193368767<br />

Harp part 9780193368750<br />

Hire vocal scores 9780193376779<br />

Hire harp part 9780193376762<br />

This delightful work brings together arrangements of four<br />

well-loved folksongs: ‘Green Bushes’, ‘The Rambling Sailor’,<br />

‘The Crystal Spring’, and ‘O, No John!’. A joyful celebration<br />

of youthful love and courtship, it bears all the hallmarks of<br />

McDowall’s appealing and popular style: rhythmic vitality,<br />

occasional astringent harmonies, and strong melodies,<br />

creating a distinctive and fresh sound.<br />

11 minutes<br />

Gaude et laetare<br />

SATB and organ<br />

Vocal score 9780193401495<br />

Digital 9780193535893<br />

For this joyous piece, McDowall sets a text from the<br />

Ambrosian Rite celebrating the Virgin Mary’s recent<br />

motherhood. The lively organ accompaniment and strong<br />

rhythmic drive create an instantly celebratory mood.<br />

3.5 minutes<br />

God be with us<br />

SATB unaccompanied<br />

Vocal score 9780193543904<br />

Digital 9780193543928<br />

This uplifting anthem sets the Invocation text from<br />

Carmina Gadelica. McDowall’s beautiful melodies flow and<br />

intertwine, decorated by scotch snaps that reflect the text’s<br />

origin. Suitable for services or concerts. Also published in<br />

Breath of Song.<br />

2.5 minutes<br />

God is light<br />

SSATB unaccompanied<br />

Vocal score 9780193415652<br />

God is Light sets lines from Psalm 139, 1 Thessalonians,<br />

and 1 John. It moves from an unsettled tonality at the<br />

beginning, through anguished false relations and wistful<br />

expressivity, to find triumphant resolution in a blazing A<br />

major at the end. Like all of McDowall’s music, it is well<br />

crafted and singable.<br />

5 minutes<br />

I know that my redeemer liveth<br />

SSA(A)TB unaccompanied<br />

Vocal score 9780193417557<br />

Digital 9780193537217<br />

This attractive motet was written for performance<br />

alongside Brahms’s Requiem, following the precedent of<br />

Handel’s famous setting of the same text being sung at the<br />

premiere of the Requiem in 1868. The gracefully sculpted<br />

music clothes the text with touching melodies, expressive<br />

harmonies, and varied sonorities.<br />

4.5 minutes<br />

I obey thee, O Lord (Lacrimosa)<br />

SATB (with divisions) and piano or organ<br />

Vocal score 9780193529052<br />

Digital 9780193531673<br />

The third movement of McDowall’s powerful Da Vinci<br />

Requiem, ‘I obey thee, O Lord’ is a compelling pairing of the<br />

‘Lacrimosa’ text from the Latin Missa pro defunctis with<br />

extracts from The Notebooks of Leonardo da Vinci, and has<br />

a poignant, tender simplicity. The composer has reworked<br />

the keyboard part from the parent work to facilitate<br />

performance by piano or organ.<br />

4.5 minutes<br />

Jesu, the very thought of thee<br />

SSAATTBB and organ<br />

Vocal score 9780193378346<br />

This poignant anthem was originally composed to be sung<br />

at a funeral. It is a beautifully composed work, sufficiently<br />

sombre for such an occasion, but with a celebratory<br />

element that is uplifting and comforting.<br />

8.5 minutes<br />

Joy and Woe are woven fine<br />

SSATB unaccompanied<br />

Vocal score 9780193385504<br />

This poignant anthem, with text by William Blake, was<br />

originally composed to be sung at a funeral. It is a<br />

beautifully composed work, sufficiently sombre for such an<br />

occasion, but with a celebratory element which is uplifting<br />

and comforting.<br />

2.5 minutes<br />

Light Eternal<br />

SSATB, organ, and opt. tubular bell or handbell<br />

Vocal score 9780193394698<br />

Light Eternal brings together the liturgical text for<br />

Remembrance, Lux Aeterna, and the evocative poetry<br />

of Denise Levertov. Commissioned as part of a trilogy,<br />

Light Eternal has a haunting and exotic quality, the music<br />

beautifully illustrating the sense of the texts. Suitable<br />

for Remembrance and other occasions of solemn<br />

commemoration.<br />

4 minutes<br />

Lo! He slumbers in his manger<br />

SATB unaccompanied<br />

Vocal score 9780193535671<br />

Digital 9780193539624<br />

McDowall’s setting of Isaac Watts’ Cradle Hymn is beautifully<br />

tender, coloured by its rich harmonies, suspensions, and<br />

chromatic notes. The melodies are complemented by<br />

‘oo’s and ‘ah’s and rock gently with the changing time<br />

signatures, before ending unexpectedly in the tonic major.<br />

2.5 minutes<br />

The Lord is Good<br />

Two soprano soloists and SATB (with divisions)<br />

unaccompanied<br />

Vocal score 9780193382657<br />

This engagingly written piece sets the Lamentations of<br />

Jeremiah. The overlapping passages of music passed<br />

between the soloists and the choir create a dramatic effect,<br />

whilst the harmonic language gives the music a sense of<br />

regret.<br />

5 minutes<br />

Love Incorruptible<br />

SSATB unaccompanied<br />

Vocal score 9780193524194<br />

Digital 9780193538511<br />

Love Incorruptible sets words from Ephesians that explore<br />

the themes of love and kindness. The anthem begins with<br />

the directive ‘Let all bitterness and wrath and anger be<br />

put away, awake!’, set in a way that engenders a mood of<br />

reflection and hopefulness. The tender central section is<br />

built around the words ‘Be kind, tender-hearted, one to<br />

another’, while the closing section presents a compelling<br />

contrast of emphatic ‘awake!’ declarations in the upper<br />

voices and punchily rhythmic repetitions of the titular<br />

words in the lower voices.<br />

4 minutes<br />

Love’s Philosophy<br />

SSATB unaccompanied<br />

Vocal score 9780193407855<br />

Setting a well-known poem by Percy Shelley, Love’s<br />

Philosophy is a sweet and tender choral song reflecting<br />

on the idea of love with reference to nature and the<br />

interdependent relationships evident in the world around<br />

us. Mellifluous choral writing and sighing ‘ah’ interjections<br />

convey the sometimes wistful feel of Shelley’s words, and<br />

numerous repetitions of ‘thou’ at the end of the piece<br />

emphasize the theme of unrequited or lost love.<br />

4 minutes<br />

The Loving Memory<br />

SATB (with divisions) and organ<br />

Vocal score 9780193514461<br />

This joyous, upbeat anthem sets a compelling poem by<br />

contemporary poet Seán Street in response to a text by<br />

sixteenth-century Bishop of Norwich John Parkhurst<br />

on the subject of ‘alma mater’. The text encourages us<br />

to appreciate the past, our education, and where it can<br />

lead, reflecting on the profound ties we can form to a<br />

time or a place. The bright, driving organ part, with solo<br />

interjections, is juxtaposed with sustained vocal writing<br />

and its rich, lush harmonies.<br />

4 minutes<br />

Magnificat<br />

SATB, soprano solo, mezzo-soprano solo, and<br />

chamber orchestra or piano<br />

2 ob (I+ca), bn, str<br />

Vocal score 9780193359482<br />

Hire conductor’s score and parts 9780193364820<br />

Hire vocal score 9780193376786<br />

McDowall has skilfully united luscious harmonies with<br />

fresh melodies and crisp rhythms in this vibrant work.<br />

Divided into six movements, Magnificat is ideal for SATB<br />

choirs seeking fresh and inspiring new sacred repertoire<br />

suitable for concert use.<br />

28 minutes<br />

Missa Mariae<br />

SSA and organ<br />

Vocal score 9780193417540<br />

Digital 9780193537200<br />

This concise Latin mass setting is entirely suitable for<br />

liturgical use, but the sharply delineated characters of the<br />

different movements make it also an appealing concert<br />

work. The organ part is supportive, but full of interest and<br />

not merely accompanimental. Particularly memorable are<br />

the Gloria, with its constantly shifting time-signatures, and<br />

the haunting Agnus Dei.<br />

Cecilia McDowall<br />

11 minutes<br />

26<br />

27


<strong>Choral</strong> Octavo Secular <strong>Choral</strong> Octavo Sacred <strong>Choral</strong> Octavo Christmas<br />

<strong>Choral</strong> Works Secular <strong>Choral</strong> Works Sacred <strong>Choral</strong> Works Christmas<br />

Cecilia McDowall<br />

Night Flight<br />

SSATB and cello<br />

Vocal score 9780193408227<br />

Cello part 9780193408210<br />

Night Flight was written to mark the centenary of Harriet<br />

Quimby’s pioneering flight across the English channel.<br />

Setting texts by Sheila Bryer on the powers of the sea,<br />

earth, and air, McDowall uses vocal clusters and haunting<br />

solo cello lines to highlight the sense of fear, awe, and<br />

majesty experienced by an individual pitted against the<br />

elements.<br />

13 minutes<br />

Now is the Time<br />

SATB or SSA and piano<br />

SATB Vocal score 9780193512603<br />

SATB Digital 9780193544581<br />

SSA Digital † 9780193545441<br />

Written for the 2016 ‘Requiem to Cancer’ event at St Paul’s<br />

Church, Covent Garden, Now is the Time sets hopeful and<br />

inspirational words by Marie Curie. McDowall’s setting is<br />

optimistic and appealing, with charming interplay between<br />

the voices and piano.<br />

3.5 minutes<br />

Now may we singen<br />

SATB unaccompanied<br />

Vocal score 9780193396968<br />

Digital 9780193525030<br />

Setting a fifteenth-century English text containing some<br />

short Latin passages, this is a joyful, dance-like carol with<br />

a medieval feel. The spirited, lilting melody begins in the<br />

sopranos and altos but is passed round the choir, while the<br />

other voices add stirring harmonies and bell-like drones to<br />

the texture. ‘Now may we singen’ was originally published<br />

in the New Horizons collection The Ivy and the Holly.<br />

4 minutes<br />

O Oriens<br />

SSATB (with divisions) unaccompanied<br />

Vocal score 9780193388369<br />

Digital 9780193524996<br />

A setting of one of the seven Advent ‘O’ Antiphons, O<br />

Oriens makes use of luxurious and exotic harmonies,<br />

creating a shimmering texture reminiscent of the biblical<br />

Morning Star referenced in the title. The focus on human<br />

enlightenment in winter’s darkness means the piece is<br />

equally suitable for secular celebrations of Christmas.<br />

3.5 minutes<br />

O sing unto the Lord<br />

SATB (with divisions) and organ<br />

Vocal score 9780193410794<br />

Digital 9780193536753<br />

This joyful setting of Psalm 98 is a bright and celebratory<br />

anthem of praise. The intricate organ writing offsets<br />

emphatic statements from the choir full of melodic<br />

and harmonic interest while grounded in assertive<br />

homorhythm.<br />

4 minutes<br />

Photo 51<br />

SSATB unaccompanied<br />

Vocal score 9780193543621<br />

Digital 9780193549067<br />

Composed for International <strong>Women</strong>’s Day, this<br />

mesmerising piece celebrates the centennary of Rosalind<br />

Franklin and sets her own words with additional text<br />

by the poet Seán Street. McDowall’s tribute to this<br />

underappreciated chemist and crystallographer combines<br />

intricate, intertwining melodies with ethereal harmonies<br />

beautifully capturing Franklin’s part in the discovery of the<br />

double helix structure.<br />

4 minutes<br />

A Prayer of St Columba<br />

SATB or SABar and organ or piano<br />

SATB Vocal score 9780193533844<br />

SATB Digital 9780193533851<br />

SABar Vocal score 9780193519053<br />

SABar Digital 9780193531222<br />

A Prayer of St Columba is an expressive and emotive<br />

anthem with appealing, arching melodies underpinned by<br />

a sparkling organ part.<br />

3.5 minutes<br />

A Prayer to St John the Baptist<br />

SATB and organ<br />

Vocal score 9780193527836<br />

Digital 9780193531529<br />

A Prayer to St John the Baptist sets an artfully crafted text<br />

that combines Guido d’Arezzo’s Ut queant laxis (itself a<br />

Hymn to John the Baptist, as well as a medieval musicteaching<br />

mnemonic) with Thomas Merton’s poem on<br />

the same subject. The organ’s flowing quavers represent<br />

Merton’s baptismal ‘rivers of water’, while the largely<br />

octatonic melodies conjure a tellingly mysterious<br />

atmosphere.<br />

4 minutes<br />

Preces and Responses<br />

SATB unaccompanied<br />

Vocal score 9780193381483<br />

This set of Preces and Responses was commissioned by the<br />

London Festival of Contemporary Church Music for their<br />

2010 festival. The work is uplifting, beautifully crafted, and<br />

perfect for those seeking new material for the liturgy.<br />

6 minutes<br />

The Presence<br />

SATB double choir unaccompanied<br />

Vocal score 9780193511989<br />

Digital 9780193537798<br />

This joyous, upbeat anthem sets a compelling poem by<br />

contemporary poet Seán Street in response to a text by<br />

sixteenth-century Bishop of Norwich John Parkhurst on<br />

the subject of ‘alma mater’. The text encourages us to<br />

appreciate the past, and our education, and where it can<br />

lead, reflecting on the profound ties we can form to a<br />

time or a place. The bright, driving organ part, with solo<br />

interjections, is juxtaposed with sustained vocal writing<br />

with rich, lush harmonies.<br />

5 minutes<br />

Psalm 65<br />

Soprano solo, SATB, organ or keyboard, and opt.<br />

trumpet<br />

Vocal score 9780193400948<br />

Trumpet part 9780193412538<br />

This joyful and richly expressive choral cantata is a setting<br />

of what is often thought of as a Thanksgiving psalm or<br />

a psalm in praise of Harvest time. From its atmospheric<br />

opening through to its upbeat ending, the work contrasts<br />

driving rhythms with quietly reflective passages for<br />

soprano solo. Performable with or without trumpet, Psalm<br />

65 is a vibrant concert work and a great joy to sing.<br />

12 minutes<br />

A red, red rose<br />

Soprano solo and SSATB<br />

Vocal score 9780193400917<br />

Written for the wedding of the composer’s niece in 2012,<br />

this piece affectionately sets a poem of the same title<br />

by Robert Burns. It was first performed by Chantage in<br />

London’s Church of Scotland, St Columba’s, conducted by<br />

James Davey. With something intrinsically Scottish about<br />

it, this setting of the well-loved poem, although written<br />

specifically for a wedding, would suit almost any occasion.<br />

5 minutes<br />

Regina Caeli<br />

SSAA or SATB unaccompanied<br />

SSAA vocal score 9780193400955<br />

SATB vocal score 9780193439221<br />

SATB Digital 9780193537941<br />

This hymn to the ‘Queen of the Heavens’ is a glorious work,<br />

replete with dramatic changes of mood and texture. The<br />

majestic chords of the opening bars quickly give way to<br />

a spirited exchange between the voices. This pattern of<br />

contrasts is repeated throughout the piece before the<br />

final jubilant chords fade away to pianissimo. This is an<br />

approachable and rewarding motet, appropriate for any<br />

time of the year and, in particular, the Feast of the Blessed<br />

Virgin Mary and Eastertide.<br />

3 minutes<br />

Rise heart; thy Lord is risen<br />

SSATB unaccompanied<br />

Vocal score 9780193532694<br />

Digital 9780193532700<br />

This expressive, proclamatory setting of verses from<br />

George Herbert’s ‘Easter’ features eminently singable vocal<br />

lines, antiphonal writing, and imaginative word-painting.<br />

4 minutes<br />

Shipping Forecast<br />

SSATB and piano or string orchestra<br />

Vocal score 9780193379725<br />

Hire conductor’s score and parts 9780193386877<br />

Shipping Forecast is in three movements: ‘Donegal’, ‘They<br />

that go down to the sea in ships’, and ‘Naming’. The first<br />

and last movements are settings of poems by the poet,<br />

broadcaster, and academic, Seán Street. In ‘Donegal’,<br />

snatches of the shipping forecast are woven into the<br />

atmospheric texture of the poem. The second movement<br />

is a setting of the Psalm 107: 23-26 | 28-29. Energetic, in<br />

perpetual motion, and rhythmic, ‘Naming’ drives the whole<br />

work to an upbeat finish.<br />

13 minutes<br />

Sigh no more, ladies<br />

SATB and piano<br />

Digital † 9780193545427<br />

To mark the four hundredth anniversary of the death of<br />

William Shakespeare, the anthology Shall I compare thee?<br />

features ten Shakespeare settings by Oxford composers.<br />

This piece by Cecilia McDowall sets the famous text from<br />

Much Ado About Nothing and is available separately in<br />

digital format.<br />

3 minutes<br />

Cecilia McDowall<br />

28<br />

29


<strong>Choral</strong> Octavo Secular <strong>Choral</strong> Octavo Sacred <strong>Choral</strong> Octavo Christmas<br />

<strong>Choral</strong> Works Secular <strong>Choral</strong> Works Sacred <strong>Choral</strong> Works Christmas<br />

Cecilia McDowall<br />

Some corner of a foreign field<br />

Tenor solo, SATB (with divisions), strings, and<br />

harp<br />

Vocal score 9780193404540<br />

Hire conductor’s score and parts 9780193404526<br />

Hire vocal material 9780193411517<br />

Written as part of McDowall’s tenure as composer in<br />

residence at Dulwich College, Some corner of a foreign field<br />

was commissioned to mark the centenary of the First World<br />

War. A profoundly moving cantata, it draws on biblical texts<br />

associated with the acclaimed pupil of Dulwich College,<br />

Sir Ernest Shackleton, his 1916 Antarctic Expedition,<br />

and Rupert Brooke. This beautiful work, with its lustrous<br />

harmonies and its poignant tenor solo, offers choirs an<br />

immensely rewarding experience.<br />

18 minutes<br />

Stabat Mater<br />

Baritone solo, SATB, children’s choir or semi-chorus,<br />

and small orchestra or keyboard<br />

fl, cl, bn, 2 hn, hp, str<br />

Vocal score 9780193400498<br />

Hire conductor’s score and parts 9780193401501<br />

Hire vocal scores 9780193401518<br />

McDowall’s setting of the Stabat Mater comprises seven<br />

movements in a symmetrical structure. A plaintive<br />

meditation on the sorrows of the Virgin Mary as she stands<br />

by the Cross, McDowall’s Stabat Mater is a sophisticated<br />

modern alternative to more well-known settings.<br />

30 minutes<br />

A Time for all Seasons<br />

Soprano solo, upper voices, SSATB, piano,<br />

and opt. percussion<br />

Vocal score 9780193411487<br />

An evocative cantata that explores the complexities of the<br />

human condition. The well-known ‘To every thing there is a<br />

season’ text from Ecclesiastes is interwoven with a modernday<br />

reworking of verses by poet Kevin Crossley-Holland.<br />

McDowall’s impressive range of musical styles, effective<br />

antiphonal writing, and juxtaposition of textures create a<br />

meaningful experience for the listener. The part for upper<br />

voices may also be sung by a children’s choir.<br />

18 minutes<br />

Vita Mundo<br />

SATB and organ<br />

Vocal score 9780193402850<br />

A setting of Psalm 127 (Unless the Lord builds the house),<br />

this compelling anthem possesses a luminescent quality<br />

supported by radiant harmonic textures. It is framed by<br />

Latin text taken from the Saxon stone cross at St Paul’s,<br />

Jarrow, associated with St Bede, and set in quasi-plainchant<br />

fashion. Psalm 127 is one of the Psalms of Ascent, often<br />

occurring throughout the liturgical calendar. With an<br />

elegant simplicity, Vita Mundo is uplifting and rewarding to<br />

sing.<br />

5 minutes<br />

When time is broke<br />

Three Shakespeare Songs<br />

A Winter’s Night<br />

SATB, brass quintet, organ, and percussion<br />

Vocal score 9780193403680<br />

Hire conductor’s score and parts 9780193403697<br />

Hire vocal scores 9780193411647<br />

This engaging fifteen-minute cantata combines several<br />

popular carols to create a performance full of Christmas<br />

spirit. Through creative re-harmonization, rhythmic<br />

variation, and imaginative linking passages, McDowall<br />

creates a joyful atmosphere, with both familiar and<br />

surprising material.<br />

15 minutes<br />

Would Like To Meet<br />

SSA and piano<br />

Vocal score 9780193402607<br />

Digital 9780193535947<br />

Would Like To Meet is taken from a suite of three pieces<br />

by Cecilia McDowall called Lonely Hearts, composed in<br />

2005. The whimsical text by Christie Dickason is a lonely<br />

hearts column written from the perspective of various<br />

animals and plants, and this imaginative theme is perfectly<br />

complemented by McDowall’s spirited and fun setting. The<br />

mood is light and energetic, the piano part characterful,<br />

and the accessible and appealing vocal lines feature<br />

interspersions of scat writing.<br />

2.5 minutes<br />

Cecilia McDowall<br />

Standing as I do before God<br />

Soprano solo and SATB unaccompanied<br />

Vocal score 9780193407626<br />

Setting a text spoken by Nurse Edith Cavell on the eve of<br />

her execution in 1915 and re-fashioned by the poet Seán<br />

Street, McDowall has created a work of haunting beauty<br />

full of gently lamenting harmonies. The sombre subject<br />

matter makes the piece equally suitable for funerals and<br />

Remembrance Day celebrations.<br />

7 minutes<br />

SSAA or SSATB unaccompanied<br />

SSAA vocal score 9780193413740<br />

SSATB vocal score 9780193408241<br />

Cecilia McDowall’s fresh and appealing style is amply<br />

displayed in this cycle, subtitled ‘Three Shakespeare Songs’.<br />

In total, six Shakespeare texts are used, and McDowall’s<br />

response encompasses a fleet-footed impression of<br />

Scottish fiddle music, a gorgeously plangent slow<br />

movement, and a helter-skelter finale that broadens to a<br />

mysteriously pitchless ending.<br />

11 minutes<br />

30<br />

31


<strong>Choral</strong> Octavo Secular <strong>Choral</strong> Octavo Sacred <strong>Choral</strong> Octavo Christmas<br />

<strong>Choral</strong> Works Secular <strong>Choral</strong> Works Sacred <strong>Choral</strong> Works Christmas<br />

Becky McGlade<br />

As the hart<br />

- Becky McGlade -<br />

b. 1974<br />

Cornish composer Becky McGlade studied music<br />

at Royal Holloway, University of London, and now<br />

leads a busy musical life as a composer, cellist, and<br />

teacher.<br />

McGlade’s unique compositional style, described<br />

as ‘beautiful’ by Gramophone magazine, is<br />

engaging and dynamic, with fluid vocal lines<br />

and unexpected harmonic twists within an<br />

immediately accessible sound-world. The majority<br />

of her compositions are choral pieces, many of<br />

which draw inspiration from her Christian faith.<br />

Her works include psalm settings, carols, and<br />

settings of other biblical and secular texts, as well<br />

as solo songs. Recent commissions include a carol<br />

for York Minster’s Service of Nine Lessons and<br />

Carols, and a secular work for the Eden Project,<br />

Cornwall.<br />

McGlade’s music has been performed throughout<br />

the UK, including by the Choir of St John’s College,<br />

Cambridge, the London Oriana Choir, the Choir<br />

of Ely Cathedral, and the BBC Symphony Chorus,<br />

and is recorded by Sonoro and the Choir of<br />

Truro Cathedral. In 2021 she signed a long-term<br />

agreement with Oxford University Press.<br />

SATB (with divisions) unaccompanied<br />

Vocal Score 9780193555518<br />

Digital 9780193555525<br />

One of McGlade’s longer settings, As the hart begins simply,<br />

before expanding into a more complex central section with<br />

fluctuating time signatures and shifting tonalities. Ideal for<br />

advanced mixed-voice choirs in a sacred or concert setting,<br />

it is a fitting alternative to Herbert Howells’s famous setting<br />

of Psalm 42.<br />

Change upon change<br />

SA and piano<br />

Vocal score 9780193555372<br />

Digital 9780193555389<br />

Setting a text by Elizabeth Barratt Browning, this<br />

thoughtful and evocative piece compares a dying<br />

relationship with the changing of the seasons from<br />

summer to winter, which McGlade skilfully reflects in her<br />

use of minor tonality, falling melodic phrases, and shifting<br />

chromaticism. Reminiscent of the English art song, this<br />

setting for upper voices and piano demonstrates McGlade’s<br />

compositional versatility.<br />

3.5 minutes<br />

Come, my Way, my Truth, my Life<br />

SATB (with divisions) unaccompanied<br />

Vocal score 9780193540538<br />

Digital 9780193540545<br />

McGlade’s setting of ‘The Call’ by George Herbert is simple<br />

but effective, reflecting the directness of the original<br />

poem. The three-bar phrases create a feeling of expectancy<br />

throughout the verses, and are beautifully intensified<br />

by harmonic shifts in one verse and a soaring descant in<br />

another.<br />

3 minutes<br />

I saw a new heaven<br />

SATB (with divisions) unaccompanied<br />

Vocal Score 9780193555532<br />

Digital 9780193555549<br />

Setting Revelation 21: 1–5, this short anthem is in<br />

McGlade’s typically fluid style, with harmonic twists,<br />

changing metres, and tempo fluctuations. With some divisi<br />

in the upper parts, it will be particularly welcomed by<br />

experienced church and cathedral singers as a new take on<br />

these well-known words.<br />

3.5 minutes<br />

My beloved spake<br />

SATB (with divisions) unaccompanied<br />

Vocal score 9780193540590<br />

Digital 9780193540736<br />

This is a beautiful and dynamic setting of well-known<br />

words from the Song of Songs (or Song of Solomon). With<br />

a soaring soprano melody, McGlade’s fluid vocal lines drive<br />

harmonic twists within an immediately accessible soundworld.<br />

Perfect for concert performance.<br />

3.5 minutes<br />

My song is love unknown<br />

SSATB unaccompanied<br />

Vocal Score 9780193544642<br />

Digital 9780193544659<br />

My song is love unknown is an expressive and fluid setting<br />

of the well-known Lenten text by Samuel Crossman,<br />

particularly suitable for performance on Good Friday.<br />

McGlade highlights the phrase ‘take frail flesh and die’<br />

with a sighing musical motif, before the work closes with<br />

the affirmation ‘heaven was his home, but mine the tomb<br />

where he lay’.<br />

3 minutes<br />

The Oak<br />

SATB and cello<br />

Vocal score 9780193555556<br />

Digital 9780193555563<br />

This simple setting of words by Tennyson reflects a<br />

different side to McGlade’s compositional style, without<br />

sacrificing any of her trademark characteristics. The largely<br />

homophonic vocal lines move as one, with clarity and<br />

poise in abundance, creating a bed of sound over which<br />

the cello gently glides.<br />

2.5 minutes<br />

O Sing unto the Lord<br />

ATB unaccompanied<br />

Vocal Score 9780193551060<br />

Digital 9780193551107<br />

Scored especially for ATB to meet social distancing<br />

requirements, this piece has both special resonance and<br />

practical application in these uncertain times. McGlade’s<br />

characteristic unaccompanied style offers flowing<br />

contrapuntal lines while the shifting tonalities throughout<br />

effectively capture both poignancy and joy.<br />

2.5 minutes<br />

A spotless Rose<br />

SATB (with divisions) unaccompanied<br />

Vocal score 9780193535695<br />

Digital 9780193539631<br />

This setting of A spotless Rose reflects the wintry starkness<br />

of the fifteenth-century text through its minor key and<br />

bare upper-voice opening, while the warmth of the full<br />

voicing on the words ‘light’ and ‘might’ represents the<br />

coming of the Christ-Child.<br />

2.5 minutes<br />

See amid the winter’s snow<br />

SATB unaccompanied<br />

Vocal score 9780193551220<br />

Digital 9780193551237<br />

This setting of Edward Caswall’s well-known text shows<br />

all the hallmarks of McGlade’s characteristic style, with<br />

changing time signatures, beguiling chromaticisms, and<br />

a beautiful, fluid melody. Changing metres give a sense<br />

of fluidity, while a scintillating climax on ‘Peace on earth’<br />

forms the centre of the work.<br />

4.5 minutes<br />

Becky McGlade<br />

6 minutes<br />

32<br />

33


<strong>Choral</strong> Octavo Secular <strong>Choral</strong> Octavo Sacred <strong>Choral</strong> Octavo Christmas<br />

<strong>Choral</strong> Works Secular <strong>Choral</strong> Works Sacred <strong>Choral</strong> Works Christmas<br />

McLeod - Perry<br />

Indigo I<br />

SSA and piano<br />

Digital † 9780193548350<br />

Inspired by the medieval carol Angelus ad Virginem,<br />

Indigo I suggests a distant time, European roots, and<br />

the tranquil peace of that starry night when Wisdom<br />

descended.<br />

Originally published in World Carols for Choirs.<br />

Vulcan<br />

SSA and piano<br />

Digital † 9780193545779<br />

From the collection For Him all Stars, ‘Vulcan’ is an energetic<br />

carol, scored for SSA and piano. The text, written by the<br />

composer, hails Christ as a new star emerging from the<br />

night. Featuring canonical voice parts and a rhythmic<br />

accompaniment, this piece is a rhapsodic welcome to the<br />

son of God.<br />

2 minutes<br />

- Jenny McLeod -<br />

- Dorothy J. Papadakos -<br />

Hermandad (Brotherhood)<br />

SATB, piano, trumpet, & percussion<br />

Vocal score 9780193869998<br />

This mariachi anthem, based on an Octavio Paz text in<br />

Spanish, is sure to liven any concert or school choir. The<br />

choral lines are presented in many textural varieties,<br />

including four bars of clapping ‘sombrero’ style, and the<br />

trumpet and piano parts are highly rhythmic, fun, and<br />

energetic. An English singing translation is provided.<br />

4 minutes<br />

Live in love<br />

SATB and African percussion<br />

Vocal score 9780193865693<br />

A stirring macaronic setting of Ephesians 5:12 in Zulu,<br />

Xhosa, and English with African improvised drumming. The<br />

choral parts require many divisi, but are otherwise quite<br />

simple.<br />

Available from Banks Music Publications<br />

- Elizabeth Poston -<br />

The Boar’s Head Carol<br />

SATB unaccompanied<br />

Vocal score 9780193411715<br />

Available from Banks Music Publications<br />

Happy are thy men<br />

SATB unaccompanied<br />

Vocal score 9780193411722<br />

Available from Banks Music Publications<br />

I saw a fair maiden<br />

Unison voices<br />

Vocal score 9780193395572<br />

Available from Banks Music Publications<br />

Nativity<br />

Soloists, SATB & string orchestra<br />

- Rosephanye Powell -<br />

Somebody’s knockin’ at yo’ do’<br />

SA & piano<br />

Vocal score 9780193387836<br />

This thoughtful arrangement of the well-known spiritual<br />

‘Somebody’s knockin’ at yo’ do’’ was originally published as<br />

part of the collection Spirituals for Upper Voices. The two<br />

vocal lines are eminently singable, with melodic interest<br />

in both parts, making the arrangement ideal for both<br />

children’s and women’s choirs of all levels of experience.<br />

Containing a recognisable knocking motif, the piano part is<br />

expressive, harmonically interesting, and supportive.<br />

2.5 minutes<br />

Elizabeth Poston<br />

Hire vocal score 9780193378407<br />

- Selga Mence -<br />

Dedziet skalu, putiet guni (Bring us<br />

fire, bring us light)<br />

SATB unaccompanied<br />

Digital † 9780193549005<br />

Selga Mence’s arrangement of this Latvian folksong<br />

presents the two phrases of the original song in a variety<br />

of textures, beginning and ending with imitations of the<br />

sound of bells. An English text by Bob Chilcott is presented<br />

alongside the original Latvian. Originally published in<br />

World Carols for Choirs.<br />

4.5 minutes<br />

The Frog<br />

Unison and piano<br />

- Nina Perry -<br />

Vocal Score 9780193419650<br />

A simple unison song with piano accompaniment.<br />

2 minutes<br />

Hire conductor’s score and parts 9780193378414<br />

Soprano and alto (or counter-tenor) soloists with optional<br />

mezzo-soprano, tenor, and bass soloists, SATB choir, and<br />

strings (or organ or piano)<br />

Words from traditional Christmas folk-songs and ballads,<br />

compiled and edited by Terence Tiller.<br />

15 minutes<br />

Sing unto the Lord<br />

SATB unaccompanied<br />

Vocal score 9780193389625<br />

Available from Banks Music Publications<br />

The Princesses’ Carol<br />

Sudrabina lietins lija (See the silver<br />

rain is falling)<br />

SSA unaccompanied<br />

Unison or two part voices (with optional<br />

instrumental descant<br />

Vocal score 9780193388420<br />

Available from Banks Music Publications<br />

Digital † 9780193547384<br />

The melody and text of this traditional carol were first<br />

collected in 1968 by the composer Peteris Plakidis, in<br />

Katlakalns (a district of Riga). It is here arranged for<br />

unaccompanied SSA voices by Selga Mence, and presented<br />

with an English text alongside the original Latvian.<br />

Originally published in World Carols for Choirs.<br />

2 minutes<br />

34<br />

35


<strong>Choral</strong> Octavo Secular <strong>Choral</strong> Octavo Sacred <strong>Choral</strong> Octavo Christmas<br />

<strong>Choral</strong> Works Secular <strong>Choral</strong> Works Sacred <strong>Choral</strong> Works Christmas<br />

Sarah Quartel<br />

Alice<br />

SSA and piano<br />

Vocal score 9780193392236<br />

Digital 9780193536104<br />

Alice is a quirky, light-hearted celebration of the Alice<br />

books by Lewis Carroll. The tale of an encounter with<br />

the White Rabbit, the Cheshire Cat, and the Hatter is<br />

underpinned by a lively, characterful piano part. Spirited,<br />

fun, and with great potential for dramatic performance.<br />

4 minutes<br />

- Sarah Quartel -<br />

b. 1982<br />

Sarah Quartel is a Canadian composer, conductor,<br />

and educator known for her fresh and exciting<br />

approach to choral music. Having received her first<br />

composition award at the age of 8, she celebrates<br />

the musical potential of all learners by providing<br />

singers access to high quality repertoire and<br />

engaging music education.<br />

Her compositions have been featured widely<br />

by groups such as the National Youth Choir of<br />

Canada, The Nathaniel Dett <strong>Choral</strong>e, and the a<br />

cappella group Rajaton. Other credits include:<br />

funding from the Ontario Arts Council and the<br />

National Film Board of Canada; Composer-in-<br />

Residence for the women’s vocal ensemble Project<br />

Sing!; works recorded on multiple commercial<br />

releases; and a host of choral commissions and<br />

performances including those by award-winning<br />

Canadian conductors Zimfira Poloz and Brainerd<br />

Blyden-Taylor.<br />

All shall be well<br />

SSAA, violin & piano<br />

Vocal score 9780193550728<br />

Digital 9780193551756<br />

This uplifting piece sets a text inspired by Julian of<br />

Norwich, with additions by the composer. Quartel’s<br />

intertwining vocal lines are beautifully combined with a<br />

soaring violin part and flowing piano accompaniment,<br />

illustrating the joy and power of song.<br />

4.5 minutes<br />

All the Way Home<br />

SSA or SATB and piano<br />

SSA Vocal score 9780193525900<br />

SSA Digital 9780193538696<br />

SATB Vocal score 9780193543799<br />

SATB Digital 9780193543805<br />

This piece was inspired by members of the Radcliffe Ladies’<br />

Choir and their motto ‘friendship through singing’. The<br />

lilting vocal lines are subtly underpinned by a delicate<br />

piano accompaniment, and the opening performance<br />

direction, ‘contentedly rocking’, describes the nature of the<br />

piece: peaceful, content, and easy-going.<br />

3.5 minutes<br />

Amabile Alleluia<br />

SATB and children’s choir/SSATB<br />

unaccompanied<br />

Vocal score 9780193544086<br />

Digital 9780193544093<br />

Introduced by the children’s choir, Quartel’s simple and<br />

uplifting melody repeats throughout the piece, beautifully<br />

coloured by the surrounding parts. The voices offer joyful<br />

praise and the rich harmonies build up to a warm and<br />

rousing finish. The children’s part may also be sung by a<br />

congregation or divided soprano part.<br />

2 minutes<br />

As you sing<br />

SSAA and hand drum<br />

Vocal score 9780193527522<br />

Digital 9780193530508<br />

In this fast and energetic piece, Quartel sets her own<br />

text celebrating the joy of singing. The melody weaves<br />

in and out of the texture, supported by dynamic vocal<br />

accompaniment and rhythmically driven by the drum.<br />

3 minutes<br />

The Beat of a Different Drum<br />

Cambiata Bar or SA, piano, and hand drum<br />

CBar Vocal score 9780193417670<br />

CBar Digital 9780193537248<br />

SA Vocal score 9780193512719<br />

SA Digital 9780193538085<br />

This composition sets the composer’s own text celebrating<br />

freedom of expression and the music within each of us.<br />

Accompanied by hand drum and piano, the piece is an<br />

exciting and engaging sing with legato, two-part passages,<br />

and vocal percussion. The CBar vocal score is part of the<br />

Emerging Voices series.<br />

3 minutes<br />

The Bird’s Lullaby<br />

SSAA or SATB unaccompanied<br />

SSAA Vocal score 9780193524668<br />

SSAA Digital 9780193538627<br />

SATB Vocal score 9780193543690<br />

SATB Digital 9780193543713<br />

This a cappella setting of evocative words by E. Pauline<br />

Johnson is immediately appealing, with its playful<br />

syncopations and dancing, wordless accompaniment.<br />

3 minutes<br />

Blow, blow, thou winter wind<br />

SSA or SATB and piano<br />

SSA Vocal score 9780193413009<br />

SSA Digital 9780193536777<br />

SATB Vocal score 9780193550827<br />

SATB Digital 9780193550957<br />

This atmospheric setting of familiar words from<br />

Shakespeare’s As You Like It is sprightly and uplifting, with<br />

singers being asked by the composer to perform with ‘a bit<br />

of frost and a knowing smile’.<br />

2.5 minutes<br />

Carry the music<br />

SSA and piano<br />

Vocal score 9780193546752<br />

Digital 9780193551299<br />

This uplifting and affirmatory piece sets a text by the<br />

composer inspired by the reflections of the Northwest<br />

Girlchoir on what their choir means to them. A warm<br />

unison first verse and chorus is next transposed into 6/8,<br />

taking on a dance-like feel, first in two and then three vocal<br />

parts, while the forward motion of the piano’s continuous<br />

quaver movement echoes the text’s encouragement to<br />

‘carry the music on’.<br />

4 minutes<br />

Fill your hearts with joy and<br />

gladness<br />

SABar and organ or piano<br />

Digital † 9780193524804<br />

From the collection Anthems for SA and Men, ‘Fill your<br />

hearts with joy and gladness’ is an uplifting anthem by<br />

Sarah Quartel, scored for SA & men with organ/piano. With<br />

text by Timothy Dudley-Smith, this piece is suitable for<br />

performance throughout the church year.<br />

2.5 minutes<br />

God will give orders/<br />

Sweet Child<br />

SATB or SSAA, solo cello, djembe, and piano<br />

SATB Vocal score 9780193514416<br />

SATB Digital 9780193538146<br />

SSAA Vocal score 9780193512023<br />

SSAA Digital 9780193525429<br />

This evocative anthem, from the larger work Snow Angel,<br />

is a piece of two halves. Opening with a haunting cello<br />

line, the first section (‘God Will Give Orders’) is mystical<br />

and ethereal, until a vibrant figure from the djembe lifts<br />

the music into the second section (‘Sweet Child’), which is<br />

uplifting and bold in character, with a distinctly African feel<br />

and an effective a cappella ending.<br />

4 minutes<br />

God with me<br />

SATB unaccompanied<br />

Vocal score 9780193543850<br />

Digital 9780193543867<br />

This a beautiful and meditative setting of a translated<br />

text from Carmina Gadelica, a collection of Gaelic hymns,<br />

prayers, and other texts. With gentle suspensions and<br />

exquisite harmonies, this anthem by Quartel is warm,<br />

refreshing, and uplifting, perfectly demonstrating her<br />

signature style.<br />

3 minutes<br />

Grow<br />

SSA and piano<br />

Vocal score 9780193524804<br />

Digital 9780193538634<br />

Grow is a warm, heartfelt setting of words by Quartel<br />

celebrating a human personal growth that mirrors the<br />

season change from winter to spring. A rocking piano<br />

part underpins the eminently singable vocal lines, and a<br />

wordless section draws the piece to a reflective close.<br />

4 minutes<br />

Sarah Quartel<br />

36<br />

37


<strong>Choral</strong> Octavo Secular <strong>Choral</strong> Octavo Sacred <strong>Choral</strong> Octavo Christmas<br />

<strong>Choral</strong> Works Secular <strong>Choral</strong> Works Sacred <strong>Choral</strong> Works Christmas<br />

Sarah Quartel<br />

Here in my Heart<br />

SSAA and piano<br />

Vocal score 9780193403673<br />

Digital 9780193535800<br />

Here in my Heart is an uplifting setting of an original text by<br />

the composer that explores the power of the natural world<br />

to fill the heart with song. The evocative melody perfectly<br />

complements the text’s theme and uses duplets and<br />

syncopated rhythms to create a sense of ebb and flow.<br />

5 minutes<br />

Here on these Branches<br />

SSAA and percussion<br />

Vocal score 9780193392243<br />

Digital 9780193536111<br />

This bewitching setting tells the story of a girl walking in an<br />

enchanted forest, mesmerized by ancient songs sung by a<br />

chorus of birds. An ostinato played on finger cymbals and<br />

claves accompanies the voices, and Quartel sets a strong<br />

melody against the harmonies of the birdsong.<br />

4 minutes<br />

‘Hope’ is the thing with feathers<br />

SATB and piano<br />

Vocal score 9780193530270<br />

Digital 9780193538955<br />

This is a beautiful setting of an evocative poem by Emily<br />

Dickinson that explores the symbolization of hope as a<br />

bird. Quartel offers soaring melodic lines, rich harmonies,<br />

and a fluttering accompaniment to illustrate the<br />

persistence of hope even through hardship.<br />

3.5 minutes<br />

How can I keep from singing?<br />

SSAA or SATB unaccompanied<br />

SATB Vocal score 9780193524590<br />

SATB Digital 9780193538603<br />

SSAA Vocal score 9780193522084<br />

SSAA Digital 9780193538252<br />

thyme blows<br />

SATB and piano<br />

Digital † 9780193538955<br />

This setting of words from A Midsummer Night’s Dream<br />

features all the hallmarks of Quartel’s signature style, with<br />

uplifting melodies and a supportive, accessible piano<br />

accompaniment. Originally published in the collection<br />

Shall I compare thee.<br />

3.5 minutes<br />

I remember<br />

SA or SABar or Unison and piano<br />

SA Vocal score 9780193392281<br />

SA Digital 9780193536128<br />

SABar Vocal score 9780193534810<br />

SABar Digital 9780193534827<br />

Unison Vocal score 9780193550841<br />

Unison Digital 9780193550858<br />

I remember reflects on the wonder of the natural world and<br />

the people who shape our lives. The stirring melody calls<br />

to mind the folksong tradition, and is underpinned by a<br />

gently flowing piano accompaniment.<br />

3.5 minutes<br />

I Will Be With you<br />

SSAA or SATB unaccompanied<br />

SSAA Vocal score 9780193525924<br />

SSAA Digital 9780193538719<br />

SATB Vocal score 9780193525894<br />

SATB Digital 9780193538689<br />

I will be with you sets a reflective text by the composer<br />

with a message of enduring solace. Lush harmonies, with<br />

predominantly homophonic passagework, coupled with<br />

flowing and cascading lines in every voice part make for a<br />

tranquil musical experience.<br />

3 minutes<br />

In Time of Silver Rain<br />

SA or SABar or Unison and piano<br />

Morning Light<br />

SSAA unaccompanied<br />

Vocal score 9780193404755<br />

Digital 9780193535961<br />

Morning Light sets an optimistic text by the composer<br />

about home and finding your way. Inspired by American<br />

folksongs, the captivating melody and warm harmonies<br />

perfectly complement the uplifting theme of the text.<br />

4.5 minutes<br />

My soul is awakened<br />

SSAA and piano<br />

Vocal score 9780193530294<br />

Digital 9780193540576<br />

This is a beautiful piece setting an evocative text by<br />

Anne Brontë that explores natural imagery on a blustery<br />

day and the feelings they inspire. Supported by the<br />

piano acccompaniment, Quartel’s soaring melodies, rich<br />

harmonies, and syncopated rhythms illustrate the power<br />

of the wind, while its unpredictable nature is hinted by the<br />

hemiolas and cross-rhythms throughout the texture.<br />

4.5 minutes<br />

One of these Days<br />

SSATBarB unaccompanied<br />

Vocal score 9780193554498<br />

Digital 9780193554504<br />

Setting words by the composer, One of these days is<br />

an affirmatory piece with pop-inspired rhythms and<br />

harmonies. The scat syllables and repeating patterns of the<br />

lower parts provide a rich cushion for the lilting melody of<br />

the soprano lines, with lyrics that encourage us to seize the<br />

day!<br />

4 minutes<br />

The Parting Glass<br />

TTBB or SATB unaccompanied<br />

TTBB Vocal score 9780193527461<br />

TTBB Digital 9780193531499<br />

SATB Vocal score 9780193550773<br />

SATB Digital 9780193550780<br />

The Parting Glass is a traditional Scottish song, often sung<br />

as a farewell at the end of a get-together. Sarah Quartel’s<br />

arrangement features close harmonies, idiomatic Scotch<br />

snap rhythms, and effective interjectory moments in<br />

what is a largely homophonic setting. With its valedictory<br />

message, it would make a fitting end to a performance,<br />

perhaps as an encore item.<br />

3 minutes<br />

Refuge<br />

SSAA & piano<br />

Vocal score 9780193552272<br />

Digital 9780193552289<br />

Refuge sets a powerful Sara Teasdale poem by the same<br />

name, which perfectly captures the healing power of<br />

singing: ‘For with my singing I can make a refuge for my<br />

spirit’s sake, A house of shining words, to be my fragile<br />

immortality’. Quartel uses musical structure to complement<br />

the poem’s narrative, opening and closing with music<br />

marked ‘resilient and strong’, with a central section that is<br />

‘warm and hopeful’, as expressed by rich harmonies and<br />

soaring melodic lines.<br />

3.5 minutes<br />

Sarah Quartel Songbook<br />

Upper voices in 2-4 parts, with piano or<br />

unaccompanied<br />

Vocal score 9780193551053<br />

The Sarah Quartel Songbook brings together a selection<br />

of the composer’s best-loved pieces for upper voices,<br />

including favourites such as ‘The Birds’ Lullaby’ and ‘I<br />

remember’, as well as a new setting of Sara Teasdale’s lifeaffirming<br />

poem ‘Refuge’. This is an invaluable resource both<br />

for choirs looking to explore the work of this fine choral<br />

composer for the first time and for admirers of Quartel’s<br />

Sarah Quartel<br />

This lively reimagining of the traditional hymn is a thrilling<br />

a cappella arrangement that pairs the soaring legato<br />

melody with a rhythmic vocal accompaniment. These<br />

elements capture both the gentle hope and the profound<br />

joy contained in the text. Also including moments of<br />

tenderness and reflection, the piece comes to a rousing<br />

close with an energy that engages both singers and<br />

audience.<br />

4 minutes<br />

I know a bank where the wild<br />

SA Vocal score 9780193525887<br />

SA Digital 9780193531314<br />

SABar Vocal score 9780193540071<br />

SABar Digital 9780193540118<br />

Unison Vocal score 9780193550865<br />

Unison Digital 9780193550872<br />

Commissioned by the Treble Makers <strong>Women</strong>’s Choir, this<br />

secular work sensitively sets Langston Hughes’s poem<br />

of the same name. A lilting melodic line, eloquent partwriting,<br />

and an effective piano part combine to create a<br />

piece that will appeal to both youth and adult choirs.<br />

2.5 minutes<br />

38<br />

39


<strong>Choral</strong> Octavo Secular <strong>Choral</strong> Octavo Sacred <strong>Choral</strong> Octavo Christmas<br />

<strong>Choral</strong> Works Secular <strong>Choral</strong> Works Sacred <strong>Choral</strong> Works Christmas<br />

Sarah Quartel<br />

style hoping to find staple repertoire conveniently<br />

gathered together in one volume.<br />

Sarah Quartel Songbook<br />

SATB, with piano or unaccompanied<br />

Vocal score 9780193551046<br />

The Sarah Quartel Songbook brings together a selection<br />

of the composer’s best-loved pieces for mixed voices,<br />

including favourites such as ‘Sing, my Child’, ‘Voice on the<br />

Wind’, and ‘Swept Away’. This is an invaluable resource both<br />

for choirs looking to explore the work of this fine choral<br />

composer for the first time and for admirers of Quartel’s<br />

style hoping to find staple repertoire conveniently<br />

gathered together in one volume.<br />

Sanctum<br />

SSSAA unaccompanied<br />

Vocal score 9780193413382<br />

Digital 9780193536791<br />

Sanctum is a captivating setting of four movements of<br />

the Requiem text, inspired by the landscape of the west<br />

coast of Canada. Each movement depicts an aspect of<br />

Vancouver Island (the water, mountains, wind, and sky),<br />

exploring landscape as a place of healing and sanctuary.<br />

The combined effect is both atmospheric and dramatic.<br />

10 minutes<br />

See the Light<br />

SA and piano<br />

Vocal score 9780193531123<br />

Digital 9780193531130<br />

See the light sets a text by the composer inspired by<br />

the Hawaiian story ‘The Bowl of Light’. With its uplifting<br />

melodies and energetic rhythms, this accessible piece<br />

explores the light in each person and creates a sense of<br />

community.<br />

4 minutes<br />

Silent Night<br />

Soprano duet and SATB (with divisions)<br />

unaccompanied<br />

Vocal score 9780193526433<br />

Sing, my child<br />

SATB or SSAA and hand drum<br />

SATB Vocal score 9780193517912<br />

SATB Digital 9780193537415<br />

SSAA Vocal score 9780193530249<br />

SSAA Digital 9780193538948<br />

Sing, my child sets a joyful text celebrating the beauty<br />

found all around us. Tight harmonies and a dynamic<br />

percussion line drive the opening 7/8 metre. Lush<br />

harmonies colour the hymn-like B section. This piece is<br />

well-suited for combined choir projects or as a rousing and<br />

meaningful close to a concert.<br />

4.5 minutes<br />

Sister Song<br />

SSA and piano<br />

Vocal score 9780193392342<br />

Digital 9780193536661<br />

This is a gentle setting of an optimistic text about joy and<br />

hope and the expression of these through song. Sister Song<br />

features delicate piano ostinatos, persuasive melodies,<br />

close harmonies, and contrasts between unison and<br />

imitative writing.<br />

4.5 minutes<br />

Snow Angel<br />

SATB or SSAA, solo cello, djembe, and piano<br />

SATB Vocal score 9780193512290<br />

SSAA Vocal score 9780193512283<br />

Cello part 9780193514515<br />

Snow Angel is an evocative five-movement choral work,<br />

for either SATB or SSAA choir, that explores themes of<br />

love, rebirth, and beauty through the eyes of children<br />

and the heavenly army of angels that watch over them,<br />

yearning to make a difference to their lives. The work<br />

may be performed with narration, in which three angels<br />

present their perspectives on their earthly charges. Quartel<br />

weaves a haunting and poignant cello line throughout the<br />

work, with a vibrant part for djembe in movement four.<br />

The musical language is emotive and pictorial, allowing<br />

performers to play an active role in the storytelling.<br />

20 minutes<br />

Swept Away<br />

SSATBarB unaccompanied<br />

Vocal score 9780193531789<br />

Digital 9780193531796<br />

Setting words by the composer, Swept Away is a beautiful<br />

and haunting piece with pop-inspired rhythms and<br />

harmonies. The scat syllables of the insistent lower parts<br />

are combined with a flowing melody in the soprano line<br />

to create a powerful work exploring the journey of the<br />

singers and the ability of the wind to carry them to their<br />

destination.<br />

4 minutes<br />

There alway something sings<br />

SATB or Two-part (or unison) and piano<br />

SATB Vocal score 9780193543836<br />

SATB Digital 9780193543843<br />

Two-part Vocal score 9780193543812<br />

Two-part Vocal score 9780193543829<br />

This beautiful setting of a text by Ralph Waldo Emerson<br />

celebrates the universal presence of song, which<br />

can be found in places of beauty but also darkness.<br />

With memorable melodies and a flowing supportive<br />

accompaniment, this piece will leave a warm feeling in<br />

both the singers and listeners alike.<br />

3 minutes<br />

This endris night<br />

SSAA or SATB unaccompanied or with handbells/<br />

percussion/organ<br />

SSAA Vocal score 9780193529144<br />

SSAA Digital 9780193531703<br />

SATB Vocal score 9780193531987<br />

SATB Digital 9780193539648<br />

Sarah Quartel brings a fresh take on a familiar fifteenthcentury<br />

text in this carol for upper voices. The dialogue<br />

between Mary and the infant Jesus is woven to a beguiling<br />

folk-like melody, in 6/8 metre, through each of the voice<br />

parts, with each verse ending in the lilting refrain ‘Lully, by<br />

by, lullay’.<br />

3 minutes<br />

This we know<br />

SSA and piano<br />

Vocal score 9780193527591<br />

Digital 9780193530522<br />

Setting a moving text inspired by Chief Seattle, Quartel<br />

appeals for better stewardship of the planet through<br />

gentle flowing lines and expansive textures. The melodies<br />

are accessible throughout and well supported by the piano<br />

accompaniment, while the swells and falls in dynamics<br />

offer a sense of organicity.<br />

3 minutes<br />

Voice on the Wind<br />

SSAA or SATB and hand drum<br />

SSAA Vocal score 9780193410138<br />

SSAA Digital 9780193525146<br />

SATB Vocal score 9780193525870<br />

SATB Digital 9780193538672<br />

Voice on the Wind sets an inspiring text, written by the<br />

composer, about the empowerment of singing. With a<br />

catchy melody, imitative wordless singing, and a driving<br />

hand drum accompaniment, this piece has all the<br />

hallmarks of Quartel’s innovative style.<br />

4 minutes<br />

Wexford Carol<br />

SATB and piano<br />

Vocal score 9780193551244<br />

Digital 9780193551251<br />

Quartel’s arrangement of this well-known Irish carol is<br />

distinctly refreshing, characterized in part by its charming<br />

and sparkling piano part. The middle section offers<br />

an opportunity for both the choir and pianist to shine<br />

individually, and explores further the beautiful modal<br />

harmonies of the original melody.<br />

4 minutes<br />

Sarah Quartel<br />

Digital 9780193538764<br />

In this beautiful, atmospheric arrangement of Franz<br />

Gruber’s ‘Silent night’, Sarah Quartel employs choral divisi<br />

and unexpected harmonies to create a lush bed of sound<br />

over which the soprano duet soars.<br />

3 minutes<br />

Songbird<br />

SSA unaccompanied<br />

Vocal score 9780193392304<br />

Digital 9780193525016<br />

Songbird sets an evocative text describing songbirds that<br />

spin tunes of gold. The catchy, colourful melody is first<br />

presented by tutti voices, and is then woven through the<br />

vocal parts, often to wordless accompaniment. The setting<br />

ends with an effective passage of close imitation.<br />

2.5 minutes<br />

40<br />

41


<strong>Choral</strong> Octavo Secular <strong>Choral</strong> Octavo Sacred <strong>Choral</strong> Octavo Christmas<br />

<strong>Choral</strong> Works Secular <strong>Choral</strong> Works Sacred <strong>Choral</strong> Works Christmas<br />

Sarah Quartel<br />

Wide Open Spaces<br />

SATB or TTBB or SSAA and piano<br />

SATB Vocal score 9780193404830<br />

SATB Digital 9780193525085<br />

TTBB Vocal score 9780193413399<br />

TTBB Digital 9780193536814<br />

SSAA Vocal score 9780193550964<br />

SSAA Digital 9780193550971<br />

Commissioned for the 2015 National Conference of the<br />

American <strong>Choral</strong> Directors Association, Wide Open Spaces<br />

reflects on the journeys and adventures to be found in<br />

the wide open spaces within ourselves and in the world<br />

around us.<br />

3 minutes<br />

A Winter Day<br />

SATB (with divisions), solo cello, and piano<br />

Vocal score 9780193514409<br />

Cello part 9780193517806<br />

This five-movement work celebrates the long Canadian<br />

winter, setting texts by the composer, Sara Teasdale, Lucy<br />

Maud Montgomery (of ‘Anne of Green Gables’ fame), and<br />

Melville Cane. Each movement depicts a different time of<br />

day, beginning with the cold darkness before dawn and<br />

concluding with the evening turning into dusk and then<br />

darkness. The music conjures up vivid images of a cold and<br />

crisp winter, and of swirling, dancing snowflakes.<br />

17 minutes<br />

A Winter Day<br />

SSAA, piano, & cello<br />

Vocal score 9780193550735<br />

Digital 9780193550742<br />

Cello Part 9780193517806<br />

This bright, sparkling celebration of nature is inspired<br />

by the snowy and icy winters of the composer’s native<br />

Canada. The text, by Lucy Maud Montgomery, is brought to<br />

life through vibrant melodies, a rippling piano part, and a<br />

rich, poignant line for solo cello.<br />

This piece was originally published in a version for SATB,<br />

solo cello, and piano as part of the five-movement work A<br />

Winter Day.<br />

3 minutes<br />

Over hill, over dale<br />

SA and piano<br />

Vocal score 9780193413047<br />

Digital 9780193531208<br />

In this charming piece, Ramsey’s characterization of the<br />

fairy’s monologue from Act 2, Scene 1 of A Midsummer<br />

Night’s Dream is both fun and imaginative. The rhythmic<br />

fluidity, driving piano part, and clever accentuation<br />

perfectly complement Shakespeare’s metre and rhyme<br />

scheme and bring the text to life. ‘Over hill, over dale’ was<br />

originally published in the collection Hark, hark, the lark.<br />

3 minutes<br />

by William H. Monk arr. Rentz<br />

Abide with me<br />

SATB and piano<br />

Vocal score 9780193863613<br />

3 minutes<br />

Dear Companion<br />

SATB and piano<br />

Vocal score 9780193863897<br />

Available from Banks Music Publications<br />

Good King Wenceslas<br />

Unison & piano<br />

Vocal score 9780193862883<br />

A lively and enjoyable setting of the familiar carol for<br />

unison voices and piano. The vocal line is a free adaptation<br />

of the well-known tune, and the piano accompaniment is<br />

energetic and syncopated.<br />

2 minutes<br />

- Andrea Ramsey -<br />

- Earlene Rentz -<br />

In the Garden<br />

SATB and piano<br />

Vocal score 9780193863606<br />

A lilting reflection on Mary Magdalene’s encounter with the<br />

risen Christ.<br />

3.5 minutes<br />

Just as I am<br />

SATB and piano<br />

Vocal score 9780193863613<br />

3 minutes<br />

Lo, how a Rose e’er blooming<br />

SATB or SA and piano<br />

SATB vocal score 9780193868915<br />

SA vocal score 9780193868908<br />

3 minutes<br />

Simple Gifts<br />

2-part trebles and piano<br />

Vocal score 9780193863903<br />

The well-known Shaker tune in an arrangement which<br />

brings out the tune’s original sweetness and joy. It is useful<br />

as an easy anthem or as a light concert piece, and may be<br />

sung by children or by adults.<br />

2 minutes<br />

Sweet hour of prayer<br />

SATB and piano<br />

Vocal score 9780193862890<br />

Available from Banks Music Publications<br />

The last rose of summer<br />

SSA, flute, and piano<br />

Vocal score 9780193867390<br />

Written for the <strong>Women</strong>’s <strong>Choral</strong>e of Colquitt County<br />

High School, Moultrie, Georgia, this Irish air is scored<br />

for upper voices, with a gently flowing flute and piano<br />

accompaniment.<br />

3 minutes<br />

Ramsey - Rentz<br />

42<br />

43


<strong>Choral</strong> Octavo Secular <strong>Choral</strong> Octavo Sacred <strong>Choral</strong> Octavo Christmas<br />

<strong>Choral</strong> Works Secular <strong>Choral</strong> Works Sacred <strong>Choral</strong> Works Christmas<br />

Rooney - Scroggins<br />

Gaudete!<br />

SATB (with divisions) unaccompanied<br />

Vocal score 9780193551732<br />

Digital 9780193551749<br />

This is an upbeat original setting of the well-known<br />

Latin text. Rambunctious, hearty, and in a sophisticated<br />

modal style, it is suitable for both church and concert<br />

performance by experienced choirs.<br />

2 minutes<br />

Round me falls the night<br />

SATB unaccompanied<br />

Vocal score 9780193544123<br />

Digital 9780193544130<br />

William Romanis’s hymn text is brought to life in this<br />

enchanting anthem with unexpected harmonic shifts<br />

and fluctuating time signatures. Rooney glides gracefully<br />

between tonal centres, creating a beautiful, ethereal<br />

atmosphere. Also published in Breath of Song.<br />

3 minutes<br />

- Annabel Rooney - - Debra Scroggins -<br />

A Dream Within a Dream<br />

SATB with divisions and piano<br />

Vocal score 9780193805224<br />

This secular text, written by Edgar Allen Poe, is fanciful,<br />

calling into question whether reality is a dream, or even a<br />

dream within a dream. The music is lush and has a subtle<br />

hint of popular harmonies alongside well-written choral<br />

lines and an accessible piano part.<br />

3.5 minutes<br />

The Lamb<br />

SATB unaccompanied<br />

Vocal score 9780193805217<br />

Debra Scroggins’ setting of a poem by William Blake is both<br />

stunning and gentle. The tight harmonies offer a lush and<br />

flowing soundscape that conveys warmth and tenderness<br />

perfectly suited to the text, ‘Little lamb, dost thou know<br />

who made thee?’. The choral lines are accessible yet<br />

sophisticated, and the work is suitable for performance in<br />

churches and schools.<br />

2.5 minutes<br />

Come Trav’ler, Haste Away<br />

SATB and piano<br />

Vocal score 9780193863897<br />

The third piece from Five Hymns from ‘The Sacred Harp’.<br />

Available from Banks Music Publications<br />

How Firm A Foundation<br />

SATB and piano<br />

Vocal score 9780193865358<br />

The fifth and final piece from Five Hymns from ‘The Sacred<br />

Harp’.<br />

Available from Banks Music Publications<br />

If ye would hear the angels sing<br />

SATB unaccompanied<br />

Vocal score 9780193862364<br />

An old Dutch carol for SATB unaccompanied.<br />

2 minutes<br />

- Martha Shaffer - - Joan Szymko -<br />

Wake, Love, Wake!<br />

SATB unaccompanied<br />

Vocal score 9780193540798<br />

Digital 9780193540804<br />

Setting a beautiful text by Rabindranath Tagore, Wake, love,<br />

wake! explores evocative imagery and metaphors through<br />

sonorous harmonies and freedom in tempo. The resulting<br />

piece is romantic, stirring, and atmospheric—perfect for<br />

concert performance. Also published in Breath of Song.<br />

3 minutes<br />

Shaffer - Szymko<br />

Out of the depths<br />

SATB unaccompanied<br />

Vocal score 9780193805200<br />

Out of the depths is a reflective, homophonic, and<br />

beautifully written work. The choral parts are very<br />

accessible, yet the resulting sound is rather sophisticated<br />

and thoughtful. This setting of Psalm 130 is suitable<br />

throughout the liturgical year, but would be particularly<br />

effective during Lent and other reflective occasions.<br />

2.5 minutes<br />

I Would See Jesus<br />

SATB and piano<br />

Vocal score 9780193865341<br />

The fourth piece from Five Hymns from ‘The Sacred Harp’.<br />

Available from Banks Music Publications<br />

King of Peace<br />

SATB unaccompanied<br />

Vocal score 9780193865327<br />

An easy hymn arrangement for SATB unaccompanied choir,<br />

King of Peace is the second of Five Hymns from ‘The Sacred<br />

Harp’<br />

1 minutes<br />

Sweet Canaan<br />

SATB unaccompanied<br />

Vocal score 9780193865310<br />

The first piece from Five Hymns from ‘The Sacred Harp’.<br />

Available from Banks Music Publications<br />

44<br />

45


<strong>Choral</strong> Octavo Secular <strong>Choral</strong> Octavo Sacred <strong>Choral</strong> Octavo Christmas<br />

<strong>Choral</strong> Works Secular <strong>Choral</strong> Works Sacred <strong>Choral</strong> Works Christmas<br />

Hilary Tann<br />

- Hilary Tann -<br />

b. 1947<br />

Hilary Tann lives in the foothills of the Adirondack<br />

Mountains in Upstate New York where she chairs<br />

the Music Department and is the John Howard<br />

Payne Professor at Union College, Schenectady.<br />

Recent composer-residencies include the 2011<br />

Eastman School of Music <strong>Women</strong> in Music Festival,<br />

2013 <strong>Women</strong> <strong>Composers</strong> Festival of Hartford, and<br />

2015 Welsh Music Centre (Tŷ Cerdd).<br />

Praised for its lyricism and formal balance, her<br />

music is influenced by a strong identification<br />

with the natural world. A deep interest in the<br />

traditional music of Japan has led to private study<br />

of the shakuhachi and guest visits to Japan, Korea,<br />

and China. Her compositions have been widely<br />

performed and recorded by ensembles such as the<br />

European <strong>Women</strong>’s Orchestra, Tenebrae, Lontano,<br />

Marsyas Trio, Thai Philharmonic, Royal Liverpool<br />

Philharmonic, BBC National Orchestra of Wales,<br />

and KBS Philharmonic in Seoul, Korea.<br />

Psalm 104 (Praise, my soul)<br />

SATB, 2 trumpets, and organ or chamber orchestra<br />

Vocal score 9780193862395<br />

Trumpet parts 9780193862401<br />

Hire conductor’s score and parts 9780193866133<br />

An anthem whose trumpet fanfare and joyful character<br />

contributes to a festive feel. Singing Welsh translations are<br />

also provided in certain sections.<br />

7 minutes<br />

Psalm 136 (Luminaria magna)<br />

SATB and organ<br />

Vocal score 9780193866881<br />

An anthem of praise suitable for amateur church choirs.<br />

Tann’s setting features interesting textures, long melodic<br />

vocal lines, and an energetic organ part.<br />

8 minutes<br />

Sound Dawn<br />

TTBarBarBB and piano<br />

Vocal score 9780193858589<br />

Available from Banks Music Publications<br />

Wales, Our Land (Cymru,<br />

ein gwlad)<br />

SATB, flute, & optional piano<br />

Vocal score 9780193867451<br />

This lilting, beautiful choral work sets text by an unknown<br />

WelshAmerican slate quarryman which speaks of the poet’s<br />

love of his country of origin, perhaps, even, his longing<br />

to return. It is this sense of longing for the homeland (in<br />

Welsh, hiraeth) which infuses the composition.<br />

4 minutes<br />

- Phyllis Tate -<br />

1911- 1987<br />

Phyllis Tate was one of the most prominent<br />

and highly respected British composers of the<br />

second half of the twentieth century. Her music<br />

was widely performed during her lifetime and<br />

received great critical acclaim. Preferring the more<br />

intimate musical forms and combinations to larger<br />

orchestral media, many of her most distinguished<br />

contributions to modern English music were for<br />

chamber ensemble or for solo voice or voices with<br />

small groups of instruments.<br />

Tate’s musical output was extensive and varied,<br />

ranging from concertos to music for schools<br />

and from duets to operas. She also collaborated<br />

with several outstanding artists of the time such<br />

as Charles Causley, author Michael Morpurgo,<br />

performers Cleo Laine and John Dankworth,<br />

cellist William Pleeth, and saxophonist John<br />

Harle. Tate’s interest in musical textures led to the<br />

use of unusual instruments such as the celeste,<br />

the harmonica, the lute, the bass clarinet, the<br />

accordion, and the saxophone. These instruments<br />

were often used alongside the human voice.<br />

Carol for Christmas Eve<br />

SATB and piano or organ<br />

Vocal score 9780193430761<br />

Available from Banks Music Publications<br />

Carol with Lullaby<br />

SATB and piano or string orchestra<br />

Vocal score* 9780193410725<br />

Hire conductor’s score and parts 9780193446809<br />

*Vocal score available from Banks Music Publications<br />

6 minutes<br />

<strong>Choral</strong> Scenes from The Bacchae<br />

Double SATB choir and orchestra<br />

Hire vocal scores and parts 9780193383401<br />

17 minutes<br />

Cielito Lindo<br />

Two-part and piano<br />

Vocal score 9780193414723<br />

Available from Banks Music Publications<br />

Close to your mother<br />

SA or SB and piano<br />

Vocal score 9780193414952<br />

Available from Banks Music Publications<br />

Compassion<br />

SATB and organ or orchestra<br />

Hire vocal scores and parts 9780193383487<br />

12 minutes<br />

Phyllis Tate<br />

The Moor<br />

Solo soprano and solo mezzo-soprano, or two-part<br />

treble chorus<br />

Vocal score 9780193861503<br />

This unaccompanied duet for soprano and mezzo conflates<br />

R. S. Thomas’ beautiful poem on the sacred quality of<br />

moorland with passages from three different Psalms and<br />

a line from the hymn ‘Rheidol’. This is both a fine concert<br />

piece and an imaginative, compelling anthem-substitute<br />

whose technical demands are well within reach of most<br />

female soloists.<br />

5 minutes<br />

All the pretty horses<br />

No. 3 from Six Songs for Children<br />

Unison and piano<br />

Vocal score 9780193411036<br />

Available from Banks Music Publications<br />

All the World’s a Stage<br />

SATB and full orchestra<br />

Vocal score* 9780193383449<br />

Hire conductor’s score and parts 9780193383456<br />

Dry Bones<br />

SATB unaccompanied<br />

Vocal score 9780193428775<br />

Available from Banks Music Publications<br />

Engraved on the collar of a dog<br />

SATB unaccompanied<br />

Vocal score 9780193430693<br />

Available from Banks Music Publications<br />

*Vocal score available from Banks Music Publications<br />

16 minutes<br />

46<br />

47


<strong>Choral</strong> Octavo Secular <strong>Choral</strong> Octavo Sacred <strong>Choral</strong> Octavo Christmas<br />

<strong>Choral</strong> Works Secular <strong>Choral</strong> Works Sacred <strong>Choral</strong> Works Christmas<br />

Phyllis Tate<br />

A farmer went trotting<br />

No. 4 from Six Songs for Children<br />

Unison and piano<br />

Vocal score 9780193411005<br />

Available from Banks Music Publications<br />

The Foolish Boy (Swapping<br />

Song)<br />

Two-part and piano<br />

Vocal score 9780193414051<br />

Available from Banks Music Publications<br />

Four Spirituals<br />

SATB and string orchestra<br />

Vocal score* 9780193437333<br />

Hearken Brethren<br />

Unison and piano<br />

Vocal score 9780193419995<br />

Available from Banks Music Publications<br />

How deep the snow<br />

SSAA and piano<br />

Vocal score 9780193425804<br />

Available from Banks Music Publications<br />

Hurry hurry quickly shepherd<br />

boy<br />

SA or SB and piano<br />

Vocal score 9780193414969<br />

Available from Banks Music Publications<br />

Little Piggy<br />

No. 6 from Six Songs for Children<br />

Unison and piano<br />

Vocal score 9780193410985<br />

Available from Banks Music Publications<br />

Lullaby<br />

Unison and piano<br />

Vocal score 9780193410718<br />

Available from Banks Music Publications<br />

My heart’s in the highlands<br />

Unison and piano<br />

Vocal score 9780193410671<br />

Available from Banks Music Publications<br />

A Secular Requiem<br />

(The Phoenix and the Turtle)<br />

SATB, organ, and orchestra<br />

Hire vocal scores 9780193384064<br />

Hire conductor’s score and parts 9780193384071<br />

Originally written for tenor voice, flute, horn, two cellos,<br />

piano, and harpsichord, this second version is scored for<br />

mixed chorus, double winds, trumpet, trombone, four<br />

cellos, and organ. Both beginning and ending with a<br />

funeral, this is a setting of a bird-themed poem, attributed<br />

to Shakespeare, with many allegorical and historical<br />

interpretations.<br />

The story, of how the phoenix (female) and turtledove<br />

(male) fall in love and then die together in a fire, is rich<br />

in poetic associations. Tate’s composition has been<br />

applauded for its directness of setting and the apt and<br />

imaginative music, instrumentation, and scoring.<br />

15 minutes<br />

Phyllis Tate<br />

Hire scores and parts 9780193448827<br />

Four spirituals - Jericho, My Lord, What a Morning, I Got a<br />

Robe and Swing Low, Sweet Chariot.<br />

*Vocal score available to purchase from Banks Music<br />

Publications<br />

12 minutes<br />

Frere Jacques<br />

SATB, piano, double bass, and percussion<br />

Vocal score 9780193397699<br />

Available from Banks Music Publications<br />

The Frog in the Well<br />

SSA unaccompanied<br />

Vocal score 9780193425057<br />

Available from Banks Music Publications<br />

Glad Christmas Comes<br />

Two-part and piano<br />

Vocal score 9780193387485<br />

Available from Banks Music Publications<br />

Go to the market daughter fair<br />

SB and piano<br />

Vocal score 9780193414921<br />

Available from Banks Music Publications<br />

In Paris there lived a lady<br />

Two-part and piano<br />

Vocal score 9780193414983<br />

Available from Banks Music Publications<br />

I’se the b’y that builds the boat<br />

Unison or two-part and piano<br />

Vocal score 9780193414822<br />

Available from Banks Music Publications<br />

The Lark in the Clear Air<br />

Solo voice or unison voices and piano or string<br />

orchestra<br />

Vocal score* 9780193419612<br />

Hire scores and parts 9780193446175<br />

*Vocal score available from Banks Music Publications<br />

10 minutes<br />

The Last Rose of Summer<br />

SATB and piano<br />

Vocal score 9780193376373<br />

Available from Banks Music Publications<br />

Laughing Song<br />

Unison and piano<br />

Vocal score 9780193410664<br />

Available from Banks Music Publications<br />

Old MacDonald had a farm<br />

Two-part and piano<br />

Vocal score 9780193414471<br />

Available from Banks Music Publications<br />

Peace on earth to men<br />

SATB and piano and organ<br />

Vocal score 9780193430570<br />

Available from Banks Music Publications<br />

A prince is born<br />

SSA and piano<br />

Vocal score 9780193410701<br />

Available from Banks Music Publications<br />

Sailing in<br />

SATB and organ/piano<br />

Vocal score 9780193430211<br />

Available from Banks Music Publications<br />

Serenade to Christmas<br />

Mezzo-soprano solo, SATB, and chamber orchestra<br />

Vocal score* 9780193384194<br />

Hire conductor’s score and parts 9780193384200<br />

*Vocal score available from Banks Music Publications<br />

22 minutes<br />

Seven Lincolnshire Folk Songs<br />

SATB, piano, and percussion<br />

Vocal score* 9780193437395<br />

Hire vocal and instrumental scores 9780193448766<br />

Contents:<br />

The Sprig of Thyme<br />

Six Dukes Went A-Fishing<br />

T’owd yowe wi’ one Horn<br />

Early one Spring<br />

Bold William Taylor<br />

Horkstow Grange (John Bowlin’)<br />

Oats and Beans and Barley Grows<br />

*Vocal score available to purchase from Banks Music<br />

Publications<br />

17 minutes<br />

Shepherd Boy’s Song<br />

SATB, piano, and optional glockenspiel<br />

Vocal score 9780193429734<br />

Available from Banks Music Publications<br />

48<br />

49


<strong>Choral</strong> Octavo Secular <strong>Choral</strong> Octavo Sacred <strong>Choral</strong> Octavo Christmas<br />

<strong>Choral</strong> Works Secular <strong>Choral</strong> Works Sacred <strong>Choral</strong> Works Christmas<br />

Phyllis Tate<br />

Soldier won’t you marry me?<br />

SSA unaccompanied<br />

Vocal score 9780193403789<br />

Available from Banks Music Publications<br />

St Martha and the Dragon (1978)<br />

Narrator, soprano and tenor soloists, SA, SATB,<br />

chamber orchestra and tape<br />

Hire vocal scores and parts 9780193383982<br />

One of Tate’s last choral works, this is a setting of a dramatic<br />

narrative poem by Charles Causley which re-tells in direct<br />

and vivid verse the Provencal legend of St Martha saving<br />

the people of Tarascon from a monstrous dragon by<br />

gentle persuasion and the power of love. This work was<br />

commissioned by the Barnet and District <strong>Choral</strong> Society<br />

and funded by the Arts Council.<br />

42 minutes<br />

Street Sounds<br />

SATB, piano and percussion<br />

Three Moravian Carols<br />

SATB or unison and piano or chamber orchestra<br />

SATB vocal score 9780193865532<br />

Unison vocal score* 9780195366112<br />

Three carols (‘Andrew mine, Jasper mine’, ‘By the wayside’<br />

and Long ago in Bethlehem), arranged by Stephen Mager.<br />

*Unison vocal score available from Banks Music<br />

Publications<br />

3.5 minutes<br />

Three Slovak Songs<br />

Unison and piano<br />

Vocal score 9780193411609<br />

Available from Banks Music Publications<br />

Three Old Songs of Quebec<br />

Unison and piano<br />

Vocal score 9780193411593<br />

Available from Banks Music Publications<br />

What does the little birdie say? &<br />

The brave old Duke of York<br />

No. 1 and 2 from Six Songs for Children<br />

Unison and piano<br />

Vocal score 9780193411050<br />

Available from Banks Music Publications<br />

When I am a-roaming<br />

Unison or two-part and piano<br />

Unison vocal score 9780193419711<br />

Two-part vocal score 9780193414518<br />

Available from Banks Music Publications<br />

Witches and Spells<br />

SSA and piano<br />

Vocal score 9780193402300<br />

Available from Banks Music Publications<br />

Phyllis Tate<br />

Vocal score 9780193414679<br />

Available from Banks Music Publications<br />

To Words by Joseph Beaumont<br />

Sunday in the country<br />

No. 5 from Six Songs for Children<br />

SSA and piano<br />

Vocal score 9780193383821<br />

Available from Banks Music Publications<br />

Unison and piano<br />

Vocal score 9780193410992<br />

Twelve Days of Christmas<br />

Available from Banks Music Publications<br />

SSA unaccompanied<br />

The Thirsty Fly<br />

Vocal score 9780193378261<br />

Available from Banks Music Publications<br />

Unison and piano<br />

Vocal score 9780193410657<br />

The Virgin and Child<br />

Available from Banks Music Publications<br />

SATB and organ or piano<br />

Though I’m My Father’s Only Child<br />

Vocal score 9780193429604<br />

Available from Banks Music Publications<br />

SATB and piano<br />

Vocal score 9780193410695<br />

Wassail all over the town!<br />

Available from Banks Music Publications<br />

SATB and chamber orchestra<br />

Three Bohemian Songs<br />

Unison and piano<br />

Vocal score 9780193411586<br />

Vocal score* 9780193429901<br />

Hire conductor’s score and parts 9780193447707<br />

*Vocal score available from Banks Music Publications<br />

6 minutes<br />

Available from Banks Music Publications<br />

Weathers<br />

Unison and piano<br />

Vocal score 9780193410688<br />

Available from Banks Music Publications<br />

50<br />

51


<strong>Choral</strong> Octavo Secular <strong>Choral</strong> Octavo Sacred <strong>Choral</strong> Octavo Christmas<br />

<strong>Choral</strong> Works Secular <strong>Choral</strong> Works Sacred <strong>Choral</strong> Works Christmas<br />

Voth - Wetsch<br />

- Ellen Gilson Voth -<br />

An Advent Carol<br />

SATB or SSA and Keyboard<br />

SATB vocal score 9780193868755<br />

SSA vocal score 9780193868762<br />

“This Advent moon shines cold and clear” - this piece<br />

sets text by Christina Rossetti and includes a flexible<br />

accompaniment for organ or piano.<br />

3.5 minutes<br />

The Circle of Time<br />

SSAATTBB & solo voices, unaccompanied<br />

Vocal score 9780193868779<br />

2 minutes<br />

- Judith Watson -<br />

Blessed assurance<br />

SSAATTBB unaccompanied<br />

Vocal score 9780193870260<br />

This rhythmic and spirited setting of the familiar hymn<br />

starts off with men’s voices split into three- to six-part<br />

harmony in homophony. The women join and the texture<br />

thickens and varies producing a broad and spacious sound,<br />

decorated with syncopation and dramatic pauses.<br />

4 minutes<br />

Didn’ my Lord deliver Daniel?<br />

SATB unaccompanied<br />

Vocal score 9780193870277<br />

Right from the first bar, this upbeat, refreshing<br />

arrangement of the African-American spiritual will catch<br />

the attention of the performer and audience. Culminating<br />

in six-part harmony with dramatic pauses, this memorable<br />

work makes for the perfect encore.<br />

2.5 minutes<br />

- Nancy Wertsch -<br />

- Grace Williams -<br />

1906-1977<br />

Grace Williams was one of the most prominent<br />

and celebrated Welsh composers of the twentiethcentury,<br />

and the influence of the landscapes of<br />

and culture in Wales on her works is distinct and<br />

has a position of great importance in the musical<br />

language of twentieth-century British music.<br />

Dalmation Lullaby<br />

No. 2 from Yugoslav Folk Songs<br />

Unison voices and piano<br />

Vocal score 9780193512115<br />

Available from Banks Music Publications<br />

The Dancers (1951)<br />

Soprano solo, SSA choir, harp or piano, and string<br />

orchestra<br />

Vocal score available from Banks Music Publications<br />

Hire conductor’s score and parts 9780193448865<br />

A choral suite in five movements by five writers; H.D.<br />

(Songs of Cyprus) Hilaire Belloc, Thomas Chatterton, May<br />

Sarton, and Kathleen Raine. The soprano solo sings the<br />

dream-like first movement ‘Gather For Festival’ then the<br />

upper voice choir sing the more lively Tarantella before<br />

both solo and chorus joining for the Roundelay. The<br />

haunting ‘Lose the pain in the snow’ (for choir and sparsesounding,<br />

chordal accompaniment) follows, before we are<br />

taken ‘To the Wild Hills’ in a spirited, final movement that<br />

dies away mirroring the lyrics “...the dance will be still...”.<br />

A recording of this, and other works by Grace Williams can<br />

be found on the Chandos record label (CD CHAN 9617).<br />

Grace Williams<br />

A la Cart<br />

4-part upper voices & piano<br />

Vocal score 9780193426467<br />

Digital 9780193537385<br />

A witty and amusing encore item for 4 equal upper voices<br />

and piano, describing a little-known incident from the<br />

boyhood of Mozart. With Mozartean melodies and Alberti<br />

bass, the song includes a simple but effective four-part<br />

canon.<br />

3 minutes<br />

Ride on, King Jesus!<br />

SATB unaccompanied<br />

Vocal score 9780193870284<br />

All are bound to get caught up in the energy and fervour of<br />

this new setting of the spiritual Ride On, King Jesus!<br />

Wertsch uses the full range of dynamics and so adds<br />

intensity and variety to the verses. This is a great concert<br />

piece as well as an uplifting hymn for a service.<br />

2 minutes<br />

Ave Maris Stella<br />

SATB unaccompanied<br />

Vocal score 9780193387553<br />

Available from Banks Music Publications<br />

Belinda went to the well<br />

(Margoton va-t-à-l’eau)<br />

Unison voices and piano<br />

Available from Banks Music Publications<br />

Premiere: 18 November 1954, Joan Sutherland (soprano),<br />

Penarth Ladies’ Choir, BBC Welsh Orchestra, Arwel Hughes.<br />

10 minutes<br />

The Gentle Dove (Y Deryn Pur)<br />

Unison voices and piano<br />

Available from Banks Music Publications<br />

The Jolly Pedlar<br />

Unison voices and piano<br />

Available from Banks Music Publications<br />

The Blackbird (Y Fwyalchen)<br />

Unison voices and piano<br />

Available from Banks Music Publications<br />

The Little Princess<br />

S(A) and piano or harp<br />

Available from Banks Music Publications<br />

Bonny at Morn<br />

No. 3 from Four Folk Songs<br />

Unison voices and piano<br />

Available from Banks Music Publications<br />

Mary Mary Maiden<br />

No. 1 from Yugoslav Folk songs<br />

Unison voices and string orchestra<br />

Vocal score 9780193512139<br />

The Cavalier on Patrol (Le Chevalier<br />

du Guet)<br />

Hire conductor’s score and parts 9780193444362<br />

One of three Yugoslav folk songs arranged by Grace<br />

Williams in the early 1950s, with English text written by the<br />

composer.<br />

Unison voices and piano<br />

Available from Banks Music Publications<br />

Vocal score available from Banks Music Publication<br />

6 minutes<br />

52<br />

53


<strong>Choral</strong> Octavo Secular <strong>Choral</strong> Octavo Sacred <strong>Choral</strong> Octavo Christmas<br />

<strong>Choral</strong> Works Secular <strong>Choral</strong> Works Sacred <strong>Choral</strong> Works Christmas<br />

Grace Williams<br />

O Rare Turpin<br />

No. 1 from Four Folk Songs<br />

Unison voices and piano<br />

Available from Banks Music Publications<br />

The Pearly Adriatic<br />

No. 3 from Yugoslav Folk Songs<br />

Two-part or S(A)chorus, string orchestra, piano,<br />

and opt. organ<br />

Vocal score 9780193512146<br />

Hire conductor’s score and parts 9780193445680<br />

One of three Yugoslav folk songs arranged by Grace<br />

Williams in the early 1950s, with English text written by the<br />

composer.<br />

Vocal score available from Banks Music Publication<br />

6 minutes<br />

The Shepherdess<br />

No. 2 from Four Folk Songs<br />

Unison voices and string orchestra<br />

Vocal score available from Banks Music Publications<br />

Hire conductor’s score and parts 9780193444225<br />

6 minutes<br />

The Song of the Flax<br />

No. 4 from Four Folk Songs<br />

Unison voices (optional descant) and piano<br />

Available from Banks Music Publications<br />

Three Lyrics (from the plays of<br />

Shakespeare)<br />

SSA and piano<br />

Available from Banks Music Publications<br />

Vale of Llanberis<br />

S(A) and piano or harp<br />

Vocal score 9780193524774<br />

Available from Banks Music Publications<br />

54<br />

55


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